“
I want to live so densely. lush. and slow in the next few years, that a year becomes ten years, and my past becomes only a page in the book of my life.
”
”
Nayyirah Waheed
“
Here's to the kids.
The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party.
Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them.
Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars.
Here's to the kids who never were too good at life, but still were wicked cool.
Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life.
Here's to the kids who care more about the music than the haircuts.
Here's to the kids who have crushes on a stupid lush.
Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night.
Here's to the kids who have ever had a broken heart from someone who didn't even know they existed.
Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so.
Here's to the kids who spend their days in photobooths with their best friend(s).
Here's to the kids who are straight up smartasses & just don't care.
Here's to the kids who speak their mind.
Here's to the kids who consider screamo their lullaby for going to sleep.
Here's to the kids who second guess themselves on everything they do.
Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that.
Here's to the kids.
This one's not for the kids,
who always get what they want,
But for the ones who never had it at all.
It's not for the ones who never got caught,
But for the ones who always try and fall.
This one's for the kids who didnt make it,
We were the kids who never made it.
The Overcast girls and the Underdog Boys.
Not for the kids who had all their joys.
This one's for the kids who never faked it.
We're the kids who didn't make it.
They say "Breaking hearts is what we do best,"
And, "We'll make your heart be ripped of your chest"
The only heart that I broke was mine,
When I got My Hopes up too too high.
We were the kids who didnt make it.
We are the kids who never made it.
”
”
Pete Wentz
“
Everybody wants to be on the mountaintop, but if you'll remember, mountaintops are rocky and cold. There is no growth on the top of a mountain. Sure, the view is great, but what's a view for? A view just gives us a glimpse of our next destination-our next target. But to hit that target, we must come off the mountain, go through the valley, and begin to climb the next slope. It is in the valley that we slog through the lush grass and rich soil, learning and becoming what enables us to summit life's next peak.
”
”
Andy Andrews (The Noticer: Sometimes, All a Person Needs Is a Little Perspective)
“
The fragmentation of our awareness may trigger dizzying vertigo in the chaos of our living. As such, an overwhelming flurry of connectivity and images generate thereby an oversaturation in our brain and the overabundance makes us anxious, fractured and insecure. This might, in turn, actuate us to cut the wire with the world and stumble into an estranging and contentious cocoon of self-absorption, while off-loading the lush supply of social interaction. Life becomes, then, an intricate maneuvering ground for walking a fine line between sound connectedness and crumbling consciousness, between unflinching cohesion and atomizing fragmentation. ("Give me more images")
”
”
Erik Pevernagie
“
When you see a small change in your life it means its a huge change in personality and your trait
”
”
Natasha Friend (Lush)
“
There are some parts of the world that, once visited, get into your heart and won't go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds. It was as if all my life I had been seeing the world in black and white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor.
”
”
Keith Bellows
“
Life occasionally humbles us by making us turned on by someone whom we turn off.
”
”
Mokokoma Mokhonoana
“
The essence of life does not consist in the lushness of your possessions, but in the richness of your heart.
”
”
Roy T. Bennett
“
If I had to wish for something, just one thing, it would be that Hannah would never see Tate the way I did. Never see Tate's beautiful, lush hair turn brittle, her skin sallow, her teeth ruined by anything she could get her hands on that would make her forget. That Hannah would never count how many men there were, or how vile humans can be to one another. That she would never see the moments in my life that were full of neglect, and fear, and revulsion, moments I can never go back to because I know they will slow me down for the rest of my life if I let myself remember them for one moment. Tate, who had kept Hannah alive that night, reading her the story of Jem Finch and Mrs. Dubose. And suddenly I know I have to go. But this time without being chased by the Brigadier, without experiencing the kindness of a postman from Yass, and without taking along a Cadet who will change the way I breath for the rest of my life.
”
”
Melina Marchetta (On the Jellicoe Road)
“
She could see all of Ferenwood from here: the rolling hills, the endless explosion of color cascading down and across the lush landscape. Reds and blues: Maroon and ceruleans. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life. She took a deep breath and drew it all in.
”
”
Tahereh Mafi (Furthermore (Furthermore, #1))
“
How mighty you are as death comes upon you and your color fades. Yet from life and lush to bold array, screaming into the night.
”
”
Kellie Elmore (Magic in the Backyard)
“
we are all born from the same celestial seed; all of us have the same father, from which the earth, the mother who feeds us, receives clear drops of rain, producing from them bright wheat and lush trees, and the human race, and the species of beasts, offering up the foods with which all bodies are nourished, to lead a sweet life and generate offspring
”
”
Carlo Rovelli (Seven Brief Lessons on Physics)
“
Do you love this world?
Do you cherish your humble and silky life?
Do you adore the green grass, with its terror beneath?
Do you also hurry, half-dressed and barefoot, into the garden,
and softly,
and exclaiming of their dearness,
fill your arms with the white and pink flowers,
with their honeyed heaviness, their lush trembling
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?
”
”
Mary Oliver (New and Selected Poems, Volume One)
“
...I meditated on the passage of time, and how it may be found in both a dry and a wet or gaseous state; how, though lush, it might be dessicated for storage.
”
”
M.T. Anderson (The Pox Party (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #1))
“
DBT's catchphrase of developing a life worth living means you're not just surviving; rather, you have good reasons for living. I'm also getting better at keeping another dialectic in mind: On the one hand, the disorder decimates all relationships and social functions, so you're basically wandering in the wasteland of your own failure, and yet you have to keep walking through it, gathering the small bits of life that can eventually go into creating a life worth living. To be in the desolate badlands while envisioning the lush tropics without being totally triggered again isn't easy, especially when life seems so effortless for everyone else.
”
”
Kiera Van Gelder (The Buddha and the Borderline: My Recovery from Borderline Personality Disorder through Dialectical Behavior Therapy, Buddhism, and Online Dating)
“
Fortunately, no matter how many times she is pushed down, she bounds up again. No matter how many times she is forbidden, quelled, cut back, diluted, tortured, touted as unsafe, dangerous, mad, and other derogations, she emanates upward in women, so that even the most quiet, even the most restrained woman keeps a secret place for Wild Woman, Even the more repressed woman has a secret life, with secret thoughts and secret feelings which are lush and wild, that is, natural. Even the most captured woman guards the place of the wildish self, for she knows intuitively that someday there will be a loophole, an aperture, a chance, and she will hightail it to escape.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
I want to live a big life, where every moment goes unwasted.
”
”
Sacha Scoblic / Zimmerman (Unwasted: My Lush Sobriety)
“
falafel joint, jazz joint, gyro joint, corner. Schoolyard, creperie, realtor, corner. Tenement, tenement, tenement museum, corner. Pink Pony, Blind Tiger, muffin boutique, corner. Sex shop, tea shop, synagogue, corner. Bollywood, Buddha, botanica, corner. Leather outlet, leather outlet, leather outlet, corner. Bar, school, bar, school. People's Park, corner. Tyson mural, Celia Cruz mural, Ladi Di mural, corner. Bling shop, barbershop, car service corner.
”
”
Richard Price (Lush Life)
“
In the rain forest, no niche lies unused. No emptiness goes unfilled. No gasp of sunlight goes untrapped. In a million vest pockets, a million life-forms quietly tick. No other place on earth feels so lush. Sometimes we picture it as an echo of the original Garden of Eden—a realm ancient, serene, and fertile, where pythons slither and jaguars lope. But it is mainly a world of cunning and savage trees. Truant plants will not survive. The meek inherit nothing. Light is a thick yellow vitamin they would kill for, and they do. One of the first truths one learns in the rain forest is that there is nothing fainthearted or wimpy about plants.
”
”
Diane Ackerman (The Rarest of the Rare: Vanishing Animals, Timeless Worlds)
“
If Daddy was a color, he would be a forest green—thick, lush, calm, whispering refreshing wisdom only few could hear. If Michael was a color, he would be bark brown—cocoa, mocha, chocolate, the color of earth. Quiet, supportive, but strong. A softness that love grows from. Together, they are the tree I lean on when I’m weary. The tree I swing from. The tree of life when surrounded by death.
”
”
Tiffany D. Jackson (Monday's Not Coming)
“
Sensuality is an expression of modern luxury.
”
”
Lebo Grand
“
This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises,
as the sun strokes them with his old, buttery fingers
and they open —
pools of lace,
white and pink —
and all day the black ants climb over them,
boring their deep and mysterious holes
into the curls,
craving the sweet sap,
taking it away
to their dark, underground cities —
and all day
under the shifty wind,
as in a dance to the great wedding,
the flowers bend their bright bodies,
and tip their fragrance to the air,
and rise,
their red stems holding
all that dampness and recklessness
gladly and lightly,
and there it is again —
beauty the brave, the exemplary,
blazing open.
Do you love this world?
Do you cherish your humble and silky life?
Do you adore the green grass, with its terror beneath?
Do you also hurry, half-dressed and barefoot, into the garden,
and softly,
and exclaiming of their dearness,
fill your arms with the white and pink flowers,
with their honeyed heaviness, their lush trembling,
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?
”
”
Mary Oliver
“
Maybe some loves are perennials--they survive the winter and bloom again. Maybe others are annuals--beautiful and lush and full for a season and then back to the earth to die and create rich soil for new life to grow. Maybe there is no way for love to fail, because the eventual result of all love is New Life. Death and resurrection--maybe that's just the way of life and love. I decide that regardless of whether my marriage reveals itself to be an annual or a perennial love, there will be new lushness and beauty and life that comes of it.
”
”
Glennon Doyle Melton (Love Warrior)
“
If only certain things had been preventable, his life would have unfurled in front of him as intended, like a lush Oriental carpet. No surprises, no detours. Just a thick tapestry of days and nights that at the end of his time on earth, he could roll up and proudly claim as his own.
”
”
Shilpa Agarwal (Haunting Bombay)
“
The most accurate way to know the future is to create it.
”
”
Amanda Eyre Ward (The Sober Lush: A Hedonist's Guide to Living a Decadent, Adventurous, Soulful Life--Alcohol Free)
“
Worrying is praying for things you don’t want to happen,
”
”
Amanda Eyre Ward (The Sober Lush: A Hedonist's Guide to Living a Decadent, Adventurous, Soulful Life--Alcohol Free)
“
Meditation is like sobriety in that it doesn’t make everything perfect but helps us be okay with how everything is.
”
”
Amanda Eyre Ward (The Sober Lush: A Hedonist's Guide to Living a Decadent, Adventurous, Soulful Life--Alcohol Free)
“
Kylie’s not thin. So what? I don’t care. She’s incredibly sexy and I love her figure. I love how lush she is and how much she adores life. Mostly, I love how giving and wonderful she is. I love how when I’m with her, she’s the most important person in the world to me, and I’m the most important to her. That’s what love is, Daphne. It’s not lashing out and then hoping they’ll stick around despite your behavior. It’s trying to be the best person you can to make the other person happy.
”
”
Jessica Clare (One Night with a Billionaire (Billionaire Boys Club, #6))
“
I breathe in the soft, saturated exhalations of cedar trees and salmonberry bushes, fireweed and wood fern, marsh hawks and meadow voles, marten and harbor seal and blacktail deer. I breathe in the same particles of air that made songs in the throats of hermit thrushes and gave voices to humpback whales, the same particles of air that lifted the wings of bald eagles and buzzed in the flight of hummingbirds, the same particles of air that rushed over the sea in storms, whirled in high mountain snows, whistled across the poles, and whispered through lush equatorial gardens…air that has passed continually through life on earth. I breathe it in, pass it on, share it in equal measure with billions of other living things, endlessly, infinitely.
”
”
Richard Nelson (The Island Within)
“
The Earth has recovered after fevers like this, and there are no grounds for thinking that what we are doing will destroy Gaia, but if we continue business as usual, our species may never again enjoy the lush and verdant world we had only a hundred years ago. What is most in danger is civilization; humans are tough enough for breeding pairs to survive, and Gaia is toughest of all. What we are doing weakens her but is unlikely to destroy her. She has survived numerous catastrophes in her three billion years or more of life.
”
”
James E. Lovelock (The Revenge of Gaia)
“
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
Usually, all of us have some kind of bad story seeds that eventually sprout into a solid harvest. If you want a lush, beautiful harvest, you must replant yourself from the inside. You must uproot all those bad seeds planted by others and plant new ones that will grow different stories inside you.
”
”
Echo Brown (Black Girl Unlimited)
“
But this home over here: it needed paint but had flowers neatly planted all the way around it. That one over there had a tire swing out front, tied to a fat magnolia tree. Behind another, a lush vegetable garden. You got to fight not to give into despair, he told himself. You got to see the good that's mixed in with the bad.
”
”
Dan Baum (Nine Lives: Death and Life in New Orleans)
“
He feels a second pang now for the existence of perfection, the stubborn existence of perfection in the most vulnerable of things and in the face of his refusal-logical-admirable refusal-to engage with this existence in his heart, in his mind. For the comfortless logic, the curse of clear sight, no matter which string he pulls on the same wretched knot: (a) the futility of seeing given the fatality in a place such as this where a mother still bloody must bury her newborn, hose off, and go home to pound yam into paste; (b) the persistence of beauty, in fragility of all places!, in a dewdrop at daybreak, a thing that will end, and in moments, and in a garden, and in Ghana, lush Ghana, soft Ghana, verdant Ghana, where fragile things die.
”
”
Taiye Selasi (Ghana Must Go)
“
People sometimes complain that Berliners just sit around all day in cafes, smoking and talking about art. Is that supposed to be a bad thing?
”
”
Joe Jackson
“
heavy with The Cure and Depeche Mode, groups with lush instrumentals and heavy-duty lyrics about love, lust and life.
”
”
Megan Hart (Tempted (Alex Kennedy #1))
“
I do not envy those whose introduction to nature was lush meadows, lakes, and swamps where life abounds. The desert hills of Yakima had a poverty that sharpened perception.
”
”
William O. Douglas (Of Men and Mountains)
“
Villages have an unmistakable charm. There is a subtle magic found in villages. The earthiness, greenery, and fragrance of flowers, plants, fruits, and vegetables growing in the field is breathtakingly inimitable. Sitting in the lush green fields, while gazing at the wide blue sky, amidst the farm animals and the simple houses in the background, is a joie de vivre.
”
”
Avijeet Das
“
It really was truth or consequences, and Billy went with truth. It was just incredible." Forsaking public prominence, Strayhorn found personal freedom in service to the Duke Ellington Orchestra. Now there might not be a Billy Strayhorn Orchestra. But there was a Billy Strayhorn.
”
”
David Hajdu (Lush Life: A Biography of Billy Strayhorn)
“
And I tell her about his description because I want her to know what I now know, which is that the place where the pepper grows is not a place to be afraid of…
I tell her: Mama, exile is not always the darkest corner of the earth. Sometimes it is lush and plentiful, sometimes it is full of life…
”
”
Carola Perla (Gibbin House)
“
She [Angie] looked at the plate he’d set down. “You’re not hungry?”
“I’m starving. Hungrier than I’ve ever been in my entire life.” He’d waited for weeks for the right time and even though it was the worst timing possible, he couldn’t wait a second more.
Her jaw dropped as he took her plate from her wobbly grip.
“I, uh, am in desperate need of a shower.”
“Me too,” he whispered, then leaned in and pressed his mouth to her lush lips. She opened immediately for him, inviting his tongue and more as she sighed and sank closer against him. He thrust deep into her mouth, tasting the spicy sauce, tasting her, and plundered for more as pleasure washed over him like a benediction from heaven.
”
”
Jennifer St. Giles (Tactical Deception (Silent Warrior, #2))
“
She pushed and elbowed and knocked and strained to catch him, and finally, she did, reaching out for his hand--adoring the fact that neither of them wore gloves, loving the way their skin came together, the way his brought wonderful heat in a lush, irresistible current.
He felt it too.
She knew it because he stopped the instant they touched, turning to face her, grey eyes wild as Devonshire rain. She knew it because he whispered her name, aching and beautiful and soft enough for only her to hear.
And she it because his free hand rose, captured her jaw and titled her face up to him even as he leaned down and stole her lips and breath and thought in a kiss that she would never in her lifetime forget.
The was like food and drink, like sleep, like breath. She needed it with the same elemental desire and she cared not a bit that all of London was watching. Yes, she was masked, but it did not matter. She would have stripped to her chemise for this kiss. To her skin.
Their fingers still intertwined, he wrapped their arms behind her back and pulled her to him, claiming her mouth with lips and tongue and teeth, marking her with one long luscious kiss that went on and on until she thought she might die from the pleasure of it. Her free hand was in his hair then, tangling in the soft locks, loving their silky promise.
She was lost, claimed and fairly consumed by the intensity of the kiss, and for the first time in her life, Pippa gave herself up to emotion, pouring every bit of her desire and her passion and her fear and her need into this moment This caress.
This man.
This man, who was everything she had never allowed herself to dream she would find.
This man, who made her believe in friendship. In partnership..
In love
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
The view from my window was of a sloping green field, dotted with a few muddy sheep; the same lush, safe, soggy world that nearly fifteen years earlier was all Lulu, Damien, and I had ever known. Until Dad had said, "We're going to Botswana."
I felt profoundly homesick, for the first time in my life.
Knowing I'd be back, I'd never minded leaving before. There was the comforting thought of returning.
”
”
Robyn Scott (Twenty Chickens for a Saddle)
“
The subjects range from the pastoral (sniffing of the butt of a melon to tell if it's ripe. and almost romantically lush descriptions of lightening storms sweeping across fields on summer nights) to elaborations on the value of man's having a life of his own, apart from whatever life he has with his family, a private life that no one knows anything about, "a place he can be himself without concern of disappointment or rejection".
”
”
A.M. Homes (May We Be Forgiven)
“
We’ve realized something about ourselves too: we are just as tempted by the propensity to make everyone feel happy as we are by booze.
”
”
Amanda Eyre Ward (The Sober Lush: A Hedonist's Guide to Living a Decadent, Adventurous, Soulful Life--Alcohol Free)
“
Have you thought about what will happen when you start living the life that's right for you, instead of the one you promised to live for someone else?
”
”
Tamara Lush
“
I love the smell, the lovely aroma of indulgent lushness, of people with inner peace.
”
”
Bhuwan Thapaliya
“
those lips so full of lush and love… and talking of so much life
”
”
butterflies rising
“
Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Why are the desert blooms that spring to life after a monsoon so magnificent? The answer is – their impermanence. The lush growth and blooming flowers do not last very long here in the desert, and this new growth only happens once a year. If this growth was never-ending, we would soon take it for granted. Likewise, our human lives. What makes them so special and unique? Our fleeting impermanence.
”
”
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
“
Summer has weeks left, but once the calendar displays the word “September,” you’d think it was Latin for “evacuate.” I pity them for missing the best weather and the most energized time of year…It’s an extremely impressive display of life at the apogee of summer, the year’s productivity mounded and piled past the angle of repose. It is a world lush with the living, a world that-despite the problems- still has what it takes to really produce.
”
”
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
“
As the train rolled through the countryside, so lush and green, and into the sprawling suburbs of south London, I stared around at all the strangeness: the narrow little “terraced” houses all in rows of brick and chimneypots, the tiny back gardens with clotheslines and garden sheds, the little cars all on the wrong side of the road — it was all so delightfully foreign, and exotic. My first lesson that the rest of the world really was more different than I knew or imagined.
”
”
Neil Peart (Traveling Music: The Soundtrack to My Life and Times)
“
He assures you that you’ll find your calling, but that’s the whole problem, you’ve never felt called to any one thing. There is no violent lush in one direction, but a softer nudge a hundred different ways, and now all of them feel out of reach.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
And while she read her cards and muttered to herself, I would leaf through my collection of cookery cards, incanting the names of never-tasted dishes like mantras, like the secret formulae of life. Boeuf en daube. Champignons farcis à la grèque. Escalopes à la Reine. Crème caramel. Schokoladentorte. Tiramisu. In the secret kitchen of my imagination I made them all, tested, tasted them, added to my collection of recipes wherever we went, pasted them into my scrapbook like photographs of old friends. They gave weight to my wanderings, the glossy clippings shining out from between the smeary pages like signposts along our erratic path.
I bring them out now like long-lost friends. Soupe de tomates à la gasconne, served with fresh basil and a slice of tartelette méridonale, made on biscuit-thin pâte brisée and lush with the flavors of olive oil and anchovy and the rich local tomatoes, garnished with olives and roasted slowly to produce a concentration of flavors that seems almost impossible.
”
”
Joanne Harris (Chocolat (Chocolat, #1))
“
am driving us home to Mrs. Lush in her shiny kitchen with a checked tablecloth in a house where the grass looks as if it’s been Hoovered. You see, only in the land of Croca-Colas does the sun shine in Technicolor. Life lived at the end of the rainbow.
”
”
Sally Gardner (Maggot Moon)
“
Think with me here … everybody wants to be on the mountaintop, but if you'll remember, mountaintops are rocky and cold. There is no growth on the top of a mountain. Sure, the view is great, but what's a view for? A view just gives us a glimpse of our next destination — our next target. But to hit that target, we must come off the mountain, go through the valley, and begin to climb the next slope. It is in the valley that we slog through the lush grass and rich soil, learning and becoming what enables us to summit life's next peak.
”
”
Andy Andrews (The Noticer: Sometimes, All a Person Needs Is a Little Perspective)
“
Are you a good human being, Gerry? I mean good in the sense that if you put everything in the scales, they’d tip that way?” It startled her. “I don’t know. I haven’t thought of myself that way. I think I like the lush life a little too much. That’s why I married George. I’m vain. I like men to admire me. I’ve got a coarse streak that comes out at the wrong times. But I do try to live up to … some kind of a better image of myself. And I try to improve. I came from nothing, Trav, from a little raggedy-ass spread in the Panhandle with too many kids and too few rooms.
”
”
John D. MacDonald (The Deep Blue Good-By)
“
Look at this site - it is beautiful and deep. When we come here, we get ourselves lost in its beauty and vastness. Years of sorrow and pain lies in the depth of this lake. You do not know what was here 40-50 years back. Probably, a ditch full of stagnant water and mud breeding mosquitoes. Now here we have beautiful lake surrounded by lush green bushes and beautiful flowers. The place is beautiful today, so we come and enjoy its company, its presence. We do not think about its past or we do not to know what will happen here years later. We enjoy the beauty of its present.
”
”
Ravindra Shukla (A Maverick Heart: Between Love and Life)
“
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps.
Come to me, he beseeched them.
They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes.
“Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.”
“I can.” Sean’s gaze could cut through shadows as easily as a knife through butter.
Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers.
He was becoming desperate for more.
That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her.
Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit.
At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again.
Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that.
“I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.”
“Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.”
“Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.”
“Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.”
“First, you’re welcome. Second, I lied.
”
”
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
“
Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB
”
”
Ashish Bhardwaj
“
Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.
”
”
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
“
And with that, we resume our trek.
It takes an annoyingly long time to get to the palace. I mean, the walk is scenic and all, the forest lush with life, the ground sprinkled with glittering pools and rippling creeks, and blah, blah, blah—lots of pretty shit. But it’s still a stupidly long walk, and now that Des and I have five billion guards hemming us in, our conversation is next to non-existent.
To be fair, I have been entertained. Des has spent most of the last hour plaiting one guard’s hair into at least fifty braids (he hasn’t yet noticed) and moving branches into another guard’s way.
“Mother fucking trees,” the fairy mutters under his breath. “I swear they’re moving in my way.”
“Lay off the spirits, Sythus,” another says.
”
”
Laura Thalassa (Dark Harmony (The Bargainer, #3))
“
The guardian of life, however, does not derive all of his power and assuredness from reasoning and logic. The basic principle of life protection, the conservation of the Earth’s life as a lush and diverse whole, is also perceived as being sacred: as something incomparably holier than anything man might regard as such (not that in this age of cynical despair much holiness is left!).
”
”
Pentti Linkola (Can Life Prevail?)
“
Pura Vida. It means "pure life", but the true meaning really is more along the lines of "life is good." And Costa Rica lives up to it's name. From year-round tropical climate, beaches, mountains, lush valleys and rainforests, Costa Rica has it all. It's a different way of life. If you're looking for a simpler, more relaxed way of living... away from the hustle and bustle of everything... come Discover Pura Vida.
”
”
Discover Pura Vida
“
A morning-flowered dalliance
demured and dulcet-sweet
with ebullience and efflorescence
admiring, cozy cottages
and elixirs of eloquence
lie waiting at our feet -
We'll dance through fetching pleasantries
as we walk ephemeral roads
evocative epiphanies
ethereal, though we know
our hearts are linked with gossamer
halcyon our day
a harbinger of pretty things
infused with whispers longing still
and gamboling in sultry ways
to feelings, all ineffable
screaming with insouciance
masking labyrinthine paths
where, in our nonchalance, we walk
through the lilt of love’s new morning rays.
Mellifluous murmurings
from a babbling brook
that soothes our heated passion-songs
and panoplies perplexed with thought
of shadows carried off with clouds
in stormy summer rains…
My dear, and that I can call you 'dear'
after ripples turned to crashing waves
after pyrrhic wins, emotions drained
we find our palace sunned and rayed
with quintessential moments lit
with wildflower lanterns arrayed
on verandahs lush with mutual love,
the softest love – our preferred décor
of life's lilly-blossom gate
in white-fenced serendipity…
Twilight sunlit heavens cross
our gardens, graced with perseverance,
bliss, and thee, and thou, so splendid, delicate
as a morning dove of charm and mirth –
at least with me; our misty mornings
glide through air...
So with whippoorwill’d sweet poetry -
of moonstones, triumphs, wonder-woven
in chandliers of winglet cherubs
wrought with time immemorial,
crafted with innocence, stowed away
and brought to light upon our day
in hallelujah tapestries
of ocean-windswept galleries
in breaths of ballet kisses, light,
skipping to the breakfast room
cascading chrysalis's love
in diaphanous imaginings
delightful, fleeting, celestial-viewed
as in our eyes which come to rest
evocative, exuberant
on one another’s moon-stowed dreams
idyllic, in quiescent ways,
peaceful in their radiance
resplendent with a myriad of thought
soothing muse, rhapsodic song
until the somnolence of night
spreads out again its shaded truss
of luminescent fantasies
waiting to be loved by us…
Oh, love! Your sincerest pardons begged!
I’ve gone too long, I’ve rambled, dear,
and on and on and on and on -
as if our hours were endless here…
A morning toast, with orange-juiced lips
exalting transcendent minds
suffused with sunrise symphonies
organic-born tranquilities
sublimed sonorous assemblages
with scintillas of eternity beating
at our breasts – their embraces but
a blushing, longing glance away…
I’ll end my charms this enraptured morn'
before cacophony and chafe
coarse in crude and rough abrade
when cynical distrust is laid
by hoarse and leeching parasites,
distaste fraught with smug disgust
by hairy, smelly maladroit
mediocrities born of poisoned wells
grotesque with selfish lies -
shrill and shrieking, biting, creeping
around our love, as if they rose
from Edgar Allen’s own immortal
rumpled decomposing clothes…
Oh me, oh my! I am so sorry!
can you forgive me? I gone and kissed you
for so long, in my morning imaginings,
through these words, through this song -
‘twas supposed to be "a trifle treat,"
but little treats do sometimes last
a little longer; and, oh, but oh,
but if I could, I surly would
keep you just a little longer tarrying here,
tarrying here with me this pleasant morn
”
”
Numi Who
“
At an overgrown garden with a weathered picket fence, I stop and lean over the fence to sniff at a pristine bright red rose bloom between hundreds of others on a lush rose bush. They all exude an intoxicating scent, which obviously also pleases the bees, who, despite the twilight, are still out and about in astonishing numbers to diligently collect pollen.
I deeply inhale the sweet smell and then walk on with a dreamy smile.
”
”
Jutta Swietlinski (Flowing like Water)
“
Opera has the power to warn you that you have wasted your life. You haven't acted on your desires. You've suffered a stunted, vicarious existence. You've silenced your passions. The volume, height, depth, lushness, and excess of operatic utterance reveal, by contrast, how small your gestures have been until now, how impoverished your physicality; you have only used a fraction of your bodily endowment, and your throat is closed.
”
”
Terry Tempest Williams
“
Coriolanus felt his anxieties melt away. Full of fresh food, shaded by the trees, Lucy Gray singing softly beside him, he began to appreciate nature. It really was beautiful out here. The crystal clean air. The lush colors. He felt so relaxed and free. What if this was his life: rising whenever, catching his food for the day, and hanging out with Lucy Gray
by the lake? Who needed wealth and success and power when they had love? Didn't it conquer all?
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
This is the Earth as it was sixty-six million years ago. Beautiful, isn’t it? Edenic. Unspoiled. The atmosphere before you poisoned it. The water before you fouled it. The land lush with life before you, rodents that you are, shredded it to pieces to feed your voracious appetites and build your filthy nests. It may have remained pristine for another sixty-six million years, unsullied by your mammalian gluttony, if not for a chance encounter with an alien visitor one-quarter the size of Manhattan.
”
”
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
“
The Sydney of this time was a different place to the honeymoon city I'd visited with Damien. That one was the crescent of the bridge, the rolling waves beneath the ferry, the shaded streets in The Rocks where we'd bought touristy postcards to send home. Everywhere was so lush, everything blue and green. This Sydney was more or less the space between Campsie and Dulwich Hill. Suburban streets, 7-Eleven hot chocolate, stream, car fumes, perc in my nose and throat, light dancing across the scratched Perspex of train window.
”
”
Jennifer Down (Bodies of Light)
“
You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.
”
”
Ned Beauman (Venomous Lumpsucker)
“
Her. Her. Her. Future breezes implore
me to stay.
But I'm no future. I'm no past.
Only ever contemporary of this path.
I'll sacrifice everything
for all her seasons give from losing.
She, I sigh
from The Mountain top.
By her now. My only role. And for that freedom,
spread my polar chill, reaching even the warmest times,
a warning upon the back of every life
that would by harming Hailey's play, ever wayward
around this vegetative rush of orbit & twine,
awaken among these cascading cliffs of bellicose ice
me.
And my Vengeance.
At once.
The Justice of my awful loss
set free upon this crowded land. An old terror
violent for the glee of
ends.
But to those who would tend her, harrowed
by such Beauty & Fleeting Presence to do more,
my cool cries will kiss their gentle foreheads
and my tears will kiss their tender cheeks,
and then if the Love of their Kindness, which only
Kindness ever finds, spills my ear, for a while I might
slip down and play amidst her canopies of gold.
Solitude. Hailey's bare feet.
And all her patience now assumes.
Garland of Spring's Sacred Bloom.
By you, ever sixteen, this World's preserved.
By you, this World has everything left to lose.
And I, your sentry of ice, shall allways protect
what your Joy so dangerously resumes.
I'll destroy no World
so long it keeps turning with flurry & gush,
petals & stems bending and lush,
and allways our hushes returning anew.
Everyone betrays the Dream
but who cares for it? O Hailey no,
I could never walk away from you.
-
Haloes! Haleskarth!
Contraband!
I can walk away
from anything.
Everyone loves
the Dream but I kill it.
Bald Eagles soar
over me: —Reveille Rebel!
I jump free this weel.
On fire. Blaze a breeze.
I'll devastate the World.
\\
Samsara! Samarra!
Grand!
I can walk away
from anything.
Everyone loves
the Dream but I kill it.
Atlas Mountain Cedars gush
over me: —Up Boogaloo!
I leap free this spring.
On fire. How my hair curls.
I'll destroy the World.
-
Him. Him. Him. Future winds imploring
me to stay.
But I'm no tomorrow. I'm no yesterday.
Only ever contemporary of this way.
I will sacrifice everything
for all his seasons miss of soaring.
He, I sigh
from The Mountain top.
By him now. My only role. And for that freedom,
spread my polar chill, reaching even the warmest climes,
a warning upon the back of every life
that would by harming Sam's play, ever wayward
around this animal streak of orbit & wind,
awaken among these cataracts of belligerent ice
me.
And my Justice.
At once.
The Vengeance of my awful loss set
free upon this crowded land. An old terror
violent for the delirium of
ends.
But to those who would protect him, frightened
by such Beauty & Savage Presence to do more,
my cool cries will kiss their tender foreheads
and my tears will kiss their gentle cheeks,
and then if the Kindness of their Love, which only
Loving ever binds, spills my ear, for a while I might
slip down and play among his foals so green.
My barrenness. Sam's solitude.
And all his patience now presumes.
Luster of Spring's Sacred Brood.
By you, ever sixteen, this World's reserved.
By you, this World has everything left to lose.
And I, your sentry of ice, shall allways protect
what your Joy so terrifyingly elects.
I'll destroy no World
so long it keeps turning with scurry & blush,
fledgling & charms beading with dews,
and allways our rush returning renewed.
Everyone betrays the Dream
but who cares for it? O Sam no,
I could never walk away from you.
”
”
Mark Z. Danielewski (Only Revolutions)
“
Pedaling down the maple lined drive, quicksilver temper ebbed, her resilient spirits were lifted with the beauty of the day. The valley was stirring with life. Small clusters of fragile violets and red clover dotted the rolling meadows. Lines of fresh laundry waved in the early breeze. The boundary of mountains was tooped by a winter's coat, not yet the soft, lush green it would be in a month's time, but patched with stark black trees and the intermittent color of pines. Clouds scudded thin and white across the sky, chased by the teasing wind which whispered of spring and fresh blossoms.
”
”
Nora Roberts (Where The Heart Is: From This Day / Her Mother's Keeper)
“
Speak to me about power. What is it?”
I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?”
Her shapely head tilts. “No time except the present.”
“Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.”
Immaculée Constantin is unreadable. “How?”
“By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?”
Security Goblin’s sneeze booms through the chapel.
“You scratch the surface,” says Immaculée Constantin.
I feel lust and annoyance. “Scratch deeper, then.”
She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
”
”
David Mitchell (The Bone Clocks)
“
The story line of Kings is so overcrowded, it’s hard to keep track. The narrator complains, there’s so much going on, Solomon can’t love God “wholeheartedly.” This is a crucial word. The new Jerusalem opens up a whole new layer of human problems. We are in a fluid world, full of lush possibilities. Religions, jobs, marriages, all forms of life feel like open questions. In this atmosphere, can anybody be “wholehearted” about anything? Cosmopolitan culture, when it thrives, is scary. But it is also thrilling, and the people love it: “Judah and Israel prospered, as many as the sand on the sea; they ate and drank and were happy.
”
”
Anonymous
“
I remembered another life…
Once, my skin wasn’t covered in smooth snake scales like the naga women or striped in hide like the shape-shifting maidens. Once, my skin bled from one hue to the next, shifting to reflect the transition from evening to night. Before, I never left the riverbanks unless my skin was the cream and pink of a newborn sunset.
But something had changed…I had met someone. Someone who had seen me the way I was and had not sneered. He had seen me, reached for me when my skin was velvet black and start-speckled. I could still feel his stare--lush as obsidian, star-bright and pouring into the crevices of my dreams.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end.
Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction.
It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
”
”
Thomas Wolfe (Look Homeward, Angel)
“
Falling into this elaborate daydream about me and Heather Craven forever after. Imagining us as married professionals with our six towheaded children running loose in our suburbanite home as surrounded by a lush yard and fenced. Walking toward the door yelling, “Honey, I’m home!” and having Heather answer my call. Imagining the family dog jumping me, slobbering over in greeting and my laughing heartily as I was knocked to the ground. At one point getting so steeped in the fantasy that I actually found myself troubleshooting marital problems in advance, arguing with the fantasy love of my life before the dog grew on me over whether we should even have a dog; wasn’t six dependents enough? Losing the argument and then reluctantly accepting this new intrusion and competitor for Heather’s affections.
”
”
Tommy Walker (Monstrous: The Autobiography of a Serial Killer but for the Grace of God)
“
The last encounter was one Ian enjoyed, because Elizabeth was with him after they’d had their second-and last permissible-dance. Viscount Mondevale had approached them with Valerie hanging on his arm, and the rest of their group fanned around them. The sight of the young woman who’d caused them both so much pain evoked almost as much ire in Ian as the sight of Mondevale watching Elizabeth like a lovelorn swain.
“Mondevale,” Ian had said curtly, feeling the tension in Elizabeth’s fingers when she looked at Valerie, “I applaud your taste. I’m certain Miss Jamison will make you a fine wife, if you ever get up the spine to ask her. If you do, however, take my advice, and hire her a tutor, because she can’t write and she can’t spell.” Transferring his blistering gaze to the gaping young woman, Ian clipped, “’Greenhouse’ has a ‘u’ in it. Shall I spell ‘malice’ for you as well?”
“Ian,” Elizabeth chided gently as they walked away. “It doesn’t matter anymore.” She looked up at him and smiled, and Ian grinned back at her. Suddenly he felt completely in harmony with the world.
The feeling was so lasting that he managed to endure the remaining three weeks-with all the requisite social and courtship rituals and betrothal formalities-with equanimity while he mentally marked off each day before he could make her his and join his starving body with hers.
With a polite smile on his face Ian appeared at teas and mentally composed letters to his secretary; he sat through the opera and slowly undressed her in his mind; he endured eleven Venetian breakfasts where he mentally designed an entirely new kind of mast for his fleet of ships; he escorted her to eighteen balls and politely refrained from acting our his recurring fantasy of dismembering the fops who clustered around her, eyeing her lush curves and mouthing platitudes to her.
It was the longest three weeks of his life.
It was the shortest three weeks of hers.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Dog Talk
…
I have seen Ben place his nose meticulously
into the shallow dampness of a deer’s hoofprint and shut his eyes
as if listening. But it is smell he is listening to. The wild, high
music of smell, that we know so little about.
Tonight Ben charges up the yard; Bear follows. They run into the
field and are gone. A soft wind, like a belt of silk, wraps the house.
I follow them to the end of the field where I hear the long-eared
owl, at wood’s edge, in one of the tall pines. All night the owl will
sit there inventing his catty racket, except when he opens pale
wings and drifts moth-like over the grass. I have seen both dogs
look up as the bird floats by, and I suppose the field mouse hears
it too, in the pebble of his tiny heart. Though I hear nothing.
Bear is small and white with a curly tail. He was meant to be idle
and pretty but learned instead to love the world, and to romp
roughly with the big dogs. The brotherliness of the two, Ben and
Bear, increases with each year. They have their separate habits,
their own favorite sleeping places, for example, yet each worries
without letup if the other is missing. They both bark rapturously
and in support of each other. They both sneeze to express plea-
sure, and yawn in humorous admittance of embarrassment. In the
car, when we are getting close to home and the smell of the ocean
begins to surround them, they both sit bolt upright and hum.
With what vigor
and intention to please himself
the little white dog
flings himself into every puddle
on the muddy road.
Somethings are unchangeably wild, others are stolid tame. The
tiger is wild, the coyote, and the owl. I am tame, you are
tame. The wild things that have been altered, but only into
a semblance of tameness, it is no real change. But the dog lives in
both worlds. Ben is devoted, he hates the door between us, is
afraid of separation. But he had, for a number of years, a dog
friend to whom he was also loyal. Every day they and a few others
gathered into a noisy gang, and some of their games were bloody.
Dog is docile, and then forgets. Dog promises then forgets. Voices
call him. Wolf faces appear in dreams. He finds himself running
over incredible lush or barren stretches of land, nothing any of us
has ever seen. Deep in the dream, his paws twitch, his lip lifts.
The dreaming dog leaps through the underbrush, enters the earth
through a narrow tunnel, and is home. The dog wakes and the
disturbance in his eyes when you say his name is a recognizable
cloud. How glad he is to see you, and he sneezes a little to tell
you so.
But ah! the falling-back, fading dream where he was almost
there again, in the pure, rocky weather-ruled beginning. Where
he was almost wild again, and knew nothing else but that life, no
other possibility. A world of trees and dogs and the white moon,
the nest, the breast, the heart-warming milk! The thick-mantled
ferocity at the end of the tunnel, known as father, a warrior he
himself would grow to be.
…
”
”
Mary Oliver (Dog Songs: Poems)
“
He paused and eyed her as if she were an agate discovered in gravel. "But what a very sharp tongue you have for a housekeeper."
Bridget's heart sank- she knew better than to speak so frankly. It was never good for a servant to be noticed by a master- particularly this master.
"Come." He beckoned her closer with his forefinger and she saw the flash of a jeweled gold ring on his left thumb.
She swallowed and opened her right hand, silently dropping the miniature to the lush carpet. As she walked toward him she nudged the little painting under the enormous bed with the side of her foot.
She stopped a pace away from him.
His lips curved, sly and sensual. "Closer."
She stepped nearer until her plain, practical black linsey-woolsey skirts were crushed against his purple velvet knees. Her heart beat hard and swift, but she was confident her expression didn't show her fear.
Still smiling, he held out his hands, palms upward. His hands were long-fingered and elegant. The hands of a musician- or a swordsman.
She stared down at them a moment, confused.
He quirked an eyebrow and nodded.
Bridget placed her hands on top of his. Palm to palm. She expected searing heat or deathly cold and was a little surprised to instead feel human warmth.
She'd been hired little more than a fortnight before the duke had supposedly been banished. In that time he had never struck her as human- or humane.
"Ah," His Grace murmured, cocking his head with interest. "What feminine hands you have, despite your station in life."
His blue eyes flashed at her from under dark eyelashes, a secretive smile playing about his mouth.
She met his gaze stonily.
His lips quirked and he looked down again. "Small, plump, with neat, round nails." He turned her hands over so that they now rested palms-up in his. "I once knew a Greek girl who swore she could read a man's life story from the lines on his hands." He dropped her left hand to trace the lines on her right palm with a forefinger.
His touch sent a frisson along her nerves and Bridget couldn't hold back a shudder.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
Rufus and Vivaldo—but especially Vivaldo—had known or been intimate with many of these people, so long ago, it now seemed, that it might have occurred in another life. There was something frightening about the aspect of old friends, old lovers, who had, mysteriously, come to nothing. It argued the presence of some cancer which had been operating in them, invisibly, all along and which might, now, be operating in oneself. Many people had vanished, of course, had returned to the havens from which they had fled. But many others were still visible, had turned into lushes or junkies or had embarked on a nerve-rattling pursuit of the perfect psychiatrist; were vindictively married and progenitive and fat; were dreaming the same dreams they had dreamed ten years before, clothed these in the same arguments, quoted the same masters; and dispensed, as they hideously imagined, the same charm they had possessed before their teeth began to fail and their hair began to fall. They were more hostile now than they had been, this was the loud, inescapable change in their tone and the only vitality left in their eyes.
”
”
James Baldwin (Another Country)
“
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
”
”
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
“
The sorrow I feel has not disappeared, but it has been integrated into my life as a painful part of a healthy whole. Initially, my loss was so overwhelming to me that it was the dominant emotion—sometimes the only emotion—I had. I felt like I was staring at the stump of a huge tree that had just been cut down in my backyard. That stump, which sat all alone, kept reminding me of the beloved tree that I had lost. I could think of nothing but that tree. Every time I looked out the window, all I could see was that stump. Eventually, however, I decided to do something about it. I landscaped my backyard, reclaiming it once again as my own. I decided to keep the stump there, since it was both too big and too precious to remove. Instead of getting rid of it, I worked around it. I planted shrubs, trees, flowers, and grass. I laid out a brick pathway and built two benches. Then I watched everything grow. Now, three years later, the stump remains, still reminding me of the beloved tree I lost. But the stump is surrounded by a beautiful garden of blooming flowers and growing trees and lush grass. Likewise, the sorrow I feel remains, but I have tried to create a landscape around the loss so that what was once ugly is now an integral part of a larger, lovely whole.
”
”
Jerry Sittser (A Grace Disguised: How the Soul Grows through Loss)
“
Soft moonlight enveloped her path, guiding her toward the gate like creamy white petals leading a bride to the altar. Walter didn't understand- she needed to be in these gardens. The beauty breathed life into her. Filled her very soul.
She pushed down the latch, testing it slowly to see if it was locked on the opposite side. Her heart leapt when it opened.
The lady left her gardens every autumn now when the flowers began to die, and Mummy didn't seem to care if she visited the gardens when the lady was gone. But in the summer, when the flowers were blooming, when the air smelled sweet and the butterflies danced in the breeze, Mummy and Walter didn't want her to explore.
Yet this was her sustenance. Her magic. She needed to be here as much as the butterflies needed their nectar to fly.
Quietly she closed the gate and hurried across the brick path until she reached the circular rose garden. In the center of the roses was the most lush carpet of grass. She tossed her shoes into the air, the soft grass tickling her toes. Then she stretched out her arms and twirled in the moonlight.
Some people thought the rays of the moon were cool, like the rays of the sun were warm, but they were wrong. The light from the moon was as warm as the sun, a lovely, golden warmth that electrified her from the inside.
”
”
Melanie Dobson (Shadows of Ladenbrooke Manor)
“
She goes to the window, curious to look out, and her senses awaken. It was only a moment ago (for sleep knows no time) that the flat horizon was a loamy gray swell merging into the fog behind the icy glass. But now rocky, powerful mountains are massing out of the ground (where have they come from?), a vast, strange overwhelming sight. This is her first glimpse of the unimaginable majesty of the Alps, and she sways with surprise. Just now a first ray of sun through the pass to the east is shattering into a million reflections on the ice field covering the highest peak. The white purity of this unfiltered light is so dazzling and sharp that she has to close her eyes for a moment, but now she's wide awake. One push and the window bangs down, to bring this marvel closer, and fresh air - ice-cold, glass-sharp, and with a bracing dash of snow - streams through her lips, parted in astonishment, and into her lungs, the deepest, purest breath of her life. She spreads her arms to take in this first reckless gulp, and immediately, her chest expanding, feels a luxurious warmth rise through her veins - marvelous, marvelous. Inflamed with cold, she takes in the scene to the left and the right; her eyes (thawed out now) follow each of the granite slops up to the icy epaulet at the top, discovering, with growing excitement, new magnificence everywhere - here a white waterfall tumbling headlong into a valley, there neat little stone houses tucked into crevices like birds' nests, farther off an eagle circling proudly over the very highest heights, and above it all a wonderfully pure, sumptuous blue whose lush, exhilarating power she would never have thought possible. Again and again she returns to these Alps sprung overnight from her sleep, an incredible sight to someone leaving her narrow world for the first time. These immense granite mountains must have been here for thousands of years; they'll probably still be here millions and millions of years from now, every one of them immovably where it's always been, and if not for the accident of this journey, she herself would have died, rotted away, and turned to dust with no inkling of their glory, She's been living as though all this didn't exist, never saw it, hardly cared to; like a fool she dozed off in this tiny room, hardly longer than her arm, hardly wide enough for her feet, just a night away, a day away from this infinitude, these manifold immensities! Indifferent and without desires before, now she's beginning to realize what she's been missing. This contact with the overpowering is her first encounter with travel's disconcerting ability to strip the hard shell of habit from the heart, leaving only the bare, fertile kernel.
”
”
Stefan Zweig (The Post-Office Girl)
“
I still cherish my childhood memories of the sun opening the dusky eyelids of the west and the misty mornings against the backdrop of of Kgalatlou Mountain. The green prime of summer, twingling leaves of acacia yrees of Manthakge Plains, pure clear sky, the smooth plough fields and lush green meadows.
In winter, that green carpet will be replaced by drearily looking land like a dim picture of the drowned past, all signs of life and feeling gone out of it, with the plough fields scorched and naked, the streams of Manyane silent, and the grass of the meadows looking like burned powder.
I still remember and cherish the touch of autumn nights and the ruddy moon leaning over Madibong.
When I think about this, a sorrowful silent tear always roll down my cheek, I become sad and gripped by grief because of what has now become of the land of my forefathers. I have known and cherished its distinguished rocks, fauna, and flora since I could stand and walk. I know its mountain slopes, plains, its rocks, and bushes like the veins and knuckles at the back of my hand. The ever changing beauty of Leolo Mountains, from the aloes of Segodi Boulders to the lilies of Legaletlweng; the imposing Letheleding Boulders towering over Manyane Dale. The interesting contrast of granite ingenious sedimentary rocks of Leolo Mountains and the red sand rock of Seolwane Mountain, the red sandy soil of Leruleng, the dark clay soil of Marakane and the red fertile loom soil of Sehalbeng Plains. The Magnetite rocks Ga - Sethadi and the shale rocks of Malatjane.
”
”
Pekwa Nicholas Mohlala
“
I remembered meeting the Dharma Raja’s gaze and wreathing his neck with a wedding garland of sweet marigold and blood red roses. Death clung to him subtly, robbing the warmth of his eyes and silvering his beauty with a wintry touch. And yet, I saw how he was beautiful. It was his presence that conjured the brilliant peacock shades of the late-season monsoon sky. It was his aura that withered sun-ripe mangos and ushered in the lush winter fruits of custard apple and singhora chestnuts. And it was his stride that adorned the Kalidas Mountains with coronets of snow clouds.
His hands moved to my shoulders, warm and solid, and his arms were a universe for me alone. He had enthralled me, unwound the seams of my being until I was filled with the sight of him and still ached with want.
“I hoped you would choose me,” he said.
I blushed, suddenly aware of my unbraceleted arms and simple sari. “I have no dowry.”
He laughed, a hesitant, half-nervous sound that did not match his stern features. “I don’t care.”
“Then what do you want from me?”
“I want to lie beside you and know the weight of your dreams,” he said, brushing his lips against my knuckles. “I want to share whole worlds with you and write your name in the stars.” He moved closer and a chorus of songbirds twittered silver melodies. “I want to measure eternity with your laughter.” Now, he stood inches from me; his rough hands encircled my waist. “Be my queen and I promise you a life where you will never be bored. I promise you more power than a hundred kings. And I promise you that we will always be equals.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
University Hospital, Boston
The trees on the hospital lawn
are lush and thriving. They too
are getting the best of care,
like you, and the anonymous many,
in the clean rooms high above this city,
where day and night the doctors keep
arriving, where intricate machines
chart with cool devotion
the murmur of the blood,
the slow patching-up of bone,
the despair of the mind.
When I come to visit and we walk out
into the light of a summer day,
we sit under the trees-
buckeyes, as sycamore and one
black walnut brooding
high over a hedge of lilacs
as old as the red-brick building
behind them, the original
hospital built before the Civil War.
We sit on the law together, holding hands
while you tell me: you are better.
How many young men, I wonder,
came here, wheeled on cots off the slow trains
from th red and hideous battlefields
to lie all summer in the small and stuffy chambers
while doctors did what they could, longing
for tools still unimagined, medicines still unfound,
wisdoms still unguessed at, and how many died
staring at the leaves of the trees, blind
to the terrible effort around them to keep them alive?
I look into your eyes
which are sometimes green and sometimes gray,
and sometimes full of humor, but often not,
and tell myself, you are better,
because my life without you would be
a place of parched and broken trees.
Later, walking the corridors down to the street,
I turn and step inside an emty room.
Yesterday someone was here with a gasping face.
Now the bed is made all new,
the machines have been rolled away. The silence
continues, deep and neutral,
as I stand there, loving you.
”
”
Mary Oliver (New and Selected Poems, Volume One)
“
Minutes later, as they lay tangled together, dazed in the aftermath of their loving, Callie began to chuckle silently against Gabriel's side. Lifting his head to find her grinning a wide, silly grin, he drawled, "What is it that has you so amused, lovely?"
"I was simply thinking"- she stopped to catch her breath from the laughter and started again- "I was merely thinking that if that is what riding astride is like, the female population is missing out on one of life's finer experiences." The last word was lost as she dissolved once more onto giggles.
He caught her against him in a fierce hug and sighed, unable to keep himself from smiling up at the ceiling as he said, "You know, Empress, men do not appreciate laughter at this particular moment. It's devastating to the self-confidence."
Her head snapped up and she took in his amused countenance. "Oh, my apologies, good sir," she teased. "I would hate to damage such a fragile ego as that of the Marquess of Ralston."
With a playful growl, he pinned her to the mattress. "Minx. You shall pay for that." And he began to kiss down the side of her neck, nibbling across her collarbone until she sighed with pleasure.
"If this is how I must pay for it, my lord, you may guarantee I shall tease you a great deal in the coming months."
"More than months, I hope," he drawled, distracted by her lovely white breasts. "Years. Decades even."
"Decades," she repeated, awestruck. My God. He's going to be my husband.
"Mmm-hmm," he murmured against her skin before pulling away from her. "Which is why, despite how very difficult it shall be for me to leave you warm and lush in your bed, I shall console myself with the fact that, very soon, I shan't have to do so ever again.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.”
“You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?”
“Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure.
“I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.”
“I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.”
“I did.” Her breath was unsteady. “But only because…you tore us apart.”
He shifted her to sit astride him. “And now?”
Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?”
His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…”
He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts.
Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.”
She uttered a breathy laugh. “A wanton, more like.”
Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?”
His cock was a rod of iron. “Jane…” He covered her hand to stay it, but she ignored his attempt.
“I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.”
He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more…
“I want to be inside you.” He gripped her wrist. “Please, Jane…”
Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.”
“Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night.
Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.”
She stared at him. “I…I don’t know what you mean.”
He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.”
Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him.
By degrees. Very slow degrees.
He had trouble breathing. “Am I hurting you?”
Her smile broadened as she shimmied down another inch. “Not really.”
Stifling a curse, he clutched her arms. “You just…enjoy torturing me.”
“Absolutely,” she said and moved his hands to cover her breasts.
He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her.
His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…”
With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.”
“It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.”
“I could get to like this,” she said teasingly. “The begging.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
The Outer Cape is famous for a dazzling quality of light that is like no other place on Earth. Some of the magic has to do with the land being surrounded by water, but it’s also because that far north of the equator, the sunlight enters the atmosphere at a low angle. Both factors combine to leave everything it bathes both softer and more defined. For centuries writers, poets, and fine artists have been trying to capture its essence. Some have succeeded, but most have only sketched its truth. That’s no reflection of their talent, because no matter how beautiful the words or stunning the painting, Provincetown’s light has to be experienced. The light is one thing, but there is also the way everything smells. Those people lucky enough to have experienced the Cape at its best—and most would agree it’s sometime in the late days of summer when everything has finally been toasted by the sun—know that simply walking on the beach through the tall seagrass and rose hip bushes to the ocean, the air redolent with life, is almost as good as it gets. If in that moment someone was asked to choose between being able to see or smell, they would linger over their decision, realizing the temptation to forsake sight for even one breath of Cape Cod in August. Those aromas are as lush as any rain forest, as sweet as any rose garden, as distinct as any memory the body holds. Anyone who spent a week in summer camp on the Cape can be transported back to that spare cabin in the woods with a single waft of a pine forest on a rainy day. Winter alters the Cape, but it doesn’t entirely rob it of magic. Gone are the soft, warm scents of suntan oil and sand, replaced by a crisp, almost cruel cold. And while the seagrass and rose hips bend toward the ground and seagulls turn their backs to a bitter wind, the pine trees thrive through the long, dark months of winter, remaining tall over the hibernation at their feet. While their sap may drain into the roots and soil until the first warmth of spring, their needles remain fragrant through the coldest month, the harshest storm. And on any particular winter day on the Outer Cape, if one is blessed enough to take a walk in the woods on a clear, cold, windless day, they will realize the air and ocean and trees all talk the same language and declare We are alive. Even in the depths of winter: we are alive. It
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Liza Rodman (The Babysitter: My Summers with a Serial Killer)
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For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth.
Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun.
Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.
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Carl Sagan (Cosmos)
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My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success...
Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.
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Héctor Abad Faciolince
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It was 1965 and life seemed easier. Her parents were alive and so was her brother, her bones were hard and strong and her vision perfect....It was 1965 and she was filled with hope, lush pots of ivy spilling from her window boxes as she leaned out late in the day to see the sunset, to smell the river, to watch her husband turn the corner as he headed home. She was so alive.
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Jill McCorkle (Life After Life)
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In this life, my body has become a withered twig, where once I stood tall. I distantly remember the lush earth and beech forests of New England --- outside my bedroom window as a child --- growing in kingdoms.
My parents near me.
In this life, I bubble like an old man, when once I could fly over doubts and contradictions.
In this life, my memories are the smoke I choke on, burning my eyes.
In this life, I remember hungers that will never return. When I was once a lover with the bluest eyes she had ever seen --- deeper than Paul Newman's, darker than Frank Sinatra's.
This life! This life is coming to an end without any explanation or apology, and where every sense of my soul or ray of light through a cloud promises to be my end.
This life was an abrupt and tragic dream that seized me during the wee hours of a Saturday morning as the sunrise reflected off the mirror above her vanity table, leaving me speechless just as the world faded to white.
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Derek B. Miller (Norwegian by Night (Sigrid Ødegård #1))
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This morning, outside Nordic Fisheries a couple of delivery guys are unloading lobsters and crabs by the case, pausing in between loads to sip coffee from Styrofoam cups. Across the street, on Penn Avenue, the green grocers are busy stacking crates of vegetables and fruits, arranging them into a still life to showcase their most beautiful produce: heads of red romaine, their tender spines heavy with the weight of lush, purple-tinged leaves; a basket of delicate mâche, dark green, almost black, and smelling like a hothouse garden; sugar pumpkins of burnished gold; new Brussels sprouts, their tender petals open like flowers.
At this hour the world belongs to those noble souls who devote their lives to food. Cook, grocer, butcher, baker, sunrises are ours. It's a time to gather your materials, to prepare your mise en place, to breathe uninterrupted before the day begins.
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Meredith Mileti (Aftertaste: A Novel in Five Courses)
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Anaya sensed her opportunity and stole a moment to take in what Emberswick looked like in her teens. Still an engineering town, with a heap of lumber mills to show for it. It had been systematically envisioned and built around lush, small woods and pretty, little parks, spotted with bubbling fountains. A charming place to live, with a pleasant pace of life, and the people were just as engaging.
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G.M.T. Schuilling (The Watchmaker's Doctor)
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It is no wonder that historians trace the birth of Western civilization to these jewels of the Aegean, Ionian, and Mediterranean seas. The Greek Isles are home to wide-ranging and far-reaching cultural traditions and mythic tales, not to mention the colorful history and unforgettable vistas that still draw thousands of tourists to the region every year. Minoan ruins stand alongside Byzantine churches and Crusader fortresses. Terra-cotta pots spilling over with hibiscus flowers adorn blinding-white stucco houses that reflect the sun’s dazzling light. Fishing villages perched upon craggy cliffs overlook clusters of colorful boats in island harbors. Centuries-old citrus and olive groves dot the hillsides. Lush vegetation and rocky shores meet isolated stretches of sand and an azure sea. Masts bob left and right on sailboats moored in secluded inlets.
Each island is a world unto itself. Although outsiders and neighbors have inhabited, visited, and invaded these islands throughout the centuries, the islands’ rugged geography and small size have also ensured a certain isolation. In this environment, traditional ways of life thrive. The arts--pottery, glass blowing, gem carving, sculpture, and painting, among others--flourish here today, as contemporary craft artists keep alive techniques begun in antiquity. In the remote hilltop villages of Kárpathos, for example, artisans practice crafts that date back eons, and inhabitants speak a dialect close to ancient Greek.
Today, to walk along the pebbled pathways of a traditional Greek mountain village or the marbled streets of an ancient acropolis is to step back in time. To meander at a leisurely pace through these island chains by boat is to be captivated by the same dramatic landscapes and enchanted islets that make the myths of ancient Greece so compelling. To witness the Mediterranean sun setting on the turquoise sea is to receive one of life’s greatest blessings.
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Laura Brooks (Greek Isles (Timeless Places))
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Andrew sifted through the photos: lush, sprawling gardens of herbs and flowers, others dotted with crabapple trees, woodbine, and hawthorn- not that he could name anything. Sorrel leaned over her shoulder and brushed against Andrew's hand. He shivered and pushed it away. For a moment he thought that the gardens in the pictures had come to life as Sorrel's scent drifted over him. She smelled of summer and sea with a whisper of something he couldn't name, familiar and strange at once. He didn't know that Patience Sparrow had concocted special cologne for Sorrel's trip. It was made of privet blossom, new green grass, lime, and the smallest hint of patchouli and had been the last she packed.
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Ellen Herrick (The Forbidden Garden)