Strokes Of Life Quotes

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My father had taught me to be nice first, because you can always be mean later, but once you've been mean to someone, they won't believe the nice anymore. So be nice, be nice, until it's time to stop being nice, then destroy them.
Laurell K. Hamilton (A Stroke of Midnight (Merry Gentry, #4))
Loneliness is a strange sort of thing. It creeps on you, quiet and still, sits by your side in the dark, strokes by your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can't breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It's a constant companion, clasping your hand only to yank you down when you're struggling to stand up. You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt. do I don't I should I why won't I And even when you're ready to let go. When you're ready to break free. When you're ready to be brand-new. Loneliness is an old friend stand beside you in the mirror, looking you in the eye, challenging you to live your life without it. You can't find the words to fight yourself, to fight the words screaming that you're not enough never enough never ever enough. Loneliness is a bitter, wretched companion. Sometimes it just won't let go.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
The truth is, when our mothers held us, rocked us, stroked our heads -none of us ever got enough of that. We all yearn in some way to return to those days when we were completely taken care of - unconditional love, unconditional attention. Most of us didn't get enough.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
You undo me, Merit. Wholly and completely. You don't take me at my word. You challenge me at every opportunity. And that means when I'm with you, I am less than the head of this House...and I am more than the head of this House. I am a man." He stroked my cheeks with his thumbs. "In my very, very long life, I need you more than I have ever needed anything.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
She turned her head so slowly it was like watching a puppet move. Her eyes met his. Death watched him. But Death had walked beside him every day of his life. So Cassian stroked his thumb along her palm and said, “Hello, Nes.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
I ask of you your lives,” Elend said, voice echoing, “and your courage. I ask of you your faith, and your honor—your strength, and your compassion. For today, I lead you to die. I will not ask you to welcome this event. I will not insult you by calling it well, or just, or even glorious. But I will say this. “Each moment you fight is a gift to those in this cavern. Each second we fight is a second longer that thousands of people can draw breath. Each stroke of the sword, each koloss felled, each breath earned is a victory! It is a person protected for a moment longer, a life extended, an enemy frustrated!” There was a brief pause. “In the end, they will kill us,” Elend said, voice loud, ringing in the cavern. “But first, they shall fear us!
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
Dan, I'm not a Republic serial villain. Do you seriously think I'd explain my master-stroke if there remained the slightest chance of you affecting its outcome? I did it thirty-five minutes ago.
Alan Moore (Watchmen)
We always hope for the easy fix: the one simple change that will erase a problem in a stroke. But few things in life work this way. Instead, success requires making a hundred small steps go right - one after the other, no slipups, no goofs, everyone pitching in.
Atul Gawande (Better: A Surgeon's Notes on Performance)
I placed my face so close to his that his features became indistict, and I began to lose myself in them. I stroked his hair, his skin, his brow, with my fingertips, tears sliding unchecked down my cheeks, my nose against his, and all the time he watched me silently, studying me intently as if he were storing each molecule of me away. He was already retreating withdrawing to somewhere I couldn't reach him. I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to life. I held him, Will Traynor ex-City whiz kid, ex-stunt diver, sportsman, traveller, lover. I held him close and said nothing, all the while telling him silently that he was loved. Oh, but he was loved.
Jojo Moyes (Me Before You (Me Before You, #1))
Sometimes not getting what you want is a brilliant stroke of luck.
Lorii Myers (Make It Happen, A Healthy, Competitive Approach to Achieving Personal Success (3 Off the Tee, #2))
In my own worst seasons I've come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again(15).
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
Rob the average man of his life-illusion, and you rob him of his happiness at the same stroke.
Henrik Ibsen (The Wild Duck)
Instruction for life: Take into account that great love and great achievements involve great risk. When you lose, don't lose the lesson. Follow the three R's: - Respect for self. - Respect for others. - Responsibility for all your actions. Remember that not getting what you want is sometimes a wonderful stroke of luck. Learn the rules so you know how to break them properly.
H. Jackson Brown Jr. (Life's Little Instruction Book)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
Death watched him. But death had walked beside him everyday of his life. So Cassian stroked his thumb along her palm and said, “Hello Nes.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
Grace: "I wanted to tell you how I felt. Why I was always so mean to you, Shane." - "Because you feel broken?" - "Completely shattered," I whispered softly. Bringing his hands to my face, he leaned over me, lightly stroking my cheeks with his fingertips. - "Then let me in, because I promise you, I will pick up every little broken piece of you, every single fucking piece, Grace, and for the rest of my fucking life I will put you back together... I'll make you whole again.
Christine Zolendz (Saving Grace (Mad World, #2))
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Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
I dreamed I saw my maternal grandmother sitting by the bank of a swimming pool, that was also a river. In real life, she had been a victim of Alzheimer’s disease, and had regressed, before her death, to a semi-conscious state. In the dream, as well, she had lost her capacity for self-control. Her genital region was exposed, dimly; it had the appearance of a thick mat of hair. She was stroking herself, absent-mindedly. She walked over to me, with a handful of pubic hair, compacted into something resembling a large artist’s paint-brush. She pushed this at my face. I raised my arm, several times, to deflect her hand; finally, unwilling to hurt her, or interfere with her any farther, I let her have her way. She stroked my face with the brush, gently, and said, like a child, “isn’t it soft?” I looked at her ruined face and said, “yes, Grandma, it’s soft.
Jordan B. Peterson (Maps of Meaning: The Architecture of Belief)
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved)
I simply state that I'm a product of a versatile mind in a restless generation-with every reason to throw my mind and pen in with the radicals. Even if, deep in my heart, I thought we were all blind atoms in a world as limited as a stroke of a pendulum, I and my sort would struggle against tradition; try, at least, to displace old cants with new ones. I've thought I was right about life at various times, but faith is difficult. One thing I know. If living isn't seeking for the grail it may be a damned amusing game.
F. Scott Fitzgerald (This Side of Paradise)
Most people think life sucks, and then you die. Not me. I beg to differ. I think life sucks, then you get cancer, then your dog dies, your wife leaves you, the cancer goes into remission, you get a new dog, you get remarried, you owe ten million dollars in medical bills but you work hard for thirty five years and you pay it back and then one day you have a massive stroke, your whole right side is paralyzed, you have to limp along the streets and speak out of the left side of your mouth and drool but you go into rehabilitation and regain the power to walk and the power to talk and then one day you step off a curb at Sixty-seventh Street, and BANG you get hit by a city bus and then you die. Maybe
Denis Leary
She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.
GG Renee Hill (The Beautiful Disruption)
Champions never sleep, the eternal spirit keep them alert and awake.
Amit Ray (Enlightenment Step by Step)
And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders; I shrugged the drops off my beautiful fur.
Angela Carter
You know that feeling at the end of the day, when the anxiety of that-which-I-must-do falls away and, for maybe the first time that day, you see, with some clarity, the people you love and the ways you have, during that day, slightly ignored them, turned away from them to get back to what you were doing, blurted out some mildly hurtful thing, projected, instead of the deep love you really feel, a surge of defensiveness or self-protection or suspicion? That moment when you think, Oh God, what have I done with this day? And what am I doing with my life? And how must I change to avoid catastrophic end-of-life regrets? I feel like that now: tired of the Me I've always been, tired of making the same mistakes, repetitively stumbling after the same small ego strokes, being caught in the same loops of anxiety and defensiveness. At the end of my life, I know I won't be wishing I'd held more back, been less effusive, more often stood on ceremony, forgiven less, spent more days oblivious to the secret wishes and fears of the people around me... --"Buddha Boy
George Saunders (The Braindead Megaphone)
Sometimes your life changes so slowly and imperceptibly that you don't notice it at all until one day you wake up and think, 'How did I get here?' But other times, life changes in an instant with a lightning stroke of good or bad luck with glorious or tragic consequences.
Liane Moriarty (Nine Perfect Strangers)
I never got to be in the driver’s seat of my own life,” she’d wept to me once, in the days after she learned she was going to die. “I always did what someone else wanted me to do. I’ve always been someone’s daughter or mother or wife. I’ve never just been me.” “Oh, Mom,” was all I could say as I stroked her hand. I was too young to say anything else.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
But Harry . . . even if we had met and married three years ago, you’d still say it wasn’t enough time.” “You’re right. I can’t think of a single day of my life that wouldn’t have been improved with you in it.” “Darling,” she whispered, her fingertips coming up to stroke his jaw, “that’s lovely. Even more romantic than comparing me to watch parts.” Harry nipped at her finger. “Are you mocking me?” “Not at all,” Poppy said, smiling. “I know how you feel about gears and mechanisms.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
She had watched other women with infants and eventually understood what she craved: the boundless permission-no, the absolute necessity- to hold and kiss and stroke this tiny person. Cradling a swaddled infant in their arms, mothers would distractedly touch their lips to their babies' foreheads. Passing their toddlers in a hall, mothers would tousle their hair even sweep them up in their arms and kiss them hard along their chins and necks until the children squealed with glee. Where else in life, Mabel wondered, could a woman love so openly and with such abandon?
Eowyn Ivey (The Snow Child)
Janice suddenly flopped her body down on the dusty, musty train seat and pulled herself into a fetal position. Libby stroked her shoulder, trying to comfort her. Maggie and I looked at each other. We knew Janice had more to tell us.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
A Note Life is the only way to get covered in leaves, catch your breath on the sand, rise on wings; to be a dog, or stroke its warm fur; to tell pain from everything it's not; to squeeze inside events, dawdle in views, to seek the least of all possible mistakes. An extraordinary chance to remember for a moment a conversation held with the lamp switched off; and if only once to stumble upon a stone, end up soaked in one downpour or another, mislay your keys in the grass; and to follow a spark on the wind with your eyes; and to keep on not knowing something important.
Wisława Szymborska
Give me my robe, put on my crown; I have Immortal longings in me: now no more The juice of Egypt's grape shall moist this lip: Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: husband, I come: Now to that name my courage prove my title! I am fire and air; my other elements I give to baser life. So; have you done? Come then, and take the last warmth of my lips. Farewell, kind Charmian; Iras, long farewell. Kisses them. IRAS falls and dies Have I the aspic in my lips? Dost fall? If thou and nature can so gently part, The stroke of death is as a lover's pinch, Which hurts, and is desired. Dost thou lie still? If thus thou vanishest, thou tell'st the world It is not worth leave-taking.
William Shakespeare (Antony and Cleopatra)
He steps back, still looking. In the painting, Willem's torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning towards something or someone and smiling. And because he knows Willem's smiles, he knows that Willem has been captured looking at something he loves, he knows Willem in that instant is happy. Willem's face and neck dominate the canvas and although the background is suggested rather than shown, he knows that Willem is at their table. He knows it from the way that JB has drawn the light and shadows on Willem's face. He has the sense that if he says Willem's name that the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas he will feel beneath his fingertips Willem's hair, his fringe of eyelashes. But he doesn't do this, of course, just looks up at last and sees JB smiling at him, sadly. "The title card's been mounted already," JB says, and he goes slowly to the wall behind the painting and sees its title - "Willem Listening to Jude Tell a Story, Greene Street"-and he feels his beneath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
And suddenly I got what the big deal was about kissing. How someone could suck on your bottom lip and make you come completely undone. That someone stroking the hair back from your face could make you swoon and someone sliding his hands underneath your top could make you feel wanted for the first time in your life.
Sarra Manning (Let's Get Lost)
Conventional belief holds that after triumphing over a mid-career bout with polio, FDR went on to serve two vigorous terms as gov- ernor of New York and three-plus more as president of the United States, succumbing unexpectedly to a stroke on April 12, 1945. In truth, Franklin spent those eventful twenty-four years battling swarms of maladies including polio’s ongoing crippling effects, life-threatening gastrointestinal bleeding, two incurable cancers, severe cardiovascular disease, and epilepsy.
Steven Lomazow (FDR Unmasked: 73 Years of Medical Cover-ups That Rewrote History)
If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him.
Bernard Knox (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
I recently read in the book My Stroke of Insight by brain scientist Jill Bolte Taylor that the natural life span of an emotion—the average time it takes for it to move through the nervous system and body—is only a minute and a half. After that we need thoughts to keep the emotion rolling. So if we wonder why we lock into painful emotional states like anxiety, depression, or rage, we need look no further than our own endless stream of inner dialogue.
Tara Brach
Sometimes being a supportive friend to her mother is the only way for the daughter to get positive strokes from Mom. The daughter may fall into the friend role willingly, not even realizing there is something terribly wrong with the arrangement until much later in life.
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
Amé, fuí amado, el sol acarició mi faz. ¡Vida, nada me debes! ¡Vida, estamos en paz! I loved, I was loved, the sun stroked my face. Life, you owe me nothing! Life, we are at peace!
Amado Nervo
When I began a diet a week before my stroke, I never dreamed of such a dramatic result.
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
Christians belive in a sovereign God who never says "Oops". We believe that all our days ... are divine strokes on the canvas of our lives by the Master Artist who certified his skill, his power, and his love in the Masterpiece of Calvary. If you doubt His skill in painting your life - look at the Calvary
John Piper
Would you require a wretched being, whose life is slowly wasting under a lingering disease, to despatch himself at once by the stroke of a dagger? Does not the very disorder which consumes his strength deprive him of the courage to effect his deliverance?
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
The most important thing in defining child sexual abuse is the experience of the child. It takes very little for a child’s world to be devastated. A single experience can have a profound impact on a child’s life. A man sticks his hand in his daughter’s underpants, or strokes his son’s penis once, and for that child, the world is never the same again.
Laura Hough (Allies in Healing: When the Person You Love Was Sexually Abused as a Child)
There are no days in life that are so memorable as those that vibrate to some stroke of the imagination.
Ralph Waldo Emerson
Yet by some stroke of almost providential good fortune, he became wanted.
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
It's only in books that you can change your life. Wipe out everything in a stroke. Do away with the weight of things. Delete the nasty parts, and then at the end of a sentence suddenly find yourself on the far side of the world.
Grégoire Delacourt (La liste de mes envies)
Can the sun find its match in anything but the moon? Can the heavens lose interest in the earth?" Hades pulled away from her and stroked her cheek. "Can death exist without life?
Rachel Alexander (Destroyer of Light (Hades & Persephone, #2))
To experience peace does not mean that your life is always blissful. It means that you are capable of tapping into a blissful state of mind amidst the normal chaos of a hectic life.
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
If you ever loved anything in your life, try to remember it. If you ever betrayed anything, pretend for a moment that you have been forgiven. If you ever feared anything, pretend for an instant that those days are gone and will never return. Buy the lie and hold to it for as long as you can. Press your familiar, whatever its name, to your breast and stroke it till it purrs.
Roger Zelazny (Creatures of Light and Darkness)
I say no wealth is worth my life! Not all they claim was stored in the depths of Troy, that city built on riches, in the old days of peace before the sons of Achaea came- not all the gold held fast in the Archer's rocky vaults, in Phoebus Apollo's house on Pytho's sheer cliffs! Cattle and fat sheep can all be had for the raiding, tripods all for the trading, and tawny-headed stallions. But a man's life breath cannot come back again- no raiders in force, no trading brings it back, once it slips through a man's clenched teeth. Mother tells me, the immortal goddess Thetis with her glistening feet, that two fates bear me on to the day of death. If I hold out here and I lay siege to Troy, my journey home is gone, but my glory never dies. If I voyage back to the fatherland I love, my pride, my glory dies... true, but the life that's left me will be long, the stroke of death will not come on me quickly.
Homer (The Iliad)
From this, one can make a deduction which is quite certainly the ultimate truth of jigsaw puzzles: despite appearances, puzzling is not a solitary game: every move the puzzler makes, the puzzlemaker has made before; every piece the puzzler picks up, and picks up again, and studies and strokes, every combination he tries, and tries a second time, every blunder and every insight, each hope and each discouragement have all been designed, calculated, and decided by the other.
Georges Perec (Life: A User's Manual)
And what is life but a little row in a small boat, every moment leaving what we know, every stroke unable to see where we are headed?
Stephen P. Kiernan (The Curiosity)
If you really want things to change, you have to get involved. Little strokes fell big oaks, you know.
Wendelin Van Draanen (Sammy Keyes and the Dead Giveaway (Sammy Keyes, #10))
You don't need to play every ball but every ball needs your judgement.
Amit Ray (Enlightenment Step by Step)
For a long time we just held each other, our hearts beating hard. My eyes were closed, my face pressed against the warm dip between his shoulder and neck. Alex. I felt a happiness so great that it was like a deep stillness within me, as if something I'd been looking for my entire life had just slotted into place, making me whole. Finally Alex drew back. Stroking my hair from my face, he kissed me slowly, and I wanted to melt. "I can't believe that I can just do that whenver I want to now," he whispered. "You may not be getting much done for the next few weeks. Or months, or years." Years. My heart skipped, hoping that was true. "I think I can live with that," I said. Hardly able to believe that I could touch him whenever I wanted to, either, I slid my hand down his arm, feeling the different textures of him: hard muscle, smooth skin. "Do you want to go to bed?" I asked softly. Then, for the second time that night, I felt my face flame at the question. Alex smiled and touched my cheek. "You still mean sleep, right?" "Still sleep." My skin was on fire. "Just making sure. Yeah, sleep sounds good. I'm sure I'll manage to drop off. Eventually." His smile turned teasing. "Do I have to put my shirt on?" I couldn't help smiling, too, though embarrassment was still singeing through me. "No, I'd rather you didn't," I admitted.
L.A. Weatherly (Angel (Angel, #1))
My life was so barren before we met, Sarah. I couldn't feel anything anymore. Didn't let myself fell anything." Reaching up, he stroked her lovely face. "Then you came along with your courage and teasing and passion and woke me up." "Now I feel so much that, at times, it overwhelms me," he admitted. "I laugh. I want. I live, Sarah. Because of you.
Dianne Duvall (Darkness Dawns (Immortal Guardians, #1))
When you keep hitting walls of resistance in life, the universe is trying to tell you that you are going the wrong way. It's like driving a bumper car at an amusement park. Each time you slam into another car or the edge of the track, you are forced to change direction.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
At times, I had nightmares. What would happen if I manage to outlive my parents (you never know about the smokers, for they can die anytime)? Would there be anyone to cremate my dead body? Or will people discover it after fourteen days, only when they feel the stench? Should I adopt a dog? No! Who will take care of him once I die? Should I adopt cats? They’re independent and self-sufficient, right? But what If I have a stroke and fail to provide them food, would they then eat me alive, bit by bit, in their extreme hunger?
Abhaidev (The World's Most Frustrated Man)
There's a story here. A catastrophic silence where our thoughts and feelings collide ... Where your sweetness overrides my senses and our bodies move to the same tune. The same song. The same melody. The same stroke. The same rhythm. It's our story, Trinity, and it's just begging to be told.
Nadège Richards (5 Miles)
I feel happier with animals than with people. When I watch my horse cantering freely across the fields— I am tempted to put my head against his soft, vigorous neck and narrate the story of my life. When I stroke my dog on the head — I know that he doesn't expect me to make sense or explain myself.
Clarice Lispector (The Hour of the Star)
the painter, Cezanne, would leave blank spaces on his canvas when he couldn’t account for the brush strokes, or the color”--- “How much of your life can you account for? My life is a collage of unaccounted for brush strokes; I am all random”.
John Guare (Six Degrees of Separation: A Play)
Scholars discern motions in history & formulate these motions into rules that govern the rises & falls of civilizations. My belief runs contrary, however. To wit: history admits no rules; only outcomes. What precipitates outcomes? Vicious acts & virtuous acts. What precipitates acts? Belief. Belief is both prize & battlefield, within the mind & in the mind’s mirror, the world. If we believe humanity is a ladder of tribes, a colosseum of confrontation, exploitation & bestiality, such a humanity is surely brought into being, & history's Horroxes, Boerhaaves & Gooses shall prevail. You & I, the moneyed, the privileged, the fortunate, shall not fare so badly in this world, provided our luck holds. What of it if our consciences itch? Why undermine the dominance of our race, our gunships, our heritage & our legacy? Why fight the “natural” (oh, weaselly word!) order of things? Why? Because of this:—one fine day, a purely predatory world shall consume itself. Yes, the devil shall take the hindmost until the foremost is the hindmost. In an individual, selfishness uglifies the soul. For the human species, selfishness is extinction. Is this the doom written within our nature? If we believe that humanity may transcend tooth & claw, if we believe divers races & creeds can share this world as peaceably as the orphans share their candlenut tree, if we believe that leaders must be just, violence muzzled, power accountable & the riches of the Earth & its Oceans shared equitably, such a world will come to pass. I am not deceived. It is the hardest of worlds to make real. Torturous advances won over generations can be lost by a single stroke of a myopic president’s pen or a vainglorious general’s sword. A life spent shaping a world I want Jackson to inherit, not one I fear Jackson shall inherit, this strikes me as a life worth the living.
David Mitchell (Cloud Atlas)
For the unified mind in accord with the Way all self-centered striving ceases. Doubts and irresolutions vanish and life in true faith is possible. With a single stroke we are freed from bondage; nothing clings to us and we hold nothing. All is empty, clear, self-illuminating, with no exertion of the mind's power.
Sengcan (Hsin Hsin Ming)
Long years ago, we made a tryst with destiny, and now the time comes when we shall redeem our pledge, not wholly or in full measure, but very substantially. At the stroke of the midnight hour, when the world sleeps, India will awake to life and freedom. A moment comes, which comes but rarely in history, when we step out from the old to the new, when an age ends, and when the soul of a nation, long suppressed, finds utterance
Jawaharlal Nehru
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong. How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
I stroke the back of her head. “You make me forget the worst parts of life.” She actually smiles, focused back on the street. “And what’s the term for that?” I think for a moment. A person who shrouds the painful moments, who conspires to make joyful ones. Who eliminates all the mundane shades in favor of ardent colors and keeps you burning alive. Is there a word for this rare person in someone’s life? I think there is. “Soul mate,
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
Tickle me, stroke me, feed me, fuck me, Overload my senses-- hug me, drug me. It's hard, you see, to consider what's more, When we hate to think and love the gin. But until this pleasure dies, I will never live-- There has to be more to life than this.
Kristian Ventura (Can I Tell You Something?)
From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie.
Katsushika Hokusai
He steps back, still looking. In the painting, Willem’s torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning toward something or someone and smiling. And because he knows Willem’s smiles, he knows Willem has been captured looking at something he loves, he knows Willem in that instant was happy. Willem’s face and neck dominate the canvas, and although the background is suggested rather than shown, he knows that Willem is at their table; he knows it from the way JB has drawn the light and shadows on Willem’s face. He has the sense that if he says Willem’s name, the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas, he will feel beneath his fingertips Willem’s hair, his fringe of eyelashes. But he doesn’t do this, of course, just looks up at last and sees JB smiling at him, sadly. “The title’s card’s been mounted already,” JB says, and he goes slowly to the wall behind the painting and sees its title—Willem Listening to Jude Tell a Story, Greene Street—and he feels his breath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
We cannot speak a loyal word and be meanly silent, we cannot kill and not kill in the same moment; but a moment is room wide enough for the loyal and mean desire, for the outlash of a murderous thought and the sharp bakcward stroke of repetance.
George Eliot (Daniel Deronda)
If you stroke a cat, it will purr; and, as inevitably, if you praise a man, a sweet expression of delight will appear on his face; and even though the praise is a palpable lie, it will be welcome, if the matter is one on which he prides himself.
Arthur Schopenhauer (The Wisdom of Life)
I love you," he told her, wiping impatiently at the tears that kept trickling down his face. "I couldn't say it before. I couldn't --" He clenched his trembling jaw, trying to control the hot flow of tears. It only made them worse. Giving up, he buried his face in her hair. "Bloody hell," he muttered. Sara had never seen him so undone, had never imagined it possible. Stroking his dark head, she whispered meaningless words, trying to give him comfort. "I love you," he repeated hoarsely, burrowing against her. "I would have given my life to have one more day with you, and tell you that.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
I want to hear you say it,” I say, pushing her hair from her eyes. She sighs and I can’t hold back any longer. I stroke her cheek with my hand and lean in to kiss her soft lips. I half expect her to push me back, but I can’t stop myself right now. I have to do it. I have to kiss her. I need to kiss her.
Melissa Brown (Champagne Toast (Love of My Life, #2))
Prayer that craves a particular commodity, -- anything less than all good, -- is vicious. Prayer is the contemplation of the facts of life from the highest point of view. It is the soliloquy of a beholding and jubilant soul. It is the spirit of God pronouncing his works good. But prayer as a means to effect a private end is meanness and theft. It supposes dualism and not unity in nature and consciousness. As soon as the man is at one with God, he will not beg. He will then see prayer in all action. The prayer of the farmer kneeling in his field to weed it, the prayer of the rower kneeling with the stroke of his oar, are true prayers heard throughout nature, though for cheap ends.
Ralph Waldo Emerson
Dorian strokes my exposed back with the tips of his fingers, sending shockwaves up and down my spine. I gasp from the contact, resisting the urge to beg him for more. He brings his face down to my neck, letting his lips brush my earlobe. “Gabriella, I would love to bend you over this desk right now and pull your dress up past your thighs and over your ass,” he murmurs, sex dripping from his soft lips. “That sounds good to me,” I breathe, turning my head a fraction. “What’s stopping you?” Never in my life have I been this bold and eager with a man but Dorian has awakened the sleeping sex giant within me. If my days are numbered, I want to at least die happy. “Oh, I would do it. But I know Aurora will come looking for me and I don’t want to be disturbed when I… ruin you.” Ruin me? It sounds so threatening and violent. I love it.
S.L. Jennings (Dark Light (Dark Light, #1))
Writers are in many ways like demi-gods. With one stroke of a pen they can give life to a character, or strike them from existence, with nary a twinge of grief at their passing.
Steven Lake
Never! Never, Marge. I can't live the button-down life like you. I want it all: the terrifying lows, the dizzying highs, the creamy middles. Sure, I might offend a few of the bluenoses with my cocky stride and musky odors -- oh, I'll never be the darling of the so-called ‘City Fathers’ who cluck their tongues, stroke their beards, and talk about "What's to be done with this Homer Simpson?
Matt Groening
America today is a "save yourself" society if there ever was one. But does it really work? The underdeveloped societies suffer from one set of diseases: tuberculosis, malnutrition, pneumonia, parasites, typhoid, cholera, typhus, etc. Affluent America has virtually invented a whole new set of diseases: obesity, arteriosclerosis, heart disease, strokes, lung cancer, venereal disease, cirrhosis of the liver, drug addiction, alcoholism, divorce, battered children, suicide, murder. Take your choice. Labor-saving machines have turned out to be body-killing devices. Our affluence has allowed both mobility and isolation of the nuclear family, and as a result, our divorce courts, our prisons and our mental institutions are flooded. In saving ourselves we have nearly lost ourselves.
John Piper (Don't Waste Your Life)
Manners are the happy ways of doing things; each one a stroke of genius or of love, now repeated and hardened into usage, they form at last a rich varnish, with which the routine of life is washed, and its details adorned. If they are superficial, so are the dew-drops which give such a depth to the morning meadows.
Ralph Waldo Emerson (The Conduct of Life & Nature & Other Essays)
I couldn’t be Pillar without you, and I still can’t. We’ve both hurt each other because we were too stubborn about what we expected, and we paid badly for that. But what’s the point of life if we give up on the people we love?” He enfolded her into his arms and stroked her smooth hair. He kissed her on the forehead and cheeks and mouth. “Wen, will you be my Pillarman?
Fonda Lee (Jade Legacy (The Green Bone Saga, #3))
Mallory dropped her head to the steering wheel. "Look, I'm mad at you, okay? This isn't about me. I know my painful memories are relative. My life is good. I'm lucky. This isn't about how poor little Mallory has had it so hard. I'm not falling apart or anything." He stroked a hand down her back. "Of course you're not. You're just holding the steering wheel up with your head for a minute, that's all.
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
Mairwen strokes a finger down his crooked nose. “Survive, and I’ll marry Arthur to trap him here, and you can live with us, because I’m a witch and you’re a saint and we can do whatever we want, and then you can spend the rest of your life seducing him. We’ll fight all the time, but we’ll be happy.
Tessa Gratton (Strange Grace)
A life like an intricately woven basket, frayed, worn, broken, unraveled, reworked, reknit from many of its original pieces... Life can survive in the constant shadow of illness, and even rise to moments of rampant joy, but the shadow remains, and one has to make space for it.
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
I'm going to write to you about the emptiness that was left when you took my boy away. I'm going to write so you can look into my empty life and see what a human boy really is from the shape of the hole he leaves behind. I want you to feel that hole in your heart and stroke it with your hands and cut your fingers on its sharp edges.
Chris Cleave (Incendiary)
Sometimes I had the feeling that all of us in his family were like pets to him. The dog you take for a walk, the cat you play with and that curls up in your lap, purring, to be stroked - you can be fond of them, you can even need them to a certain extent, and nonetheless the whole thing - buying pet food, cleaning up the cat box, and trips to the vet - is really too much. Your life is elsewhere.
Bernhard Schlink (The Reader)
Thanks for staying with me last night,” I said, stroking Toto’s soft fur. “You didn’t have to sleep on the bathroom floor.” “Last night was one of the best nights of my life.” I turned to see his expression. When I saw that he was serious, I shot him a dubious look. “Sleeping in between the toilet and the tub on a cold, hard tile floor with a vomiting idiot was one of your best nights? That’s sad, Trav.” “No, sitting up with you when you’re sick, and you falling asleep in my lap was one of my best nights. It wasn’t comfortable, I didn’t sleep worth a shit, but I brought in your nineteenth birthday with you, and you’re actually pretty sweet when you’re drunk.” “I’m sure between the heaving and purging I was very charming.” He pulled me close, patting Toto who was snuggled up to my neck. “You’re the only woman I know that still looks incredible with your head in the toilet. That’s saying something.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Sorry, I got hung up or I’d have been here earlier. I made sure I made it for closing, though. I didn’t want the streets to suffer if you walked alone.” A glance at him showed his lips twitching. Humor, a new facet to my knight in leather armor; one I liked, given my oftentimes sarcastic attitude towards life. He wore the same leather duster of the previous evening, and, once again, I enviously admired it. Unable to resist, I reached out a hand and stroked its supple surface, feeling a thrill that my hand strayed so close to his actual body. “It’s so soft,” I murmured. “Not for long, if you keep stroking it,” he drawled.
Eve Langlais (Lucifer's Daughter (Princess of Hell, #1))
Today is Father's Day. Until my stroke, we had felt no need to fit this made-up holiday into our emotional calendar. But today we spend the whole of the symbolic day together, affirming that even a rough sketch, a shadow, a tiny fragment of a dad is still a dad.
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
Humiliation and indifference, these are conditions every one of us finds unbearable — this is why the Coyote when falling is more concerned with the audience’s opinion of him than he is with the inevitable result of too much gravity.
Chuck Jones (Stroke of Genius: A Collection of Paintings and Musings on Life, Love and Art)
If I were a tree among trees, a cat among animals, this life would have a meaning or rather this problem would not arise, for I should belong to this world. I should be this world to which I am opposed by my whole consciousness and my whole insistence upon familiarity. This ridiculous reason is what sets me in opposition to all creation. I cannot cross it out with a stroke of the pen
Albert Camus (The Myth of Sisyphus and Other Essays)
On our way home we throw the apples, the biscuits, the chocolate and the coins in the tall grass by the roadside. It is impossible to throw away the stroking on our hair
Ágota Kristóf (The Notebook, The Proof, The Third Lie: Three Novels)
I may not be in total control of what happens in my life, but I certainly am in charge of how I choose to perceive my experience.
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
I was acting like a child. Wanting his full attention. His declarations of love. I wanted to be his little princess, I guess. The one he worshiped and adored. Well, life's not like that. And after thinking it through, I actually wouldn't want it to be. We aren't put together in a marriage to stroke each other's ego. Marriage is a partnership. A blending of two lives working together. That's where the commitment comes in. It's a determination of the head - not the heart. No, I shouldn't say it that way. It still involves the heart. It still is based on love, but it's new kind of love. A mature love. One that doesn't ask, "What will you do for me?" but rather "What can I do for you?" or "What can we do for each other?
Janette Oke (The Tender Years (A Prairie Legacy, #1))
Every brush stroke on the canvas, every dab of color introduced, the fine textures impressed in the paint—this accumulation of many small acts combines to shape a final work of art.  And so it is with life; each step, each deed, each brief choice builds gradually, day by day, to shape both character and destiny.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
We drive down the road in complete silence for a few miles listening to 50 Cent. As soon as he tells us that he's into having sex, he ain't into making love, Casey turns the volume down and begins telling me the following information: " I love you so much. We're going to have the best life together. I can't wait." Every word she says makes me feel a little more like faking a stroke and pretending to lose all memory of who I was, but it's not until she looks me in the eye and says in all seriousness, "You're my soul mate," that I realize I am not going to marry her.
Chad Kultgen (The Average American Male)
I like eggs and bacon,” George tells me. “But”—his face clouds—“do you know that bacon is”—tears leap to his eyes—“Wilbur?” Mrs. Garrett sits down next to him immediately. “George, we’ve been through this. Remember? Wilbur did not get made into bacon.” “That’s right.” I bend down too as wetness overflows George’s lashes. “Charlotte the spider saved him. He lived a long and happy life—with Charlotte’s daughters, um, Nelly and Urania and—” “Joy,” Mrs. Garrett concludes. “You, Samantha, are a keeper. I hope you don’t shoplift.”I start to cough. “No. Never.” “Then is bacon Babe, Mom? Is it Babe?”“No, no, Babe’s still herding sheep. Bacon is not Babe. Bacon is only made from really mean pigs,George.” Mrs. Garrett strokes his hair, then brushes his tears away.“Bad pigs,” I clarify.“There are bad pigs?” George looks nervous. Oops.“Well, pigs with, um, no soul.” That doesn’t sound good either. I cast around for a good explanation. “Like the animals that don’t talk in Narnia.” Dumb. George is four. Would he know Narnia yet? He’s still at Curious George.But understanding lights his face. “Oh. That’s okay then. ’Cause I really like bacon.
Huntley Fitzpatrick (My Life Next Door)
Bleak as the scene was, though, there was growing joy in Inman's heart. He was nearing home; he could feel it in the touch of thin air on skin, in his longing to see the lead of hearth smoke from the houses of people he had known all his life. People he would not be called upon to hate or fear. He rose and took a wide stance on the rock and stood and pinched down his eyes to sharpen the view across the vast propect to one far mountain. It stood apart from the sky only as the stroke of a poorly inked pen, a line thin and quick and gestural. But the shape slowly grew plain and unmistakable. It was to Cold Mountain he looked. He had achieved a vista of what for him was homeland.
Charles Frazier (Cold Mountain)
I've seen the ocean lapping lovingly at his muscles. And now I look at the sun stroking his skin like a possessive lover. My best friend doesn't live life, he devours it.
Petra F. Bagnardi (A Veil of Glass and Rain)
Tilli stroked her Chihuahua. Max’s heart made a sound like the sleigh bells on Mrs. Santa Claus’s dildo.
Tom Robbins (Still Life with Woodpecker)
We are bound, you and I, and nothing on this earth shall part me from you."One large hand rose to stroke my hair."D'ye mind the blood vow that I swore ye when we wed?" "Yes, I think so. 'Blood of my blood, bone of my bone...'" "I give ye my body, that we may be one," he finished. "Aye, and I have kept that vow, Sassenach, and so have you." He turned me slightly,and one hand cupped itself gently over the tiny swell of my stomach. "Blood of my blood," he whispered, "and bone of my bone. You carry me with ye, Claire, and ye canna leave me now, no matter what happens. You are mine, always, if ye will it or no, if ye want me or nay. Mine, and I wilna let you go." I put a hand over his, pressing it against me. "No," I said softly, "nor can you leave me." "No," he said, half-smiling. "For I have kept the last of the vow as well." He clasped both hands about me, and bowed his head on my shoulder, so I could feel the warm breath of his words upon my ear, whispered in the dark. "For I give ye my spirit, 'til our life shall be done.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Although we credit God with designing man, it turns out He's not sufficiently skilled to have done so. In point of fact, He unintentionally knocked over the first domino by creating a palette of atoms with different shapes. Electron clouds bonded, molecules bloomed, proteins embraced, and eventually cells formed and learned how to hang on to one another like lovebirds. He discovered that by simmering the Earth at the proper distance from the Sun, it instinctively sprouted with life. He's not so much a creator as a molecule tinkerer who enjoyed a stroke of luck: He simply set the ball rolling by creating a smorgasbord of matter, and creation ensued.
David Eagleman (生命的清单)
Out of the blue, Paul reported feeling bouts of calm euphoria, a mystical sense of all's-right-with-his-life-and-the-universe, a bright future in sight. ... I knew well the state of vigorous calm he meant, a frequent visitor throughout my own life. [p. 290]
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
Shukhov went to sleep fully content. He'd had many strokes of luck that day: they hadn't put him in the cells; they hadn't sent his squad to the settlement; he'd swiped a bowl of kasha at dinner; the squad leader had fixed the rates well; he'd built a wall and enjoyed doing it; he'd smuggled that bit of hacksaw blade through; he'd earned a favor from Tsezar that evening; he'd bought that tobacco. And he hadn't fallen ill. He'd got over it. A day without a dark cloud. Almost a happy day. There were three thousand six hundred and fiftythree days like that in his stretch. From the first clang of the rail to the last clang of the rail. Three thousand six hundred and fifty-three days. The three extra days were for leap years.
Aleksandr Solzhenitsyn (One Day in the Life of Ivan Denisovich)
Dad, will they ever come back?" "No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road." "Oh, no," said Will. "Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun." They moved around the carousel slowly. "What will they look like? How will we know them?" "Why," said Dad, quietly, "maybe they're already here." Both boys looked around swiftly. But there was only the meadow, the machine, and themselves. Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad. Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole. Will stepped up beside him. Jim stepped up beside Will. Jim stroked a horse's mane. Will patted a horse's shoulders. The great machine softly tilted in the tides of night. Just three times around, ahead, thought Will. Hey. Just four times around, ahead, thought Jim. Boy. Just ten times around, back, thought Charles Halloway. Lord. Each read the thoughts in the other's eyes. How easy, thought Will. Just this once, thought Jim. But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally... The thought hit them all in the same quiet moment. ...finally you wind up owner of the carousel, keeper of the freaks... proprietor for some small part of eternity of the traveling dark carnival shows.... Maybe, said their eyes, they're already here.
Ray Bradbury (Something Wicked This Way Comes)
I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time. Tears are streaming down her face. She’s stroking our baby girl’s cheek, smiling. Crying. Laughing. “I don’t want to count her fingers or toes,” Lake whispers. “I don’t care if she has two toes or three fingers or fifty feet. I love her so much, Will. She’s perfect.” She is perfect. So perfect. “Just like her mom,” I say. I lean my head against Lake’s and we just stare. We stare at the daughter who is so much more than I could have asked for. The daughter who is so much more than I dreamt of. So much more than I ever thought I would have. This girl. This baby girl is my life. Her mother is my life. These girls are both my life. I reach down and pick up her hand. Her tiny fingers reflexively wrap around my pinky and I can’t choke back my tears any longer. “Hey, Julia. It’s me. It’s your daddy.
Colleen Hoover (This Girl (Slammed, #3))
Still he plied the lash without stint upon my poor body, until it seemed that the lacerated flesh was stripped from my bones at every stroke. A man with a particle of mercy in his soul would not have beaten even a dog so cruelly.
Solomon Northup (Twelve Years a Slave: Plus Five American Slave Narratives, Including Life of Frederick Douglass, Uncle Tom's Cabin, Life of Josiah Henson, Incidents in the Life of a Slave Girl, Up From Slavery)
The important things in life always happened by accident. At fifteen she didn’t know much, in fact, with each passing year she was a lot less clear about most things. But this much she did know. You could worry yourself sick trying to be a better person, spend a thousand sleepless nights figuring out how to live clean and decent and honest, you could make a plan and bolt it in place, kneel by your bed every night and swear to God you’d stick to it, hell, you could go to church and promise properly. You could cross your heart seven times with your eyes tight shut, cut your thumb and squeeze it and pen solemn vows on a rock with your own blood then throw it in the river at the stroke of midnight. And then, out of the black beyond, like a hawk on a rat, some nameless catastrophe would swoop into your life and turn everything upside down and inside out forever.
Nicholas Evans (The Smoke Jumper)
Different strokes for different folks, I suppose.” I grinned and straightened. “Too true, cher.” I shrugged. “Way I see it, life is too fucking short. Live how you wanna live, have to live, and fuck everyone else.
Tillie Cole (Crux Untamed (Hades Hangmen, #6))
She needed Andrew Simpson Smith, it was that simple. And he had spent his life training to help people like her. Gods. "Okay, Andrew. But let's leave today. I'm in a hurry." "Of course. Today." He stroked the place where his slight beard was beginning to grow. "These ruins where your friends are waiting? Where are they?" Tally glances up at the sun, still low enough to indicate the eastern horizon. After a moment's calculation, she pointed off to the northwest, back toward the city and beyond that, the Rusty Ruins. "About a week's walk that way." "A week?" "That means seven days." "Yes, I know the gods' calendar," he said huffily. "But a whole week?" "Yeah. That's not so far, is it?" The hunters had been tireless on their march the night before. He shook his head, an awed expression on his face. "But that is beyond the edge of the world.
Scott Westerfeld (Pretties (Uglies, #2))
And they beat. The women for having known them and no more, no more; the children for having been them but never again. They killed a boss so often and so completely they had to bring him back to life to pulp him one more time. Tasting hot mealcake among pine trees, they beat it away. Singing love songs to Mr. Death, they smashed his head. More than the rest, they killed the flirt whom folks called Life for leading them on. Making them think the next sunrise would be worth it; that another stroke of time would do it at last. Only when she was dead would they be safe. The successful ones--the ones who had been there enough years to have maimed, mutilated, maybe even buried her--kept watch over the others who were still in her cock-teasing hug, caring and looking forward; remembering and looking back.
Toni Morrison (Beloved)
Mrs. Flint, like many southern women, was totally deficient in energy. She had not strength to superintend her household affairs; but her nerves were so strong, that she could sit in her easy chair and see a woman whipped, till the blood trickled from every stroke of the lash. She was a member of the church; but partaking of the Lord’s supper did not seem to
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Then what do you want?" she asked softly. He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?" He gave a harsh laugh and loosened his arms to release her. "More than you know." Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek." He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy. Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
To the right mind, no time exists other than the present moment, and each moment is vibrant with sensation. Life or death occurs in the present moment. The experience of joy happens in the present moment. Our perception and experience of connection with something that is greater than ourselves occurs in the present moment. To our right mind, the moment of now is timeless and abundant.
Jill Bolte Taylor (My Stroke of Insight)
It is a sad but unavoidable fact of life,” he began, “that as we age our social circles grow smaller. Whether from increased habit or diminished vigor, we suddenly find ourselves in the company of just a few familiar faces. So I view it as an incredible stroke of good fortune at this stage in my life to have found such a fine new friend.
Amor Towles (A Gentleman in Moscow)
This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver
Yeah, I must have been really bad in a past life or something." He smiled, his eyes still in pain. Reaching up, he touched a strand of mt hair. " Don't leave, OK?" "Shhh. I'm not going anywhere." I kept stroking his forehead, trailing my fingers across it. His muscular shoulders gradually relaxed, his eyes closing again. His breathing slowed, became more regular. I could hear the TV on in the other room, the sound of voices. None of it mattered to me. I stayed there until long after Alex had fallen asleep-- gently caressing the vbrow of the boy I loved, trying to keep his pain at bay.
L.A. Weatherly
There are ways I made sense of my mother later. How fifteen years with my father had left great blanks in her life that she was learning to fill, like those stroke victims relearning the words for car and table and pencil. The shy way she looked for herself in the oracle of the mirror, as critical and hopeful as an adolescent. Sucking in her stomach to zip her new jeans.
Emma Cline (The Girls)
A Spiritual Discipline is an intentionally directed action which places us in a position to receive from God the power to do what we cannot accomplish on our own.... The deep waters of God's life are already flowing. We simply learn the strokes that will enable us more and more to be at home in them.... The human body is our power-pack of mind-body-spirit -- we discipline it in order to practice cooperation with God. (Life with God, p. 135-137)
Richard W. Foster
All life is death. You don't fool yourself about this anymore. You slash at the perfect canvas with strokes of paint and replace the perfect picture of your imagination with the reality of what you are capable of. From death, and sorrow, and compromise, you create. This is what it means, you finally realize, to be alive. ("The Chambered Fruit")
M. Rickert (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
He hadn’t stroked my cheek. He hadn’t held me as I slept. He had slept on the floor beside the bed, if he slept at all. Most nights he just sat against the wall, staring into space. His nose would flare, his hands would fist, and my heart would break. I didn’t know what I’d done to upset him. I didn’t want to displease him. I only ever wanted to make him happy. He was the most important thing in my life
Tillie Cole (Sick Fux)
Camilla sobbed, and then gently pulled him onto her lap, stroking his head. 'Please. Please get up.' She had read enough fairy tales as a young girl to know that the prince was supposed to wake the love of his life with a kiss. But Envy was a demon, and Camilla was no damsel in distress. She pressed her lips to his forehead. He didn't magically stir.
Kerri Maniscalco (Throne of the Fallen (Prince of Sin, #1))
Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By most astounding stroke of luck and infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist. For endless eons there was no you. Before you know it, you will cease to be again. And in between you have this wonderful opportunity to see and feel and think and do. Whatever else you do with your life, nothing will remotely compare with the incredible accomplishment of having managed to get yourself born. Congratulations. Well done. You really are special.
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
One of the advantages of a life much longer than average was that you saw how fragile the future was. Men said things like "peace in our time" or "an empire that will last a thousand years," and less than half a lifetime later no one even remembered who they were, let alone what they had said or where the mob had buried their ashes. What changed history were smaller things. Often a few strokes of the pen would do the trick.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.
Upton Sinclair (The Jungle)
But it’s not always enough, you know? And sometimes, it spills over because you can’t control it, because you need to make others feel your pain, your hurt, your rage, because it’s tough to walk around all scarred up, in a world full of slick billboards and bright, smiley toothpaste ads and shiny, happy people. Life’s not always fair. So suck it, lick it, stroke it, fuck it.
Leylah Attar (The Paper Swan)
Entwining his hands in her hair, he kissed her with all the passion and love he'd kept hidden in his heart for thirty-sex years. Waiting for her. Only for her. As he felt her kiss him back the frozen wall inside him finally broke, allowing life and sun inside his soul. He pulled away, stroking her cheeks as he looked down into her eyes. "I love you, Carrie," he whispered. "I love you.
Jennie Lucas (The Secret Baby Scandal: The Count's Secret Child / The Sandoval Baby)
Choose to live, Elisabeth. There's a fire within you; keep it alight. Feed that flame with music and seasons and chocolate torte and strawberries and your Grandmother's Gugelhopf. Let it grow with your love for your family. Let it be a beacon to set your heart by, so that you remain true to yourself." He stroked my cheek. "Do this, so that I remember you like this: fierce and full of life.
S. Jae-Jones (Wintersong (Wintersong, #1))
What ticks in the clock, beats here with strong strokes of the hammer. It is Bloodless, who drank life from human thought and thereby got limbs of metals, stone and wood; it is Bloodless, who by human thought gained strength, which man himself does not physically possess. Bloodless reigns in Motala, and through the large foundries and factories he extends his hard limbs, whose joints and parts consist of wheel within wheel, chains, bars, and thick iron wires.
Hans Christian Andersen (Pictures of Sweden)
Empires die, like all of us dancers in the strobe-lit dark. See how the light needs shadows. Look: wrinkles spread like mildew over our peachy sheen; beat-by-beat-by-beat-by-beat-by-beat-by-beat, varicose veins worm through plucked calves; torsos and breasts fatten and sag...as last year's song hurtles into next year's song and the year after that, and the dancers' hairstyles frost, wither, and fall in chemotherapeutic tufts; cancer spatters inside this tarry lung, in that ageing pancreas, in this aching bollock; DNA frays like wool, and down we tumble; a fall on the stairs, a heart-attack, a stroke; not dancing but twitching...They knew it in the Middle Ages. Life is a terminal illness.
David Mitchell (The Bone Clocks)
For a girl without a job, or hobbies, or any kind of social life, Emma’s schedule was remarkably crowded. Dieting, walking, worrying, writing, exercising, surviving – all of these things ate into a day that might have offered endless possibilities had Emma not felt obliged to fill her great unfenced acres of spare time with the kind of trivial concerns and ridiculous compulsions that her doctors had been trying for years to clear from her head. This habit shone most brightly every Tuesday, when she took her place by the living-room window to await the arrival of her care team from Edinburgh. No matter what was going on around her or within her head, she arrived by the window on the stroke of noon every single week. The team never arrived before half past one.
Andy Marr (Hunger for Life)
Every time you come to the limit of what is demanded of you, you are faced with the same problem - to be yourself! And with the first step you make in this direction you realize that there is neither plus nor minus; you throw the skates away and swim. There is no suffering any more because there is nothing which can threaten your security. And there is no desire to be of help to others even, because why rob them of a privilege which must be earned? Life stretches out from moment to moment in stupendous infinitude. Nothing can be more real than what you suppose it to be. Whatever you think the cosmos to be it is and it could not possibly be anything else as long as you are you and I am I. You live in the fruits of your action and your action is the harvest of your thought. Thought and action are one, because swimming you are in it and of it, and it is everything you desire it to be, no more, no less. Every stroke counts for eternity. The heating and cooling system is one system, and Cancer is separated from Capricorn only by an imaginary line. You don't become ecstatic and you are not plunged into violent grief; you don't pray for rain, neither do you dance a jig. You live like a happy rock in the midst of the ocean: you are fixed while everything about you is in turbulent motion. You are fixed in a reality which permits the thought that nothing is fixed, that even the happiest and mightiest rock will one day be utterly dissolved and fluid as the ocean from which it was born.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Food of Love Eating is touch carried to the bitter end. -Samuel Butler II I'm going to murder you with love; I'm going to suffocate you with embraces; I'm going to hug you, bone by bone, Till you're dead all over. Then I will dine on your delectable marrow. You will become my personal Sahara; I'll sun myself in you, then with one swallow Drain you remaining brackish well. With my female blade I'll carve my name In your most aspiring palm Before I chop it down. Then I'll inhale your last oasis whole. But in the total desert you become You'll see me stretch, horizon to horizon, Opulent mirage! Wisteria balconies dripping cyclamen. Vistas ablaze with crystal, laced in gold. So you will summon each dry grain of sand And move towards me in undulating dunes Till you arrive at sudden ultramarine: A Mediterranean to stroke your dusty shores; Obstinate verdue, creeping inland, fast renudes Your barrens; succulents spring up everywhere, Surprising life! And I will be that green. When you are fed and watered, flourishing With shoots entwining trellis, dome and spire, Till you are resurrected field in bloom, I will devour you, my natural food, My host, my final supper on the earth, And you'll begin to die again.
Carolyn Kizer
We found ways. This is the story, the human story, the werewolf story, the life story: One finds ways. Kissing, slowly, was one. Though dark-haired and dark-eyed she was fair-skinned, a sensuous contrast that required continual reapprehension. All of her required this (or rather all of my desire did), repeatedness, over again–ness. The beauty spot by her lip was one of a dozen or so scattered over her body. My new constellations. There was no performance, no pornography, just complete conversion to the religion of each other, that erotic equalisation that mocks distinction between the sacred and the profane, that at a stroke anarchises the body’s moral world.
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
I gaped. "You are not seriously that chauvinistic?" "Hmmm..." He stroked his chin dramatically. "Maybe not in real life." Hillbilly again. "But as your fake husband...yes, I think I am." I eyed him up and down. "I need to call the Guinness Book of Records or Gray's Anatomy or something, because I am standing here looking at the single largest asshole ever known to man.
Kristin Walker (A Match Made in High School)
Individuality is deeply imbued in us from the very start, at the neuronal level. Even at a motor level, researchers have shown, an infant does not follow a set pattern of learning to walk or how to reach for something. Each baby experiments with different ways of reaching for objects and over the course of several months discovers or selects his own motor solutions. When we try to envisage the neural basis of such individual learning, we might imagine a "population" of movements (and their neural correlates) being strengthened or pruned away by experience. Similar considerations arise with regard to recover and rehabilitation after strokes and other injuries. There are no rules; there is no prescribed path of recovery; every patient must discover or create his own motor and perceptual patterns, his own solutions to the challenges that face him; and it is the function of a sensitive therapist to help him in this. And in its broadest sense, neural Darwinism implies that we are destined, whether we wish it or not, to a life of particularity and self-development, to make our own individual paths through life.
Oliver Sacks (On the Move: A Life)
She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. "Here," she said, "in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it, and the beat and beating heart, love that too. More than eyes or feet.More than lungs that have yet to draw free air. More than your life holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize." Saying no more, she stood up then and danced with her twisted hip the rest of what her heart had to say while the others opened heir mouths and gave her the music.
Toni Morrison (Beloved)
Our days flowed around well-charted, often traveled courses, and yet, the underlying sense of falling out of time, out of the trajectory of one's life, not by choice, but by subtraction, was frequent and disquieting. Then I grieved for him, for the lost and previous Paul. He grieved for that man too. Both our griefs were mainly private, internal, unuttered. Return was impossible, and there was only one direction open ; and so we kept our compass pointed forward. [p. 286]
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
I continued with heavy sobs."Please Cassandra.Wake up,sweetheart.I'll do anything.I need you.You're all I've ever needed.All I've ever wanted." I pulled away and stroked my finger across her chin.She was everything, and for the first time in my life, I knew I would never want anyone elese. I caved and placed a small kis on her forehead.My lips needed to feel her just once more. I didn't deserve it but I wasn't ready to be a gentleman now. Pulling back, I looked down at her, my heart swelling in my chest. "I love you," I murmured,my head resting next to her ear.
Angela Graham (Inevitable (Harmony, #1))
I never thought I would have this … You.” I grip his shirt and look up into those beautiful eyes. “I never thought I would have you. I never even let myself hope for you, dream for you, and yet somehow here you are. You have changed my whole life, Edward. You’ve changed me, and I couldn’t do this alone.” He smiles gently and strokes my face. “Yes, you could.” “But I wouldn’t be me, not who I am now. I would be some other, emptier version of me.” Another tear falls and another, and my voice breaks. “You are my joy and my heart…you are my home…and I would be lost without you.” … “You will never be lost. I will be with you always. The vows were wrong. When death comes, he can have my body…but my soul will stay with you, I swear it.
Emma Chase (Royally Yours (Royally, #4))
Life is, in itself and forever, shipwreck. To be shipwrecked is not to drown. The poor human being, feeling himself sinking into the abyss, moves his arms to keep afloat. This movement of the arms which is his reaction against his own destruction, is culture — a swimming stroke.... But ten centuries of cultural continuity brings with it — among many advantages the great disadvantage that man believes himself safe, loses the feeling of shipwreck, and his culture proceeds to burden itself with parasitic and lymphatic matter. Some discontinuity must therefore intervene, in order that man may renew his feeling of peril, the substance of his life. All his life-saving equipment must fail, then his arms will once again move redeemingly.
José Ortega y Gasset
Black magic, the magic of the primeval chaos, blots out or transmogrifies the true form of things. At the stroke of twelve the princess must flee the banquet or risk discovery in the rags of a kitchen wench; coach reverts to pumpkin. Instability lies at the heart of the world. With uncanny foresight folklore has long toyed symbolically with what the nineteenth century was to proclaim a reality - namely, that form is an illusion of the time dimension, that the magic flight of the pursued hero or heroine through frogskin and wolf coat has been, and will continue to be, the flight of all men.
Loren Eiseley (The Star Thrower)
When I speak at universities, in colleges, I share these statistics. I tell them that even as we are labeled criminal, we are actually the victims of crime. And I tell them there are no stats to track collateral deaths, the ones that unfold over months and years spent in mourning and grief: the depression that becomes addiction to alcohol that becomes cirrhosis; or else addiction to food that becomes diabetes that becomes a stroke . Slow deaths . Undocumented deaths. Deaths with a common root: the hatred that tells a person daily that their life and the life of those they love ain't worth shit, a truth made ever more real when the people who harm you are never held accountable.
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely. Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems. In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age. At least you used to. But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
The ties that bind us to life are tougher than you imagine, or anyone can who has not felt how roughly they may be pulled without breaking. You might be miserable without a home, but even you could live; and not so miserably as you suppose. The human heart is like india-rubber; a little swells it, but a great deal will not burst it. If “little more than nothing will disturb it, little less than all things will suffice” to break it. As in the outer members of our frame, there is a vital power inherent in itself that strengthens it against external violence. Every blow that shakes it will serve to harden it against a future stroke; as constant labor thickens the skin of the hand, and strengthens its muscles instead of wasting them away: so that a day of arduous toil, that might excoriate a lady’s palm, would make no sensible impression on that of a hardy ploughman.
Anne Brontë (Agnes Grey)
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
Grief is an artist of powers as various as the instruments upon which he plays his dirges for the dead, evoking from some the sharpest, shrillest notes, from others the low, grave chords that throb recurrent like the slow beating of a distant drum. Some natures it startles; some it stupefies. To one it comes like the stroke of an arrow, stinging all the sensibilities to a keener life; to another as the blow of a bludgeon, which in crushing benumbs.
Ambrose Bierce
I felt let down when I could see the writer too much at work on a character because it reminded me forcefully that of course I don't have a writer working on my story, guiding me to safety, bending the laws of reality for me, bringing me in a hero to rescue me or transporting me to a happier life by the stroke of her pen. No writer is writing me a better journey. No writer is guiding me through my misunderstandings and muddles and wrong turns to reach my happy ending. And then I realize I am the writer. ...we all write out our own lives.
Samantha Ellis (How to Be a Heroine)
The moment you are born your death is foretold by your newly minted cells as your mother holds you up, then hands you to your father, who gently tickles the stomach where the cancer will one day form, studies the eyes where melanoma’s dark signature is already written along the optic nerve, touches the back where the liver will one day house the cirrhosis, feels the bloodstream that will sweeten itself into diabetes, admires the shape of the head where the brain will fall to the ax-handle of stroke, or listens to your heart, which, exhausted by the fearful ways and humiliations and indecencies of life, will explode in your chest like a light going out in the world.
Pat Conroy (South of Broad)
Poetry Poetry, How did you find your way to me? My mother does not know Albanian well, She writes letters like Aragon, without commas and periods, My father roamed the seas in his youth, But you have come, Walking down the pavement of my quiet city of stone, And knocked timidly at the door of my three-storey house, At Number 16. There are many things I have loved and hated in life, For many a problem I have been an 'open city', But anyway... Like a young man returning home late at night, Exhausted and broken by his nocturnal wanderings, Here too am I, returning to you, Worn out after another escapade. And you, Not holding my infidelity against me, Stroke my hair tenderly, My last stop, Poetry.
Ismail Kadare
A caregiver is changed by the culture of illness, just as one is changed by the dynamic era in which one lives. For one thing, I don't have as much time in conversation with myself, and I feel the loss. Certainly I worry more about his death, and mine too, since I;m so much a part of the evolving saga of his health, which I have to monitor every day. But I've grown stronger in every aspect of my life. In small ways: speaking more directly with people. In large ways: discovering I can handle adversity and potential loss and yet keep going. I've a better idea of my strength. I feel like I've been tested, like a willow whipped around violently in a hurricane, but still stranding, its roots strong enough to hold. [p. 301]
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Sometimes, no matter how much you try and plan and pray, things just go to hell. Life is full of heartbreak and the world is cruel, but it's still a beautiful place to be." I stroked his chest, right over his heart. "It's beautiful because we have the ability to love. We love harder than death. We love fiercer than hate. A human heart has more power than any nuclear weapon. It is impenetrable, even when it stops beating. You can break it, tear it to pieces, put a hole in it, but you can't erase the feelings, and those feeling are contagious. The contents can never be wiped clean. They spread in our thoughts, words, actions and our memories.
Chloe Walsh (Fall On Me (Broken #3))
Will these millions of children, for generations upon future generations, know that some of their atoms cycled through this woman? [...] Will they feel what she felt in her life, will their memories have flickering strokes of her memories, will they recall that moment long ago when she stood by the window, guilt ridden and confused, and watched as the tadr bird circled the cistern? No, it is not possible. [...] But I will let them have their own brief glimpse of the Void, just at that moment they pass from living to dead, from animate to inanimate, from consciousness to that which has no consciousness. For a moment, they will understand infinity.
Alan Lightman (Mr g)
The sea contains many surprises for him who has his floor on a level with the surface and drifts along slowly and noiselessly. A sportsman who breaks his way through the woods may come back and say that no wild life is to be seen. Another may sit down on a stump and wait, and often rustlings and cracklings will begin and curious eyes peer out. So it is on the sea, too. We usually plow across it with roaring engines and piston strokes, with the water foaming round our bow. Then we come back and say that there is nothing to see far out on the ocean.
Thor Heyerdahl (Kon-Tiki)
I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I? Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge. But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.
Katherine Dunn (Geek Love)
He pulled me toward him so that I was resting on my side. I coughed up some more water. He took off his wet shirt and folded it. Then he gently lifted me and placed it under my sore head, which hurt too much to appreciate his…bronzed…sculpted…muscular…bare chest. Well I guess I must be okay if I can appreciate the view, I thought. Sheesh, I’d have to be dead not to appreciate it. I winced as Ren’s hand brushed against my head, shaking me from my reverie. “You’ve got a major bump here.” I reached up to feel the giant lump on the back of my skull. I gingerly touched it and recalled the source of my headache. I must have lost consciousness when the rock hit me. Ren saved my life. Again. I looked up at him. He was kneeling next to me with a look of desperation on his face, and his body was shaking. I realized that he must have changed to a man, dragged me out of the pool, and then remained by my side until I woke up. Who knows how long I’ve been laying here unconscious. “Ren, you’re in pain. You’ve been in this form too long today.” He shook his head in denial, but I saw him grit his teeth. I pressed my hand on his arm. “I’ll be okay. It’s just a bump on the head. Don’t worry about me. I’m sure Mr. Kadam has some aspirin tucked away in the backpack. I’ll just take that and lie down to rest for a while. I’ll be alright.” He trailed his finger slowly from my temple to my cheek and smiled softly. When he pulled back, his whole arm shook and tremors rippled under the surface of his skin. “Kells, I-“ His face tightened. He threw his head to the side, snarled angrily, and morphed to a tiger again. He softly growled, then quieted, and drew close beside me. He lay down next to me and watched me carefully with his alert blue eyes. I stroked his back, partly to reassure him and partly because it soothed me too.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Since I encountered death, met death on every mountain path,conversed with death in my sleep, wrestled with death in the snow, gambled at dice with death, I have come to the conclusion that death is not an enemy but a brother. Death is a beautiful naked man who looks like Apollo, and he is notsatisfied with those who wither away in old age. Death is a perfectionist, he likes the young and beautiful, he wants to stroke our hair and caress the sinew that binds our muscle to the bone. He does all he can to meet us, our faces gladden his heart, and he stands in our path to challenge us because he likes a clean fair fight, and after the fight he likes to befriend us, clap us on the shoulder, and make us laugh at all the pettiness and folly of the living. At the conclusion of a battle he wanders amongst the dead, raising them up, placing laurels upon the brows of those most comely, and he gathers them together as his own children and takes them away to drink wine that tastes of honey and gives them the sense of proportion that they never had in life.
Louis de Bernières (Corelli’s Mandolin)
He adjusts our hands, his fingers warm around mine. And then he looks down at me, and his eyes say all the things he cannot. His gaze holds mine as we dance slowly, and I silently tell him that I'll always carry him in my heart, and he silently tells me that in another place, another time, we'd have been pretty damn close to perfect. 'For what it's worth'—his hand slips into my hair and he strokes his thumb along my jaw—'and because we're finally being honest with each other, you're just about my favourite person in the world, and it was the single most spectacular kiss of my whole life.
Josie Silver (One Day in December)
Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me. When he pulled away, his face brightened with an enthusiastic smile. He scooped me up and spun me around the room, laughing. When I was thoroughly dizzy, he sobered and touched his forehead to mine. Shyly, I reached out to touch his face, exploring the angles of his cheeks and lips with my fingertips. He leaned into my touch like the tiger did. I laughed softly and ran my hands up into his hair, brushing it away from his forehead, loving the silky feel of it. I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, and I worried that the deeper I allowed the relationship to progress, the worse that the deeper I allowed the relationship to progress, the worse it would be if Ren left. What would become of us? There was no way to know, and I realized what a breakable and delicate thing a heart was. No wonder I’d kept mine locked away. He was oblivious to my negative thoughts, and I tried to push them into the back of my mind and enjoy the moment with him. Setting me down, he briefly kissed me again and pressed soft kisses along my hairline and neck. Then, he gathered me into a warm embrace and just held me close. Stroking my hair while caressing my neck, he whispered soft words in his native language. After several moments, he sighed, kissed my cheek, and nudged me toward the bed. “Get some sleep, Kelsey. We both need some.” After one last caress on my cheek with the back of his fingers, he changed into his tiger form and lay down on the mat beside my bed. I climbed into bed, settled under my quilt, and leaned over to stroke his head. Tucking my other arm under my cheek, I softly said, “Goodnight, Ren.” He rubbed his head against my hand, leaned into it, and purred quietly. Then he put his head on his paws and closed his eyes. Mae West, a famous vaudeville actress, once said, “A man’s kiss is his signature.” I grinned to myself. If that was true, then Ren’s signature was the John Hancock of kisses.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his. Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind. Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me. "I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are." I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life. Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love." No way. Noah's experienced reputation walked down the hallway before he did. "But..." Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square. I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek. "And since break?" I asked. "There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else." I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin." Now Noah froze. "But you were with Luke." A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready." He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
We soothe newborns, but parents soon start teaching their children to tolerate higher levels of arousal, a job that is often assigned to fathers. (I once heard the psychologist John Gottman say, “Mothers stroke, and fathers poke.”) Learning how to manage arousal is a key life skill, and parents must do it for babies before babies can do it for themselves. If that gnawing sensation in his belly makes a baby cry, the breast or bottle arrives. If he’s scared, someone holds and rocks him until he calms down. If his bowels erupt, someone comes to make him clean and dry. Associating intense sensations with safety, comfort, and mastery is the foundation of self-regulation, self-soothing, and self-nurture, a theme to which I return throughout this book.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
If you don’t drink coffee, you should think about two to four cups a day. It can make you more alert, happier, and more productive. It might even make you live longer. Coffee can also make you more likely to exercise, and it contains beneficial antioxidants and other substances associated with decreased risk of stroke (especially in women), Parkinson’s disease, and dementia. Coffee is also associated with decreased risk of abnormal heart rhythms, type 2 diabetes, and certain cancers.12, 13 Any one of those benefits of coffee would be persuasive, but cumulatively they’re a no-brainer. An hour ago I considered doing some writing for this book, but I didn’t have the necessary energy or focus to sit down and start working. I did, however, have enough energy to fix myself a cup of coffee. A few sips into it, I was happier to be working than I would have been doing whatever lazy thing was my alternative. Coffee literally makes me enjoy work. No willpower needed. Coffee also allows you to manage your energy levels so you have the most when you need it. My experience is that coffee drinkers have higher highs and lower lows, energywise, than non–coffee drinkers, but that trade-off works. I can guarantee that my best thinking goes into my job, while saving my dull-brain hours for household chores and other simple tasks. The biggest downside of coffee is that once you get addicted to caffeine, you can get a “coffee headache” if you go too long without a cup. Luckily, coffee is one of the most abundant beverages on earth, so you rarely have to worry about being without it. Coffee costs money, takes time, gives you coffee breath, and makes you pee too often. It can also make you jittery and nervous if you have too much. But if success is your dream and operating at peak mental performance is something you want, coffee is a good bet. I highly recommend it. In fact, I recommend it so strongly that I literally feel sorry for anyone who hasn’t developed the habit.
Scott Adams (How to Fail at Almost Everything and Still Win Big: Kind of the Story of My Life)
Alexander the Magnus was once called to solve the following challenge in the Phrygian city of Gordium (as usual with Greek stories, in modern-day Turkey). When he entered Gordium, he found an old wagon, its yoke tied with a multitude of knots, all so tightly entangled that it was impossible to figure out how they were fastened. An oracle had declared that he who would untie the knot would rule all of what was then called “Asia,” that is, Asia Minor, the Levant, and the Middle East. After wrestling with the knot, the Magnus drew back from the lump of gnarled ropes, then made a proclamation that it didn’t matter for the prophecy how the tangle was to be unraveled. He then drew his sword and, with a single stroke, cut the knot in half. No “successful” academic could ever afford to follow such a policy. And no Intellectual Yet Idiot. It took medicine a long time to realize that when a patient shows up with a headache, it is much better to give him aspirin or recommend a good night’s sleep than do brain surgery, although the latter appears to be more “scientific.” But most “consultants” and others paid by the hour are not there yet.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life)
Nesta,' he said into her ear. 'Nesta, open your hand and come back.' Her breathing sharpened. The cold deepened. 'Nesta,' he snarled- And the cold halted. It didn't vanish, but rather... stopped. Nesta's eyes flicked open. Silver fire burned within. Nothing Fae looked out through them. Rhys shoved Feyre behind him. She shoved her way back to his side. But Nesta's hand continued to squeeze Cassian's. He squeezed back, let his Siphons send a bite of power into her skin. She turned her head so slowly it was like watching a puppet move. Her eyes met his. Death watched him. But Death had walked beside him every day of his life. So Cassian stroked his thumb along her palm and said, 'Hello, Nes.' Nesta blinked, and he let his Siphons bite her with his power again. The fire flickered. He nodded to the map, 'Let go of the stones and bones.' He didn't let her scent his fear. Here was the being the Bone Carver had whispered about, exalted and feared. 'Let go of the stones and bones, and then you and I can play.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
“It wasn’t a ruse. Everything I said is true.” He huffs and attempts a glare. But underneath, I see the same doubt and vulnerability I heard in his voice when he sent me to the train without him. I also see something more: a damaged and enchanted fairy who pushed aside his selfishness and faced the bandersnatch for me, who looked a train dead-on, who put himself between Jeb and Sister Two, and who saved my dad from having his life sucked away. I’m overwhelmed with compassion and gratitude and another emotion I don’t dare put a name to. I have to convince him that there’s a place for him in my heart, too. Just not yet. I glance at the wings covering me, at his body, immovable in front of me, then rise up on tiptoe and take his smooth face in both my hands. He tenses for an instant—suspicious—but relaxes slowly, each muscle surrendering bit by bit as I stroke his jaw.
A.G. Howard (Unhinged (Splintered, #2))
Breaking the kiss when she had reached the point where she had begun to hope he would never stop, he surged over her and she felt his need digging into her belly as he burrowed his face against her neck. "Don't torture me anymore. I am repentant. I swear." She opened her eyes to look at him as he lifted his head. His features were drawn and harsh with painful need. "I have never been more miserable in my life, Mellie, and the only way you could possibly make me more miserable is to leave where I can not even see you." Lifting a hand, she stroked his hard cheek. He turned his face into her palm, kissing it. "Don't make beg, Mellie." "Why?" A pained look flickered across his features. "Because I will, and my ego might never recover.
Julia Keaton (Stranger in My Bed)
We were strolling in the jungle that surrounds the Lilliputian volcanoes in the Middle Andamans. I found your mother stroking the trunk of a palm tree. It was a Corypha Macropoda in its final stages of life. Once it flowers, it dies. She asked me why it happened. It was how trees had evolved, I explained to her. Some had gone from producing hundreds of seeds with a diminished chance of survival to flowering only once but ensuring the seeds made it by giving them their best … Now I realize why she asked me that question. Your mother wanted me to know the answer. As a human being, I cannot look beyond life and death. But as a botanist, I see how limiting individual lifecycles can be to our understanding. Nature is a continuum. That is how it thrives.
Shubhangi Swarup (Latitudes of Longing)
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.” I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!” He shrugged his shoulders and grinned. “I missed you.” My mouth quirked up in a half smile. “I missed you too.” He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.” I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.” “I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.” “I wouldn’t either.” He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine. I squeezed his hand. “I understand. It’s fine. Really.” He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.” Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks. He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me." Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man." Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity." I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life." "I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me. I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He was perfectly astonished with the historical account gave him of our affairs during the last century; protesting “it was only a heap of conspiracies, rebellions, murders, massacres, revolutions, banishments, the very worst effects that avarice, faction, hypocrisy, perfidiousness, cruelty, rage, madness, hatred, envy, lust, malice, and ambition, could produce.” His majesty, in another audience, was at the pains to recapitulate the sum of all I had spoken; compared the questions he made with the answers I had given; then taking me into his hands, and stroking me gently, delivered himself in these words, which I shall never forget, nor the manner he spoke them in: “My little friend Grildrig, you have made a most admirable panegyric upon your country; you have clearly proved, that ignorance, idleness, and vice, are the proper ingredients for qualifying a legislator; that laws are best explained, interpreted, and applied, by those whose interest and abilities lie in perverting, confounding, and eluding them. I observe among you some lines of an institution, which, in its original, might have been tolerable, but these half erased, and the rest wholly blurred and blotted by corruptions. It does not appear, from all you have said, how any one perfection is required toward the procurement of any one station among you; much less, that men are ennobled on account of their virtue; that priests are advanced for their piety or learning; soldiers, for their conduct or valour; judges, for their integrity; senators, for the love of their country; or counsellors for their wisdom. As for yourself,” continued the king, “who have spent the greatest part of your life in travelling, I am well disposed to hope you may hitherto have escaped many vices of your country. But by what I have gathered from your own relation, and the answers I have with much pains wrung and extorted from you, I cannot but conclude the bulk of your natives to be the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth.
Jonathan Swift (Gulliver’s Travels)
I doubt your Argonaut kin would approve of that,” she managed. “They didn’t much like me being in your realm.” “They’ll just have to get used to it. Some things in life are more important than duty and honor.” Gods, how she wished that were true. “Nothing in life is more important than duty and honor, Titus.” He cradled her face in his hands again. “You are.” That was it. All she could take. A desperate need to be close to him one last time overwhelmed every thought and action. She pressed her mouth to his. Kissed him hard. Gasped when his arms closed around her waist with the strength of a vise. Lost herself in the sweet taste of his tongue stroking urgently across hers. “I want you,” she whispered against his lips. Desperation clawed at her soul. She pressed her lips to his again, opened, licked into his mouth. Warmth, wetness, hunger caressed her tongue in an erotic dance. She trailed one hand down his bare chest, over the waistband of his pants.
Elisabeth Naughton (Bound (Eternal Guardians, #6))
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
I wanted you to kiss me, Jack," I say, bereft. It's not as if he isn't aware what I wanted back there; to be coy would be pointless. "I don't like myself for it." He strokes my hair, cups my chin, looks me in the eyes. "If I tell you something, do you promise to never tell another living soul, not even a goldfish?" I swallow, eye to eye with him as I nod, and he takes my face between both of his hands. Whatever he's about to say, I think it's something I'm going to remember forever. "I wanted to kiss you back there in the pub, Laurie, and I want to kiss you even more right now. You're one of the loveliest people I've ever met in my whole life." He looks away, down the length of the deserted street and then back at me again. "You're beautiful and kind, and you make me laugh, and when you look at me like that with your summer hedgerow eyes...only a fucking saint wouldn't kiss you." Then he leans me against the wall with the weight of his body, and because he isn't a fucking saint, he kisses me. Jack O'Mara dips his head and kisses me in the snow, his lips trembling and then hot and sure, and I'm crying and kissing him back, opening my mouth to let his tongue slide over mine as he makes this low, injured animal noise in his throat. I feel the relief of him in every follicle of my hair, and in every cell of my body, and in the blood in my veins. His breathing is as shallow as mine, and it's so much more than I've ever imagined, and trust me, I used to let my imagination run riot where Jack O'Mara was concerned. He holds my face as if I'm precious and then pushes his fingers into my hair, cupping my head in his hands when I tip it back. This is the only time we will ever kiss each other. He knows it, I know it, and it's so achingly melancholy-sexy that I feel tears threaten again.
Josie Silver (One Day in December)
We don't know ourselves, we knowledgeable people—we are personally ignorant about ourselves. And there's good reason for that. We've never tried to find out who we are. How could it ever happen that one day we'd discover our own selves? With justice it's been said that "Where your treasure is, there shall your heart be also." Our treasure lies where the beehives of our knowledge stand. We are always busy with our knowledge, as if we were born winged creatures—collectors of intellectual honey. In our hearts we are basically concerned with only one thing, to "bring something home." As far as the rest of life is concerned, what people call "experience"—which of us is serious enough for that? Who has enough time? In these matters, I fear, we've been "missing the point." Our hearts have not even been engaged—nor, for that matter, have our ears! We've been much more like someone divinely distracted and self-absorbed into whose ear the clock has just pealed the twelve strokes of noon with all its force and who all at once wakes up and asks himself "What exactly did that clock strike?"—so we rub ourselves behind the ears afterwards and ask, totally surprised and embarrassed "What have we really just experienced? And more: "Who are we really?" Then, as I've mentioned, we count—after the fact—all the twelve trembling strokes of the clock of our experience, our lives, our being—alas! in the process we keep losing the count. So we remain necessarily strangers to ourselves, we do not understand ourselves, we have to keep ourselves confused. For us this law holds for all eternity: "Each man is furthest from himself." Where we ourselves are concerned, we are not "knowledgeable people.
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
In the wild, a mother elephant and her daughter will stay together until one or the other dies. But there is one exception: In a year when there are limited resources— a drought, say, or a herd that has grown too big to sustain feeding all its members in a given area— the matriarch may make the decision to split the group. She will lead some of the elephants off in one direction, and her daughter will lead the rest on another route. They are still family, but they know that being together will bring about high mortality for the herd, that there is a better chance of survival when they aren’t competing for the same resources. But things change. When the land blossoms and the rivers run flush again, the mother and daughter reunite. It’s a celebration, a fanfare. There is trumpeting, roaring, touching, stroking. It’s like they have never been apart.
Jodi Picoult (Larger Than Life)
She wept, and Lazlo drew her into an embrace as though it were the most natural thing in the world that he should draw a mournful goddess against his shoulder, enfold her in his arms, breathe the scent of the flowers in her hair, and even lightly stroke her temple with the edge of his thumb. And though there was a layer of his mind that knew this was a dream, it was momentarily shuffled under by other, more compelling layers, and he experienced the moment as though it were absolutely real. All the emotion, all the sensation. The texture of her skin, the scent of her hair, the heat of her breath through his linen shirt, and even the moisture of tears seeping through it. But far more intense was the utter, ineffable tenderness he felt, and the solemnity. As though he had been entrusted with something infinitely precious. As though he had taken an oath, and his very life stood surety to it. He would recognize this later as the moment his center of gravity shifted: from being one of one—a pillar alone, apart—to being half of something that would fall if either side were cut away.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
By such subtle signs, like an orchestra tuning up, the daily event that is central to life on the Coromandel Coast announces itself: the evening breeze. The Madras evening breeze has a body to it, its atomic constituents knitted together to create a thing of substance that strokes and cools the skin in the manner of a long, icy drink or a plunge into a mountain spring. It pushes through on a broad front, up and down the coast; unhurried, reliable, with no slack until after midnight, by which time it will have lulled them into beautiful sleep. It doesn’t know caste or privilege as it soothes the expatriates in their pocket mansions, the shirtless clerk sitting with his wife on the rooftop of his one-room house, and the pavement dwellers in their roadside squats. Digby has seen the cheery Muthu become distracted, his conversation clipped and morose, as he waits for the relief that comes from the direction of Sumatra and Malaya, gathering itself over the Bay of Bengal, carrying scents of orchids and salt, an airborne opiate that unclenches, unknots, and finally lets one forget the brutal heat of the day. “Yes, yes, you are having your Taj Mahal, your Golden Temple, your Eiffel Tower,” an educated Madrasi will say, “but can anything match our Madras evening breeze?
Abraham Verghese (The Covenant of Water)
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
On the hearth, in front of a back-brand to give substance, blazed a fire of thorns, that crackled 'like the laughter of the fool.' Nineteen persons were gathered here. Of these, five women, wearing gowns of various bright hues, sat in chairs along the wall; girls shy and not shy filled the window-bench; four men, including Charley Jake the hedge-carpenter, Elijah New the parish-clerk, and John Pitcher, a neighboring dairyman, the shepherd's father-in-law, lolled in the settle; a young man and maid, who were blushing over tentative pourparlers on a life companionship, sat beneath the corner-cupboard; and an elderly engaged man of fifty or upward moved restlessly about from spots where his betrothed was not to the spot where she was. Enjoyment was pretty general, and so much the more prevailed in being unhampered by conventional restrictions. Absolute confidence in each other's good opinion begat perfect ease, while the finishing stroke of manner, amounting to a truly princely serenity, was lent to the majority by the absence of any expression or trait denoting that they wished to get on in the world, enlarge their minds, or do any eclipsing thing whatever - which nowadays so generally nips the bloom and bonhomie of all except the two extremes of the social scale. ("The Three Strangers")
Thomas Hardy (Great Tales of Terror and the Supernatural (Modern Library))
What’s wrong?” Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.” He grunted, “Hmm, let me see what I can do.” Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.” He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head. “Is that more comfortable for you?” “Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.” “What do you mean? Why can’t you relax?” “Because you’re too close for me to relax.” Bemused, he said, “Me being too close never bothered you when I was a tiger.” “The tiger you and the man you are two completely different things.” He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.” “It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck. He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred. “Ren, can you not do that right now?” He lifted his head. “You like it when I purr. It helps you sleep better.” “Yes, well, that only works with the tiger. How can you do that as a man anyway?” He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm. “Uh, Ren? Explain to me how you plan to keep watch like this.” His lips grazed my neck. “I can hear and smell the Kappa, remember?” I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.” Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.” He kissed me softly and smiled. “I haven’t either.” He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!” He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
And in an essential way, this was what he was most ashamed of: not his poor understanding of sex, not his traitorous racial tendencies, not his inability to separate himself from his parents or make his own money or behave like an autonomous creature. It was that, when he and his colleagues sat there at night, the group of them burrowed deep into their own ambitious dream-structures, all of them drawing and planning their improbable buildings, he was doing nothing. He had lost the ability to imagine anything. And so every evening, while the others created, he copied: he drew buildings he had seen on his travels, buildings other people had dreamed and constructed, buildings he had lived in or passed through. Again and again, he made what had already been made, not bothering to improve them, just mimicking them. He was twenty-eight; his imagination had deserted him; he was a copyist. It frightened him. JB had his series. Jude had his work, Willem had his. But what if Malcolm never again created anything? He longed for the years when it was enough to simply be in his room with his hand moving over a piece of graph paper, before the years of decisions and identities, when his parents made his choices for him, and the only thing he had to concentrate on was the clean blade stroke of a line, the ruler's perfect knife edge.
Hanya Yanagihara (A Little Life)
And her heart sprang in Iseult, and she drew With all her spirit and life the sunrise through And through her lips the keen triumphant air Sea-scented, sweeter than land-roses were, And through her eyes the whole rejoicing east Sun-satisfied, and all the heaven at feast Spread for the morning; and the imperious mirth Of wind and light that moved upon the earth, Making the spring, and all the fruitful might And strong regeneration of delight That swells the seedling leaf and sapling man, Since the first life in the first world began To burn and burgeon through void limbs and veins, And the first love with sharp sweet procreant pains To pierce and bring forth roses; yea, she felt Through her own soul the sovereign morning melt, And all the sacred passion of the sun; And as the young clouds flamed and were undone About him coming, touched and burnt away In rosy ruin and yellow spoil of day, The sweet veil of her body and corporal sense Felt the dawn also cleave it, and incense With light from inward and with effluent heat The kindling soul through fleshly hands and feet. And as the august great blossom of the dawn Burst, and the full sun scarce from sea withdrawn Seemed on the fiery water a flower afloat, So as a fire the mighty morning smote Throughout her, and incensed with the influent hour Her whole soul's one great mystical red flower Burst, and the bud of her sweet spirit broke Rose-fashion, and the strong spring at a stroke Thrilled, and was cloven, and from the full sheath came The whole rose of the woman red as flame: And all her Mayday blood as from a swoon Flushed, and May rose up in her and was June. So for a space her hearth as heavenward burned: Then with half summer in her eyes she turned, And on her lips was April yet, and smiled, As though the spirit and sense unreconciled Shrank laughing back, and would not ere its hour Let life put forth the irrevocable flower. And the soft speech between them grew again
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
He did atrocious things, but it was him I wanted. Always, only him. Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim. “I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose. I actually felt it, even though it was on his lips. “I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.” My eyes fluttered shut, a lone tear hanging from the tip of my eyelash. “We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.” He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine. My capturer. My monster. My savior. “I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?” My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
L.J. Shen (Sparrow)
Our family was starting. We kept on moving with our young lives, shortly afterward and took Ben Young with us everywhere. But pretty soon Pegi started noticing that Ben was not doing the things some other babies were doing. Pegi was wondering if something was wrong. She was young, and nothing had ever gone wrong in her life. People told us kids grow at different rates and do things at different times. But as Ben reached six months old, we found ourselves sitting in a doctor's office. He glanced at us and offhandedly said, "Of course. Ben has cerebral palsy." I was in shock. I walked around in a for for weeks. I couldn't fathom how I had fathered two children with a rare condition that was not supposed to be hereditary, with tow different mothers. I was so angry and confused inside, projecting scenarios in my mind where people said something bad about Ben or Zeke and I would just attack them, going wild. Luckily that never did happen, but there was a root of instability inside me for a while. Although it mellowed with time, I carried that feeling around for years. Eventually Pegi and I, wanting to have another child after Ben, went to se an expert of the subject. That was Pegi's idea. Always organized and methodical in her approach to problems, Pegi planned an approach to our dilemma with her very high intelligence. We both loved children but were a little gun-shy about having another, to say the least. After evaluating our situation and our children, the doctor told us that probably Zeke dis not actually have CP-he likely had suffered a stroke in utero. The symptoms are very similar. Pegi and I weighed this information. To know someone like her and to make a decision about a subject as important as this with her was a gift beyond anything I have ever experienced. It was her idea, and she had guided us to this point. We made a decision together to go forward and have another child.
Neil Young (Waging Heavy Peace: A Hippie Dream)
The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")
David J. Schow (Seeing Red)
Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death, The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life: Love, that sounds loud or light in all men's ears, Whence all men's eyes take fire from sparks of tears, That binds on all men's feet or chains or wings; Love that is root and fruit of terrene things; Love, that the whole world's waters shall not drown, The whole world's fiery forces not burn down; Love, that what time his own hands guard his head The whole world's wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world's pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
I believe this movement will prevail. I don’t mean it will defeat, conquer, or create harm to someone else. Quite the opposite. I don’t tender the claim in an oracular sense. I mean that the thinking that informs the movement’s goals will reign. It will soon suffuse most institutions, but before then, it will change a sufficient number of people so as to begin the reversal of centuries of frenzied self-destructive behavior. Some say it is too late, but people never change when they are comfortable. Helen Keller threw aside the gnawing fears of chronic bad news when she declared, “I rejoice to live in such a splendidly disturbing time!” In such a time, history is suspended and thus unfinished. It will be the stroke of midnight for the rest of our lives. My hopefulness about the resilience of human nature is matched by the gravity of our environmental and social condition. If we squander all our attention on what is wrong, we will miss the prize: In the chaos engulfing the world, a hopeful future resides because the past is disintegrating before us. If that is difficult to believe, take a winter off and calculate what it requires to create a single springtime. It’s not too late for the world’s largest institutions and corporations to join in saving the planet, but cooperation must be on the planet’s terms. The “Help Wanted” signs are everywhere. All people and institutions including commerce, governments, schools, churches and cities, need to learn from life and reimagine the world from the bottom up, based on the first principles if justice and ecology. Ecological restoration is extraordinarily simple: You remove whatever prevents the system from healing itself. Social restoration is no different. We have the heart, knowledge, money and sense to optimize out social and ecological fabric. It is time for all that is harmful to leave. One million escorts are here to transform the nightmares of empire and the disgrace of war on people and place. We are the transgressors and we are the forgivers. “We” means all of us, everyone. There can be no green movement unless there is also a black, brown and copper movement. What is more harmful resides within is, the accumulated wounds of the past, the sorrow, shame, deceit, and ignominy shared by every culture, passed down to every person, as surely as DNA, as history of violence and greed. There is not question that the environmental movement is most critical to our survival. Our house is literally burning, and it is only logical that environmentalists expect the social justice movement to get on the environmental bus. But is actually the other way around; the only way we are going to put out this fire is to get on the social justice bus and heal our wounds, because in the end, there is only one bus. Armed with that growing realization, we can address all that is harmful externally. What will guide us is a living intelligence that creates miracles every second, carried forth by a movement with no name.
Paul Hawken
Scholars discern motions in history & formulate these motions into rules that govern the rises & falls of civilizations. My belief runs contrary, however. To wit: history admits no rules, only outcomes. What precipitates outcomes? Vicious acts & virtuous acts. What precipitates acts? Belief. Belief is both prize & battlefield, within the mind & in the mind's mirror, the world. If we believe humanity is a ladder of tribes, a colosseum of confrontation, exploitation & bestiality, such a humanity is surely brought into being, & history's Horroxes, Boerhaaves & Gooses shall prevail. You & I, the moneyed, the privileged, the fortunate, shall not fare so badly in this world, provided our luck holds. What of it if our consciences itch? Why undermine the dominance of our race, our gunships, our heritage & our legacy? Why fight the 'natural' (oh, weaselly word!) order of things? Why? Because of this: -- one fine day, a purely predatory world shall consume itself. Yes, the devil shall take the hindmost until the foremost is the hindmost. In an individual, selfishness uglifies the soul; for the human species, selfishness is extinction. Is this the entropy written in our nature? If we believe that humanity may transcend tooth & claw, if we believe divers [sic] races & creeds can share this world as peaceably as the orphans share their candlenut tree, if we believe leaders must be just, violence muzzled, power accountable & the riches of the Earth & its Oceans shared equitably, such a world will come to pass. I am not deceived. It is the hardest of worlds to make real. Tortuous advances won over generations can be lost by a single stroke of a myopic president's pen or a vainglorious general's sword. A life spent shaping a world I want Jackson to inherit, not one I fear Jackson shall inherit, this strikes me as a life worth the living. Upon my return to San Francisco, I shall pledge myself to the Abolitionist cause, because I owe my life to a self-freed slave & because I must begin somewhere. I hear my father-in-law's response. 'Oho, fine, Whiggish sentiments, Adam. But don't tell me about justice! Ride to Tennessee on an ass & convince the red-necks that they are merely white-washed negroes & their negroes are black-washed Whites! Sail to the Old World, tell 'em their imperial slaves' rights are as inalienable as the Queen of Belgium's! Oh, you'll grow hoarse, poor & grey in caucuses! You'll be spat on, shot at, lynched, pacified with medals, spurned by backwoodsmen! Crucified! Naïve, dreaming Adam. He who would do battle with the many-headed hydra of human nature must pay a world of pain & his family must pay along with him! & only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!' Yet what is any ocean but a multitude of drops?
David Mitchell (Cloud Atlas)
I released a breath I didn’t remember holding. Turned to Ben. Found him looking at me, face inches from mine on Sewee’s deck. Panic flared, white hot, paralyzing me as I lay beside him. Our gazes met. I saw fear in his dark brown eyes. Indecision. Doubt. Ben went rigid, his chest rising and falling like a bellows. Then something changed. His face relaxed, a small smile playing on his lips. Before I could blink, his mouth covered mine. We shared a breath. A tingle ran my spine. Then I pulled back, breathing hard, unsure what either my mind or body were doing. Ben’s unsure look returned. Then vanished. He pulled me near again, his lips melting into mine. Strong, calloused fingers stroked the side of my face. His smell enveloped me. Earthy. Masculine. Ben. Fire rolled through my body. So this is what it’s like. I broke away again, gasping slightly for breath. Reality crashed home. I sat up and scooted a few feet away, rubbing my face with both hands. What was I doing? “Ben, I—” His hand rose to cut me off. He leaned against the bench, face suddenly serious. “I’m not going to pretend anymore. One way or another, I’m going to say how I feel.” Ben snorted softly. “Make my case.” We sat still in the darkness, Sewee rocking gently, the scene dream-like and surreal. “You don’t have to make a case.” I stared at my shoes, had no idea where I wanted this conversation to go. “It’s just, things are—” “YO!” Our heads whipped in the voice’s direction. Ben scrambled to a crouch, scanning the silent bulk of Tern Point, as if just now recalling we were adrift at sea. The voice called down again, suddenly familiar. “What, are you guys paddling around the island? I don’t have a boat license, but that seems dumb.” “Shut up, Hi!” Ben shouted, with more heat than was necessary. Scowling, he slid behind the controls and fired the engine. I scurried to the bow, as far from the captain’s chair as I could manage and stay dry. You’ve done it now, Tory Brennan. Better hope there’s a life preserver somewhere. A glance back. Ben was watching me, looking for all the world like he had more to say. I quickly turned away. Nope. Nope nope nope. I needed some time to think about this one. Perhaps a decade? “Where are we?” I asked, changing the subject. Ben must’ve sensed that my “personal” shop was closed for business.
Kathy Reichs (Terminal (Virals, #5))
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Life, in short, just wants to be. But—and here’s an interesting point—for the most part it doesn’t want to be much. This is perhaps a little odd because life has had plenty of time to develop ambitions. If you imagine the 4.5 billion odd years of Earth’s history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flashbulb pop of light marking the impact of a Manson-sized meteor or one even larger. It’s a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long. Perhaps an even more effective way of grasping our extreme recentness as a part of this 4.5-billion-year-old picture is to stretch your arms to their fullest extent and imagine that width as the entire history of the Earth. On this scale, according to John McPhee in Basin and Range, the distance from the fingertips of one hand to the wrist of the other is Precambrian. All of complex life is in one hand, “and in a single stroke with a medium-grained nail file you could eradicate human history.” Fortunately, that moment hasn’t happened, but the chances are good that it will. I don’t wish to interject a note of gloom just at this point, but the fact is that there is one other extremely pertinent quality about life on Earth: it goes extinct. Quite regularly. For all the trouble they take to assemble and preserve themselves, species crumple and die remarkably routinely. And the more complex they get, the more quickly they appear to go extinct. Which is perhaps one reason why so much of life isn’t terribly ambitious.
Bill Bryson (A Short History of Nearly Everything)
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
I do not know whether it is an act of faithfulness to her or a betrayal of the dignity she never lost, to say that she had bitten her tongue, to say that there was blood flowing across her mouth and lips which my brother kept wiping away. I do not know whether I have the right to say, though I will do so, that her body was shaken with epileptic tremors and that she took enormous, terrifying breaths that went on and on until you could not believe she had the strength for them. I do not know whether, as we thought at the time, she could feel our hands on her forehead and cheek, or whether she had waited until we were both there to die. I did not say 'I am here'. I did not say anything. Her mouth was open wide, as in those portraits by Francis Bacon of caged prisoners in their final extremity. I watched and listened to those terrifying, rattling, hoarse breaths, wondering at the strength remaining in her aged body and at the violence it still had to endure. I looked over at my brother as if he might know, as if he might understand whether she had the strength to continue. He was stroking her forehead, whispering soundlessly to her, attempting even at this moment to reach behind the veil and find her. If you believe that she knew we were there, if you believe--I cannot be sure--that she understood what her sons needed at that instant, her eyes which had been shut and which, by being closed, made her seem completely out of our reach, suddenly opened. Blue-grey eyes, staring up into the ceiling above her sons' heads, upwards, ever upwards, fixed like an exhausted swimmer on the shore. Then her eyes closed and she took the largest, most violent breath of all, and we watched and waited, stood and looked at each other, felt for her pulse and slowly, as seconds turned into minutes, realized that she would never breathe again. There is only one reason to tell you this, to present the scene. It is to say that what happens can never be anticipated. What happens escapes anything you can ever say about it. What happens cannot be redeemed. It can never be anything other than what it is. We tell stories as if to refuse this truth, as if to say that we make our fate, rather than simply endure it. But in truth we make nothing. We live, and we cannot shape life. It is much too great for us, too great for any words. A writer must refuse to believe this, must believe there is nothing that cannot somehow be said. Yet there at last in her presence, in the unending unfolding of that silence, which still goes on, which I still expect to be broken by another drawing in of breath, I knew that all my words could only be in vain, and that all that I had feared and all that I had anticipated could only be lived--without their help or hers.
Michael Ignatieff (Scar Tissue: A Novel)
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. 'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. 'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved)
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.” “I told you before-I don’t care!” she said hotly. “Why can’t you believe me?” He hesitated a long moment. “The truth?” “Always.” “Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.” She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?” His wary gaze locked with hers. “Proper Pinter. Proud Pinter.” “Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.” Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.” “I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.” His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.” She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“ He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live. “That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.” “Sweeting-“ “Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.” A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.” Love? No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.” “To hell with your brother.” He stalked her with clear intent. Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?” “To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“ Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever. Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them. Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife. Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.” The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.” Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.” The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg. Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome. “I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.” His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.” Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek. With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.” Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
Judith McNaught (Almost Heaven (Sequels, #3))
[M]ost Americans are still drawing some water from the Christian well. But a growing number are inventing their own versions of what Christianity means, abandoning the nuances of traditional theology in favor of religions that stroke their egos and indulge or even celebrate their worst impulses. . . . Both doubters and believers stand to lose if religion in the age of heresy turns out to be complicit in our fragmented communities, our collapsing families, our political polarization, and our weakened social ties. Both doubters and believers will inevitably suffer from a religious culture that supplies more moral license than moral correction, more self-satisfaction than self-examination, more comfort than chastisement. . . . Many of the overlapping crises in American life . . . can be traced to the impulse to emphasize one particular element of traditional Christianity—one insight, one doctrine, one teaching or tradition—at the expense of all the others. The goal is always progress: a belief system that’s simpler or more reasonable, more authentic or more up-to-date. Yet the results often vindicate the older Christian synthesis. Heresy sets out to be simpler and more appealing and more rational, but it often ends up being more extreme. . . . The boast of Christian orthodoxy . . . has always been its fidelity to the whole of Jesus. Its dogmas and definitions seek to encompass the seeming contradictions in the gospel narratives rather than evading them. . . . These [heretical] simplifications have usually required telling a somewhat different story about Jesus than the one told across the books of the New Testament. Sometimes this retelling has involved thinning out the Christian canon, eliminating tensions by subtracting them. . . . More often, though, it’s been achieved by straightforwardly rewriting or even inventing crucial portions of the New Testament account. . . . “Religious man was born to be saved,” [Philip Rieff] wrote, but “psychological man is born to be pleased.” . . . In 2005, . . . . Smith and Denton found no evidence of real secularization among their subjects: 97 percent of teenagers professed some sort of belief in the divine, 71 percent reported feeling either “very” or “somewhat” close to God, and the vast majority self-identified as Christian. There was no sign of deep alienation from their parents’ churches, no evidence that the teenagers in the survey were poised to convert outright to Buddhism or Islam, and no sign that real atheism was making deep inroads among the young. But neither was there any evidence of a recognizably orthodox Christian faith. “American Christianity,” Smith and Denton suggested, is “either degenerating into a pathetic version of itself,” or else is “actively being colonized and displaced by a quite different religious faith.” They continued: “Most religious teenagers either do not really comprehend what their own religious traditions say they are supposed to believe, or they do understand it and simply do not care to believe it.” . . . An ego that’s never wounded, never trammeled or traduced—and that’s taught to regard its deepest impulses as the promptings of the divine spirit—can easily turn out to be an ego that never learns sympathy, compassion, or real wisdom. And when contentment becomes an end unto itself, the way that human contents express themselves can look an awful lot like vanity and decadence. . . . For all their claims to ancient wisdom, there’s nothing remotely countercultural about the Tolles and Winfreys and Chopras. They’re telling an affluent, appetitive society exactly what it wants to hear: that all of its deepest desires are really God’s desires, and that He wouldn’t dream of judging. This message encourages us to justify our sins by spiritualizing them. . . . Our vaunted religiosity is real enough, but our ostensible Christian piety doesn’t have the consequences a casual observer might expect. . . . We nod to God, and then we do as we please.
Ross Douthat (Bad Religion: How We Became a Nation of Heretics)