Strokes Quotes

We've searched our database for all the quotes and captions related to Strokes. Here they are! All 200 of them:

The Chinese use two brush strokes to write the word 'crisis.' One brush stroke stands for danger; the other for opportunity. In a crisis, be aware of the danger--but recognize the opportunity.
John F. Kennedy
Remember that sometimes not getting what you want is a wonderful stroke of luck.
Dalai Lama XIV
My father had taught me to be nice first, because you can always be mean later, but once you've been mean to someone, they won't believe the nice anymore. So be nice, be nice, until it's time to stop being nice, then destroy them.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
The sky grew darker, painted blue on blue, one stroke at a time, into deeper and deeper shades of night.
Haruki Murakami (Dance Dance Dance)
i like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more. i like your body. i like what it does, i like its hows. i like to feel the spine of your body and its bones, and the trembling -firm-smooth ness and which i will again and again and again kiss, i like kissing this and that of you, i like, slowly stroking the, shocking fuzz of your electric fur, and what-is-it comes over parting flesh ... And eyes big love-crumbs, and possibly i like the thrill of under me you so quite new.
E.E. Cummings
These rough sketches, which are born in an instant in the heat of inspiration, express the idea of their author in a few strokes, while on the other hand too much effort and diligence sometimes saps the vitality and powers of those who never know when to leave off.
Giorgio Vasari
When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers. Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine." But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
John Green (The Fault in Our Stars)
Want to play baseball?’” she asked. Shane’s eyes opened, and he stopped stroking her hair. “What?’” “First base,’” she said. “You’re already there.’” “I’m not running the bases.’” “Well, you could at least steal second.’” “Jeez, Claire. I used to distract myself with sports stats at times like these, but now you’ve gone and ruined it.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
For once, he slept first. She lay in the dark, listening to him breathe, stealing a little of his warmth as her own body cooled. Since he was asleep, she stroked his hair. "I love you," she murmured. "I love you so much, I'm stupid about it." With a sigh, she settled down, closed her eyes, and willed her mind to empty. Beside her, Roarke smiled into the dark. He never slept first.
J.D. Robb (Ceremony in Death (In Death, #5))
Love is too precious to be ashamed of.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
Loneliness is a strange sort of thing. It creeps on you, quiet and still, sits by your side in the dark, strokes by your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can't breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It's a constant companion, clasping your hand only to yank you down when you're struggling to stand up. You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt. do I don't I should I why won't I And even when you're ready to let go. When you're ready to break free. When you're ready to be brand-new. Loneliness is an old friend stand beside you in the mirror, looking you in the eye, challenging you to live your life without it. You can't find the words to fight yourself, to fight the words screaming that you're not enough never enough never ever enough. Loneliness is a bitter, wretched companion. Sometimes it just won't let go.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
People tend to think that happiness is a stroke of luck, something that will descend like fine weather if you're fortunate. But happiness is the result of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly.
Elizabeth Gilbert
The truth is, when our mothers held us, rocked us, stroked our heads -none of us ever got enough of that. We all yearn in some way to return to those days when we were completely taken care of - unconditional love, unconditional attention. Most of us didn't get enough.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
If you ask me to kiss you, I will,” he says. His fingers stroke the inside of my wrists, and I burst into flames. “Kiss me,” I say. He does.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I had been out of the game for too long. I couldn’t even get drunk and flirt anymore. I could however, get drunk and look like a stroke victim.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
You undo me, Merit. Wholly and completely. You don't take me at my word. You challenge me at every opportunity. And that means when I'm with you, I am less than the head of this House...and I am more than the head of this House. I am a man." He stroked my cheeks with his thumbs. "In my very, very long life, I need you more than I have ever needed anything.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
Fang’s hand gently smoothed my hair off my neck. My breath froze in my chest, and every sense seemed hyperalert. His hand stroked my hair again, so softly, and then trailed across my neck and shoulder and down my back, making me shiver. I looked up. 'What the heck are you doing?' 'Helping you change your mind,' he whispered, and then he leaned over, tilted my chin up, and kissed me.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
He runs his finger tips along my cheek, caressing my face. “Hush. I’m right here.” He looks at me with deep anguish in his eyes. Like there’s so much he wants to tell me but feels it’s too late now. I want to stroke his face and tell him that it will be okay. That everything will be all right. And I wish so badly that it would be.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
Do not urge me to leave you or turn back from you.’” He trailed his fingers down my arm in slow, torturous strokes. My head fell back on his shoulder, my eyes fluttering closed, as his lips continued to move against my neck. “‘Where you go, I will go. Where you stay, I will stay.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
In France, a chemist named Pilatre de Rozier tested the flammability of hydrogen by gulping a mouthful and blowing across an open flame, proving at a stroke that hydrogen is indeed explosively combustible and that eyebrows are not necessarily a permanent feature of one's face.
Bill Bryson (A Short History of Nearly Everything)
Why does he have such an unnerving effect on me? His over-whelming good looks maybe? The way his eyes blaze at me? The way he strokes his index finger against his lower lip? I wish he'd stop doing that.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
He was still stroking the inside of her wrist, his touch doing odd delicious things to her skin and nerves.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
She turned her head so slowly it was like watching a puppet move. Her eyes met his. Death watched him. But Death had walked beside him every day of his life. So Cassian stroked his thumb along her palm and said, “Hello, Nes.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
Tucker strokes my hair. There's something so tender about the gesture. It might as well have been him whispering I love you.
Cynthia Hand (Hallowed (Unearthly, #2))
Okay. I've got a good one." Simon stroked Isabelle's hair feeling her lashes flutter against his neck as she closed her eyes. "A long time ago, in a galaxy far, far away.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Go to sleep," he says softly. His hand brushes the lose strands of my hair off my forehead. Unlike the staged kisses and caresses so far, this gesture seems natural and comforting. I don't want him to stop and he doesn't. He's still stroking my hair when I fall asleep.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You sound as if you don't mind what happens to it," said Tessa. "Won't you miss it here? This place has been your home." His fingers stroked her wrist lightly, making her shiver. "You are home for me now.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Warner’s head is on my lap. His face is smooth and calm and peaceful in a way I've never seen it and I almost reach out to stroke his hair before I remember exactly how awkward this actually is.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Adam strokes my head, my face, he kisses my tears. We are blessed. Let them all go. The sound of a bird flying low across the garden. Then nothing. Nothing. A cloud passes. Nothing again. Light falls through the window, falls onto me, into me. Moments. All gathering towards this one.
Jenny Downham (Before I Die)
I suppose you've always been amazing at this stuff?" "I was born amazing" Jace stroked her cheek with the tips of his fingertips, lightly but enough to make her shiver.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Sometimes two people need to fall apart to realize how much they need to fall back together." I take her hand and rest it between us, then stroke the back of it with my thumb. "Let's not fall apart again," I whisper. She looks me in the eyes. "Never.
Colleen Hoover (This Girl (Slammed, #3))
He stands not alone. You would die before your stroke fell.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
His finger flicked open a button on my cardigan-then two, three, four. It tumbled off my shoulders, leaving me in my camisole. He pushed up the hem, teasing and stroking his thumb across my stomach. My breath came in a sharp intake of air.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
No, I don't miss you... Not in a way that one is missed. But I think of you. Sometimes. In the way that one might think of the summer sunshine On a winter night...
Sreesha Divakaran (Those Imperfect Strokes)
A flower may be beautiful all on its own, but a person is never truly beautiful unless someone's eyes show him that he is beautiful.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
It's not reasonable to love people who are only going to die," she said. Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement. "I have two responses to that," He said at last. "First, everyone is going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reason I loved my father." He looked at her keenly. "Did you love yours?" "Yes," she whispered. He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do.
Kristin Cashore (Fire (Graceling Realm, #2))
Are you learning me by heart, little Sara?" he said, stroking her hair. "No," she answered. "I know you by heart. You are inside my heart.
Frances Hodgson Burnett (A Little Princess)
A story isn't a charcoal sketch, where every stroke lies on the surface to be seen. It's an oil painting, filled with layers that the author must uncover so carefully to show its beauty.
Amelia Atwater-Rhodes
But every memory is turned over and over again, every word, however chance, written in the heart in the hope that memory will fulfill itself, and become flesh, and that the wanderers will find a way home, and the perished, whose lack we always feel, will step through the door finally and stroke our hair with dreaming, habitual fondness, not having meant to keep us waiting long.
Marilynne Robinson (Housekeeping)
Jev stroked his chin. "Do I look like a summer fling?
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Yes, people age horribly. They suffer strokes. Their bodies and brains fall apart. But the male ego? Firmly intact until the bitter end.
Jen Beagin (Big Swiss)
You were born on the longest night of the year.” His fingers again stroked down my back. Lower. “You were meant to be at my side from the very beginning
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
After endless cajoling, rationalizing, ego stroking, and outright begging—all to no avail—Isa decided that what Marco didn’t know wouldn’t hurt him.
Margarita Barresi (A Delicate Marriage)
I ask of you your lives,” Elend said, voice echoing, “and your courage. I ask of you your faith, and your honor—your strength, and your compassion. For today, I lead you to die. I will not ask you to welcome this event. I will not insult you by calling it well, or just, or even glorious. But I will say this. “Each moment you fight is a gift to those in this cavern. Each second we fight is a second longer that thousands of people can draw breath. Each stroke of the sword, each koloss felled, each breath earned is a victory! It is a person protected for a moment longer, a life extended, an enemy frustrated!” There was a brief pause. “In the end, they will kill us,” Elend said, voice loud, ringing in the cavern. “But first, they shall fear us!
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
Dan, I'm not a Republic serial villain. Do you seriously think I'd explain my master-stroke if there remained the slightest chance of you affecting its outcome? I did it thirty-five minutes ago.
Alan Moore (Watchmen)
To wake the soul by tender strokes of art, To raise the genius, and to mend the heart
Alexander Pope
I stroke his hair and repeat the words of comfort he whispered to me the last time we were together. "Shhh," I say. "I'm here. I'm right here.
Susan Ee (World After (Penryn & the End of Days, #2))
No name-calling truly bites deep unless, in some dark part of us, we believe it. If we are confident enough then it is just noise.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
The butterfly's wing beat of love can engender a mystical attraction in the neural meanders of our mind and generate emotional torments with a single stroke. ("I seek you")
Erik Pevernagie
The guy stroked his goatee. "What do you call twenty guys watching the world series?" "The New York Yankees," Butch replied.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
We always hope for the easy fix: the one simple change that will erase a problem in a stroke. But few things in life work this way. Instead, success requires making a hundred small steps go right - one after the other, no slipups, no goofs, everyone pitching in.
Atul Gawande (Better: A Surgeon's Notes on Performance)
I wept bitterly, surrendering momentarily to my fear and heartbroken confusion, but slowly I began to quiet a bit, as Jamie stroked my neck and back, offering me the comfort of his broad, warm chest. My sobs lessened and I began to calm myself, leaning tiredly into the curve of his shoulder. No wonder he was so good with horses, I thought blearily, feeling his fingers rubbing gently behind my ears, listening to the soothing, incomprehensible speech. If I were a horse, I'd let him ride me anywhere.
Diana Gabaldon (Outlander (Outlander, #1))
Torn between the impulse to stroke his head, and the urge to cave it in with a rock, I did neither.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
...it's like this. Sometimes, when you've a very long street ahead of you, you think how terribly long it is and feel sure you'll never get it swept. And then you start to hurry. You work faster and faster and every time you look up there seems to be just as much left to sweep as before, and you try even harder, and you panic, and in the end you're out of breath and have to stop--and still the street stretches away in front of you. That's not the way to do it. You must never think of the whole street at once, understand? You must only concentrate on the next step, the next breath, the next stroke of the broom, and the next, and the next. Nothing else. That way you enjoy your work, which is important, because then you make a good job of it. And that's how it ought to be. And all at once, before you know it, you find you've swept the whole street clean, bit by bit. what's more, you aren't out of breath. That's important, too...
Michael Ende (Momo)
Torturous advances won over generations can be lost by a single stroke of a myopic president's pen or a vainglorious general's sword.
David Mitchell (Cloud Atlas)
As the ACE study has shown, child abuse and neglect is the single most preventable cause of mental illness, the single most common cause of drug and alcohol abuse, and a significant contributor to leading causes of death such as diabetes, heart disease, cancer, stroke, and suicide.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
I placed my face so close to his that his features became indistict, and I began to lose myself in them. I stroked his hair, his skin, his brow, with my fingertips, tears sliding unchecked down my cheeks, my nose against his, and all the time he watched me silently, studying me intently as if he were storing each molecule of me away. He was already retreating withdrawing to somewhere I couldn't reach him. I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to life. I held him, Will Traynor ex-City whiz kid, ex-stunt diver, sportsman, traveller, lover. I held him close and said nothing, all the while telling him silently that he was loved. Oh, but he was loved.
Jojo Moyes (Me Before You (Me Before You, #1))
I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin. I lie motionless, savoring the feeling of her body against mine. I'm afraid to breathe in case I break the spell.
Sara Gruen (Water for Elephants)
Sometimes not getting what you want is a brilliant stroke of luck.
Lorii Myers (Make It Happen, A Healthy, Competitive Approach to Achieving Personal Success (3 Off the Tee, #2))
I don't just like sexual double entendres I love them, I stroke them, I milk them, I spank them when they're naughty.
Craig Ferguson
One second, he was in my mouth, my tongue flicking over the broad head of him; the next, his hands were on my waist and I flipped onto my front. He nudged my legs apart with his knees, spreading me as he gripped my hips, tugging them up, up before he sheathed himself deep in me with a single stroke. I moaned into the pillow at every glorious inch of him, rising onto my forearms as my fingers grappled into the sheets.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I keep remembering one of my Guru's teachings about happiness. She says that people universally tend to think that happiness is a stroke of luck, something that will maybe descend upon you like fine weather if you're fortunate enough. But that's not how happiness works. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don't you will eat away your innate contentment. It's easy enough to pray when you're in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
I can't listen to music too often. It affects your nerves, makes you want to say stupid nice things and stroke the heads of people who could create such beauty while living in this vile hell.
Vladimir Lenin
Flushed with starlight and moonlight drowned, All the dreamers are castle-bound. At midnight’s stroke, we will unwind, Revealing fantasies soft or unkind. Show me debauched nightmares or sunniest daydreams. Come not as you are but as you wish to be seen.
Erin A. Craig (House of Salt and Sorrows (Sisters of the Salt, #1))
In my own worst seasons I've come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again(15).
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
The blood vessels in Nora’s face are widening and her skin is warming,” Patch said. “She knows she’s being evaluated. She likes the attention, but she’s not sure how to handle it.” “I am not blushing.” “She’s nervous,” Patch said. “She’s stroking her arm to draw attention away from her face and down to her figure, or maybe her skin. Both are strong selling points.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Rob the average man of his life-illusion, and you rob him of his happiness at the same stroke.
Henrik Ibsen (The Wild Duck)
Just like children, emotions heal when they are heard and validated.
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
I'm losing my mind without you.” His lips were gliding down my neck, his tongue stroking over my racing pulse. He sucked on my skin and pleasure radiated through me. “I can’t think. I can’t work or sleep. My body aches for you. I can make you want me again. Let me try.
Sylvia Day (Bared to You (Crossfire, #1))
Instruction for life: Take into account that great love and great achievements involve great risk. When you lose, don't lose the lesson. Follow the three R's: - Respect for self. - Respect for others. - Responsibility for all your actions. Remember that not getting what you want is sometimes a wonderful stroke of luck. Learn the rules so you know how to break them properly.
H. Jackson Brown Jr. (Life's Little Instruction Book)
An algorithm that expedites care to a stroke patient in a chaotic emergency room (ER) has a good chance of adoption. An algorithm that reads a routine scan and provides some quantification of what the physicians can already estimate won’t be in as much demand. There are good reasons for algorithms to parse patient records to look for signs of rare diseases, but there are fewer good reasons for using them to evaluate clinical symptoms. It’s cool that AI tools can make diagnoses from scratch, but for most clinical encounters doctors are already pretty good at it.
Ronald M. Razmi (AI Doctor: The Rise of Artificial Intelligence in Healthcare - A Guide for Users, Buyers, Builders, and Investors)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
Death watched him. But death had walked beside him everyday of his life. So Cassian stroked his thumb along her palm and said, “Hello Nes.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
It's your call," he said softly, "but whatever you decide, I'll help you." He placed a soft, warm hand at the back of her neck and Laurel's breath caught in her chest. "Whatever you need, I'll be. If you need the science geek to give you answers from a textbook, I'm your guy; if you just want a friend to sit by you in bio and help you feel better when you're sad, I'm still your guy." His thumb slowly stroked across her earlobe and down her cheek. "And if you need someone to hold you and protect you from anyone in the world who might want to hurt you, then I am definitely your guy." His pale-blue eyes bore into hers, and for a second she couldn't breath. "But it's all up to you," he whispered.
Aprilynne Pike (Wings (Wings, #1))
I think that if you have a horse, pegasus, qilin, or unicorn, you should sit on it! You should stroke its hair, whisper in its ear, be one with it! And you shouldn't feel sorry if other people don't have one.
C. JoyBell C.
As the Brotherhood got down to business, he found himself putting his hand on the dog’s big head and stroking the soft fur…playing with an ear…dipping down and finding the long waves that flowed from the animal’s broad, strong chest. Not that any of that meant he was keeping the the animal, of course. It just felt nice, was all.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
You don't even like me, remember?" That's what I try to say. What actually comes out of my mouth is closer to a baby's first attempt at babbling. "Shh." He runs his fingertips along my cheek, caressing my face. "Hush. I'm right here." He looks at me with deep anguish in his eyes. Like there's so much he wants to tell me but feel it's too late now. I want to stroke his face and tell him that it will be okay. That everything will be all right. And I wish so badly that it would be.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
Some wounds cut us so deep that they stop us. Stop us from letting go, from growing up, from seeing the truth.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
Grace: "I wanted to tell you how I felt. Why I was always so mean to you, Shane." - "Because you feel broken?" - "Completely shattered," I whispered softly. Bringing his hands to my face, he leaned over me, lightly stroking my cheeks with his fingertips. - "Then let me in, because I promise you, I will pick up every little broken piece of you, every single fucking piece, Grace, and for the rest of my fucking life I will put you back together... I'll make you whole again.
Christine Zolendz (Saving Grace (Mad World, #2))
Not hammer-strokes, but dance of the water, sings the pebbles into perfection.
Rabindranath Tagore
It had become usual to give Napoleon the Credit for every Successful achievement and every stroke of good fortune. You would often hear one hen remark to another, “Under the guidance of our leader, Comrade Napoleon, I have laid five eggs in six days” or two cows, enjoying a drink at the pool, would exclaim, “thanks to the leadership of Comrade Napoleon, how excellent this water tastes!”...
George Orwell (Animal Farm)
Death Be Not Proud Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so; For those, whom thou think'st thou dost overthrow, Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy picture[s] be, Much pleasure, then from thee much more must flow, And soonest our best men with thee do go, Rest of their bones, and soul's delivery. Thou'rt slave to Fate, chance, kings, and desperate men, And dost with poison, war, and sickness dwell, And poppy, or charms can make us sleep as well, And better than thy stroke ; why swell'st thou then? One short sleep past, we wake eternally, And Death shall be no more; Death, thou shalt die.
John Donne (The Complete Poetry and Selected Prose)
I have always regarded as a stroke of good fortune that I was not born or brought up in a small American town; they may be the backbone of the nation, but they are also the backbone of ignorance, bigotry, and boredom, all in vast quantities.
Gore Vidal (Death Before Bedtime)
...you have to get rid of my wings!" I plead "But, I like your wings," he says, smiling sweetly while stroking them again. I swear, if he keeps doing that I might purr like a kitten
Amy A. Bartol
I haven’t exactly made it easy for you to trust me,” he says, stroking his thumb over my cheek. “I’m still not making it easy. But you and I are not easy people. What we build together has to be strong enough to withstand a storm. Or a war. Easy isn’t going to give that to us.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
We forget that every good that is worth possessing must be paid for in strokes of daily effort. We postpone and postpone until those smiling possibilities are dead... By neglecting the necessary concrete labor, by sparing ourselves the little daily tax, we are positively digging the graves of our higher possibilities.
William James
A conservationist is one who is humbly aware that with each stroke [of the axe] he is writing his signature on the face of the land.
Aldo Leopold (A Sand County Almanac)
He took a hairpin out of my untidy hair (by now my complicated arrangement of ringlets must have looked as if a couple of birds had been nesting there); he took a strand of it and wound it around his finger. With his other hand he began stroking my face, and then he bent down and kissed me again, this time very cautiously. I closed my eyes - and the same thing happened as before: my brain suffered that delicious break in transmission.
Kerstin Gier (Ruby Red (Precious Stone Trilogy, #1))
Afterward she lies nestled against me, her hair tickling my face. I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin.
Sara Gruen (Water for Elephants)
I was afraid. Of getting hurt in other ways. To be truthful, I still am." His thumb stroked her cheek. "I would never hurt you." "I don't think you can promise me that." She squeezed his bruised fingers. "But it makes things a bit more equal, to know that I can hurt you, too." His gaze fell to her lips. He said simply, without any trace of irony, "You are killing me.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
He drops into the room, landing on the balls of his feet like a cat. I'm in his arms in the time it takes to say 'I love you,' which he does, stroking my hair, whispering my name and the words, 'My mayfly.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Bluebell,” she said, remembering from Erotique. “Pretty name.” “I call Dmitri Dark Overlord.” “Shae,” Dmitri said and the female vampire rose at once to walk quickly into the house. “Now, pretty Bluebell”—another languid stroke across her skin—“tell the Overlord what you discovered.
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
Male egos require constant stroking. Every task is an achievement, every success epic. That is why women cook, but men are chefs: we make cheese on toast, they produce pain de fromage.
Belle de Jour (The Further Adventures of a London Call Girl (Belle de Jour, #2))
Believe me, Kelley. If I’m not…it’s because I’m already dead.” He stroked her hair, and she could feel his breath warm on her forehead, like a kiss. “Because anyone that would seek to hurt you would have to kill me first.
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
She watched as he settled down on the bed with Naya skin to skin on his chest. His hand all but covered her tiny body as he stroked her in that changeling way, bonding with her on the most elemental level. Then he purred, and Naya made a happy little sound of delight, very much a cat in her love of touch.
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
I comma square bracket recruit's name square bracket comma do solemnly swear by square bracket recruit's deity of choice square bracket to uphold the Laws and Ordinances of the City of Ankh-Morpork comma serve the public truƒt comma and defend the ƒubjects of his ƒtroke her bracket delete whichever is inappropriate bracket Majeƒty bracket name of reigning monarch bracket without fear comma favour comma or thought of perƒonal ƒafety semi-colon to purƒue evildoers and protect the innocent comma comma laying down my life if neceƒsary in the cauƒe of said duty comma so help me bracket aforeƒaid deity bracket full stop Gods Save the King stroke Queen bracket delete whichever is inappropriate bracket full stop.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
God made the cat to give man the pleasure of stroking a tiger.
Joseph Méry
You look at me, you look at me closely, each time closer and then we play cyclops, we look at each other closer each time and our eyes grow, they grow closer, they overlap and the cyclops look at each other, breathing confusion, their mouths find each other and fight warmly, biting with their lips, resting their tongues lightly on their teeth, playing in their caverns where the heavy air comes and goes with the scent of an old perfume and silence. Then my hands want to hide in your hair, slowly stroke the depth of your hair while we kiss with mouths full of flowers or fish, of living movements, of dark fragrance. And if we bite each other, the pain is sweet, and if we drown in a short and terrible surge of breath, that instant death is beauty. And there is a single saliva and a single flavour of ripe fruit, and I can feel you shiver against me like a moon on the water.
Julio Cortázar
I dreamed I saw my maternal grandmother sitting by the bank of a swimming pool, that was also a river. In real life, she had been a victim of Alzheimer’s disease, and had regressed, before her death, to a semi-conscious state. In the dream, as well, she had lost her capacity for self-control. Her genital region was exposed, dimly; it had the appearance of a thick mat of hair. She was stroking herself, absent-mindedly. She walked over to me, with a handful of pubic hair, compacted into something resembling a large artist’s paint-brush. She pushed this at my face. I raised my arm, several times, to deflect her hand; finally, unwilling to hurt her, or interfere with her any farther, I let her have her way. She stroked my face with the brush, gently, and said, like a child, “isn’t it soft?” I looked at her ruined face and said, “yes, Grandma, it’s soft.
Jordan B. Peterson (Maps of Meaning: The Architecture of Belief)
She lowered her head until it was at his level. He stroked the line of her jaw, and then pressed his forehead against her hard snout and held her as tightly as he could, her scales sharp against his fingers. Hot tears began to slide down his cheeks. 'Why do you cry?' she asked. 'Because... I'm lucky enough to be bonded with you.' 'Little one.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved)
I can’t say that I understand love, or that I’m very good at it, because I’ve never loved anyone before. But I love everything about you, Donatella Dragna. Everything.” His hand dropped lower to stroke her jaw. “I love the secrets you haven’t told me, and the lies you’ve tried to get away with. I love your stubbornness and your persistence. I love the way you always pretend not to care when I visit you in dreams. I love that you never stop fighting for what you want or the people you love, even when they don’t deserve it. I love you, I don’t intend to stop loving you, and I hope that somewhere deep inside, you still love me, too.
Stephanie Garber (Finale (Caraval, #3))
I love you,” she whispered. He stroked his hand down her back. “Yep, you do.” “You’re supposed to say it back,” she said, pretending to be offended because the silliness kept the fear/hope at bay. “Why?” He scowled down at her. “You know you’re my heartbeat.
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads. Kizzy wanted.
Laini Taylor (Lips Touch: Three Times)
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. “And now I want you to know, Rhysand, that I love you. I want you to know … ” His lips trembled, and I brushed away the tear that escaped down his cheek. “I want you to know,” I whispered, “that I am broken and healing, but every piece of my heart belongs to you. And I am honored—honored to be your mate.” His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair. “I love you,” I said again. I hadn’t dared say the words in my head. “And I’d endure every second of it over again so I could find you. And if war comes, we’ll face it. Together. I won’t let them take me from you. And I won’t let them take you from me, either.” Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine. When my lips were wet and salty with them, I pulled back far enough to see his eyes. “You’re mine,” I breathed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
15. WHENEVER I WENT OUT TO PLAY, MY MOTHER WANTED TO KNOW EXACTLY WHERE I WAS GOING TO BE When I'd come in, she'd call me into her bedroom, take me in her arms, and cover me with kisses. She'd stroke my hair and say, 'I love you so much,' and when I sneezed she'd say, 'Bless you, you know how much I love you, don't you?' and when I got up for a tissue she'd say, 'Let me get that for you I love you so much,' and when I looked for a pen to do my homework she'd say, 'Use mine, anything for you,' and when I had an itch on my leg she'd say, 'Is this the spot, let me hug you,' and when I said I was going up to my room she'd call after me, 'What can I do for you I love you so much,' and I always wanted to say, but never said: Love me less.
Nicole Krauss (The History of Love)
I simply state that I'm a product of a versatile mind in a restless generation-with every reason to throw my mind and pen in with the radicals. Even if, deep in my heart, I thought we were all blind atoms in a world as limited as a stroke of a pendulum, I and my sort would struggle against tradition; try, at least, to displace old cants with new ones. I've thought I was right about life at various times, but faith is difficult. One thing I know. If living isn't seeking for the grail it may be a damned amusing game.
F. Scott Fitzgerald (This Side of Paradise)
I is another. If the brass wakes the trumpet, it’s not its fault. That’s obvious to me: I witness the unfolding of my own thought: I watch it, I hear it: I make a stroke with the bow: the symphony begins in the depths, or springs with a bound onto the stage. If the old imbeciles hadn’t discovered only the false significance of Self, we wouldn’t have to now sweep away those millions of skeletons which have been piling up the products of their one-eyed intellect since time immemorial, and claiming themselves to be their authors!
Arthur Rimbaud
Sorry doesn’t mean anything! Not when you’re still with him. It’s not just that you cheated—it’s that he’s still here, and you’re still with him. It just goes on and on, and it hurts every single time I see you with him. I hate it that he makes you smile, and that there’s nothing I can do to stop this. I can’t think straight, and everything hurts, and nothing makes sense anymore. You’re shredding my heart with one hand and stroking his ego with the other. And it’s killing me, Faythe. You’re killing me. And it’s only going to get worse, now that everyone knows.
Rachel Vincent (Alpha (Shifters, #6))
By approaching my problems with "What might make things a little better?" rather than "What is the solution?" I avoid setting myself up for certain frustration. My experience has shown me that I am not going to solve anything in one stroke; at best I am only going to chip away at it.
Hugh Prather (I Touch the Earth, the Earth Touches Me)
Oh, the torment bred in the race, the grinding scream of death and the stroke that hits the vein, the hemorrhage none can staunch, the grief, the curse no man can bear. But there is a cure in the house, and not outside it, no, not from others but from them, their bloody strife. We sing to you, dark gods beneath the earth. Now hear, you blissful powers underground -- answer the call, send help. Bless the children, give them triumph now.
Aeschylus (The Oresteia Trilogy: Agamemnon, the Libation-Bearers and the Furies)
I stroked Eric's hair, tucking some behind his ear. His eyes on mine were intent, and I knew he was waiting for me to speak. "I wish," I said, "I could save orgasms in a jar for when i need them, because I think I had a few extra." Eric's eyes widened, and all of a sudden he roared with laughter. (Dead to the World)
Charlaine Harris
Most people think life sucks, and then you die. Not me. I beg to differ. I think life sucks, then you get cancer, then your dog dies, your wife leaves you, the cancer goes into remission, you get a new dog, you get remarried, you owe ten million dollars in medical bills but you work hard for thirty five years and you pay it back and then one day you have a massive stroke, your whole right side is paralyzed, you have to limp along the streets and speak out of the left side of your mouth and drool but you go into rehabilitation and regain the power to walk and the power to talk and then one day you step off a curb at Sixty-seventh Street, and BANG you get hit by a city bus and then you die. Maybe
Denis Leary
His fingertips slid down from my face, lightly stroking the line of my neck, down toward my shoulder. Everywhere he touched, a trail of goose bumps appeared. How did he keep doing this to me? Marcus—who made every girl in the world swoon—had zero effect on me. But one whisper of a touch from Adrian completely undid me.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
You’re mine, mo duinne,” he said softly, pressing himself into my depths. “Mine alone, now and forever. Mine, whether ye will it or no.” I pulled against his grip, and sucked in my breath with a faint “ah” as he pressed even deeper. “Aye, I mean to use ye hard, my Sassenach,” he whispered. “I want to own you, to possess you, body and soul.” I struggled slightly and he pressed me down, hammering me, a solid, inexorable pounding that reached my womb with each stroke. “I mean to make ye call me ‘Master,’ Sassenach.” His soft voice was a threat of revenge for the agonies of the last minutes. “I mean to make you mine.
Diana Gabaldon (Outlander (Outlander, #1))
The artist’s artistic brush stroke of colour... Fractionally exists within the art canvas cover... Unaware of its existence in the art’s totality... Absolute devoid of the art’s true reality... Experiencing within the art is mere illusion… Truth of the art lies in the depth of the vision… For the visionary truth to become experience... Requires that certain conscious distance… Detaching from the perceived abode... Deviating from the miscode to decode... Maya illusionary stage manifests for the play… As the actor enacts the illusionary Leela play... Viewing the play is must from an audience eye... Where all the illusionary play theatrics lie… Observing the art as the non intruder... Is the liberating clarity for the art observer…
Hugh Shergill (Maya Leela: The Divine Play Of illusion)
I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him. I've seen flashes of this before: in the arena, or when he speaks to a crowd, or that time he shoved the Peacekeepers' guns away from me in District 11. I don't know quite what to make of it. I also become a little fixated on his eyelashes, which ordinarily you don't notice much because they're so blond. But up close, in the sunlight slanting in from the window, they're a light golden color and so long I don't see how they keep from getting all tangled up when he blinks.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By the most astounding stroke of luck an infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist.
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.
GG Renee Hill (The Beautiful Disruption)
I start to grab it so I can it pass it to him. He reaches for it at the same time. Our fingers touch, and the moment they do the fluorescent lights overhead flicker and then fizzle out. Everyone moans, even though we can all still see. There's enough light from outside filtering in, just not enough for us to really focus on the finer details. Nick's fingers stroke mine lightly, so lightly that I'm almost not sure the touch is real. My insides flicker like the art room lights. They do not, however, fizzle. I turn my head to look him in the eye. He leans over and whispers, "It will be hard to be just your friend.
Carrie Jones (Need (Need, #1))
And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders; I shrugged the drops off my beautiful fur.
Angela Carter
Those of you who are more than casually familiar with books -- those of you who spend your free afternoons in fusty bookshops, who offer furtive, kindly strokes along the spines of familiar titles -- understand that page riffling is an essential element in the process of introducing oneself to a new book. It isn't about reading the words; it's about reading the smell, which wafts from the pages in a cloud of dust and wood pulp. It might smell expensive and well bound, or it might smell of tissue-thin paper and blurred two-colour prints, or of fifty years unread in the home of a tobacco-smoking old man. Books can smell of cheap thrills or painstaking scholarship, or literary weight or unsolved mysteries.
Alix E. Harrow (The Ten Thousand Doors of January)
You know that feeling at the end of the day, when the anxiety of that-which-I-must-do falls away and, for maybe the first time that day, you see, with some clarity, the people you love and the ways you have, during that day, slightly ignored them, turned away from them to get back to what you were doing, blurted out some mildly hurtful thing, projected, instead of the deep love you really feel, a surge of defensiveness or self-protection or suspicion? That moment when you think, Oh God, what have I done with this day? And what am I doing with my life? And how must I change to avoid catastrophic end-of-life regrets? I feel like that now: tired of the Me I've always been, tired of making the same mistakes, repetitively stumbling after the same small ego strokes, being caught in the same loops of anxiety and defensiveness. At the end of my life, I know I won't be wishing I'd held more back, been less effusive, more often stood on ceremony, forgiven less, spent more days oblivious to the secret wishes and fears of the people around me... --"Buddha Boy
George Saunders (The Braindead Megaphone)
Sometimes your life changes so slowly and imperceptibly that you don't notice it at all until one day you wake up and think, 'How did I get here?' But other times, life changes in an instant with a lightning stroke of good or bad luck with glorious or tragic consequences.
Liane Moriarty (Nine Perfect Strangers)
CONCERNED BUT NOT CONSUMED!
Ron Sanders
Why," he panted into Danny's neck, "why's it so goddamn good?" He was surprised at how full his voice sounded, so close to overflowing its steady banks. Danny stroked his hair, his lips warm against Miller's cheek. "Because it's us, Miller," he whispered. "Because it's us.
Brooke McKinley (Shades of Gray)
It’s going to be gone soon, isn’t it?” he said, more than a tinge of regret in his voice as he studied the large flower. She nodded, craning her neck to look back at the blue blossom. “It should be gone in another week or two,” she said. There was a distinct lack of regret in her voice. “Maybe less, after last night.” Is it really such a bother?” Sometimes.” David’s hands stroked one of the longer petals on the blossom from base to tip, then brought it briefly to his nose and inhaled. “It’s just so . . . I don’t know . . . sexy.” Really? But it’s so . . . plantish.
Aprilynne Pike (Spells (Wings, #2))
Phury knelt beside him and stroked his face. "I've only ever had you to live for. If you die I have nothing. I'm utterly lost. And you are needed here." Zsadist tried to reach out, but couldn't lift his arms as Phury stood up. "God, Z, I keep thinking this tragedy of ours is going to be over. But it just keeps going, doesn't it?" Zsadist blacked out to the sound of his twin's boots heading from the room.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
I never got to be in the driver’s seat of my own life,” she’d wept to me once, in the days after she learned she was going to die. “I always did what someone else wanted me to do. I’ve always been someone’s daughter or mother or wife. I’ve never just been me.” “Oh, Mom,” was all I could say as I stroked her hand. I was too young to say anything else.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
But Harry . . . even if we had met and married three years ago, you’d still say it wasn’t enough time.” “You’re right. I can’t think of a single day of my life that wouldn’t have been improved with you in it.” “Darling,” she whispered, her fingertips coming up to stroke his jaw, “that’s lovely. Even more romantic than comparing me to watch parts.” Harry nipped at her finger. “Are you mocking me?” “Not at all,” Poppy said, smiling. “I know how you feel about gears and mechanisms.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
What do you mean, a goddess?” Alec questioned irritably. “She’s staggeringly beautiful, wonderful, a vision of …” He petered out when he saw Alec looking at him strangely. Father Joe stroked his beard in thought, nervously eyeing Alec and then casting his eyes to the fireplace. Alec was beginning to sense Father Joe was regretting coming to his flat. He was also thinking that he regretted having anything to do with the vicar. He was quite mad … possibly.
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
Walter had never liked cats. They'd seemed to him the sociopaths of the pet world, a species domesticated as an evil necessary for the control of rodents and subsequently fetishized the way unhappy countries fetishize their militaries, saluting the uniforms of killers as cat owners stroke their animals' lovely fur and forgive their claws and fangs. He'd never seen anything in a cat's face but simpering incuriosity and self-interest; you only had to tease one with a mouse-toy to see where it's true heart lay...cats were all about using people
Jonathan Franzen (Freedom)
Although many of us may think of ourselves as thinking creatures that feel, biologically we are feeling creatures that think
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
True marriage begins well before the wedding day,” And the efforts of marriage continue well beyond the ceremony’s end. A brief moment in time and the stroke of the pen are all that is needed to create the legal bond of marriage, but it takes a lifetime of love, commitment, forgiveness, and compromise to make marriage durable and everlasting.
Jamie McGuire (A Beautiful Wedding (Beautiful, #2.5))
She had watched other women with infants and eventually understood what she craved: the boundless permission-no, the absolute necessity- to hold and kiss and stroke this tiny person. Cradling a swaddled infant in their arms, mothers would distractedly touch their lips to their babies' foreheads. Passing their toddlers in a hall, mothers would tousle their hair even sweep them up in their arms and kiss them hard along their chins and necks until the children squealed with glee. Where else in life, Mabel wondered, could a woman love so openly and with such abandon?
Eowyn Ivey (The Snow Child)
What a pretty bird you are," I crooned. His struggling slowed, then stilled. I felt him cock his head. "What a lovely bird," I repeated in a syrupy voice. "Yes, you're the loveliest bird." I stroked his back. He made a pleased muttering sound in his breast. Soon his smug silence indicated that he was quite content to remain as he was, so long as I continued my praise.
Margaret Rogerson (An Enchantment of Ravens)
In this particular instance, he stroked her hand fondly. There was no attraction in the movement. "Sweetling," he had once said, "you are at no more risk with me in that regard than you are in danger of me unexpectedly biting you--both being equal impossibilities. In the one case, I do not possess the necessary equipment upon contact, in the other case you do not.
Gail Carriger (Soulless (Parasol Protectorate, #1))
A Note Life is the only way to get covered in leaves, catch your breath on the sand, rise on wings; to be a dog, or stroke its warm fur; to tell pain from everything it's not; to squeeze inside events, dawdle in views, to seek the least of all possible mistakes. An extraordinary chance to remember for a moment a conversation held with the lamp switched off; and if only once to stumble upon a stone, end up soaked in one downpour or another, mislay your keys in the grass; and to follow a spark on the wind with your eyes; and to keep on not knowing something important.
Wisława Szymborska
Give me my robe, put on my crown; I have Immortal longings in me: now no more The juice of Egypt's grape shall moist this lip: Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: husband, I come: Now to that name my courage prove my title! I am fire and air; my other elements I give to baser life. So; have you done? Come then, and take the last warmth of my lips. Farewell, kind Charmian; Iras, long farewell. Kisses them. IRAS falls and dies Have I the aspic in my lips? Dost fall? If thou and nature can so gently part, The stroke of death is as a lover's pinch, Which hurts, and is desired. Dost thou lie still? If thus thou vanishest, thou tell'st the world It is not worth leave-taking.
William Shakespeare (Antony and Cleopatra)
This world,' she said. 'Do you really like it?' What a question! Farid never asked himself such things. He was glad to be with Dustfinger again and didn't mind where that was. It's a cruel world, don't you think?' Meggie went on. 'Mo often told me I forget how cruel it is too easily.' With his burned fingers, Farid stroke her fair hair. It shone even in the dark. 'They're all cruel,' he said. 'The world I come from, the world you come from, and this one, too. Maybe the people don't see the cruelty in your world right away, it's better hidden, but it's there all the same.
Cornelia Funke (Inkspell (Inkworld, #2))
Unicorns are not to be forgiven." The magician felt himself growing giddy with jealousy, not only of the touch but of something like a secret that was moving between Molly and the unicorn. "Unicorns are for beginnings," he said, "for innocence and purity, for newness. Unicorns are for young girls." Molly was stroking the unicorn's throat as timidly as though she were blind. She dried her grimy tears on the white mane. "You don't know much about unicorns," she said.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Fear no more the heat o' the sun, Nor the furious winter's rages; Thou thy worldly task hast done, Home art gone, and ta'en thy wages; Golden lads and girls all must, As chimney-sweepers, come to dust. Fear no more the frown o' the great; Thou art past the tyrant's stroke: Care no more to clothe and eat; To thee the reed is as the oak: The sceptre, learning, physic, must All follow this, and come to dust. Fear no more the lightning-flash, Nor the all-dreaded thunder-stone; Fear not slander, censure rash; Thou hast finished joy and moan; All lovers young, all lovers must Consign to thee, and come to dust. No exorciser harm thee! Nor no witchcraft charm thee! Ghost unlaid forbear thee! Nothing ill come near thee! Quiet consummation have; And renownéd be thy grave!
William Shakespeare (Cymbeline)
loneliness is a strange sort of thing. it creeps up on you, quiet and still, sits by your side in the dark, strokes your hair as you sleep. it wraps itself around your bones, squeezing so tight you almost can't breathe. it leaves lies in your heart, lies next to you at night, leaches the light out from every corner. its a constant companion, clasping your hand only to yank you down when you're struggling to stand up.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
He steps back, still looking. In the painting, Willem's torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning towards something or someone and smiling. And because he knows Willem's smiles, he knows that Willem has been captured looking at something he loves, he knows Willem in that instant is happy. Willem's face and neck dominate the canvas and although the background is suggested rather than shown, he knows that Willem is at their table. He knows it from the way that JB has drawn the light and shadows on Willem's face. He has the sense that if he says Willem's name that the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas he will feel beneath his fingertips Willem's hair, his fringe of eyelashes. But he doesn't do this, of course, just looks up at last and sees JB smiling at him, sadly. "The title card's been mounted already," JB says, and he goes slowly to the wall behind the painting and sees its title - "Willem Listening to Jude Tell a Story, Greene Street"-and he feels his beneath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
Simon?” “Yeah?” “Can you tell me a story?” He blinked. “What kind of story?” “Something where the good guys win and the bad guys lose. A nd stay dead.” “So, like a fairy tale?” he said. He racked his brain. He knew only the Disney versions of fairy tales, and the first knew only the Disney versions of fairy tales, and the first image that came to mind was A riel in her seashell bra. He’d had a crush on her when he was eight. Not that this seemed like the time to mention it. “No.” The word was an exhaled breath. “We study fairy tales in school. A lot of that magic is real—but, anyway. No, I want something I haven’t heard yet.” “Okay. I’ve got a good one.” Simon stroked Isabelle’s hair, feeling her lashes flutter against his neck as she closed her eyes. “A long time ago, in a galaxy far, far away…
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
I was just stunned; Aunt Kathy had actually moved on to another dimension! It finally happened! That lady was damn near invincible! She had survived assaults, coronaries, fevers, famines, flus, floods, plagues, pandemics, strokes, andglobal warming for almost 100 years. I’m willing to bet she outlived the Ice Age, but there’s no way to confirm it. If anyone told the devil “You’re a Lie,” it was Aunt Kathy. She just had a way of coming back and back like a sequel to a never-ending horror story. Whenever she fell ill, she reappeared as a new being more hostile than the previous entity.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
You’re a heartbreaker, Isabelle Lightwood,” he said, as lightly as he could with her blood still running through him like fire. “Jace told Clary once you’d walk all over me in high-heeled boots.” “That was then. You’re different now.” She eyed him. “You’re not scared of me.” He touched her face. “A nd you’re not scared of anything.” “I don’t know.” Her hair fell forward. “Maybe you’ll b r eak my heart.” Before he could say anything, she kissed him, and he wondered if she could taste her own blood. “Now shut up. I want to sleep,” she said, and she curled up against his side and closed her eyes. Somehow, now, they fit, where they hadn’t before. Nothing was awkward, or poking into him, or banging against his leg. It didn’t feel like childhood and sunlight and gentleness. It felt strange and heated and exciting and powerful and… different. Simon lay awake, his eyes on the ceiling, his hand stroking Isabelle’s silky black hair absently. He felt like he’d been caught up in a tornado and deposited somewhere very far away, where nothing was familiar. Eventually he turned his head and kissed Izzy, very lightly, on the forehead; she stirred and murmured but didn’t open her eyes.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
It's not reasonable to love people who are only going to die," she said. Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement. "I have two responses to that," he said finally. "First, everyone's going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reasons I loved my father." He looked at her keenly. "Did you love yours?" "Yes," she whispered. He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do." She made a connection then. Surprised she sat back from him and studied his face, soft with shadows and light. She saw a part of him she hadn't seen before. "You came to me for lessons to guard your mind," she said, "and you stopped asking me to marry you, both at the same time. You did those things out of love for your brother." "Well" he said, looking a bit sheepishly at the floor. "I also took a few swings at him, but that's neither here nor there." "You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away." He shrugged. "I don't mind you pushing me away if it means you love me, little sister.
Kristin Cashore (Fire (Graceling Realm, #2))
Unfortunately, as a society, we do not teach our children that they need to tend carefully the garden of their minds. Without structure, censorship, or discipline, our thoughts run rampant on automatic. Because we have not learned how to more carefully manage what goes on inside our brains, we remain vulnerable to not only what other people think about us, but also to advertising and/or political manipulation.
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
Conventional belief holds that after triumphing over a mid-career bout with polio, FDR went on to serve two vigorous terms as gov- ernor of New York and three-plus more as president of the United States, succumbing unexpectedly to a stroke on April 12, 1945. In truth, Franklin spent those eventful twenty-four years battling swarms of maladies including polio’s ongoing crippling effects, life-threatening gastrointestinal bleeding, two incurable cancers, severe cardiovascular disease, and epilepsy.
Steven Lomazow (FDR Unmasked: 73 Years of Medical Cover-ups That Rewrote History)
Afterward, I curl around her. We lie in silence until darkness falls, and then, haltingly, she begins to talk...She speaks without need or even room for response, so I simply hold her and stroke her hair. She talks of the pain, grief, and horror of the past four years; of learning to cope with being the wife of a man so violent and unpredictable his touch made her skin crawl and of thinking, until quite recently, that she'd finally managed to do that. And then, finally, of how my appearance had forced her to realize she hadn't learned to cope at all.
Sara Gruen (Water for Elephants)
Would you like to have dinner with me?” “You mean go on a date?” I focused on stirring instead of my suddenly racing heart. “When?” “Before the union. Have dinner with me and I’ll take you to Blood Moon for a couple of hours until it’s time for the ceremony.” His fingers moved from the pleats to the hem of my sweater, his hand slipping under the pale blue cashmere to stroke the skin of my lower back. I gasped, caught his wrist in my fingers, and pulled his hand away from its provocative exploration. “We are in class,” I hissed at him through clenched teeth.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
I did not run to him, but I did wrap my arms around him, press my ear to his chest, hold on to him as if he were the last solid thing in the world. He stroked my hair and murmured to me in French. I understood enough to know he was glad to see me and that he thought I looked beautiful. But beyond that it was just pretty noise. It wasn't until I felt Zerbrowski behind me that I pulled away, but when Jean-Claude's hand found mine, I welcomed it. Zerbrowski was looking at me as if he'd never seen me before. "What?" It came out hostile. "I've never seen you be that ... soft with anyone before." It startled me. "You've seen me kiss Richard before." He nodded. "That was lust. This is ..." He shook his head, glancing up at Jean-Claude, then back to me. "He makes you feel safe.
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
So Admiral, the marshal tells me your trip to Paris was a success.” Jean Louis Xavier François Darlan, admiral of France and the senior minister in Marshal Philippe Pétain’s Vichy government, stroked his cheek. “Yes, all went well as planned, Pierre, although little has been finalised as yet.” Pierre Laval, former prime minister of France and, until recently, vice-president of Vichy France’s Cabinet of Ministers, chuckled and patted his companion on the knee. “The marshal mentioned no qualifications. He told me you had got everything he wanted from the Germans.
Mark Ellis (The French Spy)
Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek." I smiled my best smile of the day. "Hello Auri," I said. "You smell like a pretty young girl." "I do," she agreed happily. She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked. "What did you bring me?" I countered. She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce." "It's a clever lettuce then." "Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?" "Even if it is a lettuce?" I asked. "Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater. I unwrapped my bundle. "I brought you some potatoes, half a squash, and a bottle of beer that thinks it is a loaf of bread." "What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back "It knows it's a squash," I said. "But it's pretending to be the setting sun." "And the potatoes?" she asked. "They're sleeping," I said. "And cold, I'm afraid." She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him.
Bernard Knox (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
What are you doing?” I tried to pull away, but his hand slipped from my hair to cup the nape of my neck. When he whispered, his warm breath brushed over my lips. “Just let me kiss you, Calla. You don’t know how long I’ve wanted to. No one has to know.” My lips parted as I drew a sudden, startled breath and in that instant his mouth was on mine, soft as velvet. I closed my eyes against the rush of a hundred wings that suddenly beat in my chest and soared through my body. His scent was all around me. Leather, sandalwood, bonfires in autumn. He pulled back, but only for the sake of moving his lips to trail over my neck. My blood was on fire and I was shaking. Is this really happening? I couldn’t stop thinking about Shay in the clearing. About asking him to kiss me. The electric touch of his lips on mine. But this is where I belong. I tried to push the memories back. Ren stroked my knee, his fingers wandering up my thigh, sliding beneath the hem of my dress. I grabbed his wrist. “Wait.” He didn’t free his arm from my grasp but continued kissing my collar bone. “Let’s skip the waiting part,” he murmured into my skin.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
I recently read in the book My Stroke of Insight by brain scientist Jill Bolte Taylor that the natural life span of an emotion—the average time it takes for it to move through the nervous system and body—is only a minute and a half. After that we need thoughts to keep the emotion rolling. So if we wonder why we lock into painful emotional states like anxiety, depression, or rage, we need look no further than our own endless stream of inner dialogue.
Tara Brach
His teeth grazed her pulse. 'Jacks-' It was suddenly impossible to form words. His mouth was against her throat and his teeth were on her skin. HIs teeth! Evangeline finally pressed against his chest. But it was as useless as trying to battle a block of marble. Hot, sculpted marble. She wanted to tell him not to bite her, but saying the word bite didn't seem like the wisest idea just then. 'You won't want this later.' 'Not really thinking about later.' He licked her, one languorous stroke up the column of her neck. She gasped. 'You don't even like me.' 'I like you right now. I like you a lot.' He gently sucked her skin. 'In fact, I can't think of anything I like more.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Morpheus’s gaze flashes to mine, then back to the chess piece wrapped in his magic. “Stop crying,” his quirky voice scolds. “Queens don’t cry. I taught you better than that.” I bite my quivering lip, and tiny Alice strokes the caterpillar’s face. “But you’re crying . . .” Morpheus lowers a wing and shades his cheek along with the transparent glimmer of his jeweled markings. “Well”—his shrill voice cracks slightly—“contrary to my preferences for lace and velvet, I’m not the queen. So I can cry all I like.
A.G. Howard (Ensnared (Splintered, #3))
Leo smiled and stroked her hair. 'We'll both be fine, Marks. We've just begun our journey...and there's so much we have yet to do.' He spoke more softly as he heard her breathing turn even and steady. 'Rest against my heart. Let me watch over your dreams. And know that tomorrow morning, and every morning after that, you'll awaken next to someone who loves you.' 'Dodger?' she mumbled against his chest, and he grinned. 'No, your confounded ferret will have to stay in his basket. I was referring to myself.' 'Yes, I know.' Catherine slid her hand up to his cheek. 'Only you,' she said. 'Always you.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
When we are being compassionate, we consider another's circumstance with love rather than judgement... To be compassionate is to move into the right here, right now with an open heart consciousness and a willingness to be supportive.
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
My litter sister looks up at me. Mom was right. Her eyes are the same as they've always been. Brown eyes fringed with long lashes and steeped with the memory of sweetness and light, laughter and joy - trapped in this mangled corpse-like face. "It's all right, baby girl," I whisper into her hair as I hug her. "I'm here. I came for you." Her face crumples and her eyes shine. "You came for me." I stroke her hair. It's as silky as ever.
Susan Ee (World After (Penryn & the End of Days, #2))
JEWS HAVE SIX SENSES Touch, taste, sight, smell, hearing … memory. While Gentiles experience and process the world through the traditional senses, and use memory only as a second-order means of interpreting events, for Jews memory is no less primary than the prick of a pin, or its silver glimmer, or the taste of the blood it pulls from the finger. The Jew is pricked by a pin and remembers other pins. It is only by tracing the pinprick back to other pinpricks – when his mother tried to fix his sleeve while his arm was still in it, when his grandfather’s fingers fell asleep from stroking his great-grandfather’s damp forehead, when Abraham tested the knife point to be sure Isaac would feel no pain – that the Jew is able to know why it hurts. When a Jew encounters a pin, he asks: What does it remember like?
Jonathan Safran Foer (Everything is Illuminated)
His hand rested on my hair, and without knowing quite how it happened, I found myself curled against him, my head just fitting in the hollow of his shoulder. For so many years," he said, "for so long, I have been so many things, so many different men." I felt him swallow, and he shifted slightly, the linen of his nightshirt rustling with starch. I was Uncle to Jenny's children, and Brother to her and Ian. 'Milord' to Fergus, and 'Sir' to my tenants. 'Mac Dubh' to the men of Ardsmuir and 'MacKenzie' to the other servants at Helwater. 'Malcolm the printer,' then, and 'Jamie Roy' at the docks." The hand stroked my hair, slowly, with a whispering sound like the wind outside. "But here," he said, so softly I could barely hear him, "here in the dark, with you...I have no name.
Diana Gabaldon
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
Jeanette Winterson
The human heart is like india-rubber; a little swells it, but a great deal will not burst it. If "little more than nothing will disturb it, little less than all things will suffice" to break it. As in the outer members of our frame, there is a vital power inherent in itself that strengthens it against external violence. Every blow that shakes it will serve to harden it against a future stroke; as constant labour thickens the skin of the hand, and strengthens its muscles instead of wasting them away: so that a day of arduous toil, that might excoriate a lady's palm, would make no sensible impression on that of a hardy ploughman.
Anne Brontë (Agnes Grey)
I think I fell in love with you,” Rhys murmured, stroking a finger down my arm, “the moment I realized you were cleaving those bones to make a trap for the Middengard Wyrm. Or maybe the moment you flipped me off for mocking you. It reminded me so much of Cassian. For the first time in decades, I wanted to laugh.” “You fell in love with me,” I said flatly, “because I reminded you of your friend?” He flicked my nose. “I fell in love with you, smartass, because you were one of us—because you weren’t afraid of me, and you decided to end your spectacular victory by throwing that piece of bone at Amarantha like a javelin. I felt Cassian’s spirit beside me in that moment, and could have sworn I heard him say, ‘If you don’t marry her, you stupid prick, I will.’ ” I huffed a laugh, sliding my paint-covered hand over his tattooed chest. Paint—right. We were both covered in it. So was the bed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
What is this, Kazi? I knew what he meant. This. What was this between us? Just what game were we playing? I had wondered too. Because now our kisses were filled with pauses, our gazes filled with more questions instead of fewer. I don’t know, Jase. What do you feel? Your lips, your hands, your heartbeat. No, Kazi, in here, what do you feel in here? His finger stroked a line down the center of my chest. I felt an ache pressing within. A need I couldn’t name. I don’t know. I didn’t want to know. Let me taste your mouth, I whispered. Don’t make me think.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
You must be blind." "Why?" he asked, coming over to her. "Well, I feel like such an ass for saying this." She smoothed the front of her off-the-rack-and-then-some slacks. "But I wish I had better clothes. Then I'd be beautiful." Rehvenge paused. And then he shocked the crap out of her by kneeling before her. As he looked up, he had a slight smile on his lips. "Don't you get it Ehlena." With gentle hands, he stroked down her calf and brought her foot forward, balancing it on his thigh. As he undid the laces of her cheapo Keds sneaker, he whispered, "No matter what you wear... to me, you will always have diamonds on the soles of your shoes.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I’m not going anywhere.” Gently, he stroked her back, cradled her head. Was there anything more astounding or more frightening to a man, he wondered, than a strong woman in tears? “I’ve been right here all along. I love you, Eve, almost more than I can stand.” “I need you. I can’t help it. I don’t want to.” “I know.” He eased back, tucking a hand under her chin to lift her face to his. “We’re going to have to deal with it.” He kissed one wet cheek, then the other. “I really can’t do without you.
J.D. Robb (Glory in Death (In Death, #2))
Please,” I gasped out. He just brushed his lips against my jaw, my neck, my mouth. “Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke. For a moment, I was nothing, no one. Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again. I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength. For a while, only the rasp of our breathing filled the room. I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Horace’s pulse was racing and adrenaline was surging into his system. But he showed no sign of it. He had somehow realized what was coming as the huge man had leaped and spun before him. The coordination of the back stroke with the turn had alerted Horace, and he had determined that he would not move a muscle when the stroke arrived. It took enormous strength of will but he had managed it. Now he smiled. Prance and leap all you like, my friend, he thought, I’ll show you what a knight of Araluen is made of. Mussaun paused. He frowned and stared at the smiling young man before him. In times past, that movement had invariably resulted in the victim’s dropping to ground, hands above head, screaming for mercy. This youth was smiling at him! “That was really good,” Horace said. “I wonder, could I have a go?” He held out his bound hands.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure. "Kiss you now?" he asked. I couldn't speak; a wilted no was my reply. His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
It turns out that (he) has a condition known as micropenis. This means his penis is less than three inches long, fully erect. It looks like a large clitoris, sticking out above two balls. "Suck my big, fat cock, " he tells me. "You like that big dick?" I am dizzy. I am literally dizzy. I was so shocked to encounter the micropenis and now am even more shocked to encounter the apparent lack of knowledge about the micropenis. I grip it in my hand, and it's lost, so I use my thumb and index finger to jerk it. "Yeah, " he says. "Yeah, man, stroke that long, hard cock. Work it." I am now engaged in what I consider volunteer work. I am jerking him off purely out of pity. This is really no different from donating five percent of my paycheck to United Way every month, and it occurs to me that maybe now I don't need to give to the United Way and instead can keep the cash for myself for dating, which I am obviously going to have to do quite a bit more of.
Augusten Burroughs (Magical Thinking: True Stories)
I nodded toward Cade’s wrist. “I’m sorry.” “It’s fun. I get a man bracelet.” I smiled. “I don’t think you get to keep it. She’s just using you as her model.” “Her model?” “It’s a fact, not a compliment.” “Because if you gave me a compliment you might have a stroke.” I laughed. “Probably not a stroke, but my brain would definitely revolt in some way.” He didn’t laugh along with me, just looked at the cording on his wrist. “Oh, stop, you don’t need me to tell you that you’re hot to know that it’s true.” “Are you okay? Did that hurt your head?” Cade asked. I kicked his foot with mine and he laughed. “So you think I’m hot?” Cade’s eyes sparkled. “Doesn’t every girl?” It surprised me when his cheeks turned a light shade of pink. I wasn’t sure why that embarrassed him in any way. I was positive he already knew it. He ran one hand through his hair. Then he said, almost too quiet for me to hear, “You’re not every girl.
Kasie West (P.S. I Like You)
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
Quick work doesn't mean less serious work, it depends on one's self-confidence and experience. In the same way Jules Guérard, the lion hunter, says in his book that in the beginning young lions have a lot of trouble killing a horse or an ox, but that the old lions kill with a single blow of the paw or a well-placed bite, and that they are amazingly sure at the job... I must warn you that everyone will think that I work too fast. Don't you believe a word of it. Is it not emotion, the sincerity of one's feeling for nature, that draws us, and if the emotions are sometimes so strong that one works without knowing one works, when sometimes the strokes come with a continuity and coherence like words in a speech or a letter, then one must remember that it has not always been so, and that in time to come there will again be hard days, empty of inspiration. So one must strike while the iron is hot, and put the forged bars on one side.
Vincent van Gogh
I say no wealth is worth my life! Not all they claim was stored in the depths of Troy, that city built on riches, in the old days of peace before the sons of Achaea came- not all the gold held fast in the Archer's rocky vaults, in Phoebus Apollo's house on Pytho's sheer cliffs! Cattle and fat sheep can all be had for the raiding, tripods all for the trading, and tawny-headed stallions. But a man's life breath cannot come back again- no raiders in force, no trading brings it back, once it slips through a man's clenched teeth. Mother tells me, the immortal goddess Thetis with her glistening feet, that two fates bear me on to the day of death. If I hold out here and I lay siege to Troy, my journey home is gone, but my glory never dies. If I voyage back to the fatherland I love, my pride, my glory dies... true, but the life that's left me will be long, the stroke of death will not come on me quickly.
Homer (The Iliad)
Just So You Know You fall in love with every book you touch. You never break the spine or tear the pages. That would be cruel. You have secret favorites but, when asked, you say that you could never choose. But did you know that books fall in love with you, too? They watch you from the shelf while you sleep. Are you dreaming of them, they wonder, in that wistful mood books are prone to at night when they’re bored and there’s nothing else to do but tease the cat. Remember that pale yellow book you read when you were sixteen? It changed your world, that book. It changed your dreams. You carried it around until it was old and thin and sparkles no longer rose from the pages and filled the air when you opened it, like it did when it was new. You should know that it still thinks of you. It would like to get together sometime, maybe over coffee next month, so you can see how much you’ve both changed. And the book about the donkey your father read to you every night when you were three, it’s still around – older, a little worse for wear. But it still remembers the way your laughter made its pages tremble with joy. Then there was that book, just last week, in the bookstore. It caught your eye. You looked away quickly, but it was too late. You felt the rush. You picked it up and stroked your hand over its glassy cover. It knew you were The One. But, for whatever reason, you put it back and walked away. Maybe you were trying to be practical. Maybe you thought there wasn’t room enough, time enough, energy enough. But you’re thinking about it now, aren’t you? You fall in love so easily. But just so you know, they do, too.
Sarah Addison Allen
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
S.E. Hinton (The Outsiders)
For a long time we just held each other, our hearts beating hard. My eyes were closed, my face pressed against the warm dip between his shoulder and neck. Alex. I felt a happiness so great that it was like a deep stillness within me, as if something I'd been looking for my entire life had just slotted into place, making me whole. Finally Alex drew back. Stroking my hair from my face, he kissed me slowly, and I wanted to melt. "I can't believe that I can just do that whenver I want to now," he whispered. "You may not be getting much done for the next few weeks. Or months, or years." Years. My heart skipped, hoping that was true. "I think I can live with that," I said. Hardly able to believe that I could touch him whenever I wanted to, either, I slid my hand down his arm, feeling the different textures of him: hard muscle, smooth skin. "Do you want to go to bed?" I asked softly. Then, for the second time that night, I felt my face flame at the question. Alex smiled and touched my cheek. "You still mean sleep, right?" "Still sleep." My skin was on fire. "Just making sure. Yeah, sleep sounds good. I'm sure I'll manage to drop off. Eventually." His smile turned teasing. "Do I have to put my shirt on?" I couldn't help smiling, too, though embarrassment was still singeing through me. "No, I'd rather you didn't," I admitted.
L.A. Weatherly (Angel (Angel, #1))
His thumbs stroke over the soft skin under my ears, and his gaze drops before he suddenly lets go and retreats a full step. 'Damn it. Touching you was a bad idea.' 'The worst.' I agree, but my tongue skims my lower lip. He groans and my core melts at the sound. 'Kissing you would be a cataclysmic mistake.' 'Calamitous.' What would it take to hear that groan again? The inches between us feel like kindling, ready to burn at the first suggestion of hear, and I'm a living, breathing flame. This is everything I should run from, and yet denying the primal attraction I feel is completely, utterly impossible. 'We'll both regret it.' He shakes his head, but there's more than hunger in his eyes as he stares at my lips. 'Naturally,' I whisper. But knowing I'll regret it doesn't stop me from wanting it- wanting him. Regretting is a problem for future Violet. 'Fuck it.' One second he's out of reach and the next his mouth is on mine, hot and insistent. Gods, yes. This is exactly what I need.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Scholars discern motions in history & formulate these motions into rules that govern the rises & falls of civilizations. My belief runs contrary, however. To wit: history admits no rules; only outcomes. What precipitates outcomes? Vicious acts & virtuous acts. What precipitates acts? Belief. Belief is both prize & battlefield, within the mind & in the mind’s mirror, the world. If we believe humanity is a ladder of tribes, a colosseum of confrontation, exploitation & bestiality, such a humanity is surely brought into being, & history's Horroxes, Boerhaaves & Gooses shall prevail. You & I, the moneyed, the privileged, the fortunate, shall not fare so badly in this world, provided our luck holds. What of it if our consciences itch? Why undermine the dominance of our race, our gunships, our heritage & our legacy? Why fight the “natural” (oh, weaselly word!) order of things? Why? Because of this:—one fine day, a purely predatory world shall consume itself. Yes, the devil shall take the hindmost until the foremost is the hindmost. In an individual, selfishness uglifies the soul. For the human species, selfishness is extinction. Is this the doom written within our nature? If we believe that humanity may transcend tooth & claw, if we believe divers races & creeds can share this world as peaceably as the orphans share their candlenut tree, if we believe that leaders must be just, violence muzzled, power accountable & the riches of the Earth & its Oceans shared equitably, such a world will come to pass. I am not deceived. It is the hardest of worlds to make real. Torturous advances won over generations can be lost by a single stroke of a myopic president’s pen or a vainglorious general’s sword. A life spent shaping a world I want Jackson to inherit, not one I fear Jackson shall inherit, this strikes me as a life worth the living.
David Mitchell (Cloud Atlas)
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong. How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
He steps back, still looking. In the painting, Willem’s torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning toward something or someone and smiling. And because he knows Willem’s smiles, he knows Willem has been captured looking at something he loves, he knows Willem in that instant was happy. Willem’s face and neck dominate the canvas, and although the background is suggested rather than shown, he knows that Willem is at their table; he knows it from the way JB has drawn the light and shadows on Willem’s face. He has the sense that if he says Willem’s name, the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas, he will feel beneath his fingertips Willem’s hair, his fringe of eyelashes. But he doesn’t do this, of course, just looks up at last and sees JB smiling at him, sadly. “The title’s card’s been mounted already,” JB says, and he goes slowly to the wall behind the painting and sees its title—Willem Listening to Jude Tell a Story, Greene Street—and he feels his breath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
Dad, will they ever come back?" "No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road." "Oh, no," said Will. "Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun." They moved around the carousel slowly. "What will they look like? How will we know them?" "Why," said Dad, quietly, "maybe they're already here." Both boys looked around swiftly. But there was only the meadow, the machine, and themselves. Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad. Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole. Will stepped up beside him. Jim stepped up beside Will. Jim stroked a horse's mane. Will patted a horse's shoulders. The great machine softly tilted in the tides of night. Just three times around, ahead, thought Will. Hey. Just four times around, ahead, thought Jim. Boy. Just ten times around, back, thought Charles Halloway. Lord. Each read the thoughts in the other's eyes. How easy, thought Will. Just this once, thought Jim. But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally... The thought hit them all in the same quiet moment. ...finally you wind up owner of the carousel, keeper of the freaks... proprietor for some small part of eternity of the traveling dark carnival shows.... Maybe, said their eyes, they're already here.
Ray Bradbury (Something Wicked This Way Comes)
Then what do you want?" she asked softly. He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?" He gave a harsh laugh and loosened his arms to release her. "More than you know." Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek." He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy. Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask. I am having to do this not like Cousteau with his assiduous team aboard the sun-flooded schooner but here alone. There is a ladder. The ladder is always there hanging innocently close to the side of the schooner. We know what it is for, we who have used it. Otherwise it is a piece of maritime floss some sundry equipment. I go down. Rung after rung and still the oxygen immerses me the blue light the clear atoms of our human air. I go down. My flippers cripple me, I crawl like an insect down the ladder and there is no one to tell me when the ocean will begin. First the air is blue and then it is bluer and then green and then black I am blacking out and yet my mask is powerful it pumps my blood with power the sea is another story the sea is not a question of power I have to learn alone to turn my body without force in the deep element. And now: it is easy to forget what I came for among so many who have always lived here swaying their crenellated fans between the reefs and besides you breathe differently down here. I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and sway into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. This is the place. And I am here, the mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck we dive into the hold. I am she: I am he whose drowned face sleeps with open eyes whose breasts still bear the stress whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot we are the half-destroyed instruments that once held to a course the water-eaten log the fouled compass We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.
Adrienne Rich (Diving Into the Wreck)
there is a list of questions i want to ask but never will there is a list of questions i go through in my head every time i'm alone and my mind can't stop itself from searching for you there is a list of questions i want to ask so if you're listening somewhere here i am asking them what do you think happens to the love that's left behind when two lovers leave how blue do you think it gets before it passes away does it pass away or does it still exist somewhere waiting for us to come back when we lied to ourselves by calling this unconditional and left which one of us hurt more i shattered into a million little pieces and those pieces shattered into a million more crumbled into dust till there was nothing left of me but the silence tell me how love how did the grieving feel for you how did the mourning hurt how did you peel your eyes open after every blink knowing i'd never be there staring back it must be hard to live with what ifs there must always be this constant dull aching in the pit of your stomach trust me i feel it too how in the world did we get here how did we live through it and how are we still living how many months did it take before you stopped thinking of me or are you still thinking of me cause if you are then maybe i am too thinking of you thinking of me with me in me around me everywhere you and me and us do you still touch yourself to the thoughts of me do you still imagine my naked naked tiny tiny body pressed into yours do you still imagine the curve of my spine and how you wanted to rip it out of me cause the way it dipped into my perfectly rounded bottom drove you crazy baby sugar baby sweet baby ever since we left how many times did you pretend it was my hand stroking you how many times did you search for me in your fantasies and end up crying instead of coming don't you lie to me i can tell when you're lying cause there's always that little bit of arrogance in your response are you angry with me are you okay and would you tell me if you're not and if we ever see each other again do you think you'd reach out and hold me like you said you would the last time we spoke and you talked of the next time we would or do you think we'd just look shake in our skin as we pine to absorb as much as we can of each other cause by this time we've probably got someone else waiting at home we were good together weren't we and is it wrong that i'm asking you these questions tell me love that you have been looking for these answers too
Rupi Kaur (The Sun and Her Flowers)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course. I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze. The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine. And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too. How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me. But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it. Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—” Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me. When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?” “Nothing—” “Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!” His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.” Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.” “Lee—” “I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.” “We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))