Strawberry Love Quotes

We've searched our database for all the quotes and captions related to Strawberry Love. Here they are! All 100 of them:

There is a story of a woman running away from tigers. She runs and runs and the tigers are getting closer and closer. When she comes to the edge of a cliff, she sees some vines there, so she climbs down and holds on to the vines. Looking down, she sees that there are tigers below her as well. She then notices that a mouse is gnawing away at the vine to which she is clinging. She also sees a beautiful little bunch of strawberries close to her, growing out of a clump of grass. She looks up and she looks down. She looks at the mouse. Then she just takes a strawberry, puts it in her mouth, and enjoys it thoroughly. Tigers above, tigers below. This is actually the predicament that we are always in, in terms of our birth and death. Each moment is just what it is. It might be the only moment of our life; it might be the only strawberry we’ll ever eat. We could get depressed about it, or we could finally appreciate it and delight in the preciousness of every single moment of our life.
Pema Chödrön (The Wisdom of No Escape: How to Love Yourself and Your World)
I guess I've been waiting so long I'm looking for perfection. That makes it tough." "Waiting for perfect love?" "No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for.
Haruki Murakami (Norwegian Wood)
I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” “Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is…
Haruki Murakami (Norwegian Wood)
He who knows nothing, loves nothing. He who can do nothing understands nothing. He who understands nothing is worthless. But he who understands also loves, notices, sees … The more knowledge is inherent in a thing, the greater the love.… Anyone who imagines that all fruits ripen at the same time as the strawberries knows nothing about grapes.
Paracelsus
I love strawberries. I'm so lovesick, I eat them constantly. Can I nickname you Shortcake? It'll be a dead giveaway that I love you.
Sally Thorne (The Hating Game)
He had kissed her good night that night, and she had tasted like strawberry daiquiris, and he had never wanted to kiss anyone else again.
Neil Gaiman (American Gods (American Gods, #1))
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter. I see it now though. Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further. And then he touches me again, and my convictions disappear like smoke in the wind. This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct? Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him. Tomorrow. What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever. Just one last time, Sweets. Just one last fix. That’s all I need. And that is why I now understand addiction.
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
your gaze across my cheeks turned them into strawberry fields.
Sanober Khan
I'm a mess," he said, halfway joking but halfway not. "I'm demanding and temperamental and I'm terribly high maintenance." I laughed without even meaning to. "Do you honestly think I don't know all that by now?" "Then how could you possibly love me?" I held him tighter, kept kissing his neck. "How can I not?
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun? I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without. I want to be someone you can’t live without.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
spring is super in the supermarkets and the strawberries prance and glow never mind that they're all kinda tart and tasteless as strawberries go meanwhile wild things are not for sale anymore than they are for show so i'll be outside, in love with the kind of beauty it takes more than eyes to know
Ani DiFranco
At the beginning of the semester, when you asked who I loved the most, an image of my mother popped in my head. When you asked me who I loved the most for the second time, it wasn’t an image of my mother. Instead, it was replaced by an image of a strawberry blonde with big, blue eyes. It took me a long time to figure out the exact moment I fell in love with her, partly because I denied that I did until it was too late. I fucked up so badly and did so many things wrong, to the point of no return, so I let her go. The selfless part inside of me wants to say I did the right thing, and the selfish part of me thinks I made the biggest mistake of my life. I guess the selfless side won out because, every time I look at her and see what I did, I realize I don’t deserve her. I was never supposed to fall in love with her, but that was the best mistake of my life. I will always love her; I have ever since I purposely bumped into her in the hallway.
Sarah Brianne (Nero (Made Men, #1))
Love is a strawberry blonde liar, tease-baby, princess-girl torture.
Mary Elizabeth (Innocents (Dusty, #1))
I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love For love would be love of the wrong thing; there is yet faith But the faith and the love and the hope are all in the waiting. Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing. Whisper of running streams, and winter lightning. The wild thyme unseen and the wild strawberry, The laughter in the garden, echoed ecstasy Not lost, but requiring, pointing to the agony Of death and birth.
T.S. Eliot (Four Quartets)
Strawberries are full of love & happiness.
Anthony T. Hincks
There were never strawberries like the ones we had that sultry afternoon sitting on the step of the open french window facing each other your knees held in mine the blue plates in our laps the strawberries glistening in the hot sunlight we dipped them in sugar looking at each other not hurrying the feast for one to come the empty plates laid on the stone together with the two forks crossed and I bent towards you sweet in that air in my arms abandoned like a child from your eager mouth the taste of strawberries in my memory lean back again let me love you let the sun beat on our forgetfulness one hour of all the heat intense and summer lightning on the Kilpatrick hills let the storm wash the plates.
Edwin Morgan (The Second Life: Selected Poems)
For all the environmental troubles single-use shopping bags cause, the much greater impacts are in what they contain. reducing the human footprint means addressing fundamentally unsustainable habits of food consumption, such as expecting strawberries in the depths of winter or buying of seafood that are being fished to the brink of extinction.
Susan Freinkel (Plastic: A Toxic Love Story)
The world was incomprehensibly intricate, and yet this forest made a simple sense in her heart that she felt nowhere else. [S]he wanted only her own strawberry farm, the fragrance of the fields and the cedar trees, and to live simply in this place forever. [S]he had fallen into loving him long before she knew herself, though it occurred to her now that she might never know herself, that perhaps no one ever does, that such a thing might not be possible. [Y]ou should learn to say nothing that will cause you regret. You should not say what is not in your heart -- or what is only in your heart for a moment. But you know this -- silence is better.
David Guterson (Snow Falling on Cedars)
In 1976, Stephen King published a short story, “I Know What You Need,” about the courting of a young woman. Her suitor was a young man who could read her mind but did not tell her so. He simply appeared with what she wanted at the moment, beginning with strawberry ice cream for a study break. Step by step he changed her life, making her dependent upon him by giving her what she thought she wanted at a certain moment, before she herself had a chance to reflect. Her best friend realized that something disconcerting was happening, investigated, and learned the truth: “That is not love,” she warned. “That’s rape.” The internet is a bit like this. It knows much about us, but interacts with us without revealing that this is so. It makes us unfree by arousing our worst tribal impulses and placing them at the service of unseen others.
Timothy Snyder (The Road to Unfreedom: Russia, Europe, America)
So how could you ever eat another strawberry and not know that God loves you? I want you to think about that every time you eat a strawberry. Do you hear me?
Allison Pittman (Lilies in Moonlight)
The "Holy-crap-that's-a-lot-of-pink" Zone would have been a more accurate description. I don't know what I was expecting a vampire's room to look like. Maybe lots of black, a bunch of books by Camus...oh, and a sensitive portrait of the only human the vamp had ever loved, who had no doubt died of something beautiful and tragic, thus dooming the vamp to an eternity of moping and sighing romantically. What can I say? I read a lot of books. But this room looked like it had been decorated by the unholy lovechild of Barbie and Strawberry Shortcake.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Certainly, the average fashion magazine gives women ridiculous relationship advice that makes it easy to understand why women are so eager to overcompensate: “Play hard to get, then cook him a four-course meal … bake him Valentine’s cookies with exotic sprinkles shipped from Malaysia (just like Martha Stewart). Don’t forget the little doilies and the organic strawberries that you drove two hours to get. Then serve it all to him on the second date, wearing a black lace nightie.” And what is this a recipe for? Disaster.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
But Ma says everyone deserves forgiveness. That's why if Ma was a color, she'd be pink with her sweetness. A tender flower, a bubbly pop of chewing gum, two scoops of strawberry ice cream. Silly in her girly ways, her color deepens with love, until she glows fuchsia - bright and bold, unstoppable. But when she is not fed the riches that life promises, Ma pales, reaming but a tint above white, a color aching in want." -Claudia
Tiffany D. Jackson (Monday's Not Coming)
There is lovemaking that is bad for a person, just as there is eating that is bad. That boysenberry cream pie from the Thrift-E Mart may appear inviting, may, in fact, cause all nine hundred taste buds to carol from the tongue, but in the end, the sugars, the additives, the empty calories clog arteries, disrupt cells, generate fat, and rot teeth. Even potentially nourishing foods can be improperly prepared. There are wrong combinations and improper preparations in sex as well. Yes, one must prepare for a fuck--the way an enlightened priest prepares to celebrate mass, the way a great matador prepares for the ring: with intensification, with purification, with a conscious summoning of sacred power. And even that won't work if the ingredients are poorly matched: oysters are delectable, so are strawberries, but mashed together ... (?!) Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts use cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes--only a dullard would hang such a millstone around the nibbled neck of a lay--but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure--there are ephemeral explosions of passion between strangers that make more erotic sense than lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris--but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; and honest caring, however singled by lust, that must be present if couplings are to be salubrious and not slow poison.
Tom Robbins (Still Life with Woodpecker)
Damon opened his mouth to snarl, “And now you’re going to judge how much I love Elena?”  when suddenly he stopped, frozen.   He saw quite clearly the picture that Stefan was projecting of wide brown eyes in a heart-shaped face and tumbled strawberry curls, and he felt all the defensive fury of being trapped in the wrong.
L.J. Smith (Paradise Lost (The Vampire Diaries; Evensong, #1))
How can you grow to love a handful of strangers so fiercely just because you have to sleep on the same couple of wooden planks with them, when half the time you were there you wanted to strangle them, and all you ever talked about is death and imaginary strawberries?
Elizabeth Wein (Rose Under Fire)
You accept that the shadows on the wall are real, love. I have no idea how to make you turn around and see the light.
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
There is the staircase, there is the sun. There is the kitchen, the plate with toast and strawberry jam, your subterfuge, your ordinary mirage. You stand red-handed. You want to wash yourself in earth, in rocks and grass What are you supposed to do with all this loss? In the daylight we know what's gone is gone, but at night it's different. Nothing gets finished, not dying, not mourning; the dead repeat themselves, like clumsy drunks lurching sideways through the doors we open to them in sleep; these slurred guests, never entirely welcome, even those we have loved the most, especially those we have loved the most, returning from where we shoved them away too quickly: from under the ground, from under the water, they clutch at us, they clutch at us, we won't let go.
Margaret Atwood
When Shara looks at her like that, all airy and sly, it makes Chloe think of the first time her mama brought home an icebox pie. It was strawberries and cream, her mom’s favorite, and the whole thing seemed to be a feat of mechanical physics. It didn’t make sense how the strawberries held effortlessly together when you sliced it, or how the cloud of meringue sat weightless on top. She remembers studying the layers from the side and having the inexplicable thought, This is a Shara Wheeler kind of pretty. God. Shall I compare thee to an icebox pie? Couldn’t be gayer if she tried.
Casey McQuiston (I Kissed Shara Wheeler)
Pink reminds me of my love for dance. My youth. The innocence of being young. Tutus. Strawberry frosting on a vanilla cake (my favorite). And lipstick. I love lipstick. It also reminds me that I should take pride in my feminine traits, in being a woman. There is nothing remotely wrong with enjoying femininity. Curves. Hips. Lips. Empathy. Vulnerability. Sensuality. Patience. Intuition.
R.B. O'Brien
I am,” I said slowly, “a girl with music in her soul. I am a sister, a daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am … me.
S. Jae-Jones (Wintersong (Wintersong #1))
I think he became a man who brought peace and wisdom to hi world, because he knew about war and folly. I think that he loved greatly, because he had seen what lost love is. And I think he came to know, too, that he was loved greatly." She looked at the strawberry in her hands. "But I thought you didn't want me to tell you your future.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
What if our bodies were transparent, like a washing machine window? How wondrous to watch ourselves. Joggers would job even harder, blood pumping away. Lovers would love more. God damn! Look at that old semen go! Diets would improve-- kiwi fruit and strawberries, borscht with sour cream.
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
He’d never forgotten the sweep of her soft mouth against his, the taste of her sweetness, like strawberries, and the way she fired his insides to life.
Katherine McIntyre (Waking for Winter (Philadelphia Coven Chronicles #4))
Being Necessary is food no less than cabbages and strawberry pies.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
She had two blueberries for eyes, and hair the color of strawberries. Too bad our love never made it past the kitchen and into the bedroom (or garage).
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
The serpent eating itself, tail-first. We live to repeat the same mistakes, to push away the ones we love, to move on when we want to stay, to wait in silence when we should speak. In the life we have chosen to lead, loss is the only constant. Loss, that eats up everything – like the snake, even itself.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
Nothing screams SUMMER like strawberry shortcake, and yet in Florida the season for strawberries is December through March! But then, by March the daytime temperature is likely to be in the mid-70s to low 80s. So, it’s really easy to think “Ahhh, summer’s almost here.” So, when we planned a BD Party for our friend Bob Mason, we said, “It’s strawberry season! Let’s party!
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
Choose to live, Elisabeth. There's a fire within you; keep it alight. Feed that flame with music and seasons and chocolate torte and strawberries and your Grandmother's Gugelhopf. Let it grow with your love for your family. Let it be a beacon to set your heart by, so that you remain true to yourself." He stroked my cheek. "Do this, so that I remember you like this: fierce and full of life.
S. Jae-Jones (Wintersong (Wintersong, #1))
So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” -“Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” -“Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” -“I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” -“Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” -“So then what?” “So then I’d give him all the love he deserves for what he’s done.” -“Sounds crazy to me.” “Well, to me, that’s what love is…
Haruki Murakami (Norwegian Wood)
She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.
Jake Vander-Ark (The Accidental Siren)
Burnt marshmallow bliss, Pinochle, and strawberries. Love you, Camp Half-Blood.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
And suddenly it came to him. That Strawberry Fields garden he'd come from, and the Freedom Tower he'd been thinking of: taken together, didn't they contain the two words that said it all about this city, the two words that really mattered? It seemed to him that they did. Two words: the one an invitation, the other an ideal, an adventure, a necessity. "Imagine" said the garden. "Freedom" said the tower. Imagine freedom. That was the spirit, the message of this city he loved. You really didn't need anything more. Dream it and do it. But first you must dream it.
Edward Rutherfurd (New York)
love crème brûlée, but lemon soufflé, raspberry dacquiose…okay.” I closed my eyes and touched the menu with a fingertip. Peering through one slit of an eye, I declared, “Strawberry savarin.
Sajni Patel (The Trouble with Hating You)
I am..." Who was I? Daughter, sister, wife, queen, composer,; these were the titles I had been given and claimed, but they were not the whole of me. They were not me, entire. I closed my eyes. "I am," I said slowly, "a girl with music in her soul. I am a sister, daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am... me.
S. Jae-Jones (Wintersong (Wintersong, #1))
Close to the stem, he said, closest to the earth, their perfume is complex, not sugar: closer to flesh, the flesh of a loved one, not sanitized, not anodyne, but full of many waters. Strawberries and spring, strawberries and musk, strawberries and sex flooded back as I crushed my tongue to sugar.
C Pam Zhang (Land of Milk and Honey)
Sometimes your garden surprises you. You don't remember planting strawberries or mint, but there it is, rising up in the middle of the carrot patch. Maybe the seeds blew in from the neighbor's garden. Or maybe they were buried in the dirt and you unearthed them when you tilled the soil. Or maybe you're reaping what you've sown. However it happened, you now have unexpected bounty. Accept it with gratitude.
Lisa Brown Roberts (How (Not) to Fall in Love)
I sat there listening to him talk and talk and I realised something really important. I thought I was in love with him for all those years but it turned out I was in love with the idea of William. The actual reality was a bit of an anti-climax. I thought, well, William would never shove the word WAG into pop songs to make me laugh and he wouldn’t bite the chocolate off chocolate-covered strawberries for me and he’d never, ever watch a film with Sandra Bullock in it, unless it was a Shakespeare adaptation and then he’d spend the entire film listing all the historical inaccuracies and he’d never go down on me for half an hour because he’d lost a game of Scrabble. Point of fact, I can’t imagine William doing anything that would mess up his hair, and he’s started popping the collars of his shirts and have I mentioned that he’s not you? He’s not you, Max, and that’s why I’m actually really pleased that he’s engaged and he’s moving to Warwickshire so I don’t have a constant reminder of what an idiot I’ve been.
Sarra Manning (You Don't Have to Say You Love Me)
I loved rhubarb, that hardy, underappreciated garden survivor that leafed out just as the worst of winter melted away. Not everyone was a fan, especially of the bitter, mushy, overcooked version. Yet sometimes a little bitterness could bring out the best in other flavors. Bitter rhubarb made sunny-day strawberry face the realities of life- and taste all the better for it. As I brushed the cakes with a deep pink glaze made from sweet strawberry and bottled rhubarb bitters, I hoped I would change rhubarb doubters. Certainly, the little Bundt cakes looked as irresistible as anything I had ever seen in a French patisserie.
Judith M. Fertig (The Memory of Lemon)
My sweet strawberry, Your frowning eyebrows, almond eyes, pomegranate lips and cherry nail fingers Does not make me love you limitless Nor your sweet smiles, lovely jokes, and charming glances It is you; that makes smile sweet, glances lovely and eyes gorgeous Over and over again I see thousands everyday smiling and frowning; But they all seem tasteless It is you, as always the most perfect and unique Strawberry!!!
M.F. Moonzajer
True love isn’t all chocolate-dipped strawberries and perfect harmony. It’s work, work you enjoy doing, but work all the same. As long as love can drive you crazy and bring you back for more at the same time, it’s a good thing.
Seanan McGuire (The Girl in the Green Silk Gown (Ghost Roads, #2))
GRANDMA RAE’S KEY INGREDIENTS for a good day: 1 cup of gratitude   1 spoonful of hope 1 ounce of laughter A dash of resilience A sprinkle of service to others 1 cup of integrity 1 cup of self-respect I good trusted friend (2 is optional) A whole lot of love for yourself 1 cupcake with a tasty whipped cream frosting with a cup of kind words to sweeten your day
Ann S. Marie (Strawberry Cream Cupcake & Murder (Dana Sweet #1))
I felt today when the night melted away into a flowering bush and the wind smelled of strawberries and without love one is only a dead man on furlough, nothing but a scrap of paper with a few dates and a chance name on it and one might as well die
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
So you think Don Pedro ended up all right,” I said. “I think he became a man who brought peace and wisdom to his world, because he knew about war and folly. I think that he loved greatly, because he had seen what lost love is. And I think he came to know, too, that he was loved greatly.” She looked at the strawberry in her hands. “But I thought you didn’t want me to tell you your future.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
It means I’m a masochist, Mr. Edwards. I like the pain. The pain doesn’t scare me. You don’t scare me. And let me tell you another secret – masochists like me? We have really tasty skin. You can eat me up all you want. You can eat me up a hundred different ways. I’m gonna like your teeth and your tongue and I’m gonna fall in love with the sting of it all. You’re my Strawberry Man. At least, that’s what I call you in my head.
Saffron A. Kent (Dreams of 18 (Heartstone, #2))
It’s important to remember something: California is not a state built on moderation. We invented motion pictures. We made an electric sports car. We’re both the brain (Silicon Valley) and the heart (Hollywood, alas) of this great nation, and meanwhile we grow everyone’s strawberries. We’re open to innovation. We’re open to new ideas. We’re open to odd couples—and to strays from all parts of the world. Look at our last governor: an Austrian body builder and son of a Nazi married to John F. Kennedy’s niece. Anything can happen.
Scott Hutchins (A Working Theory of Love)
Mirabella’s eyes fill with tears, and Billy quickly wipes his mouth. He scoops strawberry tart onto his fork and holds it out. “Here,” he says. “You must try this.” As she takes the bite, he uses his thumb to discreetly wipe the tear that falls down her cheek. “I’m sorry,” he says softly. “I suppose I haven’t even tried to consider your point of view. It was thoughtless of me.” “It is all right,” Mirabella says. “Does she know that you love her?” Billy raises his eyebrows. “Why would she when I didn’t? It wasn’t like I read in books. A thunderclap. Eyes meeting. Tortured glances. With Arsinoe it was more like . . . having cold water poured down your back and learning to enjoy it.” “And does she love you?” “I don’t know. I think she might.” He smiles. “I hope she does.” “I hope so too.” Another tear slides down her cheek, and Billy darts forward to discreetly hide it. “It is all right,” she says. “They will think I am only crying because of how terrible this strawberry tart is.” Billy sets down his fork, insulted. Then they both begin to laugh.
Kendare Blake (One Dark Throne (Three Dark Crowns, #2))
Met by the sweet scent of freshly picked strawberries, she indulges in happier memories. However, it is these beautiful memories which hurt the most, and time is no great healer.
Mary Crowley (A Sweet Smell of Strawberries)
Strawberry Orange Muffins  
Samantha Michaels (Kids Recipes:70 Of The Best Ever Big Book Of Recipes That All Kids Love....Revealed!)
Sometimes love blinds a person to like, and although love is important, like is just as much so.
Carolyn Brown (The Strawberry Hearts Diner)
Because art is like love. It goes feral if you keep it to yourself. Art is made to be given away, otherwise, it just rots.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
She was a damn good kisser, maybe the best I'd ever had the immense pleasure of kissing. It helped that her lips were like pillows and she tasted sweet. Not like strawberries or peaches. Sunshine and sweet—her own brand of it. Plus there was desperation in the kiss, an understated but raw passion I couldn't recall ever experiencing before. Or maybe that had been me. Maybe I'd been the passionate, desperate one. No matter. Either way, she'd stolen my breath, robbed me of thought and sense. She was a master thief, and I loved her for it.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
Perhaps as one gets older one takes one's joys altruistically,"said John, in turn thinking aloud. "I must say though I sometimes wish I could get it selfishly, just for myself, as Gay used to give me, when I was young." Lady Emily found nothing to say. John's last words fell dead on her heart. It terrified her that he could speak of his youth as a perished thing.
Angela Thirkell (Wild Strawberries (Barsetshire, #2))
How can you love me?” she asked, forcing herself to say the words that would kill the tenderness in his eyes. “You don’t even know me. You know ‘Lady Agatha,’ a composite, a character, a role I played.” He shook his head, his negation gentle but certain. “I didn’t fall in love with a character, a title, or an occupation. I didn’t fall in love with you because of your past or despite it. “I love you because of your intensity and passion, because you make me want to be better than I am, because seeing my reflection in your eyes makes me better than I am. I love you because you laugh easily and honestly. I love you because you carried an ugly mutt into a drawing room as though it were a prince and because you gave an old soldier a strawberry trifle. I love you, Letty.
Connie Brockway (The Bridal Season (Bridal Stories, #1))
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
I meant to resist your charms; I really did.I wasn't going to do this." Alan took her wrist, guiding her hand over so that he could press a kiss to the palm. "Make love with me?" "No." Shelby's gaze traveled from his mouth to his eyes. "Be in love with you." She felt his fingers tighten on her wrist, then loosen slowly as his eyes stayed dark and fixed on hers. Beneath her, she felt the change in his heartbeart. "And are you?" "Yes." The word, hardly audible, thundered in his head. Alan brought her to him, cradling her head against his chest, feeling her low slow expulsion of air as his arm came around her. He hadn't expected her to give him so much so soon. "When?" "When?" Shelby repeated, enjoying the solid feel of his chest under her cheek. "Sometime between when we first stepped out on the Write's terrace and when I opened a basket of strawberries." "It took you that long? All I had to do was look at you.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Reader, I did the stupid thing. I looked her up on Facebook. It didn't take more than forty minutes to filter this Katie Ingram from the other hundred or so. Her profile was unlocked, and contained the logo for the NHS. Her job description said: "Paramedic: Love My Job!!!" She had hair that could have been red or strawberry blond, it was hard to tell from the photographs, and she was possibly in her late twenties, pretty, with a snub nose. In the first thirty photographs she had posted she was laughing with friends, frozen in the middle of Good Times. She looked annoyingly good in a bikini (Skiathos 2014!! What a laugh!!!!!), she had a small, hairy dog, a penchant for vertiginously high heels, and a best friend with long, dark hair who was fond of kissing her cheek in pictures (I briefly entertained the hope that she was gay but she belonged to a Facebook group called: Hands up if you're secretly delighted that Brad Pitt is single again!!).
Jojo Moyes (Still Me)
He wanted me to know he thought I was getting away with something wrong. I thought about the time Billy was sick and said he wanted strawberries. How Paul asked him, "Do you want them cold or room temperature? Cooked down or raw? Narrow it down, because whatever you want, I'll get it for you." Anything Billy wanted, Paul got, whatever it took. And this pathetic excuse of a man had no idea what that kind of devotion meant, and he didn't deserve an answer. The denial of real love-- *that* was the perversion.
Ruth Coker Burks (All The Young Men)
Food prepared with a light heart and in a happy frame of mind is often the best food. Preparing the special foods that are favorites of those you love... making just a little effort to garnish the salad with a sprig of parsley, a bit of grated cheese, or a wild strawberry from the nearby meadow. This says "you cared enough to do the little extra things." This makes cooking pleasant and satisfying. Make the food look as pretty as it is good to eat. -Betty Crocker's Picture Cook Book, revised and enlarged (1956)
Karma Brown (Recipe for a Perfect Wife)
I choose you too, if you still want me. I’m a selfish man. Your crazy rainbow life brightens mine and I just can’t walk away. I love your strawberry hair, and your weekday knickers, and your beautiful size thirteen ass that feels like heaven in my hands.’ His hand slid down her back and she leaned into him, yearning. ‘You make me laugh, and you make me goddamn furious. You’re fucking fearless, Honey.’ He paused at last and drew in a deep breath. ‘I can’t be happy unless you’re with me,’ Hal said. ‘I want to try to make you happy, if you want me to.
Kat French (The Piano Man Project)
I remember being in the mood for love at the slightest provocation- your nubile body feeling undeniably illicit, under mine, rhyming, heaving, breathing together, each other, squirrel hands, down and across and stolen kisses, on and not on the lips. Then leaving scorching beds the color of the red desert sun and strawberry flavored. Your mysterious skin, salt lips: touching, each other. My libido, your mascara- getting all messed up in those rains, realizing for the first time that lust gnaws had no language, race, religion or brotherhood.’ ('Left from Dhakeshwari')
Kunal Sen
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
Haruki Murakami (Norwegian Wood)
Men who love the Stones are fixated on cock. I’m sorry, but that’s the only word. And a firehose is a symbolic fantasy cock. It’s pathetic. Male Stones fans are frozen at eighteen months old, just discovering the thrill of yanking on the rubber band of their own phallus. Female Stones fans are even worse. Mick Jagger has a weird gross mouth that makes him look like a cod, and this turns them on. They’re sexually aroused by fish-men. They’re deviants.” “So what are Beatles fans fixated on? The glory of pussy?” “Exactly. Strawberry Fields is not just a place in Liverpool, Mr. Rookwood.
Joe Hill (The Fireman)
There is a story of a woman running away from tigers. She runs and runs, and the tigers are getting closer and closer. When she comes to the edge of a cliff, she sees some vines there, so she climbs down and holds on to the vines. Looking down, she sees that there are tigers below her as well. She then notices that a mouse is gnawing away at the vine to which she is clinging. She also sees a beautiful little bunch of strawberries close to her, growing out of a clump of grass. She looks up and she looks down. She looks at the mouse. Then she takes a strawberry, puts it in her mouth, and enjoys it thoroughly.
Pema Chödrön (The Wisdom of No Escape: And the Path of Loving-Kindness)
The review in the newspaper the next day was not very good. But by then I'd figured out the gift of failure, which is that it breaks through all that held breath and isometric tension about needing to look good: it's the gift of feeling floppier. One of the things I'd been most afraid of had finally happened, with a whole lot of people watching, and it had indeed been a nightmare. But sitting with all that vulnerability, I discovered I could ride it...Out of nowhere, I remembered something one of my priest friends had said once, that grace is having a commitment to - or at least an acceptance of - being ineffective and foolish. That our bottled charm is the main roadblock to drinking that clear, cool glass of love. I remembered what Grace's stories were all about: self-forgiveness, and taking care of one another. It wasn't far away from Jesus saying to feed his sheep. Now, I'm not positive he meant room service. But maybe he did. So I ate strawberries and melon and cookies, then put on the heat, and got in the tub.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
Who are you? She asked silently, as she laid away the collector's quotations, his drawings, his scraps of famous poetry: "Come live with me and be my love..." interleaved with menus: 'oysters, fish stew, tortoise in its shell, bread from the oven, honey from the honeycomb.' The books were unsplattered but much fingered, their pages soft with turning and re-turning, like collections of old fairy tales. Often Jess thought of Rapunzel and golden apples and enchanted gardens. She thought of Ovid, and Dante, and Cervantes, and the Pre-Raphaelites, for sometimes McClintock pictured his beloved eating, and sometimes sleeping in fields of poppies, and once throned like Persephone, with strawberry vines entwined in her long hair.
Allegra Goodman (The Cookbook Collector)
It was the butt that had done it nineteen years ago, was still doing it now. He'd seen it coming around Strawberry Alley and had followed it four whole blocks. It was mesmerizing, the way it moved, independent of the rest of her body, as though operating under the influencer of another brain entirely, one cheek knocking into the other cheek so that that cheek had to swing out before knocking back
Yaa Gyasi (Homegoing)
Whatever you do in life, do it to the best of your ability. That inner voice inside of you, trust it… it’s your intuition. It will guide you in the right direction. Try to be positive, ignore negativity, but if you see somethin’ ain’t right, that somethin’ is goin’ wrong, speak up. Live your life to the fullest! Cherish it… respect it. Live it till the wheels fall off! Write things down! Take pictures, pick roses with the thorns still attached so you can feel pain and see beauty all at one time… Eat chocolate cake ’till you’re sick, travel abroad, get to know folks who are totally different from you. Respect one another, too. Be the change you wanna see in others. Drink Gin Fizz and white wine with strawberries but most of all, the most important of all, ladies and gentlemen… don’t ever be afraid to fall in love…
Tiana Laveen (Cancer: Mr. Intuitive (The Zodiac Lovers #7))
I happened to be in Shelby's shop when a basket of strawberries was delivered," she added casually. "You wouldn't happen to know anything about that, would you, dear?" "Strawberries?" Alan gave her another noncommittal smile. "I'm quite fond of them myself." "I'm much too clever to be conned," Myra told him, shaking her finger. "And I know you entirely too well.A man like you doesn't send baskets of strawberries or spend afternoons at the zoo unless he's infatuated." "I'm not infatuated with Shelby," Alan corrected mildly as he sipped his tea. "I'm in love with her." Myra's planned retort came out as a huff of breath. "Well then," she managed. "That was quicker than even I expected." "It was instant," Alan murmured, not quite as easy now that he'd made the statement. "Lovely." Myra leaned forward to pat his knee. "I can't think of anyone who deserves the shock of love at first sight more.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Breakfast was Bond’s favourite meal of the day. When he was stationed in London it was always the same. It consisted of very strong coffee, from De Bry in New Oxford Street, brewed in an American Chemex, of which he drank two large cups, black and without sugar. The single egg, in the dark blue egg-cup with a gold ring round the top, was boiled for three and a third minutes. It was a very fresh, speckled brown egg from French Marans hens owned by some friend of May in the country. (Bond disliked white eggs and, faddish as he was in many small things, it amused him to maintain that there was such a thing as the perfect boiled egg.) Then there were two thick slices of wholewheat toast, a large pat of deep yellow Jersey butter and three squat glass jars containing Tiptree ‘Little Scarlet’ strawberry jam; Cooper’s Vintage Oxford marmalade and Norwegian Heather Honey from Fortnum’s. The coffee pot and the silver on the tray were Queen Anne, and the china was Minton, of the same dark blue and gold and white as the egg-cup.
Ian Fleming (From Russia With Love (James Bond, #5))
I really doubt my parents are going to let me stay the night in a remote cabin with a bunch of boys.” “Oh, please, Snow White, Mike’s dad’ll be there. He’s actually kinda funny…you know, in a weird dad kind of way. Don’t worry, your purity will remain intact. Scout’s honor.” She made some sort of gesture with her fingers that Violet assumed was supposed to be an oath, but since Chelsea had never actually been a Girl Scout, it ended up looking more like a peace sign. Or something. Violet maintained her dubious expression. But Chelsea wasn’t about to be discouraged, and she tried to be the voice of reason. “Come on, I think Jay’s checking to see if he can get the time off work. The least you can do is ask your parents. If they say no, then no harm, no foul, right? If they say yes, then we’ll have a kick-ass time. We’ll go hiking in the snow and hang out in front of the fireplace in the evening. We’ll sleep in sleeping bags and maybe even roast some marshmallows. It’ll be like we’re camping.” She beamed a superfake smile at Violet and clasped her hands together like she was begging. “Do it for me. Ple-eease.” Jules came back with their milk shake. It was strawberry, and Chelsea flashed Violet an I-told-you-so grin. Violet finished her tea, mulling over the idea of spending the weekend in a snowy cabin with Jay and Chelsea. Away from town. Away from whoever was leaving her dead animals and creepy notes. It did sound fun, and Violet did love the snow. And the woods. And Jay. She could at least ask. Like Chelsea said, No harm, no foul.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Letters blend to give rise to words  Like colors pave way for the birth of million shades! Evanescence reminisces sepia! Memory takes back to black and white! Music pops hot pink! Dance rocks wine red! Marvelous is miraculous as the indigo! Magnificent is magnanimous like Russian red! Splendid is classy like arctic blue! Resplendent inspires like  strawberry pink! Flamboyance is flowery like fuchsia! Flawless is perfect like flamingo! Extraordinary stands out like lime yellow! Peculiar is unique like cyan! Pleasant pleases like periwinkle! Soothing soothes like lemonade! Opulent glitters gold! Spectacular shimmers silver! Nice is as mild as dulce de leche! Attractive dazzles onyx! Powerful is headstrong like tangerine! Puissance stupefies like scarlet red! Mellifluence is dissolving, like lavender! Sonorous sounds magenta! Lovely cutely blushes! Sweet is peachy! Richness is wealthy like lush green! Poverty is brown as in flower wilt! Candid is frank as candy red! Altruism is selfless like parmesan! But, BEAUTY IS IRIDESCENT! Which
Sivaranjini Senthilvel (Poesy passel!: Painted by an 18 year old's word palette...)
Good morning! The sun is up! Wake up! Time to eat," said the birds. "Good morning," Ashlynn said back. There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep before her Happily Ever After.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
For the weekend before, we had had a blowout of tarts, a tart bender, tart madness- even, I dare say, a Tart-a-pa-looza, if you will forgive one final usage of the construction before we at last bury that cruelly beaten dead pop-culture horse. Tarte aux Pêches, Tarte aux Limettes, Tarte aux Poires, Tarte aux Cerises. Tarte aux Fromage Frais, both with and without Pruneaux. Tarte aux Citron et aux Amandes, Tarte aux Poires à la Bourdalue, and Tarte aux Fraises, which is not "Tart with Freshes," as the name of the Tarte aux Fromage Frais ("Tart with Fresh Cheese," of course) might suggest, but rather Tart with Strawberries, which was a fine little French lesson. (Why are strawberries, in particular, named for freshness? Why not blackberries? Or say, river trout? I love playing amateur- not to say totally ignorant- etymologist....) I made two kinds of pastry in a kitchen so hot that, even with the aid of a food processor, the butter started melting before I could get it incorporated into the dough. Which work resulted in eight tart crusts, perhaps not paragons of the form, but good enough. I made eight fillings for my eight tart crusts. I creamed butter and broke eggs and beat batter until it formed "the ribbon." I poached pears and cherries and plums in red wine.
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
One thing that has surprised Julie about going through the process of watching herself die is how vivid her world has become. Everything that she used to take for granted produces a sense of revelation, as if she were a child again. Tastes- the sweetness of a strawberry, it’s juice dripping onto her chin; a buttery pastry melting in her mouth. Smells - flowers on a front lawn, a colleague‘s perfume, seaweed washed up on the shore, Matt’s sweaty body in bed at night. Sounds – the strings on a cello, the screech of a car, her nephew’s laughter. Experiences - dancing at a birthday party, people-watching at Starbucks, buying a cute dress, opening the mail. All of this, no matter how mundane, delights her to no end. She’s become hyper-present. When people delude themselves into believing they have all the time in the world, she noticed, they get lazy. She hadn’t expected to experience this pleasure in her grief, to find it invigorating, in a way. But even as she’s dying, she’s realized, life goes on - even as the cancer invades her body, she still checks Twitter. At first she thought, why would I waste even ten minutes of the time I have left checking Twitter? And then she thought, why wouldn’t I? I like Twitter! She also tries not to dwell on what she’s losing. “I can breathe fine now, “Julie says, “but it’ll get harder, and I’ll grieve for that. Until then, I breathe.
Lori Gottlieb (Maybe You Should Talk to Someone)
After being conditioned as a child to the lovely never-never land of magic, of fairy queens and virginal maidens, of little princes and their rosebushes, of poignant bears and Eeyore-ish donkeys, of life personalized, as the pagans loved it, of the magic wand, and the faultless illustrations—the beautiful dark-haired child (who was you) winging through the midnight sky on a star-path in her mother’s box of reels—of Griselda in her feather-cloak, walking barefoot with the Cuckoo in the lantern-lit world of nodding mandarins, of Delight in her flower garden with the slim-limbed flower sprites … all this I knew, and felt, and believed. All this was my life when I was young. To go from this to the world of “grown-up” reality … To feel the sexorgans develop and call loud to the flesh; to become aware of school, exams (the very words as unlovely as the sound of chalk shrilling on the blackboard), bread and butter, marriage, sex, compatibility, war, economics, death, and self. What a pathetic blighting of the beauty and reality of childhood. Not to be sentimental, as I sound, but why the hell are we conditioned into the smooth strawberry-and-cream Mother-Goose-world, Alice-in-Wonderland fable, only to be broken on the wheel as we grow older and become aware of ourselves as individuals with a dull responsibility in life? To learn snide and smutty meanings of words you once loved, like “fairy.” —From The Journals of Sylvia Plath
Kate Bernheimer (Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales)
His antipasto was the classic Roman fritto misto---tiny morsels of mixed offal, including slivers of poached brains and liver, along with snails, artichokes, apples, pears, and bread dipped in milk, all deep-fried in a crisp egg-and-bread-crumb batter. This was to be followed by a primo of rigatoni alla pajata---pasta served with intestines from a baby calf so young that they were still full of its mother's milk, simmered with onions, white wine, tomatoes, cloves, and garlic. For the secondo they would be having milza in umido--- a stewed lamb's spleen, cooked with sage, anchovies, and pepper. A bitter salad of puntarelle al' acciuga---chicory sprouts with anchovy---would cleanse the palate, to be followed by a simple dolce of fragole in aceto, gorella strawberries in vinegar.
Anthony Capella (The Food of Love)
From the passenger seat Kitty sighs heavily and rests her head against the window. “What’s up with you?” Peter asks. “The bridesmaids won’t let me go on the bachelorette night,” she says. “I’m the only one left out.” I narrow my eyes at the back of her head. “That’s bullshit!” Peter looks at me in the rearview mirror. “Why won’t you guys let her go?” “We’re going to a karaoke bar! We can’t bring Kitty in because she’s too young. Honestly, I think I was barely allowed to go.” “Why can’t you guys just go to a restaurant like we’re doing?” “Because that’s not a real bachelorette.” Peter rolls his eyes. “It’s not like you guys are going to a strip club or something--wait, did you change your mind? Are you going to a strip club?” “No!” “Then what’s the big deal? Just go somewhere else.” “Peter, it’s not my decision. You’ll have to take it up with Kristen.” I smack the back of Kitty’s arm. “Same goes for you, you little fiend! Quit trying to weasel your way in by manipulating Peter. He has no power here.” “Sorry, kid,” Peter says. Kitty slumps in her seat and then straightens. “What if I came to the bachelor night instead?” she suggests. “Since you’re just going to a restaurant?” Peter stutters, “Uh--uh, I don’t know, I’d have to talk to the guys…” “So you’ll ask? Because I like steak too. I like it so much. I’ll order steak with a baked potato on the side, and for dessert I’ll have a strawberry sundae with whipped cream.” Kitty beams a smile at Peter, who smiles back weakly. When we get to the elementary school and she hops out, perky and puffed up like a chickadee, I lean forward in my seat and say into Peter’s ear, “You just got played.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
So…it wasn’t love at first sight then? With Dad? You fell in love later?” I don’t know why I feel disappointed. I don’t even believe in love at first sight. Except where it applies to my parents being perfect for each other. And anyways, isn’t that a kind of child-myth that all kids want to believe? “Sweetie…It was never love.” Screw disappointment. Now I feel gut-kicked. “What do you mean? But you had to…Then how did I…?” Mom sighs. “You were…the result of a moment of…weakness on my part.” But she takes too long to choose her words. I wonder what she thought of first, instead of “weakness.” Pity? Stupidity? She dabs her napkin at some imaginary syrup at the corner of her mouth. “The only weak moment we ever had, which is kind of extraordinary. Not that I regret it at all,” she says quickly. “I wouldn’t trade you for anything. You know that, right?” I wonder if “I wouldn’t trade you for anything” is also a child-myth. “So I was an accident. Not even the normal kind of accident. Like, a one-night stand, or a oops-I-didn’t-take-my-pill accident. I was an oops-I-accidentally-mated-with-my-first-experiment accident.” I put my head in my hands. “Lovely.” “That man loved you, Emma, from the moment you were born. He’d be very upset to hear you talking like that right now. Frankly, I am, too. I was not some experiment.” I bite my lip. “I know. It’s just…a lot, don’t you think?” “That’s why we’re going to have two pieces of strawberry pie, Agnes,” Mom says, her voice strained. I pull my stricken face from my hands and force it to smile. “Yes, please,” I say. I’m beginning to think Agnes isn’t a waitress for financial gain. I think she needs gossip to thrive. There’s no way a normal waitress would be or should be this attentive.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The next day they went to pick fragole di bosco, wild strawberries, and made love in a deserted old barn above the pastures, their lips still smeared with the pulp of the fruit. The next day it was misticanza, wild leaves for salad. Benedetta was scrupulous that they must always pick first. If anyone saw them walking home with empty baskets, she warned, tongues would start wagging instantly. So they filled their baskets with rocket, wild fennel, dandelion, and lamb's lettuce before temptation overcame them and they collapsed into a quiet corner of a field, hidden only by the tall fronds of the finocchio stalks. Bruno made her close her eyes, teasing her naked body with a spray of fennel: when he kissed her between her legs, the aniseed mingled with the faint, faraway taste of the sea. We were all fish once, he thought, and this is the proof of it, this whisper of oceans in the deepest recesses of the body.
Anthony Capella (The Food of Love)
And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I supposeyou'dsay that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I suppose you'd say that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep her Happily Ever After.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it." There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory: Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'. Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
John Lewis Gaddis (George F. Kennan: An American Life)
On Becoming a Poet in the 1950s" There was love and there was trees. Either you could stay inside and probe your emotions or you could go outside and keenly observe nature. Describe the sheen on carapaces, the effect of breeze on grass. What's the fag doing now? Dad would say. Picking the nose of his heart? Wanking off on a daffodil? He's not homosexual, Mom would retort, using her apron as a potholder to remove the apple brown betty from the oven. He's sensitive. He cares. He wishes to impart values and standards to an indifferent world. Wow! said Dad, stomping off to the pantry for another scotch. Two poets in the family. Ain't I a lucky duck? As fate would have it, I became one of your tweedy English teachers, what Dad would call a daffodil-wanker, and Mom ended up doing needlepoint, seventy-two kneelers for St. Fred's before she expired of the heart broken on the afternoon that Dad roared off with the Hell's Angels. We heard a little from Big Sur. A beard. Tattoos. A girlfriend named Strawberry. A boyfriend named Thor. Bars and pot and coffeehouses, stuff like that. After years of quotation by younger poets, admiration but no real notice, Dad is making the anthologies now. Critics cite his primal rage, the way he nails Winnetka.
Stephen Beal
I guess I've been waiting so long I'm looking for perfection. That makes it tough." "Waiting for the perfect love?" "No, even I know better than that. I'm looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for." "I'm not sure that has anything to do with love," I said with amazement. "It does," she said. "You just don't know it. There are times in a girl's life when things like that are incredibly important." "Things like throwing strawberry shortcake out the window?" "Exactly. And when I do it, I want the man to apologize to me. 'Now I see, Midori. What a fool I've been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I'll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?' " "So then what?" "So then I'd give him all the love he deserves for what he's done." "Sounds crazy to me." "Well, to me, that's what love is. Not that anyone can understand me though." Midori gave her head a little shake against my shoulder. "For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn't begin at all.
Haruki Murakami (Norwegian Wood)
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
Rafael Nicolás (Angels Before Man)
STRAWBERRY SHORTBREAD BAR COOKIES Preheat oven to 350 degrees F., rack in the middle position.   Hannah’s 1st Note: These are really easy and fast to make. Almost everyone loves them, including Baby Bethie, and they’re not even chocolate! 3 cups all purpose flour (pack it down in the cup when you measure it) ¾ cup powdered (confectioner’s) sugar (don’t sift un- less it’s got big lumps) 1 and ½ cups salted butter, softened (3 sticks, 12 ounces, ¾ pound) 1 can (21 ounces) strawberry pie filling (I used Comstock)*** *** - If you can’t find strawberry pie filling, you can use another berry filling, like raspberry, or blueberry. You can also use pie fillings of larger fruits like peach, apple, or whatever. If you do that, cut the fruit pieces into smaller pieces so that each bar cookie will have some. I just put my apple or peach pie filling in the food processor with the steel blade and zoop it up just short of being pureed. I’m not sure about using lemon pie filling. I haven’t tried that yet. FIRST STEP: Mix the flour and the powdered sugar together in a medium-sized bowl. Cut in the softened butter with a two knives or a pastry cutter until the resulting mixture resembles bread crumbs or coarse corn meal. (You can also do this in a food processor using cold butter cut into chunks that you layer between the powdered sugar and flour mixture and process with the steel blade, using an on-and-off pulsing motion.) Spread HALF of this mixture (approximately 3 cups will be fine) into a greased (or sprayed with Pam or another nonstick cooking spray) 9-inch by 13-inch pan. (That’s a standard size rectangular cake pan.) Bake at 350 degrees F. for 12 to 15 minutes, or until the edges are just beginning to turn golden brown. Remove the pan to a wire rack or a cold burner on the stove, but DON’T TURN OFF THE OVEN! Let the crust cool for 5 minutes. SECOND STEP: Spread the pie filling over the top of the crust you just baked. Sprinkle the crust with the other half of the crust mixture you saved. Try to do this as evenly as possible. Don’t worry about little gaps in the topping. It will spread out and fill in a bit as it bakes. Gently press the top crust down with the flat blade of a metal spatula. Bake the cookie bars at 350 degrees F. for another 30 to 35 minutes, or until the top is lightly golden. Turn off the oven and remove the pan to a wire rack or a cold burner to cool completely. When the bars are completely cool, cover the pan with foil and refrigerate them until you’re ready to cut them. (Chilling them makes them easier to cut.) When you’re ready to serve them, cut the Strawberry Shortbread Bar Cookies into brownie-sized pieces, arrange them on a pretty platter, and if you like, sprinkle the top with extra powdered sugar.
Joanne Fluke (Devil's Food Cake Murder (Hannah Swensen, #14))