“
How little we have, I thought, between us and the waiting cold, the mystery, death--a strip of beach, a hill, a few walls of wood or stone, a little fire--and tomorrow's sun, rising and warming us, tomorrow's hope of peace and better weather . . . What if tomorrow vanished in the storm? What if time stood still? And yesterday--if once we lost our way, blundered in the storm--would we find yesterday again ahead of us, where we had thought tomorrow's sun would rise?
”
”
Robert Nathan (Portrait of Jennie)
“
I knew by the signs it would be a hard winter. The hollies bore a heavy crop of berries and birds stripped them bare. Crows quarreled in reaped fields and owls cried in the mountains, mournful as widows. Fur and moss grew thicker than usual. Cold rains came, driven sideways through the trees by north winds, and snows followed.
”
”
Sarah Micklem (Firethorn (Firethorn, #1))
“
Don’t go.”
He shut his eyes and gripped her hand in his. Zoya knew the Healer had noticed it, knew he would probably gossip about it later. But she could weather the gossip. Saints knew she’d endured worse. And maybe she needed to feel his hand in hers after the shock of what they’d witnessed. She couldn’t stop seeing those women burn.
“You shouldn’t be here for this,” said the Healer. “It’s an ugly process.”
“I’m not going anywhere.”
The Healer flinched and Zoya wondered if the dragon had emerged, shining silver in her eyes. Let him gossip about that too.
Nikolai clung to her hand as the Healer stripped the ruined flesh from his arm. Only then could it be replaced with healthy skin. It seemed to take hours, first one arm, then the other. Whenever Zoya left the king’s side—to fetch a cool cloth for his head, to turn up the lanterns so that the Healer had better light—Nikolai would open his eyes and mutter, “Where is my general?”
“I’m here,” she repeated, again and again.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
There are many different stories to tell. It's never the same. Every day weather blows in and out, alters the surface. Sometimes it is stripped down to a single essential truth, the thing that is always believed, no matter what. The seeds from which the garden has grown.
”
”
Helen Humphreys (The Lost Garden)
“
Time that had not come yet—an anomaly in itself—had the fiercest reality for her. It was a hard wind in her face; if she had made the world, every tree would be bent, every stone weathered, every bough stripped by that steady and contrary wind. Lucille saw in everything its potential for invidious change.
”
”
Marilynne Robinson (Housekeeping)
“
Olive Wellwood told no stories about Goldthorpe, or the Gullfoss mine. She had packed away the slag-heaps and winding-gear, the little house in Morton Row, with its dark uninhabited parlour, its animated kitchen and pocket-sized garden, the ever-present stink of the ash pits across the yards, and the grime that floated onto the strips of lace curtain. She had packed it away in what she saw in her mind as a roped parcel, in oiled silk, with red wax seals on the knots, which a woman like and unlike herself carried perpetually over a windswept moor, sometimes on her head, sometimes held before her on two arms, like the cushion on which the regalia lie at coronations. This vision was not a story. The woman never arrived, and the parcel was never opened. The weather was grey and the air was turbulent. When Olive Wellwood found her mind heading in that direction, she was able to move imaginary points on an imaginary rail and shunt her mind away from “there” and back to Todefright, with its penumbra of wild woods and flying elementals.
”
”
A.S. Byatt (The Children's Book)
“
For Gazans, war is like the weather, we live through it continually. We have no say in it; it just comes and goes, from the day we’re born. Most Gazans have never left the Strip; they don’t know what life feels like where war is not the norm; they don’t know what freedom is either. They know they want it, but they’ve never really tasted it.
”
”
Atef Abu Saif (Don't Look Left: A Diary of Genocide)
“
That was true, Iris would sometimes think, about marriage: it was only a boat, too. A wooden boat, difficult to build, even more difficult to maintain, whose beauty derived at least in part from its unlikelihood. Long ago the pragmatic justifications for both marriage and wooden-boat building had been lost or superseded. Why invest countless hours, years, and dollars in planing and carving, gluing and fastening, caulking and fairing, when a fiberglass boat can be had at a fraction of the cost? Why struggle to maintain love and commitment over decades when there were far easier ways to live, ones that required no effort or attention to prevent corrosion and rot? Why continue to pour your heart into these obsolete arts? Because their beauty, the way they connect you to your history and to the living world, justifies your efforts. A long marriage, like a classic wooden boat, could be a thing of grace, but only if great effort was devoted to its maintenance. At first your notions of your life with another were no more substantial than a pattern laid down in plywood. Then year by year you constructed the frame around the form, and began layering memories, griefs, and small triumphs like strips of veneer planking bent around the hull of everyday routine. You sanded down the rough edges, patched the misunderstandings, faired the petty betrayals. Sometimes you sprung a leak. You fell apart in rough weather or were smashed on devouring rocks. But then, as now, in the teeth of a storm, when it seemed like all was lost, the timber swelled, the leak sealed up, and you found that your craft was, after all, sea-kindly.
”
”
Ayelet Waldman (Red Hook Road)
“
How little we have, I thought, between us and the waiting cold, the mystery, death—a strip of beach, a hill, a few walls of wood or stone, a little fire—and tomorrow’s sun, rising and warming us, tomorrow’s hope of peace and better weather
”
”
Robert Nathan (Portrait of Jennie)
“
You’ve been a whirlwind who has stripped me bare and brought me to my knees more than once. I’m not naïve enough to believe that it will be smooth skies from here on out. The only thing I can do is swear I’ll weather any storm as long as you’re on the other side, waiting for me.” His
”
”
Aly Martinez (The Spiral Down (The Fall Up, #2))
“
I know about the little spaniel. I know what the weather was like in Massachusetts on Wednesday March 7th 1620 (cold but fair, with the wind in the east). I know the names of those who died that winter and of those who did not. I know what you ate and drank, how you furnished your houses, which of you were men of conscience and application and which were not. And I know, also, nothing. Because I cannot shed my skin and put on yours, cannot strip my mind of its knowledge and its prejudices, cannot look cleanly at the world with the eyes of a child, am as imprisoned by my time as you were by yours.
”
”
Penelope Lively (Moon Tiger)
“
Then there was the bad weather. It would come in one day when the fall was over. You would have to shut the windows in the night against the rain and the cold wind would strip the leaves from the trees in the Place Contrescarpe. The leaves lay sodden in the rain and the wind drove the rain against the big green autobus at the terminal and the Café des Amateurs was crowded and the windows misted over from the heat and the smoke inside. It was a sad, evilly run café where the drunkards of the quarter crowded together and I kept away from it because of the smell of dirty bodies and the sour smell of drunkenness.
”
”
Ernest Hemingway (A Moveable Feast: The Restored Edition)
“
You’re not giving me a hard life, Daddy,” she said. “We’re working hard together to make it. So stop feeling sorry for yourself as if our home is your responsibility alone. No one is asking you to, and, frankly, you’re not doing it on your own,” Mother retorted coldly, but she quit the weather strip job right away.
”
”
Cho Nam-Joo (Kim Jiyoung, Born 1982)
“
The city places itself at the center of these systems and strips them to feed its growth, disrupting cycles of time and land and weather and water and ecological exchange between the systems. The exchange is now going only one way. Matter and energy are still neither created nor destroyed in this reaction; they are directed into static heaps rather than cycled back through and between systems.
”
”
Tyson Yunkaporta (Sand Talk: How Indigenous Thinking Can Save the World)
“
It was 1977. Bob Marley was in a foreign studio, recovering from an assassin’s ambush and singing: “Many more will have to suffer. Many more will have to die. Don’t ask me why.” Bantu Stephen Biko was shackled, naked and comatose in the back of a South African police Land Rover. The Baader-Meinhof gang lay in suicide pools in a German prison. The Khmer Rouge filled their killing fields. The Weather Underground and the Young Lords Party crawled toward the final stages of violent implosion. In London, as in New York City, capitalism’s crisis left entire blocks and buildings abandoned, and the sudden appearance of pierced, mohawked, leather-jacketed punks on Kings Road set off paroxysms of hysteria. History behaved as if reset to year zero. In the Bronx, Herc’s time was passing. But the new culture that had arisen around him had captured the imagination of a new breed of youths in the Bronx. Herc had stripped down and let go of everything, save the most powerful basic elements—the rhythm, the motion, the voice, the name. In doing so, he summoned up a spirit that had been there at Congo Square and in Harlem and on Wareika Hill. The new culture seemed to whirl backward and forward—a loop of history, history as loop—calling and responding, leaping, spinning, renewing.
”
”
Jeff Chang (Can't Stop Won't Stop: A History of the Hip-Hop Generation (PICADOR USA))
“
I checked the position the car was facing. Grover had pulled off the road directly into the brunt of the storm, facing west. I felt the dampness on my right shoulder where the rain had forced its way through the cracked weather stripping around the car windows. “Yes.” “Hnnh,” Dan said. “Waziya. There is a message.” “What do you mean?” I said, slightly disconcerted. “Waziya is not good. He is cold and cruel.” “Waziya?” “The wind from the north.” Dan was pulling a small pouch from inside his shirt. It
”
”
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
“
Goggles but no bathing suit?" she asked.
Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?"
Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course."
The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below.
The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder.
"This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea?
"I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me."
Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon.
Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim."
They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove.
Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew.
He was glowing.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Word from the outside, whether it arrived in a mail sack or a news report, seldom overshadowed the facts of our lives. We talked in facts -- work and weather, the logistics of this fence, that field -- but stories were how we spoke. A good story rose to the surface of a conversation like heavy cream, a thing to be savored and served artfully. Stored in dry wit, wrapped in dark humor, tied together with strings of anecdote, these stories told the chronology of a family, the history of a piece of land, the hardships of a certain year or a span of years, a series of events that led without pause to the present. If the stories were recent, they filtered through the door to my room late at night, voices hushed around the kitchen table as they sorted out this day and held it against others, their laughter sharp and sad and slow to come. Time was the key. Remember the time...and something in the air caught like a whisper. Back when. Back before a summer too fresh and real to talk about, a year's work stripped in a twenty-minute hailstorm; a man's right hand mangled in the belts of a combine, first day of harvest; an only son buried alive in a grain bin, suffocated in a red avalanche of wheat.
”
”
Judy Blunt (Breaking Clean)
“
Before Will got sick, Tova used to pack a picnic for two: cheese, fruit, sometimes a bottle of red wine with two plastic tumblers. At Hamilton Park, if the tide was low, they’d scramble down and sit on the beach under the seawall. They’d bury their bare feet in the coarse sand and let the cold, foamy sound lick their ankles as it washed ashore. Tova pulls her hatchback into the empty lot. “Park” has always been a generous term for the narrow strip of soggy grass, its two weather-worn picnic tables, and the drinking fountain that never works. Now, Tova comes here to be alone with her thoughts, when she needs a break from being alone in her house.
”
”
Shelby Van Pelt (Remarkably Bright Creatures)
“
Gardening Work
There was a man breaking up the ground, getting ready to plant, when
another man came by, "Why are you ruining this land?" "Don't interfere. Nothing can grow here
until the earth is turned over and crumbled. There can be no roses and no orchard without
first this devastation. You must lance an ulcer to heal.
You must tear down parts of
an old building to restore it." So it is with the sensual life that has no spirit. A person must
face the dragon of his or her appetites with another dragon, the life energy of the soul. When
that's not strong, everyone seems to be full of fear and wanting, as one thinks
the room is spinning when one's whirling around. If your love has contracted into anger, the
atmosphere itself feels threatening, but when you're expansive and clear, no matter
what the weather, you're in an open windy field with friends. Many people travel as far as Syria
and Iraq and meet only hypocrites. Others go all the way to India and see only people buying and selling.
Others travel to Turkestan and China to discover those countries are full of cheats
and sneak thieves. You always see the qualities that live in you. A cow may walk
through the amazing city of Baghdad and notice only a watermelon rind and a tuft of hay
that fell off a wagon. Don't repeatedly keep doing what your lowest self wants. That's like
deciding to be a strip of meat nailed to dry on a board in the sun.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
This is the clandestine chess game that the high-level ruling class are playing my friends. Through their coordinated influence over key industries, governments, media outlets, education systems, and so on and so forth, they skillfully instigate mass panic and the collective perception of danger and chaos. This danger and chaos — whether it be personified through a charismatic dictator, terrorist organization, mystery virus, hostile weather change, or some other strategically inflated threat — is then weaponized to strip people of their introductory logic and rational thought; inculcate elaborate illusions that invert objective reality; weaponize the unconscious tribal mindset against the conscious thinking individual; suspend ordinary peacetime laws in favor of new authoritarian ones; and then present ‘solutions’ that serve to further consolidate Establishment power and reshape society as they see fit.
”
”
Gavin Nascimento (A History of Elitism, World Government & Population Control)
“
My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss.
Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things.
Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs.
Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster.
Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.
”
”
Tom Robbins (Wild Ducks Flying Backward)
“
It was one of those autumn mornings which are devoid of melancholy, when the weather seems to be cleaning its house. A broom of wind sent the clouds above flying briskly and kept the fallen leaves scudding along the pavements, the trees looked as if they were being stripped to let the rains get at them better.
”
”
Rebecca West (The Saga of the Century Trilogy: The Fountain Overflows, This Real Night, and Cousin Rosamund)
“
Our terraced strip of garden was Mother’s monument, and she worked it headstrong, without plan. She would never control or clear this ground, merely cherish whatever was there; and she was as impartial in her encouragement to all that grew as a spell of sweet sunny weather. She would force nothing, graft nothing, nor set things in rows; she welcomed self-seeders, let each have its head, and was the enemy of very few weeds. Consequently our garden was a sprouting jungle and never an inch was wasted.
”
”
Laurie Lee (Cider with Rosie (Vintage classics))
“
Plant transplants outside according to the spacing the fully grown plants will need. Pay attention to the depth of the hole, and ensure that you don’t bury the stem in the soil (except in special cases—see Growing Tip on the following page). Take the temperature of the soil to make sure it is warm enough. (The soil should be at least 60 to 65 degrees F for planting warm-weather vegetables such as tomatoes or peppers.) Before planting any transplants outside, prepare them by hardening them off. GROWING TIP Tomato plants should be planted deep. Strip off all but the top four sets of leaves. Plant the entire rest of the plant below the soil line. Tomato plants will grow roots from the stem, making them stronger and healthier. Hardening off before Planting out Vegetable transplants grown inside a greenhouse (or your house) need to be hardened off (acclimated to the change in temperature and light) before they’re planted outside. Even if you buy plants that were sitting outside at a garden center, it’s a good idea to harden them off before planting. For all you know, the plants were taken from the greenhouse, loaded on a truck, and brought to the garden center on the same day you saw them sitting outside. How to Harden Off Transplants 1. Place plants in a sheltered location such as a porch or patio for the day, and bring them in at night. Do this for three or four days. 2. Next, leave them outside all day in the protected location. Do this for about a week. Don’t forget to water while you’re doing this! 3. Finally, move the plants from the sheltered location (the porch or patio) to a more exposed location (the front sidewalk or driveway). Leave them there for three or four days. 4. Wait for a cloudy day (if possible) and plant your plants in the garden. Planting out on a cloudy day will lower the stress that the plants experience.
”
”
Katie Elzer-Peters (Carolinas Fruit & Vegetable Gardening: How to Plant, Grow, and Harvest the Best Edibles)
“
Oklahoma’s ultra Conservative government after years of aggressive tax cuts even during the boom years had been corrupted the state. Social services, mental health programs, public transportation and infrastructure were all in various stages of collapse. The public education budget was stripped so bear that teachers had started flooding out to neighbouring states in search of living wages, forcing Oklahoma to patch the gaps by issuing hundreds of emergency teaching licenses and even cutting some of the school back to 4 days a week. It was a radical experiment in ante government governance and it was failing miserably. In 2014, Oklahoma botched an execution so badly that it horrified the entire world. The state was becoming what it used to be: a nowhere place that occasionally erupted with very bad reviews, a kind of grim American joke.
”
”
Sam Anderson (Boom Town: The Fantastical Saga of Oklahoma City, Its Chaotic Founding, Its Apocalyptic Weather, Its Purloined Basketball Team, and the Dream of Becoming a World-class Metropolis)
“
In the tradition of pilgrimage, those hardships are seen not as accidental but as integral to the journey itself. Treacherous terrain, bad weather, taking a fall, getting lost—challenges of that sort, largely beyond our control, can strip the ego of the illusion that it is in charge and make space for true self to emerge. If that happens, the pilgrim has a better chance to find the sacred center he or she seeks. Disabused of our illusions by much travel and travail, we awaken one day to find that the sacred center is here and now—in every moment of the journey, everywhere in the world around us, and deep within our own hearts.
”
”
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
“
Having finished all his business, soaked through with the streams of water which kept running down the leather behind his neck and his gaiters, but in the keenest and most confident temper, Levin returned homewards in the evening. The weather had become worse than ever towards evening; the hail lashed the drenched mare so cruelly that she went along sideways, shaking her head and ears; but Levin was all right under his hood, and he looked cheerfully about him at the muddy streams running under the wheels, at the drops hanging on every bare twig, at the whiteness of the patch of unmelted hailstones on the planks of the bridge, at the thick layer of still juicy, fleshy leaves that lay heaped up about the stripped elm-tree. In spite of the gloominess of nature around him, he felt peculiarly eager.
”
”
Leo Tolstoy (Anna Karenina)
“
FROM OTHER SOURCES Pre–race and Venue Homework Get hold of any history of past events at the venue, plus any information that the conducting club may have about weather and expected conditions. Go to the weather bureau and get history for the area. Speak to sailors from your class who have this venue as their home club or who have sailed there on a number of occasions. Boat, Sails, Gear Preparation Checklist Many times the outcome of a race is as dependent on what you have done prior to the race as to what you do out on the course. Sometimes no matter how good your tactics and strategy are a simple breakage could render all that useless. Hull – make sure that your hull is well sanded and polished, centreboard strips are in good condition, venturis if fitted are working efficiently, buoyancy tanks are dry and there are no extraneous pieces of kit in your boat which adds unwanted weight. Update any gear that looks tired or worn especially control lines. Mast, boom and poles – check that all halyards, stays and trapeze wires are not worn or damaged and that pins are secure, knots tight and that anything that can tear a sail or injure flesh is taped. Mark the full hoist position on all halyards. Deck hardware – check all cam cleats for spring tension and tape anything that may cause a sail tear or cut legs hands and arms. Check the length of all sheets and control lines and shorten anything that is too long. This not only reduces weight but also minimises clutter. Have marks on sheets and stick or draw numbers and reference scales for the jib tracks, outhaul and halyards so that you can easily duplicate settings that you know are fast in various conditions. Centreboard and rudder – ensure that all nicks and gouges are filled and sanded and the surfaces are polished and most importantly that rudder safety clips are working. Sails – select the correct battens for the day’s forecast. Write on the deck, with a china graph pencil, things like the starting sequence, courses, tide times and anything else that will remind you to sail fast. Tools and spares – carry a shackle key with screwdriver head on your person along with some spare shackles and short lengths of rope or different diameters. A tool like a Leatherman can be very useful to deal with unexpected breakages that can occur even in the best prepared boat.
”
”
Brett Bowden (Sailing To Win: Guaranteed Winning Strategies To Navigate From The Back To The Front Of The Fleet)
“
Honey, you came in from a heck of a storm. You can’t expect to immediately be warm and dry. All you can do is strip the wet clothing, wrap yourself in a blanket, and allow yourself the time it takes to weather it. And it’s completely understandable to miss him, or miss what once was, even after everything.
”
”
Bailey Hannah (Alive and Wells (Wells Ranch, #1))
“
O’Neill honed his trading strategies over the year. And he began to make one bet more than any other. He didn’t bet that gas prices were going to rise, and he didn’t bet that they were starting to fall. He just started betting that they would be volatile. He did this by snapping up options and then snapping up their underliers in the futures markets, buying them and selling them in a way that stripped out the price component of the bet. He didn’t want to bet on price. He wanted to bet that the price was going to change and change more than people expected it to. One reason he kept betting this way was because it kept making money. After the natural gas markets were deregulated, volatility started to become the norm. The sleepy days of price controls were over, and now the price could shoot up or down in minutes. That’s why, when he came into work in the early winter months of 2000, O’Neill started to get excited. He was starting to see a very large play unfolding, one that would dwarf anything he’d attempted at Koch before. All of the data that he’d amassed was pointing in one direction as the weather got colder in January and February. All of the signs were pointing toward unprecedented volatility.
”
”
Christopher Leonard (Kochland: The Secret History of Koch Industries and Corporate Power in America)
“
In a remote area on the western side of the island, near the town of Marrawah, a pod of sperm whales was stranded on the beach. One big male came to shore first. Over the next twenty-four hours, another thirty-four whales stranded themselves, including calves and pregnant mothers.
Whale stranding is one of the heartbreaking mysteries of the animal world. It is little understood. At this moment no scientific reasoning mattered as we encountered the tragedy unfolding on that Tasmanian beach.
I felt so helpless. All I could do was be there as the huge, gorgeous sea mammals fought pitifully to stay alive. The weather was cold, even though it was officially the Tasmanian summer, and the seas were too rough to get a boat out to help the whales. We put our arms around the dying animals, spoke to them, and looked into their eyes to share in their pain and grief. By the end of the day I was so cold that I had trouble getting my pants off over my pregnant belly. It took me half an hour of struggling in the car park to strip off my soaking-wet clothes and get into some warm, dry gear. Physically, emotionally, and even spiritually, it had been an exhausting day.
I pondered what communication the baby inside me would have gotten from the event. The dying whales had sung among themselves. Steve and I spoke back and forth over their stranded bodies. What did baby Igor pick up on? Through our experiences, we were beginning to form our very own tiny wildlife warrior, even before the baby was born. Igor had only just begun his education.
”
”
Terri Irwin (Steve & Me)
“
At the back of the yard, tufted with grass like sparse hair on a balding head, is a weathered gray shed with a slit cut out of the door. Fanny nods toward it. “I’ll wait.” “You don’t have to.” “The longer you’re in there, the longer my fingers get a break.” The shed is drafty, and I can see a sliver of daylight through the slit. A black toilet seat, worn through to wood in some places, is set in the middle of a rough-hewn bench. Strips of newspaper hang on a roll on the wall. I remember the privy behind our cottage in Kinvara, so the smell doesn’t shock me, though the seat is cold. What will it be like out here in a snowstorm? Like this, I suppose, only worse. When I’m finished, I open the door, pulling down my dress. “You’re pitiful thin,” Fanny says. “I’ll bet you’re hungry.” Hongry. She’s right. My stomach feels like a cavern. “A little,” I admit. Fanny’s face is creased and puckered, but her eyes are bright. I can’t tell if she’s seventy or a hundred. She’s wearing a pretty purple flowered dress with a gathered bodice, and I wonder if she made it herself. “Mrs. Byrne don’t give us much for lunch, but it’s prolly more’n you had.” She reaches into the side pocket of her dress and pulls out a small shiny apple. “I always save something for later, case I need it. She locks up the refrigerator between meals.” “No,” I say. “Oh yes she does. Says she don’t want us rooting around in there without her permission. But I usually manage to save something.” She hands me the apple. “I can’t—
”
”
Christina Baker Kline (Orphan Train)
“
John Bunyan describes this Madam Bubble for us. She has a winning way. She drops a smile at the end of her sentences. She talks a lot about honorable things and tries to win our respect. Oh believe me, Christians are not in as much danger when they are persecuted as when they are admired. We should tremble and fear when we stand on the summit of popularity. It is not when we are hissed and jeered that we should be alarmed. It is when the world loves us, speaks well of us, and wants to help us, that trouble is headed our way. It is not in the cold wintry wind that I take off my coat of righteousness and throw it away. It is when the sun is out, the weather pleasant, and the temperature warm, that I unguardedly strip off my robes and become naked. Only God knows how many have been made naked by the love of this world!
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Charles Haddon Spurgeon (Peace and Purpose in Trial and Suffering)
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Wherever possible, when there’s likelihood of water being present, hot or cold weather, fancy party or picnic—I will wear a swimsuit under my clothes. It starts out as a practicality when you grow up part of the time in a hot country. It ends up being comforting. If there’s the ocean or a river or a pool, I will always be able to find a way to excuse myself and jump in. People don’t think you’re trying to get away from them when you go for a swim. They think you’re healthy, strong, secure in how your body looks stripped down. If the weather is cold or raining, they think you’re brave. They do not know that water is my escape hatch, the perfect distraction from my anxiety in the shape of a cool gesture.
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Minnie Driver (Managing Expectations: A Memoir in Essays)
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Spark Laster Center
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Botticelli’s St. Sebastian"
I have seen a robin cock his head so,
Listening for the change in weather,
Feeling in the field’s pale grass turning paler
The moment of his own departure.
I have seen the bird throw his whole body
In the air, and go, the small bird go.
And the bared ground at once lose heart,
As if taken by a sudden grippe.
And I have seen blood wood, fire-grained
As the stripped flesh, seen the long
Boards of strong wood—when seen bound
And bitten by the drill—spew up phases
As curled and as extravagant as Sebastian’s gaze,
The way the lover does at consummation,
Lost to himself and the world, but still
Safley shaded by the tree he rose from.
I have seen, I have seen the lake’s heart
When the rain comes through, when the water’s
Dark flesh is driven, I have seen the heart
Move like a doe through the woods, move
Like a stunned doe, deeper and deeper,
Through trees that turn and close behind her,
The way water closes over a dropped stone,
Or a torn limb, or a lasting wound …
Oh, the forgotten traveler!
Brigit Pegeen Kelly, Song. (BOA Editions; 1st edition 1995)
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Brigit Pegeen Kelly (Song)
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Bee’s Wings
This washed-out morning, April rain descants,
Weeps over gravity, the broken bones
Of gravel and graveyards, and Cora puts
Away gold dandelions to sugar
And skew into gold wine, then discloses
That Pablo gutted his engine last night
Speeding to Beulah Beach under a moon
As pocked and yellowed as aged newsprint.
Now, Othello, famed guitarist, heated
By rain-clear rum, voices transparent notes
Of sad, anonymous heroes who hooked
Mackerel and slept in love-pried-open thighs
And gave out booze in vain crusades to end
Twenty centuries of Christianity.
His voice is simple, sung air: without notes,
There's nothing. His unknown, imminent death
(The feel of iambs ending as trochees
In a slow, decasyllabic death-waltz;
His vertebrae trellised on his stripped spine
Like a 'xylophone or keyboard of nerves)
Will also be nothing: the sun pours gold
Upon Shelley, his sis', light as bees' wings,
Who roams a garden sprung from rotten wood
And words, picking green nouns and fresh, bright verbs,
For there's nothing I will not force language
To do to make us one — whether water
Hurts like whisky or the sun burns like oil
Or love declines to weathered names on stone.
George Elliott Clarke, Whylah Falls (1990)
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George Elliott Clarke (Whylah Falls)
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Before long those booklets morphed into The Weather Vein, a free “monthly magazine” featuring a beaming cartoon character named The Mechanical Weather Man, “Mech” for short, whose control-valve body was emblazoned with the phrase “EVERY DAY A GOOD DAY.” In cartoon-strip format and in rhyme, Mech visited businesses
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Salvatore Basile (Cool: How Air Conditioning Changed Everything)
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They crested the top, and when they looked down, the man’s breath caught in his throat. What he saw was so alien it could only be understood in installments. The strip mine was a crater that had been sunk a quarter mile into the ground. It was like a pit in the middle of the Amazon. Things were crawling all over it the way bees swarm a hive. And it took the man a moment to realize that these were people.
Hundreds of them.
The weather was warm, and the men laboring below had their shirts off. Each was covered head to toe in mud. The only part of them that seemed human were their teeth and the whites of their eyes. Gigantic ladders had been bolted to the walls of the crater, each the size of a football field. At any one time, at least a hundred men were scaling the ladders with sacks of dirt lashed to their backsides. The sacks were so heavy that when the men reached the top, some could no longer bear the weight and collapsed gradually with each step to the ground.
Something deep inside the man wanted to make it stop. And it all came to him in an instant. What he saw was the entire history of the human race. He saw the slave labor camps of the Nazis and the communists. He saw the seas of peasants chained and lashed by great empires—the Romans, the Greeks and all the others that people still spoke of with admiration. He saw the palace eunuchs in the Middle East, free people reengi- neered into model servants by their own biology. He saw the human chattel shipped to the new world, worked for a lifetime, then forced to breed their replacements. And he remembered there was no high-watermark of culture, no height of civilization, that didn’t stand on the back of a mass labor force.
And he thought, My god, this is it. This is all of us.
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Scott Reardon (The Death of a 10-Year-Old Boy)
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Christians are not so much in danger when they are persecuted as when they are admired. When we stand upon the pinnacle of popularity, we may well tremble and fear. It is not when we are hissed at, and hooted, that we have any cause to be alarmed; it is when we are dandled on the lap of fortune, and nursed upon the knees of the people; it is when all men speak well of us, that woe is unto us. It is not in the cold wintry wind that I take off my coat of righteousness, and throw it away; it is when the sun comes, when the weather is warm, and the air balmy, that I unguardedly strip off my robes, and become naked.
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Charles Haddon Spurgeon
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A Republican seizure of power based not on the strength of the party's ideas but on massive disfranchisement denies citizens not only their rights, but also the "talisman" of humanity that voting represents. The lie of voter fraud breaks a World War II veteran down into a simple, horrifying statement: "I wasn't a citizen no more." It forces a man, a retired engineer who was instrumental in building this nation, into facing a bitter truth: "I am not wanted in this state." It eviscerates the key sense of self-worthy in a disabled man who has to pen the painful words "My constitutional rights have been stripped from me." It maligns thousands of African Americans who resiliently weathered the Missouri cold and hours of bureaucratic runarounds as nothing but criminals and frauds. It leaves a woman suffering from lung cancer absolutely "distraught" and convinced that "they prevented us from voting," because none of her IDs could penetrate Wisconsin's law. It shatters the dying wish of a woman who, in her last moments on earth, wanted to cast a vote for possibly the first woman president of the United States. But an expired driver's license meant none of that was to be.
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Carol Anderson (One Person, No Vote: How Voter Suppression Is Destroying Our Democracy)
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MY FIRST VISIT to the Oval took place just days after the election, when, following a long tradition, the Bushes invited Michelle and me for a tour of our soon-to-be home. Riding in a Secret Service vehicle, the two of us traveled the winding arc of the South Lawn entrance to the White House, trying to process the fact that in less than three months we’d be moving in. The day was sunny and warm, the trees still flush with leaves, and the Rose Garden overflowing with flowers. Washington’s prolonged fall provided a welcome respite, for in Chicago the weather had quickly turned cold and dark, an arctic wind stripping the trees bare of leaves, as if the unusually mild weather we had enjoyed on election night had been merely part of an elaborate set, to be dismantled as soon as the celebration was done.
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Barack Obama (A Promised Land)
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Neal, Mike and Klev somehow did find High Camp that night, but were on their hands and knees by the time they did. None of them had anything left. They weren’t going to return for us; they couldn’t. The Sherpas in camp wouldn’t. There was no one else to try, except for the Russian, Anatoli Boukreev. That day, Anatoli had forsaken his duty as a guide. While everyone was struggling up and down the ridge to the summit, or stacked up like cordwood at the Hillary Step, Anatoli climbed for himself, by himself, without oxygen. He just went straight up, tagged the summit, and came straight back down. Because he lacked oxygen, he couldn’t persist in the cold, and was forced to retreat to the shelter of his tent. So Boukreev had been in his tent recovering for hours, and if that was where his story had ended that night, the climbing community would have stripped the flesh right off his bones. They are not a forgiving bunch. But Anatoli did what no one else could, or would do. He went out into that storm three times, searching both for Scott Fischer, who froze to death on the mountain, about twelve hundred feet above the South Col, and for us. Boukreev twice was driven back to camp by the wind and cold. The third time he located our little huddle by the face and brought in each of the three Fischer climbers—Tim, Charlotte and Sandy. He left behind Yasuko and me, the Hall climbers.
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Beck Weathers (Left for Dead: My Journey Home from Everest)
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We stood there maybe five minutes. We didn’t say anything, because there was nothing to say. And then I heard one of the most beautiful sounds I have ever heard in my entire life, that whap! whap! whap!—the distinctive chop of a helicopter. Long before we could see this thing we could hear it claw its way up that two-thousand-foot wall, once again this same lone man rising into view. He moved up the valley with greater authority. With the same consummate skill he lay those skids down again. Not waiting, I hot-footed across there and dove into the back of this machine. They slammed the door and one more time the helicopter tail went up and we moved toward the precipice, crevasses gliding by beneath the skids. We crested the edge and then went screaming down that face with the blades whipping around above us, trying to grab hold of cold, heavy, dense air that would provide lift. The machine felt alive beneath us as it pulled us out of the dive, and we knew we were safe. We retrieved Makalu at Base Camp and put him back in. We got the copilot and put him back in. We got all the gear that Madan had stripped off this machine, and we put it back in. That’s when I discovered that when Madan returned to get me, he was flying the Squirrel on just seven minutes of fuel. Madan is to me the most extraordinary person in this story, because he didn’t know me at all. He didn’t know my family, and he has his own family, for whom he is the sole provider. We were separated by language, by culture, by religion, by the entire breadth of this world, but bound together by a bond of common humanity. This man will never have to wonder again whether he has a brave heart.
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Beck Weathers (Left for Dead: My Journey Home from Everest)
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the weather had quickly turned cold and dark, an arctic wind stripping the trees bare of leaves, as if the unusually mild weather we had enjoyed on election night had been merely part of an elaborate set
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Barack Obama (A Promised Land)