Strawberry Moon Quotes

We've searched our database for all the quotes and captions related to Strawberry Moon. Here they are! All 21 of them:

You taste like Strawberry stars On my lips.
Melody Lee (Moon Gypsy)
Being Necessary is food no less than cabbages and strawberry pies.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
No, he was -- he was picking strawberries." Moon said. Qibli stared at her for a moment. "Evil strawberries?" he asked finally.
Tui T. Sutherland (Darkness of Dragons (Wings of Fire, #10))
Really neat that human beings conquered the Earth invented poetry and mathematics and the combustion engine, discovered that time and space are relative, built machines big and small to ferry us to the moon for some rocks or carry us to McDonald's for a strawberry-banana smoothie. Very cool we split the atom and bestowed upon the Earth the Internet and smartphones and, of course, the selfie stick. But the most wonderful thing of all, our highest achievement and the one thing for which I pray we will always be remembered, is stuffing wads of polyester into an anatomically incorrect, cartoonish ideal of one of nature's most fearsome predators for no other reason than to soothe a child.
Rick Yancey (The Last Star (The 5th Wave, #3))
I want to wash your hair with a shampoo that smells like fruit - mango, or strawberries. I want to walk on a beach with you, dragging a big stick behind us, making a message in the sand that we try to believe an airplane will really see. I want to kiss saltwater from your lips. I want us to listen to music with our eyes closed; I want to read musty books while lying next to you - books about fascinating things like mummies and eccentric artists and old shipwrecks in the Pacific. I want to have picnics on our bed and crawl into cotton sheets that smell like summer because we left the windows open when we were gone. I want to wake in the night with you and marvel at the stars and try to find the moon through the trees. I want all the sweet things in life. But only by your side.
Deb Caletti (The Six Rules of Maybe)
Si a él no le importaba lo que la gente hacía o dejaba de hacer, ¿por qué alguien iba a fijarse en él y criticarlo? ¿Por qué tenía que ser tan tímido? ¿Y por qué le daba tantas vueltas a las cosas? ¿No era capaz simplemente de disfrutar de aquel pequeño momento de paz?
Laia López (Strawberry Moon: La hija de la luna (Moon, #1))
Nicole lay where he’d put her, still unconscious, her long strawberry-blond locks spilling over the grass like blood, her bottom lip swollen from biting it. He gathered her in his arms, aware that he hadn’t held a female this way since his mate. But Terese had been smaller. Lighter. Much more fragile. And where Terese had smelled of rose water, Nicole’s warm skin carried a hint of crisp pears. What. The. Hell. Why in the world was he comparing the two? They were opposites. Human and vampire. Tall and petite. Evil slaver and innocent victim.
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
Serena looked through the violently rotating flames and saw Vanessa, Jimena, and Catty running toward her. They looked like goddesses; Vanessa dressed in shimmering blue, Jimena in lightning-strike silver, and Catty in wild strawberry pink, their hair bouncing in silky soft swirls with each step.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
As Yarrow slept and the moon rose high in the sky, a breeze rustled through stalks of onyx-hued basil and deep gray sage, tall as sunflowers. Starlight fell in slants across petals of black violets. A night-dark strawberry rolled across the ground. A plum-colored tomato fell from its stem. Borage and pansies and nasturtium in varying shades of black and gray turned the darkness into its own kind of rainbow. Beneath the soil lurked something even darker. Generations of pain saturated the earth, fed each stem and fruit and flower. In the soft, thick leaves of sage: loss. In the blackened basil: broken hearts. Tucked inside the husks of charcoal corn: anger and betrayal. Trapped within the bell of burgundy calla lilies: stolen innocence.
Liz Parker (In the Shadow Garden)
You could smell ripe strawberries before you saw them, the fragrance mingling with the smell of sun on damp ground. It was the smell of June, the last day of school, when we were set free, and the Strawberry Moon, ode’mini-giizis.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
We were still in the longleaf forest, and the tall, straight trunks surrounded us like the masts of long-sunk ships. Lines of an ancient Scottish song drifted through my mind - 'How many strawberries grow in the salt sea; how many ships sail in the forest? - and I wondered muzzily whether the composer had walked through a place like this, unearthly in half-moon and starlight, so dreamlike that the borders between the elements were lost; we might as well be afloat as earthbound, the heave and fall beneath me the rise of planking, and the sound of the pines the wind in our sails
Diana Gabaldon (Drums of Autumn (Outlander, #4))
THOMAS Guilty Of mankind. I have perpetrated human nature. My father and mother were accessories before the fact, But there’ll be no accessories after the fact, By my virility there won’t! Just see me As I am, like a perambulating Vegetable, patched with inconsequential Hair, looking out of two small jellies for the means Of life, balanced on folding bones, my sex No Beauty but a blemish to be hidden Behind judicious rags, driven and scorched By boomerang rages and lunacies which never Touch the accommodating artichoke Or the seraphic strawberry beaming in its bed: I defend myself against pain and death by pain And death, and make the world go round, they tell me By one of my less lethal appetites: Half this grotesque life I spend in a state Of slow decomposition, using The name of unconsidered God as a pedestal On which I stand and bray that I’m best Of beasts, until under some patient Moon or other I fall to pieces, Like a cake of dung. Is there a slut would Hold this in her arms and put her lips against it? JENNET Sluts are only human. By a quirk Of unastonished nature, your obscene Decaying figure of vegetable fun Can drag upon a woman’s heart, as though Heaven were dragging up the roots of hell. What is to be done? Something compels us into The terrible fallacy that man is desirable and there’s no escaping into truth. The crimes And cruelties leave us longing, and campaigning Love still pitches his tent of light among The suns and moons. You may be decay and a platitude Of flesh, but I have no other such memory of life. You may be corrupt as ancient applies, well then Corruption is what I most willingly harvest. You are Evil, Hell, the Father of Lies; if so Hell is my home and my days of good were a holiday: Hell is my hill and the world slopes away from it Into insignificance. I have come suddenly Upon my heart and where it is I see no help for.
Christopher Fry
January 4th Full Wolf Moon 11:53 p.m. February 3rd Full Snow Moon 6:09 p.m. March 5th Full Worm Moon 1:05 p.m. April 4th Full Pink Moon 8:06 a.m. May 3rd Full Flower Moon 11:42 p.m. June 2nd Full Strawberry Moon 12:19 p.m. July 1st Full Buck Moon 10:20 p.m. July 31st Full Blue Moon 6:43 a.m. August 29th Full Sturgeon Moon 2:35 p.m. September 27th Full Harvest Moon 10:50 p.m. October 27th Full Hunter's Moon 8:05 a.m. November 25th Full Beaver Moon 5:44 p.m. December 25th Full Cold Moon 6:11 a.m.
Peter Geiger (2015 Farmers' Almanac)
Then she remembered robin’s nests and rainbows and redbud trees and long drives big skies soft, worn blankets black-eyed Susans hammock naps treehouses red-eared sliders acorn wreaths fairy rings birthday crowns cupcake dinners honeysuckle lake water fried catfish summer storms moments of shared intuition the autumn tree line at dusk being enveloped by the warm C of a loving body being the enveloper being in the presence of Someone who believes you have something worthwhile to say being the one to whom important things are said and bird wrists and twig fingers and strawberry moons
Emily Habeck (Shark Heart)
While they were in the hospital, the Egg Moon had slipped away, and the new Mother's Moon had arrived. After that, in June, would come the Rose Moon, what Ada McIntyre called the Strawberry Moon because strawberries, wild and domestic, ripened. After the strawberries came the mulberries and blackcap raspberries, then the blackberries, the blueberries, and finally, the cranberries.
Bonnie Jo Campbell (The Waters)
Frasi iniziali Bleach Vol. #1-46 "Noi temiano ciò che non possiamo vedere" (Volume 1 - The Death And The Strawberry - Ichigo) "Le persone hanno speranza perché la morte è invisibile ai loro occhi" (Volume 2 - Goodbye Parakeet, Goodinte My Sista - Rukia) "Se io fossi pioggia che riesce ad unire cielo e terra divisi in eterno potrei riuscire ad unire due anime allo stesso modo? (Volume 3 - Memories In The Rain - Orihime) Siamo attratti l'uno verso l'altro come gocce d'acqua, come i pianeti ci respingiamo l'uno contro l'altro come i magneti, come il colore della pelle. (Volume 4 - Quincy Archer Hates You - Ishida) "Se non impugno una spada non posso difenderti, se impugno una spada non posso abbracciarti." (Volume 5 - Rightarm Of The Giant - Chad) "Già, per noi non esiste il destino. Soltanto chi, inghiottito dall'ignoranza e dalla paura, mette il piede in fallo scivola nelle torbide acque chiamate destino (Volume 6 - The Death Trilogy Overture - Urahara) "Non dobbiamo piangere che è la resa del corpo nei confronti del cuore, nient'altro che la prova che non siamo in grado di gestire ciò che chiamiamo cuore." (Volume 7 - The Broken Coda - Byakuya) "Se arrugginisce, non potrà più trafiggere se perdi la presa, ti taglierà Già, l'orgoglio è simile a una spada" (Volume 8 - The Blade and Me - Zangetsu) "Già, noi tutti sogniamo ad occhi aperti di volare in cielo." (Volume 9 - Fourteen Days for Conspiracy - Kukaku Shiba) "Noi allunghiamo le braccia spazziamo via le nuvole penetriamo il cielo e afferriamo la Luna e Marte ma non riusciamo ancora a raggiungere la verità" (Volume 10 - Tattoo on the Sky - Ganju Shiba) "Darò fuoco a queste zanne che non possono raggiungere così da non vedere quella stella così da non dover tagliare questa gola." (Volume 11 - A Star and a Stray Dog - Renji) "Pensiamo che un fiore cresciuto sul ciglio di un precipizio sia bello, perché i nostri piedi si fermano sul quel ciglio. Non riusciamo ad avanzare su quel cielo come quel fiore impavido." (Volume 12 - Flower on the Precipice - Aizen) "Ogni volta che rinunciamo al nostro orgoglio, ci avviciniamo di un passo alla bestia. Ogni volta che soffochiamo il nostro cuore, ci allontaniamo di un passo alla bestia." (Volume 13 - The Undead - Zaraki Kenpachi) "Scricchiola, scricchiola, torre del Purgatorio, che squarci il mondo come la luce. Trema, trema, torre della spina dorsale, a precipitare saremo noi o il cielo? " (Volume 14 - White Tower Rocks - Hanataro Yamada) "Io non farò altro che esercitarmi a dirti addio." (Volume 15 - The Beginning of the Death of Tomorrow - Kira) "La criniera del sole si riversa a terra cancellando le orme sul ghiaccio sottile Non temere di venire ingannato il mondo sorge già sull'inganno" (Volume 16 - Night of Wijnruit - Hitsugaya) "Rosso come il sangue bianco come le ossa rosso come la solitudine bianco come il silenzio rosso come i nervi di una belva bianco come il cuore di un dio rosso come l'odio che sgorga sciogliendoti bianco come il dolore che ti agghiaccia rosso come l'ombra che divora la notte come un sospiro che trapassa la luna splende di bianco, si spegne di rosso." (Volume 17 - Rosa Rubicundior, Lilio Candidior - Yoruichi) "La tua ombra furtiva come un ago avvelenato senza destinazione cuce il mio cammino. La tua luce flessuosa come un fulmine che colpisce una torre piezometrica tronca la fonte della mia vita." (Volume 18 - The Deathberry Returns - Soi Fong) "Sì, niente e nessuno può cambiare il mio mondo." (Volume 19 - The Black Moon Rising - Ichigo) "Chi paragona l'amore alla bellezza non conosce il volto dell'amore. Chi paragona l'amore alla bruttezza vanta di aver conosciuto l'amore." (Volume 20 - End of Hypnosis - Gin) "Tutto a questo mondo esiste per metterti con le spalle al muro." (Volume 21 - Be My Family or Not - Shinji)
Tite Kubo
Hati-hati jangan sesumbar. Karakteristik cinta memang begitu. Diam-diam merasuk mengalir melalui pembuluh darah lalu menginfeksi hati sebelum kita menyadari apa yang terjadi.
Dannie Faizal (Summer Solstice and Strawberry Moon)
Coming home! The moon’s crescent hangs onto the afternoon as if it is going to slip off the day and fall down with all the blinking strawberry blossom stars along the shoulder of this road that takes me home.
Peter Reich (A Book of Dreams)
This circular concept of time remains prevalent in the religion and philosophy of many indigenous and Eastern cultures. But in the West, our awareness of cycles has been overshadowed by a linear view of time, one that emphasizes beginnings and endings and strives for progress over repetition. Why did linear time come to dominate the Western way of thinking? Part of the reason is cultural, having to do with the way that Judeo-Christian thought describes the story of humanity not as a wheel but as a distinct trajectory through time. But equally important is that as we have come to see ourselves as separate from nature, we have built structures and systems that distance us from its circular rhythms. Electric light allows us to keep our own schedules, obscuring the phases of the moon and draining the sunrise and sunset of the meaning they once carried. Rather than matching our appetites to the harvests, we match the harvests to our desires. We have big watery strawberries all year round, forgetting that there was once a time when they were available only in June and tasted like sweet red fire. Our buildings heat and cool the air to a consistent temperature regardless of the weather outside. Our sound machines play any birdsong on demand, regardless of where those birds are in their migratory arc. Thus, disconnected from participation in these natural cycles, we have forgotten that time moves in loops as well as lines.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Strawberry moon? Why is it called that?” “Full moon for June. Time to gather ripe strawberries.
Lisa Kleypas (Rainshadow Road (Friday Harbor, #2))
Jeremiah lowered himself into his chair, turned to the first page of The Phantom of the Opera, and started to read aloud. “The Opera ghost really existed. He was not, as long believed, a creature of the imagination . . .” He read to himself the next few lines and expressed the following. “Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom; that is to say of a spectral shade.” Jeremiah thought for a moment. It’s rather like me. It could have been an apt description of him before Miss Herman walked into his life with a plate of strawberry scones and a jug of lemonade. He had walked around like a phantom. Yes, he had been alive, but it had been a grim, lonely sort of life where he had shut people out. Funny what a little kindness can do, he told himself and went back to reading.
Jenny Knipfer (Silver Moon (By the Light of the Moon #3))