Stretch Funny Quotes

We've searched our database for all the quotes and captions related to Stretch Funny. Here they are! All 100 of them:

What's that?" he asked, when I stood beside him again. "Halos," I said with a grin. "For heavenly creatures like us." "That might be a stretch.
Richelle Mead (Blood Promise (Vampire Academy, #4))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
Jules stood up and stretched gracelessly. “Let’s hurry up and pay before she”-she indicated Claire with a flick of her thumb-“sees something shiny and we lose her again.
Kimberly Derting (The Body Finder (The Body Finder, #1))
I'm Magnus Bane." he went on in a soothing tone, stretching out his ringed hands. Blue sparks had begun to dance between them like bioluminescence dancing water. "I'm the warlock who's here to cure you. Didn't they tell you I was comming?" "I know who you are, but..." Maia looked dazed. "You look so... so... shiny.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny little fragment of time he would never remember, never think about again…For them it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid.
Daphne du Maurier (Rebecca)
sometimes when everything seems at its worst when all conspires and gnaws and the hours, days, weeks years seem wasted – stretched there upon my bed in the dark looking upward at the ceiling i get what many will consider an obnoxious thought: it’s still nice to be Bukowski.
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
Time was a funny and fickle thing. Sometimes there was never enough of it, and other times it stretched out endlessly.
J. Lynn (Be with Me (Wait for You, #2))
Time is a funny thing. I was always puzzled with the way a single day could stretch itself out to the point of eternity in your mind, all while years melted down into the fraction of a second.
Gloria Naylor (Mama Day)
He twisted at the waist and stretched out on his side. “You’re a bit crazy. You throw apples in people’s faces when you’re angry. You go off half-cocked half the time. It entertains me to no end. So if you are irrational, I hope you stay that way. I love it.
Jennifer L. Armentrout (Pure (Covenant, #2))
She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand. "Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..." But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper. "Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum." His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life. "Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..." But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
S'mimasen," Alyss said repeatedly as they brushed against passerby. "What does that mean?" Will asked as they reached a stretch of street bare of any other pedestrians. He was impressed by Alyss's grasp of the local language. "It means 'pardon me,'" Alyss replied, but then a shadow of doubt crossed her face. "At least, I hope it does. Maybe I'm saying 'you have the manners of a fat, rancid sow.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
I felt how important the simplest things were, like feeling proud, finding something funny, stretching yourself, retreating into yourself.
Banana Yoshimoto (The Lake)
She stretched, pulling out her earbuds, which apparently in Lykae was code for 'Interogate me,' because the questions, they came a-calling.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Funny, isn’t it? I’ve known every love possible, but as the years stretched out, the love I longed for the most is the one I shared with my sister.
Josephine Angelini (Goddess (Starcrossed, #3))
It was funny how you could go somewhere and your whole life could stretch out and then you could come home and have it all shrink back to the way it was before. It was funny that it didn’t stay stretched.
Jodi Lynn Anderson (The Secrets of Peaches (Peaches, #2))
She'd call us her bee-utiful girls and take us for hot chocolate on Mondays, because Fridays didn't deserve all the attention. It was funny. I used to think of myself as a Monday and Ellen as a Friday. But Mondays and Fridays were just twenty-four-hour stretches of time with different names.
Julie Murphy (Dumplin' (Dumplin', #1))
I jump up: it would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns: "I have to fi. . . I ex. . . Dead . . . M. de Roll is dead . . . I am not ... I ex. . ." It goes, it goes . . . and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I. The body lives by itself once it has begun. But though I am the one who continues it, unrolls it. I exist. How serpentine is this feeling of existing, I unwind it, slowly. ... If I could keep myself from thinking! I try, and succeed: my head seems to fill with smoke . . . and then it starts again: "Smoke . . . not to think . . . don't want to think ... I think I don't want to think. I mustn't think that I don't want to think. Because that's still a thought." Will there never be an end to it? My thought is me: that's why I can't stop. I exist because I think . . . and I can't stop myself from thinking. At this very moment, it's frightful, if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire: the hatred, the disgust of existing, there are as many ways to make myself exist, to thrust myself into existence. Thoughts are born at the back of me, like sudden giddiness, I feel them being born behind my head ... if I yield, they're going to come round in front of me, between my eyes, and I always yield, the thought grows and grows and there it is, immense, filling me completely and renewing my existence.
Jean-Paul Sartre (Nausea)
Shock is a funny thing. Things get both sharp and fuzzy. Time stretches and distorts. Things come rushing into focus and seem larger than they are. Other things vanish to a single point.
Maureen Johnson (Truly, Devious (Truly Devious, #1))
I'd stand on the street corner and score a steak," Cas said. I couldn't help laughing. "You know, you might be flooded with business." His mouth stretched into a lecherous grin. "If you come with me we could be rich by morning." "Very funny.
Jennifer Rush (Altered (Altered, #1))
I didn’t say she was fat. Just easier to see than most,” Jason said. “I bet even her bath has stretch marks!
Mark A. Cooper (Fatal Wrath (Jason Steed #7))
When I look at my life I see high-water marks of happiness and I see the lower places where I had to convince myself that suicide wasn’t an answer. And in between I see my life. I see that the sadness and tragedy in my life made the euphoria and delicious ecstasy that much more sweet. I see that stretching out my soul to feel every inch of horrific depression gave me more room to grow and enjoy the beauty of life that others might not ever appreciate. I see that there is dust in the air that will eventually settle onto the floor to be swept out the door as a nuisance, but before that, for one brilliant moment I see the dust motes catch sunlight and sparkle and dance like stardust. I see the beginning and the end of all things. I see my life. It is beautifully ugly and tarnished in just the right way. It sparkles with debris. There is wonder and joy in the simplest of things.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Why not? If you're not going to let me see you naked, we might as well be girlfriends." "You're a twisted little man." "Come on, Stretch, share with the class." "No!" I laughed. "Prude." "Perv." "Schoolmarm." "Some other word that essentially means perv.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
See how the symbols stretch across all three shields? They represent a god." Hypnos frowned. "There's a God of lions and knives and wineglasses? That seems incredibly specific." "This god is Shezmu," said Enrique, rolling his eyes. "He's seldom depicted, perhaps because he's at such odds with himself. On the other hand, he's the lord of perfumes and gracious oils, often considered something of a celebration deity." "My kind of god," said Hypnos. "He is also the god of slaughter, blood and dismemberment." "I amend my original statement," said Hypnos.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
Playboy stretched his arm, patting Carlos on the back. "Well, you know what they say: If you love someone, let'em go. If they don't come back, hunt'em down and kill'em!
Alex Sanchez (Getting It)
Time’s a funny thing, bending, warping, stretching, and compressing, all depending on perspective.
Lisa Genova (Love Anthony)
Beyond a thin veil of space stretched Existence, the frailest and most imbalanced reality of the cosmos. No one was really sure why it was imbalanced, but some believed it had something to do with the general alcohol consumption per capita.
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
It would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns ... It goes, it goes ... and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I.
Jean-Paul Sartre (Nausea)
Betrayal has a funny way of turning your world upside-down. As familiar as I had already been with it by that point, it still amazed me how far I could stretch that moment of denial. The thought of what had been—of what could yet be—persisted. Perhaps it is not the same for most people. Perhaps, when you love less, it is easier not to let the emptiness become a cavern from which you could no longer see the sun.
K.S. Villoso (The Wolf of Oren-Yaro (Chronicles of the Bitch Queen, #1))
Time's a funny thing, bending, warping, stretching, and compressing, all depending on perspective.
Lisa Genova (Love Anthony)
I stop stretching and face him, unwilling to back down from this visual standoff. I'm not going to let him perform his little Jedi mind tricks on me, no matter how much I wish I could perform them on him. He’s completely unreadable and even more unpredictable. It pisses me off.
Colleen Hoover (Hopeless (Hopeless, #1))
Screw sharks; a Transformer could be stretching up on its tippy toes and would still have a mile of cover to eat me.
Emma McLaughlin (The Real Real)
It’s funny how life spins, how we go on for long stretches of time and nothing changes, and then all at once, in a single moment, everything is altered.
Kerry Anne King (Whisper Me This)
Would you kick her ass already?" Dick said, shoving me back toward Missy. "Come on, Stretch, man up. You do better than this! Get mad." I nodded, rolling a dislocated shoulder back into place with a grunt and staggering back toward my opponent. Behind me, Zeb yelled, "She tried to hurt Fitz!" He turned to Gabriel and Dick. "That'll get her mad." Gabriel rolled his eyes. "She's been framed for murder twice over, shot in the back, her arms were set on fire, and her parents are being held hostage. You think tampered dog water is what's going to make her angry?" "You tried to hurt my dog!" I wheezed as I lurched toward a grinning Missy.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Shane's orgasmic contribution was an innovative and masterful variation on the theme of oh: “Oh...Oh...oh...oh...oh...oh...oh...oh...AH!” Stretching the waistband of my boxers I addressed the man downstairs, “make a note Mr Brown. Buy Dick and Shane a copy of The Penguin Anthology Of Orgasmic Utterances for Christmas: surprise and delight your partner, fuck buddies and neighbours with your sparkling and witty climactic repartee, you''l have them cumming back for more.
Gillibran Brown (Fun With Dick and Shane (Memoirs of a Houseboy, #1))
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
That’s funny. You would think after being followed and shoved into a dark alley by a stranger, you would be at least a little shaken. Don’t tell me, you are a black belt just waiting for the perfect moment to strike.” He laughed soundlessly. “I mean your words do sound brave but your eyes and the fact that you’re trembling like a scared little kitten say something else entirely.” Even though the alley was submerged in darkness and shadows, it was obvious there was a devilish grin stretched across his face...
Nicole Rae
Ted and I had history,” Jake said. “We were in love. This hurts all the time. I never stop thinking about how much this hurts.” Zoe stretched out her arms and pretended to play a goddamn violin.
Carolyn Mackler (Infinite in Between)
Given what we saw yesterday, I must admit you were right to suggest we circle around this stretch of woods," Oak says, staring into the trees and frowning. Tiernan gives a half smile. "I congratulate you on this wise decision.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
The universe has certain rules. Among them are: He who owns a sharp tool will eventually cut himself. And: Laboratory accidents never result in super-hero-type powers. And most applicable in this case: He who laughs first gets caught. The first rule could be, at a stretch, applied to Tony Stark and the Iron Man suit, considering recent events. One notable exception to the second rule was currently swinging around New York City on a spider web, which did not bear thinking about.
Eoin Colfer (Iron Man: The Gauntlet)
Yes,” said Cooley. “That is the question, as the Bard might say.” “The Bard?” “What’s so funny?” said Cooley. “Nothing, sir,” I said. “I just didn’t know people still used that term.” “Well, I’m a people, Burke. Am I not?” “Of course.” “If you prick me, do I not bleed, you scat-gobbling, mother-rimming prick?” Occasionally Dean Cooley reverted to a vocabulary more suited to his marine years, but some maintained it was only when he felt threatened, or stretched for time. “Yes, sir,” I said.
Sam Lipsyte (The Ask)
Shadow was stretched out full length on the seat in the back. He felt like two people, or more than two. There was part of him that felt gently exhilarated: he had done something. He had moved. It wouldn’t have mattered if he hadn’t want to live, but he did want to live, and that make all the difference. He hoped he would live through this, but he was willing to die, if that was what it took to be alive. And, for a moment he thought that the whole thing was funny, just the funniest thing in the world; and he wondered if Laura would appreciate the joke.
Neil Gaiman (American Gods (American Gods, #1))
it’s funny how you find God in such moments, almost instinctively, like a caterpillar on a strand of silk stretching for the first branch it sees, even if the tree is dead. Yeah, it may seem pointless, but at least it’s something. I even swore that if I survived I would go to church.
Ryan C. Thomas (The Summer I Died)
See that stream over there?" I stretch an arm to point out the small branch coming off the lake. "It's fed off the mountain thaw. So is this lake. There's kind of a funny story to it. the stream runs all the way down into our neighbors property. Our neighbor, Mr Fitzgerald-he's gone now- didn't like it so close to their barn. For years, he'd try to stop it. My granddad would hep him. they'd dump gravel and dirt. One year, they built a dam. But every single spring, the water would find it's way onto the Fitzgerald property." I chuckle, remembering the two old men standing over the stream, scratching their beards in wonder. "finally they just gave up and let it be. Realized there was no stopping it. The water was going to go where it was meant to go." I feel a smile touch my lips. "My granddad used to tell us that story every spring, when we came out here after the thaw. Of course, it wasn't just a story to him. He turned it into a life lesson about telling the truth. I had a problem with lying when I was little," I admit, sheepishly. "He said the truth is like water: it doesn't matter how hard you try to bury it; it'll always find someway back to the surface. It's resilient.
K.A. Tucker (Burying Water (Burying Water, #1))
it would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there’s no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns:
Jean-Paul Sartre (Nausea)
...leaning down for a quick peck on Jeff's lips, and then he starts squirming and rearranging and manhandling until somehow they end up with Dan in the middle, Jeff stretched out on his left side, Evan on his right. Dan isn't really sure how that happened, and he's not at all confident that it's a good idea.
Kate Sherwood (Dark Horse (Dark Horse, #1))
Maximus coughed a while longer, but in the middle of the night towards the end of the week, they were all woken by a terrible squealing, distant shrieks of terror and fire; in a panic they burst out from the tents to discover Maximus attempting guiltily to sneak unnoticed back into the parade grounds, with as much success as was to be expected in this endeavor, and carrying in his already-bloodied jaws a spare ox. This he hurriedly swallowed down almost entire, on finding himself observed, and then pretended not to know what they were talking about, insisting he had only got up to stretch his legs and settle himself more comfortably.
Naomi Novik (Empire of Ivory (Temeraire, #4))
would be funny if Mr. Piccolo resembled a piccolo, but he doesn’t. Actually, he’s quite round. More like a bass fiddle. He has a big pouch of a belly that stretches the oversized turtleneck sweaters he always wears. He has a round face, too. He’s mostly bald and his scalp shines like a bowling ball. He wears square eyeglasses, which are always sliding down
R.L. Stine (The 12 Screams of Christmas (Goosebumps Most Wanted Special Edition, #2))
Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns: "I have to fi... I ex... Dead... M. de Roll is dead... I am not... I ex..." It goes, it goes... and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it.
Jean-Paul Sartre (Nausea)
Have you ever played Killer Bunnies?” she asked. “Killer Bunnies?” he repeated, blinking the way people always did when they didn’t follow her brain’s train. “It’s a card game. Not spades and clubs, kings and jacks cards. It’s like a board game, with cards instead of a board. Here. I’ll show you.” She stretched up to the top shelf beside her TV and pulled down a bright blue box. “But I have to warn you, I never hesitate to use the nuclear warheads or the anti-matter raisins. Your bunnies are going down.
Jamie Farrell (Sugared (Misfit Brides, #4))
In a little while it would be different, there would come tomorrow, and the next day, and another year. And we would be changed perhaps, never sitting quite like this again.Some of us would go away, or suffer, or die; the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and future mattered not at all. This was secure, this funny fragment of time he would never remember, never think bout again.
Daphne du Maurier
Funny, how everything speeds up and slows down all at once. Seconds stretching into hours, the door opening for lifetimes. His lifetime. And the many lifetimes he didn’t live. James feels himself splintering even before he sees Voldemort’s face. The strings attached to all his possible endings being snipped one by one. All the choices he could have made falling away. This is the last one. There will be no more. Where once there were multitudes now there is but a single boy. Naked. And alone. Standing at the front door of his family home. Meeting an unexpected guest. In a way, this is just how it all started.
MesserMoon (Choices - Volume 3 (Choices #3))
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)
I stare at the writing on the wall. Hypnotised. Can’t look away. The author has a strong hand. Each letter energetic; bold strokes. Such funny shapes. Such jagged, edged lines. A patchwork woven in the deepest black ink. I reach out to touch its upright, elegant beauty. I gasp as it starts to grow. Big and threatening. Its lines stretch into long, long legs. Its shapes swell into mouths with sharp teeth that transform into gigantic knives. It jumps off the wall, out at me. I scream. Try to run away. Too late. A blade slashes me in the back. I fall. Agonising pain rips through me. I beg for mercy. The knife is a huge needle now heading for my face…
Dreda Say Mitchell (Spare Room)
I lost a piece of my heart and my soul with you. I buried the piece in the graveyard stretching from Yedikule to Edirnekapı where trees sustain the lives of the dead Istanbulites. Give love to love; love belongs to love. Remember in the times of roaming mortality on land and sea to take a bite of my apple when you let go of your fears. Scared humans are not alive; they inhibited their souls in the realm of the dead. Is it not funny that fear is supposed to help us survive, but it can make us stop living?! Is there a more dangerous threat than living, feeling alive, feeling full of life? Remember to keep the lines clear so you can have a piece of my apple and a cup of my coffee.
Rana Abdulfattah (Tiger and Clay: Syria Fragments)
What do you think of this stuff?’ he asked. I looked at the bottle and discovered that it contained a miracle udder liniment, guaranteed to reduce pain and swelling. ‘I’ve seen the ad in the Dairy Exporter, but that’s about it,’ I said. ‘Does it work?’ Personally I doubted that it would, since it’s a bit of a stretch to ask something you rub on the skin to kill the bacteria lurking in the tissues ten centimetres down, but I had learnt through bitter experience that belittling someone’s pet alternative treatment is almost as offensive as telling them their kid looks funny. (My all-time low was attending a cat after-hours wearing a T-shirt which read Homeopathy, making damn-all difference since 1796, and then learning that the cat’s owner was a certified homeopath.)
Danielle Hawkins (Chocolate Cake for Breakfast)
In a little while it would be different, there would come to-morrow, and the next day, and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny fragment of time he would never remember, never think about again. He would not hold it sacred... For them it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid.
Daphne du Maurier (Rebecca)
I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful, all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day, and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die; the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny fragment of time he would never remember, never think about again. He would not hold it sacred; he was talking about cutting away some of the undergrowth in the drive...
Daphne du Maurier (Rebecca)
Open your eyes, Eva. I want you to see who’s inside you. She did as he asked and opened her eyes. And stiffened in surprise. He was red. And his eyes were black. And, as she watched, he grew to his seven-foot-tall size. He grew everywhere, in fact, and she gasped at the sudden stretch inside her, the tightness almost unbearable. Those freaky, all-black eyes narrowed in challenge. He was daring her to accept him, she realized. Accept all of him. Even his hands had turned to claws, though he was careful where he held her not to scratch her. “Your eyes are glowing again,” he growled. “You’re so beautiful.” He did a slow slide out of her and then pushed back in, finishing with a roll of his hips that made her see stars. She moaned at the exquisite fullness, bordering on the edge of pain. “Who’s fucking you right now, Eva?” “You are.” His hips rolled again. “Who am I?” “Asmodeus.” And again. “Who am I.” “My demon. My big, red demon with his big, red co— Oh, fuck, Ash.” His next thrust sent her core clenching up, and it was his turn to moan. “You feel so good. So damned tight, you’re squeezing me like a fist.” “More, baby. I want more.
Aurora Ascher (My Funny Demon Valentine (Hell Bent, #1))
Open your eyes, Eva. I want you to see who’s inside you. She did as he asked and opened her eyes. And stiffened in surprise. He was red. And his eyes were black. And, as she watched, he grew to his seven-foot-tall size. He grew everywhere, in fact, and she gasped at the sudden stretch inside her, the tightness almost unbearable. Those freaky, all-black eyes narrowed in challenge. He was daring her to accept him, she realized. Accept all of him. Even his hands had turned to claws, though he was careful where he held her not to scratch her. “Your eyes are glowing again,” he growled. “You’re so beautiful.” He did a slow slide out of her and then pushed back in, finishing with a roll of his hips that made her see stars. She moaned at the exquisite fullness, bordering on the edge of pain. “Who’s fucking you right now, Eva?” “You are.” His hips rolled again. “Who am I?” “Asmodeus.” And again. “Who am I.” “My demon. My big, red demon with his big, red co— Oh, fuck, Ash.” His next thrust sent her core clenching up, and it was his turn to moan. “You feel so good. So damned tight, you’re squeezing me like a fist.” “More, baby. I want more.
Aurora Ascher (My Funny Demon Valentine (Hell Bent, #1))
I Never Knew What They Meant by Flyover Country until the first time someone put me on a plane, windowed me into the congregation looking down on our fields stretched out endless in orderly blanks, redactions in the transcripts of the trial of man versus nature. All this holy squinting at scrimshaw country roads draped with power lines - trip wires lying in wait for the giants we just sort of mice around. I watched the others look down on our Fridays racing Opal Road to hit the tiny hill that drops stomachs like a roller coaster, headlights off for cops. Eighty; Ninety. Ninety-five in a fifty-five, how Kyle's brother talked about defusing IEDs on tour - snip whichever wire you want, you'll only find out if you're a hero. We learned a word for this, its reckless in court, predestination in church. Funny how a thing gets a different name there. Robe becomes vestment. Bench becomes pew. Truth grows a capital letter. Anything to help believe, Mom says, though when it comes to theology we are Presbyterian in casseroles only. This is the word of God, says the pastor into the microphone. See you at the picnic after. See you at the finish, says Kyle's Honda Civic. See you never says his brother's IED.
Robert Wood Lynn (Mothman Apologia)
Vern did not trust humans was the long and short of it. Not a single one. He had known many in his life, even liked a few, but in the end they all sold him out to the angry mob. Which was why he holed up in Honey Island Swamp out of harm's way. Vern liked the swamp okay. As much as he liked anything after all these years. Goddamn, so many years just stretching out behind him like bricks in that road old King Darius put down back in who gives a shit BC. Funny how things came back out of the blue. Like that ancient Persian road. He couldn't remember last week, and now he was flashing back a couple thousand years, give or take. Vern had baked half those bricks his own self, back when he still did a little blue-collar. Nearly wore out the internal combustion engine. Shed his skin two seasons early because of that bitch of a job. That and diet. No one had a clue about nutrition in those days. Vern was mostly ketogenic now, high fat, low carbs, apart from his beloved breakfast cereals. Keto made perfect sense for a dragon, especially with his core temperature. Unfortunately, it meant that beer had to go, but he got by on vodka. Absolut was his preferred brand. A little high on alcohol but easiest on the system.
Eoin Colfer (Highfire)
Neville’s mother had come edging down the ward in her nightdress. She no longer had the plump, happy-looking face Harry had seen in Moody’s old photograph of the original Order of the Phoenix. Her face was thin and worn now, her eyes seemed overlarge, and her hair, which had turned white, was wispy and dead-looking. She did not seem to want to speak, or perhaps she was not able to, but she made timid motions toward Neville, holding something in her outstretched hand. “Again?” said Mrs. Longbottom, sounding slightly weary. “Very well, Alice dear, very well — Neville, take it, whatever it is . . .” But Neville had already stretched out his hand, into which his mother dropped an empty Drooble’s Blowing Gum wrapper. “Very nice, dear,” said Neville’s grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, “Thanks Mum.” His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he’d ever found anything less funny in his life. “Well, we’d better get back,” sighed Mrs. Longbottom, drawing on long green gloves. “Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now . . .” But as they left, Harry was sure he saw Neville slip the wrapper into his pocket. The door closed behind them.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
You’re a talking cat?” Endora asked with a look of disbelief on her face. “My, my, my, aren’t you the bright bulb of the bunch,” he replied with a bit of snarky smugness. “Tell me then, bright-bulb, do you suppose that I need your permission to talk just because I’m a cat?” He raised his paw to his face, admiring his newly gnawed manicure. After he observed the last nail, he slapped his paw down on the floorboards, making a low thud sound. “Because I don’t,” he smirked. Endora was taken by surprise at his rudeness. She stared back at him, speechless and not quite sure how to respond. “Are you a magic cat?” Mila busted in with a question that seemed as silly to her as to the cat. He glared and narrowed his eyes at her. “A magic cat,” he said, standing up to arch his furry back. “Is my talking some sort of magic to you? If it is… then I am.” He stretched his back higher and let out a long purr that turned into, “Purrhaps, you four little witchy girls should clearly refine your meaning of magic so you know what it means before you say the word magic.” “I rather am quite fond of talking cats,” Selena said with a big smile. “Of course, you’re the first one I’ve ever seen.” The cat narrowed its eyes tighter. “Indeed,” he said, letting out a yawn as if the whole conversation were a bore. He leapt off the porch and dash away, mumbling and grumbling his way down the corridor. Selena looked over at Endora. “Rude little snot, isn’t he?” she said.
Sophie Palmer (Abracadabra: Witchy Poo U)
You had a right to vent. I was behaving like a mother hen." "A very sweet mother hen with too many chicks." "I promise to back off." He offered her another bite of pizza. "But I can't promise not to worry." "Fair enough." She kept her hand on his. "It's natural to worry.But you have to trust,too." "You know what I've decided?" He plumped up a pillow and stretched out beside her. "You're even more of a rebel than I am." "You think so?" "Yeah." "Next you'll be loaning me your Harley." "I could be persuaded." He linked his fingers with hers. She stared at their joined hands and sighed. "This is nice." "Yeah.I was just thinking the same thing." He leaned his head back and began chuckling. "What's so funny?" "I've been a bear for the past week. I'd have happily snapped off anybody's head who dared to cross me." "I know what you mean.Fortunately, there was nobody around for me to snap at. I had to content myself with yelling at the talking heads on TV." She paused. "How're you feeling now?" He looked over at her. "What a difference a week makes. The thunderstorm's gone. The cloudy skies. The nasty rain. I'm all sunshine and blue skies and sweet-smelling flowers, thanks to you." "Me,too." She set her wine on the nightstand and leaned over to brush a kiss over his mouth. "I'm so glad you're here,Wyatt.This has been the longest week of my life." His arms came around her,gathering her close.Against her lips he whispered, "Speaking of which, you make me weak." "And you make me..." His kiss cut off her words. As they rolled together, one word played over and over in her mind. Content. Wyatt McCord made her feel content. And safe.And absolutely, completely, thoroughly loved.
R.C. Ryan (Montana Destiny)
I jump up: it would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns: "I have to fi...I ex...Dead...M. de Roll is dead...I am not...I ex..." It goes, it goes ... and there's no end to it. It's worse than the rest because I feel responsible and complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I. The body lives by itself once it has begun. But thought-I am the one who continues it, unrolls it. I exist. How serpentine is this feelling of existing-I unwind it, slowly... If I could keep myself from thinking! I try, and succed: my head seems to fill with smoke...and it starts again: "Smoke ... not to think ... don't want to think ... I think I don't want to think. I musn'tthink that I don't want to think. Because that's still a thought". Will there never be an end to this? My thought is me: that's why I can't stop. I exist because I think ... and I can't stop myself from thinking. At this very moment-it's frightful-if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire: the hatred, the disgust of existing, there are as may ways to make myself exist, to thrust myself into existence. Thoughts are born at the back of me, like sudden giddiness, I feel them being born behind my back ... If I yield, there're going to come round in front of me, between my eyes - and I always yield, the thought grows and grows and there it is, immense, filling me completely and renewing my existence.
Jean-Paul Sartre (Nausea)
I jump up: it would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there’s no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns: “I have to fi. . . I ex. . . Dead . . . M. de Roll is dead . . . I am not . . . I ex. . .” It goes, it goes . . . and there’s no end to it. It’s worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I. The body lives by itself once it has begun. But thought—I am the one who continues it, unrolls it. I exist. How serpentine is this feeling of existing—I unwind it, slowly. . . . If I could keep myself from thinking! I try, and succeed: my head seems to fill with smoke . . . and then it starts again: “Smoke . . . not to think . . . don’t want to think . . . I think I don’t want to think. I mustn’t think that I don’t want to think. Because that’s still a thought.” Will there never be an end to it? My thought is me: that’s why I can’t stop. I exist because I think . . . and I can’t stop myself from thinking. At this very moment—it’s frightful—if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire: the hatred, the disgust of existing, there are as many ways to make myself exist, to thrust myself into existence. Thoughts are born at the back of me, like sudden giddiness, I feel them being born behind my head . . . if I yield, they’re going to come round in front of me, between my eyes—and I always yield, the thought grows and grows and there it is, immense, filling me completely and renewing my existence.
Jean-Paul Sartre (Nausea)
I should say goodbye to him in the lounge, perhaps, before we left. A furtive, scrambled farewell, because of her, and there would be a pause, and a smile, and words like 'Yes, of course, do write', and 'I've never thanked you properly for being so kind', and 'You must forward those snapshots', 'What about your address?' 'Well, I'll have to let you know". And he would light a cigarette casually, asking a passing waiter for a light, while I thought, 'Four and a half more minutes to go. I shall never see him again.' Because I was going, because it was over, there would suddenly be nothing more to say, we would be strangers, meeting for the last and only time, while my mind clamoured painfully, crying 'I love you so much. I'm terribly unhappy. This has never come to me before, and never will again.' My face would be set in a prim, conventional smile, my voice would be saying, 'Look at that funny old man over there; I wonder who he is; he must be new here.' And we would waste the last moments laughing at a stranger, because we were already strangers to one another. 'I hope the snapshots come out well,' repeating oneself in desperation, and he 'Yes, that one of the square ought to be good; the light was just right.' Having both of us gone into all that at the time, having agreed upon it, and anyway I would not care if the result was fogged and black, because this was the last moment, the final goodbye had been attained. 'Well,' my dreadful smile stretching across my face, 'thanks most awfully once again, it's been so ripping..." using words I had never used before. Ripping: what did it mean? - God knows, I did not care; it was the sort of word that schoolgirls had for hockey, wildly inappropriate to those past weeks of misery and exultation. Then the doors of the lift would open upon Mrs Van Hopper and I would cross the lounge to meet her, and he would stroll back again to his corner and pick up a paper.
Daphne du Maurier (Rebecca)
Looking back from a safe distance on those long days spent alone, I can just about frame it as a funny anecdote, but the reality was far more painful. I recently found my journal from that time and I had written, ‘I’m so lonely that I actually think about dying.’ Not so funny. I wasn’t suicidal. I’ve never self-harmed. I was still going to work, eating food, getting through the day. There are a lot of people who have felt far worse. But still, I was inside my own head all day, every day, and I went days without feeling like a single interaction made me feel seen or understood. There were moments when I felt this darkness, this stillness from being so totally alone, descend. It was a feeling that I didn’t know how to shake; when it seized me, I wanted it to go away so much that when I imagined drifting off to sleep and never waking up again just to escape it, I felt calm. I remember it happening most often when I’d wake up on a Saturday morning, the full weekend stretching out ahead of me, no plans, no one to see, no one waiting for me. Loneliness seemed to hit me hardest when I felt aimless, not gripped by any initiative or purpose. It also struck hard because I lived abroad, away from close friends or family. These days, a weekend with no plans is my dream scenario. There are weekends in London that I set aside for this very purpose and they bring me great joy. But life is different when it is fundamentally lonely. During that spell in Beijing, I made an effort to make friends at work. I asked people to dinner. I moved to a new flat, waved (an arm’s-length) goodbye to Louis and found a new roommate, a gregarious Irishman, who ushered me into his friendship group. I had to work hard to dispel it, and on some days it felt like an uphill battle that I might not win, but eventually it worked. The loneliness abated. It’s taken me a long time to really believe, to know, that loneliness is circumstantial. We move to a new city. We start a new job. We travel alone. Our families move away. We don’t know how to connect with loved ones any more. We lose touch with friends. It is not a damning indictment of how lovable we are.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
An unexpected sight opens in front of my eyes, a sight I cannot ignore. Instead of the calm waters in front of the fortress, the rear side offers a view of a different sea—the sea of small, dark streets and alleys—like an intricate puzzle. The breathtaking scenery visible from the other side had been replaced by the panorama of poverty–stricken streets, crumbling house walls, and dilapidated facades that struggle to hide the building materials beneath them. It reminds me of the ghettos in Barcelona, the ghettos I came to know far too well. I take a deep breath and look for a sign of life—a life not affected by its surroundings. Nothing. Down, between the rows of dirty dwellings stretches a clothesline. Heavy with the freshly washed laundry it droops down, droplets of water trickling onto the soiled pavement from its burden. Around the corner, a group of filthy children plays with a semi–deflated soccer ball—it makes a funny sound as it bounces off the wall—plunk, plunk. A man sitting on a staircase puts out a cigarette; he coughs, spits phlegm on the sidewalk, and lights a new one. A mucky dog wanders to a house, lifts his leg, and pisses on it. His urine flows down the wall and onto the street, forming a puddle on the pavement. The children run about, stepping in the piss, unconcerned. An old woman watches from the window, her large breasts hanging over the windowsill for the world to see. Une vie ordinaire, a mundane life...life in its purest. These streets bring me back to all the places I had escaped when I sneaked onto the ferry. The same feeling of conformity within despair, conformity with their destiny, prearranged long before these people were born. Nothing ever changes, nothing ever disturbs the gloomy corners of the underworld. Tucked away from the bright lights, tucked away from the shiny pavers on the promenade, hidden from the eyes of the tourists, the misery thrives. I cannot help but think of myself—only a few weeks ago my life was not much different from the view in front of my eyes. Yet, there is a certain peace soaring from these streets, a peace embedded in each cobblestone, in each rotten wall. The peace of men, unconcerned with the rest of the world, disturbed neither by global issues, nor by the stock market prices. A peace so ancient that it can only be found in the few corners of the world that remain unchanged for centuries. This is one of the places. I miss the intricacy of the street, I miss the feeling of excitement and danger melted together into one exceptional, nonconforming emotion. There is the real—the street; and then there is all the other—the removed. I am now on the other side of reality, unable to reach out with my hand and touch the pure life. I miss the street.
Henry Martin (Finding Eivissa (Mad Days of Me #2))
Worse than a toddler,' she thought, and stretched out beside him. He flicked her a glance that said, 'I'll allow you to pet me.' Except, when she reached out to stroke the soft fur behind his ear, his glare said, 'But only with your gaze.
Gena Showalter (The Darkest Warrior (Lords of the Underworld, #14))
Why didn’t you say that you were coming?” She was trying not to stare at him, but she couldn’t help it. The angle of his cheekbones reminded her of one of the Greek statues from Dubois’s salon. His skin was sculpture-worthy as well, creamy and alabaster pale, just the hint of a blond beard showing on his cheeks and chin. Almost nothing about him reminded her of the petulant boy who had demanded a kiss from her three years ago. Luca gave Cass a funny look. He plucked a series of invisible cat hairs from his black velvet breeches. “I’m sure I mentioned it in at least two letters. Did you not receive them?” Cass reddened again. Her tongue felt knotted in her mouth. “I must have lost track of time.” Santo cielo. He was going to think she’d become a babbling idiot. Luca’s smile wavered for a moment. He stretched out his long legs and crossed them at the ankles. “No matter. I’m here now. Just in time to protect you.” Cass gestured toward Slipper, who had gone back to sleep on her lap. “Well, as you can see, I’m in grave danger of being mauled, right here in my aunt’s library.” She regretted the wry tone immediately. It was the kind of thing she would have said to Falco. Luca would probably take offense at her joke. But he laughed. “He does look rather fierce,” he said.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
COLE STOPPED by his office that morning to pick up the calling logs before heading on to stay with the girl. His friend at the phone company had faxed twenty-six pages of outgoing and incoming phone numbers, some of which were identified, but many of which were not. Cole would have to go through the numbers one by one, but the girl would probably help. Cole liked the girl. She was funny and smart and laughed at his jokes. All the major food groups. When he let himself in, she was stretched out on the couch, watching TV with the iPod plugged in her ears. Cole said, “How can you watch TV and listen to that at the same time?” She wiggled his iPod. “Did they stop making music in 1990?” You see? Funny. “I have to make a couple of calls, then I want you to help me with something.” She sat up, interested. “What?” “Phone numbers. We have to build a phone tree tracing the calls to and from the phones Pike found. We’ll trace the calls from phone to phone until we identify someone who can help us find Vahnich. Sound like fun?” “No.” “It’s like connect the dots. Even you can do it.” She gave him the finger. Cole thought she was great.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
As soon as he leaves, I make the executive decision that given the circumstances, there will be no school or work today. First I call O’Callaghan and give him some bullshit excuse, but I need something legitimate for school in case I need to stretch it out for a while. I call the attendance office and lower my voice two octaves, thickening my New England accent to play Dad. I go with the first thing that pops in my head. I tell the woman that my son, Hank, is very ill. It could be flu, but there’s a possibility it could be encephalitis. The woman sounds shocked and concerned, so I know I’ve picked a good excuse. When I hang up, Peyton starts cracking up. “What? What’s so funny?” “Encephalitis is brain inflammation.” “Shit, I overdid it. I meant bronchitis. All I know is, there’s no way I can deal with school today.
Robin Reul (My Kind of Crazy)
The material used to make MONEY should be changed from paper to RUBBER. So people can STRETCH it to make both ends meet.
Nelson M. Lubao
In Walked Jim September 2013: Entering his first morning staff meeting as FBI director, Jim Comey loped to the head of the table, put down his briefing books, and lowered his six-foot-eight-inch, shirtsleeved self into a huge leather chair. He leaned the chair so far back on its hind legs that he lay practically flat, testing gravity. Then he sat up, stretched like a big cat, pushed the briefing books to the side, and said, as if he were talking to a friend, I don’t want to talk about these today. I’d rather talk about some other things first. He talked about how effective leaders immediately make their expectations clear and proceeded to do just that for us. Said he would expect us to love our jobs, expect us to take care of ourselves … I remember less of what he said than the easygoing way he spoke and the absolute clarity of his day-one priority: building relationships with each member of his senior team. Comey continually reminded the FBI leadership that strong relationships with one another were critical to the institution’s functioning. One day, after we reviewed the briefing books, he said, Okay, now I want to go around the room, and I want you all to say one thing about yourselves that no one else here knows about you. One hard-ass from the criminal division stunned the room to silence when he said, My wife and I, we really love Disney characters, and all our vacation time we spend in the Magic Kingdom. Another guy, formerly a member of the hostage-rescue team, who carefully tended his persona as a dead-eyed meathead—I thought his aesthetic tastes ran the gamut from YouTube videos of snipers in Afghanistan to YouTube videos of Bigfoot sightings—turned out to be an art lover. I really like the old masters, he said, but my favorite is abstract expressionism. This hokey parlor game had the effect Comey intended. It gave people an opportunity to be interesting and funny with colleagues in a way that most had rarely been before. Years later, I remember it like yesterday. That was Jim’s effect on almost everyone he worked with. I observed how he treated people. Tell me your story, he would say, then listen as if there were only the two of you in the whole world. You were, of course, being carefully assessed at the same time that you were being appreciated and accepted. He once told me that people’s responses to that opening helped him gauge their ability to communicate. Over the next few years I would sit in on hundreds of meetings with him. All kinds of individuals and organizations would come to Comey with their issues. No matter how hostile they were when they walked in the door, they would always walk out on a cloud of Comey goodness. Sometimes, after the door had closed, he would look at me and say, That was a mess. Jim has the same judgmental impulse that everyone has. He is complicated, with many different sides, and he is so good at showing his best side—which is better than most people’s—that his bad side, which is not as bad as most people’s, can seem more shocking on the rare moments when it flashes to the surface.
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
Yoga: once an exotic rite for mystics, now a suburban hobby in church halls and gymnasiums. Stretches, belly breaths and chants. Ancient (and awkward) poses with odd animal names, enjoyed by Lycra-clad mothers and post-matcha tea hipsters alike.
Damon Young (How to Think More About Exercise (The School of Life))
I am not alone in ranking Fresh Fruit as one of the most important albums to emerge from punk, one of only a handful that genuinely transcended genre – stretching musical and lyrical conventions while making a point, or several dozen, and jabbing funny bones the world over. This is an effort to restore its standing. Or hose off some of the guano. In fact, the history
Alex Ogg (Dead Kennedys: Fresh Fruit for Rotting Vegetables, The Early Years)
My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut. Fascinating, I blindly reached again... and dared to run a fingertip along some inner edge. Rhysand shuddered, a soft groan slipping past my ear. 'That,' he said tightly, 'is very sensitive.' I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the mountains around us. 'Does it tickle?' He flicked his gaze to me, then to the snow and pine that went on forever. 'It feels like this,' he said, and leaned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the caress of that breath. 'Oh,' I managed to say, I felt him smile against my ear and pull away. 'If you want an Illyrian male's attention, you'd be better off grabbing him by the balls. We're trained to protect our wings at all costs. Some males attack first, ask questions later, if their wings are touched without invitation.' 'And during sex?' The question blurted out. Rhys's face was nothing but feline amusement as he monitored the mountains. 'During sex, an Illyrian male can find completion just by having someone touch his wings in the right spot.' My blood thrummed. Dangerous territory; more lethal than the drop below. 'Have you found that to be true?' His eyes stripped me bare. 'I've never allowed anyone to see or touch my wings during sex. It makes you vulnerable in a way that I'm not... comfortable with.' 'Too bad,' I said, staring out too casually toward the mighty mountain that now appeared on the horizon, towering over the others. And capped, I noted, with that glimmering palace of moonstone. 'Why?' he asked warily. I shrugged, fighting the upward tugging of my lips. 'Because I bet you could get into some interesting positions with those wings.' Rhys loosed a barking laugh, and his nose grazed my ear. I felt him open his mouth to whisper something, but- Something dark and fast and sleek shot for us, and he plunged down and away, swearing.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Awake! Sun is shining, it’s Saturday morning. I sit up in bed with some stretching and yawning. My beautiful wife, the love of my life, Looks terribly grim and it signals a warning... I ask her, “My darling, what troubles you so?” She goes on to tell me her tale of woe. “I’ve booked a girls’ dinner but I’ve nothing to wear!” And now I must prepare for what she will declare.
Nick Bannister (The Husband Chair)
True,” he says, “but I haven’t had any luck yet tracking down the stretch of beach where thirtysomethings go to smoke weed.” “Oh, they’re all just vaping from their beds while watching HGTV.
Emily Henry (Funny Story)
Cherry Hill, like most local wineries, is on a peninsula that juts into the vast expanse of Lake Michigan’s northernmost curve. The vineyards sprawl across gently rolling hills on either side of the long gravel road that brings us to the winery itself, all sleek glass, balsa wood, and corrugated metal. The parking lot is jammed, the gardens that encircle it bursting with colorful blooms, all tinted pinkish by the setting sun. Out beyond the flowers and hedges, whitewashed tables dot a grassy stretch, customers milling from the bocce court on one end to a duck pond at the other, delicately stemmed glasses in hand. Globe lights hang over the seating area, just waiting for the falling night to give them the cue to light up.
Emily Henry (Funny Story)
For once Yancy didn't mind driving to Miami. Dr. Rosa Campesino had agreed to meet for lunch. On the Eighteen-Mile Stretch he got stuck behind a minivan with a CHOOSE LIFE bumper sticker. "Choose the accelerator! How's that for starters?" Yancy was shouting, pounding on the horn.
Carl Hiaasen
Fernando crouches next to one of the beds and takes out a box. He digs inside it for a few seconds, then picks up a small, round disc. It is made of a pale metal that I saw often in Erudite headquarters but have never seen anywhere else. He carries it toward me on his palm. When I reach for it, he jerks it away from me. “Careful!” he says. “I brought this from headquarters. It’s not something we invented here. Were you there when they attacked Candor?” “Yes,” I say. “Right there.” “Remember when the glass shattered?” “Were you there?” I say, narrowing my eyes. “No. They recorded it and showed the footage at Erudite headquarters,” he says. “Well, it looked like the glass shattered because they shot at it, but that’s not really true. One of the Dauntless soldiers tossed one of these near the widows. It emits a signal that you can’t hear, but that will cause glass to shatter.” “Okay,” I say. “And how will that be useful to us?” “You may find that it’s rather distracting for people when all their windows shatter at once,” he says with a small smile. “Especially in Erudite headquarters, where there are a lot of windows.” “Right,” I say. “What else have you got?” says Christina. “The Amity will like this,” Cara says. “Where is it? Ah. Here.” She picks up a black box made of plastic, small enough for her to wrap her fingers around it. At the top of the box are two pieces of metal that look like teeth. She flips a switch at the bottom of the box, and a thread of blue light stretches across the gap between the teeth. “Fernando,” says Cara. “Want to demonstrate?” “Are you joking?” he says, his eyes wide. “I’m never doing that again. You’re dangerous with that thing.” Cara grins at him, and explains, “If I touched you with this stunner right now, it would be extremely painful, and then it would disable you. Fernando found that out the hard way yesterday. I made it so that the Amity would have a way of defending themselves without shooting anyone.” “That’s…” I frown. “Understanding of you.” “Well, technology is supposed to make life better,” she says. “No matter what you believe, there’s a technology out there for you.” What did my mother say, in that simulation? “I worry that your father’s blustering about Erudite has been to your detriment.” What if she was right, even if she was just a part of a simulation? My father taught me to see Erudite a particular way. He never taught me that they made no judgments about what people believed, but designed things for them within the confines of those beliefs. He never told me that they could be funny, or that they could critique their own faction from the inside. Cara lunges toward Fernando with the stunner, laughing when he jumps back. He never told me that an Erudite could offer to help me even after I killed her brother.
Veronica Roth (Insurgent (Divergent, #2))
She shoved me out of the bed! The realization hit him as hard as the floor. His feline grace failed him. Far from hanging its head in shame, his inner lion rolled in mirth, tufted tail practically wagging. Not funny. Except it was. He had a feeling this more assertive side of Arabella was his fault. Since the moment they’d met, he’d encouraged her to not take any shit, and apparently she’d decided to start with him. Dammit. When he’d told her to not let the world stomp all over her, he should have specified his exemption. I’m her mate. Isn’t there a rule that says she can’t kick me out of bed? Except she’d yet to realize what he had. Was it only a day ago since his life changed? Not even. At this rate, he’d be picking out fucking China patterns by noon. Completely emasculated and by a woman who wanted nothing to do with him. Flipping to his knees, he sat up and rested his chin on the mattress. Arabella faced him, eyes wary, breathing shallow as she waited for his reaction. More like she waited to see if he’d explode. She’d learn. Hayder would never harm her, but he would use his infamous kitty-cat eyes against her. He stared. You know you want me. You know you need me. Come on, baby. Melt. Melt for your lion. She stared right back. Hmm, this wasn’t working as planned. He let the left side of his lip curl into a grin, tugging his cheek and popping his infamous dimple. “I know what you’re doing.” “What?” “Trying to manipulate me into letting you back into bed.” “Is it working?” For a moment her expression shifted, a quick flip of emotions as she struggled to answer. “Yes it’s working. But I wish it wasn’t.” “Why? Why fight it?” “Because I think I need time.” It turned out there was something more powerful than his dimple. Her honesty. He groaned. “I think you were sent to kill me. Fine. If you insist, I’ll respect you even if I’d rather debauch you.” Her eyes widened. “Respect doesn’t mean I’m going to lie, baby. I want you. Bad. But I’ll listen to what you want. For now.” And, yes, he said it ominously. Let her think about it. Think about him. Soon even she wouldn’t be able to deny they were meant for each other. He stood, all six foot plus naked feet of him. And, yes, that did put a certain part of his anatomy in perfect view of a certain shocked gaze. A sucked-in breath, cheeks that darkened, a certain awareness sizzling between them. She couldn’t hope to hide her pleasure or interest in what she saw. “Sweet dreams, baby.” He winked and then turned, resisting an urge to catch her staring at his ass. He knew she was. He could feel the crazy heat as she traced his path out of the room. Go back. Want to snuggle. His lion couldn’t understand why they were back in the living room with its cramped couch that wouldn’t allow him to stretch out. Why couldn’t they snuggle in the nice warm bed and, even better, cuddle with a nice warm mate? Respect, my furry friend. A lion had no use for respect though. His worldview was much simpler. Ours. Bed. Hungry. Not hungry for a steak but, rather, a sweet, creamy pie. Hayder groaned. No need to keep reminding him of what he was missing. He knew. He hated it, but her wants had to take precedence over his. Argh.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
I've tried reading the Bible. I never make it past all the talk about the firmament. The firmament is the thing, on Day 1 or 2, that divides the waters from the waters. Here you have the firmament. Next to the firmament, the waters. Stay with the waters long enough, presumably you hit another stretch of firmament. I can't say for sure: at the first mention of the firmament, I start bleeding tears of terminal boredom. I grow restless. I flick ahead. It appears to go like this: firmament, superlong middle part, Jesus. You could spend half your life reading about the barren wives and the kindled wraths and all the rest of it before you got to the do-unto-others part, which as I understand it is the high-water mark.
Joshua Ferris
Time did a funny thing after, some days slipping away without notice while others stretched on endlessly.
Jen Nadol (This Is How It Ends)
Wiggling my breasts against his back, I waited for the groan. Cooper glanced back at me and frowned. “I need to start wearing sweatpants or else you’ll kill me.” “I don’t understand,” I said, batting my eyes innocently. “Are you talking about this?” Wiggling my breasts against him again, I jumped when his hands went to my bare thighs. Stroking from my hips to knees, Cooper gave me a grin. “I’m getting you naked this weekend. Even if I have to lie, cheat, and steal, I’m hitting a homerun with you, baby.” “Sure, whatever. Can we leave now?” “Temptress.” “Dickhead.” “Beauty.” “Stud.” “A stud that needs sweatpants.” “If it’s such a hassle, maybe we shouldn’t fool around at my place?” Cooper just laughed while pulling away from school. He was laughing again when he parked at the curb next to my apartment building. “What’s so funny?” “Nothing. When I don’t get enough oxygen to my brain, it gives me the giggles.” Now, I was laughing as we walked to the front door. “My mom might be home.” “I’ll be sure to feel you up silently then.” Grinning, I unlocked the door and pushed it open to find the air conditioner running high. “My mom sometimes gets overheated.” “Lady issues. Check. No more info is necessary or desired.” Shutting the door, I turned down the air conditioner before finding two sodas in the refrigerator. “I need a shower.” Cooper stared at me with a pained expression. “Sweatpants.” Laughing, I left him to my crappy cable. After a quick shower, I changed into a loose tank top and shorts. Feeling daring, I chose to wear panties, but no bra. Returning to the living room, I found Cooper stretched out with his legs over the coffee table and his arms spread out along the back of the couch. He looked large and menacing then he glanced at me and grinned. “Would now be a bad time to mention I’m horny?” he asked as I opened my soda and joined him on the couch. “If I never again heard a single thing about you being horny, I’d still be well informed.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
Gabby, look,” Rachel squealed as I pushed open the screen door.  “A dog!” On the deck, Rachel reclined on her side, stretched out on a beach towel.  Between her towel and the one she’d set out for me, lay a monster of a dog, relaxing in the sun. I stopped and stared.  What was that thing?  Although the size of a mastiff, it looked nothing like one.  At least seven feet from nose to tail, the dog’s shaggy brown coat gave it a wild look.  Rachel didn’t seem to mind, though.  She continued to pet its head affectionately. It turned its head, which moved it out of Rachel’s reach.  Its soft brown eyes met mine. Rachel shifted to a sitting position to reach its head again. “It just walked up the porch steps and lay right down.  I nearly peed myself.  Have you ever seen a dog this big before?  What kind do you think it is?”  She continued to pet it lovingly. I remained glued in place, my stomach sinking.  Any lingering homesickness died as my suspicion grew.  What are the odds that an extremely large, random dog just appeared at my door scant hours after Sam dropped me off?  Improbable odds.  When I’d said I would get a dog, I’d meant it as a joke.  I couldn’t afford a dog. “And you’re not going to believe what its tag says,” Rachel said, not seeming to care that I hadn’t answered her questions.  “‘If found, please provide a good home.’  Isn’t that funny?”  She ruffled his neck fur, which made his hidden tags jingle.  The dog continued to watch me and ignore Rachel’s ministrations. “Yeah.  Funny,” I mumbled.  The size of the dog would ensure men didn’t bother me.  But a dog half its size would do the same.  Why get one so big?  Its size compared to Sam in his fur.  Did Sam think some of his kind might bother me?  If so, I didn’t see how a plain old dog would help.  My eyes widened as my own idiocy dawned on me. Not a plain dog. I needed to call Sam, find out what he’d been thinking, and then give him an earful for sending someone to the house to keep an eye on me.  I was about to turn and go back into the house when Rachel said something that made my stomach drop to my toes. “His tag also says his name is Clay.  What do you think?  Should we keep him?
Melissa Haag (Hope(less) (Judgement of the Six #1))
Refining the relationship between exaggeration and realism in humor can be related to stretching a rubber band. Imagine the unstretched band is the realism, and exaggeration stretches the band. When the rubber band is stretched to capacity, several things happen at once. Stretching alters the shape of the band; exaggeration changes the perception of reality. The rubber band can be stretched a little (understatement) or a lot (overstatement). Just as tension increases in a rubber band that it is stretched, exaggeration increases tension in the audience—up to the breaking point. When you pluck a rubber band, it makes a sound. The pitch of this sound gets higher as you stretch the rubber band further. This sound can be compared to emotion in an audience. The more you stretch the rubber band, the greater the emotion in the audience. Finding the proper balance between realism and exaggeration is the ultimate test of a comedy writer’s skill. Humor only comes when the exaggeration is logical. Simply being ludicrous or audacious is not a skill. It’s amateur. Many novice stand-up comedians struggle with exaggeration. They’ll start with some realistic premise—the way women dress, picking up men in a singles bar, outsmarting the police, or advertising slogans—but then they’ll shift into fifth gear in a wild display of ludicrous fantasy that’s not well connected to the initial premise. Their material has limited success because they make the same mistake repeatedly: They disrupt the equal balance of realism and exaggeration. Outrageous doesn’t mean creative.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
I flew back to the States in December of 1992 with conflicting emotions. I was excited to see my family and friends. But I was sad to be away from Steve. Part of the problem was that the process didn’t seem to make any sense. First I had to show up in the States and prove I was actually present, or I would never be allowed to immigrate back to Australia. And, oh yeah, the person to whom I had to prove my presence was not, at the moment, present herself. Checks for processing fees went missing, as did passport photos, certain signed documents. I had to obtain another set of medical exams, blood work, tuberculosis tests, and police record checks--and in response, I got lots of “maybe’s” and “come back tomorrow’s.” It would have been funny, in a surreal sort of way, if I had not been missing Steve so much. This was when we should have still been in our honeymoon days, not torn apart. A month stretched into six weeks. Steve and I tried keeping our love alive through long-distance calls, but I realized that Steve informing me over the phone that “our largest reticulated python died” or “the lace monitors are laying eggs” was no substitute for being with him. It was frustrating. There was no point in sitting still and waiting, so I went back to work with the flagging business. When my visa finally came, it had been nearly two months, and it felt like Christmas morning. That night we had a good-bye party at the restaurant my sister owned, and my whole family came. Some brought homemade cookies, others brought presents, and we had a celebration. Although I knew I would miss everyone, I was ready to go home. Home didn’t mean Oregon to me anymore. It meant, simply, by Steve’s side. When I arrived back at the zoo, we fell in love all over again. Steve and I were inseparable. Our nights were filled with celebrating our reunion. The days were filled with running the zoo together, full speed ahead. Crowds were coming in bigger than ever before. We enjoyed yet another record-breaking day for attendance. Rehab animals poured in too: joey kangaroos, a lizard with two broken legs, an eagle knocked out by poison. My heart was full. It felt good to be back at work. I had missed my animal friends--the kangaroos, cassowaries, and crocodiles.
Terri Irwin (Steve & Me)
Brandon lightly brushed his hand over Liam’s head before he dropped both of them to my waist and then over where my stomach used to be. “Do you miss it?” His hands had stilled for a second before sliding over my flat stomach again. I know, I know, I already have a lot of women that hate me. When we walk into the appointments for Liam, everyone asks if we adopted because within a week, my stomach went completely back to normal. It was mind blowing even to Brandon and me, and we definitely knew that my stomach had been close to the size of a beach ball not long before. I had one stretch mark, and it was mostly unnoticeable because it ran along a tip of one of my lilies. But if it weren’t for that and my chest, I would think I’d made the entire pregnancy up and just stolen a baby from the hospital. “You’re the most beautiful woman I’ve ever seen either way.” He shrugged and kissed the top of my head, “I do miss it, but I’m glad that he’s here now. It will just take some time to get used to not having your stomach there. Like right now, I keep going to run my hands over it, and then they just continue to slide straight across and it throws me off for a second.” “Throws you off? Think about how I felt when I went to set that bowl on my stomach and it fell into my lap.” Brandon’s husky laugh sent a shiver through me. “I’m sorry, but that was funny as hell. Your face was priceless.” Liam
Molly McAdams (Taking Chances (Taking Chances, #1))
Since comedy encourages the audience to suspend disbelief, humorists can take advantage of every opportunity to stretch the truth. In other circumstances, unmitigated exaggeration would be viewed as lying. In humor, clever exaggeration is rewarded with laughter.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
There is currently no legal, federally regulated “standard of identity” for honey, and “funny honey”—products sold as honey but that may have been “stretched” with water or corn syrup or sucrose or glucose or worse—is widely sold across the United States. Corn syrup, which once sold for less than a third the price of the same amount of honey, is particularly difficult to detect because it is structurally similar to honey. Some products labeled as pure honey contain up to 80 percent corn syrup. Thus labels claiming “100% Pure” are only that—labels—because the government has asserted only a minimal role in grading honey or setting and enforcing standards.
Hannah Nordhaus (The Beekeeper's Lament: How One Man and Half a Billion Honey Bees Help Feed America)
No, the only thing I'm worried about is in case I lose me temper. Because that's why I had to give up boxing. Very nearly killed this bloke once. I mean, once the bell goes the red mist comes up, I get this singing in the ears, when it clears there's someone stretched out on the canvas. Is it you, Rigsby? Oh, very funny.
Eric Chappell (Rising Damp: The Complete Scripts)
Non-teenagers might find his appeal difficult to understand, as he isn’t especially handsome, or big, or even funny; his features are striking only in their regularity, the overall effect being one of solidity, steadiness, the quiet self-assurance one might associate with, for instance, a long-established and successful bank. But that, in fact, is the whole point. One look at Titch, in his regulation Dubarrys, Ireland jersey and freshly topped-up salon tan, and you can see his whole future stretched out before him: you can tell that he will, when he leaves this place, go on to get a good job (banking/insurance/consultancy), marry a nice girl (probably from the Dublin 18 area), settle down in a decent neighbourhood (see above) and about fifteen years from now produce a Titch Version 2.0 who will think his old man is a bit of a knob sometimes but basically all right. The danger of him ever drastically changing – like some day joining a cult, or having a nervous breakdown, or developing out of nowhere a sudden burning need to express himself and taking up some ruinously expensive and embarrassing-to-all-that-know-him discipline, like modern dance, or interpreting the songs of Joni Mitchell in a voice that, after all these years, is revealed to be disquietingly feminine – is negligible. Titch, in short, is so remarkably unremarkable that he has become a kind of embodiment of his socioeconomic class; a friendship/sexual liaison with Titch has therefore come to be seen as a kind of self-endorsement, a badge of Normality, which at this point in life is a highly prized commodity.
Paul Murray (Skippy Dies)
Across the Reich, the Gestapo recorded increased the activity of anti-state elements. It’s kind of a helpless protest by those wretches against our celebration of victory. They organize bomb attacks against representatives of the Reich or against the civilian German population. We’ve also noticed murder-suicides. Eighty-seven civilians killed have been reported during the last week. From the Protectorate of Bohmen und Mahren, the destruction of Peter Brezovsky’s long-sought military cell was announced. From Ostmark…” “Enough,” Beck interrupted him, “I’m interested only in Brezovsky.” That name caused him discomfort. In his mind, he returned to the Bohemian Forest in 1996. It was in a different dimension, before he had used time travel. At the time, Peter Brezovsky was the only man who had passed through the Time Gate. He’d offered him a position by his side during the building of the Great German Reich. He’d refused. Too bad, he could have used a man like him. These dummies weren’t eager enough to fulfill his instructions. He also remembered Werner Dietrich, who had died in the slaughter during an inspection in the Protectorate. “… in the sector 144-5. It was a temporary base of the group. There were apparently targeted explosions of the surrounding buildings,” the man continued. “This area interests me. I want to know everything that’s happening there. Go on,” he ordered the man. He was flattered at the leader’s sudden interest. Raising his head proudly, he stretched his neck even more and continued, “For your entertainment, Herr Führer, our two settlers, living in this area from 1960, on June the twenty first, met two suspect men dressed in leather like savages. The event, of course, was reported to the local department of the Gestapo. It’s funny because during the questioning of one of Brezovsky’s men we learnt an interesting story related to these men.” He relaxed a little. The atmosphere in the room was less strained, too. He smiled slightly, feeling self-importance. “In 1942, a certain woman from the Bohemian Forest made a whacky prophecy. Wait a minute.” He reached into the jacket and pulled out a little notebook. “I wrote it down, it’ll certainly amuse you. Those Slavic dogs don’t know what to do, and so they take refuge in similar nonsense.” He opened the notebook and began to read, “Government of darkness will come. After half a century of the Devil’s reign, on midsummer’s day, on the spot where he came from, two men will appear in flashes. These two warriors will end the dominance of the despot and will return natural order to the world.” During the reading, men began to smile and now some of them were even laughing aloud. “Stop it, idiots!” screamed Beck furiously. In anger, he sprang from behind his desk and severely hit the closest man’s laughing face. A deathly hush filled the room. Nobody understood what had happened. What could make the Führer so angry? This was the first time he had hit somebody in public. Beck wasn’t as angry as it might look. He was scared to death. This he had been afraid of since he had passed through the Time Gate. Since that moment, he knew this time would come one day. That someone would use the Time Gate and destroy everything he’d built. That couldn’t happen! Never! “Do you have these men?” he asked threateningly. Reich Gestapo Commander regretted he’d spoken about it. He wished he’d bitten his tongue. This innocent episode had caused the Führer’s unexpected reaction. His mouth went dry. Beck looked terrifying. “Herr Führer,” he spoke quietly, “unfortunately…” “Aloud!” yelled Beck. “Unfortunately we don’t, Herr Führer. But they probably died during the action of the Gestapo against Brezovsky. His body, as well as the newcomers, wasn’t found. The explosion probably blew them up,” he said quickly. “The explosion probably blew them up,” Beck parodied him viciously, “and that was enough for you, right?
Anton Schulz
Time has a funny way of bending and stretching.
Liz Czukas (Ask Again Later)
WE’RE ALL IN agreement here that the debate over whether women can be funny is, frankly, tired, right? Whether you want to go all the way back to William Congreve’s 1695 letter “Concerning Humour in Comedy” or Freud’s 1905 book Jokes and Their Relation to the Unconscious or just a glance back at Christopher Hitchens’s 2007 diatribe “Why Women Aren’t Funny,” we get it. Proclaiming that women are not only not funny, but will never, “scientifically speaking,” be funny, is not only a long, time-tested parade of inane drivel, but a conversation that stretches far too close to comfort into our present lives.
Carrie Courogen (Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius)
An Appreciation of the Udder by Stewart Stafford Abe Lincoln borrowed Mabel Brown's bra, The bustiest gal in the county by far, Stretched it right back as far it would go, Launched himself up, a skyrocketing crow. He soared up so high, he couldn't believe it, Saw an aerial shot of Mabel's mighty cleavage, Birds wondered about the youthful intruder, Touched the dark rim of space, no blue there. Gravity tapped Honest Abe on the shoulder, He fell back to earth like a tumbling boulder, Broke his rapid fall by grabbing onto a tree, Exhilarated at the thought of skyward liberty. © Stewart Stafford, 2024. All rights reserved.
Stewart Stafford