Harlem Shuffle Quotes

We've searched our database for all the quotes and captions related to Harlem Shuffle. Here they are! All 82 of them:

Crooked world, straight world, same rules - everybody had a hand out for the envelope.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
I'm an entrepreneur." "Entrepreneur?" Pepper said the last part like manure. "That's just a hustler who pays taxes.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Everyone had secret corners and alleys that no one else saw—what mattered were your major streets and boulevards, the stuff that showed up on other people’s maps of you.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Alma used the word settled the way less genteel people used motherfucker, as a chisel to pry open a particular feeling.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
You have to have an inside you, she used to say, and an outside you. Ain't nobody's business who you are really, so it's up to you what you gave them.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The way he saw it, living taught you that you didn't have to live the way you'd been taught to live. You came from one place but more important was where you decided to go.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
What had started it, the mess this week? A white cop shot an unarmed black boy three times and killed him. Good old American know-how on display: We do marvels, we do injustice, and our hands were always busy.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Robbing the Hotel Theresa was like taking a piss on the Statue of Liberty. It was like slipping Jackie Robinson a Mickey the night before the World Series.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
from one place but more important was where you decided to go.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Carney was only slightly bent when it came to being crooked…
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
If you believed in the holy circulation of envelopes, everything that went down happened because a man took an envelope and didn’t do his job. An envelope is an envelope. Disrespect the order and the whole system breaks down.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Gnaw on a disappointment long enough and it will lose all flavor.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Entrepreneur?” Pepper said the last part like manure. “That’s just a hustler who pays taxes.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Part of moving up in the world is realizing how much shit you used to eat.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Black people always found a way in the most miserable circumstances. If we didn't, we'd have been exterminated by the white man long ago.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
At the end of the day when she propped him up and told him he could do it, he puzzled over these alien things she offered him. Kindness and faith, he didn’t know which box to put them in.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Strivers grasped for something better-and crooks schemes about how to manipulate the present system. The world as it might be versus the world as it was. But perhaps Carney was being too stark. Plenty of crooks were strivers, and plenty of strivers bent the law.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
There was pain and then there was pain. Different magnitudes you could stand or not stand. Wetting your beak and wetting your beak.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Stickups were chops - they cook fast and hot, you're in and out. A stakeout was ribs - fire down low, slow, taking your time.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Bottom line: A man has a mind to place an ad and possesses the means, you run the ad. Save the censorship for the front page.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The way he saw it, living taught you that you didn’t have to live the way you’d been taught to live. You came from one place but more important was where you decided to go.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
One thing I’ve learned in my job is that life is cheap, and when things start getting expensive, it gets cheaper still.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
It was in the realm of his humor, and Carney had doubtless laughed. You get older and the old jokes grow less funny.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
He was a strange mix--congenial but reserved in a way that told you being friendly was an act of will.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Twenty years is a while. They were both older, fatter, and sadder--"which is the general trajectory"--and that was a nice couple of days.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Hard weeks, the kind where you realize you’ve engineered it so that nobody has anything on you, and that means nobody has anything for you: help, a kind word.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The black city and the white city: overlapping, ignorant of each other, separate and connected by tracks.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
His cousin Freddy brought him in on the heist one hot night in early June. It was such a pretty block and on certain nights when it was cool and quiet it was as if you didn’t live in the city at all.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
At first, it didn't sound like Carney. But then, Big Mike had tended his crop of grudges like a farmer, inspecting the rows, taking care they got enough water and fertilizer so that they grew big and healthy.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
He cleared his throat, he gestured, and remained a black ghost, store after store, accumulating the standard humiliations, until he climbed the black iron steps to Aronowitz & Sons and the proprietor asked, “Can I help you, sir?” Can I help you as in Can I help you? As opposed to What are you doing here? Ray Carney, in his years, had a handle on the variations.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The property wasn’t much to look at, but it might make a man his fortune. Carney took the previous tenants’ busted schemes and failed dreams as a kind of fertilizer that helped his own ambitions prosper, the same way a fallen oak in its decomposition nourishes the acorn.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
One night Freddie said the stars made him feel small. The boys’ constellation knowledge stalled after the Dippers and the Belt, but you didn’t have to know what something was called to know how it made you feel, and looking at the stars didn’t make Carney feel small or insignificant, the stars made him feel recognized. They had their place and he had his. We all have our station in life—people, stars, cities—and even if no one looked after Carney and no one suspected him capable of much at all, he was going to make himself into something.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
America was big and blighted in gamey spots by racial intolerance and violence. Visiting relatives in Georgia? Here are the safe routes around the sundown towns and cracker territories where you might not make it out alive, the towns and counties to be avoided if you valued your life.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Sucker. The mistake was to believe he’d become someone else. That the circumstances that shaped him had been otherwise, or that to outrun those circumstances was as easy as moving to a better building or learning to speak right. Hard stop on the t. He knew where he stood now, had always known, even if he’d gotten confused; there was the matter of redress.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
A man should have a safe big enough to hold his secrets. Bigger even, so you have room to grow
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Alma used the word settled the way the less genteel used motherfucker, as a chisel to pry open a particular feeling.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The man with the handlebar mustache had a scar that dug from his lip to the middle of his cheek, as if he’d wriggled free from a fisherman’s hook.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
His disdain for those he robbed was of a different variety, akin to that of a child grinding his shoe on a cockroach.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
He upheld the misspelling in his thoughts, in keeping with his loyalty to his mistakes.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The way he saw it, living taught you that you didn't have to live the way you've been taught to live. You came from one place but more important was where you decided to go.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
That burden of carrying an apartment on your back; you stagger sometimes but you take the weight, what else can you do?
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Humiliation was his currency, but tonight Miss Laura had picked his pocket.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
How had he suffered the old arrangement for that long? Part of moving up in the world is realizing how much shit you used to eat.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Some days Carney felt the need to press his cousin on a lie until it broke and some days his love was such that the slightest quiver of mistrust made him ashamed.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Someone helps you out by accident, it's still help.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Do we judge a man by the weight of the envelope-or whom he gives it to?
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Launderer, heal thyself.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Adult trouble was more permanent than Aunt Millie smacking you with a hairbrush or his father taking off his belt.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Now he thought about the poor man and his last view of earth: the groove of rust worn from the tub’s leaky faucet, like the ooze from a wound.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Weary and a little desperate, but also high-hearted. He turned off the lights.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Step back and the world is a classroom if need be.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
That was a temporary setback,” Zippo said. “If you call an opportunity to take stock and really think about how you can make your life better a ‘setback.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The cookies were stale and the fortunes discouraging.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
living taught you that you didn’t have to live the way you’d been taught to live.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Chester Miller was in his late fifties, slim-built except for his belly, which perched on his belt like an egg. A little sleepy.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
He opened the back of the Polaroid and slid in the roll of film
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Carney admired the man’s hustle; one of these days they were going to name a street after him, you watch.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Sandra knew how to handle herself, whether dealing with the kitchen staff or the impetuous attentions of customers. Dancing at the Apollo was a tutorial in the male animal, after all.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
He felt unreal those days of the riots when his streets were made strange by violence. Despite what America saw on the news, only a fraction of the community had picked up bricks and bats and kerosene. The devastation had been nothing compared to what lay before him now, but if you bottled the rage and hope and fury of all the people of Harlem and made it into a bomb, the results would look something like this.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
I lit fires because I didn’t know back then it was enough to see it in my head,” Zippo said. “I didn’t have to do it. That’s why people dig my boudoir photographs. Seeing it can be the same thing as doing it.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
since you’re asking me shit that’s none of your business—what happened to your eye? Your eye is all fucked up. You look like shit.” “I got punched in the face,” Carney said. “Oh, that happens to me all the time,
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
It was the last time he raised his hand. The way he saw it, living taught you that you didn’t have to live the way you’d been taught to live. You came from one place but more important was where you decided to go.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The Theresa desegregated in 1940, after the neighborhood tipped over from Jews and Italians and became the domain of Southern blacks and West Indians. Everyone who came uptown had crossed some variety of violent ocean.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
It’s pronounced Wike, but yeah. They’ve been players in this city since back in the day. You’re talking some stone-cold original Dutch motherfuckers. As in, charging the Lenape Indians rent on their own land type shit.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
That’s that. I’m not saying that anything nefarious happened, only saying what happened.” He gestured for a refill. “One thing I’ve learned in my job is that life is cheap, and when things start getting expensive, it gets cheaper still.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Carney spied a patrolman across the street, drinking a Coca-Cola through a straw with bovine serenity. For a moment, he entertained the ridiculous proposition of a Negro calling a cop to complain he was being threatened by two white men.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Who knew the havoc and ruin they’d perpetrate if allowed to run free among decent people. Best to keep them all in here, on this island, bought for twenty-seven bucks from the Indians, the story went. Twenty-seven bucks went a lot further in those days.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
He opened the back of the Polaroid and slid in the roll of film while his family arranged themselves on the Argent sofa. The upholstery was the color of faded mint, a fine setting for their brown skin, but the camera only took black-and-white photos. John on Elizabeth’s lap, May beside them. May didn’t know how to smile yet—all instructions to do so summoned an unsettling, gum-heavy display that would not have been out of place on a Bowery bum sleeping it off in a vestibule. “Sit still,” Elizabeth said.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Aronowitz twirled in his chair and scurried into the workshop in the back, to more grunts. He reminded Carney of a squirrel in the park, darting helter-skelter after lost nuts. Maybe the other squirrels of Radio Row understood this behavior, but it was animal madness to this civilian.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Make the letters blockier, so you can see it, put some red in there. He read an article that said red was a color favored by nature to make animals take notice, and you had to be part animal to live in New York City. Made sense to use red in signs, Pepper thought. But no one was asking him.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Johnny Dandy starring Blake Headley and Patricia De Hammond had been running on Broadway at the Divinity Theater since Memorial Day weekend. Critics had meted their blows and yet. The dialogue and action were so shrouded in euphemism, so opaque in meaning and intention, alternately dull and
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
She flickered then, as Ruby had that morning, and he saw her as she was on that rainy afternoon under his umbrella: almond-shaped dark eyes under long lashes, delicate in her pink cardigan, edges of her mouth upturned at one of her strange jokes. Unaware of the effect she had on people. On him, all these years later.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Stay on the path and you'll be safe, eat in peace, sleep in peace, breathe in peace; stray and beware. Work together and we can subvert their evil order. It was a map of the black nation inside the white world, part of the bigger thing but its own self, independent, with its own constitution. If we didn't help one another we'd be lost out there.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The atmosphere in Nightbirds was ever five minutes after a big argument and no one telling you what happened. Everyone in their neutral corners replaying KO’s and low blows and devising too-late parries. You didn’t know what it had been about or who’d won, just that nobody wanted to talk about it, they glance around and knead grudges in their fists.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
What would he say? All the junkie shit going down these days, he opted to blame it on the drug trade. Some druggie punched him in the face, yelling something, kept going, didn't even try to take his wallet. Someone should do something about all these pushers. An enactment of how decent people felt these days: things are off-kilter, the world is overtaken by shadow.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
If he got a thrill out of transforming these ill-gotten goods into legit merchandise, a zap-charge in his blood like he’d plugged into a socket, he was in control of it and not the other way around. Dizzying and powerful as it was. Everyone had secret corners and alleys that no one else saw—what mattered were your major streets and boulevards, the stuff that showed up on other people’s maps of you.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Since when do white people care about reason? They gonna put that cop in jail?" The bartender looked up from his racing form. "Put a white cop in jail for killing a black boy? Believe in the fucking tooth fairy." "Buford knows what's up," Pepper said. "Newspapers talking about 'looting,'" Buford continued. "Should ask the Indians about looting. This whole country's founded on taking other people's shit." "How'd they fill their museums? Tutankhamun.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
On the wall at Elizabeth's office they had a map of the United States and the Caribbean with pins and red marker to indicate the cities and towns and routes that Black Star promoted. Stay on the path and you'll be safe, eat in peace, sleep in peace, breath in peace and beware. Work together and you can subvert their evil order. It was a map if the black nation inside the white world, part of the bigger thing but its own self, independent, with its own constitution. If we did not help one another we'd be lost out there.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The humidity transformed Park Avenue, the moisture in the air bestowing warm halos to the lights on the street and in the rows of apartment windows. It made the street less stuck-up. Inexplicably kind, like a white cop who cuts you slack for no reason you can figure. Park Avenue creeped Freddie out: The buildings had an attitude, a comfort in and assurance of their own power. They were judges, decreeing that all that you called your own, what you fought for and dreamed of, was merely a cheap imitation of what they possessed. Tonight the street looked kind. From that angle, anyway.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Rusty had two kids he was less eager to lock up, and the nocturnal stakeouts had made for a long week. On Tuesday, out of riot-night boredom, Carney gave him a new title: associate sales manager. Knowing his boss wouldn’t get around to it, Rusty went ahead and ordered the name tag. While he awaited its arrival, he taped an interim version onto a Pan Am Junior Captain pin he’d obtained somewhere. “What do you think?” It looked okay. “It looks great,” Carney said. Business was slow anyway. Elizabeth had bought some books for Rusty’s little ones and Carney handed them over. “What’d you, loot these?” Carney had asked when she pulled them out of the shopping bag. That would be a sight: Elizabeth climbing into the window display, stepping over broken glass to grab some shit. Wouldn’t put it past her,
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
Lieutenant Thomas R. Gilligan, thirty-seven, was off duty and out of uniform, checking out TVs in an electronics store. He went to investigate the commotion and stopped James Powell, a ninth grader who had joined the mob of angry students. Powell was unarmed, according to witnesses. Gilligan maintained that the boy flashed a knife. He shot him three times. Two days later, Harlem erupted. Pierce told Carney, "You have the people who are angry. Justifably so. And then there's the police force. How are they going to defend this shit? Again! And city hall and the activists. And in the way back of the room, you can barely hear a little voice, and that's the family. They've lost a son. Somebody has to speak for them." "They're going to sue?" "Sue and win. You know they ain't going to fire the bastard." Sermon crept into his voice here. "What kind of message will that send--that their police force is accountable? We'll sue, and it will take years, and the city will pay because millions and millions are still cheaper than putting a true price on killing a black boy.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))