“
In San Francisco - life goes on. Hope rises and dreams flicker and die. Love plans for tomorrow and loneliness thinks of yesterday. Life is beautiful and living is pain. The sound of music floats down a dark street. A young girl looks out a window and wishes she were married. A drunk sleeps under a bridge. It is tomorrow.
”
”
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
“
Yes, Marcos is gay. Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains.
Marcos is all the exploited, marginalised, oppressed minorities resisting and saying `Enough'. He is every minority who is now beginning to speak and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable -- this is Marcos.
”
”
Subcomandante Marcos
“
Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!
Holy! Holy! Holy! Holy! Holy! Holy!
The world is holy! The soul is holy! The skin is holy!
The nose is holy! The tongue and cock and hand
and asshole holy!
Everything is holy! everybody's holy! everywhere is
holy! everyday is in eternity! Everyman's an
angel!
The bum's as holy as the seraphim! the madman is
holy as you my soul are holy!
The typewriter is holy the poem is holy the voice is
holy the hearers are holy the ecstasy is holy!
Holy Peter holy Allen holy Solomon holy Lucien holy
Kerouac holy Huncke holy Burroughs holy Cas-
sady holy the unknown buggered and suffering
beggars holy the hideous human angels!
Holy my mother in the insane asylum! Holy the cocks
of the grandfathers of Kansas!
Holy the groaning saxophone! Holy the bop
apocalypse! Holy the jazzbands marijuana
hipsters peace & junk & drums!
Holy the solitudes of skyscrapers and pavements! Holy
the cafeterias filled with the millions! Holy the
mysterious rivers of tears under the streets!
Holy the lone juggernaut! Holy the vast lamb of the
middle class! Holy the crazy shepherds of rebell-
ion! Who digs Los Angeles IS Los Angeles!
Holy New York Holy San Francisco Holy Peoria &
Seattle Holy Paris Holy Tangiers Holy Moscow
Holy Istanbul!
Holy time in eternity holy eternity in time holy the
clocks in space holy the fourth dimension holy
the fifth International holy the Angel in Moloch!
Holy the sea holy the desert holy the railroad holy the
locomotive holy the visions holy the hallucina-
tions holy the miracles holy the eyeball holy the
abyss!
Holy forgiveness! mercy! charity! faith! Holy! Ours!
bodies! suffering! magnanimity!
Holy the supernatural extra brilliant intelligent
kindness of the soul!
”
”
Allen Ginsberg (Howl and Other Poems)
“
This other time, Attikol had the streets of San Francisco rearranged just so this lady's favorite show The Streets of San Francisco would be more accurate.
”
”
Rob Reger (The Lost Days (Emily the Strange, #1))
“
In New York, he would live for them, but in San Francisco, he could live for himself. And though he does not like to think about it, though he in fact avoids the subject pathologically, he allows himself to think it now: What if the woman on Hester Street is right, and the next few years are his last? The mere thought turns his life a different color; it makes everything feel urgent, glittering, precious.
”
”
Chloe Benjamin (The Immortalists)
“
As to whether Marcos is gay: Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal,… a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains.
”
”
Subcomandante Marcos
“
Nineteen eighty is almost here, thank God. the hippies are getting old, they blew their brains on acid and now they're begging on street corners all over San Francisco. Their hair is tangled and their bare feet are thick and gray as shoes. We're sick of them.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
There’s “Bloodstains” by Agent Orange. “Rise Above” by Black Flag. “Streets of San Francisco” by the Swingin’ Utters. “Gimme Danger” by Iggy and the Stooges.
”
”
Jason Myers (The Mission)
“
Fog spilled from the heights of San Francisco like the liquid it almost was. On better days it spread across the bay and took over Oakland street by street, a thing you saw coming, a change you watched happening to you, a season on the move. Where it encountered redwoods, the most local of rains fell. Where it found open space, its weightless pale passage seemed both endless and like the end of all things. It was a temporary sadness, the more beautiful for being sad, the more precious for being temporary. It was the slow song in minor that the rock-and-roll sun then chased away.
”
”
Jonathan Franzen (Purity)
“
I come from Divisadero Street. Divisadero, from the Spanish word for ‘division,’ the street that at one time was the dividing line between San Francisco and the fields of the Presidio. Or it might be derived from the word divisar, meaning ‘to gaze at something from a distance.’ (There is a ‘height’ nearby called El Divisadero.) Thus a point from which you can look far into the distance
”
”
Michael Ondaatje (Divisadero)
“
San Francisco is a city that requires a fine pair of legs, a city of cliffs misnamed as hills, honeycombed with a fine webbing of showy houses that cling to the slanted streets with the fierceness of abalones.
”
”
Pat Conroy (South of Broad)
“
The good citizen when he opens his door in the evening must be banker, golfer, husband, father; not a nomad wandering the desert, a mystic staring at the sky, a debauchee in the slums of San Francisco, a soldier heading a revolution, a pariah howling with skepticism and solitude.
”
”
Virginia Woolf (Street Haunting)
“
There,' said Wednesday, 'is one who "does not have the faith and will not have the fun". Chesterton. Pagan indeed. So. Shall we go out onto the street, Easter my dear, and repeat the exercise? Find out how many passers-by know that their Easter festival takes its name from Eostre of the Dawn? Let's see - I have it. We shall ask a hundred people. For every one that knows the truth, you may cut off one of my fingers, and when I run out of them, toes; for every twenty who don't know you spend a night making love to me. And the odds are certainly in your favour here - this is San Francisco, after all. There are heathens and pagans and Wiccans aplenty on these precipitous streets.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
We stepped outside rather hurriedly and down the street to anonymous sanctuary among the buildings of San Francisco.
"Promise me till your dying day, you'll believe that a Mellon was a Confederate general. It's the truth. That God-damn book lies! There was a Confederate general in my family!"
"I promise," I said and it was a promise that was kept.
”
”
Richard Brautigan (A Confederate General from Big Sur / Dreaming of Babylon / The Hawkline Monster)
“
Spirit dancing, I envisioned a place inside this energetic city, ours: a classic townhouse on a steep street with expansive views of the Pacific, the magenta siding sun-faded—a third-story perch, thick platinum haze embracing our new home.
”
”
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
“
In New York, he would live for them, but in San Francisco, he could live for himself. And though he does not like to think about it, though he in fact avoids the subject pathologically, he allows himself to think it now: What if the woman on Hester Street is right? The mere thought turns his life a different color; it makes everything feel urgent, glittering, precious.
”
”
Chloe Benjamin (The Immortalists)
“
For cities are museums of time, and to live in them is to be haunted by the places they once were. The waterways that existed before the skyscrapers and freeways are a vanished world that beacons to us. When we catch glimpses of them, the city disappears. Its too-known streets dissolve into unfathomable terrain. It becomes innocent again. We want to unmake the city. To regain a lost paradise.
”
”
Gary Kamiya (Cool Gray City of Love: 49 Views of San Francisco)
“
In San Francisco, two people actually saw the earthquake. Jesse Cook, the police sergeant on duty in the produce market, saw it a moment after he became aware of panic among the horses all around him. Years later Cook recalled: “There was a deep rumble, deep and terrible, and then I could see it actually coming up Washington Street. The whole street was undulating. It was as if the waves of the ocean were coming towards me, billowing as they came.
”
”
Gordon Thomas (The San Francisco Earthquake)
“
If there is less deep poverty in San Francisco than in New York, is it not because San Francisco is yet behind New York in all that both cities are striving for? When San Francisco reaches the point where New York now is, who can doubt that there will also be ragged and barefooted children on her streets?
”
”
Henry George (Progress and Poverty: An Inquiry into the Cause of Industrial Depressions and of Increase of Want with Increase of Wealth (Robert Anton Wilson Recommended Reading List Book 1))
“
I was once in San Francisco, and I parked in the only available space, which happened to be on the other side of the street. The law descended on me. Was I aware of how dangerous the manoeuvre I’d just made was? I looked at the law a bit blankly. What had I done wrong? I had, said the law, parked against the flow of traffic. Puzzled, I looked up and down the street. What traffic? I asked. The traffic that would be there, said the law, if there was any traffic. This was a bit metaphysical, even for me, so I explained, a bit lamely, that in England we just park wherever we can find a parking space available, and weren’t that fussy about which side of the street it was on. He looked at me aghast, as if I was lucky to have got out of a country of such wild and crazy car parkers alive, and promptly gave me a ticket. Clearly he would rather have deported me before my subversive ideas brought chaos and anarchy to streets that normally had to cope with nothing more alarming than a few simple assault rifles. Which, as we know, in the States are perfectly legal, and without which they would be overrun by herds of deer, overbearing government officers, and lawless British tea importers.
”
”
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
“
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick and red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf — nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco…
”
”
Jack Kerouac (On the Road)
“
We are all, of course, wayfaring strangers on this earth. But coming out of the rainbow tunnel, the liminal portal between Marin and San Francisco, myth and reality, I catch sight of a beautiful, sparkling city that might as well be on the moon. I can name the sights, the streets, the eateries, but in my heart it feels as unfamiliar as Cape Town or Cuzco. I've lived here for fourteen years. This is the arena of my adult life, with its large defeats and small victories. Maybe, like all transplants (converts?), I've asked too much of the city. I would never have moved to Pittsburh or Houston or L.A. expecting it to save my soul. Only here in the great temple by the bay. It's a mistake we've been making for decades, and probably a necessary one. The city's flaws, of course, are numerous. Our politics can suffer from humourless stridency, and life here is menacingly expensive. But if you're insulated from these concerns, sufficiently employed and housed, if you are -in other words- like most people, you are in view of the unbridgeable ideal. Here, with our plentiful harvest, our natural beauty, our bars, our bookstores, our cliffs and ocean, out free to be you and me; here, where pure mountain water flows right out of the tap. It's here that the real questions become inescapable. In fact the proximity of the ideal makes us more acutely aware of the real questions. Not the run-of-the-mill insolubles-Why am I here? Who am I?- but the pressing questions of adult life: Really? and Are you sure? And Now what?
”
”
Scott Hutchins (A Working Theory of Love)
“
When there is only so much of the same thing, and when two men want all they can get of the same thing, there is a conflict of interest between labor and capital. And it is an irreconcilable conflict. As long as workingmen and capitalists exist, they will continue to quarrel over the division. If you were in San Francisco this afternoon, you'd have to walk. There isn't a street car running." "Another strike?"* the Bishop queried with alarm. *
”
”
Jack London (The Iron Heel)
“
I had first been in San Francisco at the height of the civil rights movement, first on an Esquire junket, then on a lecture tour. There had been no flower children here then, only earnest, eager students anxious to know what they could “do.
”
”
James Baldwin (No Name in the Street)
“
But the cable cars did not last long. They had disappeared from the streets of most cities by 1900 and from Chicago by 1906, and they remain to this day only in the single city of San Francisco, where they are primarily a tourist attraction.
”
”
Robert J. Gordon (The Rise and Fall of American Growth: The U.S. Standard of Living since the Civil War (The Princeton Economic History of the Western World Book 60))
“
The Frank Lloyd Wright–designed Sidney Bazett house on Reservoir Road in Hillsborough, outside San Francisco, is located at the end of a winding, tree-cloaked driveway and not visible from the street. Its extraordinariness is murmured about but rarely seen.
”
”
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
“
In 1882, Congress passed the first immigration law in the nation’s history—the Chinese Exclusion Act—specifically to bar the entrance of workers from a particular country. The Chinese had, of course, been welcome when there was a labor shortage and “coolies” were needed to build the transcontinental railroad. In 1892, the Exclusion Act was toughened under a law written by California representative Thomas J. Geary (the Geary whose memory is lionized in street names and other monuments throughout San Francisco). Under the Geary law, upheld by a 5–4 Supreme Court vote, all Chinese residents of the United States were required to carry a residence permit. Chinese were forbidden to bear witness in court should they be arrested for not carrying their internal “passport” and were denied
”
”
Susan Jacoby (The Great Agnostic: Robert Ingersoll and American Freethought)
“
Every morning a great wall of fog descends upon the city of San Francisco. It begins far out at sea. It forms over the Farallons, covering the sea lions on their rocks, and then it sweeps onto Ocean Beach, filling the long green bowl of Golden Gate Park. The fog obscures the early morning joggers and the lone practitioners of tai chi. It mists up the windows of the Glass Pavilion. It creeps over the entire city, over the monuments and movie theaters, over the Panhandle dope dens and the flophouses in the Tenderloin. The fog covers the pastel Victorian mansions in Pacific Heights and shrouds the rainbow-colored houses in the Haight. It walks up and down the twisting streets of Chinatown; it boards the cable cars, making their clanging bells sound like buoys; it climbs to the top of Coit Tower until you can’t see it anymore; it moves in on the Mission, where the mariachi players are still asleep; and it bothers the tourists. The fog of San Francisco, that cold, identity-cleansing mist that rolls over the city every day, explains better than anything else why that city is what it is.
”
”
Jeffrey Eugenides (Middlesex)
“
mesmerizing -- gold, red, orange, black -- the colors of the dragons that had promised so much: prosperity, love, good health, a second chance, a new start. The fire began to pop, the small sounds lost in the constant boom of firecrackers going off in the streets of San Francisco in celebration of the Chinese New Year. No one would notice another noise, another spark of light, until it was too late. In the confusion of the smoke and the crowds, the dragons and the box they guarded would disappear. No one would ever know what had really happened. The flame reached the end of the gasoline-soaked rope and suddenly burst forth in a flash of intense, deadly heat. More explosions followed as the fire caught the cardboard boxes holding precious inventory and jumped toward the basement ceiling. A questioning cry came from somewhere, followed by the sound of footsteps running down the halls of the building that had once been their sanctuary, their dream for the future, where the treasures of the past were turned into cold, hard cash. The cost of betrayal would be high. They would be brothers no more. But then, their ties had never been of blood, only of friendship --
”
”
Barbara Freethy (Golden Lies)
“
....Yes, San Francisco was far from all I longed to forget. But I was weary of the flat earth, the heat of summer and hard press of winter cold. The etchings in "Scribners" made me yearn for the loop and roll of land. I wanted to break free of the squeeze of buildings and streets running endlessly out to the horizon. p. 254
”
”
Schoenewaldt
“
Wealthy tech workers in San Francisco hold frequent conferences and symposia about addressing water, sewage, and disease in Africa, but they have demonstrated no ability to address California’s own fetid city streets, which are home to over three hundred thousand homeless and rife with medieval diseases, refuse, excrement, and rodents.
”
”
Victor Davis Hanson (The Dying Citizen: How Progressive Elites, Tribalism, and Globalization Are Destroying the Idea of America)
“
As I walk her streets, the only thing that keeps me from stopping on every block and throwing my hands in the air in amazement are the old Jacob Marley chains we all clank around in, chains forged not so much by sin as by the weight of the weary world. But San Francisco, like the ghosts who visit Scrooge, always offers me another chance. In San Francisco, it is always Christmas morning.
”
”
Gary Kamiya (Cool Gray City of Love: 49 Views of San Francisco)
“
For several months they'd been drifting toward political involvement, but the picture was hazy and one of the most confusing elements was their geographical proximity to Berkeley, the citadel of West Coast radicalism. Berkeley is right next door to Oakland, with nothing between them but a line on the map and a few street signs, but in many ways they are as different as Manhattan and the Bronx. Berkeley is a college town and, like Manhattan, a magnet for intellectual transients. Oakland is a magnet for people who want hour-wage jobs and cheap housing, who can't afford to live in Berkeley, San Francisco or any of the middle-class Bay Area suburbs. [10] It is a noisy, ugly, mean-spirited place, with the sort of charm that Chicago had for Sandburg. It is also a natural environment for hoodlums, brawlers, teenage gangs and racial tensions.
The Hell's Angels' massive publicity -- coming hard on the heels of the widely publicized student rebellion in Berkeley -- was interpreted in liberal-radical-intellectual circles as the signal for a natural alliance. Beyond that, the Angels' aggressive, antisocial stance -- their alienation, as it were -- had a tremendous appeal for the more aesthetic Berkeley temperament. Students who could barely get up the nerve to sign a petition or to shoplift a candy bar were fascinated by tales of the Hell's Angels ripping up towns and taking whatever they wanted. Most important, the Angels had a reputation for defying police, for successfully bucking authority, and to the frustrated student radical this was a powerful image indeed. The Angels didn't masturbate, they raped. They didn't come on with theories and songs and quotations, but with noise and muscle and sheer balls.
”
”
Hunter S. Thompson (Hell's Angels)
“
We were standing outside on the great steps of the hall high above the blue waters of San Francisco Bay, and they were there, the white ships on the tide, and all my love rose to sing my newfound seaman's life. -- The Sea! Real ships! My sweet ship had come in, no dream but true with tangled rigging and actual shipmates and the job slip secure in my wallet and only the night before I'd been kicking cockroaches in my tiny dark room in 3rd Street slums.
”
”
Jack Kerouac (Lonesome Traveler)
“
When Nureyev appeared in San Francisco not long ago there were quite a few ballet fans who flew all the way from New York to see him. The mystics would point out how fruitless it is to go to see important people when our first priority is to see ourselves. We think we know Tom, Dick and Harry, but we really know everyone, including ourselves, only on the surface level. If we could see our real Self coming down the street, we would wonder who this beautiful, radiant, magnificent creature could be. We would not be able to take our eyes off him.
”
”
Eknath Easwaran (The End of Sorrow (The Bhagavad Gita for Daily Living, #1))
“
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf—nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco. Add fog, hunger-making raw fog, and the throb of neons in the soft night, the clack of high-heeled beauties, white doves in a Chinese grocery window . . .
”
”
Jack Kerouac (On the Road)
“
But high school ends. Remember that, even when it feels eternal. And when it ends, there are places to go. The Village, Provincetown, San Francisco. Pockets of cities and towns where boys take boys to dances and dance their nights away, writhing their bodies against each other in a primal effort to shed all the trauma of their past. Places where girls settle down with girls, places where boys can dress like girls on the street and get high-fives instead of fists against their gorgeous faces. Maybe someday high school will change. But if it doesn't, then just remember that high school ends.
”
”
Abdi Nazemian (Like a Love Story)
“
If you ask me, houses shouldn't have been built down here. These little block-long streets cease abruptly at the open space that remains on the side of the hill, and the hill is angry that development has crept so close. It whips these pathetic homes with a battering, constant wind. It sends soggy clouds to sit damply atop the roofs, trickling stagnant moisture, birthing deep green molds. It sends its monsters, the horrifying Jerusalem crickets, up from the soil to invade basement apartments, looking like greasy, translucent alien insects. They drive me crying into the bathroom to strategize their eviction from my home.
”
”
Michelle Tea
“
San Francisco’s battles are no longer with itself but with the outside world, as it exports the European-style social ideas that drive Republican leaders and Fox News commentators into a frenzy: gay marriage, medical marijuana, universal health care, immigrant sanctuary, “living” minimum wage, bicycle-friendly streets, stricter environmental and consumer regulations. Conservatives see these San Francisco values as examples of social engineering gone mad. But in San Francisco, they’re seen as the bedrock of a decent society, one that is based on a live-and-let-live tolerance, shared sense of humanity, and openness to change.
”
”
David Talbot (Season of the Witch: Enchantment, Terror and Deliverance in the City of Love)
“
Prostitution arrests are racist. They have always been racist. In 1866, San Francisco police arrested 137 women, 'virtually all Chinese'; the police boasted that they had 'expelled three hundred Chinese women.' In the 1970s, the American Civil Liberties Union found that black women were seven times more likely to be arrested for prostitution-related offenses than white women. This disparity is no relic of the past: between 2012 and 2015, 85 percent of people charged with 'loitering for the purpose of prostitution' in New York City were Black or Latinx- groups that only make up 54 percent of the city's population. Increases in prostitution enforcement mean increases in the arrests of women of color. Between 2012 and 2016, the New York Police Department stepped up enforcement mean increases in the arrest of women of color. Between 2012 and 2016, the New York Police Department stepped up enforcement targeting massage parlors. As journalist Melissa Gira Grant details, during this period the arrests of Asian people in New York charged either with 'unlicensed massage' or prostitution went up by 2,700 percent. Arrests on the street target Black and Latina women - who may not even be selling sex - simply for wearing 'tight jeans' or a crop top. The NYPD do not arrest white women in affluent areas of the city for wearing jeans.
”
”
Juno Mac & Molly Smith
“
Cesca sipped from her coffee cup as she peered through the windshield into the darkness. Rain was falling hard on a San Francisco she didn’t recognize from her own universe, or from her time in the other Matt’s universe. The real darkness here had nothing to do with night. This San Francisco mirrored the moral corruption and decay of the society which inhabited it. She and Ariel had been here two days, scouring streets filled with perversion and hopelessness; alleyways inhabited by the homeless and mentally ill; sex shops catering to every perversion imaginable and unimaginable; sidewalks teeming with drug addicts and male prostitutes — some dressed as women; street corners inhabited by once lovely young women prematurely aging from selling their bodies to all takers — male and female; children of both sexes, from as young as seven and eight, dressed by pimps to attract pedophiles who cruised this part of the city nightly. Many of the children would be sold on the spot, never to be seen again. Sun-faded and now graffitied wall mosaics of galvanizing yet transient political cult personalities, erected by their blinded followers centuries ago, marked this alternate world’s gradual slide into an ethical, and finally moral abyss, from which it had never crawled out.
"God, I can’t believe this is San Francisco,” whispered Ariel from the seat next to Cesca. “I feel like I need to run a bar of soap over my soul.
”
”
Bobby Underwood (The Dreamless Sea (Matt Ransom #9))
“
Great cities invite you to love them in extreme close-up, to love every inch of them. And the more eccentric, convoluted, broken, and uneven they are, the more there is to love. The tenements on the Lower East Side in New York City, the decaying wooden houses above the waterfront in Istanbul, the fading rose-colored buildings in the magical little grid south of the Spanish Steps in Rome, the bombed-out villas near the Vucciria in Palermo—it is precisely the irregularity of these places that allows your heart to get a grip on them, like a climber finding a tiny hold that will not give way. Shimmering Venice has the most beautiful inches of any city in the world. San Francisco cannot compete, because it does not have streets made of water. But it has the next best thing: It has dirt trails. They make this city a place where mystery is measured in soft footsteps, and magic in clouds of dust.
”
”
Gary Kamiya (Cool Gray City of Love: 49 Views of San Francisco)
“
The houses in the better part of San Francisco, in those days, were all alike and all so ugly it was a wonder even their owners did not know it. (My father called it the better part of the city because he lived there.) Most of them were built on hillsides, with two or three of their corners standing on stilts. From the sidewalk you saw the doors a dozen feet above your head, the stairs leading up to them and a flat, bare expanse of pine sheathing enclosing the stilts. Each crowded against the next without an inch to spare, the houses themselves were narrow and looked taller than they actually were. If one of them had not occasionally been painted a dull brown instead of a dull green, or if a panel of brick had not been set here and there among the panels of wood, nobody could have told where his neighbor’s left off and his own began. All of them rose straight from the sidewalks; there were no lawns, and no trees. A few blocks away there were well-proportioned and attractive houses, but the builders of our street had searched farther for their model—in a box factory, from the evidence. We were moderately rich, and nothing was too bad for us.
”
”
George Albee (Young Robert: A Brief History)
“
A woman was stabbed after she rebuffed a man’s sexual advances while she walked in San Francisco’s Tenderloin neighborhood late Monday night, a police spokesman said today. The 33-year-old victim was walking down the street when a stranger approached her and propositioned her, police spokesman Officer Albie Esparza said. When she rejected him, the man became very upset and slashed the victim in the face and stabbed her in the arm, Esparza said. The man, in other words, framed the situation as one in which his chosen victim had no rights and liberties, while he had the right to control and punish her. This should remind us that violence is first of all authoritarian. It begins with this premise: I have the right to control you. Murder is the extreme version of that authoritarianism, where the murderer asserts he has the right to decide whether you live or die, the ultimate means of controlling someone. This may be true even if you are obedient, because the desire to control comes out of a rage that obedience can’t assuage. Whatever fears, whatever sense of vulnerability may underlie such behavior, it also comes out of entitlement, the entitlement to inflict suffering and even death on other people. It breeds misery in the perpetrator and the victims.
”
”
Rebecca Solnit (Men Explain Things to Me)
“
San Francisco was getting small, and everyone is dying. The summers are getting colder, and the falls aren't what they used to be. The kids in the Haight are younger all the time, more of them than before, sitting all day, all night at Haight and Masonic, with the sticks, the hacky sacks, nowhere to go in those stupid floppy reggae hats. And the drive to work was getting unbearable, the repetition too sad, especially at night, when after putting Toph to bed, locking the door, I would go back to the office - the drive just harrowing, the routine - I had even changed routes, had started driving down Geary, all the way down, past the prostitutes, a change of pace, and it was diverting for a week or so, all the cars slowing down, stopping, the cops hunting, laughing - but then even that was a routine, and so we have to leave, because the people are pissing on the streets, during the day now, anyplace, all the time people are pissing on the streets, defecating on Market Street at noon, and I'm getting sick of the hills, always the hills, the turning of wheels to park, and the street cleaning, and those fucking buses attached to the ropes or wires or whatever, always breaking down, those motherfucking drivers getting out and yanking on that rope, the stupid buses just sitting there, in the way, everything just sitting there, stuck, in the way -
Everything weirder, the extremes more pronounced, the contrasts too strong.
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Dave Eggers (A Heartbreaking Work of Staggering Genius)
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Mike sounded dismissive of Western communication styles, but he admitted that he sometimes wished he could be noisy and uninhibited himself. “They’re more comfortable with their own character,” he said of his Caucasian classmates. Asians are “not uncomfortable with who they are, but are uncomfortable with expressing who they are. In a group, there’s always that pressure to be outgoing. When they don’t live up to it, you can see it in their faces.” Mike told me about a freshman icebreaking event he’d participated in, a scavenger hunt in San Francisco that was supposed to encourage students to step out of their comfort zones. Mike was the only Asian assigned to a rowdy group, some of whom streaked naked down a San Francisco street and cross-dressed in a local department store during the hunt. One girl went to a Victoria’s Secret display and stripped down to her underwear. As Mike recounted these details, I thought he was going to tell me that his group had been over the top, inappropriate. But he wasn’t critical of the other students. He was critical of himself. “When people do things like that, there’s a moment where I feel uncomfortable with it. It shows my own limits. Sometimes I feel like they’re better than I am.” Mike was getting similar messages from his professors. A few weeks after the orientation event, his freshman adviser—a professor at Stanford’s medical school—invited a group of students to her house. Mike hoped to make a good impression, but he couldn’t think of anything to say. The other students seemed to have no problem joking around and asking intelligent questions. “Mike, you were so loud today,” the professor teased him when finally he said good-bye. “You just blew me away.” He left her house feeling bad about himself. “People who don’t talk are seen as weak or lacking,” he concluded ruefully.
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Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
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Stanley Perlman. She hurried out of the building at One Market Plaza, stepped off the curb, and hailed a cab. It occurred to her, as it always did, that one of these days when she met with him, it would really be for the last time. He always said it was. She had begun to expect him to live forever, despite his protests, and in spite of the realities of time. Her law firm had handled his affairs for more than half a century. She had been his estate and tax attorney for the past three years. At thirty-eight, Sarah had been a partner of the firm for the past two years, and had inherited Stanley as a client when his previous attorney died. Stanley had outlived them all. He was ninety-eight years old. It was hard to believe sometimes. His mind was as sharp as it had ever been, he read voraciously, and he was well aware of every nuance and change in the current tax laws. He was a challenging and entertaining client. Stanley Perlman had been a genius in business all his life. The only thing that had changed over the years was that his body had betrayed him, but never once his mind. He was bedridden now, and had been for nearly seven years. Five nurses attended to him, three regularly in eight-hour shifts, two as relief. He was comfortable, most of the time, and hadn't left his house in years. Sarah had always liked and admired him, although others thought he was irascible and cantankerous. She thought he was a remarkable man. She gave the cabdriver Stanley's Scott Street address. They made their way through the downtown traffic in San Francisco's financial district, and headed west uptown, toward Pacific Heights, where he had lived in the same house for seventy-six years. The sun was shining brightly as they climbed Nob Hill up California Street, and she knew it might be otherwise when they got uptown. The fog often sat heavily on the residential
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Danielle Steel (The House)
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A Tale of Two Parking Requirements The impact of parking requirements becomes clearer when we compare the parking requirements of San Francisco and Los Angeles. San Francisco limits off-street parking, while LA requires it. Take, for example, the different parking requirements for concert halls. For a downtown concert hall, Los Angeles requires, as a minimum, fifty times more parking than San Francisco allows as its maximum. Thus the San Francisco Symphony built its home, Louise Davies Hall, without a parking garage, while Disney Hall, the new home of the Los Angeles Philharmonic, did not open until seven years after its parking garage was built. Disney Hall's six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to finance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn't open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid employees off. The money spent on parking shifted Disney Hall's design toward drivers and away from pedestrians. The presence of a six-story subterranean garage means most concert patrons arrive from underneath the hall, rather than from the sidewalk. The hall's designers clearly understood this, and so while the hall has a fairly impressive street entrance, its more magisterial gateway is an "escalator cascade" that flows up from the parking structure and ends in the foyer. This has profound implications for street life. A concertgoer can now drive to Disney Hall, park beneath it, ride up into it, see a show, and then reverse the whole process—and never set foot on a sidewalk in downtown LA. The full experience of an iconic Los Angeles building begins and ends in its parking garage, not in the city itself. Visitors to downtown San Francisco have a different experience. When a concert or theater performance lets out in San Francisco, people stream onto the sidewalks, strolling past the restaurants, bars, bookstores, and flower shops that are open and well-lit. For those who have driven, it is a long walk to the car, which is probably in a public facility unattached to any specific restaurant or shop. The presence of open shops and people on the street encourages other people to be out as well. People want to be on streets with other people on them, and they avoid streets that are empty, because empty streets are eerie and menacing at night. Although the absence of parking requirements does not guarantee a vibrant area, their presence certainly inhibits it. "The more downtown is broken up and interspersed with parking lots and garages," Jane Jacobs argued in 1961, "the duller and deader it becomes ... and there is nothing more repellent than a dead downtown.
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Donald C. Shoup (There Ain't No Such Thing as Free Parking (Cato Unbound Book 42011))
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during the 1970' s, including "Towering Inferno," "High Anxiety," "Magnum Force," and "Streets of San Francisco." He now blogs
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Tony Piazza (Bullitt Points: Memories of Steve McQueen and Bullitt)
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I loathe San Francisco. Sure, it looks like Jurassic Park in places, and the fog layer is enchanting with its plumes and trellises interweaving with the leaves and lichen on the redwoods. But everything else is like if New York’s Gramercy neighborhood got a whole town. On any given night there are way too many “going-out shirts” and the women dress like there was a fire sale at some emporium that only sells clam-diggers and kicky little jackets with ornamental zippers. I have never so frequently witnessed pinstripe and patchwork meeting in the middle as I have on the tragic A-line skirts of Valencia Street. Every man who isn’t contemptibly rich enough to be famous for it reminds me of Matthew Lillard’s pigtail-braided Rollerblader in Hackers. I have never tallied so many “Pick-Up Artist” hats or labret piercings outside of 1996. Fashion is no more than an indication of larger trends. Certain parts of San Francisco are what happens when white people have no natural predator.
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Mary H.K. Choi (Oh, Never Mind)
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dying fish industry brought attention to the plight of the disappearing generations-old industry in the San Francisco Bay. Cole wrote about street gangs in Chinatown, the proposed needle exchange program in the Tenderloin, and the alarming increase in the suicide rate among Hispanic youth. But the article that got the most attention was “The Path of the Pedophile.” Granted, Cole’s brush with death at the hands of his subject, Terry Kosciuszko, brought a bit more publicity than Cole would have preferred. The reaction in hate mail was far stronger
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Micheal Maxwell (A Cult of Cole (A Cole Sage Mystery, #3))
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The street was a sad state in daylight. Electric signs and red lights resisted the brightness of life, stripped of their luster in the colorless day. But in darkness and mist, they pulsed with vibrancy. The streets thrived in a cloak of obscurity, and men took comfort in anonymity. At night they were a motley bunch, a throng of shadowed faces and hungry eyes, milling about brothels and dance halls like rats roaming a sewer.
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Sabrina Flynn (From the Ashes (Ravenwood Mysteries, #1))
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Manson’s arrival in the Haight directly coincided with the Summer of Love; the streets were alive with impressionable young people, looking for someone to give them answers. Manson developed a strategy for attracting an audience by sitting alone in a park somewhere and playing his guitar and singing. Once he had a few interested women sitting around him, he’d launch into his guru act, proselytizing that the answer these women were looking for lay within him. Manson promised to lead these women to true enlightenment but told them that was only possible if they renounced their possessions and their individuality and submitted entirely to his will. Next Manson took his guru act to Venice Beach where he met his first true follower (not counting Mary Brunner who was still supporting Manson financially). Eighteen-year-old Lynette Fromme, who Manson gave the nickname “Squeaky,” was charmed by Manson, who told her he was known as “The Gardener” for his work taking care of flower children. Lynette returned to Berkeley with Manson, and with Mary the new threesome moved into an apartment in San Francisco.
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Hourly History (Charles Manson: A Life From Beginning to End (Biographies of Criminals))
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Aleksander’s feet cut through the fog that had engulfed around them as he kept the two women in his sight. The two ladies moved swiftly along the sidewalk that paved the way through the foggy crowed streets of San Francisco.
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Nicole Eglinger (The Darker Side of Me (Rogue Vampire Saga #1))
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No, my friends, the fact of the matter was stated to me by a hobo I met many years ago in the streets of San Francisco. As we spoke, and I looked into his startlingly blue eyes with a shock of white hair, I asked him (he told me his name was Moses), “Moses, do you believe in God?” He looked at me in a puzzled manner and replied, “Who do you think created me?” That solved it for me. I have met many believing people who don’t need proof.
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Michael Savage (God, Faith, and Reason)
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The hippies are getting old, they blew their brains on acid and now they’re begging on street corners all over San Francisco. Their hair is tangled and their bare feet are thick and gray as shoes. We’re sick of them.
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Jennifer Egan (A Visit from the Goon Squad)
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She was twenty-three and single, still living on the streets in San Francisco, when Sylous first promised her true sight and a community that would follow her. They would find a place in the hills of Tennessee, hidden away for them alone. A terrible tribulation was coming to the world, he’d said, but he would protect them from that Fury if they followed him.
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Ted Dekker (The Girl behind the Red Rope)
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Decriminalizing drugs also removes the one lever we have to push men and women toward sobriety. Waiting around for them to decide to opt for treatment is the opposite of compassion when the drugs on the street are as cheap, prevalent, and deadly as they are today. We used to believe people needed to hit rock bottom before seeking treatment. That’s another idea made obsolete by our addiction crisis and the current synthetic drug supply. It belongs to an era when drugs of choice were merciful. Nowadays people are living in tents, screaming at unseen demons, raped, pimped, beaten, unshowered, and unfed. That would seem to be rock bottom. Yet it’s not enough to persuade people to get treatment. In Columbus, Ohio, Giti Mayton remembers a meth addict who was hospitalized with frostbitten, gangrenous hands, yet who left the hospital in midwinter to find more dope. San Francisco and Philadelphia, two cities with years of experience with heroin, are seeing users homeless and dying like never before. The dope is different now. Today, rock bottom is death.
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Sam Quinones (The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth)
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In 1993, on the strength of the Continental turnaround, Bonderman, his younger colleague Coulter, and William Price, an executive with experience at GE Capital and Bain & Co., would together form Texas Pacific Group, a private equity firm jointly headquartered in Fort Worth and San Francisco (in the early days, the founders would joke that they had to explain the company was not a railroad).
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Sujeet Indap (The Caesars Palace Coup: How a Billionaire Brawl Over the Famous Casino Exposed the Corruption of the Private Equity Industry)
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Jacqui Berlinn is a mother whose son, Corey, is homeless and addicted to fentanyl and living on the streets of the Bay Area. “My son tells me San Francisco is where he most readily gets what he needs. He calls it ‘Hell,’ and compared it to Pleasure Island in the Disney film Pinocchio. “On one side of the street are people giving you food and clean needles,” Corey told her. “On the other side of the street are all the drug dealers. It’s like getting all the candy and treats that you think you want. You think you’re having fun. But little by little it’s taking away your humanity and turning you into something you were never meant to be, like how the kids start turning into donkeys in Pinocchio, and then end up trapped and in cages.
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Michael Shellenberger (San Fransicko: Why Progressives Ruin Cities)
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When people arrive in San Francisco, they often discover there isn’t room in the shelters for them. “People come from all over the United States, thinking it’s some sort of spa here,” said a homeless man, “some sort of nirvana here. And they find out that it’s very expensive to live here.”26 The same was true in Los Angeles. “For the first time in 13 years, Los Angeles opened its housing voucher wait list last year,” said Dr. Margot Kushel. “The city drew 600,000 applicants for 20,000 slots, highlighting the enormous unmet need.”27 And more services attracted more people to Seattle. “I do think we have a magnet effect,” said Seattle’s former homelessness chief. Nearly one-quarter of the homeless in King County, in which Seattle is the biggest city, said they became homeless outside of Washington State.28 Mayor Breed said she opposed Proposition C because she feared that spending yet more on homelessness services, without any requirement that people get off the street, would backfire. “We are a magnet for people who are looking for help,” she said. “There are a lot of other cities that are not doing their part, and I find that larger cities end up with more than our fair share.”29 After San Francisco started offering free hotel rooms to the homeless during the 2020 coronavirus pandemic, first responders reported that people had come from across the state. “People are coming from all over the place—Sacramento, Lake County, Bakersfield,” said the city’s fire chief. “We have also heard that people are getting released from jail in other counties and being told to go to San Francisco where you will get a tent and then you will get housing.
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Michael Shellenberger (San Fransicko: Why Progressives Ruin Cities)
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I was shocked and horrified by what she seemed to be suggesting. “It sounds like you’re worried that I’m going to write something that would cause violence against people who live on the street,” I said. “No,” she said. “It’s just the initial summary of ‘all the misery on the streets of San Francisco’ is aligned—gets used a lot. ‘And in such a progressive city.’ I don’t think even political consultants are trying to increase violence against those people who are unhoused. I don’t think that that’s anyone’s mission. But it is what happens.”50 But there is no evidence for what Kim claimed. In fact, the number of reported attacks on the homeless declined nationwide between 2008 and 2017 from 106 to 29, according to a study by a homelessness advocacy organization, even as concern over homelessness rose from 38 to 47 percent.51
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Michael Shellenberger (San Fransicko: Why Progressives Ruin Cities)
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In the spring of 2021, Friedenbach published an op-ed opposing a proposal considered by the San Francisco Board of Supervisors to create, within eighteen months, sufficient homeless shelters and outdoor “Safe Sleeping Sites” for all of the city’s unsheltered homeless. “One can simply take a look to New York City,” she wrote. “Their department spends about $1.3 billion dollars of its budget on providing shelter for their unhoused population while thousands remain on the street. . . . As a result, New York has a higher rate of homelessness than San Francisco.”4 Housing First advocate Margot Kushel of the University of California, San Francisco agreed. “The problem with New York—and I spend a lot of time with people working in the system in New York—is that they spend an estimated $30,000 for each person per year to keep them in shelter. That’s not what we want to do. Because if you create the shelter and you don’t create the housing, then people are just in shelter forever.
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Michael Shellenberger (San Fransicko: Why Progressives Ruin Cities)
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Then the center of influence shifted to London, with the Beatles and the Rolling Stones, Cream, the Who, the Kinks, and all the bands that orbited them. San Francisco, with the Grateful Dead, Jefferson Airplane, and Santana, had its moment in a psychedelic spotlight around the Summer of Love and the Monterey Pop Festival in 1967, but as the 1960s gave way to the '70s, the center of the musical universe shifted unmistakably to Los Angeles. "It was incredibly vital," said Jonathan Taplin, who first came to LA as the tour manager for Bob Dylan and the Band and later relocated there to produce Martin Scorsese's breakthrough movie, Mean Streets. "The nexus of the music business had really moved from New York to Los Angeles. That had been a profound shift . . . It was very clear that something big had changed."'' For a breathtaking few years, the stars aligned to glittering effect in Los Angeles. The city attracted brilliant artists; skilled session musicians; soulful songwriters; shrewd managers, agents, and record executives; and buzz-building clubs. From this dense constellation of talent, a shimmering new sound emerged, a smooth blend of rock and folk with country influences. Talented young people from all over the country began descending on Los Angeles with their guitar cases or dreams of becoming the next Geffen. Irving Azoff, a hyper-ambitious young agent and manager who arrived in Los Angeles in 1972, remembered, "It was like the gold rush. You've never seen anything like it in the entertainment business. The place was exploding. I was here—right place, right time. I tell everybody, `If you're really good in this business, you only have to be right once,' so you kind of make your own luck, but it is luck, too. It was hard to be in LA in that time and have any talent whatsoever in the music business—whether you were a manager, an agent, an artist, a producer, or writer—[and] not to make it, because it was boom times. It was the gold rush, and it was fucking fun.
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Ronald Brownstein (Rock Me on the Water: 1974—The Year Los Angeles Transformed Movies, Music, Television and Politics)
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There was always a dark shadow around the San Francisco rainbow. From the very beginning, violence, desperation, and fear stalked the streets of the Haight, side by side with the euphoria. “When I hear about the Summer of Love, I say, ‘Where was that?’” remarked Lewis. “It was there, but always lurking below was this seething hatred and fear from Vietnam and the Cold War. There was always this feeling that we were going to die.
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David Talbot (Season of the Witch: Enchantment, Terror and Deliverance in the City of Love)
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Shunryu Suzuki, a Japanese Zen Buddhist priest, turned up in San Francisco in 1959. He installed himself in a strange old wooden building on Bush Street, near the corner of Laguna Street, in Japantown. He was fifty-five, just over five feet tall, and he was just about as unlikely a candidate for establishing Buddhism in the West as anyone could have imagined.
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Michael Downing (Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco Zen Center)
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Richard [Baker] had done his homework. From the beginning, he pointed out, the Buddhist practice of begging was based on an ancient notion of accumulating merit—not unlike the Roman Catholic indulgence scams. By giving food and money to the monks, wealthy patrons essentially accumulated merit badges, which were redeemable in the next life. Richard wondered if the tradition of begging—on the streets or in board rooms—wasn't corrupt. "Don't we want to avoid the idea of merit?
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Michael Downing (Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco Zen Center)
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In time of peace in the modern world, if one is thoughtful and careful, it is rather more difficult to be killed or maimed in the outland places of the globe than it is in the streets of our great cities, but the atavistic urge toward danger persists and its satisfaction is called adventure. However, your adventurer feels no gratification in crossing Market Street in San Francisco against the traffic. Instead he will go to a good deal of trouble and expense to get himself killed in the South Seas.
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John Steinbeck (The Log from the Sea of Cortez)
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As Nick Lane explains in The Vital Question, Margulis argued that complex organisms “did not evolve by ‘standard’ natural selection but by an orgy of cooperation, in which cells engaged with each other so closely that they even got inside each other.” Too radical, too early. On the streets of San Francisco and New York, it may have been the Summer of Love, with young men and women engulfing each other with ardor, but in scientific halls, Margulis’s engulfment theory was met with a barrage of skepticism.
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Siddhartha Mukherjee (The Song of the Cell: An Exploration of Medicine and the New Human)
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The greatest commemorations were in the United States, where from San Francisco to Philadelphia, and from Chicago to Charleston, the nation saw street parades, sumptuous dinners and concerts. In Cleveland some 8,000 people took to the streets and in Syracuse another 15,000 joined a march that was more than a mile long. President Ulysses Grant attended the Humboldt celebrations in Pittsburgh together with 10,000 revellers who brought the city to a standstill.
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Andrea Wulf (The Invention of Nature: Alexander von Humboldt's New World)
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Shockley Semiconductor in the San Francisco suburb of Mountain View, California, just down the street from Palo Alto,
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Chris Miller (Chip War: The Fight for the World's Most Critical Technology)
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After a week of walking around in the rain of Seattle for a week, I was mentally and physically fatigued. That sense of discombobulation made me feel disoriented and apathetic. Glad to be in SF, I sat on a bus bench a couple blocks off Market Street, and reflected. I had no money and nowhere to sleep. I was excited.
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Nobo (Not A Hobo) (Homeless On Purpose: San Francisco 2000)
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Thanks to time differentials and good telephone service, the world money market, unlike stock exchanges, race tracks, and gambling casinos, practically never closes. London opens an hour after the Continent (or did until February 1968, when Britain adopted Continental time), New York five (now six) hours after that, San Francisco three hours after that, and then Tokyo gets under way about the time San Francisco closes. Only a need for sleep or a lack of money need halt the operations of a really hopelessly addicted plunger anywhere.
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John Brooks (Business Adventures: Twelve Classic Tales from the World of Wall Street)
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We crest a hill in the dead of night. San Francisco should be a city bustling with sparkling lights, motion, and noise. I used to look forward to and dread coming here at the same time because of all the sensory overload. I almost always got lost wandering around the windy streets the few times I visited with friends or my dad.
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Susan Ee (World After (Penryn & the End of Days, #2))
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Spearheading the assault on this legendarily bleak and intractable stretch was Twitter, which in June 2012 moved 800 employees into a building between 9th and 10th Streets. Though mid-Market is on the Tenderloin’s borders, the move was a portent. It struck me as ironic that a social media company, specializing in creating disembodied “communities,” might simultaneously destroy and revitalize the neighborhood that had once been a dense nexus of city life.
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Gary Kamiya (Cool Gray City of Love: 49 Views of San Francisco)
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Unlike our well-heeled brethren in the high-rises that surround us, the attorneys in my firm, Fernandez and Daley, occupy cramped quarters around the corner from the Transbay bus terminal and next door to the Lucky Corner Number 2 Chinese restaurant. Our office is located on the second floor of a 1920s walk-up building at 553 Mission Street, on the only block of San Francisco’s South of Market area that has not yet been gentrified by the sprawl of downtown. Although we haven’t started remodeling yet, we recently took over the space from a defunct martial arts studio and moved upstairs from the basement. Our files sit in what used to be the men’s locker room. Our firm has grown by a whopping fifty percent in the last two years. We’re up to three lawyers.
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Sheldon Siegel (Incriminating Evidence (Mike Daley/Rosie Fernandez Mystery, #2))
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Where is God? I used to take some comfort from the image of cable cars in San Francisco. What enables those cable cars to move up and down the steep hills of San Francisco? There are powerful cables that run underneath these ups and downs. When the cable car wants to move, it latches on to the cable, which pulls it up or down the hills. If you look down into the opening that runs down the middle of all these streets, you will see that, underneath, the cable is always running. God is the force of life that runs through our lives, day in and day out—in the inexplicable force that gives a person the simple, heroic courage to open the door.
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Dov Peretz Elkins (Yom Kippur Readings: Inspiration, Information and Contemplation)
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Josh Miller, 22 years old. He is co-founder of Branch, a “platform for chatting online as if you were sitting around the table after dinner.” Miller works at Betaworks, a hybrid company encapsulating a co-working space, an incubator and a venture capital fund, headquartered on 13th Street in the heart of the Meatpacking District. This kid in T-shirt and Bermuda shorts, and a potential star of the 2.0 version of Sex and the City, is super-excited by his new life as a digital neo-entrepreneur. He dropped out of Princeton in the summer of 2011 a year before getting his degree—heresy for the almost 30,000 students who annually apply to the prestigious Ivy League school in the hope of being among the 9% of applicants accepted. What made him decide to take such a big step? An internship in the summer of 2011 at Meetup, the community site for those who organize meetings in the flesh for like-minded people. His leader, Scott Heiferman, took him to one of the monthly meetings of New York Tech Meetup and it was there that Miller saw the light. “It was the coolest thing that ever happened to me,” he remembers. “All those people with such incredible energy. It was nothing like the sheltered atmosphere of Princeton.” The next step was to take part in a seminar on startups where the idea for Branch came to him. He found two partners –students at NYU who could design a website. Heartened by having won a contest for Internet projects, Miller dropped out of Princeton. “My parents told me I was crazy but I think they understood because they had also made unconventional choices when they were kids,” says Miller. “My father, who is now a lawyer, played drums when he was at college, and he and my mother, who left home at 16, traveled around Europe for a year. I want to be a part of the new creative class that is pushing the boundaries farther. I want to contribute to making online discussion important again. Today there is nothing but the soliloquy of bloggers or rude anonymous comments.” The idea, something like a public group email exchange where one can contribute by invitation only, interested Twitter cofounder Biz Stone and other California investors who invited Miller and his team to move to San Francisco, financing them with a two million dollar investment. After only four months in California, Branch returned to New York, where it now employs a dozen or so people. “San Francisco was beautiful and I learned a lot from Biz and my other mentors, but there’s much more adrenaline here,” explains Miller, who is from California, born and raised in Santa Monica. “Life is more varied here and creating a technological startup is something new, unlike in San Francisco or Silicon Valley where everyone’s doing it: it grabs you like a drug. Besides New York is the media capital and we’re an online publishing organization so it’s only right to be here.”[52]
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Maria Teresa Cometto (Tech and the City: The Making of New York's Startup Community)
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Phil was into speed—many years ago, not now of course—and he had a stash of Ritalin. He used to drive a mail truck on Market Street in San Francisco during rush hour and he became The Crazy Postman. He’d go out there and just beat everybody to the line and race like crazy.
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Bill Kreutzmann (Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead)
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Three cable lines are still active in SF and these are as follows: California and the two Powell Cable Lines. The last two are most popular among locals and tourists as they even travel to the sheer area in the north, including the Lombard Street. Riding these cars can be pretty fun, but lines tend to be long at times especially during late mornings and afternoons.
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Jennifer Bean (San Francisco Travel Guide: Top Attractions, Hotels, Food Places, Shopping Streets and Everything You Need to Know)
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opportunity of comparing the San Francisco of 1852 with that of 1853. As before stated, there had been but one wharf in front of the city in 1852 – Long Wharf. In 1853 the town had grown out into the bay beyond what was the end of this wharf when I first saw it. Streets and houses had been built out on piles where the year before the largest vessels visiting the port lay at anchor or tied to the wharf. There was no filling under the streets or houses. San Francisco presented the same general appearance as the year before; that is, eating, drinking and gambling houses were conspicuous for their number and publicity. They were on the first floor, with doors wide open. At all hours of the day and night in walking the streets, the eye was regaled, on every block near the water front, by the sight of players at faro. Often broken places were found in the street, large enough to let a man down into the water below. I have but little doubt that many of the people who went to the Pacific coast in the early days of the gold excitement, and have never been heard from since, or who were heard from for a time and then ceased to write, found watery graves beneath the houses or streets built over San Francisco Bay.
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Ulysses S. Grant (Personal Memoirs)
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A few weeks later, Chesky decided that the founders of the struggling company should apply to the prestigious Y Combinator startup school, which invested seventeen thousand dollars in each startup, took a 7 percent ownership stake, and surrounded founders with mentors and technology luminaries during an intense three-month program. It was a last-ditch effort and Chesky actually missed the application deadline by a day. Michael Seibel, an alumnus of the program (and later its CEO), had to ask the organizers to let the company submit late. They got permission, and the co-founders were invited for an interview. Blecharczyk flew out to San Francisco and crashed on the living-room couch on Rausch Street, and the three co-founders gathered themselves for one last try.
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Brad Stone (The Upstarts: How Uber, Airbnb, and the Killer Companies of the New Silicon Valley Are Changing the World)
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talking about some guy. I’m talking about the Force, the Thin Blue Line, the fraternity of police I’ve been barred from. Being on the outside looking in does have its compensations, because now I’m my own boss. I have an agency, California Investigations, named for yours truly, California G. Corwin. My leftover hippie mother stuck the moniker on me, though it’s really not so bad because I go by Cal. I’ve always been a tomboy anyway. With a clear docket and hope for a new case this Monday, I reached down to flip the drop box open, the one inside my Mission District office off of Valencia. The sounds and smells of San Francisco streets
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D.D. VanDyke (Loose Ends (California Corwin P.I. #1))
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They soon began plying me with questions about America and American writers. Like most educated Europeans they knew more about American literature than I ever will. Antoniou had been to America several times, had walked about the streets of New York, Boston, New Orleans, San Francisco and other ports. The thought of him walking about the streets of our big cities in bewilderment led me to broach the name of Sherwood Anderson whom I always think of as the one American writer of our time who has walked the streets of our American cities as a genuine poet. Since they scarcely knew his name, and since the conversation was already veering towards more familiar ground, namely Edgar Allan Poe, a subject I am weary of listening to, I suddenly became obsessed with the idea of selling them Sherwood Anderson. I began a monologue myself for a change—about writers who walk the streets in America and are not recognized until they are ready for the grave. I was so enthusiastic about the subject that I actually identified myself with Sherwood Anderson. He would probably have been astounded had he heard of the exploits I was crediting him with. I’ve always had a particular weakness for the author of "Many Marriages." In my worst days in America he was the man who comforted me, by his writings. It was only the other day that I met him for the first time. I found no discrepancy between the man and the writer. I saw in him the born story teller, the man who can make even the egg triumphant.
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Henry Miller (The Colossus of Maroussi)
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When he died penniless in 1880, more than 30,000 people lined Market Street for his funeral procession. In the 1890s, the gauntlet passed to Mayor Adolph Sutro, who used his fortune from the Comstock Lode silver mine to build monuments to himself, including the Sutro Baths, an indoor swimming complex next to the Cliff House that was more elaborate than the fantasy pools in Hawaii. The Baths closed when I was a kid, but you can still see the ruins. Over the decades, other luminaries included beat poets Jack Kerouac and Allen Ginsberg, a stripper named Carol Doda who headlined the city’s first topless club a few blocks from where we were sitting, and a high-end madam named Sally Stanford who became a restauranteur and later the Mayor of Sausalito. The list would not be complete without mentioning flamboyant lawyers like Melvin Belli, Jake Ehrlich, Vincent Hallinan, Tony Serra, and Nate Cohn. Nick “the Dick” was one of San Francisco’s few
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Sheldon Siegel (Felony Murder Rule (Mike Daley/Rosie Fernandez Mystery, #8))
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the course of their investigation had changed. If anyone had reason to silence Trudy Salvatori about the affair, it would be the man up for reelection. Congressman Parnell. Twenty-five minutes
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Robin Burcell (The Last Good Place (Streets of San Francisco, #1))
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turned back into his office, pushing his door closed. “Uh oh,” Zwingler said to Casey. “Looks
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Robin Burcell (The Last Good Place (Streets of San Francisco, #1))
Robin Burcell (The Last Good Place (Streets of San Francisco, #1))
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Food was also expensive: In the summer of 1849, a dozen eggs cost $12 and a loaf of bread worth 5 cents cost 50 cents. Most of the city’s inhabitants were bachelors who were remarkably (but typically for their time) innocent of even the most rudimentary knowledge of cooking, cleaning, or anything domestic. As a result—and because few lodgings had cooking facilities—almost everyone ate in restaurants. (It is said that this is the origin of San Francisco’s tradition as a great restaurant town.) There were culinary establishments for every taste and budget, from the high-end Delmonico’s, where a meal could cost $10, to filthy dives where $1 would buy a meal of boiled beef, bread, and coffee. Many men ate standing up at street stands. Others frequented the “Celestial” (Chinese) restaurants that had already begun to open.
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Gary Kamiya (Cool Gray City of Love: 49 Views of San Francisco)
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The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.
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Michael Nava (The Little Death (Henry Rios Mystery, #1))
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Nineteen eighty is almost here, thank God. The hippies are getting old, they blew their brains on acid and now they’re begging on street corners all over San Francisco. Their hair is tangled and their bare feet are thick and gray as shoes. We’re sick of them.
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Jennifer Egan (A Visit from the Goon Squad)
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visible at the bottom of the hill. Casey unlocked the car, and Al opened his door but nodded
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Robin Burcell (The Last Good Place (Streets of San Francisco, #1))
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In 2011, a man in San Francisco attempted to rob the local Bank of America. The man wrote out a deposit slip, which read "this iz a stikkup put all your muny in this bag." While waiting in the particularly long line for the teller, the robber became concerned that someone could have seen him write the note and would alert the authorities, before he reached the teller. He quickly left the bank, and crossed the street to enter the Wells Fargo bank. He soon reached a teller, and handed over the deposit slip. When the teller read the note, she immediately realized the robber was most likely not particularly intelligent, due to all of the grammatical errors. The teller then explained to the robber that she could not accept his stickup note, due to the fact that it was written on a Bank of America deposit slip. The teller then told the robber to fill out a Wells Fargo deposit slip, or to return to Bank of America. The robber left in frustration, returning to the Bank of America. Needless to say, it didn't take long for the police to catch up with him after he returned to the long line at Bank of America.
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Jeffrey Fisher (Stupid Criminals: Funny and True Crime Stories)
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Everything was falling apart—the 1960s, rock and roll, the Wenners’ marriage. When Wenner gave Jane an ultimatum over the phone—come back from Europe or don’t ever come back—she returned to San Francisco. But Jane had fallen for Sandy. She packed her bags, and the Lhasa apso, and took a train to New York to live with Bull, moving in with his mother on East Sixty-First Street, surrounded by birds and harps and butterflies and needles.
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Joe Hagan (Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine)
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San Francisco is still the loveliest city in the world for my money, despite how they've tried to ruin her. Yeah, it attracts all the weirdos, and some of them aren't harmless like they used to be in days gone by, but for the most part the people are lovely and easygoing, and there is a romanticism that exists in San Francisco that you can genuinely feel as you walk around. The wonderful things about her still remain; the wharf and fabled Pier 39; the little cable cars climbing upward toward the stars; the Painted Ladies of Victorian Row; the thousand or so acres of Golden Gate Park; and the up-and-down streets where Steve McQueen once hopped in his '68 Mustang and chased the bad guys in their '68 Dodge Charger. Tony Bennett left his heart here for good reason.
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Bobby Underwood (Gypsy Summer)
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RIVER QUAY
In Kansas City, if one were to bring up the topic of River Quay (pronounced “River Key”), that conversation would no doubt evolve into a conversation about River Market.
Today, River Market is a hip-and-trendy neighborhood in Kansas City, Missouri. Located just south of the Missouri River. Adorning River Market’s quaint neighborhood feel, you’ll find chic eateries. Coupled to an urban lifestyle. Complete with a streetcar. A stone’s throw to the west of Christopher S. Bond Bridge. That’s today. Today’s River Market. Yesterday’s River Quay.
In 1971, Marion Trozzolo - then, a Rockhurst University professor - began renovating historic buildings alongside the “Big Muddy” in a section of Kansas City that we now know to be River Market. It was Professor Trozzolo who came up with the River Quay nickname.
Trozzolo’s idea for River Quay? For River Quay to undergo a thorough, artsy-remake. Into a Kansas City-styled French Quarter. A neighborhood comparable to Chicago’s Old Town. To San Francisco’s Ghirardelli Square. Trozzolo envisioned a family-friendly environ for River Quay. Unfortunately, the latter half of the ‘70’s was a rough time for this neighborhood next to the muddy Missouri.
The word Quay? It's a word of French origin. The translation for Quay? Loading platform. Or wharf.
Did River Quay ever become a Kansas City French Quarter? Did River Quay ever become a Kansas City Old Town? Did River Quay ever become a Kansas City Ghirardelli Square? Hardly.
By the late ‘70’s, revitalization efforts in River Quay had stalled. Leaving River Quay saddled with boarded up buildings. Deserted through-streets. A neighborhood, with no vibrancy. Streets, with no traffic. Sidewalks, with no passers-by.
By the late ‘70’s, developers were walking away from unfinished River Quay projects. Whereas River Quay had once - not long before - been primed for a grandiose new identity. One which bespoke of a rebirth for this neighborhood. A transition. From blight. To that of an entertainment district. Yet by the late ‘70’s, River Quay was not on its way to becoming Kansas City’s French Quarter.
By the late ‘70’s, you’d still find an X-rated theatre in River Quay. With mob ties. Homeless, sleeping next to decrepit River Quay buildings. Empty River Quay buildings which had once been fancied as prime renovation opportunities. Projects, sadly cast aside and forgotten. In River Quay.
In the late 1970’s? Well, at that time, River Quay was as an unfinished idea. Full of unrealized potential. Full of unrealized promise. Disappointing, no doubt. Yet today, on those same grounds, alongside the Missouri River, we have Kansas City’s stunning River Market. A great idea. Then a detour. Yet, a happy ending - and a nice story, with a unique history- in Kansas City.
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Ted Ihde, Thinking About Becoming A Real Estate Developer?
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I found my truck where I had left it, parked with the rear against a juniper. Water in the jugs had frozen. A mouse trap in the back still hadn’t caught the mouse who was living in my wool socks and eating holes in my plastic bags. I drove north. By the time the Milky Way was out I had reached the foot of the Book Cliffs and the remains of Thompson, Utah. The train comes through the town and was heading out for Christmas. I was an hour late. The train is customarily two hours late. I still had time to set pennies on the tracks. This was the only time I had seen another customer in the Silver Grill Cafe. Through the window he sat at one end of the counter gesturing toward the gray-haired woman who runs the place, sitting at the other end. I once ordered a cinnamon roll in there, and she peeled open a box she had gone all the way to Moab City Market a couple days earlier to purchase. By telling me this, she was emphasizing the fact that the cinnamon rolls were fresh. She put it in the microwave for me. Gave me an extra pat of butter, the kind with foil around it. I spent an hour once just up the street talking to the post mistress and her cat. I checked the WANTED bulletins, then ran when the train came through. If you are not standing at the tracks in Thompson, the Amtrak will not stop. They call it a whistle stop. One of the few left in the country. The gray-haired woman shut down the cafe, clicked off the front lights. Electricity was buzzing out of the single street light, so I opened the truck door and turned on the tape deck. After a while I shut it off because my battery has never proved itself to be resilient. A couple of freight trains tore through with the impact of sudden cataclysm, flattening my pennies. Then the buzzing of the street light. Then the coyotes. They were yelping and howling up Sego Canyon, where there are pre-Anasazi paintings on the walls—big, round eyes, huge and red, looking over the canyon. The train was three hours late. I stood nearly on the tracks so they couldn’t miss me with that blinding, drunken light. The conductor threw open the steel door. “Shoot,” he yelled. “It’s dark out here!” I dove through and tackled him with my backpacks, flashing a ticket in his face. He quickly announced that I had too many pieces, but the train was already moving. I looked back out. Utah was black. He pulled the door closed and the train began to rock along the tracks. When I came down the aisle I saw a few passengers who were still awake, on their way to San Francisco or Las Vegas. Overhead lights were trained on paperbacks in their laps. They were staring out their windows into absolute darkness. I knew what they were thinking; there is nothing out there.
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Craig Childs (Stone Desert)
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Where do I go to get a director? I’ve never hired one in my life. I’ve only starred in three films. I said, “Marty, I don’t know how to interview anybody. This is completely crazy.” He said, “No, you’ve got to do it. That’s it.” So now I had to go to California. I was very unhappy. I went to San Francisco to talk to Peter Yates, who made Bullitt. I went to LA to talk to Mark Rydell. I wound up in the Beverly Wilshire Hotel, in what I called the Pompous Room—I didn’t know any other name for it. I’m talking to some guy who’s sort of quiet like me, who’s young and just starting out, but he’s hot off an art film of sorts called Mean Streets, which I hadn’t seen yet, and I’m too busy looking at the tables with red and green felt and the wallpaper with ducks and peacocks on them to understand that I’m speaking to one of our finest filmmakers ever, Martin Scorsese. I was just dizzy and I don’t think we hardly said a word to each other. I guess he must have known I didn’t know my ass from my elbow when it came to hiring a director.
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Al Pacino (Sonny Boy)
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After she was gone, I stared at the trunk for a moment, uncertainty rolling back in. The termination of my job should’ve been a good thing, especially since I was still getting paid. I would totally take that check and nod in thanks. Who was I to say boo? I mean, Kieran was a nightmare of a boss: possessive, controlling, and he often stuck his nose in where it didn’t belong. And then there was the danger from Valens. It would be way safer to distance myself from the lot of them. I could move somewhere nice, with better weather and cleaner streets. We could start over, with the money to do it right.
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K.F. Breene (Sin & Magic (Demigods of San Francisco, #2))
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Complaints about human waste on San Francisco’s sidewalks and streets were rising. Calls about human feces increased from 10,692 to 20,933 between 2014 and 2018.7 In 2019, the city spent nearly $100 million on street cleaning—four times more than Chicago, which has 3.5 times as many people and an area that is 4.5 times larger. Between 2015 and 2018, San Francisco replaced more than three hundred lampposts corroded by urine after one had collapsed and crushed a car.
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Michael Shellenberger (San Fransicko: Why Progressives Ruin Cities)