Self Applause Quotes

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Do what thy manhood bids thee do, from none but self expect applause. He noblest lives and noblest dies who makes and keeps his self-made laws.
Richard Francis Burton
a man cannot fulfill his purpose if he is living for applause, approval, and affirmation in this world. It simply will not come—not enough, certainly, to answer the needs of his soul.
Stephen Mansfield (Mansfield's Book of Manly Men: An Utterly Invigorating Guide to Being Your Most Masculine Self)
Then back to the stage, and the acting. The bright lights, the rehearsed lines. The applause, the falling curtain. Leaving who one was for a brief time, then returning. But the self that one returned to was never exactly the same as the self that one had left behind.
Haruki Murakami (Men Without Women)
To do good in secret, and shun the world's applause, is the surest testimony of a virtuous heart and self-approving conscience.
John William Polidori (The Vampyre)
Clapping is easily the best example of self-amplification in the world. It sprouts from a single wham to a wave of sound in no time. As soon as someone clapped on hearing Tulsi’s name, an avalanche of applause followed.
Pawan Mishra (Coinman: An Untold Conspiracy)
They said she could not do it. But she didn’t listen so when she did it. And when they stood in awe, she did not hear their applause. The only validation she needed came from the voice inside her head. The voice that had always been there saying, “You got this.
Toni Sorenson
Slavery is so vile and miserable an Estate of Man, and so directly opposite to the generous Temper and Courage of our Nation; that 'tis hardly to be conceived, that an Englishman, much less a Gentleman, should plead for't.. And truly, I should have taken Sr. Rt: Filmer's "Patriarcha" as any other Treatise, which would perswade all Men, that they are Slaves, and ought to be so, for such another exercise of Wit, as was his who writ the Encomium (Praise) of Nero, rather than for a serious Discourse meant in earnest, had not the Gravity of the Title and Epistle, the Picture in the Front of the Book, and the Applause that followed it, required me to believe, that the Author and Publisher were both in earnest. I therefore took it into my hands with all the expectation and read it through with all the attention due to a Treaties, that made such a noise at its coming abroad and cannot but confess my self mightily surprised, that in a Book which was to provide Chains for all Mankind, I should find nothing but a Rope of Sand, useful perhaps to such, whose Skill and Business it is to raise a Dust, and would blind the People, the better to mislead them, but in truth is not of any force to draw those into Bondage, who have their Eyes open, and so much Sense about them as to consider, that Chains are but an Ill wearing, how much Care soever hath been taken to file and polish them.
John Locke (Second Treatise of Government (Hackett Classics))
Life is like theatre. Each new day is a new scene with new acts and roles to portray. The sets always change. You come across new dialogue and lines to exchange between others. Scripts are improvised. But the beauty in it is that everyday, you are constantly learning who you are and how others around you are. Express yourself and empathize. It's okay to wear a mask every now and then but remember that you'll eventually meet fellow thespians who will find a way to break down your walls and barriers. Remember another thing: this isn't a dress rehearsal. And God is your ultimate Director. Let Him write your script and call the cuts. Allow Him to provide you with the applause that truly matters. Let Him open up your heart to real self discovery. He is the best playwright that never dies. He lives. And so do you when you learn to let go and step on the stage of life.
Melody Joy
A dutiful wife enables a good man to add her hands to his own for self-applause.
Tom Morrison
But whatever happens, I've been happy. I've been loved. I've amazed crowds and drunk in their applause. Not because of luck or favor or magic. Because of will. My will. I've been willing to do whatever it takes. That's the closest thing I have to a secret. And now it's yours." It's a lot to think about, and he can't quite digest it. But there's a spark there. Maybe she's right about him. Maybe it is up to him, how much he lets the bullet, and the fear, take over his life. Maybe. Not a curse, but a choice. His agency and no one else's.
Greer Macallister (The Magician's Lie)
So long as you are self-obsessed, applause and mockery will equally impair your capacity. Wipe out every trace of self-obsession and you'll learn to work through both applause and mockery - and you'll rise as the true victor of time.
Abhijit Naskar (Gente Mente Adelante: Prejudice Conquered is World Conquered)
I just invented an Applause Machine. You turn it on by clapping. I figure I'll have no trouble securing Venture Capital funding, because VCs love congratulating themselves, and this time when they do, my machine will respond by adding to their self-kudos.
Jarod Kintz (Powdered Saxophone Music)
A toast," Smooth Kitty cried, feeling almost giddy, "to self-government. Saint Etheldreda's School for Young Ladies will be run by young ladies from this point forward. Hear, hear!" Great applause. "To independence!" added Pocked Louise. "No fussy old widows telling us when not to speak, and how to set the spoons when an Earl's niece comes to supper. And telling us to leave scientific experiment to the men." Teacup toasts in support of Louise. "To freedom!" chimed in Disgraceful Mary Jane. "No curfews and evil eyes and lectures on morals and propriety." Loud, if nervous, cheering. "To womankind," proclaimed Stout Alice. "Each of us girls free to be what she wishes to be, without glum and crotchety Placketts trying to make us into what we're not." Tremendous excitement. "To sisterhood," said Dear Roberta, "and standing by each other, no matter what.
Julie Berry (The Scandalous Sisterhood of Prickwillow Place)
It would be wrong for anything to stand between you and attaining goodness—as a rational being and a citizen. Anything at all: the applause of the crowd, high office, wealth, or self-indulgence. All of them might seem to be compatible with it—for a while. But suddenly they control us and sweep us away.
Marcus Aurelius (Meditations)
You may have heard the term “narcissistic injury.” This refers to the dynamic wherein, for a narcissist, saying a simple “I’m sorry” is like saying, “I am the worst human being on earth.” For all their bravado, they are easily injured by criticism, others’ disappointment in them, differing points of view, lack of notice or compliments, being ignored, and even their own mistakes. But you won’t necessarily know they are feeling injured, because they are masterful cover-up artists. Instead of appearing wounded, they will hurl the prickliest words at you, avoid you, or demand your applause for some other part of their wonderfulness. You may find yourself surrendering, offering an “I’m sorry” of your own in an effort to quell their unrelenting reactions and mend their tattered egos.
Wendy T. Behary (Disarming the Narcissist: Surviving and Thriving with the Self-Absorbed)
She may even be married to the previously described wiling warrior. Her needs, gallantly subjugated to his towering prowess, are only shared with those who will stroke her selflessness and provide her with an awe-filled “I don’t know how you do it.” Indeed, this lovely yet unabashed matron of martyrdom craves applause even as her self-effacing wisdom and perfectly perky posture leave us squirming, as if listening to the screech of nails on a chalkboard.
Wendy T. Behary (Disarming the Narcissist: Surviving and Thriving with the Self-Absorbed)
One night, around the campfire after a dinner of bully-beef stew, someone opened an extra bottle of rum. ‘As it grew darker, the men began to sing, at first slightly self-conscious and shy, but picking up confidence as the song spread.’ Their songs were not the martial chants of warriors, but the schmaltzy romantic popular tunes of the time: ‘I’ll Never Smile Again’, ‘My Melancholy Baby’, ‘I’m Dancing with Tears in My Eyes’. The bigger and burlier the singer, Pleydell noted, the more passionate and heartfelt the singing. Now the French contingent struck up, with a warbling rendition of ‘Madeleine’, the bittersweet song of a man whose lilacs for his lover have been left to wilt in the rain. Then it was the turn of the German prisoners who, after some debate, belted out ‘Lili Marleen’, the unofficial anthem of the Afrika Korps, complete with harmonies: ‘Vor der Kaserne / Vor dem grossen Tor / Stand eine Laterne / Und steht sie noch davor …’ (Usually rendered in English as: Underneath the lantern, by the barrack gate, darling I remember, how you used to wait.) As the last verse died away, the audience broke into loud whistles and applause. To his own astonishment, Pleydell was profoundly moved. ‘There was something special about that night,’ he wrote years later. ‘We had formed a small solitary island of voices; voices which faded and were caught up in the wilderness. A little cluster of men singing in the desert. An expression of feeling that defied the vastness of its surroundings … a strange body of men thrown together for a few days by the fortunes of war.’ The doctor from Lewisham had come in search of authenticity, and he had found it deep in the desert, among hard soldiers singing sentimental songs to imaginary sweethearts in three languages.
Ben Macintyre (Rogue Heroes: The History of the SAS, Britain's Secret Special Forces Unit That Sabotaged the Nazis and Changed the Nature of War)
And suddenly he became almost lyric. "For three thousand years the Common Man has been fended off from the full and glorious life he might have had, by Make Believe. For three thousand years in one form or another he has been asking for an unrestricted share in the universal welfare. He has been asking for a fair dividend from civilisation. For all that time, and still it goes on, the advantaged people, the satisfied people, the kings and priests, the owners and traders, the gentlefolk and the leaders he trusted, have been cheating him tacitly or deliberately, out of his proper share and contribution in the common life. Sometimes almost consciously, sometimes subconsciously, cheating themselves about it as well. When he called upon God, they said 'We'll take care of your God for you', and they gave him organised religion. When he calls for Justice, they say 'Everything decently and in order', and give him a nice expensive Law Court beyond his means. When he calls for order and safety too loudly they hit him on the head with a policeman's truncheon. When he sought knowledge, they told him what was good for him. And to protect him from the foreigner, so they said, they got him bombed to hell, trained him to disembowel his fellow common men with bayonets and learn what love of King and Country really means. "All with the best intentions in the world, mind you. "Most of these people, I tell you, have acted in perfect good faith. They manage to believe that in sustaining this idiot's muddle they are doing tremendous things -- stupendous things -- for the Common Man. They can live lives of quiet pride and die quite edifyingly in an undernourished, sweated, driven and frustrated world. Useful public servants! Righteous self-applause! Read their bloody biographies!
H.G. Wells (The Holy Terror)
Shortly after the Gulf War in 1992 I happened to visit a July Fourth worship service at a certain megachurch. At center stage in this auditorium stood a large cross next to an equally large American flag. The congregation sang some praise choruses mixed with such patriotic hymns as “God Bless America.” The climax of the service centered on a video of a well-known Christian military general giving a patriotic speech about how God has blessed America and blessed its military troops, as evidenced by the speedy and almost “casualty-free” victory “he gave us” in the Gulf War (Iraqi deaths apparently weren’t counted as “casualties” worthy of notice). Triumphant military music played in the background as he spoke. The video closed with a scene of a silhouette of three crosses on a hill with an American flag waving in the background. Majestic, patriotic music now thundered. Suddenly, four fighter jets appeared on the horizon, flew over the crosses, and then split apart. As they roared over the camera, the words “God Bless America” appeared on the screen in front of the crosses. The congregation responded with roaring applause, catcalls, and a standing ovation. I saw several people wiping tears from their eyes. Indeed, as I remained frozen in my seat, I grew teary-eyed as well - but for entirely different reasons. I was struck with horrified grief. Thoughts raced through my mind: How could the cross and the sword have been so thoroughly fused without anyone seeming to notice? How could Jesus’ self-sacrificial death be linked with flying killing machines? How could Calvary be associated with bombs and missiles? How could Jesus’ people applaud tragic violence, regardless of why it happened and regardless of how they might benefit from its outcome? How could the kingdom of God be reduced to this sort of violent, nationalistic tribalism? Has the church progressed at all since the Crusades? Indeed, I wondered how this tribalistic, militaristic, religious celebration was any different from the one I had recently witnessed on television carried out by Taliban Muslims raising their guns as they joyfully praised Allah for the victories they believed “he had given them” in Afghanistan?
Gregory A. Boyd (The Myth of a Christian Nation: How the Quest for Political Power Is Destroying the Church)
The Head Scissor and CEO of a major corporation was once asked to give a seminar on the topic of innovation to a young and thriving startup company. After looking out upon the big-eyed crowd of young and inexperienced scissors standing there on their snippers, the aged guru opened and closed with a few thoughts that made every scissor look deep within themselves. She said, “The heart asks us to make incisions by following it along the path of intuition. Otherwise, we can be certain we’re just following behind someone else’s dotted lines. Every morning when I get out of the shower and look in the mirror, I say to myself, ‘You stand tall with long legs and bright eyes, but what good are you, if you can’t stay on the cutting edge of your self?’” After receiving a thunderous applause she gave a knowing smile and made her exit.
Curtis Tyrone Jones
Encouraged by her parents’ applause, the girl went on: “Do you think we take off our tops to give you pleasure? We do it for ourselves, because we like it, because it feels better, because it brings our bodies nearer to the sun! You’re only capable of seeing us as sex objects!” Again Papa and Mama Clevis applauded, but this time their bravos had a somewhat different tone. Their daughter’s words were indeed right, but also somewhat inappropriate for a fourteen-year-old. It was like an eight-year-old boy saying: “If there’s a holdup, Mama, I’ll defend you.” Then too the parents applaud, because their son’s statement is clearly praiseworthy. But since it also shows excessive self-assurance, the praise is rightly shaded by a certain smile. With such a smile the Clevis parents had tinged their second bravos, and their daughter, who had heard that smile in their voices and did not approve of it, repeated with irritated obstinacy: “That’s over and done with. I’m not anybody’s sex object.” Without smiling, the parents merely nodded, not wanting to incite their daughter any further. Jan, however, could not resist saying: “My dear girl, if you only knew how easy it is not to be a sex object.” He uttered these words softly, but with such sincere sorrow that they resounded in the room for a long while. They were words difficult to pass over in silence, but it was not possible to respond to them either. They did not deserve approval, not being progressive, but neither did they deserve argument, because they were not obviously against progress. There were the worst words possible, because they were situated outside the debate conducted by the spirit of the time. They were words beyond good and evil, perfectly incongruous words.
Milan Kundera (The Book of Laughter and Forgetting)
...The happy Warrior... 'tis, finally, the man, who, lifted high, conspicuous object in a nation's eye, or left unthought-of in obscurity,— who, with a toward or untoward lot, prosperous or adverse, to his wish or not— plays, in the many games of life, that one where what he most doth value must be won: whom neither shape or danger can dismay, nor thought of tender happiness betray; who, not content that former worth stand fast, looks forward, persevering to the last, from well to better, daily self-surpast: who, whether praise of him must walk the earth for ever, and to noble deeds give birth, or he must fall, to sleep without his fame, and leave a dead unprofitable name— finds comfort in himself and in his cause; and, while the mortal mist is gathering, draws his breath in confidence of Heaven's applause: this is the happy Warrior; this is he that every man in arms should wish to be.
William Wordsworth (Character of the Happy Warrior)
Have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it? That night he had answered no. Tonight he would have said yes. Among other things, he wanted to know where she was; a month ago he’d told himself it was because he wanted the divorce petition served. Tonight he was too exhausted from his long internal battle to bother lying to himself anymore. He wanted to know where she was because he needed to know. His grandfather claimed not to know; his uncle and Alexandra both know, but they’d both refused to tell him, and he hadn’t pressed them. Wearily, Ian leaned his head against the back of his chair and closed his eyes, but he wouldn’t sleep, and he knew it, even though it was three o’clock in the morning. He never slept anymore unless he’d either had a day of grueling physical activity or drunk enough brandy to knock himself out. And even when he did, he laid awake, wanting her, and knowing-because she’d told him-that she was somewhere out there, lying awake, wanting him. A faint smile touched his lips as he remembered her standing in the witness box, looking heartbreakingly young and beautiful, first trying logically to explain to everyone what had happened-and when that failed, playing the part of an incorrigible henwit. Ian chuckled, as he’d been doing whenever he thought of her that day. Only Elizabeth would have dared to take on the entire House of Lords-and when she couldn’t sway them with intelligent logic, she had changed tack and used their own stupidity and arrogance to defeat them. If he hadn’t felt so furious and betrayed that day, he’d have stood up and given her the applause she deserved! It was exactly the same tactic she’d used the night he’d been accused of cheating at cards. When she couldn’t convince Everly to withdraw from the duel because Ian was innocent, she’d turned on the hapless youth and outrageously taken him to task because he’d already engaged himself to her the next day. Despite his accusation that her performance in the House of Lords had been motivated by self-interest, he knew it hadn’t. She’d come to save him, she thought, from hanging.
Judith McNaught (Almost Heaven (Sequels, #3))
Hilly Brown was trying to cope with the idea that, for the first time in his life, he had failed at something he really wanted to do. He had been pleased with the applause and congratulations, and he was not so self-deprecating as to mistake honest praise for politeness. But there was a stony part of him—the part which, under other circumstances, might have made him a great artist—which was not satisfied with honest praise. Honest praise, this stony part insisted, was what the bundlers of the world heaped on the heads of the barely competent. In short, honest praise was not enough… “What do you want, Hilly!?” [his mother] would have cried, throwing up her hands. “Dis-honest praise?” Ev, who saw much, and David, who saw more, could have told her. He wanted to make their eyes get so big they looked like they were going to fall out. He wanted to make the girls scream, and the boys yell... He would have traded all the honest praise and genuine applause in the world for just one scream, one belly-laugh, one woman fainting dead away like the booklet says they did when Harry Houdini did his famous milk-can escape. Because honest praise means you only got good. When they scream and laugh and faint, that means you got great. But he suspected—no, he knew—that he was never going to get great, and all the want in the world wasn’t going to change that fact. It was a bitter blow—not the failure itself, so much as the knowing it couldn’t be changed. It was like the end of Santa Clause, in a way.
Stephen King (The Tommyknockers)
The reflections of Sir Mulberry Hawk—if such a term can be applied to the thoughts of the systematic and calculating man of dissipation, whose joys, regrets, pains, and pleasures, are all of self, and who would seem to retain nothing of the intellectual faculty but the power to debase himself, and to degrade the very nature whose outward semblance he wears—the reflections of Sir Mulberry Hawk turned upon Kate Nickleby, and were, in brief, that she was undoubtedly handsome; that her coyness must be easily conquerable by a man of his address and experience, and that the pursuit was one which could not fail to redound to his credit, and greatly to enhance his reputation with the world. And lest this last consideration—no mean or secondary one with Sir Mulberry—should sound strangely in the ears of some, let it be remembered that most men live in a world of their own, and that in that limited circle alone are they ambitious for distinction and applause. Sir Mulberry’s world was peopled with profligates, and he acted accordingly. Thus, cases of injustice, and oppression, and tyranny, and the most extravagant bigotry, are in constant occurrence among us every day. It is the custom to trumpet forth much wonder and astonishment at the chief actors therein setting at defiance so completely the opinion of the world; but there is no greater fallacy; it is precisely because they do consult the opinion of their own little world that such things take place at all, and strike the great world dumb with amazement.
Charles Dickens (Nicholas Nickleby)
Man was made for action, and to promote by the exertion of his faculties such changes in the external circumstances both of himself and others, as may seem most favourable to the happiness of all. He must not be satisfied with indolent benevolence, nor fancy himself the friend of mankind, because in his heart he wishes well to the prosperity of the world. That he may call forth the whole vigour of his soul, and strain every nerve, in order to produce those ends which it is the purpose of his being to advance, Nature has taught him, that neither himself nor mankind can be fully satisfied with his conduct, nor bestow upon it the full measure of applause, unless he has actually produced them. He is made to know, that the praise of good intentions, without the merit of good offices, will be but of little avail to excite either the loudest acclamations of the world, or even the highest degree of self-applause. The man who has performed no single action of importance, but whose whole conversation and deportment express the justest, the noblest, and most generous sentiments, can be entitled to demand no very high reward, even though his inutility should be owing to nothing but the want of an opportunity to serve. We can still refuse it him without blame. We can still ask him, What have you done? What actual service can you produce, to entitle you to so great a recompense? We esteem you, and love you; but we owe you nothing. To reward indeed that latent virtue which has been useless only for want of an opportunity to serve, to bestow upon it those honours and preferments, which, though in some measure it may be said to deserve them, it could not with propriety have insisted upon, is the effect of the most divine benevolence. To punish, on the contrary, for the affections of the heart only, where no crime has been committed, is the most insolent and barbarous tyranny.
Adam Smith (The Theory of Moral Sentiments)
Two hours later, the drawing room converted, the costumes wrapped, the electric-kerosene lamps flickering in a semicircle at their feet, the performers enacted the thirty-minute ode to love and the Mediterranean, Home by the Sea. Miss Charming kept a ferocious grip on her script and gave oily air kisses to Colonel Andrews. Amelia was calm and sweet, melting into her dialogue with Captain East as though into his arms. Jane knelt beside Mr. Nobley, the wounded war captain, as he nearly died, and did her best to sound earnest. Old Jane would’ve run away or laughed self-consciously throughout. New Jane decided to feel as enchanting as Miss Charming and performed each line with relish and passion. It didn’t matter that she wasn’t a very good actress. Mr. Nobley’s character miraculously recovered all the same, leading to the part where he stood and took her hands. They were still cold. He paused, as though trying to remember what came next. He looked. Looked at her. At her and into her. Into her eyes as though he couldn’t bear to look away. And there was a delicious curl in his smile. “I love you,” he said. Zing, thought Jane. It was his line, more or less, though simplified. Stripped of similes and farms and rain and moon and all, it pierced her. She opened her mouth to say her own line but couldn’t remember a single word. And she didn’t want to. He leaned. She leaned. Then Aunt Saffronia, who’d been laughing encouragingly during the parts that were supposed to be sad and clapping gleefully whenever a new character came onstage, now cleared her throat as though intensely uncomfortable. Mr. Nobley hesitated, then kissed Jane’s cheek. His lips were warm, his cheek slightly scratchy. She smiled and breathed him in. At length, the six actors stood side by side, pretending the bright yellow wall of the drawing room opened to a view of the Mediterranean Sea, and said their closing lines. Jane: Trying to sound actress-y. “At last, we are all truly happy.” Miss Charming: Pause. Crinkling of paper. Frantic searching for line. “Indeed.” Amelia: With a shy smile for the tall man beside her. “Our travels are ended.” Captain East: With a manly smile for his lady. “We can rest peacefully in each other’s arms.” Colonel Andrews: As always, with panache! “And no matter where we may roam…” Mr. Nobley: A sigh. “This will always be our home.” His voice unhappy with the line. “By the sea.” And, silence as the audience waited for who knows what--a better ending line? A better play? Colonel Andrews cleared his throat, and Jane inclined her head in a hurried curtsy. “Oh,” Aunt Saffronia said and started the applause. The audience clapped enthusiastically and arhythmically, and the cast bowed, Miss Charming giggling. Jane squinted past the lamps to get her first good look at the audience, now that the play was over and stage fright couldn’t prickle her. Aunt Saffronia, beaming. Mrs. Wattlesbrook, looking for all the world like a proud schoolmarm. Matilda, bored, and a few other servants, equally bored.
Shannon Hale (Austenland (Austenland, #1))
Human beings are contradictory, hypocritical, a mix of good and evil, selflessness and selfishness - and our countries cannot help reflecting that. Yes, the United States, as a superpower, has done many abhorrent things. It has also done many praiseworthy things. The first can also be said of the Soviet Union and China; neither merits the second. History and politics gave the United States responsibilities few would want. It accepted those responsibilities and the rest of us tagged along. And we in Canada were happy to tag along. We wanted to profit from their economy; we have. We felt free to reduce our military to inconsequence because they would protect us; they have. (In a military sense, do the Americans really need NORAD? Hardly.) We wanted to have the television and washing machines and dishwashers they have; we do. Yet we laughed at their simple-minded glitz, their ignorance of the world - all the while heading in droves for Las Vegas and Los Angeles. We wanted the American Dream - without the name and without the responsibilities; we have it, to a large extent - and it is this that allows us to caress our little sense of moral superiority. The number of Canadians who expressed sympathy for the victim while blaming him (and watching his movies and his TV sitcoms, listening to his music, eating his food and dreaming of Florida) attained, in a time of grave crisis, a level of self-satisfied hypocrisy that is usually found only in the NDP, those paragons of democratic values who have few good words for the Americans but much mindless applause for Castro. We're lucky in this country to have none of the international responsibilities the Americans do, because then we wouldn't be able to lord it morally over them - and then where would we be? Canadians have no problems anywhere in the world, we like to boast. What we don't realize is, it's not because we're likeable, it's because we're inoffensive. We're welcome by default.
Neil Bissoondath (Selling Illusions: The Cult Of Multiculturalism In Canada)
They were divided into four categories that are described below along with examples of the motivational behaviours included within each. 1     Teacher discourse: arousing curiosity or attention, promoting autonomy, stating communicative purpose/utility of activity 2     Participation structure: group work/pair work 3     Activity design: individual competition, team competition, intellectual challenge, tangible task product 4     Encouraging positive retrospective self-evaluation and activity design: effective praise, elicitation of self/peer correction session, class applause. In each lesson, the learners’ motivation was measured in terms of their level of engagement. The proportion of students who paid attention, who actively participated, and who eagerly volunteered during activities was calculated. A three-level scale was used to measure engagement in each observed lesson: very low (a few students), low (one third to two thirds of the students) and high (more than two thirds of the students). Learners also completed a questionnaire about their motivation levels specifically related to their EFL class. The researchers found significant positive correlations between the teachers’ motivational practices, the learners’ engagement behaviours, and the learners’ self-reports on the questionnaire. The researchers acknowledge that correlation results do not indicate cause–effect relationships. Nevertheless, the findings are important because this is the first study to provide ‘any empirical evidence concerning the concrete, classroom-specific impact of language teachers’ motivational strategies’ (Guilloteaux and Dörnyei 2008: 72).
Patsy M. Lightbown (How Languages are Learned)
Cato did not consider himself a brave individual. He could already feel the unsettled flutters in the pit of his stomach and the cold sweat pricking out down his spine. He wondered why he had not become used to it after so many years of fighting. What was it in him that preyed on his mind, thrusting forward terrifying images from past battles as well as imagined scenes of dreadful vividness? For Cato it seemed that there were two sides of his being locked in a perpetual struggle. The Cato he wanted to be - courageous, bold and respected, unburdened by self-doubt - and that other, truer, version - fearful, anxious and agonisingly sensitive to the view other people had of him. The latter could only ever act out the role of the former, winning the applause of the moment, before withdrawing into the shabby robes of his real nature. The thought sickened him
Simon Scarrow (The Legion (Eagle, #10))
Terrible cultural struggle is kindled by the demand that that which is great shall be eternal. For everything else that lives exclaims 'No!' The customary, the small, and the common fill up the crannies of the world like a heavy atmosphere which we are all condemned to breathe. Hindering, suffocating, choking, darkening, and deceiving: it billows around what is great and blocks the road which it must travel towards immortality. This road leads through human brains — through the brains of miserable, short-lived creatures who, ever at the mercy of their restricted needs, emerge again and again to the same trials and with difficulty avert their own destruction for a little time. They desire to live, to live a bit at any price. Who could perceive in them that difficult relay race by means of which only what is great survives? And yet again and again a few persons awaken who feel themselves blessed in regard to that which is great, as if human life were a glorious thing and as if the most beautiful fruit of this bitter plant is the knowledge that someone once walked proudly and stoically through this existence, while another walked through it in deep thoughtfulness and a third with compassion. But they all bequeathed one lesson: that the person that lives life most beautifully is the person who does not esteem it. Whereas the common man takes this span of being with such gloomy seriousness, those on their journey to immortality knew how to treat it with Olympian laughter, or at least with lofty disdain. Often they went to their graves ironically — for what was there in them to bury? The boldest knights among these addicts of fame, those who believe that they will discover their coat of arms hanging on a constellation, must be sought among philosophers. Their efforts are not dependent upon a 'public,' upon the excitation of the masses and the cheering applause of contemporaries. It is their nature to wander the path alone. Their talent is the rarest and in a certain respect most unnatural in nature, even shutting itself off from the hostile towards similar talents. The wall of their self-sufficiency must be made of diamond if it is not to be demolished and shattered. For everything in man and nature is on the move against them. Their journey towards immortality is more difficult and impeded than any other, and yet no one can be more confident than the philosopher that he will reach his goal. Because the philosopher knows not where to stand, if not on the extended wings of all ages. For it is the nature of philosophical reflection to disregard the present and momentary. He possesses the truth: let the wheel of time roll where it will, it will never be able to escape from the truth.
Friedrich Nietzsche
He steps to the lectern and does his Mussolini routine, which he’s perfected over the past months. It’s a nodding wave, a grin, a half-sneer, and a little U.S. Open–style applause back in the direction of the audience, his face the whole time a mask of pure self-satisfaction. “This is unbelievable, unbelievable!” he says, staring out at a crowd of about 4,000 whooping New Englanders with snow hats, fleece and beer guts. There’s a snowstorm outside and cars are flying off the road, but it’s a packed house.
Matt Taibbi (Insane Clown President: Dispatches from the 2016 Circus)
The applause of the conscience can only bring a marvelous Self-Esteem
Rajasaraswathii (Success-Talks : For Evolution of Your Success)
If the outer mind hungers for status, money, and applause, the inner mind hungers for harmony and connection—those moments when self-consciousness fades away and a person is lost in a challenge, a cause, the love of another or the love of God.
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
Shawn Barr takes only a few steps onto the stage, and all of us are clapping for him. He bends at the waist in a bow, and I'm not sure if it's the loud applause or my heart beating so hard, but it feels like an explosion inside me. He is the one whogot us to this place tonight.
Holly Goldberg Sloan (Short)
Degrading laughter is a trash compactor and I will not jump in. It’s a self esteem detractor that some call a chiropractor and say to, “give it a spin.” But I won’t test drive that bee hive. So please don’t try to hand me the keys. That victimizing humor is a self consuming consumer that just stirs up the B’s: belittle, betray, bereave, blatant because it binges on the hinges of its own applause.
Calvin W. Allison (The Sunset of Science and the Risen Son of Truth)
For the applause of the masses, those with caged minds find themselves compromising things that matter most to please people who matter least
Edgar Mangwende
For becoming a better player, we must self-analyze our best performance & critically listen to own conscience - it will highlight the flaws we got away with.. Most of the times we win due to weak competition or external conditions, but we get so deafened by the applause that a call of improvement never reach our ears.
Shahenshah Hafeez Khan
During the first part of this stage, the encouragement and support of parents and teachers was crucial to the child’s progress, but eventually the students began to experience some of the rewards of their hard work and became increasingly self-motivated. A piano student performed for others and appreciated the applause. A swimmer basked in the approval and respect of peers. These students became more vested in the process, and their self-image started to include those abilities that were setting them apart from their peers. In the case of team sports, like swimming, the students often relished being part of a group of like-minded people. But whatever the reasons, the motivation started to shift from external to internal in origin.
Anders Ericsson (Peak: How all of us can achieve extraordinary things)
Do what thy manhood bids thee do, from none but self expect applause, He noblest lives and noblest dies who makes and keeps his self-made laws.
Barbara W. Tuchman (The Proud Tower: A Portrait of the World Before the War 1890-1914)
Feeling proud of ourselves never require spectators for applauses.
Tshetrim Tharchen (A Play of the Cosmos: Script of the Stars)
Many people from the lack of success, stuck in frustration under low self-esteem, are looking for applause on the web. If the energy invested in this would be spent on similar aspirations in the real world, it would probably also have real benefits.
WODZU from dobreprogramy.pl
Take one thing with another, and the world is a pretty good sort of world; and ’tis our duty to make the best of it and be thankful. One’s true happiness depends more upon one’s own judgement of one’s self, on a consciousness of rectitude in action and intention, and in the approbation of those few who judge impartially, than upon the applause of the unthinking
H.W. Brands (The First American: The Life and Times of Benjamin Franklin)
Do what thy manhood bids thee do, From none but self expect applause; He noblest lives and noblest dies Who makes and keeps his self-made laws. —SIR RICHARD FRANCIS BURTON
Louis L'Amour (Education of a Wandering Man: A Memoir)
We smile at lovers holding hands in the park. But we wrinkle our noses if we find them acting out their lust under the bushes. Love receives the world’s applause. Lust is furtive, ashamed, and embarrassed. Love pursues the good of the other, with self-control, concern, reason, and patience. Lust pursues its own gratification, headlong, impatient of any control, immune to reason. Love thrives on candlelight and conversation. Lust is equally happy in a doorway or a taxi, and its conversation is made of animal grunts and cries. Love is individual: there is only the unique Other, the one doted upon, the single star around whom the lover revolves. Lust takes what comes. Lovers gaze into each others’ eyes. Lust looks sideways, inventing deceits and stratagems and seductions, sizing up opportunities (fig. 9). Love grows with knowledge and time, court- ship, truth, and trust. Lust is a trail of clothing in the hallway...Living with lust is like living shackled to a lunatic.
Simon Blackburn (Lust: The Seven Deadly Sins)
Perhaps one of the most remarkable cases is one cited by F. W. H. Myers in his chapter on hypnotism in Human Personality: a young actress, an understudy, called upon suddenly to replace the star of her company, was sick with apprehension and stage-fright. Under light hypnosis she performed with competence and brilliance, and won great applause; but it was long before she was able to act her parts without the aid of the hypnotist, who stationed himself in her dressing-room. (Later in this same case the phenomenon of “post-hypnotic suggestion” began to be observed, and the foundations of the Nancy School of autosuggestion, of which Coué is the most famous contemporary associate, were laid.) In the same chapter in which he quotes the remarkable case of the actress, Myers made a theorizing comment which is of immense value to everyone who hopes to free himself of his bondage to failure. He points out that the ordinary shyness and tentativeness with which we all approach novel action is entirely removed from the hypnotized subject, who consequently acts instead with precision and self-confidence. Now the removal of shyness, or mauvaise honte (he wrote), which hypnotic suggestion can effect, is in fact a purgation of memory—inhibiting the recollection of previous failures, and setting free whatever group of aptitudes is for the moment required.
Dorothea Brande (Wake Up and Live!: A Formula for Success That Really Works!)
You won’t get applause if you don’t work for a cause!
RJ Yolande Mendes
We can use what we’ve been given for others. Success in itself isn’t a bad thing. There’s never been a day in my life in which I’ve wanted to lose, whether that’s a game or a deal. But I also know that if I allow success to be used in only a self-fulfilling way, I will lack purpose. Significance, however, is about others, loving and serving people. One of the greatest questions you can ask yourself is, Does my life change other people’s lives for the better? When you’re focused on others—when your priorities are wrapped around the Great Commission, bringing the love of Jesus to hurting people—your life counts for more than a title people will forget or an achievement someone will probably surpass in time. Years ago, I heard it said that one of the greatest tragedies in life is to look back one day and say, “I was successful in things that don’t matter.” I am writing this chapter so that you live today with tomorrow in mind and so that your end goal is not shaped by who the world says you are but rather is anchored in whose you are. I don’t want your end goal to be about praise, promotion, and applause; I want it to be about people, purpose, and passion.
Tim Tebow (Mission Possible: Go Create a Life That Counts)
Look for instance at the notorious Dan Savage, the gay advice columnist whose work is featured in arts newspapers across the country. His language is habitually violent and obscene. He seems to be filled with hatred against anybody who believes in anything less than what the furthest advanced of the sexual revolutionaries demand. It’s a mark of our madness and irresponsibility that this fellow, who is deeply unbalanced, is invited to public schools to advise the students that being homosexual “gets better,” thus encouraging them in the kinds of sexual experimentation that would land some of them at the same horrible place where he himself is standing. When, at one school, he began to rail against Jesus, some of the Christian students quietly got up and left the hall, whereupon he subjected them to a volley of ridicule, to the applause of some of their fellows in the audience. I cannot imagine for any reason subjecting young people to ridicule. But the self-contradiction seems to have escaped the notice of the promoters of Savage, who is pretending to go about fighting the bullies, when he himself is a bully, spoiled, hurt, angry, and vindictive, as even a passing acquaintance with his advice would show. Porn’s all right for him, mutually agreed-upon cruelty, multiple partners, prostitution, whatever; everything is all right except what really is all right. Yet for all his wealth and fame, he hasn’t gotten better at all.
Anthony Esolen (Defending Marriage: Twelve Arguments for Sanity)
It was a dance like no other, a dance of seduction. Henry did not take his blue eyes off my face, he danced toward me, stamped his foot and clapped his hands as if he would strip me naked then and there before the whole court. I banished the thought of the watching queen from my mind. I kept my head up and my eyes fixed on the king, and I danced toward him, the sly tripping steps, with a sway of my hips and a turn of my head. We faced one another and he snatched me up in the air and held me, there was a ripple of applause, he lowered me gently to my feet and I felt my cheeks burning with a potent combination of self-consciousness, triumph, and desire. We parted to the beat of the tabor and then came back as the dance turned our steps toward each other again. Once again he threw me up in the air and this time slid me down, so that my body was pressed against his. I felt him down every inch of my body: his chest, his hose, his legs. We paused, our faces so close that if he had leaned forward he could have kissed me. I felt his breath on my face and then he said very quietly: “My chamber. Come at once.” ♦
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
It is delusional to seek peace and prosperity by settling for a safe life devoted to appeasing other people. We live only once. A person whom pursues outward applause for their life by gaining a sense of status in other people’s eyes surrenders their own values. A princely life demands more than appeasing a phantom audience. I aspire to live an authentic life by following my passion no matter where it leads.
Kilroy J. Oldster (Dead Toad Scrolls)
Conversely, the response of the beerhall crowds – later the mass rallies – gave him the certainty, the self-assurance, the sense of security, which at this time he otherwise lacked. He needed the orgasmic excitement which only the ecstatic masses could give him. The satisfaction gained from the rapturous response and wild applause of cheering crowds must have offered compensation for the emptiness of his personal relations. More than that, it was a sign that he was a success, after three decades in which – apart from the pride he took in his war record – he had no achievements of note to set against his outsized ego. Simplicity and repetition were two key ingredients in his speaking armoury. These revolved around the unvarying essential driving-points of his message: the nationalization of the masses, the reversal of the great ‘betrayal’ of 1918, the destruction of Germany’s internal enemies (above all the ‘removal’ of the Jews), and material and psychological rebuilding as the prerequisite for external struggle and the attainment of a position of world power.
Ian Kershaw (Hitler)
Seven years ago tonight, every dream I ever had came true. That's not something too many men get to claim. I'm very lucky, blessed, whichever you believe. Probably a lot of both. Tonight marks the anniversary of my debut performance at Ceasars Palace." On his cue, the crowd whipped into congratulary rapture. Blindsided by his recollection, Isavel was motionless. That's what he recalls happening on this date? "Indulgent, lazy, self-centered... jerk!" she said, grabbing her purse, thinking she'd climb over the seat. "I'm going home!" Before she could turn, hositing herself over, a spotlight landed on her. In the darkened arena Aidan and Isabel were face-to-face. He stared. The same way he did years ago in his pickup truck, holding tight to her wrist, the same way he did on the dance floor at the gala. The same way he did in the moment she left him. "If you can believe it," he said, still staring, "something even more important happened that day. As dreams of fame and fortune go, this topped everything. I've always know that." Then, in a softer voice: "And I'm a fool because I should have never given up." Even from her vantage point, Isabel could see the gulp roll through his throat. "It's my great privilege this evening to introduce my wife, Isabel Royce." He gestered to the box. Isabel responded by sinking to her seat. "What's he talking about?" she hissed to Mary Louise. "We're divorced!" From her right, Tanya nudged her. It was like being on a palace balcony, Isabel offering a deer-in-the-headlights wave to the subjects, a thoroughly baffled look at Aidan. In return, he smiled at her clear confusion. "My wife ..." Why is he calling me that? There was a mixed reaction, lots of gasps, some applause, and the disappointed groans from female fans. "She's done me the tremendous honor of making a rare appearance at one of my shows. Seven years ago, she agreed to marry me. At the time, my life was more trouble than promise. We were two scared kids who had nothing but each other. Really, it was all I needed. We were married in true Vegas fashion." Hoots and hollers echoed, his glance dropping to the stage floor. Sharing this was making the performer uncomfortable. He pushed on. "While most women would have been satisfied with a ring ... " His long fingers fluttered over the snake. "This was Isabel's idea of a permanent bond." It drew a wave of subtle laughter, Isabel included. "Do you remember how the story went?" he said, speaking only to Isabel in a crowd of thousands. "As long as I had it, I'd never be without you. Turns out, it wasn't a story, it was the absolute truth. Lately though," he said, turning back to his public narrative, "circumstance, some serious, some calculated, has prevented me from getting my wife's attention. So tonight I resorted to an old performer's trick, a captive audience. I planned this moment, Isabel, knowing you'd be here. Regardless of anything you may believe, I meant what I said on our wedding night, in the moment I said it. I love you. I always have.
Laura Spinella (Perfect Timing)
The trouble with Hemingway’s cabin in the woods is that it’s a cabin and it’s in the woods. The Beatles didn’t get good by renting a self-storage garage in the boonies and doing their ten thousand hours in solitude. There seems to be an audience component to getting good, even if the audience happens to be in a Hamburg strip club. Yes, young writers need to log long hours with their tools, but once their solitary work’s done, they need to talk and compare notes with other apprentices, as well as mentors. With others, they need to test their sense of what’s working and what isn’t. Hearing even drunken applause is important; it helps you keep going.
Richard Russo (The Destiny Thief: Essays on Writing, Writers and Life)