Stroll Along Quotes

We've searched our database for all the quotes and captions related to Stroll Along. Here they are! All 100 of them:

For his part, the Count had opted for the life of the purposefully unrushed. Not only was he disinclined to race toward some appointed hour - disdaining even to wear a watch - he took the greatest satisfaction when assuring a friend that a worldly matter could wait in favor of a leisurely lunch or stroll along the embankment. After all, did not wine improve with age? Was it not the passage of years that gave a piece of furniture its delightful patina? When all was said and done, the endeavors that most modern men saw as urgent (such as appointments with bankers and the catching of trains), probably could have waited, while those they deemed frivolous (such as cups of tea and friendly chats) had deserved their immediate attention.
Amor Towles (A Gentleman in Moscow)
You know on those nature shows when the cute little meerkat is strolling along on its four cute little meerkat legs to get back to her burrow where all her little meerkat politics, drama and family await her, and this big-ass eagle comes swooping overhead…? The smart little meerkat runs for cover and waits that big-ass eagle out. Some time passes, and the meerkat finally decides the eagle got bored and went off to scare the crap out of some other cute little meerkat. So, the meerkat crawls out from her hidey-hole to carry merrily on her way. And just when that little meerkat thought she was home free, that big-ass eagle swoops down and catches her in his big-ass claws. Well… I know exactly how that little meerkat felt…
Samantha Young (On Dublin Street (On Dublin Street, #1))
Why, aren’t you just about as sweet as syrup on a sundae? I sure would appreciate that, ma’am.” He winked. “How’d you like ta stroll the deck of this fine ship with me and watch the sunset? I need a purty girl to put her arm around me and steady this bow-legged cowboy as he finds his sea legs.” I raised an eyebrow and affected a southern accent. “Why, I think you’re a pullin’ my leg there, Texas. You’ve had your sea legs a lot longer than I have.” He rubbed the stubble on his face. “You might be right at that. Well then, how about you taggin’ along to keep me warm?” “It’s about eighty degrees.” “Shoot, you’re a smart one, you are. Then how ‘bout I jes say that a feller can get pretty lonesome by hisself in a strange country and he’d like to keep compn’y with you fer a while longer.
Colleen Houck
The topography of literature, the fact in fiction,is one of my pleasures -- I mean, where the living road enters the pages of a book, and you are able to stroll along both the real and imagined road.
Paul Theroux (Ghost Train to the Eastern Star)
I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling.
Pablo Neruda
Follow your heart as long as your head and gut decide to stroll along with it.
Suza Kates (Whisper of a Witch (The Savannah Coven #1))
They travel long distances to stroll along the seashore, for reasons they can't put into words.
Edward O. Wilson
She doesn’t burn bridges, she covers them in gypsy flowers and feather kisses, then strolls along her merry way. Too heavy to carry grudges, she leaves love and hope droplets wherever she goes.
Melody Lee (Moon Gypsy)
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."... It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
Libba Bray (Rebel Angels (Gemma Doyle, #2))
A Partial History of My Stupidity Traffic was heavy coming off the bridge and I took the road to the right, the wrong one, and got stuck in the car for hours. Most nights I rushed out into the evening without paying attention to the trees, whose names I didn't know, or the birds, which flew heedlessly on. I couldn't relinquish my desires or accept them, and so I strolled along like a tiger that wanted to spring, but was still afraid of the wildness within. The iron bars seemed invisible to others, but I carried a cage around inside me. I cared too much what other people thought and made remarks I shouldn't have made. I was slient when I should have spoken. Forgive me, philosophers, I read the Stoics but never understood them. I felt that I was living the wrong life, spiritually speaking, while halfway around the world thousands of people were being slaughtered, some of them by my countrymen. So I walked on--distracted, lost in thought-- and forgot to attend to those who suffered far away, nearby. Forgive me, faith, for never having any. I did not believe in God, who eluded me.
Edward Hirsch
An evil man threw tobacco in the macaque-rhesus eyes.' Oleg was struck dumb. Up to then he had been strolling along smiling with knowing condescension, but now he felt like yelling and roaring across the whole zoo, as though the tobacco had been thrown into his own eyes. 'Why?' Thrown into its eyes, just like that! 'Why? It's senseless! Why?'" - Kostoglotov
Aleksandr Solzhenitsyn (Cancer Ward)
Insanity doesn’t run in our family,” I said. “It strolls along, takes its time and gets to know you personally.
Nick Wilgus (Stones in the Road (The Sugar Tree Series Book 2))
I feel good when I leave the darkness of the cinema, it makes me feel my life is important. For a few minutes, I stroll along the dark streets, thinking of myself as someone in a film- a man with a character, a destiny. I become aware of my clothes and my physical mass; of my quiddity, my value.
Sebastian Faulks (Engleby)
Kids reveal an obvious truth: natural wonder is built in to us,” she wrote in her journal. “We are instinctively attracted to nature.” Nature tugs on us like gravity, Carol believed. We travel long distances to stand atop mountains or stroll along seashores for reasons we can’t quite put into words. Nature keeps alive a childlike wonder and enables us to see the world anew through fresh eyes.
Will Harlan (Untamed: The Wildest Woman in America and the Fight for Cumberland Island)
And we have the night ahead of us to stroll in lilac-scented gardens. Everything there is here. It is all ours. You are mine, I am yours and the shadow, your shadow, laughs like an orange. The dream did its job and, like a postman, hurried on to someone else. So we have to be worthy, this evening, of ourselves, and of a river that runs along beside us, and that we flow into as it flows into us.
Mahmoud Darwish (A River Dies of Thirst: Journals)
I know every single street in this town. And I love strolling these streets in the mornings, in the evenings, and then at night when I am merry and tipsy. I love to have breakfasts with my friends along the Bosphorus on Sundays, I love to walk alone amid the crowds. I am in love with the chaotic beauty of this city, the ferries, the music, the tales, the sadness, the colors, and the black humor.....
Elif Shafak (The Bastard of Istanbul)
I felt instantly at home, and wanted only to dismiss Alistair, along with the rest of Justice Hall, that I might have a closer look at the shelves.I had to content myself instead with a strolling perusal, my hands locked behind my back to keep them from reaching out for Le Morte D'Arthur, Caxton 1485 or the delicious little red-and-gilt Bestiary, MS Circa 1250 or.... If I took one down, I should be lost. So I looked, like a hungry child in a sweet shop, and trailed out on my guide's heels with one longing backward glance.
Laurie R. King (Justice Hall (Mary Russell and Sherlock Holmes, #6))
I walked along Nevsky Avenue.Actually it was more torture, humiliation, and bilious irritation than a stroll...
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
We were strolling along the waterfront, his favourite walk, going nowhere in particular, the postcolonial condition.
Abdulrazak Gurnah (Admiring Silence)
I spent the afternoon musing on Life. If you come to think of it, what a queer thing Life is! So unlike anything else, don't you know, if you see what I mean. At any moment you may be strolling peacefully along, and all the time Life's waiting around the corner to fetch you one. You can't tell when you may be going to get it. It's all dashed puzzling. Here was poor old George, as well-meaning a fellow as every stepped, getting swatted all over the ring by the hand of Fate. Why? That's what I asked myself. Just Life, don't you know. That's all there was about it.
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
It gave me a feeling of temporary acceptance into that elite community, to stroll across the quad at his side. It also gave me my first faint quiver of sexual belonging, the elusive feeling that if I slipped my hand into his as we walked along, a door would fall open somewhere in the long wall of reality as I knew it, never to be closed again.
Elizabeth Kostova (The Historian)
I hear myself laughing, screeching, cackling. The world is red hot and pulsing. On fire [...] I stroll down the corridor and the flickering fluorescents celebrate my passing, humming in praise. I spin, bow and hum along. Bloody footprints trail; bloody fingers smear the walls.
Eliza Crewe (Cracked (Soul Eaters, #1))
I am cross with Christopher,” Beatrix told Amelia in the afternoon, as they strolled arm in arm along the graveled paths behind Ramsay House. “And before I tell you about it, I want to make it clear that there is only one reasonable side of the issue. Mine.” “Oh, bother,” Amelia said sympathetically. “Husbands do make one cross at times. Tell me your side, and I will agree completely.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
If you come to think of it, what a queer thing Life is! So unlike anything else, don't you know, if you see what I mean. At any moment you may be strolling peacefully along, and all the time Life's waiting around the corner to fetch you one.
P.G. Wodehouse (The Works of P.G. Wodehouse (with active table of contents))
I’m a boss walker. That’s why I stroll along holding my own hand.

Jarod Kintz (Sleepwalking is restercise)
Tas strolled along the Haven Road, flourishing his hoopak, enjoying the day and reflecting that if he had known marriage would be this exciting, he would have done it a long time ago.
Margaret Weis (Dragons of Deceit (Dragonlance: Destinies, #1))
And was it not perhaps more childlike and human to lead a Goldmund-life, more courageous, more noble perhaps in the end to abandon oneself to the cruel stream of reality, to chaos, to commit sins and accept their bitter consequences rather than live a clean life with washed hands outside the world, laying out a lonely harmonious thought-garden, strolling sinlessly among one's sheltered flower beds. Perhaps it was harder, braver and nobler to wander through forests and along the highways with torn shoes, to suffer sun and rain, hunger and need, to play with the joys of the senses and pay for them with suffering. At any rate, Goldmund had shown him that a man destined for high things can dip into the lowest depths of the bloody, drunken chaos of life, and soil himself with much dust and blood, without becoming small and common, without killing the divine spark within himself, that he can err through the thickest darkness without extinguishing the divine light and the creative force inside the shrine of his soul.
Hermann Hesse
He felt an appetite for once, one that it'd take more than a drink or two to satisfy. He strolled along for breakfast at Harga's House of Ribs, the habit of years, and got another unpleasant surprise. Normally the only decoration in there was in Sham Harga's vest and the food was good solid stuff on a cold morning, all calories and fat and protein and maybe a vitamin crying softly because it was all alone.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling
Pablo Neruda
On my first visit, some years ago, I passed the time on the long flight from London reading a history of Australian politics in the twentieth century, wherein I encountered the startling fact that in 1967 the Prime Minister, Harold Holt, was strolling along a beach in Victoria when he plunged into the surf and vanished. No trace of the poor man was ever seen again. This seemed doubly astounding to me – first that Australia could just lose a Prime Minister (I mean, come on) and second that news of this had never reached me.
Bill Bryson (In a Sunburned Country)
Tell me,' he asked, with some embarassment, as we strolled along: 'you're a bloody German, aren't you?' 'Oh, no. I'm Hungarian.' 'Hungarian?' 'Hungarian.' 'What's that? Is that a country? Or you are just having me on? 'Not at all. On my word of honour, it is a country.' 'And where do you Hungarians live?' 'In Hungary. Between Austria, Romania, Czechoslovakia and Yugoslavia'. 'Come off it. Those places were made up by Shakespeare.
Antal Szerb (The Pendragon Legend)
The next day they had lunch, followed by a stroll along the cobblestone streets of old San Juan. When the discussion turned to Cas9, Charpentier became excited. “We have to figure out exactly how it works,” she urged Doudna. “What’s the exact mechanism it uses to cut DNA?
Walter Isaacson (The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race)
Professor John Stilgoe has simple advice: Get out now. Not just outside, but beyond the trap of the programmed electronic age so gently closing around so many people. . . . Go outside, move deliberately, then relax, slow down, look around. Do not jog. Do not run. . . . Instead pay attention to everything that abuts the rural road, the city street, the suburban boulevard. Walk. Stroll. Saunter. Ride a bike and coast along a lot. Explore.
Ryan Holiday (Stillness is the Key)
1 One went to the door of the Beloved and knocked. A voice asked: “Who is there?” He answered: “It is I.” The voice said: “There is no room here for me and thee.” The door was shut. After a year of solitude and deprivation this man returned to the door of the Beloved. He knocked. A voice from within asked: “Who is there?” The man said: “It is Thou.” The door was opened for him. 2 The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere, they’re in each other all along. 3 Love is from the infinite, and will remain until eternity. The seeker of love escapes the chains of birth and death. Tomorrow, when resurrection comes, The heart that is not in love will fail the test. 4 When your chest is free of your limiting ego, Then you will see the ageless Beloved. You can not see yourself without a mirror; Look at the Beloved, He is the brightest mirror. 5 Your love lifts my soul from the body to the sky And you lift me up out of the two worlds. I want your sun to reach my raindrops, So your heat can raise my soul upward like a cloud. 6 There is a candle in the heart of man, waiting to be kindled. In separation from the Friend, there is a cut waiting to be stitched. O, you who are ignorant of endurance and the burning fire of love– Love comes of its own free will, it can’t be learned in any school. 7 There are two kinds of intelligence: one acquired, as a child in school memorizes facts and concepts from books and from what the teacher says, collecting information from the traditional sciences as well as from the new sciences. With such intelligence you rise in the world. You get ranked ahead or behind others in regard to your competence in retaining information. You stroll with this intelligence in and out of fields of knowledge, getting always more marks on your preserving tablets. There is another kind of tablet, one already completed and preserved inside you. A spring overflowing its springbox. A freshness in the center of the chest. This other intelligence does not turn yellow or stagnate. It’s fluid, and it doesn’t move from outside to inside through conduits of plumbing-learning. This second knowing is a fountainhead from within you, moving out.
Jalal ad-Din Muhammad ar-Rumi
He made sure his tone remained casual. He was trying to keep his son unaware of the encroaching alien invasion for as long as he could, be it another day or another hour. Once innocence was lost it was never regained. So he took his son fishing and strolled along the river and pretended as though the galaxy wasn’t on fire.
G.S. Jennsen (Transcendence: Aurora Rising Book Three (Aurora Rhapsody, #3))
I watched girls stroll by our table, glancing at Erik with half hidden interest before scurrying off. I wanted to shout at them to move along. We get it. He’s good-looking.
R.S. Grey (Out of Bounds (The Summer Games, #2))
We strolled quietly along the edge of the lake. The water sang its soft melody against the rocks. We
Lacey Sturm (The Mystery: Finding True Love in a World of Broken Lovers)
One bright dusk, four, five, no, my God, six summers ago, I strolled along a Greenwich avenue of mature chestnuts and mock oranges in a state of grace. Those Regency residences number amount London's Costliest properties, but should you ever inherit one, dear Reader, sell it, don't live in it. Houses like these secrete some dark sorcery that transforms their owners into fruitcakes. One such victim, an ex-chief of Rhodesian polices, had, on the evening in question, written me a check as rotund as himself to edit and print his autobiography. My state of grace was thanks in part to this check, and in part to a 1983 Chablis from the Duruzoi vineyard, a magic potion that dissolves our myriad tragedies into mere misunderstandings.
David Mitchell (Cloud Atlas)
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante. Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back. I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.” “Am I hurting you?” “No, but I’m not a puppet to be dragged around.” He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.” “Fine.” He grinned. “Fine.” I hissed back. “Fine!” We walked to the elevator, and he pushed the button to my floor. “My room is on the same floor,” Ren edxplained. I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.” Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.” “I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?” He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting. I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me. I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me. So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away. He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.” I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more. With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Over the years, my memories of that trip - our hikes along paths lined with pine trees and vivid sprigs of wildflowers and the sound of my parents' laughter echoing through the forest as they strolled hand in hand - had not faded.
Marie Benedict (The Mystery of Mrs. Christie)
There was a young couple strolling along half a block ahead of me. The sun had come up brilliantly after a heavy rain, and the trees were glistening and very wet. On some impulse, plain exuberance, I suppose, the fellow jumped up and caught hold of a branch, and a storm of luminous water came pouring down on the two of them, and they laughed and took off running, the girl sweeping water off her hair and her dress as if she were a little bit disgusted, but she wasn’t. It was a beautiful thing to see, like something from a myth. I don’t know why I thought of that now, except perhaps because it is easy to believe in such moments that water was made primarily for blessing, and only secondarily for growing vegetables or doing the wash. I wish I had paid more attention to it. My list of regrets may seem unusual, but who can know that they are, really. This is an interesting planet. It deserves all the attention you can give it.
Marilynne Robinson (Gilead)
You say that about everything,” I complained, trailing after him. “Everything is a long story, too long to tell me. I suppose after two hundred years, or whatever, things get a little convoluted, but can’t you paraphrase? How do you know the Rectors?” When we rounded the corner, it became apparent there wouldn’t be time for any stories at all, paraphrased or not. Not because the gray clouds that were hanging so threateningly overhead had burst open, the way I was half expecting them to, but because the family we’d seen earlier, along with Mr. Smith and the people holding the clipboards, were climbing into their various vehicles in the parking lot right in front of us. It shouldn’t have been a big deal. We were just an ordinary young couple, taking a late afternoon stroll through the cemetery. I’d forgotten that, due to the “vandalism” that had occurred there earlier in the week, the cemetery gates (which John had kicked apart in a fit of temper) had been ordered locked twenty-four hours a day by the chief of police. So it kind of was a big deal. Still, that didn’t explain why one of the women-the grandmother, if her gray hair was any indication-took one look at my face, made the sign of the cross, cried, “Dios mio!” then passed out cold right in front of us.
Meg Cabot (Underworld (Abandon, #2))
She’s twenty-one and just by her hairstyle you can tell she’s saving IT for the man she will marry. It’s short at the sides and high on top, with a sideburn-length curl in front each ear. Look around you next time you’re out strolling, there’s hordes of them like her. They all wore braces when they were kids, played a lot of sports, were considered tom-boys, spent endless hours worrying about pimples, black-heads and acne, and wanted only one thing out of life-- get married and be a loving motherto both their children and their husband. In the meantime, they work at meaningful jobs like teaching and nursing until the Right Man comes along. They’re the reason Canadian men are amongst the most neurotic, childish and apathetic males on the Western continent. They need the challenge of a mature woman in order to bring out their maturity, and instead they’re offered mamas. Yet it isn’t the girls’ fault. After all they’re only being what men want them to be, what they think men want them to be. And vice-versa. Both sexes being what they think the other wants them to be and neither one really knowing because they’ve never asked their opposite what they would like, and this total absence of communication being the root cause of this great void between modern man and woman
Juan Antonio Butler (The Garbageman)
And when we grow to be men and live under other laws, what remains of that park filled with the shadows of childhood, magical, freezing, burning? What do we learn when we return to it and stroll with a sort of despair along the outside of its little wall of gray stone, marveling that within a space so small we should have founded a kingdom that had seemed to us infinite - what do we learn except that in this infinity we shall never again set foot, and that it is into the game and not the park that we have lost the power to enter?
Antoine de Saint-Exupéry (Wind, Sand and Stars)
That mention of Feuerbach and joy reminded me of something I saw early one morning a few years ago, as I was walking up to the church. There was a young couple strolling along half a block ahead of me. The sun had come up brilliantly after a heavy rain, and the trees were glistening and very wet. On some impulse, plain exuberance, I suppose, the fellow jumped up and caught hold of a branch, and a storm of luminous water came pouring down on the two of them, and they laughed and took off running, the girl sweeping water off her hair and her dress as if she were a little bit disgusted, but she wasn’t. It was a beautiful thing to see, like something from a myth. I don’t know why I thought of that now, except perhaps because it is easy to believe in such moments that water was made primarily for blessing, and only secondarily for growing vegetables or doing the wash. I wish I had paid more attention to it. My list of regrets may seem unusual, but who can know that they are, really. This is an interesting planet. It deserves all the attention you can give it. In
Marilynne Robinson (Gilead)
My interview was mostly conducted by Hugo Dyson, an Oxford ‘character’, known for his wit. I always found him alarming. He was like a hyperactive gnome, and stumped around on a walking stick which, when he was seized by one of his paroxysms of laughter, he would beat up and down as if trying to drive it through the floor. It brought to mind Rumpelstiltskin driving his leg into the ground in the fairy tale. He had been one of the ‘Inklings’ – the group of dons, including Tolkien and C. S. Lewis, who met during the 1930s in the Bird and Baby pub opposite St John’s. It was he and Tolkien who, one summer night in 1931, had converted Lewis to Christianity during a stroll along Addison’s Walk. So he was, at least in part, responsible for the Narnia books. I never asked him if he liked them. But it was well known that Tolkien’s Lord of the Rings was not to his taste. Tolkien had been in the habit of favouring the Inklings with readings from it, but one day Dyson, driven to exasperation, interjected, ‘Oh not another fucking elf!’ and after that the readings stopped. On
John Carey (The Unexpected Professor: An Oxford Life in Books)
We are acknowledging the interconnectedness of our lives with other animals. Their well-being is not separate from ours. On the contrary, we share the same fate. Moving forward, how we choose to be with animals will depend on how willing we are to be with them. Not as predator and prey, not as master and servant. But as kin, as partners, and as friends, strolling shoulder to shoulder along the dips and rises that stretch before us. We lose nothing when we do so. What we gain is our health, our happiness, our humanity. And friendships that are irreplaceable.
Aysha Akhtar (Our Symphony with Animals: On Health, Empathy, and Our Shared Destinies)
Janner kept a careful eye on the trees to their right, but Peet showed no sign of worry. He strolled along without speaking, his white hair whipping about in the strong wind. Janner took comfort in the odd man’s confidence. He had proven himself a good friend and a capable fighter.
Andrew Peterson (On the Edge of the Dark Sea of Darkness)
morning stroll along the coast, the spring they put in a prairie garden, the day they revisited their childhood neighborhood, the night they attended their first major-league baseball game together, the one and only time they went skiing together and he broke his leg, the quiet times of working side by side at night in their home office, and oh yes, the awe of standing beneath the waterfall after the two-mile hike. They can almost feel the mist as they remember. Those are memories of love, especially for the person whose primary love language is quality time.
Gary Chapman (The 5 Love Languages: The Secret to Love that Lasts)
Close your eyes. Be with me. Imagine that I am stepping off of the front stoop of my old apartment building. That I am strolling along the Upper West Side, like always. Just like any other morning. It is a splendid, sunlit day, and I am wearing my brand-new Gucci pumps. Walking across 110th Street, I take the rustic, parkside staircase into the tiled recesses of the Cathedral Parkway station. It may have originally opened in 1904, but for my money it doesn’t look a day over 60. I wonder, sometimes, what it must have been like to be alive back then, when all of this was different. Before the city had made, erased, and remade itself fifty times over. In my fantasy world, everything must have been slower—easier, even. I like to think that if we could somehow slow down the passage of time, if we could eke just a little bit more out of each minute, then we could get more depth out of life. That things might taste a bit richer, more diffuse. That we could experience the fullness of sound. That we could feel things more deeply—and longer.
Kenneth Womack (The Restaurant at the End of the World)
As the girls strolled along, George said, “Will you excuse me for a little while? I have an errand to do. I’ll meet you two at the nice soda shop over on that corner.” She went down a side street and Bess said, “I wonder what she’s coming up with now.” Nancy and Bess went into the sweetshop to idle away the time. They purchased magazines, a newspaper, and salted peanuts. Then they sat down at the counter to order lunch. George came in. She said nothing about her errand and Nancy and Bess were a bit curious, because George was not usually secretive. She ordered a soda and a sandwich. As soon as the girls had finished, they headed for the bus station where they had been told there was usually a taxi.
Carolyn Keene (The Whispering Statue (Nancy Drew, #14))
As they strolled along the firm part of the beach, Cate paused. She’d been looking at the calm sea ebbing and flowing when she saw a black blob on the surface. “Look, that’s not just a rock, is it?” she asked. Lyall followed her gaze. “I do believe it’s a seal popping up to have a look around.” “Oh, how adorable! I’ve never seen a real one, except at the zoo long ago.
Rosemary Gemmell (Highcrag)
I found this affection difficult to reciprocate. You can imagine. There I would be, strolling hand in hand with my apparently fond male parent along a cliff edge or a river bank or a parapet, and the thought would occur to me that he might suddenly decide to shove me over or bash me to death with a rock. Preserving a calm facade under these circumstances was a challenge.
Margaret Atwood (The Penelopiad)
I squeezed through a horde of gum-snapping girls I recognized as seniors from my school. “He did not say that!” “Yes, he did! And you wouldn’t believe what she said!” Please, someone tell me I wouldn’t be that annoying if I had girlfriends. “Sure, you will be.” I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt. “You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.” She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.” “Pick up anything interesting?” “Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head. I blushed. “Did you happen to pick up anything important?” “Like a man walking along thinking, ‘I killed Victoria Happel’?” “Exactly.” “No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.” “Have you seen Billy Rawlinson or Frankie Creedon?” I asked. Distaste turned her mouth down. “No. Why are you looking for those scoundrels?” “Billy might be a witness in the case. Or a suspect.” “I’ll keep my eyes out and my mind open.” “Thanks,” I said. “Enjoy invading everyone’s privacy.
Kim Harrington (Clarity (Clarity, #1))
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
André Aciman (Out of Egypt: A Memoir)
There was once a bunny who lived by the ocean. Every day he would stroll along the sandy beach and pick up thoughts which had washed ashore. He would find them in shells, under rocks, and sometimes even tangled up in seaweed. "Oh, this is a good one,” he would say, “We see chaos, but if we look carefully, if we look beneath the chaos, we find perfection." And into his bucket the thought would go. When the bunny had reached a ripe old age he gathered all the thoughts together and placed them carefully into a large silver cauldron heated by the fires of life. Using a straw broom, he stirred them thoroughly, and as he was stirring he listened carefully. Much to his surprise he heard the ocean singing a wordless song of incomparable beauty. The bunny closed his eyes and said, “Ah, it was all worth it.” --The Blue Monk of Niim
Various
I know that it was around this time that I started having a recurring dream. In it, I find myself on the streets of some unnamed city, a neighborhood with trees, storefronts, light traffic. The day is pleasant and warm, with a soft breeze, and people are out shopping or walking their dogs or coming home from work. In one version I'm riding a bike, but most often I'm on foot, and I'm strolling along, without any thoughts in particular, when suddenly I realize that no one recognizes me. My security detail is gone. there's nowhere I have to be. My choices have no consequence. I wander into a corner store and buy a bottle of water or iced tea, making small talk with the person behind the counter. I settle down on a nearby bench, pop open the cap on my drink, take a sip, and just watch the world passing by. I feel like I've won the lottery.
Barack Obama (A Promised Land)
Passers-by probably thought them a pair of harmless lunatics, for they entirely forgot to hail a bus, and strolled leisurely along, oblivious of deepening dusk and fog. Little they cared what anybody thought, for they were enjoying the happy hour that seldom comes but once in any life, the magical moment which bestows youth on the old, beauty on the plain, wealth on the poor, and gives human hearts a foretaste of heaven.
Louisa May Alcott (Little Women)
Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the har­monious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and chil­dren play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physio­logical needs which are considered private as dis­creetly as possible, without realizing that such a pattern of behavior is not common to all human so­cieties. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff. His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Con­fidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath­ tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.
Czesław Miłosz (The Captive Mind)
The cat squirmed in my arms and landed on the carpet with a heavy thump. She strolled over to the litter tray, squatted down and urinated loudly, maintaining extremely assertive eye contact with me throughout. After the deluge, she lazily kicked over the traces with her back legs, scattering litter all over my freshly cleaned floor. A woman who knew her own mind and scorned the conventions of polite society. We were going to get along just fine.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Below the House Yesterday while strolling through a neighborhood on the edge of town, I passed below the house I used to go in when I was very young. There Eros had taken possession of my body with his exquisite force. And yesterday as I passed along that ancient street, suddenly everything was made beautiful by desire’s spell: the shops, the pavements, the stones, and walls, and balconies, and windows; there was nothing ugly that remained there.
Constantinos P. Cavafy (Complete Poems of C. P. Cavafy)
Ta-da! Faerie!” Jack pointed at Reth, the very definition of beauty, leaning casually against the wall in a cream Victorian suit, the shirt open around his neck revealing perfectly sculpted collarbones, his golden hair just brushing along them. “Evelyn, love, there you are.” “I—You—and you?” I looked incredulously from Jack to Reth and back again. “This does not compute on so many levels.” Jack shrugged, shoving his hands sullenly in his pockets. “Reth found me, told me you were in trouble, so I agreed to help.” Reth cocked his head, giving Jack a curious look. “I seem to recall offering you the choice between having both yours hands removed or pulling Evelyn out of that abominable iron-lined prison.” Jack didn’t meet my eyes. “Like I said, I agreed to help.” I snorted. “Noble, as always.” Reth held out his elbow. “Are we quite ready to go? I, for one, would rather not spend much time here. Tasteless décor, and the lighting doesn’t do your complexion any favors, Evelyn.” “Oh, for the love, you two are not in charge! And I don’t trust either one of you for a stroll down the hall, much less through the Faerie Paths!” Reth fixed his eyes on mine. “You have my word that you will come to no harm while in my care.” He waved a hand at Jack. “And you have my word that if he does anything I find even so much as mildly annoying, he’ll never walk again.
Kiersten White (Endlessly (Paranormalcy, #3))
For a moment I felt a vicious hatred for him and his quiet ways, his mundane stroll through the summer, his ordinariness, the banality of everything he had become. He should have been a hero or a seer. He should have told me some incredible story that I could carry with me forever. After all, he had been the one who had run along the beach parallel to a porpoise, who filled his pockets full of pebbles, who could lift the stray orange cat in his fingers.
Colum McCann (Fishing the Sloe-Black River)
Maddy ran her hand along the banks of lockers as they walked. She had strolled down this hallway a hundred times before, but now it was different, and it wasn't just the dark. Everything had changed. She came to her locker and paused. She thought about herself at that locker just days ago. That simple comfortable life she'd known for so long. One day you return to your normal surroundings and everything just feels different, she thought. But the surroundings aren't different. You are.
Scott Speer (Immortal City (Immortal City, #1))
Seen theologically, then, walking is an act of faith. Walking is, after all, interrupted falling.We see, we listen, we speak, and we trust that each step we take won't be our last, but will lead us into a richer understanding of the self and the world. In Jamaica, I felt once again as if the only identity that mattered was my own, not the constricted one that others had constructed for me. I strolled into my better self. I said, along with Kierkegaard, "I have walked myself into my best thoughts." (Garnette Cadogan in "Black and Blue")
Jesmyn Ward (The Fire This Time: A New Generation Speaks About Race)
along the esplanade, directly into the merciless line of fire of the lorgnette held by the wife of the First President from Caen, who scrutinized each and every one of them as though they might be tainted with some blemish which she felt bound to inspect in its minutest details, as she sat in her proud posture in front of the bandstand, midway along the redoubtable row of chairs in which the subjects of her scrutiny would themselves soon come to sit, actors turned critics, and set themselves to the task of examining all the other people strolling
Marcel Proust (In the Shadow of Young Girls in Flower)
Consumption was understood as a manner of appearing, and that appearance became a staple of nineteenth-century manners. It became rude to eat heartily. It was glamorous to look sickly. “Chopin was tubercular at a time when good health was not chic,” Camille Saint-Saëns wrote in 1913. “It was fashionable to be pale and drained; Princess Belgiojoso strolled along the boulevards … pale as death in person.” Saint-Saëns was right to connect an artist, Chopin, with the most celebrated femme fatale of the period, who did a great deal to popularize the tubercular look. The TB-influenced idea of the body was a new model for aristocratic looks—at a moment when aristocracy stops being a matter of power, and starts being mainly a matter of image. (“One can never be too rich. One can never be too thin,” the Duchess of Windsor once said.) Indeed, the romanticizing of TB is the first widespread example of that distinctively modern activity, promoting the self as an image. The tubercular look had to be considered attractive once it came to be considered a mark of distinction, of breeding. “I cough continually!” Marie Bashkirtsev wrote in the once widely read Journal, which was published, after her death at twenty-four, in 1887. “But for a wonder, far from making me look ugly, this gives me an air of languor that is very becoming.” What was once the fashion for aristocratic femmes fatales and aspiring young artists became, eventually, the province of fashion as such. Twentieth-century women’s fashions (with their cult of thinness) are the last stronghold of the metaphors associated with the romanticizing of TB in the late eighteenth and early nineteenth centuries.
Susan Sontag (Illness as Metaphor and AIDS and Its Metaphors)
to do with the map. Still, better safe than sorry. He stuck the map and the letter back into the envelope and put it in his inside pocket. A quick reconnaissance revealed the cottage had a back door leading to a tiny yard which in turn gave on to a narrow lane that led back towards the river. Far less chance of being spotted than if he went out the front door. In less than a minute, he was walking along the bank of the Coquet, a man with nothing more on his mind than a riverside stroll on a pleasant morning. Nobody would have guessed how bitter was his disappointment. 50 2018 – Edinburgh
Val McDermid (Broken Ground (Inspector Karen Pirie, #5))
Eventually, I looked up. Raymond was unpacking the other bag, which contained a disposable litter tray, a squishy cushion bed and a small box of kibble. The cat squirmed in my arms and landed on the carpet with a heavy thump. She strolled over to the litter tray, squatted down and urinated loudly, maintaining extremely assertive eye contact with me throughout. After the deluge, she lazily kicked over the traces with her back legs, scattering litter all over my freshly cleaned floor. A woman who knew her own mind and scorned the conventions of polite society. We were going to get along just fine.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Early risers strolling along the Thames would see the toshers wading through the muck of low tide, dressed almost comically in flowing velveteen coats, their oversized pockets filled with stray bits of copper recovered from the water’s edge. The toshers walked with a lantern strapped to their chest to help them see in the predawn gloom, and carried an eight-foot-long pole that they used to test the ground in front of them, and to pull themselves out when they stumbled into a quagmire. The pole and the eerie glow of the lantern through the robes gave them the look of ragged wizards, scouring the foul river’s edge for magic coins.
Steven Johnson (The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World)
Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room
Jennifer L. Armentrout (Deity (Covenant, #3))
I'm going to throw some suggestions at you now in rapid succession, assuming you are a father of one or more boys. Here we go: If you speak disparagingly of the opposite sex, or if you refer to females as sex objects, those attitudes will translate directly into dating and marital relationships later on. Remember that your goal is to prepare a boy to lead a family when he's grown and to show him how to earn the respect of those he serves. Tell him it is great to laugh and have fun with his friends, but advise him not to be "goofy." Guys who are goofy are not respected, and people, especially girls and women, do not follow boys and men whom they disrespect. Also, tell your son that he is never to hit a girl under any circumstances. Remind him that she is not as strong as he is and that she is deserving of his respect. Not only should he not hurt her, but he should protect her if she is threatened. When he is strolling along with a girl on the street, he should walk on the outside, nearer the cars. That is symbolic of his responsibility to take care of her. When he is on a date, he should pay for her food and entertainment. Also (and this is simply my opinion), girls should not call boys on the telephone-at least not until a committed relationship has developed. Guys must be the initiators, planning the dates and asking for the girl's company. Teach your son to open doors for girls and to help them with their coats or their chairs in a restaurant. When a guy goes to her house to pick up his date, tell him to get out of the car and knock on the door. Never honk. Teach him to stand, in formal situations, when a woman leaves the room or a table or when she returns. This is a way of showing respect for her. If he treats her like a lady, she will treat him like a man. It's a great plan. Make a concerted effort to teach sexual abstinence to your teenagers, just as you teach them to abstain from drug and alcohol usage and other harmful behavior. Of course you can do it! Young people are fully capable of understanding that irresponsible sex is not in their best interest and that it leads to disease, unwanted pregnancy, rejection, etc. In many cases today, no one is sharing this truth with teenagers. Parents are embarrassed to talk about sex, and, it disturbs me to say, churches are often unwilling to address the issue. That creates a vacuum into which liberal sex counselors have intruded to say, "We know you're going to have sex anyway, so why not do it right?" What a damning message that is. It is why herpes and other sexually transmitted diseases are spreading exponentially through the population and why unwanted pregnancies stalk school campuses. Despite these terrible social consequences, very little support is provided even for young people who are desperately looking for a valid reason to say no. They're told that "safe sex" is fine if they just use the right equipment. You as a father must counterbalance those messages at home. Tell your sons that there is no safety-no place to hide-when one lives in contradiction to the laws of God! Remind them repeatedly and emphatically of the biblical teaching about sexual immorality-and why someone who violates those laws not only hurts himself, but also wounds the girl and cheats the man she will eventually marry. Tell them not to take anything that doesn't belong to them-especially the moral purity of a woman.
James C. Dobson (Bringing Up Boys: Practical Advice and Encouragement for Those Shaping the Next Generation of Men)
Zhuangzi and Huizi were strolling along the dam of the Hao River when Zhuangzi said, “See how the minnows come out and dart around where they please! That’s what fish really enjoy!” Huizi said, “You’re not a fish—how do you know what fish enjoy?” Zhuangzi said, “You’re not I, so how do you know that I don’t know what fish enjoy?” Huizi said, “I’m not you, so I certainly don’t know what you know. On the other hand, you’re certainly not a fish—so that still proves that you don’t know what fish enjoy!” Zhuangzi said, “Let’s go back to your original question, please. You asked me how I know what fish enjoy—so you already knew that I knew it when you asked the question. I know it by standing here beside the Hao.
Zhuangzi
From the pleasure podium of Ali Qapu, beyond the enhanced enclosure, the city spread itself towards the horizon. Ugly buildings are prohibited in Esfahan. They go to Tehran or stay in Mashhad. Planters vie with planners to outnumber buildings with trees. Attracting nightingales, blackbirds and orioles is considered as important as attracting people. Maples line the canals, reaching towards each other with branches linked. Beneath them, people meander, stroll and promenade. The Safavids' high standards generated a kind of architectural pole-vaulting competition in which beauty is the bar, and ever since the Persians have been imbuing the most mundane objects with design. Turquoise tiles ennoble even power stations. In the meadow in the middle of Naghshe Jahan, as lovers strolled or rode in horse-drawn traps, I lay on my back picking four-leafed clovers and looking at the sky. There was an intimacy about its grandeur, like having someone famous in your family. The life of centuries past was more alive here than anywhere else, its physical dimensions unchanged. Even the brutal mountains, folded in light and shadows beyond the square, stood back in awe of it. At three o'clock, the tiled domes soaked up the sunshine, transforming its invisible colours to their own hue, and the gushing fountains ventilated the breeze and passed it on to grateful Esfahanis. But above all was the soaring sky, captured by this snare of arches.(p378)
Christopher Kremmer (The Carpet Wars: From Kabul to Baghdad: A Ten-Year Journey Along Ancient Trade Routes)
He-and he was quite definitely a he, there was no possible doubt about that- had been carved out of the turf thousands of years before. A white outline against the green, he belonged to the days when people had to think about survival and fertility in a dangerous world. Oh, and he had also been carved, or so it would appear, before anyone had invented trousers. In fact, to say that he had no trousers on just didn't do the job. His lack of trousers filled the world. you simply could not stroll down the little road that passed along the bottom of the hills without noticing that there was an enormous, as it were, lack of something- e.g., trousers- and what was there instead. It was definitely a figure of a man without trousers, and certainly not a woman.
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
To cap off your Trastevere stroll with one more sight, consider visiting Villa Farnesina, a Renaissance villa decorated by Raphael . To get there, face the Church of Santa Maria in Trastevere and leave the piazza by walking along the right side of the church, following Via della Paglia to Piazza di S. Egidio. Exit the piazza near the church and you’ll be on Via della Scala. Follow through the Porta Settimiana, where it changes names to Via della Lungara. On your right, you’ll pass John Cabot University. Look for a white arch that reads Accademia dei Lincei. The villa is through this gate at #230. If you’re in the mood to extend this walk, head to the river, cross the pedestrian bridge, Ponte Sisto, and make your way to Campo de’ Fiori, where the Heart of Rome Walk begins.
Rick Steves (Rick Steves' Walk: Trastevere, Rome)
Sunset’s the best time to take a stroll down Mouffetard, the ancient Via Mons Cetardus. The buildings along it are only two or three stories high. Many are crowned with conical dovecotes. Nowhere in Paris is the connection, the obscure kinship, between houses very close to each other more perceptible to the pedestrian than in this street. Close in age, not location. If one of them should show signs of decrepitude, if its face should sag, or it should lose a tooth, as it were, a bit of cornicing, within hours its sibling a hundred metres away, but designed according to the same plans and built by the same men, will also feel it’s on its last legs. The houses vibrate in sympathy like the chords of a viola d’amore. Like cheddite charges giving each other the signal to explode simultaneously.
Jacques Yonnet (Paris Noir: The Secret History of a City)
Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.
Gaston Leroux (The Phantom of the Opera)
I push through the door of the market into the fragrance of Stargazer lilies and roses, then coffee brewing and briny oysters fresh from the coast. I stroll the aisles as if in a museum, looking at every item, loading work recipe ingredients into the wire handbasket along with the odd little goodie: Cozy Shock flan, Scharffenberger chocolate. What I'd really like is ice cream: Tillamook Brown Cow or a Dove dark chocolate on chocolate ice cream bar- heaven on a stick- but it would melt long before I could get home. I grab another Scharffenberger bar to compensate. Inside the gourmet deli case, white plastic tags poke out of luscious mounds of cheese, each with handwritten names bordering on the orgasmic: BURRATA WITH TRUFFLES, EVORA, BRESCIANELLA, BLEU D'AUVERGNE. I can almost feel the creamy sensation against my tongue, smell the musk of perfect aging, taste its tang,
Jennie Shortridge (Eating Heaven)
Near the Mexican border, rocky canyons cleave the mountains, laying them aside like broken wedges of gray cheese furred with a dark mold of pinon and juniper that sheds hard shadows on moon glazed stone, etched lithographs in gray and black, taupe and silver. Beneath feathery chamisa a rattlesnake flicks his tongue, following a scent. Along a precarious rock ledge a ring-tailed cat strolls, nose snuffling the cracks. At the base of the stone a peccary trots along familiar foot trails, toward the toes of a higher cliff where a seeping spring gathers in a rocky goblet. In the desert, sounds are dry and rattling: pebbles toed into cracks, hoofs tac-tacking on stone, the serpent rattle warning the wild pig to veer away, which she does with a grunt to the tribe behind her. From the rocky scarp the ring-tailed cat hears the whole population of the desert pass about its business in the canyon below.
Sheri S. Tepper (The Fresco)
At the high school a pretty girl strolled across the parking lot to her black stallion, let her cigarette dangle from her lips while she put on her helmet, adjusted her goggles. Throwing a slender white leg over the side she jacked her little backside up and down a few times, exciting the steed. Now she came down on his back and he squatted, moaning to the soft squeeze of her hand, then at her sudden clutch shot out fast between the press of her knees. Claude looked down at his shoes as they passed, having seen nothing. But he glanced up in time to watch them glide off under the next streetlamp, the gleaming beast appearing almost languid with release, very pleased with himself and with the girl who clung to his back, small and stiff and unsatisfied. She had been noticed: everywhere along the way the leaning people looked after her as though wondering if the new week had finally begun, then they looked at one another, then back at nothing.
Douglas Woolf (Wall to Wall (American Literature))
[I was reminded] of something I saw early one morning a few years ago, as I was walking up to the church. There was a young couple strolling along half a block a head of me. The sun had come up brilliantly after a heavy rain and the trees were glistening and very wet. On some impulse, plain exuberance, I suppose, the fellow jumped up and caught hold of a branch, and a storm of luminous water came pouring down on the two of them and they laughed and took off running, the girl sweeping water off her hair and her dress as if she were a little bit disgusted but she wasn't. It was a beautiful thing to see, like something from a myth. I don't know why I thought of that now, except perhaps because it is easy to believe in such moments that water was made primarily for blessing, and only secondarily for growing vegetables and doing the wash. I wish I had paid more attention to it. My list of regrets may seem unusual, but who can know that they are, really. This is an interesting planet. It deserves all the attention you can give it.
Marilynne Robinson (Gilead (Gilead, #1))
One of the marks of our obliviousness, one of the countless signs that our thinking minds have grown estranged from the intelligence of our sensing bodies, is that today a great many people seem to believe that shadows are flat. If I am strolling along a street on a cloudless afternoon and I notice a shapeshifting patch of darkness accompanying me as I walk, splayed out on the road perpendicular to my upright self, its appendages stretching and shrinking with the swinging of my limbs, I instantly identify this horizontal swath as my shadow. As though a shadow was merely this flatness, this kinetic pancake, this creature of two dimensions whom one might peel off the street and drape over the nearest telephone wire. We identify our shadow, in other words, with that visible shape we see projected on the pavement or the whitewashed wall. Since what we glimpse there is a being without depth, we naturally assume that shadows themselves are basically flat—and if we are asked, by a curious child, about the life of shadows we are apt to reply that their lives exist only in two dimensions. Suppose,
David Abram (Becoming Animal)
He moves through the white glare of a Key West afternoon in that curious, rolling, cantilevered, ball-of-the-foot, and just-off-kilter gait that suggests a kind of subtle menace. He’s on dense and narrow and aromatic streets bearing people’s first names—Olivia, Petronia, Thomas, Emma, Angela, Geraldine. He’s Tom Sawyer on a Saturday in Hannibal, tooting like a steamboat, rid now of Aunt Polly’s clutches, left to his own devices, not to show back home until the sun is slanting in long bars. He’s Jake Barnes on a spring morning in Paris, when the horse chestnut trees are in bloom in the Luxembourg gardens. Jake is expert at shortcutting down the Boul’Mich’ to the rue Soufflot, where he hops on the back platform of an S bus, and rides it to the Madeleine, and then jumps off and strolls along the boulevard des Capucines to l’Opéra, where he then turns in at his building and rides the elevator up to his office to read the mail and sit at the typewriter and prepare a few cables for his newspaper across the Atlantic. “There was the pleasant early-morning feel of a hot day,” is the way Jake’s creator, living in this different region of light, had said it at the start of chapter 5 of The Sun Also Rises.
Paul Hendrickson (Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961)
But if they didn’t return to Halstead Hall before their absence was discovered, she’d be ruined. A young unmarried female couldn’t just go off on a trip, no matter how short, with an unmarried gentleman. They’d have to marry. Yes-they would, wouldn’t they? A powerful longing swept him as he watched her hug Mrs. Duffet. For one fleeting moment, he indulged the fantasy of being Celia’s husband. He would return to Cheapside every day after work at Bow Street to find her, his wife, waiting in his home to greet him with a kiss. They’d have a pleasant dinner, then walk down to Blackfriars Bridge and stroll across the Thames to watch the sun set in summer or the moon rise on a chilly night in winter. Once they returned home, he’d write up his reports as she darned his socks- A harsh laugh clogged his throat. As if a lady like her would ever darn socks. Or be satisfied with a simple walk across a bridge in the moonlight instead of a night at the theater. You could afford a night at the theater from time to time, and new socks anytime your old ones get holes. But only if he became Chief Magistrate. And once the children came along… Children? That was quite the leap forward, considering that a marriage between them was impossible. Damn Mrs. Plumtree to hell.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
In spite of all these concerns, in the morning when I left my hotel I went joyfully down the stairs, whistling all the while, and emerged into the street at ten or eleven, whenever I wanted. It was fun, I felt happy, and then I realized that it wasn’t all much fun and I wasn’t all that happy. Had a weight been lifted from my back? The weight of living? I had been born bowed down with grief. The universe seemed to me a kind of enormous cage, or rather a big prison, with the sky a ceiling, and the horizon walls beyond which there had to be something else. But what? I was in a vast space, and yet it was locked. Or rather, I had the feeling I was in a huge ship, and the sky above was an enormous cover. There was a crowd of prisoners, and as far as I could tell most of them were unaware of their condition. What was there beyond the walls? Well, when you really thought about it, there was a positive side to the picture: the daily prison, the little jail inside the big one, had opened its doors to me. Now I was able to stroll at will along the main thoroughfares, the broad avenues of the big jail. It was a world comparable to a zoo in which the animals enjoyed a kind of semi-freedom, with man-made mountains, artificial woods, and imitation lakes, but at the far reaches there were still the same old fences.
Eugène Ionesco (The Hermit)
Islam tells us that on the unappealable Day of Judgment, all who have perpetrated images of living things will reawaken with their works, and will be ordered to blow life into them, and they will fail, and they and their works will be cast into the fires of punishment. As a child, I knew that horror of the spectral duplication or multiplication of reality, but mine would come as I stood before large mirrors. As soon as it began to grow dark outside, the constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me. One of my insistent pleas to God and my guardian angel was that I not dream of mirrors; I recall clearly that I would keep one eye on them uneasily. I feared sometimes that they would begin to veer off from reality; other times, that I would see my face in them disfigured by strange misfortunes. I have learned that this horror is monstrously abroad in the world again. The story is quite simple, and terribly unpleasant. In 1927, I met a grave young woman, first by telephone (because Julia began as a voice without a name or face) and then on a corner at nightfall. Her eyes were alarmingly large, her hair jet black and straight, her figure severe. She was the granddaughter and greatgranddaughter of Federalists, as I was the grandson and great-grandson of Unitarians,* but that ancient discord between our lineages was, for us, a bond, a fuller possession of our homeland. She lived with her family in a big run-down high-ceiling'd house, in the resentment and savorlessness of genteel poverty. In the afternoons— only very rarely at night—we would go out walking through her neighbor-hood, which was Balvanera.* We would stroll along beside the high blank wall of the railway yard; once we walked down Sarmien to all the way to the cleared grounds of the Parque Centenario.*Between us there was neither love itself nor the fiction of love; I sensed in her an intensity that was utterly unlike the intensity of eroticism, and I feared it. In order to forge an intimacy with women, one often tells them about true or apocryphal things that happened in one's youth; I must have told her at some point about my horror of mirrors, and so in 1928 I must have planted the hallucination that was to flower in 1931. Now I have just learned that she has gone insane, and that in her room all the mirrors are covered, because she sees my reflection in them— usurping her own—and she trembles and cannot speak, and says that I am magically following her, watching her, stalking her. What dreadful bondage, the bondage of my face—or one of my former faces. Its odious fate makes me odious as well, but I don't care anymore.
Jorge Luis Borges
Harry stepped into the shadow of a large lilac tree and waited. ‘… squealed like a pig, didn’t he?’ Malcolm was saying, to guffaws from the others. ‘Nice right hook, Big D,’ said Piers. ‘Same time tomorrow?’ said Dudley. ‘Round at my place, my parents will be out,’ said Gordon. ‘See you then,’ said Dudley. ‘Bye, Dud!’ ‘See ya, Big D!’ Harry waited for the rest of the gang to move on before setting off again. When their voices had faded once more he headed around the corner into Magnolia Crescent and by walking very quickly he soon came within hailing distance of Dudley, who was strolling along at his ease, humming tunelessly. ‘Hey, Big D!’ Dudley turned. ‘Oh,’ he grunted. ‘It’s you.’ ‘How long have you been “Big D” then?’ said Harry. ‘Shut it,’ snarled Dudley, turning away. ‘Cool name,’ said Harry, grinning and falling into step beside his cousin. ‘But you’ll always be “Ickle Diddykins” to me.’ ‘I said, SHUT IT!’ said Dudley, whose ham-like hands had curled into fists. ‘Don’t the boys know that’s what your mum calls you?’ ‘Shut your face.’ ‘You don’t tell her to shut her face. What about “Popkin” and “Dinky Diddydums”, can I use them then?’ Dudley said nothing. The effort of keeping himself from hitting Harry seemed to demand all his self-control. ‘So who’ve you been beating up tonight?’ Harry asked, his grin fading. ‘Another ten-year-old? I know you did Mark Evans two nights ago –
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
THE FAIRY REEL If I were young as once I was, and dreams and death more distant then, I wouldn’t split my soul in two, and keep half in the world of men, So half of me would stay at home, and strive for Fäerie in vain, While all the while my soul would stroll up narrow path, down crooked lane, And there would meet a fairy lass and smile and bow with kisses three, She’d pluck wild eagles from the air and nail me to a lightning tree And if my heart would run from her or flee from her, be gone from her, She’d wrap it in a nest of stars and then she’d take it on with her Until one day she’d tire of it, all bored with it and done with it She’d leave it by a burning brook, and off brown boys would run with it. They’d take it and have fun with it and stretch it long and cruel and thin, They’d slice it into four and then they’d string with it a violin. And every day and every night they’d play upon my heart a song So plaintive and so wild and strange that all who heard it danced along And sang and whirled and sank and trod and skipped and slipped and reeled and rolled Until, with eyes as bright as coals, they’d crumble into wheels of gold…. But I am young no longer now; for sixty years my heart’s been gone To play its dreadful music there, beyond the valley of the sun. I watch with envious eyes and mind, the single-souled, who dare not feel The wind that blows beyond the moon, who do not hear the Fairy Reel. If you don’t hear the Fairy Reel, they will not pause to steal your breath. When I was young I was a fool. So wrap me up in dreams and death.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Hey." Jesse leaned on a rail to watch as Wyatt bent to his task. "When did you get back?" Wyatt barely paused. "Not sure. Time passes,you know?" "Yeah." Jesse arched a brow. "Something eating you,cuz?" "I'm fine." "Yeah.I can see that." Jesse turned to Zane and rolled his eyes. "We're heading up to the north range. Want to ride along?" "I'm fine here." "Well,yeah,you're doing a great job on that stall.But when you're through shoveling manure,what're you planning on doing the rest of the day?" Instead of te laugh he was expecting, Wyatt swore. Loudly. Fiercely. "I guess that means you'd like to be alone." Jesse shoved his hands into his back pockets. "Speaking from experience as an old married man,I'd say this also means that you and the lovely Lee have had a lovers' spat." In response Wyatt dug the pitchfork into a pile of dung and tossed it Jesse's way. Jesse ducked,avoiding most of the mess, except for a few bits of straw that clung to his hair. From a safe distance Zane gave a roar of laughter. "I think that means he isn't seeking your sage device, O Ancient One." "Your loss,cuz.I could have told you that what women really want is for you to admire their minds. Even when they don't make any sense at all." Jesse picked out the pieces of straw and tossed them aside before turning to Zane. "Come on.We've got a herd to deal with. Let's leave Mr. Happy to work out his problems in this pile of...horse manure." Laughing,the two strolled out of the barn. Wyatt swore gain and continued shoveling until every stall sparkled. Then he moved on to the cow barns, working his way through a mountain of frustration.
R.C. Ryan (Montana Destiny)
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.” “I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally. “Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look. “Another creditable observation. You’ve certainly a quick mind.” “Must you make this so very difficult!” Elizabeth exclaimed. “I apologize,” he said with mocking gravity. “Do go on. You were saying?” “Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.” “Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda. He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly. “You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp. “Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?” He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said. “Hear what?” Elizabeth said nervously. “An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.” “Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!” “I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.” Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances. “The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted. “Let’s stick to the salient points. What are you doing here?
Judith McNaught (Almost Heaven (Sequels, #3))
A little later, strolling about the town, I, stopped into a shop near the museum, where they sold souvenirs and post-cards. I looked over the cards leisurely; the ones I liked best were soiled and wrinkled. The man, who spoke French fluently, offered to make the cards presentable. He asked me to wait a few minutes while he ran over to the house and cleaned and ironed them. He said he would make them look like new. I was so dumbfounded that before I could say anything he had disappeared, leaving me in charge of the shop. After a few minutes his wife came in. I thought she looked strange for a Greek woman. After a few words had passed I realized that she was French and she, when she learned that I hailed from Paris, was overjoyed to speak with me. We got along beautifully until she began talking about Greece. She hated Crete, she said. It was too dry, too dusty, too hot, too bare. She missed the beautiful trees of Normandy, the gardens with the high walls, the orchards, and so on. Didn't I agree with her? I said NO, flatly. "Monsieur!" she said, rising up in her pride and dignity, as if I had slapped her in the face. "I don't miss anything," I said, pressing the point home. "I think this is marvellous. I don't like your gardens with their high walls, I don't like your pretty little orchards and your well-cultivated-fields. I like this …" and I pointed outdobrs to the dusty road on which a sorely-laden donkey was plodding along dejectedly. "But it's not civilized," she said, in a sharp, shrill voice which reminded me of the miserly tobacconiste in the Rue de la Tombe-Issoire. "Je m'en fous da la civilisation européenne!" I blurted out. "Monsieur!" she said again, her feathers ruffled and her nose turning blue with malice. Fortunately her husband reappeared at this point with the post-cards which he had given a dry-cleaning.
Henry Miller (The Colossus of Maroussi)
Ken Wharfe Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking. Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?” “Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh. At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Hey,” Sean said as he stretched. “I just took Scout out.” “Thanks,” Cade said. Sean glanced back and noticed me. “Hey, Fallon.” He smirked at Cade. “Well, guess I’ll be heading to my room now.” Scout raised his head and his tail slapped against the couch. “Three’s a crowd, and all that.” Sean ruffled the fur along Scout’s neck. “Unless, of course, you’re a dog.” He stood and stretched again. “Oh, to be a dog in a crate.” Cade rolled his eyes at Sean’s fly-on-a-wall reference. “ ’Night, Sean,” he grumbled. “See you two crazy kids later.” He strolled out of the room but paused and patted the kitchen wall. “Oh, and FYI, the shower in Cade’s room backs to the kitchen.” God, Sean was like a male version of me. Poor Brinley, always having to put up with my crap. She was a damn good sport. Cade just shook his head and muttered, “Jealous?” “Fuck yeah, I am,” Sean called back as he wandered down the hall. “I’m going to start calling you magic hands.” Though Sean was still fucking around, I sensed Cade losing his patience. “It’s not just his hands,” I said. Sean looked over his shoulder at me. “I mean, call him what you want, but don’t sell him short.” Sean just stared at me, surprised by either what I’d said or the fact I’d said anything at all. I smiled in the way that always drove guys crazy, totally fake but filled with flirtation. “Listen close tonight and maybe you can figure out what I like to call him.” He leaned his head against his door frame and groaned. “Just not even fair.” He picked his head up and glanced at me. “If you get bored, you know I live right down the hall.” I laughed, though Cade didn’t seem to find quite the humor in it I did. He slipped his hand in mine. “Not happening, bro.” Sean raised his hands. “Just throwing it out there.” “Thanks,” I said sweetly. “But my schedule is pretty full with Cade RSVPing to my fuckfest and all…” Cade chuckled. Sean gaped at me then, with a pointed look at Cade, said, “Marry her, dude. Seriously, if you don’t, I will.” He stepped into his room grumbling something about fuckfests. “My roommate is in love with you now. You’re like this hot female version of him. His dream girl.
Renita Pizzitola (Just a Little Flirt (Crush, #2))
can be horribly fallible, and is over-rated in courts of law. Psychological experiments have given us some stunning demonstrations, which should worry any jurist inclined to give superior weight to ‘eye-witness’ evidence. A famous example was prepared by Professor Daniel J. Simons at the University of Illinois. Half a dozen young people standing in a circle were filmed for 25 seconds tossing a pair of basketballs to each other, and we, the experimental subjects, watch the film. The players weave in and out of the circle and change places as they pass and bounce the balls, so the scene is quite actively complicated. Before being shown the film, we are told that we have a task to perform, to test our powers of observation. We have to count the total number of times balls are passed from person to person. At the end of the test, the counts are duly written down, but – little does the audience know – this is not the real test! After showing the film and collecting the counts, the experimenter drops his bombshell. ‘And how many of you saw the gorilla?’ The majority of the audience looks baffled: blank. The experimenter then replays the film, but this time tells the audience to watch in a relaxed fashion without trying to count anything. Amazingly, nine seconds into the film, a man in a gorilla suit strolls nonchalantly to the centre of the circle of players, pauses to face the camera, thumps his chest as if in belligerent contempt for eye-witness evidence, and then strolls off with the same insouciance as before (see colour page 8). He is there in full view for nine whole seconds – more than one-third of the film – and yet the majority of the witnesses never see him. They would swear an oath in a court of law that no man in a gorilla suit was present, and they would swear that they had been watching with more than usually acute concentration for the whole 25 seconds, precisely because they were counting ball-passes. Many experiments along these lines have been performed, with similar results, and with similar reactions of stupefied disbelief when the audience is finally shown the truth. Eye-witness testimony, ‘actual observation’, ‘a datum of experience’ – all are, or at least can be, hopelessly unreliable. It is, of course, exactly this unreliability among observers that stage conjurors exploit with their techniques of deliberate distraction.
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
You look like a goddess,” he murmured as he raked his eyes down her form. And she melted into a puddle. “Thank you.” She tried to sound cool and sophisticated. “I much prefer wearing a gown that’s not too tight.” “Except where it should be.” He dropped his gaze pointedly to her bosom. The frank admiration in his eyes made her glad that she’d let Betty guide her choice for tonight. After that other scandalous gown, she’d been reluctant to wear anything low cut, but this one did look beautiful on her, even with its décolletage. Salmon had always been a good color for her, and the satin rouleaux trim made her feel pretty and elegant. “So it’s presentable enough for dinner with your family?” she asked. “They don’t even deserve to see you in it.” The low rumble of his voice made her breath catch in her throat. “I only wish that you and I could-“ “You do look lovely,” said another voice. Lord Gabriel came up from behind Oliver, dressed all in black as usual. A look of pure mischief crossed his face. “Sorry I’m late, Miss Butterfield, but thank you, brother, for keeping her company until I arrived.” Oliver glared at him. “What the devil do you mean?” “I’m taking the young lady down to dinner.” “That office should be left to her fiancé, don’t you think?” Oliver bit out. “Pretend fiancé. You have no real claim on her. And since you had her to yourself all day…” Lord Gabriel offered his arm. “Shall we, Miss Butterfield?” Maria hesitated, unsure what to do. But Oliver was a danger to her sanity, and his brother wasn’t. So she was better off with Lord Gabriel. “Thank you, sir,” she said, taking his arm. “Now just wait one blasted minute. You can’t-“ “What? Be friendly to our guest?” Lord Gabriel asked, his face a mask of innocence. “Really, old boy, I didn’t realize it mattered that much. But if it upsets you to see Miss Butterfield on the arm of another man, I’ll certainly yield the field.” Lord Gabriel’s words seemed to give Oliver pause. Glancing from Maria to his brother, he smiled, though it didn’t nearly reach his eyes. “No, it’s fine,” he said tightly. “Perfectly fine.” When they headed down the hall with Oliver following behind, Lord Gabriel flashed her a conspiratorial glance. She wasn’t sure what the conspiracy was, but since it seemed to irritate Oliver, she went along. The incident was only the first in a series that continued throughout the week. Whenever she and Oliver found themselves alone, even for a moment, one of his siblings popped up to offer some entertainment-a stroll in the gardens, a ride into Ealing, a game of loo. With each instance, Oliver grew more annoyed, for no reason that she could see. Unless… No, that was crazy.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
WALKING WITH ANGELS IN THE COOL OF THE DAY A short time later I felt someone poke me hard in the left arm. I turned to see who it was, but there was no one there. At the time, I dismissed it and returned my attention to my thoughts. After a minute I was poked again, only this time the poke was accompanied with an audible voice! The Holy Spirit said, “I want to go for a walk with you in the cool of the day.” I jumped up totally flabbergasted. I quickly left the room and grabbed my coat, telling everyone that I was going for a walk in the “cool of the day.” It just happened to be minus 12 degrees Fahrenheit (or minus 24 Celsius)! The moment I walked out the door, the presence of the Holy Spirit fell upon me, and I began to weep again. The tears were starting to freeze on my cheeks, but I did not mind. God began to talk to me in an audible voice. I was walking through the streets of Botwood in the presence of the Holy Ghost. I could also sense that many angels were accompanying us. The angels were laughing and singing as we strolled along the snow-covered streets. It was about 8:00 A.M. The Holy Spirit led me along a road which was on the shore of the North Atlantic Ocean. For the first time since leaving the house, I began to notice that it was very cold. However, it was worth it to be in the presence of the Lord. I was directed to a small breezeway that leads out over the Bay of Exploits (this name truly proved to be quite prophetic) to a tiny island called Killick Island. As we were walking across the breezeway, the wind was whipping off the ocean at about 40 knots. Combined with the negative temperature, the wind was turning my skin numb, and my tears had crystallized into ice on my face and mustache. THE CITY OF REFUGE I said, “Holy Spirit, it is really cold out here, and my face is turning numb.” The Lord replied, “Do not fear; when we get onto this island, there will be a city of refuge.” I had no idea what a city of refuge was, but I hoped that it would be warm and safe. (See Numbers 35:25.) The winter’s day had turned even colder and grayer; there was no sun, and the dark gray sky was totally overcast. Snow was falling lightly, and being blown about by a brisk wind. As we walked onto Killick Island, it got even colder and windier. The Holy Spirit whispered to me, “Do not fear; the city of refuge is just up these steps, hidden in those fir trees.” When I ascended a few dozen steps, I saw a small stand of fir trees to the left. Just before I stepped into the middle of them, a shaft of brilliant bright light, a lone sunbeam, cracked the sky to illuminate the city of refuge. When I entered the little circle of fir trees, what the Holy Spirit had called a “city of refuge,” I encountered the manifest glory of God. Angels were everywhere. It was 8:50 A.M. As we entered, I walked through some kind of invisible barrier. Surprisingly, inside the city of refuge, the temperature was very pleasant, even warm. The bright beam of sunlight slashed into the cold, gray atmosphere. As this heavenly light hit the fresh snow, there appeared to be rainbows of colors that seemed to radiate from the trees, tickling my eyes. Suddenly, the Holy Spirit began to ask me questions. The Lord asked me to “describe what you are seeing.” Every color of the rainbow seemed to dance from the tiny snowflakes as they slowly drifted
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
The entire city was his hunting ground. In the summer months, dressed in a blazer and wearing his straw hat at a jaunty angle, he would regularly stroll along under the arches, and then along the pier. Next he would ride on the Volks Railway, where in the cramped intimacy of its hard seats he liked to talk to strangers, telling them this was the world’s oldest still-running electric train, and boring them with facts about it.
Peter James (You Are Dead (Roy Grace #11))
Red Elephant" When am I supposed to say so long? When am I supposed to say so long? When I fall in love 'fore dusk is dawn When you take my hand across the lawn With the eyes so sweet they're like a fawn Red elephant is wet & long... How am I supposed to wash you off? Rungs of bad poems I've hacked & coughed But I have to spare a breath for you Which I'll take, before we make anew Our hearts will take a stroll for two Our feet will take the avenue & Walk in unison, so cute Red elephant is turning blue Why am I here when you're over there? Let's meet at the fountains In Dundas Square Who am I supposed to be with you? I'll wait 'til you say & pretend I knew Because if it's true that walls can talk How mine would brag of tears I've sobbed When thinking of the way we walked Along the paths of sideway chalk Forever under ticking clock Where you & I are free to flock What can I write when I know it's wrong? Slapping my knee to my own damn song Where can we go when the sinking stops? To the pit of my chest As it drops and drops... Put your head upon my chest, it breathes & My fingers through your hair they weave & Your shoulders are the perfect sea In which I get lost invariably Oh the elephant is up to sea If it meets the peach fish underneath & When I am you and you are me We are stirred as spoons in lover's tea
Born Ruffians