Street Intersection Quotes

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Some problems we share as women, some we do not. You fear your children will grow up to join the patriarchy and testify against you; we fear our children will be dragged from a car and shot down in the street, and you will turn your backs on the reasons they are dying.
Audre Lorde
I stopped at a red light, feeling foolish as always for stopping at an intersection at an hour when the streets are deserted, just because a colored lightbulb told me to. Society has got me so fucking trained. I rubbed my eyes and groaned and felt utterly alone in the world.
David Wong
I stopped at a red light, feeling foolish as always for stopping at an intersection at an hour when the streets are deserted, just because a colored lightbulb told me to.
David Wong (John Dies at the End (John Dies at the End #1))
Time does not give one much leeway: it thrusts us forward from behind, blows us through the narrow tunnel of the present into the future. But space is broad, teeming with possibilities, positions, intersections, passages, detours, U-turns, dead-ends, one-way streets. Too many possibilities, indeed.
Susan Sontag (Under the Sign of Saturn: Essays)
But the thing about remembering is that you don't forget. You take your material where you find it, which is in your life, at the intersection of past and present. The memory-traffic feeds into a rotary up on your head, where it goes in circles for a while, then pretty soon imagination flows in and the traffic merges and shoots off down a thousand different streets. As a writer, all you can do is pick a street and go for the ride, putting things down as they come at you. That's the real obsession. All those stories.
Tim O'Brien (The Things They Carried)
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
Eric Roth (The Curious Case of Benjamin Button Screenplay)
intersection of Broadway and Houston Street. Here, it was once sagely remarked, you could fire a shotgun in any direction without hitting an honest man;
Caleb Carr (The Alienist (Dr. Laszlo Kreizler, #1))
In this he was like most Midwesterners. Directions are very important to them. They have an innate need to be oriented, even in their anecdotes. Any story related by a Midwesterner will wander off at some point into a thicket of interior monologue along the lines of "We were staying at a hotel that was eight blocks northeast of the state capital building. Come to think of it, it was northwest. And I think it was probably more like nine blocks. And this woman without any clothes on, naked as the day she was born except for a coonskin cap, came running at us from the southwest... or was it the southeast?" If there are two Midwesterns present and they both witnessed the incident, you can just about write off the anecdote because they will spend the rest of the afternoon arguing points of the compass and will never get back to the original story. You can always tell a Midwestern couple in Europe because they will be standing on a traffic island in the middle of a busy intersection looking at a windblown map and arguing over which way is west. European cities, with their wandering streets and undisciplined alleys, drive Midwesterners practically insane.
Bill Bryson (The Lost Continent: Travels in Small-Town America)
At sixty miles per hour, you could pass our farm in a minute, on County Road 686, which ran due north into the T intersection at Cabot Street Road.
Jane Smiley (A Thousand Acres)
midmorning. The sky steel blue and not a cloud in sight. His perch was atop a thirty-foot guard tower that had been built on the rocky pinnacle of a mountain, far above the timberline. From the open platform, he had a panoramic view of the surrounding peaks, the canyon, the forest, and the town of Wayward Pines, which from four thousand feet above, was little more than a grid of intersecting streets, couched in a protected valley. His radio squeaked. He answered, “Mustin, over.” “Just had a fence strike in zone four, over.” “Stand by.
Blake Crouch (Wayward (Wayward Pines, #2))
But I can stop on any corner at the intersection of two busy streets, and before me are thousands of lives headed in all four directions, uptown downtown east and west, on foot, on bikes, on in-line skates, in buses, strollers, cars, trucks, with the subway rumble underneath my feet... and how can I not know I am momentarily part of the most spectacular phenomenon in the unnatural world? ...The city may begin from a marketplace, a trading post, the confluence of waters, but it secretly depends on the human need to walk among strangers.
E.L. Doctorow (City of God)
A major street intersects, at something other than a ninety-degree angle, a smaller commercial street, defining two (smaller) acute-angle lots and two (larger) obtuse-angle lots. On one side of the major street, the obtuse-angle lot is occupied by a two-storey office building,
Neal Stephenson (Cryptonomicon)
Personality and personal identity are in some ways like co-ordinates on the street map drawn by our intersecting relationships.
Gregory David Roberts (Shantaram)
He noticed that a bedraggled and desiccated pink poppy was growing out of a crack where the wall of the teacher’s house intersected with the cobbles of the street.
Louis de Bernières (Birds Without Wings)
There are places in New York where the city's anarchic, unaccommodating spirit, its fundamental, irrepressible aimlessness and heedlessness have found especially firm footholds. Certain transfers between subway lines, passageways of almost transcendent sordidness; certain sites of torn-down buildings where parking lots have silently sprung up like fungi; certain intersections created by illogical confluences of streets--these express with particular force the city's penchant for the provisional and its resistance to permanence, order, closure.
Janet Malcolm (Forty-One False Starts: Essays on Artists and Writers)
They drove through the intersection and turned left on a street Mo had once known like his favorite song. It was strange to him now and he wondered if that was because of the disease or just the natural effect of change itself, the tendency of things to move around on you, to shift when you weren't looking. So that you could get back and be a stranger in your own places.
Leonard Pitts Jr. (Before I Forget)
The faint metallic smell of the falling snow surrounds her. calm yourself. Listen. Cars splash along streets, and snowmelt drums through runnels; she can hear snowflakes tick and patter through the trees. She can smell the cedars in the Jarin des Plantes a quarter mile away. Here the Metro hurdles beneath the sidewalk; that's the Quai Saint-Bernard. Here the sky opens up, and she hears the clacking of branches: that's the narrow stripe of gardens behind the Gallery of Paleontology. This, she realizes, must be the corner of the quay and rue Cuvier. ' Six blocks, forty buildings, ten tiny trees in a square. This street intersects this street intersects this street. One centimeter at a time. Her father stirs the keys in his packets. Ahead loom the tall, grand houses that flanked the gardens, reflecting sound. She says, "we go left
Anthony Doerr (All the Light We Cannot See)
By noon of the fourth day, big chunks of the street’s surface were boating through the intersection of Jackson and Witcham like miniature white-water rafts. By that time, many people in Derry had begun to make nervous jokes about arks.
Stephen King (It)
Right at the intersection of Mass Ave and JFK Street, it hit me. I stopped short, stunned by the realization of what had just happened: I can do this as a job. I can do this every day that it’s warm and not rainy. If I just made thirty-eight dollars in an hour, I can work three hours and make about a hundred dollars in a day. I don’t have to scoop ice cream anymore. I can make my own schedule. I don’t have to have a boss. Nobody can ever fire me. I WILL NEVER HAVE TO HAVE A REAL JOB AGAIN. And technically? I never really did.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
Did you hear the one about the funeral procession? Well, this funeral procession was goin’ up the hill to the church and the back door of the hearse flew open and out shoots the casket and, blametty blam, down the hill it goes through the intersection with horns blowin’ and people dodgin’ out of the way, and it runs on down the street and jumps up on the sidewalk and busts in through the pharmacy door and shoots down the aisle to the druggist and the lid pops up and this guy sits up and says: ‘Got anything to stop this coffin?
Jan Karon
Misgendering is a complicated topic to trans people as it intersects with so many other issues. Innocent misgendering by the general public can still be painful, as it’s often taken as a sign that no matter the effort we may have put in, we’re still seen as that old persona we’re trying to leave behind. Someone in the street could innocently ruin a trans person’s day by reading them as the wrong gender and openly using the wrong pronoun. By trying to keep my expectations low, I felt that I was minimising the hurt that misgendering was causing, but I’d be lying to say that it wasn’t still disappointing.
Mia Violet (Yes, You Are Trans Enough: My Transition from Self-Loathing to Self-Love)
The eye in this city acquires an autonomy similar to that of a tear. The only difference is that it doesn't sever itself from the body but subordinates it totally. After a while - on the third or fourth day here- the body starts to regard itself as merely the eye's carrier, as a kind of submarine to its now dilating, now squinting periscope. Of course, for all its targets, its explosions are invariably self-inflicted: it's own heart, or else your mind, that sinks; the eye pops up to the surface. This, of course, owes to local topography, to the streets - narrow, meandering like eels - that finally bring you to a flounder of a campo with a cathedral in the middle of it, barnacled with saints and flaunting its Medusa-like cupolas. No matter what you set out for as you leave the house here, you are bound to get lost in these long, coiling lanes and passageways that beguile you to see them through to follow them to their elusive end, which usually hits water, so that you can't even call it a cul-de-sac. On the map this city looks like two grilled fish sharing a plate, or perhaps like two nearly overlapping lobster claws ( Pasternak compared it to a swollen croissant); but it has no north, south, east, or west; the only direction it has is sideways. It surrounds you like frozen seaweed, and the more you dart and dash about trying to get your bearings, the more you get lost. The yellow arrow signs at intersections are not much help either, for they, too, curve. In fact, they don't so much help you as kelp you. And in the fluently flapping hand of the native whom you stop to ask for directions, the eye, oblivious to his sputtering, A destra, a sinistra, dritto, dritto, readily discerns a fish.
Joseph Brodsky (Watermark)
They travelled crosstown now; the cab could rush fast down each block of the continuous alley, pausing only at the intersections where, to the right, canyonniched, the rumor of Grandlieu Street swelled and then faded in repetitive and indistinguishable turmoil, flicking on and past as though the cab ran along the rimless periphery of a ghostly wheel spoked with light and sound.
William Faulkner (Pylon)
The most important lesson to take from all this is that there is no way to confront the climate crisis as a technocratic problem, in isolation. It must be seen in the context of austerity and privatization, of colonialism and militarism, and of the various systems of othering needed to sustain them all. The connections and intersections between them are glaring, and yet so often, resistance to them is highly compartmentalized. The anti-austerity people rarely talk about climate change; the climate change people rarely talk about war or occupation. Too many of us fail to make the connection between the guns that take black lives on the streets of US cities and in police custody and the much larger forces that annihilate so many black lives on arid land and in precarious boats around the world. Overcoming these disconnections, strengthening the threads tying together our various issues and movements, is, I would argue, the most pressing task of anyone concerned with social and economic justice. It is the only way to build a counterpower sufficiently robust to win against the forces protecting the highly profitable but increasingly untenable status quo.
Naomi Klein (On Fire: The Case for the Green New Deal)
THE City of Angels operated mostly on a grid pattern, with a few winding streets tossed in to fuck up a tourist trying to get from Hollywood to downtown. Adding to the confusion are three of the worst intersected freeways known to mankind. An innocent stranger to the molasses gridlock around the downtown exits could unsuspectingly take the wrong course among the five hundred options available amid the endless construction and find himself circling the area, hopelessly lost until he either ran out of gas or went mad from the hell he couldn’t escape. Bobby was dead certain many of the street people trudging through downtown muttering to themselves were actually motorists who finally abandoned their cars and set to walking the cement and steel desert until the end of their days. I wasn’t all together certain he was wrong.
Rhys Ford (Dirty Laundry (Cole McGinnis, #3))
Across the intersection he could see the crumbling blue-green facade of the Palace Amusements building, the grinning ten-foot-high face on its north wall smiling out on empty streets and vacant lots. The arcade entrances were covered with plywood; broken neon tubing hung from the walls. He thought of the hours he had spent there as a kid, playing pinball, firing the real .22s in the shooting gallery, riding the bumper cars. It hurt to look at it now.
Wallace Stroby (The Barbed-Wire Kiss: A Novel (Harry Rane Novels Book 1))
Get off the Expressway, and go south a mile or so, or half a mile north toward the Zoo; drive in and out through streets whose names are posted at the soul’s intersections — Fox, Kelly, Longwood, Honeywell, Southern Boulevard — and you will find blocks that feel so much like blocks you left long ago, blocks you thought had vanished forever, that you will wonder if you are seeing ghosts or if you yourself are a ghost haunting these solid streets with the phantoms of your inner city.
Marshall Berman (All That Is Solid Melts Into Air: The Experience of Modernity)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
I loved wintertime in Kabul. I loved it for the soft pattering of snow against my window at night, for the way fresh snow crunched under my black rubber boots, for the warmth of the cast-iron stove as the wind screeched through the yards, the streets. But mostly because, as the trees froze and ice sheathed the roads, the chill between Baba and me thawed a little. And the reason for that was the kites. Baba and I lived in the same house, but in different spheres of existence. Kites were the one paper thin slice of intersection between those spheres.
Khaled Hosseini (The Kite Runner)
Greta’s car was three blocks away, and up ahead there looked to be a crowd of people gathering. They had probably come outside to see what the commotion was. Rapp stopped running. There was no quicker way to attract attention than running in street clothes at night when gunshots had been fired. The sirens were much closer now. At the next intersection a police car came skidding around the corner. Rapp’s training kicked in. He stopped and stared directly at the two policemen in the front seat. That’s what innocent people did. Guilty people looked away, hid their faces, and even ran.
Vince Flynn (Kill Shot (Mitch Rapp, #2))
That American dream had given me confidence to my voice, determination to my actions, precision to my desires, speed to my gait and strength to my gaze. That American dream made me believe I could have everything, that I could go around in a chauffeur-driven car while estimating the weight of the squash being carried on a rusty bicycle by a woman with eyes blurred by sweat; that I could dance to the same rhythm as the girls who swayed their hips at the bar to dazzle men whose thick billfolds were swollen with American dollars; that I could live in the grand villa of an expatriate and accompany barefoot children to their school that sat right on the sidewalk where two streets intersected.
Kim Thúy (Ru)
Marxism and intersectionality are intellectual currents or conceptual frameworks that are ultimately oriented toward activism, agitation, and transformational practice. [...] Both of these theories are, first and foremost, ways of reading, understanding, thinking, and dreaming beyond the deep structures of exploitation and oppression that frame our world. Thus, for a book about theory, actual struggles, organizations, and movements appear, not only as phenomena to be interpreted, but as the sources and sites of theoretical production; words, ideas, concepts, and arguments produced in the street are no less theoretical than those produced in the academy, and the former often speak with more clarity and precision.
Ashley J. Bohrer (Marxism and Intersectionality: Race, Gender, Class and Sexuality under Contemporary Capitalism)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
into the main part of the store. Off to get Kendal, I mouthed to Celine, and she nodded. I stepped out into the September afternoon. Behind me, Eighty-ninth Street stretched several blocks to Riverside Park, a favorite place of mine and Kendal’s. Just ahead the intersection at Broadway sparkled with a steady stream of cars and our neighboring retailers’ windows. A man walking his dog nodded a wordless hello, and a mom with a baby in a stroller bent to pop a pacifier back into her unhappy child’s mouth. A delivery truck double-parked and the car behind it honked its disproval. The air held only a hint that summer was waning. September used to be my favorite month. I liked the way it sweetly bade the summer pastels away and showered the Yard’s shelves with auburn, mocha, and every shade of red. September brought in the serious quilters, those who loved spending
Susan Meissner (A Fall of Marigolds)
In the distance, the battle rages still, moved on to other avenues and other victims. Hock Seng limps down the street. Bodies lie everywhere. He reaches an intersection and hobbles across, too tired to care about the risk of being caught in the open. At the far side, a man lies slumped against a wall, his bicycle lying beside him. Blood soaks his lap. Hock Seng picks up the bicycle. "That's mine," the man says. Hock Seng pauses, studying the man. The man can barely keep his eyes open, yet still he clings to normalcy, to the idea that something like a bicycle can be owned. Hock Seng turns and wheels the bicycle down off the sidewalk. The man calls out again, "That's mine." But he doesn't stand and he doesn't do anything to stop Hock Seng as he swings a leg over the frame and sets his feet on the pedals. If the man complains again, Hock Seng doesn't hear it.
Paolo Bacigalupi (The Windup Girl)
Once Bee was settled into kindergarten, Bernadette showed no interest in fixing up the house, or in any kind of work. All the energy she had once channeled so fearlessly into architecture, she turned toward fulminating about Seattle, in the form of wild rants that required no less than an hour to fully express. Take five-way intersections. The first time Bernadette commented on the abundance of five-way intersections in Seattle, it seemed perfectly relevant. I hadn’t noticed it myself, but indeed there were many intersections with an extra street jutting out, and which required you to wait through an extra traffic light cycle. Certainly worthy of a conversation between a husband and wife. But the second time Bernadette went off on the same topic, I wondered, Is there something new she wishes to add? But no. She was just complaining with renewed vehemence. She asked me to ask Bill Gates why he’d still live in a city with so many ridiculous intersections
Maria Semple (Where'd You Go, Bernadette)
some 1,500 people set out from Sproul Plaza to downtown Berkeley to demonstrate peaceably. But the troops and police were waiting for them, ready to spring a trap identified in Cable Splicer records as “Operation Box.” As the professors leading the march reached the intersection of Shattuck Avenue and Center Street, police ordered them to disperse but did not try to enforce the order. Instead, the guard and police diverted their path. Then, at Allston Way, the march was stopped by a tight line of National Guardsmen. Many people who did try to leave found their path blocked by a second line of soldiers, who had come up behind them. Troop transport trucks roared up with more soldiers, who closed all other exits and boxed them in. A combined force of police, deputies, and highway patrolmen herded the marchers—and everyone else—into a parking lot by the Bank of America. There Captain Charles Plummer of the Berkeley Police announced that they were all under arrest for unlawful assembly.
Seth Rosenfeld (Subversives: The FBI's War on Student Radicals, and Reagan's Rise to Power)
The Sabbath had passed and in the gray Monday dawn a procession of schoolchildren dressed in blue uniforms all alike were being led along the gritty walkway. The woman had stepped from the curb to take them across at the intersection when she saw the man coming up the street all dark with blood bearing in his arms the dead body of a friend. She held up her hand and the children stopped and huddled with their books at their breasts. He passed. They could not take their eyes from him. The dead boy in his arms hung with his head back and those partly opened eyes beheld nothing at all out of that passing landscape of street or wall or paling sky or the figures of the children who stood blessing themselves in the gray light. This man and his burden passed on forever out of that nameless crossroads and the woman stepped once more into the street and the children followed and all continued on to their appointed places which as some believe were chosen long ago even to the beginning of the world.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
You see in his Le pont de l’Europe a young man, well dressed in his grey overcoat and black top hat, maybe the artist, walking over the bridge along the generous pavement. He is two steps ahead of a young woman in a dress of sedate frills carrying a parasol. The sun is out. There is the glare of newly dressed stone. A dog passes by. A workman leans over the bridge. It is like the start of the world: a litany of perfect movements and shadows. Everyone, including the dog, knows what they are doing. Gustave Caillebotte, Le pont de l’Europe, 1876 The streets of Paris have a calmness to them: clean stone façades, rhythmic detailing of balconies, newly planted lime trees appear in his painting Jeune homme à sa fenêtre, shown in the second Impressionist exhibition in 1876. Here Caillebotte’s brother stands at the open window of their family apartment looking out onto the intersection of the rue de Monceau’s neighbouring streets. He stands with his hands in his pockets, well dressed and self-assured, with his life before him and a plush armchair behind him. Everything is possible.
Edmund de Waal (The Hare with Amber Eyes: A Family's Century of Art and Loss)
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Russia’s biggest transport helicopters flew around the clock dropping a special polymer resin to seal radioactive dust to the ground. This prevented the dust from being kicked up by vehicles and inhaled, giving troops time to dig up the topsoil for extraction and burial. Construction workers laid new roads throughout the zone, allowing vehicles to move around without spreading radioactive particles.218 At certain distance limits, decontamination points, manned by police, intersected these roads. They came armed with dosimeters and a special cleaning spray to hose down any passing trucks, cars or armoured vehicles. Among the more drastic clean-up measures was bulldozing and burying the most contaminated villages, some of which had to be reburied two or three times.219 The thousands of buildings that were spared this fate - including the entire city of Pripyat - were painstakingly sprayed clean with chemicals, while new asphalt was laid on the streets. At Chernobyl itself, all the topsoil and roads were replaced. In total, 300,000m³ of earth was dug up and buried in pits, which were then covered over with concrete. The work took months. To make matters worse, each time it rained within 100km of the plant, new spots of heavy contamination appeared, brought down from the radioactive clouds above.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
I did not think of myself as a violent man. But the more times we were attacked, the more lives we lost, the harder it was to keep those demons at bay. It was another moment I found myself thankful to have Jerry. He was the rational, intelligent one. He kept me from letting the anger completely consume me and from doing anything really stupid. He prevented me from running wild through the streets of Yusafiah. But it was clear I was losing my grip on reality. One evening I was on the roof of a building at an intersection in some little town. I wasn’t wearing my helmet or my vest. I was just in a T-shirt. The roofs were flat and there was about a two-foot-high wall at the ledge. I stood there with my right foot propped up on the wall and looked out at the little town. I felt fueled with power. Like I was having the ultimate manly man moment. I could see then why people say power is addictive. I felt high on it in that moment. All my life I had strived to be “manly.” Everything I did was about being “the man.” And in that moment that is how I felt: completely dominant. As I stood on that roof unprotected and not giving a shit, I looked out over the town and said to myself, but as if I were talking to all of them, “Work with me or against me. I can either destroy you or I can help you.” I believed every word of that. Nothing could touch me. No one could hurt me. I was completely invincible.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
As we walked back into the hallway, Patrick held on to Diana’s hand. He was reluctant to let her go and gazed up at her with open adoration. I wish I could have taken another picture of that touching moment. With the royal staff clustering around, that was impossible. Diana seemed equally hesitant to say good-bye and bent down to squeeze Patrick tightly as we left. To Patrick that afternoon, Diana was truly a fairy-tale princess. Is it possible to imagine how her own sons felt about her? I was tremendously proud of Patrick for being so poised and polite, so natural all afternoon. “God bless him,” I thought. “If he ever had to be on his best behavior, it was today, when it mattered so very much.” I was also feeling blissful, really floating on air, after our long and private visit with Diana and Charles. It was hard to believe that they had spent so much time with us that afternoon and later were heading to the White House to spend the evening with President and Mrs. Reagan and lots of celebrities. The often-seen photograph of Diana in a midnight blue evening gown dancing with John Travolta was taken that night. On the taxi ride back to our hotel, we saw Diana and Charles’s limousine and security escort crossing an intersection in the distance. Our taxi driver explained to us that many streets in Washington were blocked off that day due to the important state visit of the Prince and Princess of Wales. Patrick, Adrienne, and I didn’t say a word. We just smiled and kept our visit a secret among ourselves. We all flew home later that afternoon.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
In the uncertain hour before the morning Near the ending of interminable night At the recurrent end of the unending After the dark dove with the flickering tongue Had passed below the horizon of his homing While the dead leaves still rattled on like tin Over the asphalt where no other sound was Between three districts whence the smoke arose I met one walking, loitering and hurried As if blown towards me like the metal leaves Before the urban dawn wind unresisting. And as I fixed upon the down-turned face That pointed scrutiny with which we challenge The first-met stranger in the waning dusk I caught the sudden look of some dead master Whom I had known, forgotten, half recalled Both one and many; in the brown baked features The eyes of a familiar compound ghost Both intimate and unidentifiable. So I assumed a double part, and cried And heard another's voice cry: 'What! are you here?' Although we were not. I was still the same, Knowing myself yet being someone other— And he a face still forming; yet the words sufficed To compel the recognition they preceded. And so, compliant to the common wind, Too strange to each other for misunderstanding, In concord at this intersection time Of meeting nowhere, no before and after, We trod the pavement in a dead patrol. I said: 'The wonder that I feel is easy, Yet ease is cause of wonder. Therefore speak: I may not comprehend, may not remember.' And he: 'I am not eager to rehearse My thoughts and theory which you have forgotten. These things have served their purpose: let them be. So with your own, and pray they be forgiven By others, as I pray you to forgive Both bad and good. Last season's fruit is eaten And the fullfed beast shall kick the empty pail. For last year's words belong to last year's language And next year's words await another voice. But, as the passage now presents no hindrance To the spirit unappeased and peregrine Between two worlds become much like each other, So I find words I never thought to speak In streets I never thought I should revisit When I left my body on a distant shore. Since our concern was speech, and speech impelled us To purify the dialect of the tribe And urge the mind to aftersight and foresight, Let me disclose the gifts reserved for age To set a crown upon your lifetime's effort. First, the cold friction of expiring sense Without enchantment, offering no promise But bitter tastelessness of shadow fruit As body and soul begin to fall asunder. Second, the conscious impotence of rage At human folly, and the laceration Of laughter at what ceases to amuse. And last, the rending pain of re-enactment Of all that you have done, and been; the shame Of motives late revealed, and the awareness Of things ill done and done to others' harm Which once you took for exercise of virtue. Then fools' approval stings, and honour stains. From wrong to wrong the exasperated spirit Proceeds, unless restored by that refining fire Where you must move in measure, like a dancer.' The day was breaking. In the disfigured street He left me, with a kind of valediction, And faded on the blowing of the horn. -T.S. Eliot, "Little Gidding
T.S. Eliot
When we reach the intersection with Homochitto Street, I turn right, into town, and soon we’re passing Dunleith, the antebellum mansion that I always say makes Tara from Gone with the Wind look like a woodshed.
Greg Iles (The Death Factory (Penn Cage, #3.5))
He recognized his own fear in them, and now that he knows what it looks like he sees it everywhere — in the man who pumps gas across the street, in the teenage girls who stumble down the sidewalk, in the transvestite prostitute who steps forward and back, indecisive, at the intersection while Andres prays for the light to turn green. It is a fear that he can’t get away from, and seeing it in others doesn’t make him feel any safer.
Anonymous
He recognized his own fear in them, and now that he knows what it looks like he sees it everywhere — in the man who pumps gas across the street, in the teenage girls who stumble down the sidewalk, in the transvestite prostitute who steps forward and back, indecisive, at the intersection while Andres prays for the light to turn green. It is a fear that he can’t get away from, and seeing it in others doesn’t make him feel any safer.
Natalia Sylvester (Chasing the Sun)
I’d lost the mark on the psychic map that says You Are Here. Personality and personal identity are in some ways like co-ordinates on the street map drawn by our intersecting relationships. We know who we are and we define what we are by references to the people we love and our reasons for loving them.
Gregory David Roberts (Shantaram)
The intersections are gridlocked with abandoned cars. I’d never seen a gridlock in the valley before six weeks ago. The drivers here were always as polite as can be. But the thing that really convinces me that the apocalypse is here is the crunching of smartphones under my feet. Nothing short of the end of the world would get our eco-conscious techies to toss their latest gadgets onto the street. It’s practically sacrilegious, even if the gadgets are just dead weight now
Anonymous
Personality and personal identity are in some ways like co-ordinates on the street map drawn by our intersecting relationships. We know who we are and we define what we are by references to the people we love and our reasons for loving them.
Gregory David Roberts (Shantaram)
Personality and personal identity are in some ways like co-ordinates on the street map drawn by our intersecting relationships. We know who we are and we define what we are by references to the people we love and our reasons for loving them. I
Gregory David Roberts (Shantaram)
Personality and personal identity are in some ways like co-ordinates on the street map drawn by our intersecting relationships. We know who we are and define what we are by references to the people we love and our reasons for loving them. I was that point in space and time where Abdullah's wild violence intersected with Prabaker's happy gentleness.
Gregory David Roberts (Shantaram)
You know, Lucia,” Avani said as we came to the intersection of Jordan street and Barkstone, “I feel our sun slipping away with each passing day. I hope it doesn't fade.
Darcy Ridge (Lucia)
In any organization of which I have played a leadership role, our trump card has never been great numbers but the way we worked with neighborhood people in conjunction with professionals in suits and ties. I want the Obama generation to try to understand this concept, and use it as a real yardstick for their ability to make change. My life personifies the straddling of two cultures: the world of Amherst and Yale and the world of Newark, New Jersey. As you will see, it is the power of the streets combined with the power of the suites that is the most effective mix for making things happen. Anybody who comes to you and says “we want change,” without addressing the intersection of these two powerful forces in combination, is just whistling status quo.
Junius Williams (Unfinished Agenda: Urban Politics in the Era of Black Power)
On a June afternoon in 1791, George Washington, Andrew Ellicott, and Peter Charles L’Enfant rode east from Georgetown “to take,” so Washington recorded in his diary, “a more perfect view of the ground” of the new federal city. From David Burnes’s fields they surveyed the prospect of the Potomac River, and then, continuing east across the Tiber Creek, they climbed to the crest of Jenkins Hill. With the confluence of the Eastern Branch and the Potomac, the cities of Alexandria and Georgetown, and the hills of Maryland and Virginia spread majestically before them, the time had come, the president wrote, “to decide finally on the spots on which to place the public buildings.” From their vantage point on Jenkins Hill, L’Enfant presented his vision of a city worthy of the new republic. He began by siting the two principal buildings: the “Congress House,” as he called it, would command Jenkins Hill, “a pedestal waiting for a superstructure”; the “President’s Palace,” L’Enfant’s name for today’s White House, would rise about a mile away on the land partially belonging to David Burnes. A star of avenues each named for a state would radiate from the center of each house. Pennsylvania Avenue—the name would honor the state’s importance in the nation’s creation—would connect the two buildings. It would be “a direct and large avenue,” 180 feet wide and lined with a double row of trees. These radiating avenues would intersect at circles and squares, to be named for heroes, and they would overlay a grid of streets similar to that of Philadelphia.
Tom Lewis (Washington: A History of Our National City)
An almost eerie quiet hung over Washington; it had been that way ever since the British left. Pennsylvania Avenue stood broad and empty, with Joe Gales’s type still scattered over the 7th Street intersection. General Ross’s horse still lay, legs stiff in death, outside the ruins of Robert Sewall’s house. The rubble of the Capitol still smoldered quietly in the sun.
Walter Lord (The Dawn's Early Light)
Pike said, “Coming your way.” Pike gunned his Jeep out of the Shell station, and turned onto the highway at the first intersection. He lost sight of the van when he slowed for oncoming cars, but slalomed between traffic and quickly caught up. “Eight lengths back. I’m by a yellow eighteen-wheeler.” “Looking.” Pike was still settling into a groove when the van’s right-turn indicator flashed. They had gone less than a mile. “Blinker.” “Shit, I don’t have you.” “Las Palmas. West side.” “I’m looking.” Pike slowed to put distance between himself and the van. A horn blew behind him, then another, but Pike braked even harder, hanging back as the van turned onto a street between large, undeveloped lots. It stopped in plain sight of the highway. Pike left the highway, but turned in the opposite direction, watching the van in his sideview mirror. A hundred yards later he turned into a parking lot surrounding a home furnishings outlet. “They stopped at an empty lot.” “I
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
Cindy needed both hands on the wheel. She clicked off without leaving a message and tossed her phone back onto the passenger seat. Up ahead, Lake Street terminated at a T intersection. Cindy saw the Subaru take the left onto Arguello Boulevard toward the Presidio, and she followed the Outback into the turn too fast. Centrifugal force sent her handbag and cell phone off the passenger seat and onto the floor.
James Patterson (Unlucky 13)
Jamie arched an eyebrow, deconstructing the situation.  He was headed to work by the look of him, and judging from the direction he came from, he lived on the upmarket residential street that this one intersected. Homeless shelters often drove house prices down, and someone dressed like him would be a prime target for begging. And he’d obviously experienced enough of it to not even want to look at them as he passed. Roper wasn’t so understanding and inhaled hard to shout after him, coughing hoarsely as he did, unable to catch his breath. ‘Roper,’ Jamie said quickly, moving towards him, shaking her head. ‘Don’t.’ Roper leaned forward, reddening, then hawked and spat a chunk of brown phlegm onto the tarmac. He stood up then, hands on his hips, forehead creased, a vein bulging in his temple. ‘Why not?’ he squeezed out. ‘You heard what he said. You think that’s a coincidence?’ Jamie looked after him.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
these rampages had in common: the mobs tended to go after the most prosperous in the lowest caste, those who might have managed to surpass even some people in the dominant caste. In the 1921 riot in Tulsa, Oklahoma, a mob leveled the section of town that was called black Wall Street, owing to the black banking, insurance, and other businesses clustered together and surrounded by well-kept brick homes that signaled prosperity. These were burned to the ground and never recovered. Decades before, in the early 1890s, a black grocery and a white grocery sat across the street from each other at an intersection just outside Memphis, Tennessee. The black store, known as People’s Grocery, was a cooperative that was thriving even as the walls of Jim Crow closed in. Its owner, Thomas H. Moss, was an upright figure in a three-piece suit and bow tie with a side part in his close-cropped hair, who did double duty delivering mail and running the
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Saddle horses lined the hitching-rails as far as Brite could see. Canvas-covered wagons, chuck-wagons, buckboards, vehicles of all Western types, stood outside the saddle horses. And up one side and down the other a procession ambled in the dust. On the wide sidewalk a throng of booted, belted, spurred men wended their way up or down. The saloons roared. Black-sombreroed, pale-faced, tight-lipped men stood beside the wide portals of the gaming-dens. Beautiful wrecks of womanhood, girls with havoc in their faces and the look of birds of prey in their eyes, waited in bare-armed splendor to be accosted. Laughter without mirth ran down the walk. The stores were full. Cowboys in twos and threes and sixes trooped by, young, lithe, keen of eye, bold of aspect, gay and reckless. Hundreds of cowboys passed Brite in that long block from the hotel to the intersecting street. And every boy gave him a pang. These were the toll of the trail and of Dodge. It might have been the march of empire, the tragedy of progress, but it was heinous to Brite. He would never send another boy to his death.
Zane Grey (The Trail Driver: A Western Story)
The Way by Maisie Aletha Smikle There is one Way And only one Way To get to God our heavenly Father The Way is through His only Son Not many ways are there only one If you are on your way But did not go through the Son Then you are lost Turn and make a U-turn Then go straight Turn neither to the left or right The street is narrow The road is a one-way street The arrow points in only one direction There are no roundabouts There are no intersections Continue till you reach your destination Refuel frequently with prayer Lest Lucifer gets you off track And recalibrate your GPS So you lose your way With Lucifer you are lost Lucifer is not the Way nor the Truth Neither is he Life or the Light Jesus is the Way Jesus is the Truth Jesus is the Life Jesus is the Light
Maisie Aletha Smikle
intersection of Main Street, Nancy stopped and the girls looked in both directions. “I see a bright-red convertible!” George said, pointing to the right. Nancy drove as fast as she dared. The car she was chasing had the top down. The man at the wheel was threading his way expertly through the traffic. “Oh, we mustn’t lose him!” Bess urged. Nancy was doing her best to catch up with the gray-haired Toby Simpson, but as she came to a signal light, it turned red. The convertible had gone ahead and was making good speed. The girls chafed under the delay and the instant the light became green Nancy shot ahead. By now the chase was hopeless. Toby
Carolyn Keene (The Clue of the Tapping Heels (Nancy Drew, #16))
hidden from the pedestrians who wandered across to buy discount Viagra; it was deeper into the town, the disorder, the ruinous buildings, the litter, the donkeys cropping grass by the roadside. Reynosa was not its plaza, but rather another hot, dense border town of hard-up Mexicans who spent their lives peering across the frontier, easily able to see—through the slats in the fence, beyond the river—better houses, brighter stores, newer cars, cleaner streets, and no donkeys. At the first stoplight at the intersection of a potholed road of Reynosa, a fat, middle-aged man in shorts and wearing clown makeup—whitened face, red bulb nose, lipsticked mouth—began to juggle three blue balls as the light turned red, and a small girl in a tattered dress, obviously his daughter, passed him a teapot which he balanced on his chin. The small girl hurried to the waiting cars, soliciting pesos. At the next light, a man in sandals and rags juggled three bananas and flexed his muscles while making lunatic faces. A woman hurried from car to car with a basket, offering tamales. Farther on was a fire-eater, a skinny man in pink pajamas gulping smoky flames from a torch.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
If I died in a freak accident while hurrying through Shibuya's notorious "scramble" intersection, where thousands of pedestrians crossed from all directions at once when the WALK light shifted to green, I hoped whoever performed my funeral service would know I died satisfied. Shibuya felt like being in the center of the vertical world, with tall buildings flashing advertisements, neon lights, and level after level of stores and restaurants visible through glass windows. So many people, so hurried, so much to look at and experience. Fashionista women wearing skinny pants with stiletto pumps riding bikes down crowded sidewalks. Harajuku girls with pink hair and crazy outfits. Loud izakaya bars where men's conversations and laughter spilled onto the street, and women walking by wearing kimonos with white socks tucked into flip-flops. Young people strutting around dressed in kosupure ("cosplay," Nik translated) outfits from their favorite anime, like it was Halloween every day here. TOO MUCH FUN. I didn't want to die, but if I did, I would tell the souls I met in the afterlife: Don't feel bad about my premature end. I saw it all in my short time down in the upworld of Tokyo.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
In an urban environment the SNA troops would adopt a variation on this approach, moving whenever possible on several parallel streets at once, picking up their bearings at each intersection in order to stay roughly level with each other. In this way, they achieved the classic tactical goal of moving dispersed but fighting concentrated.
David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
By this time (in mid-2012) the country had been without a functioning government for more than twenty years, and the city was a byword for chaos, lawlessness, corruption, and violence. But this wasn’t the Mogadishu we saw. Far from it: on the surface, the city was a picture of prosperity. Many shops and houses were freshly painted, and signs on many street corners advertised auto parts, courses in business and English, banks, money changers and remittance services, cellphones, processed food, powdered milk, cigarettes, drinks, clothes, and shoes. The Bakara market in the center of town had a monetary exchange, where the Somali shilling—a currency that has survived without a state or a central bank for more than twenty years—floated freely on market rates that were set and updated twice daily. There were restaurants, hotels, and a gelato shop, and many intersections had busy produce markets. The coffee shops were crowded with men watching soccer on satellite television and good-naturedly arguing about scores and penalties. Traffic flowed freely, with occasional blue-uniformed, unarmed Somali National Police officers (male and female) controlling intersections. Besides motorcycles, scooters, and cars, there were horse-drawn carts sharing the roads with trucks loaded above the gunwales with bananas, charcoal, or firewood. Offshore, fishing boats and coastal freighters moved about the harbor, and near the docks several flocks of goats and sheep were awaiting export to cities around the Red Sea and farther afield. Power lines festooned telegraph poles along the roads, many with complex nests of telephone wires connecting them to surrounding buildings. Most Somalis on the street seemed to prefer cellphones, though, and many traders kept up a constant chatter on their mobiles. Mogadishu was a fully functioning city.
David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
Noah stood beside Ella, and together they stared out at the City of Species. Though the scouts had been there only a couple weeks ago, seeing it now was like seeing it for the first time. The City of Species was part city, part forest. Each part seemed to need the other, and their bizarre marriage was breathtaking. Tall buildings were surrounded by trees whose limbs reached through their walls, splitting steel and piercing glass. Waterfalls fell from rooftops, splashing across balconies and limbs before spilling into fountains and streams, bursting into mist. Streetlights blinked beneath low-hanging branches, and ivy pinned signs to the sides of brick buildings. All types of animals passed down the winding streets. They crawled through intersections, slithered along sidewalks, hopped over hedges, and swept across the sky.
Bryan Chick (Secrets and Shadows (The Secret Zoo, #2))
Personality and personal identity are in some ways like co-ordinates on the street map drawn by intersecting relationships. We know who we are and define what we are by references to the people we love and our reasons for loving them. I was that point in space and time where Abdullah’s wild violence intersected with Prabaker’s happy gentleness
Gregory David Roberts (Shantaram)
Except for levees, there are no natural land surfaces in the city that are higher than fifteen feet above sea level. Canal Street meets the river at an elevation of fourteen feet above sea level; Jackson Square, only six blocks downriver, is only ten feet above sea level. The Tulane University area is a mere four feet above sea level, while the intersection of Broad and Washington Streets (originally part of the backswamp, now Mid-City) is two feet below sea level.
Joan B. Garvey (Beautiful Crescent: A History of New Orleans)
Personality and personal identity are in some ways like coordinates on the street map drawn by intersecting relationships. We know who we are and define what we are by references to the people we love and why we love and our reasons for loving them
Gregory David Roberts (Shantaram)
Bringing Citizen Participation to Life Some years ago John McKnight attended the annual Canadian Conference of Community Development Organizations. Several hundred groups were in attendance. The convener of the conference told him that the best community “developer” in all of Canada was at the conference and pointed toward a middle-aged man named Gaëtan Ruest, the mayor of Amqui, Quebec. John introduced himself to Mayor Ruest and asked about Amqui. The mayor said that it was a town of about six thousand people on the Gaspé Peninsula amid the Chic-Choc Mountains, located at the intersection of the Matapédia and Humqui rivers. These rivers are the richest Atlantic salmon rivers on the North American continent, and Amqui is the regional center for fishing for these salmon. Gaëtan invited John to visit his town, and a year later John was able to take him up on the invitation. He found that all the townspeople were French-speaking, and a great deal of the economic base of the community was from fisherpeople who came to fish for the rare Atlantic salmon. One day, as Gaëtan and John walked together down the street, two men approached the mayor. There was a long conversation in French. After they were finished Gaëtan explained to John what had happened. The mayor said that the town had put nets on salmon streams in order to keep the fish near Amqui and accessible to the fishing guides. The two men reported that somebody was cutting the nets to let the salmon go upstream where they could poach them. “That’s terrible,” Gaëtan replied. “What do you think we can do about that?” The men thought for a while and then suggested three things that could be done. “Is there anybody who could help you do those things?” Gaëtan asked. “Yes,” they responded. “We know a couple of other fisherpeople who could help.” Gaëtan said, “Will you ask them to join you to meet with me at city hall this evening?” They agreed. That evening John joined Gaëtan at the meeting with four concerned people. The mayor had insisted that they meet in the city council’s meeting room and he led a discussion of how the group could deal with the salmon poaching problem. By the time they were done, the group had specific plans and specific people committed to carrying them out. Then Gaëtan asked, “Is there anything the city can do to help you with the job?” The participants came up with two ways the city could be helpful. “I am making you the official Amqui Salmon Preservation Committee,” Gaëtan said. “I want you to hold your meetings in the city council meeting room because you are official. I want you to come to city council meetings and tell the council people how you are coming along.” The convener of the National Association of Community Development Organizations, previously mentioned, told John that the process he had observed in the council meeting room that gave birth to the Amqui Salmon Preservation Committee was repeated over and over during Gaëtan’s long tenure as mayor. As a result, the convener said that in Amqui, hidden away in the Chic-Choc Mountains, almost all the residents had become officials of the local government and the principal problem-solvers for the community. John wholeheartedly believes that every public official can learn a great deal from the mayor of Amqui.
Cormac Russell (Rekindling Democracy: A Professional’s Guide to Working in Citizen Space)
We can’t afford to build places where people just park their bodies at night,” Burden said. “We can’t afford to spend a single transportation dollar that doesn’t increase land value rather than decrease it.” We should go back to building towns the way our great-grandparents did, he suggested. Most people today want to live in a community where they don’t have to drive long distances. They want to live near enough to the stores and jobs so they can walk, take a bus, or ride a bike wherever they need to go. If Muscatine wanted to stay competitive, retain existing businesses, attract new ones, and have money in the treasury for parks and other amenities, then the best thing residents could do would be to focus on making their town walkable and livable, Burden said. That meant adding sidewalks, improving crosswalks, replacing intersections with roundabouts in some places, and converting one-way streets to run in both directions. “One-way streets help move people faster,” Burden said. “But is that your goal? To empty out downtown?” You should be doing just the opposite, he argued. You want people to linger downtown and enjoy themselves. “Then, before you know it, your children won’t be moving off to other cities. Everything they want will be right here in your own community.
Dan Buettner (The Blue Zones Solution: Eating and Living Like the World's Healthiest People (Blue Zones, The))
the serenity of the world tugging tight the straps of its cloak around the smattering of low brick buildings; the sunlight receding from the cobblestones along Main Street; the fallen leaves swept along the intersections and parking lots in a cold breeze scented with the promise of Christmas… But
Ronald Malfi (They Lurk)
The teeming scene in front of the station made familiar Tokyo look deserted by comparison. The street stretching out before me between rows of crumbling low-rises and slumped office buildings looked like a river of people gushing through a ravine. Cars jerked through congested intersections, pedestrians flowing around them like T cells attacking a virus.
Barry Eisler (Winner Take All (John Rain #3))
Elm Street was the dividing line between the two worlds. On either side of this line there were families who had trouble making both ends meet, but those who lived below the intersection didn't bother to conceal it.
William Maxwell (All the Days and Nights: The Collected Stories)
[Hurricane] Andrew tore trees apart; drove their shrieking limbs past our walls. All around us, it shoved huge deciduous behemoths flat to the earth, or tore them out by the roots. "I have never been able to say “No” to wonder. Wherever God stood naked, I wanted to crawl into the middle and gawk. Plus, I’d already lost everything I had built or wanted to live for when we’d left San Diego, and my marriage had become a long, aching death. I had nothing left. I had to touch God again at all costs.... "... I ripped open the door, then had to shove my full weight into closing it behind me. Slamming and bucking against harsh unseen walls, waging war for every step, I crushed both hands into the railing, fought my way downstairs, past a pool already choked with roofing and with life torn apart. I bucked and strained my way out onto the street, deeper into the dark, vile heart of a hurricane. Gnashing hard into the storm, I leaned into winds that pummeled and slammed me about like a machete. "Inching and lunging across the intersection, where all but one streetlight had crashed to the pavement, I crushed my way through as that last light sparked and whipped overhead. Winds like that can drive a grain of rice through a concrete wall, so I wrenched a stop sign out of a tree and held it before me as a shield, slamming my way backward through an intersection of shattered glass and metal, out onto a golf course, where I screeched Hallelujahs no one could hear. "In that open field, that raging, shrieking fury slammed and wrenched the sign into my chest. For the first time in a long time, "I thanked God and prayed for survival. "I fought my way back home. The sign heaved at my face, sliced my hands open, and blasted away into the night. "There was no one left there but me, God, and His mighty, undeniable power." - From "Entertaining Naked People
Edward Fahey (Entertaining Naked People)
A second key trait is to love and to connect the arts and sciences. Whenever Steve Jobs launched a new product such as the iPod or iPhone, his presentation ended with street signs that showed an intersection of Liberal Arts Street and Technology Street. “It’s in Apple’s DNA that technology alone is not enough,” he said at one of these presentations. “We believe that it’s technology married with the humanities that yields us the result that makes our heart sing.
Jeff Bezos (Invent and Wander: The Collected Writings of Jeff Bezos)
stopping in the middle of the street, at an intersection, and looking around as if he were waiting for the final word from someone. But no reply came from anywhere; everything was blank and dead, like the stones he was walking on, dead for him, for him alone
Fyodor Dostoevsky (Crime and Punishment)
From the streets of France to the heart of American evangelical Christianity, the past three hundred years have seen many changes in the nature of redistributive social justice. Jean-Jacques Rousseau imagined a centralized power capable of achieving egalitarian equality. Karl Marx wanted to accomplish this dream through the redistribution of resources from the haves to the have-nots. Walter Rauschenbusch Christianized socialism under the banner of “social justice.” Antonio Gramsci believed it was the cultural hegemony, and not simply the haves, which was actually responsible for oppressing the have-nots. György Lukács saw capitalism as an oppressive mindset and not just an economic system. The Frankfurt School developed critical theory to analyze oppression in cultural institutions. French postmodernists, like Jacques Derrida and Michel Foucault deconstructed language and knowledge as social constructs and power dynamics. Kimbery Williams Crenshaw developed intersectionality, which attempts to construct a new hierarchy based on a matrix of socially constructed victim categories. Achieving social justice has gone from the redistribution of income to the redistribution of privilege, from the liberation of the lower classes to the liberation of culturally constructed identities, from lamenting victimhood to promoting victimhood, and from changing society through politics to changing politics through society. No social organization remains unaffected. Gramsci’s “long march through the institutions” is almost complete. The final stage is to capture the last stand for Western Civilization and conscious of the country—the American evangelical church.
Jon Harris (Christianity and Social Justice: Religions in Conflict)
When the road was first built, a store and school were put up where Beacon Street crossed Harvard Street, the road to Allston and Roxbury. The store (later the site of the S.S. Pierce store) was owned by a man named Coolidge, and the intersection became known as “Coolidge’s Corner.” It had the town pump and hay scales out front. It would become one of the most-traveled parts of Brookline.
Ted Clarke (Brookline, Allston-Brighton and the Renewal of Boston)
Encouraged by the success of free-response methods, investigators began to reason that because foreknowledge is commonly associated with visions, dreams, and other nonordinary states of awareness,183 then perhaps conscious precognitive impressions are indistinct or distorted versions of information that is filtered through psychological biases. This speculation led to experiments designed to monitor bodily responses to future targets before those responses reached conscious awareness. I began to conduct this type of experiment in the early 1990s, after reading about a few promising studies published decades before but apparently not followed up. I called these studies of presentiment rather than precognition to highlight the distinction between unconscious prefeeling as opposed to conscious preknowing. I also decided to use experimental designs that were virtually identical to thousands of studies conducted within the conventional discipline of psychophysiology, anticipating that this might make the experimental paradigm more palatable to the mainstream, and because I could also employ commonly used methods of analysis. In its simplest form, a presentiment experiment predicts that if the immediate future contains an emotional response, then that will cause more nervous system activity to occur before that response than it would if the future response was going to be calm. That is, the concept of presentiment hypothesizes that aspects of our future experience that we pay special attention to, like emotional upsets or startling events, “ripple backward” in time and can affect us now. A classical real-world example is when you’re driving along a street, approaching an intersection, and you get a bad feeling.
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
You’re not sure why you have that feeling, so you slow the car down. You have a green light and there’s no obvious reason to be cautious, but just as you reach the intersection a car from the street on the left, which was hidden by a building, careens wildly through the intersection. You suddenly realize with a shock that if you had continued driving at a normal speed that car would have smashed you broadside on the driver’s side. The bad feeling in this case might have been caused by presentiment—a future moment of fright affecting you in the present.
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
Each time we approached an intersection, we would stop, look at one another, shrug our shoulders, and go whichever way our fancies took us. What struck me as interesting within mere minutes of embarking on this walk was how much different it felt in comparison to others from the past. Instead of power-walking with an end destination in mind, we meandered. Instead of rushing my kids to keep up, I found myself letting go of control as I let them take the lead. We stopped frequently, allowing our attention to be captivated by things like bugs, cracks in the sidewalk, furry squirrels roving the power lines above us, and even the strangeness of some of the street names. That’s when I realized we lived near the corner of 16th and Lincoln, which is weird because Lincoln was the 16th president. Jesus, I’m a nerd. As my children led me, I noticed how liberating it felt to relinquish control. Without a firm destination in mind, I found myself nonjudgmentally accepting the results of letting go. Since I had nowhere to be, it made me feel like I was arriving at home with every single step. Soon, I noticed I was no longer ruminating; I was laughing, enjoying the time we spent together, and my anger had softened up to the point where I was able to see the fight situation much more clearly. In addition to being more cognizant of my role in the argument that precipitated our walk, I started noticing much more physical detail all around my neighborhood.
Josh Misner (Put the F**king Phone Down: Life. Can't Wait.)
Like most derivatives salesmen, I was an avid gambler and more attracted to FID than IBD. Fortunately, I wouldn’t have to make a choice. The firm had placed the derivatives group at the intersection of these two core business—and for good reasons. Derivatives were making the firm a lot of money, and the derivatives salesmen needed and deserved as much access and support as they could get. DPG had the benefit of direct ties to both the old-boy network of the investment bankers and the risk-taking expertise of the salesmen and traders. For convenience, DPG was centrally located just off the fourth-floor elevators on prime real estate, near the center of Morgan Stanley’s massive bond trading floor.
Frank Partnoy (FIASCO: Blood in the Water on Wall Street)
She pointed through the windshield at the intersection with First Street. “That is the intersection with First Street NE. I can pretend it’s the intersection with Fifth Street as long as I like, but it won’t change the fact. It is what it is.
David Archer (Executive Order (Alex Mason #6))
The acute eye of Queen Victoria had spotted, during her visit of 1855, that he had had the streets of Paris covered with macadam, ‘to prevent the people from taking up the pavement as hitherto’. Later on, it would have been apparent to any military observer what excellent fields of fire Haussmann’s long, straight streets afforded, what opportunities to turn the flank of a barricade there were for troops debouching from their oblique intersections, and how easy the wide boulevards made it to transport riot-breakers from one end of Paris to another. They had, thought Haussmann, at last succeeded ‘in cutting through the habitual storm-centres’. But in fact, with what force will be seen later, he had to a large extent achieved the defeat of his own purpose.
Alistair Horne (The Fall of Paris: The Siege and the Commune 1870-71)
It made sense that on the day of the Women's March, I skipped it and went to my girl's spot for a very Black brunch in Brooklyn. Watching white women take it to the streets to protest an election outcome that was a result of white women's powerful voting block, felt like an exercise in white lady tears if I ever saw one, and I knew I couldn't be trusted to act right amidst a sea of pink pussy hats and white women struggling to understand what intersectionality means.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
Then, as they cross the street back toward the dorm, Bird sees it on the ground: spray-painted, blood-red against the asphalt, right in the center of the intersection. The size of a car, impossible to miss. A heart, he realizes, just like the banner in Brooklyn. And circling it this time, a ring of words. bring back our missing hearts.
Celeste Ng (Our Missing Hearts)
Passyunk Avenue (pronounced pashunk by the locals) cuts a rude swath across an otherwise orderly grid of streets in South Philadelphia. Except for Passyunk (and Moyamensing) Avenue, the neighborhood is composed of a uniform matrix of numbered and named streets—one big street followed by two little streets. Viewed on a map, they form ninety-degree angles and predictable intersections. Passyunk Avenue, or simply Passyunk, is the great disruptor of this comforting geometry. Irregular and meandering, its slashing path intersects with the more obedient byways. Together they form a unique gridwork of inconvenient crossings and odd angles. The cumulative result is one of strangely shaped buildings. Their pointy corners puncture curious cells of dead space—the spaces between. While born of necessity, the resulting architecture created by these acute angles also manages to be strangely beautiful, an exotic visage in a sea of pretty faces. If you’ve ever seen the famous photo of Sophia Loren giving the side-eye to Jayne Mansfield, that’s Passyunk—South Philly’s middle finger to white bread Center City.
Michael Caudo (Return of the Prodigal: A Prodigal of Passyunk Avenue Mystery (Nick Di Nobile Art Heist Crime Thriller #1))
In New York City alone, three different imaginary bombs were to drop, one of which was to land imaginarily at the intersection of Fifty-Seventh Street and Fifth Avenue—right in front of Tiffany’s, of all places. As part of the test, when the warning alarm sounded, all normal activities in the fifty-four cities were to be suspended for ten minutes. —All normal activities suspended for ten minutes, read Woolly out loud. Can you imagine? Somewhat breathlessly, Woolly turned to yesterday’s paper in order to see what had happened. And there on the front page—above the fold, as they say—was a photograph of Times Square with two police officers looking up the length of Broadway and not another living soul in sight. No one gazing in the window of the tobacconist. No one coming out of the Criterion Theatre or going into the Astor Hotel. No one ringing a cash register or dialing a telephone. Not one single person hustling, or bustling, or hailing a cab. What a strange and beautiful sight, thought Woolly. The city of New York silent, motionless, and virtually uninhabited, sitting perfectly idle, without the hum of a single expectation for the very first time since its founding.
Amor Towles (The Lincoln Highway)
Today, McDonald’s is the largest single owner of real estate in the world, owning even more than the Catholic church. McDonald’s owns some of the most valuable intersections and street corners in America and around the globe.
Robert T. Kiyosaki (Rich Dad Poor Dad: What the Rich Teach Their Kids About Money That the Poor and Middle Class Do Not!)
Do you have a driver's license?" "Of course," she said, not knowing if it was true or not. She was already sitting behind the steering wheel. He tossed her the keys and she turned the ignition as he climbed into the car. She pressed hard on the gas pedal and the car shrieked away from the curb. The back end fishtailed. She needed to get to school quickly and find some answers. She had a feeling that Catty wasn't going to last long in that place. The light turned yellow ahead of her. "Slow down!" Derek shouted as the car in front of them stopped for the light. She didn't let up. "You're going to rear-end it!" Derek cried, and his foot pressed the floor as if he were trying to work an invisible brake. She jerked the steering wheel, swerved smoothly around the car, and blasted through the intersection, ignoring the flurry of horns and screeching tires. Derek snapped his seat belt in place. "Why are you in such a hurry to get to school?" "Geometry test," she answered, and buzzed around two more cars. At the next junction she needed to make a left-hand turn, but the line of traffic waiting for the green arrow would delay her too long. She continued in her lane, and when she reached the intersection, she turned in front of the car with the right-of-way. Angry honks followed her as she blasted onto the next street. "We've got time, Tianna!" Derek yelled. "School doesn't start for another fifteen minutes." Would fifteen minutes give her enough time to get the answers she needed? She didn't think so. She pressed her foot harder on the accelerator. The school was at least a mile away, but if she ignored the next light and the next, then maybe she could get there with enough time to question Corrine. She didn't think her powers were strong enough to change the lights and she didn't want to chance endangering other drivers, but she was sure she could at least slow down the cross traffic. She concentrated on the cars zooming east and west on Beverly Boulevard in front of her without slowing her speed. "Tianna!" Derek yelled. "You've got a red light!" She squinted and stalled a Jaguar in the crosswalk. Cars honked impatiently behind the car, and when a Toyota tried to speed around it, she stopped it, too. She could feel the pressure building inside her as she made a Range Rover and a pick-up slide to a halt. She shot through the busy intersection against the light. Derek turned back. "You've got to be the luckiest person in the world.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Daddy,” she said, sounding almost apologetic. “There’s no one on the road. I don’t think anyone’s coming to your celebration.” Barack and I looked at each other and started to laugh. It was then that we realized that ours were the only cars on the street. Barack was now president-elect. The Secret Service had cleared everything out, shutting down an entire section of Lake Shore Drive, blocking every intersection along the route—a standard precaution for a president, we’d soon learn. But for us, it was new.
Michelle Obama (Becoming)
We met in the middle of a blackout. It was searing hot and there wasn’t any running water and New York City had lost its mind. People were sweaty and edgy, thronging the streets, leaking heat and anxiety. Traffic lights dangled dead over the intersections; taxis lurched through the dark. The ATMs didn’t work and bodegas were charging insane amounts for bottled water and I was thirsty, hungover, and almost out of cash. I felt defenseless every time I walked up the ten flights to my apartment, carrying a lit candle in the ghostly stairwell. I was nearing panic when a friend called and told me he had the water back on in his building down by City Hall, and a grill out on the balcony. As I walked there, on the cobblestone street just north of Washington Square Park, past an intersection where a woman in a sundress was directing traffic, down into the lighting district—window after window teaming with powerless, shimmering chandeliers, the people in the apartments above drinking beer on their fire escapes—the city seemed less like a nightmare and more like a carnival. My friend had said he had a houseguest in town, visiting from California: Lucy. She was golden-skinned and green-eyed in her white shirt, and she smiled with all the openness in the world when I walked in the door. She had the radiant decency of a sunflower.
Ariel Levy (The Rules Do Not Apply)
All the good bars were located on Hotel Street, with Canal Street, which intersected Hotel, housing most of the cathouses. Some of the more popular bars gave you tickets with two drink maximums—not minimums— to keep the lines moving.
Edward McGrath (Second to the Last to Leave USS Arizona - SIGNED Copy - Interactive Edition: Memoir of a Sailor - The Lauren F. Bruner Story)
The newer tactic of scattering bodies on city streets, as happened when Joaquín Guzmán’s goons pushed thirty-five bloody corpses (twelve of them women) off two trucks on Manuel Ávila Camacho Boulevard, near a shopping mall in the prettier part of the port city of Veracruz one day in September 2011, to terrorize their adversaries... Guzmán, known as El Chapo (Shorty) for his small stature, ran the largest airborne opera- tion in Mexico; he owned more aircraft than Aeromexico, the national air- line. Between 2006 and 2015, Mexican authorities seized 599 aircraft — 586 planes and 13 helicopters—from the Sinaloa cartel; by comparison, Aeromexico had a piddling fleet of 127 planes.... One Zeta atrocity I knew nothing about took place in 2010, in the small town of San Fernando, south of Reynosa. A roaming band of Zetas stopped two buses of migrants—men, women, and children from Central and South America, who were fleeing the violence in their countries. The Zetas demanded money. The migrants had no money. The Zetas demanded that the migrants work for them, as assassins or operatives or drug mules. The migrants refused. So they were taken to a building in the village of El Huizachal, blindfolded, their hands and legs bound, and each one was shot in the head. Seventy-two of them died. One man (from Ecuador) played dead, escaped, and raised the alarm... The gory details of this massacre became known when one of the perpetrators was arrested, Édgar Huerta Montiel, an army deserter known as El Wache, or Fat Ass. He admitted killing eleven of the migrants person- ally, in the belief (so he said) that they were working for a gang hostile to his own. A year later, near the same town, police found 47 mass graves containing 193 corpses — mostly migrants or passengers in buses hijacked and robbed while passing through this area of Tamaulipas state, about eighty miles south of the US border... But in the early 2000s headless bodies began to appear, tossed by the roadside, while human heads were displayed in public, at intersections, and randomly on the roofs of cars. This butchery was believed to be inspired by a tactic of the Guatemalan military’s elite commandos, known as Kaibiles. A man I was to meet in Matamoros, on my traverse of the border, explained how the Kaibiles were toughened by their officers. The officers encouraged recruits to raise a dog from a puppy, then, at a certain point in their training, the recruit was ordered to kill the dog and eat it.... When the Kaibiles became mercenaries in the Mexican cartels, the first beheadings occurred, the earliest known taking place in 2006: a gang in Michoacán kicked open the doors of a bar and tossed five human heads on the dance floor. Decapitations are now, according to one authority on the business, “a staple in the lexicon of violence” for Mexican cartels....
Paul Theroux
The next morning, Roy traded seats on the school bus to be closer to the front door. When the bus turned onto the street where he had seen the running boy, Roy slipped his backpack over his shoulders and scouted out the window, waiting. Seven rows back, Dana Matherson was tormenting a sixth grader named Louis. Louis was from Haiti and Dana was merciless. As the bus came to a stop at the intersection, Roy poked his head out the window and checked up and down the street. Nobody was running. Seven kids boarded the bus, but the strange shoeless boy was not among them. It was the same story the next day, and the day after that. By Friday, Roy had pretty much given up. He was sitting ten rows from the door, reading an X-Man comic, as the bus turned the familiar corner and began to slow down. A movement at the corner of his eye made Roy glance up from his comic book—and there he was on the sidewalk, running again! Same basketball jersey, same grimy shorts, same black-soled feet. As the brakes of the school bus wheezed, Roy grabbed his backpack off the floor and stood up. At that instant, two big sweaty hands closed around his neck. “Where ya goin’, cowgirl?” “Lemme go,” Roy rasped, squirming to break free. The grip on his throat tightened. He felt Dana’s ashtray breath on his right ear: “How come you don’t got your boots on today? Who ever heard of a cowgirl wearing Air Jordans?” “They’re Reeboks,” Roy squeaked. The bus had stopped, and the students were starting to board. Roy was furious. He had to get to the door fast, before the driver closed it and the bus began to roll. But Dana wouldn’t let go, digging his fingers into Roy’s windpipe. Roy was having trouble getting air, and struggling only made it worse. “Look at you,” Dana chortled from behind, “red as a tomato!” Roy knew the rules against fighting on the bus, but he couldn’t think of anything else to do. He clenched his right fist and brought it up blindly over his shoulder, as hard as he could.
Carl Hiaasen (Hoot)
(Observing the chaos during the 1968 Democratic convention in Chicago from his hotel room high above the fray) A great stillness rose up from the street through all the small noise of clubbing and cries, small sirens, sigh of loaded arrest vans as off they pulled, shouts of police as they wheeled in larger circles, the intersection clearing further, then further, a stillness rose through the steel and stone of the hotel, congregating in the shocked centers of every room where delegates and their wives and Press and campaign workers innocent until now of the intimate working of social force, looked down now into the murderous paradigm of Vietnam there beneath them at this huge intersection of this great city.
Norman Mailer (Miami and the Siege of Chicago)
It's not completely arbitrary though, you are drawn one way or the other by the 'poetry' so to speak of the street: the color of the buildings, a car, a man or woman you see at the intersection. You stop for a beer and you meet a guy who takes you for a ride to the town where you fall in love. You live with this woman and she has some friends who are artists or shopkeepers or carpenters, or whatever, and you start thinking that's a pretty good way to live.
Carl Watson (Beneath the Empire of the Birds)