Strikeouts Quotes

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Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
Babe Ruth is remembered for his record 714 homers, not his 1330 strikeouts, which was also a record! When everything in life is over and done with, no one will remember your failures, just your successes. And neither will you.
Richard Fenton (Go for No! Yes is the Destination, No is How You Get There)
Joe Sewell is the toughest strikeout in baseball history. In 14 seasons he struck out only 114 times—he never struck out three times in a game, and he struck out twice in a game on only two occasions. So how is it possible that a 30-year-old pitcher who won eight games and recorded 54 strikeouts—in his career—fanned Sewell twice in one game? I don’t know, but he did, in 1923.
Tucker Elliot
It’s Curt Schilling and his bloody sock staring down the Yankees in the Bronx. It’s Derek Lowe taking the mound the very next night to complete the most improbable comeback in baseball history—and then seven days later clinching the World Series. It’s Pedro Martinez and his six hitless innings of postseason relief against the Indians. Yes, it is also Cy Young and Roger Clemens, and the 192 wins in a Red Sox uniform that they share—the perfect game for Young, the 20 strikeout games for Clemens—but it is also Bill Dinneen clinching the 1903 World Series with a busted, bloody hand, and Jose Santiago shutting down Minnesota with two games left in the season to keep the 1967 Impossible Dream alive, and Jim Lonborg clinching the Impossible Dream the very next day, and Jim Lonborg again, tossing a one-hitter and a three-hitter in the 1967 World Series, and Luis Tiant in the 1975 postseason, shutting out Oakland and Cincinnati in back-to-back starts. They are all winners.
Tucker Elliot (Boston Red Sox: An Interactive Guide to the World of Sports)
Watch your mouth when speaking about my woman.
Millie Perez (Strikeout (New York Monarchs, #1))
Isa, someway, somehow, you will come to learn that there isn’t a place on earth where you wouldn’t be able to reach me. Sky and sea included. Talk to you soon, tesoro.
Millie Perez (Strikeout (New York Monarchs, #1))
baseball is really the game that tells you what life is going to be: fastballs, errors, wild pitching, clutch hits, strike-outs, not getting to first base, things coming in from left field. Near misses. And that’s just the romance part.
Lorrie Moore (I Am Homeless If This Is Not My Home)
Rowan didn’t speak as she turned on her heel and strode to the door. Didn’t speak as she opened it, exited, and shut it behind her with a gentle click. Then he swiveled in his chair and leveled Sean with a dark glare. “What the hell just happened?” “That’s called a strikeout,” Sean said with a grin. “I’ve never seen you crash and burn like that, my friend.” “I know. Embarrassing is what it is. I mean, really.” Rowan tangled his fingers through his hair. “You got a better response than I did.” “Please, I got nothing, same as you.” Rowan offered him a sheepish smile. “I know. But I felt the heat pulsing off you the moment she stepped into the office. Then I saw the fantasies you were weaving about her and decided to throw you a bone. So you want her, huh?” Sean lost his grin but managed to shrug. “Doesn’t matter. Unless you picked up on her weaving fantasies about me?” A sigh. “Sorry. Her mind was a blank slate to me. I didn’t pick up on a single thought, emotion, or desire. It’s like she operates on a completely different frequency than the rest of the world.” She probably did, with all those wires and chips in her head. “Still,” Rowan continued, “we can call Bill and tell him you’re the one who should be—” “Nope.” The word burned his tongue, and he hated himself for saying it, but he didn’t take it back. Success was too important. “I don’t exactly inspire trust in the women I date. The opposite, in fact. Something about me makes people distrust every word and action.” His affiliation with the shadows, with darkness, most likely. They must have sensed it on some level. “You’re better at romancing and I’m better at killing.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
Do you believe in yourself and the things you want to do? Are you prepared for many setbacks and failures? Whatever your calling may be, each error, each failure is like a strike-out. Your greatest asset is the number of strike outs you have had since your last hit. The greater the number, the nearer you are to your next hit.
Frank Bettger (How I Raised Myself From Failure)
I never knew what Mother knowed, Like how a thread and needle sewed, And how a kiss healed boo-boos fast. Why family knots were made to last. I never knew how Mother saw A caring man in angry pa, A smile beneath the teary gloom, A game inside a messy room. I never knowed what Mother knew, Like how to smile when days were blue, And how to laugh for laughter’s sake, While giving up her slice of cake. I never saw what Mother see’d Like honor pulling garden weeds, Or deep confessions in a look, And hope alive in storybooks. I never knew how Mother knowed To hand out carrots when it snowed, And why hot cocoa liked the rain, While naptime kept a person sane. For mother knowed and see’d it all. A winner in a strike-out ball. A 'yes, please' in a shoulder shrug. A 'love you mostest' in a hug. Perhaps, someday, I’ll come to know What Mother saw and knowed as so. Like how 'I’m right' can be all wrong, And why the night requires a song. But of the things I learned and knew I never doubted one thing true. My mother made it crystal clear, she knowed and loved me ever dear.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Hurry up!” everyone in the room seemed to shriek at the same time. It didn’t matter to us that all over Pittsburgh, in every house and in every bar, thousands of others were undoubtedly carrying out their own rituals, performing their own superstitions. Hats were turned backward and inside out, incantations spoken and sung, talismans rubbed and chewed and prayed to. People who had the bad fortune of arriving at their gathering shortly before the Orioles’ first run were treated like kryptonite and banished willingly to the silence of media-less dining rooms and bathrooms, forced to follow the game through the reactions of their friends and family. And every one of those people believed what we believed: that ours was the only one that mattered, the only one that worked. Ruthie fumbled through the pages. Johnson fouled one off. “Got it!” Ruthie called. She stood and held Dock Ellis’s picture high over her head, Shangelesa’s scribbled hearts like hundreds of clear bubbles through which her father could watch the fate of his teammates. “He’s no batter, he’s no batter!” Ruthie sang. Johnson grounded the next pitch to shortstop Jackie Hernandez, who threw to Bob Robertson at first, and the threat was over. We yelled until we were hoarse. We were raucous and ridiculous and unashamed, and I have no better childhood memory than the rest of that afternoon. Blass came back out for the ninth, heroically shrugging off his wobbly eighth and, with Ruthie still standing behind us, holding the program shakily aloft for the entirety of the inning, he induced a weak grounder from Boog Powell, an infield pop-up from Frank Robinson, and a Series-ending grounder to short from Rettenmund. For the second inning in a row, Hernandez threw to Robertson for the final out, and all of us (or those who were able) jumped from our seats just as Blass leaped into Robertson’s arms, straddling his teammate’s chest like a frightened acrobat. Any other year, Blass would have been named the Most Valuable Player, and his performance remains one of the most dominant by a pitcher in Series history: eighteen innings, two earned runs, thirteen strikeouts, just four walks, and two complete game victories. But this Series belonged to Clemente. To put what he did in perspective, no Oriole player had more than seven hits. Clemente had twelve, including two doubles, a triple and two homeruns. He was relentless and graceful and indomitable. He had, in fact, made everyone else look like minor leaguers. The rush
Philip Beard (Swing)
In all our lives there are hits, strikeouts, and the occasional home run. This book is dedicated to my two young sons, Chance King and his brother Cannon King, two of the cherished home runs of my life.
Larry King (Why I Love Baseball)
I think your heart will one day be ready to love another man the way you loved Brandon. Hearts are meant to beat and keep us alive. They’re also there to love, not sit on a shelf in timeout, or in your case, a strikeout.
Jewel E. Ann (Fortuity (Transcend, #3))
But I can’t deny that there’s something to be said about a child’s unfiltered joy entering your life.
Millie Perez (Strikeout (New York Monarchs, #1))
But I’ve learned from that young girl who once felt helpless, and I am no longer in the place I once was, even if the gossip blogs tempt to pull me back in. I’m here to say that we are all allowed the space to grow and evolve. To not be ashamed of our past or our journey to find a place of healing. Because we are more than our circumstances, more than the titles bestowed upon us. We are worthy, we are loved, and we are strong women who don’t cower to man children who have no power over us. And maybe some of us have a Monarch with a mean right hook in our corner that you shouldn’t mess with.
Millie Perez (Strikeout (New York Monarchs, #1))
I guess somethings turned out too sad even to be explained with a bases-loaded strikeout.
Ava Dellaira (Love Letters to the Dead)
These studies are about a lot more than foul calls and strikeouts. They’re about the nature of racism today: subtle, pervasive, persistent. And they force us to consider some uncomfortable questions. If umpires and referees, who are professionally trained to avoid bias, are still subject to racism, what hope is there for the
Jeremy A. Smith (Are We Born Racist?: New Insights from Neuroscience and Positive Psychology)
Strikeouts without missing bats don’t tend to hold up over time.
Dave Studenmund (Hardball Times Annual 2015)
to become stars. He’d played outfield with Lenny Dykstra and Darryl Strawberry. He’d subbed for Mark McGwire and Jose Canseco. He’d lockered beside Rickey Henderson. In his slivers of five years in the big leagues he played for four famous managers: Sparky Andersen, Tom Kelly, Davey Johnson, and Tony La Russa. But by the end of 1989 his career stat line (301 at bats, .219 batting average, .246 on-base percentage, .296 slugging percentage, and 11 walks against 80 strikeouts) told an eloquent tale of suffering. You didn’t need to know Billy Beane at all—you only needed to read his stats—to sense that he left every on-deck circle in trouble. That he had developed neither discipline nor composure. That he had never learned to lay off a bad pitch. That he was easily fooled. That, fooled so often, he came to expect that he would be fooled. That he hit with fear. That his fear masqueraded as aggression. That the aggression enabled him to exit the batter’s box as quickly as possible. One season in the big leagues he came to the plate seventy-nine times and failed
Michael Lewis (Moneyball: The Art of Winning an Unfair Game)
Hey, Isabella?” She stops momentarily, turning her head slightly to catch my wandering gaze. “Yeah.” “My last name looks good on you.” And if things go according to plan, I just might make her keep it.
Millie Perez (Strikeout (New York Monarchs, #1))
¿A mí tú me ves cara de pendejo?
Millie Perez (Strikeout (New York Monarchs, #1))
Things were definitely looking up!
Ben Jackson (Softball Strikeout: The New Girl)
Strike three, and you’re mine, Isabella.
Millie Perez (Strikeout (New York Monarchs, #1))
I mean, come on, baseball pants on a Puerto Rican man?
Millie Perez (Strikeout (New York Monarchs, #1))
Because my island may be small, but it is powerful.
Millie Perez (Strikeout (New York Monarchs, #1))
¡Eso eh puñeta! De Puerto Rico pa’l mundo!
Millie Perez (Strikeout (New York Monarchs, #1))
Which is why romance books are my haven. A place where I can be a spectator, because the romance genre isn’t just about two people falling in love. It’s a safe space to learn about how people of diverse backgrounds go through transformations that happen to align with meeting the loves of their lives. Something I never plan to let happen to me, because while I can’t rewrite the pages of my past, I can absolutely keep the reins to my heart tighter than the heroine in the cowboy romance I binged last night. Because I, under no circumstances, will ever fall for a man’s false promises again. Mark my words.
Millie Perez (Strikeout (New York Monarchs, #1))
Reading seems to be the only thing that can take me out of my head and transport me into another world.
Millie Perez (Strikeout (New York Monarchs, #1))
was death with women in high school,” he said. “Absolutely the strike-out king. I was a little too geeky, a little too gangly, and much too manic.
Gavin Edwards (The World According to Tom Hanks: The Life, the Obsessions, the Good Deeds of America's Most Decent Guy)
baseball field, with a scoreboard, and a little chart spelling out different rolls of dice up top and what they meant. So if I rolled two ones, that would be a home run. Or a two and a three, that would be a strikeout. It was all luck, but oh my God, we had so much fun playing. And we would play every Christmas Eve-Eve.
Meghan Quinn (How My Neighbor Stole Christmas)