Stripped Book Quotes

The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to middle Earth.

Look! A trickle of water running through some dirt! I'd say our afternoon just got booked solid!

I hate when people ask what a book is about. People who read for plot, people who suck out the story like the cream filling in an Oreo, should stick to comic strips and soap operas. . . . Every book worth a damn is about emotions and love and death and pain. It's about words. It's about a man dealing with life. Okay?

strip a city of its leaders, journalists, and cultural examples and you will control an ignorant and vulnerable population. Do you understand now?

We too are called to withdraw at certain intervals into deeper silence and aloneness with God, together as a community as well as personally; to be alone with Him — not with our books, thoughts, and memories but completely stripped of everything — to dwell lovingly in His presence, silent, empty, expectant, and motionless. We cannot find God in noise or agitation.

I hope some historian will confirm that I was the first cartoonist to use the word 'booger' in a newspaper comic strip.

My currency is kindness, and while there are no ATMs that dispense it, it’s also not accepted or recognized at strip clubs.

The Source is all-loving and everything is part of the Source, even the villains, so there’s no possible way a play could end without love prevailing, since everything and everyone is comprised of love. When the methodical illusion has been stripped away, this becomes clear.

Could I write an autobiographical novel, I wonder? Can one make a book out of the very essence of one's self? Perhaps so, if one was left with one's gift stripped bare of all that made it worth having, and nothing else was left...

Power is violence, its promise, its deed. Power cares nothing for reason, nothing for justice, nothing for compassion. It is, in fact, the singular abnegation of these things – once the cloak of deceits is stripped away, this one truth is revealed.

The more I read, the more I felt connected across time to other lives and deeper sympathies. I felt less isolated. I wasn’t floating on my little raft in the present; there were bridges that led over to solid ground. Yes, the past is another country, but one that we can visit, and once there we can bring back the things we need. Literature is common ground. It is ground not managed wholly by commercial interests, nor can it be strip-mined like popular culture—exploit the new thing then move on. There’s a lot of talk about the tame world versus the wild world. It is not only a wild nature that we need as human beings; it is the untamed open space of our imaginations. Reading is where the wild things are.

I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.

Our children should have a wide range of imagination and think about the greatest achievements that they want to accomplish; not making sacrifices by having to give up their clothes, lunch money, or being robbed of their personality and stripped of their self-esteem.

Quickest way to shed ignorance is to read a book. Strips it each page you turn, letting knowledge in, you know.

For a woman who claims to be an open book, you hide so much.” He runs his thumb down the side of my neck, over the hollow in my collarbone. “Next time you strip for me, you’re taking off more than your clothes.

I hate when people ask what a book is about. People who read for plot, people who suck out the story like the cream filling in an Oreo, should stick to comic strips and soap operas. What’s it about? Every book worth a damn is about emotions and love and death and pain. It’s about words. It’s about a man dealing with life. Okay?

My ancestor acquired this power when he came mysteriously to this world. A potent ability to do anything. He was a moral man, perhaps borne out of experience and so he passed down the power stripped of its ability to kill. I had never desired to kill so this limitation did not bother me.

Here is all the invisible world, caught, defined, and calculated. In these books the Devil stands stripped of all his brute disguises. Here are all your familiar spirits-your incubi and succubi; your witches that go by land, by air, and by sea; your wizards of the night and of the day. Have no fear now-we shall find him out and I mean to crush him utterly if he has shown his face!

Strip away the metaphors, Jeannie had said, and you are left with the inexplicable. The supernatural. Only that’s not possible. The supernatural may exist in books and movies, but not in the real world.

Each time I stopped I stripped myself of something vitally important. I was, becoming my own enemy! And I can’t tell you how it hurt me when I found that out. “What saves a man is to take a step. Then another step. It is always the same step, but you have to take it.

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.

It is not cynical to admit that the past has been turned into a fiction. It is a story, not a fact. The real has been erased. Whole eras have been added and removed. Wars have been aggrandized, and human struggle relegated to the margins. Villains are redressed as heroes. Generous, striving, imperfect men and women have been stripped of their flaws or plucked of their virtues and turned into figurines of morality or depravity. Whole societies have been fixed with motive and vision and equanimity where there was none. Suffering has been recast as noble sacrifice!

This is what the self-help books don’t tell you. Fully alive and deeply committed is a risky business. Once you strip away the platitudes, a life of passion and purpose will always cost, as T. S. Eliot reminds us, “Not less than everything.

One of the most insidious ways that toxic masculinity destroys men is that it strips us of the ability to express our emotions and to connect, not just with women, but with other men. Because real men don’t do that, right?

Was this the real me? Stripped of the ability to look like a punk- what defined me as one? Not my jacket. Not my clothes. My friends? My enemies? No. What I did determined who I was, not what I looked like or what I liked. My actions and reactions. Did I emerge from the shell? I felt naked and free. Was I now pupa or chrysalis? I felt like myself- and that was what punk was. The freedom to be who I was unapologetically, even if I hadn't chosen it.

But gardening is none of that, really. Strip away the gadgets and the techniques, the books and the magazines and the soil test kits, and what you're left with, at the end of the day, is this: a stretch of freshly turned dirt, a handful of seeds scratched into the surface, and a marker to remember where they went. It is at the same time an incredibly brave and an incredibly simple thing to do, entrusting your seeds to the earth and waiting for them to rise up out of the ground to meet you.

Questions stripped away the platitudes and undermined the verities that provided a sheltered, nursery existence for people who did not want to think. Questions were the obligation of the intellect.

Oh, but this,' I think I say, 'is perfect! This is all I have longed for! What are you gazing at? Do you suppose a girl is sitting here? That girl is lost! She has been drowned! She is lying, fathoms deep. Do you think she has arms and legs, with flesh and cloth upon them? Do you think she has hair? She has only bones, stripped white! She is as white as a page of paper! She is a book, from which the words have peeled and drifted--

The point of my books is to give voice to otherwise voiceless females from history and myth, to unlock what has been secreted away in women's hearts and minds for millennia. Historically, women have either been reduced to nothing but their sexuality or stripped of it entirely: the Madonna or the whore.

You have already captured my heart, body, and soul, Ava. I have no clue when it started, but at some point, my possessiveness and obsessiveness with you turned into this inferno of emotions where I was prepared to lose you if it meant protecting you. That’s when I realized I was in love with everything about you, whether it’s your obsession with pink, candy floss, or cheesy books and films. The lack of you has stripped my world of color and made me realize you’re my sole light in the darkness. It’s why I killed for you and would do it again in a heartbeat. I’d kill everyone if it meant I’d get to keep you. Perhaps that’s not the healthiest form of love, but it’s all I have. The heart you slowly awakened is entirely yours to do with as you please.

And, baby, I can’t put my hands on you…” he pressed his hips to her lower back, the hard ridge of his erection branding her, “…and not strip us both to our skin and fuck you until you’re screaming in pleasure.” His warm mouth brushed her neck. “No fear, just pleasure,” Excerpt From: Lyon, Jennifer. “The Proposition.” iBooks. This material may be protected by copyright.

THE BODY of BENJAMIN FRANKLIN Printer like the cover of an old book, its contents torn out, and stripped of its lettering and gilding lies here, food for worms; Yet the work itself shall not be lost, For it will (as he believed) appear once more, in a new, and more beautiful edition, corrected and amended By The AUTHOR

This is a book about getting naked—not physically, but spiritually. It’s about stripping away the symbols and status of public religion—the Sunday-dress version people often call “organized religion.” And it’s about attending to the well-being of the soul clothed only in naked human skin.

In the end Navidson is left with one page and one match. For a long time he waits in darkness and cold, postponing this final bit of illumination. At last though, he grips the match by the neck and after locating the friction strip sparks to life a final ball of light. First, he reads a few lines by match light and then as the heat bites his fingertips he applies the flame to the page. Here then is one end: a final act of reading, a final act of consumption. And as the fire rapidly devours the paper, Navidson's eyes frantically sweep down over the text, keeping just ahead of the necessary immolation, until as he reaches the last few words, flames lick around his hands, ash peels off into the surrounding emptiness, and then as the fire retreats, dimming, its light suddenly spent, the book is gone leaving nothing behind but invisible traces already dismantled in the dark.

A whisper is the shadow of a shout, and I keep a few in my wallet to use at the strip club on rainy nights.

A kiss about apple pie à la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven’t eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.

The German occupation had changed the once beautiful Dutch spirit into a land of minefields containing hatred and cruelty that stripped a person of basic human rights that all should have and enjoy

the very Universal laws they are harnessing are working both FOR and AGAINST them, at the very same time. All you need to do is to strip out the portion that does not work, through your inner work.

I said to myself, ‘I have things in my head that are not like what anyone has taught me’…I decided to start anew—to strip away what I had been taught—to accept as true my own thinking.” —Georgia O’Keeffe

the Betweeners must have known their time was short. Why else would they poison their rivers and streams, strip away the forests that gave them air and pollute their own bodies with toxins and carcinogens?

The faster you strip cultures down, the more you find contrariness and disputation, rather than a solid core, until eventually you reach the individual, a mammal shaped by evolution, material needs, cognitive biases and historical circumstances no doubt, but still a creature with a better right to state his opinions than kings and clerics have to silence them.

And then Robinson Crusoe stripped naked, swam out to his ship, filled his pockets with biscuits, and swam back to shore...." "What?" I said, hefting my pack and frowning at the child. "Nothing," she said, getting to her feet. "Just an old preHegira book that Uncle Martin used to read to me. He used to say that proofreaders have always been incompetent assholes-even 1400 years ago.

Reading may be the last secretive behavior that is neither pathological or prosecutable. It is certainly the last refuge from the real-time epidemic. For the stream of a narrative overflows the banks of the real. Story strips its reader, holding her in a place time can't reach. A book's power lies in its ability to erase us, to expand or contract without limit, to circle inside itself without beginning or end, to defy our imaginary timetables and lay us bare to a more basic ticking. The pages we read are a nowhen, unfolding far outside the public arena. As long as we remain in them, now reveals itself to be the baldest of inventions.

literature enlarges our world of experience to include both more of the physical world and things not yet imagined, giving the “actual world” a “new dimension of depth” (Lewis, Of Other Worlds 29). This makes it possible for literature to strip Christian doctrines of their “stained glass” associations and make them appear in their “real potency” (37), a possibility Lewis himself realized in the Narnia series and the space trilogy.

I found Waldo. He was in a strip club. He was hard to spot, because he’d already stripped off his red and white striped sweater and was all sweaty.

Stripped of monarchy and magic spells, he was just a man in a mad world looking for the girl who shared his heart.

This world can erode girls, strip away their foundation of self Love. The act is gradual, can be inviting. One day, you naturally feed yourself what feels good to your soul. Another day, you find yourself as a woman so far out to sea you cannot see your soul. To be well as a woman is to choose continuous resistance to this subtle erosion. Persistent whole-keeping. Many want to break you down, fraction you up. Turn you into parts. Stay whole. Surround yourself with wholeness and whole-keepers. Make your freedom sing. You are everything.

Advice to Readers Good friends who come to read this book, Strip yourselves first of affectation; Do not assume a pained, shocked look, For it contains no foul infection, Yet teaches you no great perfection, But lessons in the mirthful art, The only subject for my heart. When I see grief consume and rot You, mirth's my theme and tears are not, For laughter is man's proper lot.

Those whom the gods choose, ’tis said, they first separate from other mortals—by treachery, by stripping from you your spirit’s lifeblood. The gods will take all your loved ones, one by one, to their death. And, as you harden, as you become what they seek, the gods smile and nod. Each company you shun brings you closer to them. ’Tis the shaping of a tool, son, the prod and pull, and the final succour they offer you is to end your loneliness—the very isolation they helped you create.

My point is, I have a job, just like you. I get a paycheck, I get memos. Just like you, I have superiors, and they have superiors who I am not allowed to speak to. Orders filter down from on high, arriving at my level stripped entirely of all context or rationale or justification. Orders do not come with an illustration of how they serve the overall goals of the organization. Same as any other job.

...the wincing sunlight, the ragged gorse and the slow-blinking wings of the moths were witness to an epic Trade in Exotic Terms. Mosca’s opening offer was a number of cant words she had heard pedlars use, words for the drool hanging from a dog’s jaw, words for the greenish sheen on a mouldering strip of bacon. Eponymous Clent responded with some choice descriptions of ungrateful and treacherous women, culled from ballad and classic myth. Mosca countered with some from her secret hoard of hidden words, the terms used by smugglers for tell-alls, and soldiers’ words for the worst kind of keyholestooping spy. Clent answered with crushing and high-sounding examples from the best essays on the natural depravity of unguided youth. Mosca lowered the bucket deep, and spat out long-winded aspersions which long ago she had discovered in her father’s books, before her uncle had over-zealously burned them all. Clent stared at her. ‘This is absurd. I refuse to believe that you have even the faintest idea what an “ethically pusillanimous compromise” is, let alone how one would...’ Clent’s voice trailed away...

It’s just how love gets described in the movies. Like in Sleepless in Seattle . . .” This is the movie they showed us last night. “Tom Hanks’s character is musing about why he fell in love with his dead wife, and he says that it was because she could peel an apple in one long strip, or something like that. And I was reading something similar in a book recently, only that was about peeling an orange . . . anyway . . . I’ve just never felt like the way someone peels fruit would be a reason to spend the rest of your life with them.

later, he put such questions before us. If all the trappings were stripped away, leaving only my true self, who would I be? Am I living fully as that self in every moment? And when it ends, will my story have meaning

Without Love, humanity dies of thirst, grasps at riches, destroys the earth through insatiable greed. Without Love, we are walking dust, dead matter stumbling from the dawn of birth to the dusk of death. Without Love, our Earth is stripped of beingness, left barren and lifeless, a pile of rocks and resources, objects to possess and control. Without Love, humanity sleepwalks as automatons, controlled, manipulated, and shoved through a nightmarish existence.

It had always been a part of his job which he found difficult, the total lack of privacy for the victim. Murder stripped away more than life itself. The body was parceled, labelled, dissected; address books, diaries, confidential letters, every part of the victim's life was sought out and scrutinized. Alien hands moved among the clothes, picked up and examined the small possessions, recorded and labelled for public view the sad detritus of sometimes pathetic lives.

Stories had a way of doing that, in Grillo’s experience. It was his belief that nothing, but nothing, could stay secret, however powerful the forces with interests vested in silence. Conspirators might conspire and thugs attempt to gag but the truth, or an approximation of same, would show itself sooner or later, very often in the unlikeliest form. It was seldom hard facts that revealed the life behind the life. It was rumour, graffiti, strip cartoons and love songs.

We suffer these things and they fade form memory. But daily, hourly, to give up our own possessions and especially to subordinate our own impulses and wishes to to others - these are hard, hard things; and I don't think they ever get any easier. You can strip yourself, you can be stripped, but still you will reach out like an octopus to seek your own comfort, your untroubled time, your ease, your refreshment. It may mean books or music - the gratification of the inner sense - or it may mean food and drink, coffee and cigarettes. The one kind of giving up is no easier than the other.

Adventuring turned out to be boring. Zach thought back to all the fantasy books he'd read where a team of questers traveled overland, and realized a few things. First he'd pictured himself with a loyal steed that would have done most of the walking, so he hadn't anticipated the blister forming on his left heel or the tiny pebble that seemed to have worked its way under his sock, so that even when he stripped off his sneaker he couldn't find it. He hadn't thought about how hot the sun would be either. When he put together his bunch of provisions, he never thought about bringing sunblock. Aragorn never wore sunblock. Taran never wore sunblock. Percy never wore sunblock. But despite all that precedent for going without, he was pretty sure his nose would be lobster-red the next time he looked in the mirror. He was thirsty, too, something that happened a lot in books, but his dry throat bothered him more than it had ever seemed to bother any character. And, unlike in books where random brigands and monsters jumped out just when things got unbearably dull, there was nothing to fight except for the clouds of gnats, several of which Zach was pretty sure he'd accidentally swallowed.

To be cursed by a god is to be touched by a god. To be touched by any god is to share divinity in some small measure. When the high priest leaves the sanctuary he strips off his clothing and bathes. Did you know that? His clothing is burned.” I

You think I don’t know what I want? You think I love the idea of relying on my looks for life? No! It’s pathetic! In my head, I have a nice, quiet, normal job that involves me running my own business. I carry a briefcase around my office with important documents, I have a nice assistant who calls me boss, and people ask me questions—they ask for my advice because I matter! I’m important to them! I’m recognized as something more than a pretty face and a pair of legs. I have a brain and interests and thoughts about religion, and poverty, and economics. I’m not a miserable girl with a number attached to her chest, stripping her clothes off in a room full of people.

A cop lost his temper and rushed into the crowd to seize an agitator … and that was the last we saw of him for about three minutes. When he emerged, after a dozen others had rushed in to save him, he looked like some ragged hippie … the mob had stripped him of everything except his pants, one boot, and part of his coat. His hat was gone, his gun and gunbelt, all his badges and police decorations … he was a beaten man and his name was Lennox. I know this because I was standing beside the big plainclothes police boss who was shouting, “Get Lennox in the van!

This book is about confronting your bad behaviors. It’s about understanding your infuriating inconsistencies. It’s about stripping the stereotypes that surround your personality and making peace with who you are at your core. This book is about becoming the best possible version of yourself.

Olive Wellwood told no stories about Goldthorpe, or the Gullfoss mine. She had packed away the slag-heaps and winding-gear, the little house in Morton Row, with its dark uninhabited parlour, its animated kitchen and pocket-sized garden, the ever-present stink of the ash pits across the yards, and the grime that floated onto the strips of lace curtain. She had packed it away in what she saw in her mind as a roped parcel, in oiled silk, with red wax seals on the knots, which a woman like and unlike herself carried perpetually over a windswept moor, sometimes on her head, sometimes held before her on two arms, like the cushion on which the regalia lie at coronations. This vision was not a story. The woman never arrived, and the parcel was never opened. The weather was grey and the air was turbulent. When Olive Wellwood found her mind heading in that direction, she was able to move imaginary points on an imaginary rail and shunt her mind away from “there” and back to Todefright, with its penumbra of wild woods and flying elementals.

A chill crept over Duiker. Even wheeled hospitals carried with them that pervasive atmosphere of fear, the sounds of defiance and the silence of surrender. Mortality’s many comforting layers had been stripped away, revealing wracked bones, a sudden comprehension of death that throbbed like an exposed nerve.

An idea in your head is merely an idle notion. But an idea written down, that's the beginning of something! Stripped down to its briefs, a piece of writing is nothing more than a handful of ideas, put into words and arranged to do a job. We all get ideas—try not thinking in the shower. The trick is to write them down.

Free-thinking is the new counterculture, which makes it cutting-edge and subversive, like punk rock or hip-hop in the early 1980s. It’s on the periphery where all the sexy, rebellious, and exciting stuff happens, not the mainstream center left, which has become like an R-rated movie stripped down to PG for minimum offense.

This is a book about worshiping the true God and letting the true God act in us. It tells us as plainly as possible that the true God is a God who cannot stop giving and forgiving, and that our knowledge of this true God is utterly bound up with our willingness to receive from the hand of God the liberty to give and forgive.

And then you grew up, went to school, and began to 'philosophize,' didn't you? We all go through the same thing. It seems that during adolescence a person's inner life is suddenly weakened, stripped of its natural courage. In his thinking he no longer dares stand face to face with reality or mystery; he begins to see them through the opinions of 'grown-ups,' through books and courses and professors. Still, a voice remains which is not completely muffled and which cries out every so often—every time its gag is loosened by an unexpected jolt in the routine. The voice cries out its great questioning of everything, but we stifle it again right away.

If you strip sex down to its physical components, it’s an act during which a man inserts a rod-shaped mass of engorged tissue into a woman’s lubricated cavity, also made of tissue. A man rubs his rod in and out, stimulating pleasure receptors in his brain until it decides to eject a genetic package that’s important in continuing the species.

Unspoiled, undamaged, ruled by her own natural law and subject only to her own will—and the great void whence she sprang—the great Mother Earth took pleasure in creating and sustaining life in all its prolific diversity. But pillaged by a plundering dominion, raped of her resources, despoiled by unchecked pollution, and befouled by excess and corruption, her fecund ability to create and sustain could be undone. Though rendered sterile by destructive subjugation, her great productive fertility exhausted, the final irony would still be hers. Even barren and stripped, the destitute mother possessed the power to destroy what she had wrought. Dominion cannot be imposed; her riches cannot be taken without seeking her consent, wooing her cooperation, and respecting her needs. Her will to life cannot be suppressed without paying the ultimate penalty. Without her, the presumptuous life she created could not survive.

If you say so.” He tested the water temperature and, satisfied, pointed at her. “Strip.” “Strip?” She blinked. “I thought this was some kind of seduction. Aren’t you going to run me a bath and slowly remove my clothes while whispering sweet nothings in my ear and then wash my hair while I bliss out?” “What the hell kind of books have you been reading?” “Fiction, obviously.

We have entered a world of shorthand, precis, digest, summary, news flash, comic strip. We are bombarded with visual images, cutting from one to another, stabbing at the mind and put out with the rubbish sacks at the end of the week. The novel that took a man or woman years to create - in research, in planning of the plot and counter-plot, in construction - each word chosen, each phrase weighed against another, themes recurring, climaxes achieved - is now reduced to a four part serial, produced with pride in the accuracy of its sets and costumes, brilliantly acted, the music of the background authentic to the period. The words, but not the minds. The science, but not the significance. THE BOOK HAS BEEN MADE A THING TO WATCH, NOT TO LIVE. WE must FIGHT to save the WRITTEN WORD as we fight to save the whale. We must keep in our minds, a place apart, a sanctuary, where a lamp lights only the table at which we sit, where the curtains are drawn against the present time. Let us begin.

What filled the rooms of Grete's cottage so decidedly were woven baskets and wooden boxes and clay pots glazed in red and blue, each with its own mishmash of this and that. Roots and leaves still redolent of dirt. Balls of scratchy wool-purple twining into pink easing into periwinkle fading into gray. At least three boxes held squares and strips of fabric, all colors, and eight pots overflowed with apples. The walls were lined with shelves, the shelves were lined with books. Wordless spines peered out. As soon as Isabelle saw them, she itched to open it up and read it from cover to cover.

Rimbaud held the keys to a mystical language that I devoured even as I could not fully decipher it. My unrequited love for him was as real to me as anything I had experienced. At the factory where I had labored with a hard-edged, illiterate group of women, I was harassed in his name. Suspecting me of being a Communist for reading a book in a foreign language, they threatened me in the john, prodding me to denounce him. It was within this atmosphere that I seethed. It was for him that I wrote and dreamed. He became my archangel, delivering me from the mundane horrors of factory life. His hands had chiseled a manual of heaven and I held them fast. The knowledge of him added swagger to my step and this could not be stripped away. I tossed my copy of Illuminations in a plaid suitcase. We would escape together.

Kant abolished God and made man God in His stead. We are still living in the age of the Kantian man, or Kantian man-god. Kant's conclusive exposure of the so-called proofs of the existence of God, his analysis of the limitations of speculative reason, together with his eloquent portrayal of the dgnity of rational man, has had results which might possibly dismay him. How recognizable, how familiar to us, is the man so beautifully portrayed in the Grundelgung, who confronted even with Christ turns away to consider the judgment of his own conscience and to hear the voice of his own reason. Stripped of the exiguous metaphysical background which Kant was prepared to allow him, this man is with us still, free, independent, lonely, powerful, rational, responsible, brave, the hero of so many novels and books of moral philosophy. The raison d'etre of this attractive but misleading creature is not far to seek. He is the offspring of the age of science, confidently rational and yet increasingly aware of his alienation from the material universe which his discoveries reveal; and since he is not a Hegelian (Kant, not Hegel, has provided Western ethics with its dominating image) his alienation is without cure. He is the ideal citizen of the liberal state, a warning held up to tyrants. He has the virtue which the age requires and admires, courage. It is not such a very long step from Kant to Nietzsche, and from Nietzsche to existentialism and the Anglo-Saxon ethical doctrines which in some ways closely resemble it. In fact Kant's man had already received a glorious incarnation nearly a century earlier in the work of Milton: his proper name is Lucifer.

Rooks have clustered on either side of the long road. It is as if they line a grand parade route for our passage. Their black feathers are stark as soot against the white road and the snow. They stab at the ground with their strange bare bills and gray unfeathered faces. The birds are like rough-edged black stones on a string around this stripped cold neck of road. The old books tell us rooks bring the virtuous dead to heaven’s gate.

The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division. ("Introduction")

The point is to break the fucking cycle. Women aren't rehab centers for emotionally stunted man-babies who think the key to a serious relationship is to just wait for the right woman to come along. You have to be ready to be uncomfortable, to stretch yourself, to be vulnerable.... One of the most insidious ways that toxic masculinity destroys men is that it strips us (men) of the ability to express our emotions and to connect, not just with women, but with other men. Because "real men" don't do that, right?

I felt a strange sense of calm and realized what I was feeling was the release of responsibility. Nobody expected me to be at work the next day. Nobody was trying to call me. I had no e-mail to check. Ghost enthusiasts weren’t stalking me on Facebook. Our responsibilities were stripped down to the bare biological basics: thirst, hunger, cold. All at once I could see why lifelong convicts got to where they couldn’t function outside of prison walls. You’re almost functioning more at a level for which the human brain was intended.

When age fell upon the world, and wonder went out of the minds of men; when grey cities reared to smoky skies tall towers grim and ugly, in whose shadow none might dream of the sun or of Spring’s flowering meads; when learning stripped the Earth of her mantle of beauty, and poets sang no more save of twisted phantoms seen with bleared and inward looking eyes; when these things had come to pass, and childish hopes had gone forever, there was a man who travelled out of life on a quest into the spaces whither the world’s dreams had fled.

I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.

When we are at last freed from the body that has defined and dominated our understanding of ourselves for so long, the karmic vision of one life is completely exhausted, but any karma that might be created in the future has not yet begun to crystallize. So what happens in death is that there is a “gap” or space that is fertile with vast possibility; it is a moment of tremendous, pregnant power where the only thing that matters, or could matter, is how exactly our mind is. Stripped of a physical body, mind stands naked, revealed startlingly for what it has always been: the architect of our reality. So

1:228 DIGNITY AND CHOICE By the One who set the earth with rivers pouring through in mist below the mountains, and two oceans with a strip of land between (27:61), we move the elements into various shapes without their consent, but human beings, unlike the water and trees, have a choice. They are given dignity, discernment, and the evolutionary wisdom that can move from death to new life, again to die and be restored on another level of existence. You have many choices about the ways you live and work and change and survive. Say you fall into an ocean. You may give up and sink, or you may try to swim to shore. Salvation is your decision.

The sawdust flew. A slightly sweet fragrance floated in the immediate area. It was a sweet but subtle aroma, neither the scent of pine nor willow, but one from the past that had been forgotten, only to reappear now after all these years, fresher than ever. The workmen occasionally scooped up a handful of sawdust, which they put into their mouths and swallowed. Before that they had chewed on pieces of green bark that they had stripped from the cut wood. It had the same fragrance and it freshened their mouths, so at first that was what they had used. Now even though they were no longer chewing the bark with which they felt such a bond, the stack of corded wood was a very appealing sight. From time to time they gave the logs a friendly slap or kick. Each time they sawed off a section, which rolled to the ground from the sawhorse, they would say: 'Off with you - go over there and lie down where you belong.' What they were thinking was that big pieces of lumber like this should be used to make tables or chairs or to repair a house or make window frames; wood like this was hard to find. But now they were cutting it into kindling to be burned in stoves, a sad ending for good wood like this. They could see a comparison with their own lives, and this was a saddening thought. ("North China")

As children', wrote Alice Raikes (Mrs. Wilson Fox) in The Times, January 22, 1932, 'we lived in Onslow Square and used to play in the garden behind the houses. Charles Dodgson used to stay with an old uncle there, and walk up and down, his hands behind him, on the strip of lawn. One day, hearing my name, he called me to him saying, "So you are another Alice. I'm very found of Alices. Would you like to come and see something which is rather puzzling?" We followed him into his house which opened, as ours did, upon the garden, into a room full of furniture with a tall mirror standing across one corner.' "Now", he said giving me an orange, "first tell me which hand you have got that in." "The right" I said. "Now", he said, "go and stand before that glass, and tell me which hand the little girl you see there has got it in." After some perplexed contemplation, I said, "The left hand." "Exactly," he said, "and how do you explain that?" I couldn't explain it, but seeing that some solution was expected, I ventured, "If I was on the other side of the glass, wouldn't the orange still be in my right hand?" I can remember his laugh. "Well done, little Alice," he said. "The best answer I've heard yet." "I heard no more then, but in after years was told that he said that had given him his first idea for Through the Looking-Glass, a copy of which, together with each of his other books, he regularly sent me.

The more I read, the more I felt connected across time to other lives and deeper sympathies. I felt less isolated. I wasn’t floating on my little raft in the present; there were bridges that led over to solid ground. Yes, the past is another country, but one that we can visit, and once there we can bring back the things we need. Literature is common ground. It is ground not managed wholly by commercial interests, nor can it be strip-mined like popular culture – exploit the new thing then move on. There’s a lot of talk about the tame world versus the wild world. It is not only a wild nature that we need as human beings; it is the untamed open space of our imaginations. Reading is where the wild things are.

It is not cynical to admit the past has been turned into a fiction. It is a story, not a fact. The real has been erased. Whole eras have been added or removed. Wars have been aggrandized, and human struggle relegated to the margins. Villains are redressed as heroes. Generous, striving, imperfect men and women have been stripped of their flaws or plucked of their virtues and turned into figurines of morality or depravity. Whole societies have been fixed with motive and visions and equanimity where there was none. Suffering has been recast as noble sacrifice! Do you know why the history of the Tower is in such turmoil? Because too many powerful men are fighting for the pen, fighting to write their story over our dead bodies. They know what is at stake: immortality, the character of civilization, and influence beyond the ages. They are fighting to see who gets to mislead our grandchildren.

About some books we feel that our reluctance to return to them is the true measure of our admiration. It is hard to suppose that many people go back, from a spontaneous desire, to reread 1984: there is neither reason nor need to, no one forgets it. The usual distinctions between forgotten details and a vivid general impression mean nothing here, for the book is written out of one passionate breath, each word is bent to a severe discipline of meaning, everything is stripped to the bareness of terror. Kafka's The Trial is also a book of terror, but it is a paradigm and to some extent a puzzle, so that one may lose oneself in the rhythm of the paradigm and play with the parts of the puzzle. Kafka's novel persuades us that life is inescapably hazardous and problematic, but the very 'universality' of this idea helps soften its impact: to apprehend the terrible on the plane of metaphysics is to lend it an almost soothing aura.

There is no path to truth, it must come to you. Truth can come to you only when your mind and heart are simple, clear, and there is love in your heart; not if your heart is filled with the things of the mind. When there is love in your heart, you do not talk about organizing for brotherhood; you do not talk about belief, you do not talk about division or the powers that create division, you need not seek reconciliation. Then you are simply a human being without a label, without a country. This means that you must strip yourself of all those things and allow truth to come into being; and it can come only when the mind is empty, when the mind ceases to create. Then it will come without your invitation. Then it will come as swiftly as the wind and unbeknown. It comes obscurely, not when you are watching, wanting. It is there as sudden as sunlight, as pure as the night; but to receive it, the heart must be full and the mind empty. Now you have the mind full and your heart empty.

Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.

Our appetite for destruction grew with feeding. I started gingerly, pulling some books out of a case, but soon was tearing out pages by the handfuls and throwing them around. Jerry got a knife and ripped the stuffing out of the mattresses. He threw feathers from the sofa cushions. McQuilly, driven by some dark Scottish urge, found a crowbar and reduced wooden things to splinters. And Bill was like a fury, smashing, overturning, and tearing. But I noticed he kept back some things and put them in a neat heap on the dining-room table, which he forbade us to break. They were photographs. The old people must have had a large family, and there were pictures of young people and wedding groups and what were clearly grandchildren everywhere. When at last we had done as much damage as we could, the pile on the table was a large one. "Now for the finishing touch," said Bill. "And this is going to be all mine." He jumped up on the table, stripped down his trousers, and squatted over the photographs. Clearly he meant to defecate on them, but such things cannot always be commanded, and so for several minutes we stood and stared at him as he grunted and swore and strained and at last managed what he wanted, right on the family photographs.

I didn’t pack very much. Some clothes, some weapons. I threw out the perishable food, and stripped my bed of its sheets and blankets. Akos helped in silence, his arm still wrapped in a bandage. His bag of possessions was already on the table. I had watched him pack some clothes and some of the books I had given him, his favorite pages folded over. Though I had already read all those books, I wanted to open them again just to search out the parts he most treasured; I wanted to read them as if immersed in his mind. “You’re acting weird,” he said once we were finished, and all there was left to do was wait. “I don’t like going home,” I said. It was true, at least. Akos looked around, and shrugged. “Seems like this is your home. There’s more of you in here than anywhere in Voa.” He was right, of course. I was happy that he knew what “more of me” really was--that he might know as much about me, from observation, as I knew about him. And I did know him. I could pick him out in a crowd from his gait alone. I knew the shade of the veins that showed on the backs of his hands. And his favorite knife for chopping iceflowers. And the way his breath always smelled spiced, like hushflower and sendes leaf mixed together. “Maybe next time I’ll do more to my room,” he said. You won’t be back next time, I thought. “Yeah.” I forced a smile. “You should.

I reach out and squeeze her hand, and remember everything we’ve lived through together. The normal things we endured as we grew from girls to women. The days in school where boys would line us up in order of our fuckability. The parties where it was normal to lie on top of a semi-conscious girl, do things to her, then call her a slut afterwards. A Christmas number-one song about a pregnant woman being stuffed into the boot of a car and driven off a bridge. Laughing when your male friends made rape jokes. Opening a newspaper and seeing the breasts of a girl who had only just turned legal, dressed in school uniform to make her look underage. Of the childhood films we grew up on, and loved, and knew all the words to, where, at the end, a girl would always get chosen for looking the prettiest compared to all the others. Reading magazines that told you to mirror men’s body language, and hum on their dick when you went down on them, that turned into books about how to get them to commit by not being yourself. Of size zero, and Atkins, and Five-Two, and cabbage soup, and juice cleanses and eat clean. Of pole-dancing lessons as a great way to get fit, and actually, if you want to be really cool, come to the actual strip club too. Of being sexually assaulted when you kissed someone on a dance floor and not thinking about it properly until you are twenty-seven and read a book about how maybe it was wrong. Of being jealous of your friend who got assaulted on the dance floor because why didn’t he pick you to assault? Boys not wanting to be with you unless you fuck them quickly. Boys not wanting to be with you because you fucked them too quickly. Being terrified to walk anywhere in the dark in case the worst thing happens to you, and so your male friend walks you home to keep you safe, and then comes into your bedroom and does the worst thing to you, and now, when you look him up online, he’s engaged to a woman who wears a feminist T-shirt and isn’t going to change her name when they get married. Of learning to have no pubic hair, and how liberating it is to pay thirty-five pounds a month to rip this from your body and lurch up in agony. Rings around famous women’s bodies saying ‘look at this cellulite’, oh, by the way, here is a twenty-quid cream so you don’t get

The Portal Potion Success! After weeks and weeks of trying, I’ve finally discovered the correct ingredients for the potion I’d hoped to create for my son! With just a few drops, the potion turns any written work into a portal to the world it describes. Even with my ability to create portals to and from the Otherworld, I never thought it would be possible to create a substance that allowed me passage to any world I wished. My son will get to see the places and meet the characters he’s spent his whole childhood dreaming about! And best of all, I’ll get to watch his happiness soar as it happens! The ingredients are much simpler than I imagined, but difficult to obtain. Their purposes are more metaphysical than practical, so it took some imagination to get the concoction right. The first requirement is a branch from the oldest tree in the woods. To bring the pages to life, I figured the potion would need the very thing that brought the paper to life in the first place. And what else has more life than an ancient tree? The second ingredient is a feather from the finest pheasant in the sky. This will guarantee your potion has no limits, like a bird in flight. It will ensure you can travel to lands far and wide, beyond your imagination. The third component is a liquefied lock and key that belonged to a true love. Just as this person unlocked your heart to a life of love, it will open the door of the literary dimensions your heart desires to experience. The fourth ingredient is two weeks of moonlight. Just as the moon causes waves in the ocean, the moonlight will stir your potion to life. Last, but most important, give the potion a spark of magic to activate all the ingredients. Send it a beam of joy straight from your heart. The potion does not work on any biographies or history books, but purely on works that have been imagined. Now, I must warn about the dangers of entering a fictional world: 1. Time only exists as long as the story continues. Be sure to leave the book before the story ends, or you may disappear as the story concludes. 2. Each world is made of only what the author describes. Do not expect the characters to have any knowledge of our world or the Otherworld. 3. Beware of the story’s villains. Unlike people in our world or the Otherworld, most literary villains are created to be heartless and stripped of all morals, so do not expect any mercy should you cross paths with one. 4. The book you choose to enter will act as your entrance and exit. Be certain nothing happens to it; it is your only way out. The

IT is not impossible that among the English readers of this book there may be one who in 1915 and 1916 was in one of those trenches that were woven like a web among the ruins of Monchy-au-Bois. In that case he had opposite him at that time the 73rd Hanoverian Fusiliers, who wear as their distinctive badge a brassard with ' Gibraltar ' inscribed on it in gold, in memory of the defence of that fortress under General Elliot; for this, besides Waterloo, has its place in the regiment's history. At the time I refer to I was a nineteen-year-old lieutenant in command of a platoon, and my part of the line was easily recognizable from the English side by a row of tall shell-stripped trees that rose from the ruins of Monchy. My left flank was bounded by the sunken road leading to Berles-au-Bois, which was in the hands of the English ; my right was marked by a sap running out from our lines, one that helped us many a time to make our presence felt by means of bombs and rifle-grenades. I daresay this reader remembers, too, the white tom-cat, lamed in one foot by a stray bullet, who had his headquarters in No-man's-land. He used often to pay me a visit at night in my dugout. This creature, the sole living being that was on visiting terms with both sides, always made on me an impression of extreme mystery. This charm of mystery which lay over all that belonged to the other side, to that danger zone full of unseen figures, is one of the strongest impressions that the war has left with me. At that time, before the battle of the Somme, which opened a new chapter in the history of the war, the struggle had not taken on that grim and mathematical aspect which cast over its landscapes a deeper and deeper gloom. There was more rest for the soldier than in the later years when he was thrown into one murderous battle after another ; and so it is that many of those days come back to my memory now with a light on them that is almost peaceful.

The Swedish royal family’s legitimacy is even more tenuous. The current king of Sweden, Carl XVI Gustaf, is descended neither from noble Viking blood nor even from one of their sixteenth-century warrior kings, but from some random French bloke. When Sweden lost Finland to Russia in 1809, the then king, Gustav IV Adolf—by all accounts as mad as a hamburger—left for exile. To fill his throne and, it is thought, as a sop to Napoleon whose help Sweden hoped to secure against Russia in reclaiming Finland, the finger of fate ended up pointing at a French marshal by the name of Jean-Baptiste Bernadotte (who also happened to be the husband of Napoleon’s beloved Desirée). Upon his arrival in Stockholm, the fact that Bernadotte had actually once fought against the Swedes in Germany was quickly forgotten, as was his name, which was changed to Charles XIV John. This, though, is where the assimilation ended: the notoriously short-tempered Charles XIV John attempted to speak Swedish to his new subjects just the once, meeting with such deafening laughter that he never bothered again (there is an echo of this in the apparently endless delight afforded the Danes by the thickly accented attempts at their language by their current queen’s consort, the portly French aristocrat Henri de Monpezat). On the subject of his new country, the forefather of Sweden’s current royal family was withering: “The wine is terrible, the people without temperament, and even the sun radiates no warmth,” the arriviste king is alleged to have said. The current king is generally considered to be a bit bumbling, but he can at least speak Swedish, usually stands where he is told, and waves enthusiastically. At least, that was the perception until 2010, when the long-whispered rumors of his rampant philandering were finally exposed in a book, Den motvillige monarken (The Reluctant Monarch). Sweden’s tabloids salivated over gory details of the king’s relationships with numerous exotic women, his visits to strip clubs, and his fraternizing with members of the underworld. Hardly appropriate behavior for the chairman of the World Scout Foundation. (The exposé followed allegations that the father of the king’s German-Brazilian wife, Queen Silvia, was a member of the Nazi party. Awkward.) These days, whenever I see Carl Gustaf performing his official duties I can’t shake the feeling that he would much prefer to be trussed up in a dominatrix’s cellar. The

The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.

Fresh Pasta Dough Recipe INGREDIENTS: 1 ½ cups flour ½ cup semolina flour (pasta flour) 2 whole eggs, at room temperature 3 egg yolks, at room temperature DIRECTIONS: In a large bowl, whisk together the flour and the semolina. Create a well in the center and add the eggs and egg yolks. Using a fork, break up the eggs then gradually start to draw flour from the edges of the well into the mixture. If the dough gets too firm to mix with the fork switch to mixing with your hands. Continue to work in flour until the dough no longer sticks to your hands; you may not need to incorporate all of the flour. (I used a bit more than what the recipe called for.) Transfer the dough to a lightly floured surface and knead the dough for 8 to 10 minutes or until it is smooth and pliable. Wrap the dough tightly in plastic wrap and allow to rest for at least 30 minutes. If using a pasta roller: Divide the dough into 4 pieces. Starting with the machine set to the widest setting, pass the dough through the rollers. Fold the dough into thirds and pass it through again 2 more times. Continue passing the pasta through the machine, reducing the setting a few notches each time. You may need to dust a bit with flour if the dough sticks to the rollers at all. Once you reach your desired thickness, use the cutting attachment to cut the pasta sheet into fettuccine. Dust the cut pasta with more flour to prevent sticking and repeat with the remaining dough. If using a rolling pin: Divide the dough in half. Dust your surface with flour and sprinkle generously on your rolling pin. *Roll out the dough as thin and as evenly possible, adding flour as needed to prevent sticking. Use a paring knife (a pizza cutter works great!) to cut your dough into even ribbons, then set aside, dusting the cut pasta with more flour. Repeat with the remaining dough. (At this point, the pasta can be transferred to a sealable plastic bag and frozen for up to 3 months; do not defrost before cooking.) Cook the pasta in a large pot of generously salted boiling water, checking for doneness after just 1 minute; fresh pasta cooks very quickly. As soon as it is al dente, no more than 3 or 4 minutes, drain, reserving some of the cooking water if desired for saucing the pasta. Toss with your sauce, loosen with some of the reserved cooking water as needed and serve immediately. *Note:  You must get the dough as thin as possible and cut them into small strips, otherwise, it will be too thick and end up having the texture of dumplings.

4Paul Gaydos My Books Browse ▾ Community ▾ The Way of the Superior Man Quotes The Way of the Superior Man by David Deida The Way of the Superior Man: A Spiritual Guide to... by David Deida Read Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine. If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it. Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control. Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering. By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.

English Gingerbread Cake Serves: 12 to 16 Baking Time: 50 to 60 minutes Kyle Cathie, editor for the British version of The Cake Bible (and now a publisher), informed me in no uncertain terms that a book could not be called a cake "bible" in England if it did not contain the beloved gingerbread cake. When I went to England to retest all the cakes using British flour and ingredients, I developed this gingerbread recipe. Now that I have tasted it, I quite agree with Kyle. It is a moist spicy cake with an intriguing blend of buttery, lemony, wheaty, and treacly flavors. Cut into squares and decorated with pumpkin faces, it makes a delightful "treat" for Halloween. Batter Volume Ounce Gram unsalted butter (65° to 75°F/19° to 23°C) 8 tablespoons (1 stick) 4 113 golden syrup or light corn syrup 1¼ cups (10 fluid ounces) 15 425 dark brown sugar, preferably Muscovado ¼ cup, firmly packed 2 60 orange marmalade 1 heaping tablespoon 1.5 40 2 large eggs, at room temperature ¼ cup plus 2 tablespoons (3 fluid ounces) 3.5 100 milk 2/3 cup (5.3 fluid ounces) 5.6 160 cake flour (or bleached all-purpose flour) 1 cup plus 2 tablespoons (or 1 cup), sifted into the cup and leveled off 4 115 whole wheat flour 1 cup minus 1 tablespoon (lightly spooned into the cup) 4 115 baking powder 1½ teaspoons . . cinnamon 1 teaspoon . . ground ginger 1 teaspoon . . baking soda ½ teaspoon . . salt pinch . . Special Equipment One 8 by 2-inch square cake pan or 9 by 2-inch round pan (see Note), wrapped with a cake strip, bottom coated with shortening, topped with a parchment square (or round), then coated with baking spray with flour Preheat the Oven Twenty minutes or more before baking, set an oven rack in the lower third of the oven and preheat the oven to 325°F/160°C. Mix the Liquid Ingredients In a small heavy saucepan, stir together the butter, golden syrup, sugar, and marmalade over medium-low heat until melted and uniform in color. Set aside uncovered until just barely warm, about 10 minutes. Whisk in the eggs and milk. Make the Batter In a large bowl, whisk together the cake flour, whole wheat flour, baking powder, cinnamon, ginger, baking soda, and salt. Add the butter mixture, stirring with a large silicone spatula or spoon just until smooth and the consistency of thick soup. Using the silicone spatula, scrape the batter into the prepared pan. Bake the Cake Bake for 50 to 60 minutes, or until a wire cake tester inserted in the center comes out clean and the cake springs back when pressed lightly in the center. The cake should start to shrink from the sides of the pan only after removal from the oven. Cool the Cake Let the cake cool in the pan on a wire rack for 10 minutes. While the cake is cooling, make the syrup.