Stream Sound Quotes

BLUE SWEATER Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of my heart beating... Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of your heart beating. It was the first day of October. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. You promised to love me forever that night... and boy did you ever! It was the first day of December this time. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. I told you I was three weeks late You said it was fate. You promised to love me forever that night... and boy did you ever! It was the first day of May. I was wearing my blue sweater, although this time the double stitched hem was worn and the strength of each thread tested as they were pulled tight against my growing belly. You know the one. The same one I bought at Dillard’s? The one with holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. The SAME sweater you RIPPED off of my body as you shoved me to the floor, calling me a whore , telling me you didn't love me anymore. Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of my heart beating. Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of your heart beating. (There is a long silence as she clasps her hands to her stomach, tears streaming down her face) Do you hear that? Of course you don't. That's the silence of my womb. Because you RIPPED OFF MY SWEATER!

This market surging with sound of stream slogged by monsoon rain paints its picture with each stroke of speech.

Think of the sound you make when you let go after holding your breath for a very, very long time. Think of the gladdest sound you know: the sound of dawn on the first day of spring break, the sound of a bottle of Coke opening, the sound of a crowd cheering in your ears because you're coming down to the last part of a race--and you're ahead. Think of the sound of water over stones in a cold stream, and the sound of wind through green trees on a late May afternoon in Central Park. Think of the sound of a bus coming into the station carrying someone you love. Then put all those together.

How very like you, Puck.” Ash’s voice came from a great distance, and the room started to spin. “Offer them a taste of faery wine, and act surprised when they’re consumed by it.” That struck me as hilarious, and I broke into hysterical giggles. And once I began, I couldn’t stop. I laughed until I was gasping for breath, tears streaming down my face. My feet itched and my skin crawled. I needed to move, to do something. I tried standing up, wanting to spin and dance, but the room tilted violently and I fell, still shrieking with laughter. Somebody caught me, scooping me off my feet and into their arms. I smelled frost and winter, and heard an exasperated sigh from somewhere above my head. “What are you doing, Ash?” I heard someone ask. A familiar voice, though I couldn’t think of his name, or why he sounded so suspicious. “I’m taking her back to her room.” The person above me sounded wonderfully calm and deep. I sighed and settled into his arms. “She’ll have to sleep off the effects of the fruit. We’ll likely be here another day because of your idiocy.” The other voice said something garbled and unintelligible. I was suddenly too sleepy and light-headed to care. Relaxing against the mysterious person’s chest, I fell into a heady sleep.

The sound of her footsteps was like a stream falling gently downhill over cool stones in the quiet of night.

Don't say another goddamn word. Up until now, I've been polite. If you say anything else--word one--I will kill myself. And when my tainted spirit finds its destination, I will topple the master of that dark place. From my black throne, I will lash together a machine of bone and blood, and fueled by my hatred for you this fear engine will bore a hole between this world and that one. When it begins you will hear the sound of children screaming--as though from a great distance. A smoking orb of nothing will grow above your bed, and from it will emerge a thousand starving crows. As I slip through the widening maw in my new form, you will catch only a glimpse of my radiance before you are incinerated. Then, as tears of bubbling pitch stream down my face, my dark work will begin. I will open one of my six mouths, and I will sing the song that ends the Earth.

Climb every mountain, Ford every stream, Follow every rainbow, 'Till you find your dream. A dream that will need All the love you can give, Every day of your life For as long as you live

Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed; if we permit the last virgin forests to be turned into comic books and plastic cigarette cases; if we drive the few remaining members of the wild species into zoos or to extinction; if we pollute the last clear air and dirty the last clean streams and push our paved roads through the last of the silence . . .

It is evening. The moon is small, and new. There are stars, and a stream's sound, and I can hear the wings of insects, in the dark. I think what gifts we are given, such gifts--every day.

Andrius turned. His eyes found mine. "I'll see you," he said. My face didn't wrinkle. I didn't utter a sound. But for the first time in months, I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away. The NKVD called the bald man's name. "Look at me," whispered Andrius, moving close. "I'll see you," he said. "Just think about that. Just think about me bringing you your drawings. Picture it, because I'll be there." I nodded. "Vilkas," the NKVD called. We walked toward the truck and climbed inside. I looked down at Andrius. He raked through his hair with his fingers. The engine turned and roared. I raised my hand in a wave good-bye. His lips formed the words "I'll see you." He nodded in confirmation. I nodded back. The back gate slammed and I sat down. The truck lurched forward. Wind began to blow against my face. I pulled my coat closed and put my hands in my pockets. That's when I felt it. The stone. Andrius had slipped it into my pocket. I stood up to let him know I had found it. He was gone.

There is a pain you can’t think your way out of. You can’t talk it away. If there was someone to talk to. You can walk. One foot the other foot. Breathe in breathe out. Drink from the stream. Piss. Eat the venison strips. And. You can’t metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of the gut. Muscles, sinew, bone. It is all of you. When you walk you propel it forward. When you let the sled and sit on a fallen log and. You imagine him curling in the one patch of sun maybe lying over your feet. Then it sits with you, the Pain puts its arm over your shoulders. It is your closest friend. Steadfast. And at night you can’t bear to hear your own breath unaccompanied by another and underneath the big stillness like a score is the roaring of the cataract of everything being and being torn away. Then. The Pain is lying beside your side, close. Does not bother you with sound even of breathing.

People don't talk like this, theytalklikethis. Syllables, words, sentences run together like a watercolor left in the rain. To understand what anyone is saying to us we must separate these noises into words and the words into sentences so that we might in our turn issue a stream of mixed sounds in response. If what we say is suitably apt and amusing, the listener will show his delight by emitting a series of uncontrolled high-pitched noises, accompanied by sharp intakes of breath of the sort normally associated with a seizure or heart failure. And by these means we converse. Talking, when you think about it, is a very strange business indeed.

I have loved the feel of the grass under my feet, and the sound of the running streams by my side. The hum of the wind in the tree-tops has always been good music to me, and the face of the fields has often comforted me more than the faces of men.

It was a world of acts, and words had no more influence on acts than the sound of a waterfall has on the flow of the stream.

I wish that I could put up yesterday’s evening sky for all posterity, could preserve a night of love, the sound of a mountain stream, a realization as it sets my mind afire, a dance, a day of harmony, ten thousand glorious days of clouds that will instead vanish and never be seen again, line them up in jars where they might be admired in the interim and tasted again as needed.

It is never too late to go quietly to our lakes, rivers, oceans, even our small streams, and say to the sea gulls, the great blue herons, the bald eagles, the salmon, that we are sorry.

Hey!" Lauren Moffat's voice, sounding noticeably irritated, floated up to us. "What-ew! What's in my hair?" We all three ducked beneath our table so Lauren couldn't see us if she realized what was happening and looked up. I could see her between the slits of the fencing around the balcony, but I knew she couldn't see me. She was shaking out her hair. Becca, crouching across from me, had to put her hands across her mouth to keep from giggling. Jason looked like he was about to pee in his pants, he was trying so hard not to laugh. What's the matter, babe?" Mark came out from beneath the balcony, putting his wallet into his back pocket. There's something--sand or something-in my hair," Lauren said, still fluffing out her hair-which you could tell she didn't want to do, since she flat-ironed it so straight. Mark leaned in closer to examine Lauren's hair. "Looks okay to me," he said. Which just made us laugh harder, until tears were streaming out of the corners of our eyes.

Andrius turned. His eyes found mine. I'll see you he said. My face didn't wrinkle. I didn't utter a sound. But for the first time in months I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away. The NKVD called the bald man's name. Look at me wispered Andrius moving close. I'll see you he said. Just think about that. Just think about me bringing you your drawings. Picture it because I'll be there.

The thing is that this life is so precious and mysterious, I don’t know what to say about it most of the time. Words are like birds, passing through the trackless sky. The dog barking, the sound of the purling stream, the wind among the weeping willow trees: how are these not right off the tongue of the Buddha?" --Lama Surya Das

Amazing Peace: A Christmas Poem Thunder rumbles in the mountain passes And lightning rattles the eaves of our houses. Flood waters await us in our avenues. Snow falls upon snow, falls upon snow to avalanche Over unprotected villages. The sky slips low and grey and threatening. We question ourselves. What have we done to so affront nature? We worry God. Are you there? Are you there really? Does the covenant you made with us still hold? Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship. It is the Glad Season. Thunder ebbs to silence and lightning sleeps quietly in the corner. Flood waters recede into memory. Snow becomes a yielding cushion to aid us As we make our way to higher ground. Hope is born again in the faces of children It rides on the shoulders of our aged as they walk into their sunsets. Hope spreads around the earth. Brightening all things, Even hate which crouches breeding in dark corridors. In our joy, we think we hear a whisper. At first it is too soft. Then only half heard. We listen carefully as it gathers strength. We hear a sweetness. The word is Peace. It is loud now. It is louder. Louder than the explosion of bombs. We tremble at the sound. We are thrilled by its presence. It is what we have hungered for. Not just the absence of war. But, true Peace. A harmony of spirit, a comfort of courtesies. Security for our beloveds and their beloveds. We clap hands and welcome the Peace of Christmas. We beckon this good season to wait a while with us. We, Baptist and Buddhist, Methodist and Muslim, say come. Peace. Come and fill us and our world with your majesty. We, the Jew and the Jainist, the Catholic and the Confucian, Implore you, to stay a while with us. So we may learn by your shimmering light How to look beyond complexion and see community. It is Christmas time, a halting of hate time. On this platform of peace, we can create a language To translate ourselves to ourselves and to each other. At this Holy Instant, we celebrate the Birth of Jesus Christ Into the great religions of the world. We jubilate the precious advent of trust. We shout with glorious tongues at the coming of hope. All the earth's tribes loosen their voices To celebrate the promise of Peace. We, Angels and Mortal's, Believers and Non-Believers, Look heavenward and speak the word aloud. Peace. We look at our world and speak the word aloud. Peace. We look at each other, then into ourselves And we say without shyness or apology or hesitation. Peace, My Brother. Peace, My Sister. Peace, My Soul.

Deep within the center of the soul is a chamber of peace where God lives and where, if we will enter it and quiet all the other sounds, we can hear His “gentle whisper” (1 Kings 19:12).

Jake stood on the corner of Second and Forty-sixth, looking at a board fence about five feet high. Tears were streaming down his cheeks. From the darkness beyond the fence cam a strong harmonic humming. The sound of many voices, all singing together. Singing one vast open note. 'Here is yes,' the voices said. 'Here is you may. Here is the good turn, the fortunate meeting, the fever that broke just before dawn and left your blood calm. Here is the wish that came true and the understanding eye. Here is the kindness you were given and thus learned to pass on. Here is the sanity and clarity you thought were lost. Here, everything is all right.

We see quite clearly that what happens to the nonhuman happens to the human. What happens to the outer world happens to the inner world. If the outer world is diminished in its grandeur then the emotional, imaginative, intellectual, and spiritual life of the human is diminished or extinguished. Without the soaring birds, the great forests, the sounds and coloration of the insects, the free-flowing streams, the flowering fields, the sight of the clouds by day and the stars at night, we become impoverished in all that makes us human.

O! Sweet is the sound of falling rain, and the brook that leaps from hill to plain; but better than rain or rippling streams is Water Hot that smokes and steams.

Staring down at the brook, I remembered a stream near Mammoth Lake. We’d parked the camper just above it and, all night, listened to it splashing across rocks and stones; a lovely sound.

Beauty means this to one person, perhaps, and that to another. And yet when any one of us has seen or heard or read that which to him is beautiful, he has known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting. A choirboy's voice, a ship in sail, an opening flower, a town at night, the song of the blackbird, a lovely poem, leaf shadows, a child's grace, the starry skies, a cathedral, apple trees in spring, a thorough-bred horse, sheep-bells on a hill, a rippling stream, a butterfly, the crescent moon -- the thousand sights or sounds or words that evoke in us the thought of beauty -- these are the drops of rain that keep the human spirit from death by drought. They are a stealing and a silent refreshment that we perhaps do not think about but which goes on all the time....It would surprise any of us if we realized how much store we unconsciously set by beauty, and how little savour there would be left in life if it were withdrawn. It is the smile on the earth's face, open to all, and needs but the eyes to see, the mood to understand.

Someday, emerging at last from the violent insight, let me sing out jubilation and praise to assenting angels. Let not even one of the clearly-struck hammers of my heart fail to sound because of a slack, a doubtful, or a broken string. Let my joyfully streaming face make me more radiant; let my hidden weeping arise and blossom. How dear you will be to me then, you nights of anguish. Why didn't I kneel more deeply to accept you, inconsolable sisters, and surrendering, lose myself in your loosened hair. How we squander our hours of pain. How we gaze beyond them into the bitter duration to see if they have an end. Though they are really our winter-enduring foliage, our dark evergreen, our season in our inner year--, not only a season in time--, but are place and settlement, foundation and soil and home.

I climbed a path and from the top looked up-stream towards Chile. I could see the river, glinting and sliding through the bone-white cliffs with strips of emerald cultivation either side. Away from the cliffs was the desert. There was no sound but the wind, whirring through thorns and whistling through dead grass, and no other sign of life but a hawk, and a black beetle easing over white stones.

And then finally the magic flowed, but not the same way as when the Dragon’s spell-lessons dragged it in a rush out of me. Instead it seemed to me the sound of the chanting became a stream made to carry magic along, and I was standing by the water’s edge with a pitcher that never ran dry, pouring a thin silver line into the rushing current.

Why shouldn't it be that way for the rest of us? Why not just go with it? Just walk the dog and send the tweets and eat the scones and play with the hamsters and ride the bicycles and watch the sunsets and stream the movies and never worry about any of it? I didn't know it could be that easy. I didn't know that until just now. That sounds good to me.

It was nearing 9 O'clock, and the fist duck was drawing down. Behind the trees, the first star pricked out, low and brilliant. The light breeze of the day had dropped, and the evening was very still. The stream sounded loud. I walked down to the gate and stood leaning on the top bar, enjoying the scent of the roses, and straining to listen for any sound from the lane or the road beyond.

As early as 1930 Schoenberg wrote: "Radio is an enemy, a ruthless enemy marching irresistibly forward, and any resistance is hopeless"; it "force-feeds us music . . . regardless of whether we want to hear it, or whether we can grasp it," with the result that music becomes just noise, a noise among other noises. Radio was the tiny stream it all began with. Then came other technical means for reproducing, proliferating, amplifying sound, and the stream became an enormous river. If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it," it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.

The Trial By Existence Even the bravest that are slain Shall not dissemble their surprise On waking to find valor reign, Even as on earth, in paradise; And where they sought without the sword Wide fields of asphodel fore’er, To find that the utmost reward Of daring should be still to dare. The light of heaven falls whole and white And is not shattered into dyes, The light for ever is morning light; The hills are verdured pasture-wise; The angel hosts with freshness go, And seek with laughter what to brave;— And binding all is the hushed snow Of the far-distant breaking wave. And from a cliff-top is proclaimed The gathering of the souls for birth, The trial by existence named, The obscuration upon earth. And the slant spirits trooping by In streams and cross- and counter-streams Can but give ear to that sweet cry For its suggestion of what dreams! And the more loitering are turned To view once more the sacrifice Of those who for some good discerned Will gladly give up paradise. And a white shimmering concourse rolls Toward the throne to witness there The speeding of devoted souls Which God makes his especial care. And none are taken but who will, Having first heard the life read out That opens earthward, good and ill, Beyond the shadow of a doubt; And very beautifully God limns, And tenderly, life’s little dream, But naught extenuates or dims, Setting the thing that is supreme. Nor is there wanting in the press Some spirit to stand simply forth, Heroic in its nakedness, Against the uttermost of earth. The tale of earth’s unhonored things Sounds nobler there than ’neath the sun; And the mind whirls and the heart sings, And a shout greets the daring one. But always God speaks at the end: ’One thought in agony of strife The bravest would have by for friend, The memory that he chose the life; But the pure fate to which you go Admits no memory of choice, Or the woe were not earthly woe To which you give the assenting voice.’ And so the choice must be again, But the last choice is still the same; And the awe passes wonder then, And a hush falls for all acclaim. And God has taken a flower of gold And broken it, and used therefrom The mystic link to bind and hold Spirit to matter till death come. ‘Tis of the essence of life here, Though we choose greatly, still to lack The lasting memory at all clear, That life has for us on the wrack Nothing but what we somehow chose; Thus are we wholly stripped of pride In the pain that has but one close, Bearing it crushed and mystified.

We all are bundles of electric waves or streams of particles – proton, neutron, and electrons. If a piece of metal can be transformed into electric or magnetic waves, so can a string of sound, a thought, and a desire.

This may sound too simple, but is great in consequence. Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative (and creation), there is one elementary truth the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. A whole stream of events issues from the decision, raising in one's favor all manner of unforeseen incidents, meetings and material assistance, which no man could have dreamt would have come his way. I learned a deep respect for one of Goethe's couplets: Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it!

In the distance, the cat hears the sound of lobster minds singing in the void, a distant feed streaming from their cometary home as it drifts silently out through the asteroid belt, en route to a chilly encounter beyond Neptune. The lobsters sing of alienation and obsolescence, of intelligence too slow and tenuous to support the vicious pace of change that has sandblasted the human world until all the edges people cling to are jagged and brittle.

Such moments passed and the wasting fires of lust sprang up again. The verses passed from his lips and the inarticulate cries and the unspoken brutal words rushed forth from his brain to force a passage. His blood was in revolt. He wandered up and down the dark slimy streets peering into the gloom of lanes and doorways, listening eagerly for any sound. He moaned to himself like some baffled prowling beast. He wanted to sin with another of his kind, to force another being to sin with him and to exult with her in sin. He felt some dark presence moving irresistibly upon him from the darkness, a presence subtle and murmurous as a flood filling him wholly with itself. Its murmur besieged his ears like the murmur of some multitude in sleep; its subtle streams penetrated his being. His hands clenched convulsively and his teeth set together as he suffered the agony of its penetration. He stretched out his arms in the street to hold fast the frail swooning form that eluded him and incited him: and the cry that he had strangled for so long in his throat issued from his lips. It broke from him like a wail of despair from a hell of sufferers and died in a wail of furious entreaty, a cry for an iniquitous abandonment, a cry which was but the echo of an obscene scrawl which he had read on the oozing wall of a urinal.

As the venom streamed down once more, he heard the unmistakable sound of a wolf howling. It would not be long now. Ragnarok had come, and he would see Asgard crushed and burned till he trod on the ashes of all of those who had wronged him.

It was an evening of torment, and I remember only one other thing about it. At some point after everyone was asleep, I wandered away from the inn in a daze and ended up on the sea cliffs, staring out into the darkness with sound of the roaring water below me. The thundering of the ocean was like a bitter lament. I seemed to see beneath everything a layering of cruelty I have never known was there. The howling of the wind and shaking of the trees seemed to mock me. Could it really be that the stream of my life had divided forever.

Watson,” says Frank, “experiment time. Could you go into the kitchen and get one balloon, two packets of salt, three packets of pepper, and one plastic spoon?” “That sounds about as scientific as . . . my peashooter,” says Watson, heading for the kitchen as Frank and the robots finish cleaning up the lab. Watson returns with the experiment supplies. “I can’t wait to see what you make with this.” Frank rips open the salt and pepper packets and dumps everything into one pile on the table. He blows up the balloon. “Rub this on your head, Watson.” Watson rubs the balloon on his head. “Oh, this is much more scientific.” “Just watch,” says Frank. “Now put the balloon over the salt and pepper.” Watson moves the balloon. The positively charged, lighter pieces of pepper separate from the heavier pieces of salt and stick to the balloon. “Wireless,” says Frank. “And cheap. Now watch this.” Frank rubs the plastic spoon on Watson’s sweater. He turns the water on in the lab sink so that a small, steady stream flows out. “Observe.” Frank puts the spoon near the water column. “No way!” says Watson. “The water is bending toward the spoon!” Klink beeps, “In both cases, extra negative charge caused by gathering electrons . . . attracts positively charged pepper pieces and water stream.

UTOPIA When the train stops, the woman said, you must get on it. But how will I know, the child asked, it is the right train? It will be the right train, said the woman, because it is the right time. A train approached the station; clouds of grayish smoke streamed from the chimney. How terrified I am, the child thinks, clutching the yellow tulips she will give to her grandmother. Her hair has been tightly braided to withstand the journey. Then, without a word, she gets on the train, from which a strange sound comes, not in a language like the one she speaks, something more like a moan or a cry.

Eccolo!” he exclaimed. At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. “Courage!” cried her companion, now standing some six feet above. “Courage and love.” She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her…

She sat very still, listening to a stream gurgling, the breeze soughing through upper branches, the melodious kloo-klack of ravens, the nyeep-nyeep of nuthatches - all sounds chokingly beautiful. She felt she could hear the cool clean breath of growing things - fern fronds, maple leaves, white trillium petals, tree trunks, each in its rightful place.

From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque. He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")

What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

As the sun went down, I saw a solitary boatman disporting on the smooth lake. The falling dews seemed to strain and purify the air, and I was soothed with an infinite stillness. I got the world, as it were, by the nape of the neck, and held it under in the tide of its own events, till it was drowned, and then I let it go down stream like a dead dog. Vast hollow chambers of silence stretched away on every side, and my being expanded in proportion, and filled them. Then first could I appreciate sound, and find it musical.

That night, I fell into a deep, travel-weary sleep, lulled by the familiar sound of the waterfall beyond the window. I dreamed of the beck fairies, a blur of lavender and rose-pink and buttercup-yellow light, flitting across the glittering stream, beckoning me to follow them toward the woodland cottage. There, the little girl with flame-red hair picked daisies in the garden, threading them together to make a garland for her hair. She picked a posy of wildflowers- harebell, bindweed, campion, and bladderwort- and gave them to me.

On this Thursday, on this particular walk to school, there was an old frog croaking in the stream behind the hedge as we went by. 'Can you hear him, Danny?' 'Yes,' I said, 'That is a bullfrog calling to his wife. He does it by blowing out his dewlap and letting it go with a burp.' 'What is a dewlap?' I asked. 'It's the loose skin on his throat. He can blow it up just like a balloon.' 'What happens when his wife hears him?' 'She goes hopping over to him. She is very happy to have been invited. But I'll tell you something very funny about the old bullfrog. He often becomes so pleased with the sound of his own voice that his wife has to nudge him several times before he'll stop his burping and turn round to hug her.' That made me laugh. 'Dont laugh too loud,' he said, twinkling at me with his eyes. 'We men are not so very different from the bullfrog.

the toilet is an intimacy only shared with parents when you are young and once again when they are older and with lovers when say on a Sunday morning stretching into the bathroom you wake to the sound of stream into bowl and go to hug the naked body stood with its back to you and kiss the neck and taste the whole of the night on there and smell the morning’s pale yellow loss and take the whole of him in your hand and feel the water moving through him and knowing that this is love the prone flesh what we expel from the body and what we let inside

As many years as I have been listening to Easter sermons, I have never heard anyone talk about that part. Resurrection is always announced with Easter lilies, the sound of trumpets, bright streaming light. But it did not happen that way. If it happened in a cave, it happened in complete silence, in absolute darkness, with the smell of damp stone and dug earth in the air. Sitting deep in the heart of Organ Cave, I let this sink in: new life starts in the dark. Whether it is a seed in the ground, a baby in the womb, or Jesus in the tomb, it starts in the dark.

Any pub will do?” “McPherson’s, I think. One with music that will alter my life forever, give me eternal happiness, and make me see God. You know. One like that.” “So you need the magical sound of Ireland and some information about an Abbeyglen native. Francine”—Beckett’s eyes danced in the streaming sunlight—“I’m about to solve your every problem.” Beckett stood up and gave my hair a light tug. “Prepare to worship and adore me.

We kept walking, our shadows moving in shifting blobs over the ground. The sound of river rocks rattled under our feet. We turned along a bend in the stream and a curtain of poplar trees came into view, shivering in the distance, showing the white backsides of their leaves. I watched them for a while until an ancient, aching sorrow rose up in my chest. It was a familiar feeling. Something in the mute, unconscious trees resonated inside me, something so deep and fundamental it failed to remember its own source anymore. I watched the poplars flickering against the hard blue of the sky. What is sorrow? I thought. What is sorrow but old, worn out joy?

I know you loved him, and he’s Brendan’s father, but he didn’t deserve you. People don’t deserve to have things they don’t respect. He didn’t fucking deserve you, Bridget.” Tears streamed down her face. “How can you sound so sure?” “Because I am, luv. I’ve been insecure about having a relationship my whole life—meeting you changed that. You’ve made me better, more secure than ever, not the opposite. Love makes you stronger, not weaker.

Yea, she hath passed hereby, and blessed the sheaves, And the great garths, and stacks, and quiet farms, And all the tawny, and the crimson leaves. Yea, she hath passed with poppies in her arms, Under the star of dusk, through stealing mist, And blessed the earth, and gone, while no man wist. With slow, reluctant feet, and weary eyes, And eye-lids heavy with the coming sleep, With small breasts lifted up in stress of sighs, She passed, as shadows pass, among the sheep; While the earth dreamed, and only I was ware Of that faint fragrance blown from her soft hair. The land lay steeped in peace of silent dreams; There was no sound amid the sacred boughs. Nor any mournful music in her streams: Only I saw the shadow on her brows, Only I knew her for the yearly slain, And wept, and weep until she come again.

O all fair lovers about the world, There is none of you, none, that shall comfort me. My thoughts are as dead things, wrecked and whirled Round and round in a gulf of the sea; And still, through the sound and the straining stream, Through the coil and chafe, they gleam in a dream, The bright fine lips so cruelly curled, And strange swift eyes where the soul sits free.

Suddenly the Doctor heard the greatest sound in the universe, more delightful than the dawn chorus, more lovely than the laughter of children, more sweet than the mountain stream. It was the wheezing, groaning sound of the relative dimensional stabiliser of a Type 40 TARDIS in materialisation mode.

Life, perhaps less a document than an impression, conveyed through partial glances, stream-of-consciousness juxtapositions, unpredictable rhythms, a collage of sound, a conscientious diarist, a career of blackmail and scandal culminated in murder, a blind man with a will of iron and a nervous system of gossamer.

Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.

When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.

‎And I have come so far; and the sights and thoughts of my youth pursue me; and I see like a vision the youth of my father, and of his father, and the whole stream of lives flowing down there, far in the north, with the sound of laughter and tears, to cast me out in the end, as by a sudden freshet, on those ultimate islands. And I admire and bow my head before the romance of destiny.

[D]id you ever notice how friendships are a lot like pop songs? They are for girls, anyway. First there's the newness of it, the melody that streams into your head and makes you wonder ― will I like this song? Then come the vocals, what the song's heart truly sounds like, and with it the song's purpose, it's lyrics ― will they say something meaningful about my life? Will these words help me through a difficult time, or create a memory that will make me smile whenever I hear this song again?

It’s funny, grief, isn’t it? How you die with them. Whoever you were before has gone. Your ghost walks the earth. You look the same, sound the same, but are not the same. You don’t breathe oxygen the way you did before. You negotiate life under an ocean. Drowning as you do your shopping, drowning as you ride the bus, drowning as you go to work. You can’t live with this, you think. No one could live with this. It’s unliveable. Then there are moments when your head rises above the water. You find something funny, laugh. A glimpse of your previous self. Until you are submerged once again. Guilty for your brief ability to breathe. Over time the water levels drop. First you tread water; then you swim; then you wade; then you are paddling; until finally you are walking alongside a stream. It flows next to you. Wherever you are, whatever you do, however happy you’re feeling, it’s there.

True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance. 'Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main. Hear how Timotheus' varied lays surprise, And bid alternate passions fall and rise! While, at each change, the son of Libyan Jove Now burns with glory, and then melts with love; Now his fierce eyes with sparkling fury glow, Now sighs steal out, and tears begin to flow: Persians and Greeks like turns of nature found, And the world's victor stood subdu'd by sound! The pow'r of music all our hearts allow, And what Timotheus was, is Dryden now.

Ride!' went the call, and the individuals of the troop became a single lurching, streaming mass of horseflesh pounding toward the trees. The first of the men reached the tree line moments before the sound became a roar, the crack and crash of stones, of huge granite boulders large enough to smash into other parts of the cliff and send them driving downwards. The thundering sound, echoing off the walls of the mountain, was frightening and panicked the horses almost more than the boulders at their heels. It was as though the whole surface of the cliff loosened, dissolved into a liquid surface: a rain of stone, a rolling wave of stone.

With only those soft, secret night sounds as witness, he moved over her, kissed her deeply, then slid home. And news sounds filled the dark. Sharp breaths of stunning urgency. Long sighs of immeasurable pleasure. Humming beats of awareness of an unbreakable bond being forged.¸ In the heat of the night, without a single word spoken, she felt everything change between them. Until this moment, they'd only played at love, danced cautiously around the prospect of commitment. But as he sank in and out of her body, immersing them in sensation and a profound stream of consciousness, he sough her gaze in the dark. What she saw in his eyes brought tears to hers as it became achingly, wonderfully clear. The biggest player of them all wasn't playing anymore.

Before the invention of photography, significant moments in the flow of our lives would be like rocks placed in a stream: impediments that demonstrated but didn’t diminish the volume of the flow and around which accrued the debris of memory, rich in sight, smell, taste, and sound. No snapshot can do what the attractive mnemonic impediment can: when we outsource that work to the camera, our ability to remember is diminished and what memories we have are impoverished.

As the wind swelled, my tree started to sway. Almost like a human body it swung back and around, gently at first, then more and more wildly. While the swaying intensified, so did my fears that the trunk might snap and hurl me to the ground. But in time my confidence returned. Amazed at how the tree could be at once so flexible and so sturdy, I held on tight as it bent and waved, twisted and swirled, slicing curves and arcs through the air. With each graceful swing, I felt less a creature of the land and more a part of the wind itself. "The rain began falling, it's sound merging with the splashing river and the singing trees. Branches streamed like waterfalls of green. Tiny rivers cascaded down every trunk, twisting through moss meadows and bark canyons. All the while, I rode out the gale. I could not have felt wetter. I could not have felt freer. "When, at last, the storm subsided, the entire world seemed newly born. Sunbeams danced on rain-washed leaves. Curling columns of mist rose from every glade. The forest's colors shown more vivid, its smells struck more fresh. And I understood, for the first time in my life, that the Earth was always being remade, that life was always being renewed. That it may have been the afternoon of this particular day, but it was still the very morning of Creation.

Give the speech on my behalf. Create my voice and face,” Yuan instructs Pico, approaching the forest. Leaping on this stable stone, jumping over that thick log, and crossing a few fierce streams, he walks towards the depth of the forest, the end of Lotus Lodge property. The only sound coming is from his wooden sandals: pit-pat … pit-pat … “A war hero’s fake speech! That’s a crime!” Pico keeps complaining. “Even a home-service bot bearing the ghost of a legendary AI will be processed for that!” Yuan ignores as Pico brings up its source again. “A war hero is permitting you. Keep it a secret,” he says.

Until now, I've been writing about "now" as if it were literally an instant of time, but of course human faculties are not infinitely precise. It is simplistic to suppose that physical events and mental events march along exactly in step, with the stream of "actual moments" in the outside world and the stream of conscious awareness of them perfectly synchronized. The cinema industry depends on the phenomenon that what seems to us a movie is really a succession of still pictures, running at twenty-five [sic] frames per second. We don't notice the joins. Evidently the "now" of our conscious awareness stretches over at least 1/25 of a second. In fact, psychologists are convinced it can last a lot longer than that. Take he familiar "tick-tock" of the clock. Well, the clock doesn't go "tick-tock" at all; it goes "tick-tick," every tick producing the same sound. It's just that our consciousness runs two successive ticks into a singe "tick-tock" experience—but only if the duration between ticks is less than about three seconds. A really bug pendulum clock just goes "tock . . . tock . . . tock," whereas a bedside clock chatters away: "ticktockticktock..." Two to three seconds seems to be the duration over which our minds integrate sense data into a unitary experience, a fact reflected in the structure of human music and poetry.

It struck me that we-that moth and I-were two opposite extremes. My existence was as unstable as a stream, changing in every way; but the moth was like a piece of stone, changing not at all. While thinking this thought, I reached out a finger to feel the moth’s velvety surface; but when I brushed it with my fingertip, it turned all at once into a pile of ash without even a sound, without even a moment in which I could see it crumbling. I was so astonished I let out a cry. The swirling in my mind stopped; I felt as if I had stepped into the eye of a storm. I let the tiny shroud and its pile of ashes flutter to the ground; and now I understood the thing that had puzzled me all morning. The stale air had washed away. The past was gone.

That maybe I’m the answer,’ I blurted. ‘To healing your heart. I could … you know, be your boyfriend. As Lester. If you wanted. You and me. You know, like … yeah.’ I was absolutely certain that up on Mount Olympus, the other Olympians all had their phones out and were filming me to post on Euterpe-Tube. Reyna stared at me long enough for the marching band in my circulatory system to play a complete stanza of ‘You’re a Grand Old Flag’. Her eyes were dark and dangerous. Her expression was unreadable, like the outer surface of an explosive device. She was going to murder me. No. She would order her dogs to murder me. By the time Meg rushed to my aid, it would be too late. Or worse – Meg would help Reyna bury my remains, and no one would be the wiser. When they returned to camp, the Romans would ask, What happened to Apollo? Who? Reyna would say. Oh, that guy? Dunno, we lost him. Oh, well! the Romans would reply, and that would be that. Reyna’s mouth tightened into a grimace. She bent over, gripping her knees. Her body began to shake. Oh, gods, what had I done? Perhaps I should comfort her, hold her in my arms. Perhaps I should run for my life. Why was I so bad at romance? Reyna made a squeaking sound, then a sort of sustained whimper. I really had hurt her! Then she straightened, tears streaming down her face, and burst into laughter. The sound reminded me of water rushing over a riverbed that had been dry for ages. Once she started, she couldn’t seem to stop. She doubled over, stood upright again, leaned against a tree and looked at her dogs as if to share the joke. ‘Oh … my … gods,’ she wheezed. She managed to restrain her mirth long enough to blink at me through the tears, as if to make sure I was really there and she’d heard me correctly. ‘You. Me? HA-HA-HA-HA-HA-HA-HA.

I, to whom nature had denied the impromptu faculty; who, in public, was by nature a cypher; whose time of mental activity, even when alone, was not under the meridian sun; who needed the fresh silence of morning, or the recluse peace of evening, to win from the Creative Impulse one evidence of his presence, one proof of his force; I, with whom that Impulse was the most intractable, the most capricious, the most maddening of masters (him before me always excepted)--a deity, which sometimes, under circumstances apparently propitious, would not speak when questioned, would not hear when appealed to, would not, when sought, be found; but would stand, all cold, all indurated, all granite, a dark Baal with carven lips and blank eye-balls, and breast like the stone face of a tomb; and again, suddenly, at some turn, some sound, some long-trembling sob of the wind, at some rushing past of an unseen stream of electricity, the irrational demon would wake unsolicited, would stir strangely alive, would rush from its pedestral like a perturbed Dagon, calling to its votary for a sacrifice, whatever the hour--to its victim for some blood or some breath, whatever the circumstance or scene--rousing its priest, treacherously promising vaticanation, perhaps filling its temple with a strange hum of oracles, but sure to give half the significance to fateful winds, and grudging to the desperate listener even a miserable remnant--yielding it sordidly, as though each word had been a drop of the deathless ichor of its own dark veins.

And then one morning the soldiers grew suddenly still as the heavy latches were lifted and turned. Just before the doors slid apart, a man from Pisa took the opportunity to say, "The air is thin. We're in the mountains." Alessandro straightened his back and raised his head. The mountains, unpredictable in their power, were the heart of his recollection, and he knew that the Pisano was right. He had known it all along from the way the train took the many grades, from the metallic thunder of bridges over which they had run in the middle of the night, and from the white sound of streams falling and flowing in velocities that could have been imparted only by awesome mountainsides.

In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")

I didn’t want to love you,” Anthony whispered. “It was the one thing I feared above all. I’d grown rather used to my rather odd little outlook on life. Almost comfortable, actually. But love—” His voice caught; the choking sound seemed unmanly, it made him vulnerable. But he didn’t care, because this was Kate. And it didn’t matter if she saw his deepest fears, because he knew she’d love him no matter what. It was a sublimely freeing feeling. “I’ve seen true love,” he continued. “I wasn’t the cynical jade society made me out to be. I knew love existed. My mother— my father—” He stopped, sucking in a ragged breath. This was the hardest thing he’d ever done. And yet he knew the words had to be said. He knew, no matter how difficult it was to get them out, that in the end, his heart would soar. “I was so sure that it was the one thing that could make this . . . this . . . I don’t really know what to call it— this knowledge of my own mortality . . .” He raked his hand through his hair, fighting for words. “Love was the only thing that was going to make that unbearable. How could I love someone, truly and deeply, knowing that it was doomed?” “But it’s not doomed,” Kate said, squeezing his hand. “I know. I fell in love with you, and then I knew. Even if I am right, even if I’m fated to live only as long as my father did before me, I’m not doomed.” He leaned forward and brushed a feather-light kiss on her lips. “I have you,” he whispered, “and I’m not going to waste a single moment we have together.” Kate’s lips spread into a smile. “What does that mean?” “It means that love isn’t about being afraid that it will all be snatched away. Love’s about finding the one person who makes your heart complete, who makes you a better person than you ever dreamed you could be. It’s about looking in the eyes of your wife and knowing, all the way to your bones, that she’s simply the best person you’ve ever known.” “Oh, Anthony,” Kate whispered, tears streaming down her cheeks. “That’s how I feel about you.” -Anthony & Kate

Then Jip went up to the front of the ship and smelt the wind; and he started muttering to himself, "Tar; Spanish onions; kerosene oil; wet raincoats; crushed laurel-leaves; rubber burning; lace-curtains being washed--No, my mistake, lace-curtains hanging out to dry; and foxes--hundreds of 'em--cubs; and--" "Can you really smell all those different things in this one wind?" asked the Doctor. "Why, of course!" said Jip. "And those are only a few of the easy smells--the strong ones. Any mongrel could smell those with a cold in the head. Wait now, and I'll tell you some of the harder scents that are coming on this wind--a few of the dainty ones." Then the dog shut his eyes tight, poked his nose straight up in the air and sniffed hard with his mouth half-open. For a long time he said nothing. He kept as still as a stone. He hardly seemed to be breathing at all. When at last he began to speak, it sounded almost as though he were singing, sadly, in a dream. "Bricks," he whispered, very low--"old yellow bricks, crumbling with age in a garden-wall; the sweet breath of young cows standing in a mountain-stream; the lead roof of a dove-cote--or perhaps a granary--with the mid-day sun on it; black kid gloves lying in a bureau-drawer of walnut-wood; a dusty road with a horses' drinking-trough beneath the sycamores; little mushrooms bursting through the rotting leaves; and--and--and--" "Any parsnips?" asked Gub-Gub. "No," said Jip. "You always think of things to eat. No parsnips whatever.

I bent down and sang Tihas, tihas, kai tihas, kai tihas, over and over, and found myself falling into the sound of the birthday song about living a hundred years. That sounds absurd, but the rhythm of it was easy and familiar, comforting. I stopped having to think about the words: they filled my mouth and spilled over like water out of a cup. I forgot to remember Jerzy’s mad laughter, and the green vile cloud that had drowned the light inside him. There was only the easy movement of the song, the memory of faces gathered around a table laughing. And then finally the magic flowed, but not the same way as when the Dragon’s spell-lessons dragged it in a rush out of me. Instead it seemed to me the sound of the chanting became a stream made to carry magic along, and I was standing by the water’s edge with a pitcher that never ran dry, pouring a thin silver line into the rushing current.

Captain Harcourt-Bruce was not only dashing, handsome, and brave, he was also rather romantic. The reappearance of magic in England thrilled him immensely. He was a great reader of the more exciting sort of history - and his head was full of ancient battles in which the English were outnumbered by the French and doomed to die, when all at once would be heard the sound of strange, unearthly music, and upon a hilltop would appear the Raven King in his tall, black helmet with it's mantling of raven-feathers streaming in the wind; he would gallop down the hillside on his tall, black horse with a hundred human knights and a hundred fairy knights at his back, and he would defeat the French by magic. That was Captain Harcourt-Bruce's idea of a magician. That was the sort of thing which he now expected to see reproduced on every battlefield on the Continent. So when he saw Mr Norrell in his drawing-room in Hanoversquare, and after he had sat and watched Mr Norrell peevishly complain to his footman, first that the cream in his tea was too creamy, and next that it was too watery - well, I shall not surprize you when I say he was somewhat disappointed. In fact he was so downcast by the whole undertaking that Admiral Paycocke, a bluff old gentleman, felt rather sorry for him and only had the heart to laugh at him and tease him very moderately about it.

On Ponkawtasset, since, we took our way, Down this still stream we took our meadowy way, A poet wise has settled, whose fine ray Doth faintly shine on Concord's twilight day. Like those first stars, whose silver beams on high, Shining more brightly as the day goes by, Most travellers cannot at first descry, But eyes that wont to range the evening sky, And know celestial lights, do plainly see, And gladly hail them, numbering two or three; For lore that's deep must deeply studied be, As from deep wells men read star-poetry. These stars are never pal'd, though out of sight, But like the sun they shine forever bright; Aye, they are suns, though earth must in its flight Put out its eyes that it may see their light. Who would neglect the least celestial sound, Or faintest light that falls on earthly ground, If he could know it one day would be found That star in Cygnus whither we are bound, And pale our sun with heavenly radiance round?

In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.

THIS ISN’T CHINA Hold me close and tell me what the world is like I don’t want to look outside I want to depend on your eyes and your lips I don’t want to feel anything but your hand on the old raw bumper I don’t want to feel anything else If you love the dead rocks and the huge rough pine trees Ok I like them too Tell me if the wind makes a pretty sound in the billion billion needles I’ll close my eyes and smile Tell me if it’s a good morning or a clear morning Tell me what the fuck kind of morning it is and I’ll buy it And get the dog to stop whining and barking This isn’t China nobody’s going to eat it It’s just going to get fed and petted Ok where were we? Ok go if you must. I’ll create the cosmos by myself I’ll let it all stick to me every fucking pine needle And I’ll broadcast my affection from this shaven dome 360 degrees to all the dramatic vistas to all the mists and snows that moves across the shining mountains to the women bathing in the stream and combing their hair on the roofs to the voiceless ones who have petitioned me from their surprising silence to the poor in the heart (oh more and more to them) to all the thought-forms and leaking mental objects that you get up here at the end of your ghostly life

There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.

One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.

In the tense silence the continual buzzing of the horseflies was the only audible sound, that and the constant rain beating down in the distance, and, uniting the two, the ever more frequent scritch-scratch of the bent acacia trees outside, and the strange nightshift work of the bugs in the table legs and in various parts of the counter whose irregular pulse measured out the small parcels of time, apportioning the narrow space into which a word, a sentence or a movement might perfectly fit. The entire end-of-October night was beating with a single pulse, its own strange rhythm sounding through trees and rain and mud in a manner beyond words or vision: a vision present in the low light, in the slow passage of darkness, in the blurred shadows, in the working of tired muscles; in the silence, in its human subjects, in the undulating surface of the metaled road; in the hair moving to a different beat than do the dissolving fibers of the body; growth and decay on their divergent paths; all these thousands of echoing rhythms, this confusing clatter of night noises, all parts of an apparently common stream, that is the attempt to forget despair; though behind things other things appear as if by mischief, and once beyond the power of the eye they don't hang together. So with the door left open as if forever, with the lock that will never open. There is a chasm, a crevice.

She is a Weyward. And she carries another Weyward inside her. She gathers herself together, every cell blazing, and thinks: Now. The window breaks, a waterfall of sharp sounds. The room grows dark with feathered bodies, shooting through the broken window, the fireplace. Beaks, claws, and eyes flashing. Feathers brushing her skin. Simon yells, his hand loosening on her throat. She sucks in the air, falling to her knees, one hand cradling her stomach. Something touches her foot, and she sees a dark tide of spiders spreading across the floor. Birds continue to stream through the window. Insects, too: the azure flicker of damselflies, moths with orange eyes on their wings. Tiny, gossamer mayflies. Bees in a ferocious golden swarm. She feels something sharp on her shoulder, its claws digging into her flesh. She looks up at blue-black feathers, streaked with white. A crow. The same crow that has watched over her since she arrived. Tears fill her eyes, and she knows in that moment that she is not alone in the cottage. Altha is there, in the spiders that dance across the floor. Violet is there, in the mayflies that glisten and undulate like some great silver snake. And all the other Weyward women, from the first of the line, are there, too. They have always been with her, and always will be.

What happened?" he asks,voice laced with concern. "I..." I merged with a cockroach-caught a ride next to your twin's Calvin Klein underwear label-and after I watched him play with a demon coyote and snack on bloodied bits that could've been either animal or human, he fed glowing, white orbs to the walking dead-then crushed me under the hell of his boot... "I'm not sure," I say,willing my head to feel better,to stop spinning, and a moment later it does. "I guess I passed out,or something..." I cringe,hating the lie but knowing there's no way I could ever present him the truth. I start to stand,pretending not to notice when he offers a hand. "I need to call my ride." I fumble for my phone, reluctant to bother Paloma and Chay at this hour,but they're pretty much my only real option. "Don't be silly.I'll drive you." Dace follows me out of the stall,watching as I call Paloma's number,then Chay's-face scrunching in confusion when they both fail to answer.It doesn't make any sense. "Daire-why won't you let me help you?" he says.My name on his lips sounding just like ti did in the dream. Our eyes meeting in the mirror,mine astonished, his chagrined,when he adds, "Yeah,I asked around.Uncovered your real name. So shoot me." And when he smiles,when he smiles and runs a nervous hand through his glossy,dark hair-well,I'm tempted to shake my head and refuse him again. Maybe he goes by the name of Whitefeather, but technically,he's still a Richter.A good Richter-a kind Richter-still,I need to do what I can to avoid him.To ignore that irresistible stream of kindness and warmth that swarms all around him. Need to cleanse myself of those dreams once and for all.We are not bound.Nor are we fated.I'm a Seeker-he's the spawn of a Richter-and my only destiny is to stop his brother from...whatever it is that he's doing. But,more immediately,I need to get home.And there's no denying I could do a lot worse than catching a ride with gorgeous Dace Whitefeather.

Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.

Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us? And am I, therefore, called upon to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for the blessings resulting from your independence to us? I am not included within the pale of this glorious anniversary! Your high independence only reveals the immeasurable distance between us. The blessings in which you this day rejoice are not enjoyed in common. The rich inheritance of justice, liberty, prosperity, and independence bequeathed by your fathers is shared by you, not by me. The sunlight that brought life and healing to you has brought stripes and death to me. This Fourth of July is yours, not mine. You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty, and call upon him to join you in joyous anthems, were inhuman mockery and sacrilegious irony. Do you mean, citizens, to mock me, by asking me to speak today? What, to the American slave, is your Fourth of July? I answer: a day that reveals to him, more than all other days of the year, the gross injustice and cruelty to which he is a constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciation of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade and solemnity, are, to Him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes that would disgrace a nation of savages. There is not a nation of the earth guilty of practices more shocking and bloody than are the people of these United States at this very hour. At a time like this, scorching irony, not convincing argument, is needed. O! had I the ability, and could reach the nation’s ear, I would, to-day, pour forth a stream, a fiery stream of biting ridicule, blasting reproach, withering sarcasm, and stern rebuke. For it is not light that is needed, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, the earthquake. The feeling of the nation must be quickened; the conscience of the nation must be roused; the propriety of the nation must be startled; the hypocrisy of the nation must be exposed; and the crimes against God and man must be proclaimed and denounced.

Now when he closes his eyes he can really look at himself. He no longer sees a mask. He sees without seeing, to be exact. Vision without sight, a fluid grasp of intangibles: the merging of sight and sound: the heart of the web. Here stream the different personalities which evade the crude contact of the senses; here the overtones of recognition discreetly lap against one another in bright, vibrant harmonies. There is no language employed, no outlines delineated. When a ship founders, it settles slowly; the spars, the masts, the rigging float away. On the ocean floor of death the bleeding hull bedecks itself with jewels; remorselessly the anatomic life begins. What was ship becomes the nameless indestructible. Like ships, men founder time and again. Only memory saves them from complete dispersion. Poets drop their stitches in the loom, straws for drowning men to grasp as they sink into extinction. Ghosts climb back on watery stairs, make imaginary ascents, vertiginous drops, memorize numbers, dates, events, in passing from gas to liquid and back again. There is no brain capable of registering the changing changes. Nothing happens in the brain, except the gradual rust and detrition of the cells. But in the minds, worlds unclassified, undenominated, unassimilated, form, break, unite, dissolve and harmonize ceaselessly. In the mind-world ideas are the indestructible elements which form the jewelled constellations of the interior life. We move within their orbits, freely if we follow their intricate patterns, enslaved or possessed if we try to subjugate them.

An old Buddhist parable illustrates the challenge—and the value—of letting go of the past. Two monks were strolling by a stream on their way home to the monastery. They were startled by the sound of a young woman in a bridal gown, sitting by the stream, crying softly. Tears rolled down her cheeks as she gazed across the water. She needed to cross to get to her wedding, but she was fearful that doing so might ruin her beautiful handmade gown. In this particular sect, monks were prohibited from touching women. But one monk was filled with compassion for the bride. Ignoring the sanction, he hoisted the woman on his shoulders and carried her across the stream—assisting her journey and saving her gown. She smiled and bowed with gratitude as the monk splashed his way back across the stream to rejoin his companion. The second monk was livid. ‘How could you do that?’ he scolded. ‘You know we are forbidden to touch a woman, much less pick one up and carry her around!’ The offending monk listened in silence to a stern lecture that lasted all the way back to the monastery. His mind wandered as he felt the warm sunshine and listened to the singing birds. After returning to the monastery, he fell asleep for a few hours. He was jostled and awakened in the middle of the night by his fellow monk. ‘How could you carry that woman?’ his agitated friend cried out. ‘Someone else could have helped her across the stream. You were a bad monk.’ ‘What woman?’ the sleepy monk inquired. ‘Don’t you even remember? That woman you carried across the stream,’ his colleague snapped. ‘Oh, her,’ laughed the sleepy monk. ‘I only carried her across the stream. You carried her all the way back to the monastery.’ The learning point is simple: When it comes to our flawed past, leave it at the stream. I am not suggesting that we should always let go of the past. You need feedback to scour the past and identify room for improvement. But you can’t change the past. To change you need to be sharing ideas for the future.

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.

Whatever any of us may have thought about Hatsumomo, she was like an empress in our okiya since she earned the income be which we all lived. And being an empress she would have been very displeased, upon returning late at night, to find her palace dark and all the servants asleep. That is to say, when she came home too drunk to unbutton her socks, someone had to unbutton them for her; and if she felt hungry, she certainly wasn't going to stroll into the kitchen and prepare something by herself--such as an umeboshi ochazuke, which was a favorite snack of hers, made with leftover rice and pickled sour plums, soaked in hot tea. Actually our okiya wasn't at all unusual in this respect. The job of waiting up to bow and welcome the geisha home almost always fell to the most junior of the "cocoons"--as the young geisha-in-training were often called. And from the moment I began taking lessons at the school, the most junior cocoon in our okiya was me. Long before midnight, Pumpkin and the two elderly maids were sound asleep on their futons only a meter or so away on the wood floor of the entrance hall; but I had to go on kneeling there, struggling to stay awake until sometimes as late as two o'clock in the morning. Granny's room was nearby and she slept with her light on and her door opened a crack. The bar of light that fell across my empty futon made me think of a day, not long before Satsu [Chiyo's sister] and I were taken away from our village, when I'd peered into the back room of our house to see my mother asleep there. My father had draped fishing nets across the paper screens to darken the room, but it looked so gloomy I decided to open one of the windows; and when I did, a strip of bright sunlight fell across my mother's futon and showed her hand so pale and bony. To see the yellow lights streaming from Granny's room onto my futon...I had to wonder if my mother was still alive. We ere so much alike, I felt sure I would have known if she'd died; but of course, I'd had no sign one way or the other.

If you are not spending all of your waking life in discontent, worry, anxiety, depression, despair, or consumed by other negative states; if you are able to enjoy simple things like listening to the sound of the rain or the wind; if you can see the beauty of clouds moving across the sky or be alone at times without feeling lonely or needing the mental stimulus of entertainment; if you find yourself treating a complete stranger with heartfelt kindness without wanting anything from him or her... it means that a space has opened up, no matter how briefly, in the otherwise incessant stream of thinking that is the human mind. When this happens, there is a sense of well-being, of alive peace, even though it may be subtle. The intensity will vary from a perhaps barely noticeable background sense of contentment to what the ancient sages of India called ananda - the bliss of Being. Because you have been conditioned to pay attention only to form, you are probably not aware of it except indirectly. For example, there is a common element in the ability to see beauty, to appreciate simple things, to enjoy your own company, or to relate to other people with loving kindness. This common element is a sense of contentment, peace, and aliveness that is the invisible background without which these experiences would not be possible. Whenever there is beauty, kindness, the recognition of the goodness of simple things in your life, look for the background to that experience within yourself. But don't look for it as if you were looking for something. You cannot pin it down and say, "Now I have it," or grasp it mentally and define it in some way. It is like the cloudless sky. It has no form. It is space; it is stillness, the sweetness of Being and infinitely more than these words, which are only pointers. When you are able to sense it directly within yourself, it deepens. So when you appreciate something simple - a sound, a sight, a touch - when you see beauty, when you feel loving kindness toward another, sense the inner spaciousness that is the source and background to that experience.

Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.

The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure. His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind. Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream. The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage. The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.

His tongue slid down the inner length of her finger, then traced the lines on her palm. “Such lovely hands,” he murmured, nibbling on the fleshy part of her thumb as his fingers entwined with hers. “Strong, and yet so graceful and delicate.” “You’re talking nonsense,” Kate said self-consciously. “My hands—” But he silenced her with a finger to her lips. “Shhh,” he admonished. “Haven’t you learned that you should never ever contradict your husband when he is admiring your form?” Kate shivered with delight. “For example,” he continued, the very devil in his voice, “if I want to spend an hour examining the inside of your wrist”— with lightning-quick movements, his teeth grazed the delicate thin skin on the inside of her wrist—“ it is certainly my prerogative, don’t you think?” Kate had no response, and he chuckled, the sound low and warm in her ears. “And don’t think I won’t,” he warned, using the pad of his finger to trace the blue veins that pulsed under her skin. “I may decide to spend two hours examining your wrist.” Kate watched with fascination as his fingers, touching her so softly that she tingled from the contact, made their way to the inside of her elbow, then stopped to twirl circles on her skin. “I can’t imagine,” he said softly, “that I could spend two hours examining your wrist and not find it lovely.” His hand made the jump to her torso, and he used his palm to lightly graze the tip of her puckered breast. “I should be most aggrieved were you to disagree.” He leaned down and captured her lips in a brief, yet searing kiss. Lifting his head just an inch, he murmured, “It is a wife’s place to agree with her husband in all things, hmmm?” His words were so absurd that Kate finally managed to find her voice. “If,” she said with an amused smile, “his opinions are agreeable, my lord.” One of his brows arched imperiously. “Are you arguing with me, my lady? And on my wedding night, no less.” “It’s my wedding night, too,” she pointed out. He made a clucking noise and shook his head. “I may have to punish you,” he said. “But how? By touching?” His hand skimmed over one breast, then the next. “Or not touching?” He lifted his hands from her skin, but he leaned down, and through pursed lips, blew a soft stream of air over her nipple. “Touching,” Kate gasped, arching off the bed. “Definitely touching.” “You think?” He smiled, slowly like a cat. “I never thought I’d say this, but not touching has its appeal.

In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.

You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.

Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S