“
Despite the heat in her face, it felt as if cold needles of ice were running up and down her veins. "What are you doing here?"
He drew back slightly, looking disappointed. "That isn't really an answer to my question, you know. I was expecting more of a "Hallelujah Chorus.' I mean, it's not every day your boyfriend comes back from the dead."
"I already knew you weren't dead." She spoke through numb lips. "I saw you in the library. With--"
"Colonel Mustard?"
"Sebastian.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I can't ever lose what I just felt." He kissed my cheek. "I'm afraid if I did, I'd come looking for you too. I'm afraid I can relate...to him.
”
”
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
“
As grand and glorious as love is, it is not without its perils. Anyone who has felt the cruel pangs of rejection knows that love is best approached cautiously, as one would approach an angry, cornered brush-tailed possum. Yes, before throwing yourself into a relationship, it's wise to buy a sturdy pair of leather gloves, and to be extra careful of love's front claws and rows of needle-sharp teeth.
”
”
Michael J. Nelson
“
Ah, mistress, you’re an angel. Sure there’s not a drop left? I might have remembered one more person….”
“Up yours,” I said rudely with another belch. “It’s empty. You should tell me the name anyway, after making me drink all that sewage.”
Winston gave me a devious smile. “Come back with a full bottle and I will.”
“Selfish spook,” I mumbled, and staggered away.
I’d made it a few feet when I felt that distinct pins-and-needles sensation again, only this time it wasn’t in my throat.
“Hey!”
I looked down in time to see Winston’s grinning, transparent form fly out of my pants. He was chuckling even as I smacked at myself and hopped up and down furiously.
“Drunken filthy pig!” I spat. “Bastard!”
“And a good eve’in’ to you, too, mistress!” he called out, his edges starting to blur and fade. “Come back soon!”
“I hope worms shit on your corpse!” was my reply. A ghost had just gotten to third base with me. Could I sink any lower?
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Where am I?" Magnus croaked.
"Nazca."
"Oh, so we went on a little trip."
"You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot."
"Ah," said Magnus.
"You were shouting some things."
"What things?"
"I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts."
"Thank you for that interesting and enlightening information," Magnus croaked.
"You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy."
"Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim."
"'Impressed' is not the word to use to describe how I felt last night, Magnus."
"I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - "
"Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua."
"What did I do in Moquegua?"
"You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky."
"We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk."
"I'm sure I must have been sobering up at that point," Magnus argued.
"Magnus, you were trying to flirt with your own plate."
"I'm a very open-minded sort of fellow!"
"Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke."
"So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - "
Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
”
”
Cassandra Clare (The Bane Chronicles)
“
Thank you, Will," Jem murmured as Tessa drew the stumbling girl away as quickly as she could, and Will felt the words as three needle pricks inside his heart. Always when Will did something to protect Tessa, Jem thought it was for his sake, not for Will's. Always Will wished Jem could be entirely right. Each needle prick had its own name. Guilt. Shame. Love.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
And many a day's hours were like that.
As if someone fashioned my likeness somewhere
in order to torment it slowly with needles.
I felt each sharp prick of his playing,
and it was: as if a rain fell on me
in which all things change.
”
”
Rainer Maria Rilke (The Book of Images)
“
He tasted like white wine and pine needles. He tasted like two years of waiting. I wanted to breathe for him, I wanted to swallow him whole. I ached with a sudden, pulsing need, an overwhelming desire I’d never felt before.
”
”
Viv Daniels (One & Only (Canton, #1))
“
Lighting a match felt exciting and a little bit dangerous, and when the flame came into contact with the paper, it made a sound like the needle coming down on a record player—like the music was about to start.
”
”
Elif Batuman (The Idiot)
“
Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
I'd felt the pop of the needle sliding into my veins, like a fang into flesh. I'd been enveloped in the golden haze where nothing is wrong even when everything is falling apart. A dance with a hypodermic fiend, my hands in the claws of a vulture.
”
”
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
“
Revenge never felt so good.
”
”
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
“
He extended his fingers and felt them tingle, like they were waking up—pins and needles. Then flames flickered to life, curls of red-hot fire dancing across his palm.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Indeed ... but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw
it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right ... and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it ... howling through a turn to the right, then to the left and down the long hill to Pacifica ... letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge ... The Edge ... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
It was odd, she thought, how if one was alone, one leant to inanimate things; trees, streams, flowers; felt they expressed one; felt they became one; felt they knew one, in a sense were one; felt an irrational tenderness thus (she looked at that long steady light) as for oneself. There rose, and she looked and looked with her needles suspended, there curled up off the floor of the mind, rose from the lake of one’s being, a mist, a bride to meet her lover.
”
”
Virginia Woolf (To the Lighthouse)
“
You told us to leave you in the desert, because you planned to start a new life as a cactus,” Catarina said, her voice flat. “Then you conjured up tiny needles and threw them at us. With pinpoint accuracy.” Magnus chanced another look up at her. She was still very blurry. Magnus thought this was unkind. He’d believed they were friends. “Well,” he said with dignity. “Considering my highly intoxicated state, you must have been impressed with my aim.” “‘Impressed’ is not the word to use to describe how I felt last night, Magnus.
”
”
Cassandra Clare (The Bane Chronicles)
“
By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, Throw me out! But instead of throwing her out, he seized her hand and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain.
Anyone who has failed to benefit from the Devil’s gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas’s fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina’s letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
Whoever triggered the explosion must have mistimed things. If you’d been two steps closer, you would have died.” His voice got tighter. “Two of my men didn’t make it.” Devastating guilt drilled through me, a needle-thin icicle straight to the heart. I felt heavy and numb. “I’m sorry.
”
”
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
“
Coriolanus thought about what it had felt like to be in the arena, where there were no rules, no laws, no consequences to one’s actions. The needle of his moral compass had swung madly without direction. Fueled by the terror of being prey, how quickly he himself had become a predator, with no reservations about smashing Bobbin to death. He’d transformed, all right, but not into anything he was proud of.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
On this stretch of highway he was afflicted. It felt as if his heart was being pierced by long sharp needles. He flashed on his father, the two of them sitting in late sunshine, gathering its fugitive warmth.
”
”
Louise Erdrich (The Night Watchman)
“
I felt like I needed to do something special for her to show my appreciation. It wasn't like Hallmark had a card that read 'Thanks for destroying your vag with my spawn.' So I had to come up with something else.
”
”
Lola Stark (Conflicted Love (Needle's Kiss, #2))
“
Can I kiss Hannah good-bye before I go?" Rory asked cheerfully.
Hannah's lips curled, knowing the brothers were needling Daric. As she felt his body tense, she wasn't entirely sure that was a good idea at the moment.
"You will go before you leave your mates widowed and alone. Take care of the clean-up with the humans in the town before you go home," Daric boomed, his command so forceful that Hannah stepped back in alarm.
”
”
J.S. Scott (Daric's Mate (The Vampire Coalition, #5))
“
I saw something moving round the foot of the bed, which at first I could not accurately distinguish. But I soon saw that it was a sooty-black animal that resembled a monstrous cat. It appeared to me about four or five feet long for it measured fully the length of the hearthrug as it passed over it; and it continued to-ing and fro-ing with the lithe, sinister restlessness of a beast in a cage. I could not cry out, although as you may suppose, I was terrified. Its pace was growing faster, and the room rapidly darker and darker, and at length so dark that I could no longer see anything of it but its eyes. I felt it spring lightly on the bed. The two broad eyes approached my face, and suddenly I felt a stinging pain as if two large needles darted, an inch or two apart, deep into my breast. I waked with a scream.
”
”
J. Sheridan Le Fanu (Carmilla)
“
Damn, I wasn’t a woman and I wasn’t real stoked at the idea of my fun house turning into an escape hatch. I felt like I needed to do something special for her to show my appreciation. It wasn’t like Hallmark had a card that read ‘Thanks for destroying your vag with my spawn
”
”
Lola Stark (Conflicted Love (Needle's Kiss, #2))
“
She was good with a needle–I hardly felt it go in. Euphoria is, I believe, the term they use to describe the sensation, and upon experience I found it to be an entirely useless definition, as it relies on comparatives that are not apt to the situation. A happiness beyond compare, a contentment beyond understanding, a bliss, a travelling, a freeing of the mind from the flesh–these are all, in their ways, an appropriate description of the process, but they mean nothing, for no recollection can re-create them and no substitute mimic them. So, having known what euphoria is, it remains precisely that–a word with longing attached, but no meaning when actually experiencing the thing. My arms and legs were heavy, my mouth was dry, and I did not care, for my mouth was not mine. I knew that I was still and time was moving, and wondered how it had taken me so long to comprehend that this was the nature of time itself, and wished I had a notebook to hand so I could jot down these thoughts–these profound, beautiful thoughts I had never thought before, which would, I felt certain, revolutionise the way mankind worked. I watched Akinleye inject herself, and inject the maid, who lay with her head in Akinleye’s lap, a dutiful kitten as the drug did its work, and I wanted to explain to them that I’d had the most extraordinary idea about the nature of reality, seen the most incredible truth, if only I could make others understand it!
”
”
Claire North (The First Fifteen Lives of Harry August)
“
I felt, suddenly, pinned in place. Without breath. Without time or motion - like a butterfly stuck to a board with a needle through its thorax. What is anger, anyway? What does anger do? My mother was not an angry person. Or at least I don't think she was. My aunt was so angry that it became too much for her own body. It destroyed her house and swallowed her husband and left a broken family behind. I didn't want that, but I didn't know what to do with my anger. I felt the wold shake, and I felt my skin burn, and I let out a volcano of words that rattled my teeth as they came out.
”
”
Kelly Barnhill (When Women Were Dragons)
“
I mean, we don’t have to worry about it until winter, anyway,” she said. “I was just wondering if you felt cured.”
I didn’t know what to tell her. I didn’t feel cured. I felt like what Cole said —almost cured. A war survivor with a phantom limb. I still felt that wolf that I’d been: living in my cells, sleeping uneasily, waiting to be coaxed out by weather or a rush of adrenaline or a needle in my veins. I didn’t know if that was real or suggested. I didn’t know if one day I would feel secure in my skin, taking my human body for granted.
“You look cured,” Grace said. Just her face was visible at the end of the shower curtain, looking in at me. She grinned and I yelled. Grace reached in just far enough to shut off the tap.
“I’m afraid,” she said, whipping the shower curtain open all the way and presenting me with my towel, “this is the sort of thing you’ll have to put up with in your old age.” I stood there, dripping, feeling utterly ridiculous, Grace standing opposite, smiling with her challenge. There was nothing for it but to get over the awkwardness. Instead of taking the towel, I took her chin with my wet fingers and kissed her. Water from my hair ran down my cheeks and onto our lips. I was getting her shirt all wet, but she didn’t seem to mind. A lifetime of this seemed rather appealing. I said gallantly, “That better be a promise.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
I never liked to just absorb something somebody else created. I’m too self-conscious, and too critical, I guess, and it always felt like I was wasting time. But after you went away... well, it started to feel like time was wasting me. Every tick of the second hand was like a needle in my skin. Tick, tick, tick...
”
”
Ryū Murakami (Tokyo Decadence)
“
As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what
”
”
Clayton M. Christensen (How Will You Measure Your Life?)
“
You're going to get a present from me so you'll always remember our agreement."
She gave him a crooked smile and climbed on to the bed and knelt between his legs. Bjurman had no idea what she intended to do, but he felt a sudden terror.
Then he saw the needle in her hand.
He flopped his head back and forth and tried to twist his body away until she put a knee on his crotch and pressed down in warning.
"Lie rather still because this is the first time I've used this equipment.
”
”
Stieg Larsson
“
About a month after she found out about that, I got pregnant for the first time. I knew I didn't want to have a baby at all, and wanted to get an abortion. But the day I found out, I wasn't sure what to do first. I felt alone and lost and needed someone to call who I could tell. I needed help. I wasn't sure if she would talk to me again so soon after what had happened. I decided to take a chance and try calling her. When I told her, she said, "Well, an abortion is only like $500, so go turn a couple of tricks and get it taken care of," before she hung up on me. I probably should have called someone else, but I didn't know who else to call.
”
”
Ashly Lorenzana (Speed Needles)
“
I reached for her, pushing back the fall of hair-it was heavy and thick and smooth to the touch-and tilted her chin so that the moonlight shone on her wet face.
We married each other that night, there on a bed of fallen pine needles-even today, the scent of pitch-pine stirs me-with Henry's distant flute for a wedding march and the arching white birch boughs for our basilica. At first, she quivered like an aspen, and I was ashamed at my lack of continence, yet I could not let go of her. I felt like Peleus on the beach, clinging to Thetis, only to find that, suddenly, it was she who held me; that same furnace in her nature that had flared up in anger blazed again, in passion.
”
”
Geraldine Brooks (March)
“
I had to go and be stupid enough to fall in love. Love only leads to heartbreak; I'd seen it on more than one occasion and felt it myself.
”
”
Lola Stark (Tattered Love (Needle's Kiss, #1))
“
He felt like a compass needle. The needle knows nothing about magnetic north; it only knows it must point in a certain direction, like it or not.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
And she felt it then, like a needle in her heart, the love her mother always talked about. ‘You won’t understand how much I love you until you’re a mother yourself.
”
”
Lisa Jewell (Then She Was Gone)
“
He was a failure, he repeated. Well, look then, feel then. Flashing her needles, glancing round about her, out of the window, into the room, at James himself, she assured him, beyond a shadow of a doubt, by her laugh, her poise, her competence (as a nurse carrying a light across a dark room assures a fractious child), that it was real; the house was full; the garden blowing. If he put implicit faith in her, nothing should hurt him; however deep he buried himself or climed high, not for a second should he find himself without her. So boasting of her capacity to surround and protect, there was scarcely a shell of herself left for her to know herself by; all was so lavished and spent; and James, as he stood stiff between her knees, felt her rise in a rosy-flowered fruit tree laid with leaves and dancing boughs into which the beak of brass, the arid scimitar of his father, the egotistical man, plunged and smote, demanding sympathy.
”
”
Virginia Woolf (To the Lighthouse)
“
Those clothes are Susie's,' my father said calmly when he reached him.
Buckley looked down at my blackwatch dress that he held in his hand.
My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked.
I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red.
Why can't I use them?' he asked.
It landed in my father's back like a fist.
Why can't I use those clothes to stake my tomatoes?'
My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?'
You have to choose. It's not fair,' my brother said.
Buck?' My father held my clothes against his chest.
I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death.
I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?'
Is Keesha a girl at school?'
Yes!'
My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility.
I'm sorry. When did this happen?'
That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot.
Buck, stop!' my father cried.
My brother turned.
You don't get it, Dad,' he said.
I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.'
...
You act like she was yours only!'
Tell me what you want to say. What's this about your friend Keesha's dad?'
Put the clothes down.'
My father laid them gently on the ground.
It isn't about Keesha's dad.'
Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.'
She's dead.'
It never ceased to hurt. 'I know that.'
But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.'
She will,' my father said.
But what about us?'
Who?'
Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.'
Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said.
I didn't say anything.'
Let go. Let go. Let go.
I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go.
My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him.
Dad?'
Son.' There was a quaver in his voice and a grasping outward toward my brother.
I'll get Grandma.' And Buckley ran.
My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
”
”
Alice Sebold
“
Yeah, I'm a drug addict. And a prostitute. The whole world knows. Not because I robbed my own family. Not because I ended up behind bars. Not because I've been hassled by the cops when soliciting customers from a local street corner. Not because I'm shooting up in the public bathrooms at your city park. Everyone knows because I told them all. I never tried to hide any of it. I never felt the need to.
”
”
Ashly Lorenzana (Speed Needles)
“
All languages that derive fromLatin form the word 'compassion' by combining the prefix meaning 'with' (com-) and the root meaning 'suffering' (Late Latin, passio). In other languages- Czech, Polish, German, and Swedish, for instance- this word is translated by a noun formed of an equivalent prefixcombined with the word that means 'feeling' (Czech, sou-cit; Polish, wsspół-czucie; German, Mit-gefühl; Swedish, medkänsla).
In languages that derive from Latin, 'compassion' means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, 'pity' (French, pitié; Italian, pietà; etc.), connotes a certain condescension towards the sufferer. 'To take pity on a woman' means that we are better off than she, that we stoop to her level, lower ourselves.
That is why the word 'compassion' generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love.
In languages that form the word 'compassion' not from the root 'suffering' but from the root 'feeling', the word is used in approximately the same way, but to contend that it designates a bad or inferior sentiment is difficult. The secret strength of its etymology floods the word with another light and gives it a broader meaning: to have compassion (co-feeling) means not only to be able to live with the other's misfortune but also to feel with him any emotion- joy, anxiety, happiness, pain. This kind of compassion (in the sense of soucit, współczucie, Mitgefühl, medkänsla) therefore signifies the maximal capacity of affective imagination, the art of emotional telepathy. In the hierarchy of sentiments, then, it is supreme.
By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, 'Throw me out!' But instead of throwing her out, he seized her and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain.
Anyone who has failed to benefit from the the Devil's gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas's fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina's letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.
”
”
Milan Kundera
“
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
I didn’t know what it meant to have a nervous breakdown. I’d heard people jokingly exaggerate that they’d had one. Until that moment on my bathroom floor, I had no concept.
Then the frayed strands of my sanity that I’d fought so hard to keep together snapped in two, and I started to free fall into chaos.
First, I screamed.
I screamed and I screamed until I was hoarse. Then my screams turned over to cries of agony. Pain, both physical and emotional, consumed me. Will tried to console me, but it was useless. He panicked and called my parents.
When they heard my sobs in the background, they told him to call the paramedics. So he did. By the time they arrived, I was spent of emotions.
Instead, I lay motionless on the floor. They were a hazy blur of blue uniforms and soft voices. I could hear them calling my name from far off—like I was under the surface of water. But I couldn’t muster the strength to reply. I heard crying behind me. It must’ve been Will because one of the paramedics said,
“Don’t worry, son, we’re gonna take good care of her.”
Then I felt myself floating upwards as they put me on a gurney. I rattled and shook as they pulled me out of the house. The flashing lights hurt my eyes. But then a needle pierced my vein, bringing liquid peace to my soul."--Melanie
”
”
Katie Ashley (Nets and Lies)
“
It’s not like I could kill Curran now. Should. It’s not like I should kill Curran now. I could always try. Later.
The Beast Lord crossed his arms on his chest. His face looked placid. Calm before the storm . . .
The jaguar at my feet tensed and tried to look smaller. Nick needed a bit of a distraction while he rode like a bat out of hell on the horse commandeered from the Pack stables. I’d provided that distraction by leading Jim and his posse of pissy shapechangers on a merry chase through the countryside.
“Just so we’re clear,” Curran said. “You did understand that I didn’t wish you or the Crusader to leave Keep?”
“Yes.”
“That’s what I thought,” Curran said.
He grabbed me by the throat and slammed me against the wall. My feet felt no floor. His fingers crushed my neck.
I clasped the hand that held me and jammed a long silver needle into his palmar nerve between the index finger and thumb. Curran’s fingers trembled. His hand opened releasing me. I slid to the floor, dropped, and swiped at his legs. He fell. I rolled away and came to my feet. On the opposite side of the room Curran rose to a half crouch, his eyes burning gold.
The whole thing took maybe two seconds. The stunned audience never got a chance to react.
Curran reached for the needle, pulled it out, and dropped it to the floor, never taking his eyes off me.
“It’s okay,” I told him. “I have more.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
Francine came in and drew blood from a vein in my arm. I hardly felt it when the needle went in. I watched a bright red stream spurt into a small glass vial, watched as the vial was exchanged rapidly for a second one. I was mesmerized.
”
”
Alina Klein (Rape Girl)
“
It took me years to stop feeling the guilt she made sure I kept feeling about what happened with him. He is a sick person that molests children, but I felt so bad about it for so long. I couldn't talk to a single person about any of this. No one. And she made me feel so bad about it all that I felt I shouldn't talk about it, even if there was someone. I felt ashamed and thought I was an awful person. Sometimes I still do. My mother abandoned me in the worst ways possible.
”
”
Ashly Lorenzana (Speed Needles)
“
She always knew she was on the verge of invention at the precise moment when originality felt impossible. That instead of surrendering to despair, she would needle in and out and through her brain until an idea surfaced ― naked, stripped of predictability and familiarity. By embedding herself into her song, she muted any risk of passing off mimicry as art. Why wasn’t fully committing to creation more desirable than observing what everyone else was doing and doing the same?
”
”
Vivek Shraya (The Subtweet)
“
He felt that he had unwittingly stuck his hand into The Great Wasps' Nest of Life. As an image it stank. As a cameo of reality, he felt it was serviceable. He had stuck his hand through some rotted flashing in high summer and that hand and his whole arm had been consumed in holy, righteous fire, destroying conscious thought, making the concept of civilized behaviour obsolete. Could you be expected to behave as a thinking human being when your hand was being impaled on red-hot darning needles? Could you be expected to live in the love of your nearest and dearest when the brown, furious cloud rose out of the hole in the fabric of things (the fabric you thought was so innocent) and arrowed straight at you? Could you be held responsible for your own actions as you ran crazily about on the sloping roof seventy feet above he ground, not knowing where you were going, not remembering that your panicky, stumbling feet could lead you crashing and blundering right over the rain gutter and down to your death on the concrete seventy feet below? Jack didn't think you could. When you unwittingly stuck your hand into the wasps' nest, you hadn't made a covenant with the devil to give up your civilized self with its trappings of love and respect and honour. It just happened to you. Passively, with no say, you ceased to be a creature of the mind and became a creature of the nerve endings; from college-educated man to wailing ape in five seconds.
”
”
Stephen King
“
Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops…
Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…
”
”
Rick Bass
“
Once upon a time, there was a girl who was not afraid. The girl ran as people run who do not fear falling. Her small, strong, nimble feet sped over the rocks and stumps. On the soles of her feet, she felt the soft moss, the sun-warmed sand, the prickly pine needles, the dewy grass. She trusted that her legs would carry her wherever she wished to go. The girl laughed as those laugh who have not yet known humiliation. Her laughter started deep in her belly. It filled her chest, gurgled in her throat, and bubbled on her tongue. Finally, it wriggled out of her mouth, shot through the air, and burst into apple blossoms on the trees. Her laughter warmed and brightened all that surrounded her. Often it ended in hiccuping, but that did not matter because the hiccuping only made her laugh all the more. The girl trusted as those trust for whom the earth has never given way, whom no one has ever betrayed. She hung upside down and trusted that she would not fall. Or if she fell, someone would catch her before she hit the ground. Once upon a time, there was a girl who learned fear. Fairy tales do not begin this way. Other, darker stories do.
”
”
Salla Simukka (As Red as Blood (Lumikki Andersson, #1))
“
But Pelagia didn’t wait for the second circle: with a sickening squeal, she thrust the two needles straight through the cloth of the bag into the murderer’s only eye. At the final moment she suddenly felt frightened: What if she hadn’t remembered which eye was the natural one? However, to judge
”
”
Boris Akunin (Sister Pelagia and the Red Cockerel (Sister Pelagia Mysteries, #3))
“
The ground was uneven, treacherous with roots, but the pine needles were soft underfoot. For a moment, despite my foul mood, I felt it: the crisp northern Michigan delight. A slight chill to the air, even in August, something almost Russian. The indigo sky above the black bay. The smell of cedar and pine.
”
”
Jeffrey Eugenides (Middlesex)
“
I felt the same way about my son until I realized that he couldn't get to school or work or a therapy appointment but he could get to pawn shops, get to his dealers, get whatever drug he wanted, get alcohol, break into houses, get needles — whatever was required. It's a fairly sophisticated process to cook a batch of methamphetamine, but I felt so sorry for him, thinking, He's depressed. He's fragile. He's incapable. Of course I should pay his bill if he winds up in the hospital. Of course I should pay his rent or he'll be on the streets. So for about a year I paid for a comfortable place for him to get high.
”
”
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
“
Shubha let me sleep for a few moments in your violent silvery uterus
Give me peace, Shubha, let me have peace
Let my sin-driven skeleton be washed anew in your seasonal bloodstream
Let me create myself in your womb with my own sperm
Would I have been like this if I had different parents?
Was Malay alias me possible from an absolutely different sperm?
Would I have been Malay in the womb of other women of my father?
Would I have made a professional gentleman of me like my dead brother without Shubha?
Oh, answer, let somebody answer these
Shubha, ah, Shubha
Let me see the earth through your cellophane hymen
Come back on the green mattress again
As cathode rays are sucked up with the warmth of magnet's brilliance
I remember the letter of the final decesion of 1956
The surroundings of your clitoris were being embellished with coon at that time
Fine rib-smashing roots were descending into your bosom
Stupid relationship inflted in the bypass of senseless neglect
Aaaaaaaaaaaaaaaaaaaah
I do not know whether I am going to die
Squandering was roaring within heart's exhaustive impatience
I'll disrupt and destroy
I'll split all into pieces for the sake of Art
There isn't any other way out for poetry except suicide
Shubha
Let me enter into the immemorial incontinence of your labia majora
Into the absurdity of woeless effort
In the golden chlorophyll of the drunken heart
Why wasn't I lost in my mother's urethra?
Why wasn't I driven away in my father's urine after his self-coition?
Why wasn't I mixed in the ovum-flux or in the phlegm?
With her eyes shut supine beneath me
I felt terribly distressed when I saw comfort seize Shubha
Women could be treacherous even after unfolding a helpless appeareance
Today it seems there is nothing so treacherous as Women and Art
Now my ferocious heart is rinning towards an impossible death
Vertigoes of water are coming up to my neck from the pierced earth
I will die
Oh what are these happening within me?
I am failing to fetch out my hand and my palm
From the dried sperms on my trousers spreading wings
300000 children are gliding toward the district of Shubha's bosom
Millions of needles are now running from my blood into Poetry
Now the smuggling of my obstinate leg is trying to plunge
Into the death killer sex-wig entangled in the hypnotic kingdom of words
In violent mirrors on each wall of the room I am observing
After letting loose a few naked Malay, his unestablished scramblings.
”
”
Malay Roy Choudhury (Selected Poems)
“
For now she need not think about anybody. She could be herself, by herself. And that was what now she often felt the need of--to think; well, not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others. Although she continued to knit, and sat upright, it was thus that she felt herself; and this self having shed its attachments was free for the strangest adventures. When life sank down for a moment, the range of experience seemed limitless. [...] Not at oneself did one find rest ever, in her experience (she accomplished here something dexterous with her needles) but as a wedge of darkness. [...] Often she found herself sitting and looking, sitting and looking, with her work in her hands until she became the thing she looked at--that light, for example.
”
”
Virginia Woolf (To the Lighthouse)
“
In 1924, Ma died, and Lara felt her loss keenly. She noted the profound influence her early life had had on her: "The example set by my mother and father has been something I have tried to follow, with failures here and there, with rebellion at times, but always coming back to it as the compass needle to the star.
”
”
Yona Zeldis McDonough (Little Author in the Big Woods: A Biography of Laura Ingalls Wilder)
“
Her hands were splayed against the wet tile, her body pulsing. Water rained over them, hot and needle sharp, as he felt the orgasm tear through her.
A kind of purging, he thought.
She was still gasping when he spun her around and closed his mouth greedily over her breast.
She was helpless against what he brought to her. Each time, every time, helpless, staggered. And grateful. She dived her fingers into his hair, twisting, tangling them in that thick wet silk while those good, strong tugs of desire in her belly followed the restless hunger of his mouth on her.
His hands, slick, skilled, strong, raced over her, took her to the edge and over. Where he wanted her, where he needed her — shuddering, moaning his name, swamped in her own pleasure.
The nails biting viciously into his back thrilled him, the frenzied race of her heart against his incited him. More. All. Now, was all he could think as they savaged each other’s mouths.
“I want you.” His breath was heaving as he gripped her hips. “Always. Ever. Mine.”
His eyes were a wild and burning blue. She could see nothing else. It should have been too much, this desperate, endless need for him. Yet somehow it was never, never enough. “Mine.” She dragged his mouth back to hers, and when he drove into her, met him beat for urgent beat.
”
”
J.D. Robb (Loyalty in Death (In Death, #9))
“
All at once he found his mind drawing a parallel between that destiny and his own existence; all at once questions of life arose before his vision, like owls in an ancient ruin flushed from sleep by a stray ray of sunlight. Somehow he felt pained and grieved at his arrested development, at the check which had taken place in his moral growth, at the weight which appeared to be pressing upon his every faculty. Also gnawing at his heart there was a sense of envy that others should be living a life so full and free, while all the time the narrow, pitiful little pathway of his own existence was being blocked by a great boulder. And in his hesitating soul there arose a torturing consciousness that many sides of his nature had never yet been stirred, that others had never even been touched, and that not one of them had attained complete formation. Yet with this there went an aching suspicion that, buried in his being, as in a tomb, there still remained a moribund element of sweetness and light, and that it was an element which, though hidden in his personality, as a nugget lies lurking in the bowels of the earth, might once have become minted into sterling coin. But the treasure was now overlaid with rubbish--was now thickly littered over with dust. 'Twas as though some one had stolen from him, and besmirched, the store of gifts with which life and the world had dowered him; so that always he would be prevented from entering life's field and sailing across it with the aid of intellect and of will.
Yes, at the very start a secret enemy had laid a heavy hand upon him and diverted him from the road of human destiny. And now he seemed to be powerless to leave the swamps and wilds in favour of that road.
All around him was a forest, and ever the recesses of his soul were growing dimmer and darker, and the path more and more tangled, while the consciousness of his condition kept awaking within him less and
less frequently--to arouse only for a fleeting moment his slumbering faculties. Brain and volition alike had become paralysed, and, to all appearances, irrevocably--the events of his life had become whittled
down to microscopical proportions. Yet even with them he was powerless to cope--he was powerless to pass from one of them to another. Consequently they bandied him to and fro like the waves of the ocean. Never was he able to oppose to any event elasticity of will; never was he able to conceive, as the result of any event, a reasoned-out impulse. Yet to confess this, even to himself, always cost him a bitter pang: his fruitless regrets for lost opportunities, coupled with burning reproaches of conscience, always pricked him like needles, and led him to strive to put away such reproaches and to discover a scapegoat.
”
”
Ivan Goncharov (Oblomov)
“
The weather was still cold, but I was not. The blood thrummed near the surface of my skin, and I felt heat rise in my palms. I reached a hand out to the pine that stood by me, drops of water trembling on each needle, its bark black with wet. I breathed its scent and let the water touch my skin, cool as vapor. The rain fell in shushing stillness all around me, dampening my clothes ’til they clung to me softly, like clouds upon the mountain. Jamie had told me once that he must live on a mountain, and I knew now why this was so—though I could in no wise have put the notion into words. All my scattered thoughts receded, as I listened for the voice of rocks and trees—and heard the bell of the mountain strike once, somewhere deep beneath my feet.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.”
I bit my lip. “Have you come to take my soul, then?”
“I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.”
“Because I took your qi?”
He inclined his head. “I should have stopped you sooner.”
I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it.
“It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.”
“That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?”
“Long enough,” he said. Then more gently, “You may have a happy marriage, though.”
“I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form.
“Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet.
“Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.”
“Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart.
“I’ve never lied to you.”
“Can’t I go with you now?”
He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.”
I glared at him. “What if I’d rather not wait?”
He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?”
I dropped my gaze.
“If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.”
I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?”
His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.”
I tightened my arms around him.
“Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.”
“But what would you do for fifty years?”
He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
”
”
Yangsze Choo (The Ghost Bride)
“
Damen said, ‘You haven’t told him.’ ‘You don’t even deny it?’ said Jord. A harsh laugh, when Damen was silent. ‘You hated us so much, all this time? It wasn’t enough to invade, to take our land? You had to play this—sick game as well?’ Damen said, ‘If you tell him, I can’t serve him.’ ‘Tell him?’ said Jord. ‘Tell him the man he trusts has lied, and lied again, has deceived him into the worst humiliation?’ ‘I wouldn’t hurt him,’ said Damen, and heard the words drop like lead. ‘You killed his brother, then got him under you in bed.’ Put like that, it was monstrous. It’s not that way between us, he ought to have said, and didn’t, couldn’t. He felt hot, then cold. He thought of Laurent’s delicate, needling talk that froze into icy rebuff if Damen pushed at it, but if he didn’t—if he matched himself to its subtle pulses and undercurrents—continued, sweetly deepening, until he could only wonder if he knew, if they both knew, what they were doing. ‘I’m going to leave,’ he said. ‘I was always going to leave. I stayed only because—’ ‘That’s right, you’ll leave. I won’t allow you to wreck us. You’ll command us to Ravenel, you’ll say nothing to him, and when the fort is won, you’ll get on a horse and go. He’ll mourn your loss, and never know.’ It was what he had planned. It was what, from the beginning, he had planned. In his chest, the beats of his heart were like sword thrusts. ‘In the morning,’ said Damen. ‘I’ll give him the fort, and leave him in the morning. It’s what I promised.’ ‘You’re gone by the time the sun hits the middle of the sky, or I tell him,’ said Jord. ‘And what he did to you in the palace will seem like a lover’s kiss compared with what will happen to you then.’ Jord was loyal. Damen had always liked that about him, the steadfast nature that reminded him of home. Strewn around them was the end of the battle, victory marked by silence and churned grass. ‘He’ll know,’ Damen heard himself say. ‘When word of my return to Akielos reaches him. He’ll know. I wish you would tell him then that I—’ ‘You fill me with horror,’ said Jord. His hands were tight on his knife. Both his hands, now. ‘Captain,
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
We are very much disposed to like our new maid; she knows nothing of a dairy, to be sure, which, in our family, is rather against her, but she is to be taught it all. In short, we have felt the inconvenience of being without a maid so long, that we are determined to like her, and she will find it a hard matter to displease us. As yet, she seems to cook very well, is uncommonly stout, and says she can work well at her needle.
”
”
Jane Austen (Complete Works of Jane Austen)
“
As my mind drifted off into a kaleidoscope of dark memories and pain, I felt the familiar sting of a needle entering a vein. Then a surge of light and bliss flowed through my body, lifting me into an ethereal state, a blanket of warmth and pain-free liberty. As if being wrapped in the safety of God’s arms, I drew in a deep breath and let my mind fill with tranquility, and dance with light and life. No stress, no pain . . . just a river of peace.
”
”
Tillie Cole (Damnable Grace (Hades Hangmen, #5))
“
Georgia closed her eyes and concentrated on the sensations of the island--- the bracing, spicy scent of evergreen needles, the briny creaminess of an oyster still in its shell, the chewy, viscous luxury of Star's honey on the comb, the light acidity of a local cider. And then she cooked what she felt, that sense of wonder, the lightness and clean sea salt air. A sprinkle of salt, the crispness of fresh vegetables, the unctuous luxury of good olive oil.
”
”
Rachel Linden (Recipe for a Charmed Life)
“
He felt feral, standing naked - clearly the word of the day - and perspiring at an open window, irritable and restless, acutely aware of every inch of his skin, or, more accurately, the full contours of his being. As though it had been coiled into a cramped place and newly freed, and now was needling him as the blood flowed again. Skin was useful for more than being the thing between his viscera and bullets, for instance. It was capable of knowing glories.
”
”
Julie Anne Long (I'm Only Wicked with You (The Palace of Rogues, #3))
“
Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both holden and invisible. A bee settled into a flower, humming and humming.
”
”
Ray Bradbury (Dandelion Wine)
“
Eisenhower accepted and used the power of television. Stevenson felt obliged to critique it. In an article for Fortune magazine published shortly after the campaign, Stevenson worried that television was corrupting the ability of the body politic to think critically. “The extensions of our senses, which we find so fascinating, are not adding to the discriminations of our minds, since we need increasingly to take the reading of a needle on a dial to discover whether we think something is good or bad, right or wrong,” he wrote.
”
”
Scott Farris (Almost President: The Men Who Lost the Race But Changed the Nation)
“
He started reading from it aloud: “‘… he was scared—of the sound of my voice.… He grabbed my wrist and stuck a needle in my vein.’” I felt a sudden rising panic. I didn’t know those words. I hadn’t read that entry. It was the incriminating evidence I had been looking for—and it was in the wrong hands. I wanted to snatch the diary from Allen and tear out the pages—but I couldn’t move. I was trapped. I started stammering— “I—I really think it’s better if I—” I spoke too nervously, and he heard the fear in my voice. “Yes?” “Nothing.
”
”
Alex Michaelides (The Silent Patient)
“
John watched the pale black road, and he remembered a single moment during his time away in the wilderness. He wished he had told Doris about it-a single moment in Needles, California, months and months ago, facing west in the late afternoon. There had been a heavy rainstorm over just a small, localized patch of the desert, and from the patch beside it, a dust storm blew in. The sun caught the dust and the moisture in a way John had never seen before, and even though he knew it was backward, it seemed to him the sun was radiating black sunbeams down onto the earth, onto Interstate 40 and the silver river of endless pioneers that flowed from one part of the continent to the other. John felt that he and everybody in the New World was a part of a mixed curse and blessing from God, that they were a race of strangers, perpetually casting themselves into new fires, yearning to burn, yearning to rise from the charcoal, always newer and more wonderful, always thirsty, always starving, always believing that whatever came to them next would mercifully erase the creatures they'd already become as they crawled along the plastic radiant way.
”
”
Douglas Coupland (Miss Wyoming)
“
I want to know more about how they’re defending this place, Bolvangar,” he said. Without even having to think about it, she found her fingers moving the hands to point to the helmet, the griffin, and the crucible, and felt her mind settle into the right meanings like a complicated diagram in three dimensions. At once the needle began to swing round, back, round and on further, like a bee dancing its message to the hive. She watched it calmly, content not to know at first but to know that a meaning was coming, and then it began to clear. She let it dance on until it was certain.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
On a crisp, fresh morning in the Scottish Highlands, I had planned a ten-mile run. Both Jon Pratt and I were training a lot that winter, and we were both in good shape. Our run had a delightful and magical quality. My mind was very clear, and I remained completely present, noticing every rock on the trail and even the dew glistening on the pine needles. Every gust of wind invigorated and refreshed me. Even the clear echoes of our feet hitting the trail brought me back to the moment. As we inhaled and exhaled, the vapors created a mist. I felt connected to the sky and the earth.
”
”
Sakyong Mipham (Running with the Mind of Meditation: Lessons for Training Body and Mind)
“
Particularly since Thalberg’s death, she felt like “Penelope with her needles” because others unraveled her work as soon as it was done. Screen-writing had become “writing on the sand with the wind blowing. They chew up and disgorge your stories until they’re so far removed from your original idea or conception that all you recognize is your name, and often that isn’t spelled correctly.” Or your name wasn’t on the screen at all. Even though she had signed over the rights to a dozen scripts she had completed for MGM since 1940, Frances had not received an on-screen credit in all that time.
”
”
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
“
There’s a sudden sweet amnesia, a shortening of time like a warm bath where I can just float and forget. So this is why they do it. What a relief, to not only feel good but to feel nothing. It’s like the moment thirty seconds after you stub your toe when you suddenly feel better. That is what the cherry wine feels like: a dizzy hug when the pain disappears. I wonder if this is what Paul felt in his truck with his bottle, if this is why he couldn’t stop and just drank until he died. Is this why Dad had his needle in his cell? Why Tony was passed out on the floor among the trash from the party.
”
”
Mikel Jollett (Hollywood Park)
“
Beneath all her faults, her wrong dogmas, her self-obsessions, her evasions, there lay, as there had always lain… a profound, and profoundly unintellectual, sense of natural orientation… that mysterious sense he had always thought of as right feeling. But he had also always thought of it as something static and unchanging; when of course it had always really been living, mobile, shifting and quivering, even veering wildly, like a magnetic needle… It was simply that she felt deeperand eternally lost conscious course because the unconscious knowledge of the true one always lay inexorably underneath
”
”
John Fowles (Daniel Martin)
“
Your enemies call it comeuppance
and relish the details
of a drug too fine, how long
you must have dangled there beside yourself.
In the middle distance of your
twenty-ninth year, night split open
like a fighter's bruised palm,
a purple ripeness.
Friends shook their heads.
With you it was always
the next attractive trouble,
as if an arranged marriage had been made
in a country of wing walkers, lion tamers,
choirboys leaping from bellpulls
into the high numb glitter, and you,
born with the breath of wild on your tongue
brash as gin.
True, it was charming for a while.
Your devil's balance, your debts.
Then no one was laughing.
Hypodermic needles and cash registers
emptied themselves in your presence.
Cars went head-on.
Sympathy, old motor, ran out
or we grew old, our tongues
wearing little grooves in our mouths
clucking disappointment.
Michael, what pulled you up
by upstart roots
and set you packing,
left the rest of us here, body-heavy
on the edge of our pews.
Over the reverend's lament
we could still hear laughter, your mustache
the angled black wings
of a perfect crow. Later
we taught ourselves the proper method for mourning
haphazard life: salt, tequila, lemon.
Drinking and drifting
in your honor we barely felt a thing.
”
”
Dorothy Barresi (All of the Above)
“
They sat eating ham sandwiches and fresh strawberries and waxy oranges and Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both golden and invisible. A bee settled into a flower, humming and humming. The trolley stood like an enchanted calliope, simmering where the sun fell on it. The trolley was on their hands, a brass smell, as they ate ripe cherries. The bright odor of the trolley blew from their clothes on the summer wind.
”
”
Ray Bradbury (Dandelion Wine)
“
That new reality, it takes place for you at a normal pace, but within that giant fabric of time. What felt like months to you was actually days here, because again, time was compressed the minute you left that other life.” “I don’t really understand,” I say. “You’re not supposed to,” Rayanne tells me. “Most lives end and get compressed into that tiny, tiny hole and we pick up a new thread—a brand-new existence that goes on and on until it’s over and gets condensed down into a single stitch in the fabric again. But for you, the needle jumped. For you, death wasn’t a stitch. It was a veil. You got to peek through, and see what was on the other side.
”
”
Jodi Picoult (Wish You Were Here)
“
I told him I hadn't seen Thurston since a week before we left the States. I said he had no idea where I was, and I had no way of finding him either.
"We fell out," I said. "I don't think he was talking to me."
He smiled. "What did you do?"
I felt like crying. That doesn't happen often, to me. "I hurt his feelings." I told him. "I said some things I shouldn't. And then I got dragged here, so I lost him. He's a needle in a haystack."
Ernest nodded. "The world is a very big place when you're looking for someone."
"I miss him," I said. "And I don't know what I'm supposed to do next."
"Get on with the business of living," Ernest told me. "You don't have any other choice.
”
”
Jenny Valentine
“
The silences between them were peculiar. There would be the swift, slight 'cluck' of her needle, the shard 'pop' of his lips as he let out the smoke, the warmth, the sizzle on the bars as he spar in the fire. Then her thoughts turned to William... she saw him a man, young, full of vigour, making the world glow again for her.
And Morel sitting there, quite alone, and having nothing to think about, would be feeling vaguely uncomfortable. His soul would reach out in its blind way to her, and find her gone. He felt a sort of emptiness, almost like a vacuum in his soul. He was unsettled and restless. Soon he could not live in that atmosphere, and he affected his wife. Both felt an oppression on their breathing, when they were left together for some time. Then he went to bed, and she settled down to enjoy herself alone, working, thinking, living.
”
”
D.H. Lawrence (Sons and Lovers)
“
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
”
”
Diana Gabaldon (Voyager (Outlander, #3))
“
Well, now, if I didn’t think you sewed his collar with white thread, but it’s black.” “Why, I did sew it with white! Tom!” But Tom did not wait for the rest. As he went out at the door he said: “Siddy, I’ll lick you for that.” In a safe place Tom examined two large needles which were thrust into the lapels of his jacket, and had thread bound about them—one needle carried white thread and the other black. He said: “She’d never noticed if it hadn’t been for Sid. Confound it! sometimes she sews it with white, and sometimes she sews it with black. I wish to geeminy she’d stick to one or t’other—I can’t keep the run of ’em. But I bet you I’ll lam Sid for that. I’ll learn him!” He was not the Model Boy of the village. He knew the model boy very well though—and loathed him. Within two minutes, or even less, he had forgotten all his troubles. Not because his troubles were one whit less heavy and bitter to him than a man’s are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time—just as men’s misfortunes are forgotten in the excitement of new enterprises. This new interest was a valued novelty in whistling, which he had just acquired from a negro, and he was suffering to practise it undisturbed. It consisted in a peculiar bird-like turn, a sort of liquid warble, produced by touching the tongue to the roof of the mouth at short intervals in the midst of the music—the reader probably remembers how to do it, if he has ever been a boy. Diligence and attention soon gave him the knack of it, and he strode down the street with his mouth full of harmony and his soul full of gratitude. He felt much as an astronomer feels who has discovered a new planet—no doubt, as far as strong, deep, unalloyed pleasure is concerned, the advantage was with the boy, not the astronomer. The summer evenings were long. It was not dark, yet.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
The ghost was not a ghost at all, or so it claimed - it claimed to be a psychic energy baby, birthed in some ethereal dimension, and pulled into the phone by the powerful magnetism of phone signals. It remembered with perfect clarity how it came to be - remembered coalescing from the membranous surface of the world, streaked with reflected light, humming with surface tension under the pressure of emptiness underneath. The Psychic Energy Baby found form among the emanations of people's minds and the susurrus of their voices, it found flesh in the shapes of their lips and eyes made, the surprise of 'o's and the sibilations of 's's; its skin stretched taut like a soap bubble, forged from the wet sound of lips touching; its thoughts were the musky smells and the nerves twined around the transparent water balloons of the muscles like stems of toadflax, searching restlessly for every available crevice, stretching along cold rough surfaces. Its veins, tiny rivers, pumped heartbeats striking in unison, the dry dallying of billions of ventricular contractions. And it spoke, spoke endlessly, it spokes words that tasted of dark air and formic acid. It could speak long before it took it's final shape.
And when it happened, when all the sounds and smells and words in the world, when all the thoughts had aligned so that it could become - then it found itself pulled into the wires, surrounded by taut copper and green and red and yellow insulation; twined and quartered among the cables, rent open by millions of voices that shouted and whispered and pleaded and threatened, interspersed with the rasping of breaths and tearing laughter. It traveled through the criss-crossing of the wires so fast that it felt itself being pulled into a needle, head spearing into the future while its feet infinitely receded into the past, until it came into a dark quiet pool of the black rotary phone, where it could reassemble itself and take stock.
”
”
Ekaterina Sedia (The House of Discarded Dreams)
“
When I come down the stairs, Peter is sitting on the couch with his mom. He is shaking his knee up and down, which is how I know he’s nervous too. As soon as he sees me, he stands up.
He raises his eyebrows. “You look--wow.” For the past week, he’s been asking for details on what my dress looks like, and I held him at bay for the surprise, which I’m glad I did, because it was worth it to see the look on his face.
“You look wow too.” His tux fits him so nicely, you’d think it was custom, but it’s not; it’s a rental from After Hours Formal Wear. I wonder if Mrs. Kavinsky made a few sly adjustments. She’s a marvel with a needle and thread. I wish guys could wear tuxedos more often, though I suppose that would take some of the thrill away.
Peter slides my corsage on my wrist; it is white ranunculus and baby’s breath, and it’s the exact corsage I would have picked for myself. I’m already thinking of how I’ll hang it over my bed so it dries just so.
Kitty is dressed up too; she has on her favorite dress, so she can be in the pictures. When Peter pins a daisy corsage on her, her face goes pink with pleasure, and he winks at me. We take a picture of me and her, one of me and Peter and her, and then she says in her bossy way, “Now just one of me and Peter,” and I’m pushed off to the side with Trina, who laughs.
“The boys her age are in for it,” she says to me and Peter’s mom, who is smiling too.
“Why am I not in any of these pictures?” Daddy wonders, so of course we do a round with him too, and a few with Trina and Mrs. Kavinsky.
Then we take pictures outside, by the dogwood tree, by Peter’s car, on the front steps, until Peter says, “Enough pictures! We’re going to miss the whole thing.” When we go to his car, he opens the door for me gallantly.
On the way over, he keeps looking at me. I keep my eyes trained straight ahead, but I can see him in my periphery. I’ve never felt so admired. This must be how Stormy felt all the time.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
These samurai swords were made from a special type of steel called tamahagane, which translates as “jewel steel,” made from the volcanic black sand of the Pacific (this consists mostly of an iron ore called magnetite, the original material for the needle of compasses). This steel is made in a huge clay vessel four feet tall, four feet wide, and twelve feet long called a tatara. The vessel is “fired”—hardened from molded clay into a ceramic—by lighting a fire inside it. Once fired, it is packed meticulously with layers of black sand and black charcoal, which are consumed in the ceramic furnace. The process takes about a week and requires constant attention from a team of four or five people, who make sure that the temperature of the fire is kept high enough by pumping air into the tatara using a manual bellows. At the end the tatara is broken open and the tamahagane steel is dug out of the ash and remnants of sand and charcoal. These lumps of discolored steel are very unprepossessing, but they have a whole range of carbon content, some of it very low and some of it high. The samurai innovation was to be able to distinguish high-carbon steel, which is hard but brittle, from low-carbon steel, which is tough but relatively soft. They did this purely by how it looked, how it felt in their hands, and how it sounded when struck. By separating the different types of steel, they could make sure that the low-carbon steel was used to make the center of the sword. This gave the sword an enormous toughness, almost a chewiness, meaning that the blades were unlikely to snap in combat. On the edge of the blades they welded the high-carbon steel, which was brittle but extremely hard and could therefore be made very sharp. By using the sharp high-carbon steel as a wrapper on top of the tough low-carbon steel they achieved what many thought impossible: a sword that could survive impact with other swords and armor while remaining sharp enough to slice a man’s head off. The best of both worlds.
”
”
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
“
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see.
Everyone already saw
A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby.
"Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes.
"Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy).
Clearly, ice wasn't required for me to fall.
A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good.
I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently.
The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say.
She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon.
"Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better.
Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder.
"Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming?
"Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?"
Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be.
Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again.
"Actually," Romeo said, his voice calm, "I am pretty bored."
Three smirks were sent my way. What a bunch of idiots.
"The view from where I'm standing sure leaves a lot to be desired."
One by one, their eyes rounded when they realized the view he referenced was them.
Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair."
Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder.
He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms.
He checked her. “This isn’t the time.”
She flushed.
“General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.”
Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said.
Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away.
Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.”
“I know.”
He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.”
The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military.
“I want you to be at the front of the crowd,” Kestrel said.
“I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.”
Kestrel nodded, though she had no intention of taking his advice.
She walked through the throngs of people to meet Irex.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.
”
”
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
“
A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.”
They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot.
Their silence broke when the carriage door closed them in.
“You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?”
“Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.”
“It’s not yours to fight.”
“You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.”
He gave her a cynical look. “Do you deny that he is the superior fighter?”
“So he will draw first blood. He will be satisfied, and we will both walk away with honor.”
“He said something about a death-price.”
That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.”
Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god.
“Really, Arin.”
His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?”
She thought of his claim that Enai could never have loved her, or if she had, it was a forced love.
“You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you.
I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling
The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it
Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time?
Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you
And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you
Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm
Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed
Burden me with your secrets / so I can carry the weight you're so fearful of letting go
To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body
Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook
I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes
Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell
Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood
She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies
”
”
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))
“
I left Brookstone and went to the Pottery Barn. When I was a kid and everything inside our house was familiar, cheap, and ruined, walking into the Pottery Barn was like entering heaven. If they really wanted people to enjoy church, I thought back then, they should make everything in church look and smell like the Pottery Barn. My dream was to surround myself one day with everything in the store, with the wicker baskets and scented candles, the brushed-silver picture frames. But that was a long time ago. I had already gone through a period of buying everything there was to buy at the Pottery Barn and decorating my apartment like a Pottery Barn outlet, and then getting rid of it all during a massive upgrade. Now everything at the Pottery Barn looked ersatz and mass-produced. To buy any of it now would be to regress in aspiration and selfhood. I didn’t want to buy anything at the Pottery Barn so much as I wanted to recapture the feeling of wanting to buy everything from the Pottery Barn. Something similar happened at the music store. I should try to find some new music, I thought, because there was a time when new music could lift me out of a funk like nothing else. But I wasn’t past the Bs when I saw the only thing I really cared to buy. It was the Beatles’ Rubber Soul, which had been released in 1965. I already owned Rubber Soul. I had owned Rubber Soul on vinyl, then on cassette, and now on CD, and of course on my iPod, iPod mini, and iPhone. If I wanted to, I could have pulled out my iPhone and played Rubber Soul from start to finish right there, on speaker, for the sake of the whole store. But that wasn’t what I wanted. I wanted to buy Rubber Soul for the first time all over again. I wanted to return the needle from the run-out groove to the opening chords of “Drive My Car” and make everything new again. That wasn’t going to happen. But, I thought, I could buy it for somebody else. I could buy somebody else the new experience of listening to Rubber Soul for the first time. So I took the CD up to the register and paid for it and, walking out, felt renewed and excited. But the first kid I offered it to, a rotund teenager in a wheelchair looking longingly into a GameStop window, declined on the principle that he would rather have cash. A couple of other kids didn’t have CD players. I ended up leaving Rubber Soul on a bench beside a decommissioned ashtray where someone had discarded an unhealthy gob of human hair. I wandered, as everyone in the mall sooner or later does, into the Best Friends Pet Store. Many best friends—impossibly small beagles and corgis and German shepherds—were locked away for display in white cages where they spent their days dozing with depression, stirring only long enough to ponder the psychic hurdles of licking their paws. Could there be anything better to lift your spirits than a new puppy?
”
”
Joshua Ferris (To Rise Again at a Decent Hour)
“
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth.
Marcelina Hoffman was well on her way to becoming a Botox junkie.
Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.”
Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin.
Because I’m worth it.
”
”
Ian McDonald (Brasyl)
“
Yep! I was twenty-six years old and an associate beauty editor at Lucky, one of the top fashion magazines in America, and that’s all that most people knew about me. But beneath the surface, I was full of secrets: I was an addict, for one. A pillhead! I was also an alcoholic-in-training who drank warm Veuve Clicquot after work, alone in my boss’s office with the door closed; a conniving uptown doctor shopper who haunted twenty-four-hour pharmacies while my coworkers were at home watching True Blood in bed with their boyfriends; a salami-and-provolone-puking bulimic who spent a hundred dollars a day on binge foods when things got bad (and they got bad often); a weepy, wobbly hallucination-prone insomniac who jumped six feet in the air à la LeBron James and gobbled Valium every time a floorboard squeaked in her apartment; a tweaky self-mutilator who sat in front of The Tonight Show with Jay Leno, digging gory abscesses into her bikini line with Tweezerman Satin Edge Needle Nose Tweezers; a slutty and self-loathing downtown party girl fellatrix rushing to ruin; and—perhaps most of all—a lonely weirdo who felt like she was underwater all of the time. My brains were so scrambled you could’ve ordered them for brunch at Sarabeth’s; I let art-world guys choke me out during unprotected sex; I only had one friend, a Dash Snow–wannabe named Marco who tried to stick syringes in my neck and once slurped from my nostrils when I got a cocaine nosebleed;
”
”
Cat Marnell (How to Murder Your Life)
“
Dinner was a family affair. And oh, how she enjoyed it! Who knew there was so much to talk about each day? She loved when the men shared stories about their work in the mines, while she often regaled them with stories about life in the castle when she was a small child or about the types of birds she spotted from the window. And then there were the questions. She found she had many! After staying silent for so long, there was much she longed to know, and she was always interested in learning more about the men and their lives. She wanted to know who had carved the beautiful wooden doorways and furniture around the cottage, and why the deer and the birds seemed to linger at the kitchen window while she prepped meals.
"They must adore you, as we do," gushed Bashful.
"And I you!" Snow would say. She found she could talk to them till the candle burned out each night.
It felt like she was finally waking up and finding her voice after years of silent darkness. And while she promised the men she would not do more than her share of the housework, she couldn't help trying to find small ways to repay them for their kindness when she wasn't busy strategizing. Despite their protests, she prepared a lunch basket for them to take to work each day. She mended tiny socks. And secretly, she was using yarn and needles she had found to knit them blankets for their beds. It might have been summer, but she couldn't help noticing they had few blankets for the winter months.
”
”
Jen Calonita (Mirror, Mirror)
“
Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear.
"They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green.
"Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine."
He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.”
It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex.
Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.”
“You already have,” she pointed out.
“But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?”
She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give.
“You’re not mine,” Arin said.
And kissed her.
Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged.
Speak, they said.
Speak, the kiss answered.
Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night.
It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage.
Kestrel remembered again her promise to Jess.
If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom.
Kestrel pulled away.
Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together.
“My soul is yours,” he said. “You know that it is.”
She lifted a hand, as much to block his face from her sight as to stop those words.
She walked out of the kitchen.
It took all of her pride not to run.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes.
On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles.
Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour.
Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world.
Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim.
It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
”
”
Anna Kavan (Ice)
“
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-five, forty-five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board.
Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea.
The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.”
Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
Jane, the captain, and the colonel begged out of cards, sat by the window, and made fun of Mr. Nobley. She glanced once at the garden, imagined Martin seeing her now, and felt popular and pretty--Emma Woodhouse from curls to slippers. It certainly helped that all the men were so magnificent. Unreal, actually. Austenland was feeling cozier.
“Do you think he hears us?” Jane asked. “See how he doesn’t lift his eyes from that book? In all, his manners and expression are a bit too determined, don’t you think?”
“Right you are, Miss Erstwhile,” Colonel Andrews said.
“His eyebrow is twitching,” Captain East said gravely.
“Why, so it is, Captain!” the colonel said. “Well observed.”
“Then again, the eyebrow twitch could be caused by some buried guilt,” Jane said.
“I believe you’re right again, Miss Erstwhile. Perhaps he does not hear us at all.”
“Of course I hear you, Colonel Andrews,” said Mr. Nobley, his eyes still on the page. “I would have to be deaf not to, the way you carry on.”
“I say, do not be gruff with us, Nobley, we are only having a bit of fun, and you are being rather tedious. I cannot abide it when my friends insist on being scholarly. The only member of our company who can coax you away from those books is our Miss Heartwright, but she seems altogether too pensive tonight as well, and so our cause is lost.”
Mr. Nobley did look up now, just in time to catch Miss Heartwright’s face turn away shyly.
“You might show a little more delicacy around the ladies, Colonel Andrews,” he said.
“Stuff and nonsense. I agree with Miss Erstwhile, you are acting like a scarecrow. I do not know why you put on this act, Nobley, when around the port table or out in the field you’re rather a pleasant fellow.”
“Really? That is curious,” Jane said. “Why, Mr. Nobley, are you generous in your attentions with gentlemen and yet taciturn and withdrawn around the fairer sex?”
Mr. Nobley’s eyes were back on the printed page, though they didn’t scan the lines. “Perhaps I do not possess the type of conversation that would interest a lady.”
“You say ‘perhaps’ as though you do not believe it yourself. What else might be the reason, sir?” Jane smiled. Needling Mr. Nobley was feeling like a very productive use of the evening.
“Perhaps another reason might be that I myself do not find the conversation of ladies to be very stimulating.” His eyes were dark.
“Hm, I just can’t imagine why you’re still unmarried.”
“I might say the same for you.”
“Mr. Nobley!” cried Aunt Saffronia.
“No, it’s all right, Aunt,” Jane said. “I asked for it. And I don’t even mind answering.” She put a hand on her hip and faced him. “One reason why I am unmarried is because there aren’t enough men with guts to put away their little boy fears and commit their love and stick it out.”
“And perhaps the men do not stick it out for a reason.”
“And what reason might that be?”
“The reason is women.” He slammed his book shut. “Women make life impossible until the man has to be the one to end it. There is no working it out past a certain point. How can anyone work out the lunacy?”
Mr. Nobley took a ragged breath, then his face went red as he seemed to realize what he’d said, where he was. He put the book down gently, pursed his lips, cleared his throat.
No one in the room made eye contact.
“Someone has issues,” said Miss Charming in a quiet, singsongy voice.
“I beg you, Lady Templeton,” Colonel Andrews said, standing, his smile almost convincingly nonchalant, “play something rousing on the pianoforte. I promised to engage Miss Erstwhile in a dance. I cannot break a promise to such a lovely young thing, not and break her heart and further blacken her view of the world, so you see my urgency.”
“An excellent suggestion, Colonel Andrews,” Aunt Saffronia said. “It seems all our spirits could use a lift.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet.
It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book.
And all the lives we ever lived
And all the lives to be,
Are full of trees and changing leaves,
she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all.
Steer, hither steer your winged pines, all beaten Mariners
she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.
”
”
Virginia Woolf (To the Lighthouse)
“
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life.
A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner.
The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
”
”
Vivian Gornick (The Romance of American Communism)