Striking Distance Quotes

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And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky - so the space where I exist, and I want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.
Donna Tartt (The Goldfinch)
I’m not convinced we can take them out from a distance, Nathan. That’s always been the American solution, by the way. Bigger guns. Nukes. Drone strikes.
Barry Kirwan (When the children come (Children of the Eye, #1))
The god of wine looked around at the assembled crowd. “Miss me?” The satyrs fell over themselves nodding and bowing. “Oh, yes, very much, sire!” “Well, I did not miss this place!” Dionysus snapped. “I bear bad news, my friends. Evil news. The minor gods are changing sides. Morpheus has gone over to the enemy. Hecate, Janus, and Nemesis, as well. Zeus knows how many more.” Thunder rumbled in the distance. “Strike that,” Dionysus said. “Even Zeus doesn’t know.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box abd cover it with wet weeds to die? Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.
Stephen King (The Gunslinger (The Dark Tower, #1))
I still thought that to get something you had to go straight for your goal whereas it is only distractions, uncertainty, distance that bring us closer to our targets, and then it is the targets which strike us.
Fleur Jaeggy (Sweet Days of Discipline)
And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of colour across the sky - so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.
Karl Ove Knausgård (Min kamp 1 (Min kamp, #1))
Don't get me wrong. I'm happy to be your morning lollipop, but I need to eat, too.
Pamela Clare (Striking Distance (I-Team, #6))
Tell me again why you have barbecues in the middle of winter, bro?" Nate looked at him like he was an idiot. "We like steak.
Pamela Clare (Striking Distance (I-Team, #6))
Javier opened her makeup kit, held it edge to edge with the dressing table, and swept everything--every vial, brush, tube, and bottle--into the kit with his forearm. Laura gaped at him. "That stuff is worth hundreds of dollars." He shrugged, then shut the kit. "That's how SEALs pack makeup.
Pamela Clare (Striking Distance (I-Team, #6))
I couldn't have gotten through any of this without you. Through all of it, you've been my support, my anchor. I don't know how one man's shoulders can possibly be so strong." ... He tilted her face up to his. "With the love I feel for you, bella, I could lift up the world.
Pamela Clare (Striking Distance (I-Team, #6))
I wanted to ask you one day but the time never seemed right, but we started talking and...Hell, I don't even have a ring. ... I'm naked here, bella, just laying myself out for you, telling you how I feel.
Pamela Clare (Striking Distance (I-Team, #6))
Yeah, he'd been trained to be good with details, but once his dick started working, his brain generally shifted to standby.
Pamela Clare (Striking Distance (I-Team, #6))
You might as well humor me and let the Band-Aid boys check you out.
Pamela Clare (Striking Distance (I-Team, #6))
SWAT is already on its way. I'll be at your position in about ten minutes. SWAT should arrive in about fifteen to twenty." [Javier:] "I'll have her by then.
Pamela Clare (Striking Distance (I-Team, #6))
The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows. You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die? Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity. If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through the shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
Stephen King (The Gunslinger (The Dark Tower, #1))
Cold rage had him leaning closer, the pistol now a mere inch from his throat. "I served with them for a decade in Special Forces. You can't _begin_ to know what that means. Now they're dead and I want answers." "Try Ask.com
Pamela Clare (Striking Distance (I-Team, #6))
How do you like that, Corbray? You're upstaging yourself.
Pamela Clare (Striking Distance (I-Team, #6))
But now I gotta pay,' he said. To pay?' For my sin. That's why I'm here, right? Justice?' The Blue Man smiled. 'No, Edward. You are here so I can teach you something. All the people you meet here have one thing to teach you...That there are no random acts. That we are all connected. That you can no more seperate a breeze from the wind.' ...'It was my stupidity, running out there like that. Why should you have to die on account of me? It ain't fair.' The Blue Man held out his hand. 'Fairness,' he said, 'does not govern life and death. If it did, no good person would ever die young...Why people gather when others die? Why people feel they should? It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.' ... 'I still don't understand,' Eddie whispered. 'What good came from your death?' You lived,' the Blue Man answered. But we barely knew each other. I might as well have been a stranger.' The Blue Man put his arms on Eddie's shoulders. Eddie felt that warm, melting sensation. Strangers,' the Blue Man said, 'are just family have yet to come to know.
Mitch Albom (The Five People You Meet in Heaven)
Hunter looked over at Darcangelo. "How'd you get here so fast?" "I was setting up that solicitation sting down on Colfax when the call came in. What took you so long? Getting your nails buffed?" "Hey, F*ck you. It's my day off." "Your day off? What is that sh*t?
Pamela Clare (Striking Distance (I-Team, #6))
The whole world seemed to be wounded, broken, hurting.
Pamela Clare (Striking Distance (I-Team, #6))
Such are the limitations of the human mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps. Prophets, indeed, were abundant before the war; but who cares for prophets while their predictions remain unfulfilled, and the calamities of which they tell are masked behind a blinding blaze of national prosperity?
Frederick Douglass (Collected Articles of Frederick Douglass)
What's different about you? Why does it make you a pussy if you get help, but not the rest of the team? Oh, I get it. You're the Cobra. You get within striking distance of the enemy, and it's over. But if it all goes sideways and the wrong men die, you don't need help like the rest of us mere mortals.
Pamela Clare (Striking Distance (I-Team, #6))
I limped forward, sidestepping Rafe’s efforts to stop me. I kept a safe distance but looked sternly at Griz. “Put your hands behind your back. Now.” He eyed me uncertainly, but then slowly did as I instructed. “Good,” I said. “Now, after they tie you up, you must give me your word you won’t try to escape, and if Kaden should try, you must promise that you’ll strike him down.” “How would I do that with my hands tied?” he asked. “I don’t care how you do it. Fall on him. That should stop him. Do I have your word?” He nodded.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky - so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.
Donna Tartt (The Goldfinch)
I want to undress you." "I haven't touched a man since...since you.
Pamela Clare (Striking Distance (I-Team, #6))
I'm marrying you, not your uterus.
Pamela Clare (Striking Distance (I-Team, #6))
...his father had taught him when he was still a boy that men should always show respect for women because women carried inside them the place where life began.
Pamela Clare (Striking Distance (I-Team, #6))
He wanted to taste nothing unless it was the sweetness of her mouth, the musk of her arousal, the salt of her tears, wanted to touch nothing unless it was the silk of her hair, her soft curves, wanted to breathe nothing unless it had come from her lungs.
Pamela Clare (Striking Distance (I-Team, #6))
My funeral," the Blue Man said. "Look at the mourners. Some did not even know me well, yet they came. Why? Did you ever wonder? Why people gather when others die? Why people feel they should? "It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. "You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole. "It is why we are drawn to babies . . ." He turned to the mourners. "And to funerals.
Mitch Albom (The Five People You Meet in Heaven)
Such are the limitations of the common mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps.
Frederick Douglass (Collected Articles of Frederick Douglass)
Despite widespread misconceptions in the United States today that the institution of slavery was based on race, for most of the thousands of years in which slavery existed around the world, it was based on whoever was vulnerable to enslavement and within striking distance. Thus Europeans enslaved other Europeans, just as Asians enslaved other Asians and Africans enslaved other Africans, while Polynesians enslaved other Polynesians and the indigenous peoples of the Western Hemisphere enslaved other indigenous peoples of the Western Hemisphere. The very word “slave" derived from the word for Slavs, who were enslaved by fellow Europeans for centuries before Africans began to be brought in chains to the Western Hemisphere. Africans were not singled out by a race for ownership by Europeans, they were resorted to after the rise of nation-states with armies and navies in other parts of the world which reduced the number of places that could be raided for slaves without great costs and risks. Slave-raiding continued in Africa, primarily by Africans enslaving other Africans and then, in West Africa, selling some of their slaves to whites to take to the Western Hemisphere. Meanwhile, the growing range of ships and the growing wealth of nations eventually made economically feasible the transportation of vast numbers of slaves from one continent to another, creating racial differences between the enslaved and their owners as a dominant pattern in the Western Hemisphere. Such a pattern was by no means limited to Europeans owning non-Europeans, however. There were many examples of the reverse, quite aside from vast regions of the earth where neither the slaves nor their owners were either black or white.
Thomas Sowell
He ached to touch her, to kiss her, but she hadn't asked him to do either - yet. He'd rather eat his own balls than ruin this for her.
Pamela Clare (Striking Distance (I-Team, #6))
And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of colour across the sky - so the space where I exist, and want to keep existing, and to be quiet frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.
Donna Tartt (The Goldfinch)
And do you think, you fool," added Socrates, "that kisses of love are not venomous, because you perceive not the poison? Know that a beautiful person is a more dangerous animal than scorpions, because these cannot wound unless they touch us; but beauty strikes at a distance: from what place soever we can but behold her, she darts her venom upon us, and overthrows our judgment.
Xenophon (The Memorable Thoughts of Socrates)
For so long, my body has been a battleground. I want to get closer to you, but I don't know how.
Pamela Clare (Striking Distance (I-Team, #6))
I believe you should start as you mean to go on, so I was born gorgeous, Aiden wrote.
Sarah Rees Brennan (Striking Distance (Fence, #1))
he should have the craft to appear absent when close at hand, and within striking distance when a long way off;
Xenophon (The Cavalry General)
And yes—scholars might care about the innovative brushwork and use of light, the historical influence and the unique significance in Dutch art. But not me. As my mother said all those years ago, my mother who loved the painting only from seeing it in a book she borrowed from the Comanche County Library as a child: the significance doesn’t matter. The historical significance deadens it. Across those unbridgeable distances—between bird and painter, painting and viewer—I hear only too well what’s being said to me, a psst from an alleyway as Hobie put it, across four hundred years of time, and it’s really very personal and specific. It’s there in the light-rinsed atmosphere, the brush strokes he permits us to see, up close, for exactly what they are—hand worked flashes of pigment, the very passage of the bristles visible—and then, at a distance, the miracle, or the joke as Horst called it, although really it’s both, the slide of transubstantiation where paint is paint and yet also feather and bone. It’s the place where reality strikes the ideal, where a joke becomes serious and anything serious is a joke. The magic point where every idea and its opposite are equally true.
Donna Tartt (The Goldfinch)
She thought he was about to kiss her again. Instead, he slowly sank to his knees, grasped her waist, and pressed his lips to her belly. Her stretch marks. He was kissing her stretch marks.
Pamela Clare (Striking Distance (I-Team, #6))
Dubai was so special to me, Javi. You're special to me." "Being close to you like this after all these years...The way you make me feel...I want to get closer to you, and that scares me.
Pamela Clare (Striking Distance (I-Team, #6))
It’s funny, how for an entire lifetime we keep thinking ‘How’ will our life-partner look like, how will he be? How will he react to a particular situation? How will he get angry, and how will we love and pamper him? We have so many questions like if he will accept me the way I am? Or if I have to change for him? We all have made plans for our future, subconsciously. We don’t exactly plan out everything with a pen and paper, it’s something that happens automatically, just like an involuntary action. Whenever we are alone and our mood is good, we usually think about our life with our partner. The days and nights in his arms, and the time that we will reserve for him. But when all that turns into reality, it’s strikingly different. Everything that you thought, seems to be a joke, and life laughs at you from a distance! You are helpless and can’t do anything about it, but have to accept it the way it is. You are totally caught into a web of dilemmas and problems before you realize that this is the time you waited for, and that this is the time you dreamt about! You have to make efforts, compromises, sacrifices and you have to change yourselves too sometimes to make things work. You can never expect to get a partner exactly the way you thought or dreamt about. It’s always different in reality and it’s always tough to make both ends meet for a relationship to work, but you have to! It’s your relationship, if you won’t work for it, who else will?
Mehek Bassi
And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle & trows a prism of color across the sky - so the space where I exist, & want to keep existing, & to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness & created something sublime. And that's why I've chosen to write these pages as I've written them. For only stepping into the middle zone, the polychrome edge between truth & untruth, is it tolerable to be here & writing at all.
null
Everyone liked Robin. He liked Robin. How could he fail to like her, after everything they had been through together? However, from the very first he had told himself: this far and no further. A distance must be maintained. Barriers must remain in place.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
Other people cared a lot about what Jesse thought of them, but Seiji couldn’t picture Nicholas caring. Everyone liked Jesse better than Seiji, but Nicholas wouldn’t. Not even if, for some reason, Nicholas got to know Jesse and Jesse actually tried to be charming. Even then, Seiji was sure, though he didn’t have much basis for the certainty, that Nicholas would still like him better.
Sarah Rees Brennan (Striking Distance (Fence, #1))
They walked to her bedroom together. Laura crawled into bed, making room for Javier, who shucked his jeans on her floor before stretching out beside her. Strong arms closed around her, drawing he close. "I'm sorry bella. I shouldn't have gotten angry with you." ... "It was my fault. I pushed you. I'm sorry." He kissed her hair. "Sleep." She curled up against his bare chest and within minutes fell fast asleep.
Pamela Clare (Striking Distance (I-Team, #6))
Now standing in one corner of a boxing ring with a .22 caliber Colt automatic pistol, shooting a bullet weighing only 40 grains and with a striking energy of 51 foot pounds at 25 feet from the muzzle, I will guarantee to kill either Gene Tunney or Joe Louis before they get to me from the opposite corner. This is the smallest caliber pistol cartridge made; but it is also one of the most accurate and easy to hit with, since the pistol has no recoil. I have killed many horses with it, cripples and bear baits, with a single shot, and what will kill a horse will kill a man. I have hit six dueling silhouettes in the head with it at regulation distance in five seconds. It was this type of pistol that Millen boys’ colleague, Abe Faber, did all his killings with. Yet this same pistol bullet fired at point blank range will not dent a grizzly’s skull, and to shoot a grizzly with a .22 caliber pistol would simply be one way of committing suicide
Ernest Hemingway (Hemingway on Hunting)
We’re going to destroy Cel-Romano. I wanted you to know that before you die,” Stavros said. “You upstart infestation. You thought you could wipe out the terra indigene? It’s your species that is going to wither—and you will be one of the things the survivors, if there are any, can thank for that.” He released Scratch and floated a safe distance away as dozens of the Sharkgard rushed in to strike the enemy, consuming the human piece by piece. A foot. A hand. A forearm. A thigh.
Anne Bishop (Marked in Flesh (The Others, #4))
We strike a medium, and he shivers in his bag, while I swelter in mine, but considering from what distances we have come together, we do well enough.
Ursula K. Le Guin
The rattler began to coil. Soon it would realize that it could not strike at such a distance, and would attempt to retreat.
Dean Koontz (Watchers)
The most striking impression was that of an overwhelming bright light. I had seen under similar conditions the explosion of a large amount—100 tons—of normal explosives in the April test, and I was flabbergasted by the new spectacle. We saw the whole sky flash with unbelievable brightness in spite of the very dark glasses we wore. Our eyes were accommodated to darkness, and thus even if the sudden light had been only normal daylight it would have appeared to us much brighter than usual, but we know from measurements that the flash of the bomb was many times brighter than the sun. In a fraction of a second, at our distance, one received enough light to produce a sunburn. I was near Fermi at the time of the explosion, but I do not remember what we said, if anything. I believe that for a moment I thought the explosion might set fire to the atmosphere and thus finish the earth, even though I knew that this was not possible.
Emilio Segrè (Enrico Fermi, Physicist)
You can begin a story in the middle and create confusion by striking out boldly, backward and forward. You can be modern, put aside all mention of time and distance and, when the whole thing is done, proclaim, or let someone else proclaim, that you have finally, at the last moment, solved the space-time problem. Or you can declare at the very start that it is impossible to write a novel nowadays, but then, behind your own back so to speak, give birth to a whopper, a novel to end all novels. I have also been told that it makes a good impression, an impression of modesty so to speak, if you begin by saying that a novel can't have a hero anymore because there are no more individualists, because individuality is a thing of the past, because man- each men and all men together- is alone in his loneliness and no one is entitled to individual loneliness, and all men lumped together make up a "lonely mass" without names and without heroes. (...) I shall begin far away from me, for no one ought to tell the story of his life who hasn't the patience to say a word or two at least half of his grandparents before plunging into his own existence. And so to you personally, dear reader, who are no doubt leading a muddled life outside this institution, to you my friends and weekly visitors, I introduce Oskar's maternal grandmother
Günter Grass
R’bin,” he said, giving up and gazing down at her. “R’bin, d’you know wadda kairos mo…” He hiccoughed. “Mo…moment is?” “A kairos moment?” she repeated, hoping against hope it was not something sexual, something that she would not be able to forget afterwards, especially as the kebab shop owner was listening in and smirking behind them. “No, I don’t. Shall we go back to the office?” “You don’t know whadditis?” he asked, peering at her. “No.” “ ’SGreek,” he told her. “Kairos. Kairos moment. An’ it means,” and from somewhere in his soused brain he dredged up words of surprising clarity, “the telling moment. The special moment. The supreme moment.” Oh please, thought Robin, please don’t tell me we’re having one. “An’ d’you know what ours was, R’bin, mine an’ Charlotte’s?” he said, staring into the middle distance, his unlit cigarette hanging from his hand. “It was when she walk’d into the ward—I was in hosp’tal f’long time an’ I hadn’ seen her f’two years—no warning—an’ I saw her in the door an’ ev’ryone turned an’ saw her too, an’ she walked down the ward an’ she never said a word an,” he paused to draw breath, and hiccoughed again, “an’ she kissed me aft’ two years, an’ we were back together. Nobody talkin’. Fuckin’ beautiful. Mos’ beaut’ful woman I’ve ’ver seen. Bes’ moment of the whole fuckin’—’fmy whole fuckin’ life, prob’bly. I’m sorry, R’bin,” he added, “f’r sayin’ ‘fuckin’.’ Sorry ’bout that.” Robin felt equally inclined to laughter and tears, though she did not know why she should feel so sad.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky—so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.
Donna Tartt (The Goldfinch)
And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky—so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime. And that’s why I’ve chosen to write these pages as I’ve written them. For only by stepping into the middle zone, the polychrome edge between truth and untruth, is it tolerable to be here and writing this at all.
Donna Tartt (The Goldfinch)
On this cliff, I can almost touch the night sky; it hovers so close and puts a distance between me and the things threatening my conscience. I lay on a blanket in the damp grass and enfold myself in the drama of other worlds. The Big and Little Dipper tilt toward me, as if ready to spill their contents, and Scorpius curls its tail, ready to strike. The problems of my little life shrink under the majesty of such an expanse.
Jenny Knipfer (Blue Moon (By the Light of the Moon #2))
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
The human Heart to be allegorized as a cavern; at the entrance there is sunshine, and flowers growing about it. You step within, but a short distance, and begin to find yourself surrounded with a terrible gloom, and monsters of divers kinds; it seems like Hell itself. You are bewildered and wander long without hope. At last a light strikes upon you. You press towards it yon, and find yourself in a region that seems, in some sort, to reproduce the flowers and sunny beauty of the entrance, but all perfect. These are the depths of the heart, or of human nature, bright and peaceful; the gloom and terror may lie deep; but deeper still is this eternal beauty.
Nathaniel Hawthorne (The American Notebooks: The Centenary Edition (Volume 8))
Why? Did you ever wonder? Why people gather when others die? Why people feel they should? "It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. "You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
Mitch Albom (The Five People You Meet in Heaven)
It is absolutely unnecessary, and not even desirable, for you to argue in my favor; on the contrary, a dose of curiosity, as if you were looking at an alien plant with ironic distance, would strike me as an incomparably more intelligent attitude toward me.
Friedrich Nietzsche
The Revolution came; events succeeded each other with precipitation; the parliamentary families, decimated, pursued, hunted down, were dispersed. M. Charles Myriel emigrated to Italy at the very beginning of the Revolution. There his wife died of a malady of the chest, from which she had long suffered. He had no children. What took place next in the fate of M. Myriel? The ruin of the French society of the olden days, the fall of his own family, the tragic spectacles of '93, which were, perhaps, even more alarming to the emigrants who viewed them from a distance, with the magnifying powers of terror,—did these cause the ideas of renunciation and solitude to germinate in him? Was he, in the midst of these distractions, these affections which absorbed his life, suddenly smitten with one of those mysterious and terrible blows which sometimes overwhelm, by striking to his heart, a man whom public catastrophes would not shake, by striking at his existence and his fortune? No one could have told: all that was known was, that when he returned from Italy he was a priest.
Victor Hugo (Les Misérables)
Aiden was the whole world stretched out beneath him. Aiden’s hair spread out on the sheets, Aiden moaning in his ear. The magnitude of his certainty tipped Harvard over the edge into terrifying and unwelcome knowledge. Terrible realization dawned, remorseless illumination shed on a whole landscape. Harvard found himself looking at his entire life in a new light. Aiden on their first day of school, on their first day of fencing class, on their last day in the hospital, on their first day at Kings Row. Inextricably part of every important moment in Harvard’s life. The bright and shining center of Harvard’s life, ever since he’d turned around and seen Aiden and thought, That boy looks sad, and wanted nothing but to give Aiden everything. Finding Aiden and being too young to understand what he’d found. Only knowing Aiden was necessary to him and wanting Aiden there always. Of course he loved his best friend, of course he did. That was always such an absolute truth that Harvard could never question it. Harvard gasped against Aiden’s mouth. He should have questioned it before now. He should have asked himself what he was feeling. Only he’d been afraid. Dating someone else hadn’t been Harvard’s idea, and with this new clarity he realized he didn’t actually want to do it. He hadn’t wanted to be alone, hadn’t wanted to be left behind, but it was impossible and distinctly horrible to think of being like this with anyone but Aiden. Only very recently, as Aiden dated more and more people and the potential for distance between them started to feel far more real, had Harvard started to feel lonely. If it hadn’t been for Coach suggesting dating, it might never have occurred to him. Why would he go out and look for a partner when he had one at home? Why would he go searching for a lightning strike when there was all the brightness and all the pain he could wish for, always with him? He’d never cared about dating, never really felt the need to find someone, because he’d been otherwise emotionally committed all along. Apparently, Harvard’s subconscious was insane, bent on his own ruin. Somewhere in the back of his mind he’d just decided he was Aiden’s boyfriend, without consulting Aiden. Without even consulting himself. He’d been in love with Aiden the whole time.
Sarah Rees Brennan (Striking Distance (Fence, #1))
When an object impacts the Moon at high speed, it sets the Moon slightly wobbling. Eventually the vibrations die down but not in so short a period as eight hundred years. Such a quivering can be studied by laser reflection techniques. The Apollo astronauts emplaced in several locales on the Moon special mirrors called laser retroreflectors. When a laser beam from Earth strikes the mirror and bounces back, the round-trip travel time can be measured with remarkable precision. This time multiplied by the speed of light gives us the distance to the Moon at that moment to equally remarkable precision. Such measurements, performed over a period of years, reveal the Moon to be librating, or quivering with a period (about three years) and amplitude (about three meters), consistent with the idea that the crater Giordano Bruno was gouged out less than a thousand years ago.
Carl Sagan (Cosmos)
The human ripples of pain are still heartbreaking when made visible to us now. Our friend Agnolo the Fat wrote: “Father abandoned child, wife husband, one brother another; for this illness seemed to strike through the breath and sight. And so they died. And none could be found to bury the dead for money or friendship. Members of a household brought their dead to a ditch as best they could, without priest, without divine offices.” The essence of that account is of an epidemic destroying the very bonds of human society. When was the last time the developed world experienced such a rapid descent into a microbial hell? And if parents abandoning children wasn’t destabilizing enough, other support elements in society were shattered by the justifiable fear of the pestilence. The natural human inclination to seek companionship and support from one’s neighbors was short-circuited. No one wanted to catch whatever was killing everybody. In an era when people congregating together was so much more important than it is in our modern, so-called connected world, people kept their distance from one another, creating one of the silent tragedies of this plague: that they had to suffer virtually alone.
Dan Carlin (The End is Always Near: Apocalyptic Moments, from the Bronze Age Collapse to Nuclear Near Misses)
Now that Dad was gone I was starting to see how mortality was bound up in things like that cold, arc-lit sky. How the world is full of signs and wonders that come, and go, and if you are lucky you might see them. Once, twice. Perhaps never again. The albums on my mother’s shelves are full of family photographs. But also other things. A starling with a crooked beak. A day of hoarfrost and smoke. A cherry tree thick with blossom. Thunderclouds, lightning strikes, comets and eclipses: celestial events terrifying in their blind distances but reassuring you, too, that the world is for ever, though you are only a blink in its course.
Helen Macdonald (H is for Hawk)
With respect to Duels, indeed, I have my own ideas. Few things, in this so surprising world, strike me with more surprise. Two little visual Spectra of men, hovering with insecure enough cohesion in the midst of the UNFATHOMABLE, and to dissolve therein, at any rate, very soon,—make pause at the distance of twelve paces asunder; whirl round; and, simultaneously by the cunningest mechanism, explode one another into Dissolution; and off-hand become Air, and Non-extant! Deuce on it (verdammt), the little spitfires!—Nay, I think with old Hugo von Trimberg: 'God must needs laugh outright, could such a thing be, to see his wondrous Manikins here below.
Thomas Carlyle (Sartor Resartus)
It feels wrong.' 'Hmmm?' 'Sending you out there, Thor. It feels wrong.' 'How might that be?' 'Well...I'm staying here to fix the Avengers while you're...' 'Undergoing a different trial.' 'I'm just saying...The auger is going to throw all of you to the other side of the multiverse. Tens of thousands of Universes away.' 'Sounds very far.' 'You certainly don't measure the distance in miles. Regardless...I stay here and try and fix the Avengers--a group of which you were a founding member...' 'While I go to smite at the very heart of what caused...all this. I wish you well in repairing the dream, Roberto...I hope that when the moment comes, my will is as steady as yours. My heart as righteous. Soon...we shall see.' 'Thor.' 'Yes?' 'You understand, right? There's no coming back. You're all going to die out there.' 'Aye. It is an end. But to die...striking down the great destroyer? That would be a fitting one. So if you pray, pray that I am not found wanting...and instead am worthy of such a glorious end.
Jonathan Hickman
It strikes me, Ernest said, that he has lost his objectivity. It's so caught in the latter of these events and feelings, that he totally identified with them. We need to find a way to help him detach a little. We need to help him see himself from a distance, even from a cosmic perspective. Your client has become one with his problems – he has lost the feeling of continuity of the self that lives these events, which constitute only a small glimpse of his existence. And what makes matters worse is his assumption that the current unhappiness is going to be permanent — always the same. Of course, that's a characteristic of depression – the combination of sadness and pessimism.
Irvin D. Yalom (Lying on the Couch)
One downward cut, she saw. One quick, final strike, and she could kill him. The landing lights of a shuttle appeared in the distance, coming over the trees in her direction. She had to make a decision, now. Kill him, a voice inside her head said. It was amorphous, unidentifiable, raw. Pure vengeful emotion. So easy, she told herself. So quick.
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
[The Chinese here is tricky and a certain key word in the context it is used defies the best efforts of the translator. Tu Mu defines this word as “the measurement or estimation of distance.” But this meaning does not quite fit the illustrative simile in ss. 15. Applying this definition to the falcon, it seems to me to denote that instinct of SELF RESTRAINT which keeps the bird from swooping on its quarry until the right moment, together with the power of judging when the right moment has arrived. The analogous quality in soldiers is the highly important one of being able to reserve their fire until the very instant at which it will be most effective. When the “Victory” went into action at Trafalgar at hardly more than drifting pace, she was for several minutes exposed to a storm of shot and shell before replying with a single gun. Nelson coolly waited until he was within close range, when the broadside he brought to bear worked fearful havoc on the enemy’s nearest ships.] 14.  Therefore the good fighter will be terrible in his onset, and prompt in his decision. [The word “decision” would have reference to the measurement of distance mentioned above, letting the enemy get near before striking. But I cannot help thinking that Sun Tzu meant to use the word in a figurative sense comparable to our own idiom “short and sharp.” Cf. Wang Hsi’s note, which after describing the falcon’s mode of attack, proceeds: “This is just how the ‘psychological moment’ should be seized in war.”]
Sun Tzu (The Art of War)
...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head. Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this. He tastes like sour wine. I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin. That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me. The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh. Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much. 'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh. 'No,' he said tonelessly. 'Tell me,' I say. He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.' I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
When a place gets crowded enough to require ID’s, social collapse is not far away. It is time to go elsewhere. The best thing about space travel is that it made it possible to go elsewhere. A woman is not property, and husbands who think otherwise are living in a dreamworld. The second best thing about space travel is that the distances involved make war very difficult, usually impractical, and almost always unnecessary. This is probably a loss for most people, since war is our race’s most popular diversion, one which gives purpose and color to dull and stupid lives. But it is a great boon to the intelligent man who fights only when he must—never for sport. A zygote is a gamete’s way of producing more gametes. This may be the purpose of the universe. There are hidden contradictions in the minds of people who “love Nature” while deploring the “artificialities” with which “Man has spoiled ‘Nature.’ ” The obvious contradiction lies in their choice of words, which imply that Man and his artifacts are not part of “Nature”—but beavers and their dams are. But the contradictions go deeper than this prima-facie absurdity. In declaring his love for a beaver dam (erected by beavers for beavers’ purposes) and his hatred for dams erected by men (for the purposes of men) the “Naturist” reveals his hatred for his own race—i.e., his own self-hatred. In the case of “Naturists” such self-hatred is understandable; they are such a sorry lot. But hatred is too strong an emotion to feel toward them; pity and contempt are the most they rate. As for me, willy-nilly I am a man, not a beaver, and H. sapiens is the only race I have or can have. Fortunately for me, I like being part of a race made up of men and women—it strikes me as a fine arrangement and perfectly “natural.” Believe it or not, there were “Naturists” who opposed the first flight to old Earth’s Moon as being “unnatural” and a “despoiling of Nature.
Robert A. Heinlein (Time Enough for Love)
One downward cut, she saw. One quick, final strike, and she could kill him. The landing lights of a shuttle appeared in the distance, coming over the trees in her direction. She had to make a decision, now. Kill him, a voice inside her head said. It was amorphous, unidentifiable, raw. Pure vengeful emotion. So easy, she told herself. So quick. She recoiled from it. From the dark side.
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
The question we must all ask ourselves is how Mr. Benn was able to come within striking distance of the very heart of our economic life in the first place...an important part of the answer must be that our industry, economic life and society have been so debilitated by 30 years of Socialistic fashions that their very weakness tempts further inroads. The path to Benn is paved with 30 years of interventions: 30 years of good intentions: 30 years of disappointments. These have led the collectivists to say that we are failing only because we are taking half measures. The reality is that for 30 years the private sector of our economy has been forced to work with one hand tied behind its back by government and unions. Socialist measures and Socialist legacies have weakened free enterprise.
Keith Joseph
And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky- so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.
Donna Tartt
And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky—so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime. And
Donna Tartt (The Goldfinch)
And as much as I’d like to believe there’s a truth beyond illusion, I’ve come to believe that there’s no truth beyond illusion. Because, between ‘reality’ on the one hand, and the point where the mind strikes reality, there’s a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic. And - I would argue as well - all love. ... And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky - so the space where I exist, and I want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.
Donna Tartt (The Goldfinch)
My funeral," the Blue Man said. "Look at the mourners. Some did not even know me well, yet they came. Why? Did you ever wonder? Why people gather when others die? Why people feel they should? It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole. It is why we are drawn to babies..." he turned to the mourners. "And to funerals.
Mitch Albom (The Five People You Meet in Heaven)
You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.
Ned Beauman (Venomous Lumpsucker)
Why are you smiling?” Harvard asked, teasing. “Because I know something you don’t know,” Aiden teased back. Harvard raised an eyebrow. “And what is that?” “You’re really cute,” murmured Aiden, and leaned in. His lean was arrested when Harvard laughed. “Ha! That’s such a line. These things really work on your guys?” Overcome by the magnitude of this insult, Aiden snapped, “Invariably!” Harvard rolled his eyes. “I hate to tell you this, buddy, but I think they’re letting you get away with substandard lines because you’re cute.” Aiden paused, torn between being deeply offended and ridiculously flattered. Harvard bit his lip, seeming to think this over. “I guess if you guys both know you’re just playing around, what you say doesn’t really count,” he offered. “That’s why people call them lines, like the things you say in a play. I know this isn’t real, but…” Aiden tried to keep his voice soft, to be understanding. “But it’s practice for being real.” His mouth twisted on the name, but he forced it out. “For Neil.” Harvard winced. Aiden supposed it might feel a little weird, to hear the name of the boy he actually liked, while tangled up with another. For Harvard, who was so good, it might feel close to cheating. Aiden didn’t want to say the name or hear it or think it. Harvard seemed to be struggling with a thought, and Aiden waited to hear Harvard tell him what he wanted. That was all Aiden wished to know or to do. What Harvard wanted.
Sarah Rees Brennan (Striking Distance (Fence, #1))
He reached for Aiden’s hand, which was swinging by the side of Aiden’s chair in a convenient location for Harvard to grab in case Harvard might want to. Harvard not only laced their fingers together, but also brought Aiden’s hand to his lips and kissed the back. Then he let their joined hands rest on the lapel of his uniform blazer, against the golden crown over crossed swords of his captain’s pin… and his heart. Harvard did it all absentmindedly, as though he didn’t have to think about his actions because it came so naturally. Aiden lifted a coffee cup to his lips purely in order to make a Can you believe this? face behind it. There went Harvard again, raising the ideal boyfriend bar to the sky. Could the man not be stopped? “Aw, are you having faith in me, sweetheart?” Aiden murmured. “That’s so nice. And so misplaced.” Harvard murmured, a lovely little sound, patently unconvinced. This is the last time, Aiden thought, and held on. The others ignored Aiden and Harvard’s romantic moment in order to focus on crime.
Sarah Rees Brennan (Striking Distance (Fence, #1))
It was the mist which made everything strange, spread across the land, a seven-foot-thick blanket, stretched almost uniformly over the flat bottom of the valley, and the gentle slopes leading down into it. As silent as the mist, Codrin’s army moved out of the forest. An observer high above the ground would see rows of floating heads, arranged in a matrix, the distance between them almost regular. Having helmets of many different colors, the heads offered a striking contrast to the white-gray monotony of the mist. An army of floating heads. Unaware of their weird appearance from above, the heads continued their journey down, toward Lenard’s army. To an observer on the ground, nothing could be seen until it was too late. Lenard’s sleeping soldiers woke up when the ground trembled to the rhythm of more than a thousand horses trampling everything in their way. They woke up, and they died. Some of them died while they slept. When the last cry died away, and the fog finally lifted, the surviving men surrendered. At the end of the clash, which became known as the Battle of the Mist, Codrin found that he had lost only fifteen men. Lenard had lost half of his army, his son and his life.
Florian Armas (Respectant (Chronicle of the Seer 4))
The first true men had tools and weapons only a little better than those of their ancestors a million years earlier, but they could use them with far greater skill. And somewhere in the shadowy centuries that had gone before they had invented the most essential tool of all, though it could be neither seen nor touched. They had learned to speak, and so had won their first great victory over Time. Now the knowledge of one generation could be handed on to the next, so that each age could profit from those that had gone before. Unlike the animals, who knew only the present, Man had acquired a past; and he was beginning to grope toward a future. He was also learning to harness the force of nature; with the taming of fire, he had laid the foundations of technology and left his animal origins far behind. Stone gave way to bronze, and then to iron. Hunting was succeeded by agriculture. The tribe grew into the village, the village into the town. Speech became eternal, thanks to certain marks on stone and clay and papyrus. Presently he invented philosophy, and religion. And he peopled the sky, not altogether inaccurately, with gods. As his body became more and more defenseless, so his means of offense became steadily more frightful. With stone and bronze and iron and steel he had run the gamut of everything that could pierce and slash, and quite early in time he had learned how to strike down his victims from a distance. The spear, the bow the gun and finally the guided missile had given him weapons of infinite range and all but infinite power. Without those weapons, often though he had used them against himself, Man would never have conquered his world. Into them he had put his heart and soul, and for ages they had served him well. But now, as long as they existed, he was living on borrowed time.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
Whether she was engaged, married or single, nothing could or ever would come of the weakness he was forced to acknowledge that he had developed. He would re-establish the professional distance that had somehow ebbed away with her drunken confessions and the camaraderie of their trip up north, and temporarily shelve his half-acknowledged plan to end the relationship with Elin. It felt safer just now to have another woman within reach, and a beautiful one at that, whose enthusiasm and expertise in bed ought surely to compensate for an undeniable incompatibility outside it. He fell to wondering how long Robin would continue working for him after she became Mrs. Cunliffe. Matthew would surely use every ounce of his husbandly influence to pry her away from a profession as dangerous as it was poorly paid. Well, that was her lookout: her bed, and she could lie in it. Except that once you had broken up, it was much easier to do so again. He ought to know. How many times had he and Charlotte split? How many times had they tried to reassemble the wreckage? There had been more cracks than substance by the end: they had lived in a spider's web of fault lines, held together by hope, pain, and delusion. Robin and Matthew had just two months to go before the wedding. There was still time.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
We have to stop,” Harvard said, abrupt and desperate. “Wait, why?” Aiden murmured, reaching to drag Harvard back when Harvard pulled away, barely seeming to understand the words Harvard had spoken. “I don’t want to. You said you didn’t want to…” He trailed off, hands still grasping Harvard’s shirt, exerting pressure to bring Harvard back where he had been. Aiden’s eyes were heavy-lidded, almost as if he was drowsy, but it was an electric drowsiness. For a terrifying moment, Harvard looked at Aiden and couldn’t remember why they should stop. Then he looked at Aiden and did remember. “I don’t want to, but we have to,” Harvard tried to explain. Aiden looked suddenly wide awake and affronted to be so, like a cat disturbed from his rest. His voice as sharp this time as it had been soft before, he said, “Why?” When Aiden had agreed to help Harvard with practice dating, Harvard remembered vividly the exact words he’d used. I know how dating works. It doesn’t matter, and this wouldn’t even be real dating. It doesn’t mean anything. It won’t change anything. He looked at Aiden, his chest feeling cold and empty, bleak with despair. Harvard was just like all the rest of Aiden’s guys, only worse. He was the one who really knew Aiden, and he should know better. Harvard said, “Because this means nothing.
Sarah Rees Brennan (Striking Distance (Fence, #1))
1.    Sun Tzu said: Whoever is first in the field and awaits the coming of the enemy, will be fresh for the fight; whoever is second in the field and has to hasten to battle will arrive exhausted. 2.    Therefore the clever combatant imposes his will on the enemy, but does not allow the enemy’s will to be imposed on him. [One mark of a great soldier is that he fight on his own terms or fights not at all.77 ] 3.    By holding out advantages to him, he can cause the enemy to approach of his own accord; or, by inflicting damage, he can make it impossible for the enemy to draw near. [In the first case, he will entice him with a bait; in the second, he will strike at some important point which the enemy will have to defend.] 4.    If the enemy is taking his ease, he can harass him; [This passage may be cited as evidence against Mei Yao-Ch’en’s interpretation of I. ss. 23.] if well supplied with food, he can starve him out; if quietly encamped, he can force him to move. 5.    Appear at points which the enemy must hasten to defend; march swiftly to places where you are not expected. 6.    An army may march great distances without distress, if it marches through country where the enemy is not. [Ts’ao Kung sums up very well: “Emerge from the void [q.d. like “a bolt from the blue”], strike at vulnerable points, shun places that are defended, attack in unexpected quarters.”] 7.    You can be sure of succeeding in your attacks if you only attack places which are undefended. [Wang Hsi explains “undefended places” as “weak points; that is to say, where the general is lacking in capacity, or the soldiers in spirit; where the walls are not strong enough, or the precautions not strict enough; where relief comes too late, or provisions are too scanty, or the defenders are variance amongst themselves.”] You can ensure the safety of your defense if you only hold positions that cannot be attacked. [I.e., where there are none of the weak points mentioned above. There is rather a nice point involved in the interpretation of this later clause. Tu
Sun Tzu (The Art of War)
She said that each of us is born with a box of matches inside us but we can't strike them all by ourselves; just as in the experiment, we need oxygen and a candle to help. In this case, the oxygen, for example, would come from the breath of the person you love; the candle could be any kind of food, music, caress, words, or sound that engenders the explosion that lights one of the matches. For a moment we are dazzled by an intense emotion. A pleasant warmth grows within us, fading slowly as time goes by, until a new explosion comes along to revive it. Each person has to discover what will set off those explosions in order to live, since the combustion that occurs when one of them is ignited is what nourishes the soul. That fire, in short, is its food. If one doesn't find out in time what will set off those explosions, the box of matches dampens, and not a single match will ever be lighted. If that happens, the soul flees from the body and goes to wander among the deepest shades, trying in vain to find food to nourish itself, unaware that only the body it left behind, cold, and defenseless, is capable of providing that food. That's why it's important to keep your distance from people who have frigid breath. Just their presence can put out the most intense fire, with results we're familiar with. If we stay a good distance away from those people, it's easier to protect ourselves from being extinguished.
Laura Esquivel
Attempts to narrow the referents of the term woman - which refers to half the world's population - to a politically obsolete elite consisting only of privileged, ignorant, upper-class white women are often made by those who belong to this group themselves, so-called 'white cis women'. This can seem odd - are they not pulling the rug out from under their own feet? On the other hand, it may be a smart move, in that a seemingly self-critical attitude allows them to secure their position, symbolically distancing themselves from their identity. Striking first, they anticipate the critique that could be directed towards them, by being the harshest critic of their own circumstances. Thus they are no longer the 'white cis woman' but the 'critic of white cis women'.
Kajsa Ekis Ekman (On the Meaning of Sex: Thoughts about the New Definition of Woman)
Apparently, it’s other boys’ faces once the prank is accomplished that will be amusing? The part about being amusing is not important. The part that is important is getting justice for Nicholas. Do you understand?” Seiji hoped he had explained it right this time. “Tell me about Nicholas,” said his father. “About—Nicholas?” Seiji repeated uncertainly. “Would I like him?” “I shouldn’t think so,” said Seiji. “He has terrible manners. And a basically unfortunate way of speaking and interacting with the world generally. He’s very untidy, too.” “Oh, but you hate it when things aren’t in the correct places,” murmured his father. “I still remember that time we had the ambassador’s son over for a playdate, and you made him cry.” “What is the point of painstakingly building castles with blocks only to knock them down?” Seiji asked. “Or sniveling?” He dismissed his father’s reminiscences. “Anyway, that was when I was very young and it no longer matters, so I don’t see the point of bringing it up. The point is—” “Justice for Nicholas,” said his father. “Is Nicholas—very good at fencing?” “No,” said Seiji plainly. There was a stunned silence. “He has a certain raw potential, but he hasn’t been properly trained because of his socioeconomic circumstances,” Seiji continued. “I wish to discuss this topic with you on our winter vacation. I think there must be foundations and scholarships set up. Many valuable fencers could be lost. It is almost too late for Nicholas. I shall be forced to teach him extremely rigorously.” There was more silence. Seiji wondered if his father had dropped his phone.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Viewed close: a freckled hand against a black coat, an origami frog tipped over on its side. Step away, and the illusion snaps in again: life-more-than-life, never-dying. Pippa herself is the play between those things, both love and not-love, there and not-there. Photographs on the wall, a balled-up sock under the sofa. The moment where I reached to brush a piece of fluff from her hair and she laughed and ducked at my touch. And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky—so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.
Donna Tartt (The Goldfinch)
To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets. We smoked cigarettes and wore leather jackets. At night, in the dorms, we discussed neocolonialism, Franz Fanon, Eurocentrism, and patriarchy. When we ground out our cigarettes in the hallway carpet or set our stereos so loud that the walls began to shake, we were resisting bourgeois society’s stifling conventions. We weren’t indifferent or careless or insecure. We were alienated. But this strategy alone couldn't provide the distance I wanted, from Joyce or my past. After all, there were thousands of so-called campus radicals, most of them white and tenured and happily tolerant. No, it remained necessary to prove which side you were on, to show your loyalty to the black masses, to strike out and name names.
Barack Obama
The more important fundamental laws and facts of physical science have all been discovered, and these are now so firmly established that the possibility of their ever being supplanted in consequence of new discoveries is exceedingly remote. Nevertheless, it has been found that there are apparent exceptions to most of these laws, and this is particularly true when the observations are pushed to a limit, i.e., whenever the circumstances of experiment are such that extreme cases can be examined. Such examination almost surely leads, not to the overthrow of the law, but to the discovery of other facts and laws whose action produces the apparent exceptions. As instances of such discoveries, which are in most cases due to the increasing order of accuracy made possible by improvements in measuring instruments, may be mentioned: first, the departure of actual gases from the simple laws of the so-called perfect gas, one of the practical results being the liquefaction of air and all known gases; second, the discovery of the velocity of light by astronomical means, depending on the accuracy of telescopes and of astronomical clocks; third, the determination of distances of stars and the orbits of double stars, which depend on measurements of the order of accuracy of one-tenth of a second-an angle which may be represented as that which a pin's head subtends at a distance of a mile. But perhaps the most striking of such instances are the discovery of a new planet or observations of the small irregularities noticed by Leverrier in the motions of the planet Uranus, and the more recent brilliant discovery by Lord Rayleigh of a new element in the atmosphere through the minute but unexplained anomalies found in weighing a given volume of nitrogen. Many other instances might be cited, but these will suffice to justify the statement that 'our future discoveries must be looked for in the sixth place of decimals.
Albert Abraham Michelson
The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows. “You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die? “Or one might take the tip of a pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil-tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become leagues, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity. “If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through that shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
Stephen King (The Gunslinger (The Dark Tower, #1))
She wasn’t going to be able to navigate the wet very well in those high heels, but I was sure glad she’d worn them. The graceful, unaffected feminine sway of her as she walked was a sight to see. She began making a bee-line for Murphy’s as quickly as she dared in those heels on the concrete, and then the wet slippery street. Proving there’s no fool like a desperate one, I timed my dash through the rain so I’d arrive in time to open the door for her. It is a risk in today’s climate to open a door for a woman, much less make a play for her — clumsy or otherwise. There was an elegance about her though; I could feel it, even from a distance. She didn’t strike me as the hateful, victimhood-embracing type at all; but perhaps I was simply lonely enough to risk a withering gaze or a tongue-lashing accusing me of being part of some dark, patriarchal and misogynistic conspiracy against her kind. It’s a big word, misogynistic, one of those two-dollar words, as my uneducated old man used to say. Misandrist comes before it in the dictionary, but the type of women who throw the word misogynistic around more often than a teenage girl plays with her hair to flirt, act as if misandrist isn’t a real word too.
Bobby Underwood (You Were Wonderful (Noir Shots, #9))
Because between 'reality' on one hand, and the point where the mind strikes reality, there's a middle zone, a rainbow edge where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic. And - I would argue as well - all love. Or perhaps more accurately, this middle zone illustrates the fundamental discrepancy of love. Viewed close: a freckled hand against a black coat, an origami frog tipped over on its side. Step away, and the illusion snaps in again: life-more-than-life, never dying. Pippa herself is the play between those things, both love and not love, there and not there. Photographs on the wall, a balled up sock under the sofa. The moment where I reached out to brush a piece of fluff from her hair and laughed and ducked at my touch. And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of colour across the sky - so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly the middle distance: where despair struck pure otherness and created something sublime.
Donna Tartt (The Goldfinch)
What is that?” Morgan asked, coming out of her shock and pointing at the “wagon” they had procured for the journey. “What do you mean?” Ladon asked. “It’s a wagon. For Melisande and the supplies.” Melly cleared her throat and tried not to laugh. “Generally wagons in the human world are made of wood. Not gold and precious gems.” She didn’t want to even think about how strong those fire beasts had to be to pull a solid gold wagon. Morgan laughed beside her while Melly continued, trying to be diplomatic, “If we are trying to remain unnoticed, we” “ will need to be a little less ... ostentatious.” The dragons looked around at each other. It was Eben who spoke. “We decided since there was no way for our dragons to pass as human, we would give a display of wealth and violence, so that the humans would be impressed enough to keep their distance.” Melly looked at Morgan, who rolled her eyes, her lips twitching. “I believe that the Dragon Knights and flaming horses will be a sufficient sight to strike fear in the populace,” Melly said, trying to keep the smile out of her voice. “Perhaps excessive even. But it would be best not to advertise quite so strongly the wealth of the dragon lands. Humans have been known to act foolishly when wealth is at stake.” All the dragons looked to the wagon again. “Perhaps you are right,” Eben finally said. The big blue dragon male shrugged his massive shoulders and nodded. “Humans can be greedy things.” Coming from a people that surrounded themselves with treasure and had made a solid gold wagon, this struck Melly as ironic. Morgan must have thought so too. Her voice was dry when she spoke. “Yes, If only they had the fortitude of dragons to be able to resist acquiring shiny baubles.” The dragons turned as one and looked at them, blinking big exotic eyes, and glinting like jewels in the sun. Melly cleared her throat. “So, a wooden wagon?
Kelly Lucille (Web of Bones (Dragon Mage, #2))
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))
His grip tightened and he closed the distance between us, his mouth catching mine in a kiss that made my aching heart throb with the most painful kind of hope. I gripped his shirt in my fists and dragged him closer as I kissed him like the sky might cave in if I didn’t, even though it was more likely that it would if I did. Thunder crashed like an explosion overhead, freezing cold rain pelted down on us and lightning slammed into the ground behind us. But I didn’t care. I would gladly take the rage of the heavens in payment for this moment in his arms. Darius pulled me closer, growling hungrily as his tongue pushed into my mouth and he kissed me savagely, filthily, desperately. I pushed up onto my tiptoes, my body pressing flush to his as I wound my arms round his neck and my heart pounded to a brutal beat like it wanted to force its way out ofmy chest and meet with his. Lightning struck the ground so close that a crackle of electricity danced up my spine. I flinched, but my grip on Darius only tightened. I dropped the barriers on my magic and Darius’s power flooded through me on a tide of ecstasy as we merged our essences together. We were meant to be together like this, it was painted beneath my skin and through my veins, even my magic ached for him and yearned for the caress of his power. Thunder boomed and I growled in defiance, lifting my hand to cast a shield of solid air magic around us, cutting off the storm completely. Darius’s magic flowed alongside mine into the shield, the strength of our will blocking out the will of the stars. The earth rocked savagely beneath our feet and we fell. Darius kept ahold of me as he hit the ground on his back and I tumbled aside for a moment, but I wasn’t going to let them drive us apart. I shoved myself to my knees, crawling over his legs as he pushed up on his elbows and kissed me again. His fingers slid through my wet hair and his stubble grazed my skin as he kissed me so hard it was bruising, punishing, branding and yet it wasn’t enough. My heart was aching, tears pricking the backs of my eyes as I fought to keep hold of him while the storm hammered against our magic, determined to tear us apart again. I poured magic from my body to hold the shield as rain slammed against it so hard that the air rattled around us. Darius dragged me against him and I could feel how much he wanted me in every hard line and ridge of his body. We were both drenched, covered in mud and utterly incapable of giving one shit about it. Lightning slammed into the shield and I gasped as it almost buckled, breaking our kiss as I looked up at the black sky above us. More lightning split the clouds apart, striking the ground all around us again and again, making the earth rock even more violently. As a second bolt hit our shield, I almost lost control of it and I could feel my power waning as I threw everything I had into maintaining it. We only had seconds before it was going to collapse and I reached out to catch Darius’s jaw in my grip, looking into his dark eyes with a pang of longing. “I’m sorry I did this to us,” I breathed. I might not have been sure everything between us was fixed yet, but I was beginning to believe it could be and I was starting to think I’d made the wrong choice when I’d been offered it. “It wasn’t you,” he replied, pain flickering though his gaze. “It was both of us,” I disagreed, tears mixing with the rain on my cheeks. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
I’ll never forget this one night when Daddy had taken us way out to a little church up on a high ridge. There was no kind of instrumentation, and the hymns were all sung a cappella. During the preaching, there was a little more shouting from the congregation than usual. When it came time for us to sing, we were introduced by the preacher, a wiry little man with kind of a fiery look in his eyes. We stepped to the front and took our places on the old wood-plank platform to one side of the pulpit. Softly, I sung a note to get us started because it was decided I could come closest to hitting a key that we could all sing in. We began our songs, just as we had planned. I was aware that the pastor was on the stage behind us, but I didn’t think anything of it. After a while, I could feel Stella nudging me in the ribs, trying not to be noticed. I looked at her, and she motioned with her head slightly back toward where the preacher was standing. He seemed to be totally wrapped up in the spirit, nearly in a trance. I didn’t think too much of it, until I spotted a familiar sight—the back markings of a snake, a cottonmouth moccasin. I had seen them in the woods, usually scurrying across the path toward cover. They were afraid of me, and I was afraid of them. And up to now, we had always managed to keep our distance from each other. Here, apparently, they were a part of the worship service. I could see now, out of my peripheral vision, that the preacher had a full grown cottonmouth by the back of the head and it was twisting and coiling all around his forearm. Some members of the congregation were reaching out as if they wanted to touch it. The preacher was getting more and more worked up, and he reached into a wooden crate by the pulpit and took out two more snakes. This time he seemed to be holding them much more carelessly. He lifted them near his face as if daring them to strike. We sisters just kept on singing, unconsciously moving away from the snakes until we were very near the front of the platform. Just then, I noticed something that struck a note of fear in my heart much greater than that inspired by the snakes. My father had stepped into the back of the church to hear his little girls sing. Whatever he had been drinking didn’t impair his ability to see exactly what the preacher had in his hands. Just at that moment, the man and his snakes took a step toward the congregation, thus toward us. Daddy had seen enough. He charged down the aisle like a wild boar through a thicket. “You get them Goddamn snakes away from my kids!” Daddy bellowed with a force in his voice I had never heard before. It was amazing how quickly that preacher broke his trance and paid heed. He had heard the voice of a higher power, in this case a really pissed-off redneck. Daddy swooped us up and out the front door before we had time to think about what was happening. We didn’t even stop singing until we were almost down the steps into the churchyard. We were glad to be out of there, and I at least was proud that Daddy had come to our rescue. But Daddy obviously felt terrible about it. On the way home in the car, he got to feeling especially bad. “Goddamn! I can’t believe I said Goddamn in church!” he muttered to himself. He finally got so upset he had to stop the car and get out in the woods and, in his way, ask God’s forgiveness. I couldn’t help thinking how badly Mama had always wanted Daddy to walk down the church aisle and declare himself. Now he had certainly done that, although not I’m sure the way Mama had in mind.
Dolly Parton (Dolly: My Life and Other Unfinished Business)