Strawberry Fields Quotes

Some details in life may look insignificant but appear to be vital leitmotifs in a person's life. They may have the value of "Rosebuds" of Citizen Kane or "Madeleine cookies" of Marcel Proust or "Strawberry fields" of the Beatles. People regularly walk down the memory lane of their early youth. The paper boats of their childhood are recurrently floating on the waves of their mind and bring back the mood and the spirit of the early days. They enable us to retreat from the trivial, daily worries and can generate delightful bliss and true joy in a sometimes frantic and chaotic life. ("Paper boats forever" )

your gaze across my cheeks turned them into strawberry fields.

Do you remember the Shire, Mr. Frodo? It'll be spring soon. And the orchards will be in blossom. And the birds will be nesting in the hazel thicket. And they'll be sowing the summer barley in the lower fields... and eating the first of the strawberries with cream. Do you remember the taste of strawberries?

Living is easy with eyes closed Misunderstanding all you see It's getting hard to be someone But it all works out It doesn't matter much to me.

A man traveling across a field encountered a tiger. He fled, the tiger after him. Coming to a precipice, he caught hold of the root of a wild vine and swung himself down over the edge. The tiger sniffed at him from above. Trembling, the man looked down to where, far below, another tiger was waiting to eat him. Only the vine sustained him. Two mice, one white and one black, little by little started to gnaw away the vine. The man saw a luscious strawberry near him. Grasping the vine with one hand, he plucked the strawberry with the other. How sweet it tasted!

Happiness, I have grasped, is a destination, like strawberry Fields. Once you find the way in, there you are, and you'll never feel low again.

The music of your youth stays with you and winds itself around your heart. I hear one chord of "Strawberry Fields Forever" or "Satisfaction" and am instantly back in time. It doesn't matter where I am, suddenly I'm walking through the woods, I'm in my best friend's room ...

The world was incomprehensibly intricate, and yet this forest made a simple sense in her heart that she felt nowhere else. [S]he wanted only her own strawberry farm, the fragrance of the fields and the cedar trees, and to live simply in this place forever. [S]he had fallen into loving him long before she knew herself, though it occurred to her now that she might never know herself, that perhaps no one ever does, that such a thing might not be possible. [Y]ou should learn to say nothing that will cause you regret. You should not say what is not in your heart -- or what is only in your heart for a moment. But you know this -- silence is better.

You're flying more slowly than last time, because you don't want to miss any of it. You're flying over the strawberry field, but you know it's a trap. This time you keep flying.

A field trip. You interested in doing something dangerous, and possibly illegal?" Does it involve underage girls, broken curfews and soorte4d fruit toppings?" I dropped the empty can into the recycling bin and leaned against the kitchen peninsula, grinning like an idiot. "Two of the three. And I could probably scrounge up some strawberry jam, if you're desperate." "I'm never desperate," Tod said, only his voice hadn't come from my phone. I whirled around to see the reaper standing behind me, still holding his cell. "But for the record, I prefer apricot." "Yuck. Nobody likes apricot jam.

The almond blossom from the tree has gone, to be replaced by new green shoots. It smells of spring, and mown grass, and tilled earth from the fields beyond. Now is the month of Germinal in the Republican calendar: the month of hyacinth, and bees, and violet, and primrose. It is also the windy month; the month of new beginnings, and I have never felt it so strongly as I feel it now: that sense of possibility; that irresistible lightness.

And suddenly it came to him. That Strawberry Fields garden he'd come from, and the Freedom Tower he'd been thinking of: taken together, didn't they contain the two words that said it all about this city, the two words that really mattered? It seemed to him that they did. Two words: the one an invitation, the other an ideal, an adventure, a necessity. "Imagine" said the garden. "Freedom" said the tower. Imagine freedom. That was the spirit, the message of this city he loved. You really didn't need anything more. Dream it and do it. But first you must dream it.

He had a W.C. Fields twang and a nose like a prize strawberry.

She always smelled like books and strawberries. Like you were out reading in the middle of a field under the summer sun.

You are flying over the strawberry field, but you know it’s a trap. This time, you keep flying.

Percy gripped his leather necklace. " I started to remember in Portland, after the gorogon's blood. It's been coming back to me slowly since then. There is another camp __ Camp Half-Blood." Just saying the name made Percy feel warm inside. Good memories washed over him: the smell of strawberry fields in the warm summer sun, fireworks lightning up the beach on the Fourth of July, satyrs playing panpipes at the nightly campfire, and a kiss at the bottom of the canoe lake

People came from far and wide to see the Italian Gardens and buy a honeycomb or damson jam in the farm shop. The wool from the sheep and the cheese from the goats drew buyers in a queue the day they were ready for purchase. In June, the pick-your-own strawberry fields were filled with children carrying baskets of berries, their lips stained red with sweet juice. In August, the dahlia fields were so flush with color that the cloudy days seemed brighter, and in autumn the apple and pear orchards were woven through with ladders and littered with overflowing bushels.

Men who love the Stones are fixated on cock. I’m sorry, but that’s the only word. And a firehose is a symbolic fantasy cock. It’s pathetic. Male Stones fans are frozen at eighteen months old, just discovering the thrill of yanking on the rubber band of their own phallus. Female Stones fans are even worse. Mick Jagger has a weird gross mouth that makes him look like a cod, and this turns them on. They’re sexually aroused by fish-men. They’re deviants.” “So what are Beatles fans fixated on? The glory of pussy?” “Exactly. Strawberry Fields is not just a place in Liverpool, Mr. Rookwood.

They have special laws for pretty girls twenty-one." "So you think I was pretty?" He nodded good-humoredly. "But how can you tell?" she asked. "When you meet a dragon that has eaten a swan, do you guess by the few feathers left around the mouth? That's what it is- a body like this is a dragon, all scales and folds. So the dragon ate the white swan. I haven't seen her for years. I can't even remember what she looks like. I feel her, though. She's safe inside, still alive; the essential swan hasn't changed a feather. Do you know, there are some mornings in spring or fall, when I wake and think, I'll run across the fields into the woods and pick wild strawberries! Or I'll swim in the lake, or I'll dance all night tonight until dawn! And then, in a rage, discover I'm in this old and ruined dragon. I'm the princess in the crumbled tower, no way out, waiting for her Prince Charming.

So yes, the making of strawberry preserves is time-consuming, old-fashioned, and unnecessary. Then why, you might ask, do I bother to do it? • • • I do it because it’s time-consuming. Whoever said that something worthwhile shouldn’t take time? It took months for the Pilgrims to sail to Plymouth Rock. It took years for George Washington to win the Revolutionary War. And it took decades for the pioneers to conquer the West. Time is that which God uses to separate the idle from the industrious. For time is a mountain and upon seeing its steep incline, the idle will lie down among the lilies of the field and hope that someone passes by with a pitcher of lemonade. What the worthy endeavor requires is planning, effort, attentiveness, and the willingness to clean up.

A Parable Buddha told a parable in a sutra: A man traveling across a field encountered a tiger. He fled, the tiger after him. Coming to a precipice, he caught hold of the root of a wild vine and swung himself down over the edge. The tiger sniffed at him from above. Trembling, the man looked down to where, far below, another tiger was waiting to eat him. Only the vine sustained him. Two mice, one white and one black, little by little started to gnaw away the vine. The man saw a luscious strawberry near him. Grasping the vine with one hand, he plucked the strawberry with the other. How sweet it tasted!

Strawberries sat abandoned in the fields by season's end, so ripe as to be barely solid, warm as heart's blood. Ambrosia, they call that variety, the food of gods. But the hubris of excess has mortal consequences. You can go blind, mad, drown in red. The second nature of strawberries is a sugar that turns to rot. They reappeared one by one as I vomited, shapeless and no longer sweet, those little, used, red hearts.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

I shake my head at his largesse, and I frown as a scene from Tess crosses my mind: the strawberry scene. It evokes my dream. To hell with Dr. Flynn—Freud would have a field day—and then he’d probably die trying to deal with Fifty Shades.

Spring, in Brittany, is milder than spring in Paris, and bursts into flower three weeks earlier. The five birds that herald its appearance—the swallow, the oriole, the cuckoo, the quail, and the nightingale—arrive with the breezes that refuge in the bays of the Armorican peninsula.[28] The earth is covered over with daisies, pansies, jonquils, daffodils, hyacinths, buttercups, and anemones, like the wastelands around San Giovanni of Laterano and the Holy Cross of Jerusalem in Rome. The clearings are feathered with tall and elegant ferns; the fields of gorse and broom blaze with flowers that one may take at first glance for golden butterflies. The hedges, along which strawberries, raspberries, and violets grow, are adorned with hawthorn, honeysuckle, and brambles whose brown, curving shoots burst forth with magnificent fruits and leaves. All the world teems with bees and birds; hives and nests interrupt the child’s every footstep. In certain sheltered spots, the myrtle and the rose-bay flourish in the open air, as in Greece; figs ripen, as in Provence; and every apple tree, bursting with carmine flowers, looks like the big bouquet of a village bride.

And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I supposeyou'dsay that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.

Who are you? She asked silently, as she laid away the collector's quotations, his drawings, his scraps of famous poetry: "Come live with me and be my love..." interleaved with menus: 'oysters, fish stew, tortoise in its shell, bread from the oven, honey from the honeycomb.' The books were unsplattered but much fingered, their pages soft with turning and re-turning, like collections of old fairy tales. Often Jess thought of Rapunzel and golden apples and enchanted gardens. She thought of Ovid, and Dante, and Cervantes, and the Pre-Raphaelites, for sometimes McClintock pictured his beloved eating, and sometimes sleeping in fields of poppies, and once throned like Persephone, with strawberry vines entwined in her long hair.

And there were so many places to go. Thickets of bramble. Fallen trees. Ferns, and violets, and gorse, paths all lined with soft green moss. And in the very heart of the wood, there was a clearing, with a circle of stones, and an old well in the middle, next to a big dead oak tree, and everything- fallen branches, standing stones, even the well, with its rusty pump- draped and festooned and piled knee-high with ruffles and flounces of strawberries, with blackbirds picking over the fruit, and the scent like all of summer. It wasn't like the rest of the farm. Narcisse's farm is very neat, with everything set out in its place. A little field for sunflowers: one for cabbages; one for squash; one for Jerusalem artichokes. Apple trees to one side; peaches and plums to the other. And in the polytunnels, there were daffodils, tulips, freesias; and in season, lettuce, tomatoes, beans. All neatly planted, in rows, with nets to keep the birds from stealing them. But here there were no nets, or polytunnels, or windmills to frighten away the birds. Just that clearing of strawberries, and the old well in the circle of stones. There was no bucket in the well. Just the broken pump, and the trough, and a grate to cover the hole, which was very deep, and not quite straight, and filled with ferns and that swampy smell. And if you put your eye to the grate, you could see a roundel of sky reflected in the water, and little pink flowers growing out from between the cracks in the old stone. And there was a kind of draught coming up from under the ground, as if something was hiding there and breathing, very quietly.

I dreamed not long ago of that market with all its vivid textures. I walked through the stalls with a basket over my arms as always and went right to Edita for a bunch of fresh cilantro. We chatted and laughed and when I held out my coins she waved them off, patting my arm and sending me away. A gift, she said. Muchas gracias, señora, I replied. There was my favorite panadera, with clean cloths laid over the round loaves. I chose a few rolls, opened my purse, and this vendor too gestured away my money as if I were impolite to suggest paying. I looked around in bewilderment; this was my familiar market and yet everything had changed. It wasn't just for me—no shopper was paying. I floated through the market with a sense of euphoria. Gratitude was the only currency accepted here. It was all a gift. It was like picking strawberries in my field: the merchants were just the intermediaries passing on gifts from the earth. I looked in my basket: two zucchinis, an onion, tomatoes, bread, and a bunch of cilantro. It was still half empty, but it felt full. I had everything I needed. I glanced over at the cheese stall, thinking to get some, but knowing it would be given, not sold, I decided I could do without. It's funny: Had all the things in the market merely been a very low price, I probably would have scooped up as much as I could. But when everything became a gift, I felt self-restraint. I didn't want to take too much. And I began thinking of what small presents I might bring to the vendors tomorrow. The dream faded, of course, but the feelings of euphoria and then of self-restraint remain. I've thought of it often and recognize now that I was witness there to the conversion of a market economy to a gift economy, from private goods to common wealth. And in that transformation the relationships became as nourishing as the food I was getting. Across the market stalls and blankets, warmth and compassion were changing hands. There was a shared celebration of abundance for all we'd been given. And since every market basket contained a meal, there was justice.

These domestic accounts—which take up a lot of the nearly six-hundred-page compilation of his travel, war, and domestic diaries published in 2009—stand out in his work as records of something almost antithetical to the subjects of a political writer: places in which nothing was seriously wrong and no conflicts raged. The minor troubles—a jackdaw hanging around the chicken coops, potatoes rotted by frost, goats terrified by thunder, birds eating the strawberries, greenfly on the roses, and lots of slugs—worked against the gardener’s agenda but not against any law of nature or morality. The majority of his entries are concerned with his own activity with his domesticated plants and animals, but he makes notes as well on the agricultural fields beyond and the wild things around him. Occasional speculations and small experiments are also recorded.

And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I suppose you'd say that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.

No, Jackson, they’ve got a big ol’ reformed-slut alarm that sounds as soon as you step foot on the ground, and then a force field shoots up, separating us and catapulting you to purgatory for the length of the service. After your first six visits, they give you the option of walking there on your own while a sorcerer whispers arcane words and tries to set me up with a doctor, because that’s just how Jews roll.” “I can see your sarcasm is functioning well this morning. Isn’t that going to taint the pancakes?” Ellery struggled to keep his mouth firm. “I can make my pancakes both strawberry and sarcastic. But if you want whipped cream, you’re going to have to shut up, get dressed, and let me have this. Understand?

It wasn't tuna ventresca that drew diners to this community over others, nor was it heritage beef. It was the final bottle of a 1985 Cannonau, salt-crusted from its time on the Sardinian coast. Each diner had barely a swallow. My employer bid us not to swallow, not yet, but hold the wine at the back of the throat till it stung and warmed to the temperature of blood and spit, till we wrung from it the terroir of fields cracked by quake and shadowed by smog; only then, swallowing, choking, grateful, did we appreciate the fullness of its flavor. His face was ferocious and sublime in this moment, cracked open; I saw it briefly behind the mask. He was a man who knew the gradations of pleasure because he knew, like me, the calculus of its loss. To me that wine was fig and plum; volcanic soil; wheat fields shading to salt stone; sun; leather, well-baked; and finally, most lingering, strawberry. Psychosomatic, I'm sure, but what flavor isn't? I raised my glass to the memory of my drunk in the British market. I imagined him sat across the table, calmed at last, sane among the sane. He would have tasted in that wine the starch of a laundered sheet, perhaps, or the clean smooth shot of his dignity. My employer decanted these deepest longings, mysterious to each diner until it flooded the palate: a lost child's yeasty scalp, the morning breath of a lover, huckleberries, onion soup, the spice of a redwood forest gone up in smoke. It is easy, all these years later, to dismiss that country's purpose as decadent, gluttonous. Selfish. It was those things. But it was, also, this connoisseurship of loss.

When you measure a single spiked wave, such as that in Figure 8.9, the device registers the spike's location. If it's spiked at Strawberry Fields, that's what the device reads; if you look at the result, your brain registers that location and you become aware of it. If it's spiked at Grant's Tomb, that's what the device registers; if you look, your brain registers that location and you become aware of it. When you measure the double spiked wave in Figure 8.10, Schrodinger's math tells you to combine the two results you just found. But, says Everett, be careful and precise when you combine them. The combined result, he argued, does not yield a meter and a mind each simultaneously registering two locations. That's sloppy thinking. Instead, proceeding slowly and literally, we find that the combined result is a device and a mind registering Strawberry Fields, and a device and a mind registering Grant's Tomb. And what does that mean? I'll use broad strokes in painting the general picture, which I'll refine shortly. To accommodate Everett's suggested outcome, the device and you and everything else must split upon measurement, yielding two devices, two yous, and two everything elses-the only difference between the two being that one device and one you registers Strawberry Fields, while the other device and the other you registers Grant's Tomb. As in Figure 8.12, this implies that we now have two parallel realities, two parallel worlds. To the you occupying each, the measurement and your mental impression of the result are sharp and unique and thus fell like life as usual. The peculiarity, of course, is that there are two of you who feel this way.

The next day they went to pick fragole di bosco, wild strawberries, and made love in a deserted old barn above the pastures, their lips still smeared with the pulp of the fruit. The next day it was misticanza, wild leaves for salad. Benedetta was scrupulous that they must always pick first. If anyone saw them walking home with empty baskets, she warned, tongues would start wagging instantly. So they filled their baskets with rocket, wild fennel, dandelion, and lamb's lettuce before temptation overcame them and they collapsed into a quiet corner of a field, hidden only by the tall fronds of the finocchio stalks. Bruno made her close her eyes, teasing her naked body with a spray of fennel: when he kissed her between her legs, the aniseed mingled with the faint, faraway taste of the sea. We were all fish once, he thought, and this is the proof of it, this whisper of oceans in the deepest recesses of the body.

Evan slung his arm over my shoulder. “That’s my mom and dad,” he pointed to a couple approaching us as families trickled onto the field. “Mom! Get a picture of me and she-wolf?” “Sure, sure,” the strawberry blonde lady said, digging in her purse. “Aha! Here it is. I’m Elaine, Evan’s mom,” she announced to us. “Now smile!” I smiled but just before the flash went off Evan kissed my cheek. I gasped in surprise, probably making the funniest face known to man. Evan snatched the camera from his mom and laughed. “That is totally going to be my facebook profile pic. Take a look she-wolf.” He turned the camera so I could see the image on the screen. Oh, God. I narrowed my eyes and pointed a finger at Evan. “You better promise me that, that picture never sees the light of day.” “Well, technically it’s already seen the light of day, seeing as it’s the morning and all.” “Evan, you know what I mean.” “Fine,” he lowered his head, “I won’t post it on facebook.” “Or twitter, instagram, or any other picture sharing site. Got it? Maybe you should just delete it now?” “Nah,” Evan grinned. “I’m keeping this forever and ever as proof that I kissed the she-wolf.

So Beaujolais is like this hybrid---a red that drinks like a white, we even put a chill on it. Maybe that's why it has trouble, it doesn't quite fit. No one takes Gamay seriously---too light, too simple, lacks structure. But..." I swirled the glass and it was so... optimistic. "I like to think it's pure. Fleurie sound like flowers doesn't it?" "Girls love flowers," she said judiciously. "They do." I put her wine down, then moved it two inches closer to her, where I knew the field of her focus began. "None of that means anything. It just speaks to me. I feel invited to enjoy it. I get roses." "Child, what is wrong with you? There's no roses in the damn wine. Wine is wine and it makes you loose and helps you dance. That's it. The way you kids talk, like everything is life or death." "It's not?" "You ain't even learned about living yet!" I thought about buying wine. About how I would scan the different Beaujolais crus at the liquor store---the Morgan, the Côte de Brouilly, the Fleurie would be telling me a story. I would see different flowers when I looked at the labels. I thought about the wild strawberries dropped off from Mountain Sweet Berry Farm just that afternoon and how the cooks laid out paper towels and sheet trays in the kitchen, none of them touching, as if they would disintegrate, their fragrance euphoric.

The rapid growth of Message- combined with an outpouring of florists offering consultations in the language of flowers to the streams of brides Marlena and I turned away- caused a subtle but concrete shift in the Bay Area flower industry. Marlena reported that peony, marigold, and lavender lingered in their plastic buckets at the flower market while tulips, lilac, and passionflower sold out before the sun rose. For the first time anyone could remember, jonquil became available long after its natural bloom season had ended. By the end of July, bold brides carried ceramic bowls of strawberries or fragrant clusters of fennel, and no one questioned their aesthetics but rather marveled at the simplicity of their desire. If the trajectory continued, I realized, Message would alter the quantities of anger, grief, and mistrust growing in the earth on a massive scale. Farmers would uproot fields of foxglove to plant yarrow, the soft clusters of pink, yellow, and cream the cure to a broken heart. The prices of sage, ranunculus, and stock would steadily increase. Plum trees would be planted for the sole purpose of harvesting their delicate, clustered blossoms and sunflowers would fall permanently out of fashion, disappearing from flower stands, craft stores, and country kitchens. Thistle would be cleared compulsively from empty lots and overgrown gardens.

the cotton fields and strawberry patches of a much harsher world whose tragedies and daily burdens had blunted her temperament and quelled her emotions. But its most immediate impact on this teenage girl was not the lack of a demure coquettishness that otherwise might have defined her had she grown up in better circumstances; it was the visible evidence of the hardship of her journey. This was not a pom-pom-waving homecoming queen or a varsity athlete who had toned her body in a local gym. My mother never complained, but it was her struggles that had visibly shaped her shoulders, grown her biceps, and crusted her palms—while in a less visible way narrowing her view of her own long-term horizons. Decades later, when I was in my forties, I suppressed a defensive anger as I watched my mother sit quietly in an expansive waterfront Florida living room while a well-bred woman her age described the supposedly difficult impact of the Great Depression on her family. As the woman told it, the crash on Wall Street and the failed economy had made it necessary for them to ship their car by rail from New York to Florida when they headed south for the winter. Who could predict, she reasoned, whether there would be food or gasoline if their driver had to refuel and dine in the remote and hostile environs of small-town Georgia? My mother merely smiled and nodded, as

A region of the brain becomes mature when it settles down into a lean, functionally well-organized system. A good proxy for neural pruning in the brain is the relative density of gray versus white matter in a given region. Gray matter, the neuron-rich part of the brain that does the bulk of the computational work, decreases in density as a region matures. As gray matter density decreases, the density of white matter—the myelinated axons that transmit information, the outputs of the computational work done by gray matter—increases, resulting in greater efficiency and speed but less flexibility. One way to envision this is to see an immature, gray-matter-rich region as an undeveloped, open field, where one can wander in many directions unconstrained, but not very efficiently. In order to get to that wonderful blackberry bush to harvest some fruit, I have to bushwhack my way through vegetation and ford streams. The gradual replacement of gray matter by white matter reflects the development of this field: As roads are laid and bridges are built, I can move around more easily and quickly, but now I’m going to tend to move only along these established pathways. The new paved road to the blackberry bush makes gathering blackberries much more convenient, but rushing along on the new road I will miss the delicious wild strawberries I would have otherwise stumbled upon in the brush. There is a trade-off between flexibility and efficiency, between discovery and goal achievement.

My mother had a passion for all fruit except oranges, which she refused to allow in the house. She named each one of us, on a seeming whim, after a fruit and a recipe- Cassis, for her thick black-currant cake. Framboise, her raspberry liqueur, and Reinette after the reine-claude greengages that grew against the south wall of the house, thick as grapes, syrupy with wasps in midsummer. At one time we had over a hundred trees (apples, pears, plums, gages, cherries, quinces), not to mention the raspberry canes and the fields of strawberries, gooseberries, currants- the fruits of which were dried, stored, made into jams and liqueurs and wonderful cartwheel tarts on pâte brisée and crème pâtissière and almond paste. My memories are flavored with their scents, their colors, their names. My mother tended them as if they were her favorite children. Smudge pots against the frost, which we base every spring. And in summer, to keep the birds away, we would tie shapes cut out of silver paper onto the ends of the branches that would shiver and flick-flack in the wind, moose blowers of string drawn tightly across empty tin cans to make eerie bird-frightening sounds, windmills of colored paper that would spin wildly, so that the orchard was a carnival of baubles and shining ribbons and shrieking wires, like a Christmas party in midsummer. And the trees all had names. Belle Yvonne, my mother would say as she passed a gnarled pear tree. Rose d'Aquitane. Beurre du Roe Henry. Her voice at these times was soft, almost monotone. I could not tell whether she was speaking to me or to herself. Conference. Williams. Ghislane de Penthièvre. This sweetness.

Please- please take care of her.' Alis. From right by my ear, the other replied, 'Consider yourself very, very lucky that your High Lord was not here when we arrived. Your guards will have one hell of a headache when they wake up, but they're alive. Be grateful.' Mor. Mor held me- carried me. The darkness guttered long enough that I could draw breath, that I could see the garden door she walked toward. I opened my mouth, but she peered down at me and said, 'Did you think his shield would keep us from you? Rhys shattered it with half a thought.' But I didn't spy Rhys anywhere- not as the darkness swirled back in. I clung to her, trying to breathe, to think. 'You're free,' Mor said tightly. 'You're free.' Not safe. Not protected. Free. She carried me beyond the garden, into the fields, up a hill, down it, and into- into a cave- I must have started bucking and thrashing in her arms, because she said, 'You're out; you're free,' again and again and again as true darkness swallowed us. Half a heartbeat later, she emerged into sunlight- bright, strawberry-and grass-scented sunlight. I had a thought that this might be Summer, then- Then a low, vicious growl split the air between us, cleaving even my darkness. 'I did everything by the book,' Mor said to the owner of that growl. I was passed from her arms to someone else's, and I struggled to breathe, fought for any trickle of air down my lungs. Until Rhysand said, 'Then we're done here.' Wind tore at me, along with ancient darkness. But a sweeter, softer shade of night caressed me, stroking my nerves, my lungs, until I could at last get air inside, until it seduced me into sleep.

Herman and I have been doing a lot of talking about the cake the past couple of days, and we think we have a good plan for the three tiers. The bottom tier will be the chocolate tier and incorporate the dacquoise component, since that will all provide a good strong structural base. We are doing an homage to the Frango mint, that classic Chicago chocolate that was originally produced at the Marshall Field's department store downtown. We're going to make a deep rich chocolate cake, which will be soaked in fresh-mint simple syrup. The dacquoise will be cocoa based with ground almonds for structure, and will be sandwiched between two layers of a bittersweet chocolate mint ganache, and the whole tier will be enrobed in a mint buttercream. The second tier is an homage to Margie's Candies, an iconic local ice cream parlor famous for its massive sundaes, especially their banana splits. It will be one layer of vanilla cake and one of banana cake, smeared with a thin layer of caramelized pineapple jam and filled with fresh strawberry mousse. We'll cover it in chocolate ganache and then in sweet cream buttercream that will have chopped Luxardo cherries in it for the maraschino-cherry-on-top element. The final layer will be a nod to our own neighborhood, pulling from the traditional flavors that make up classical Jewish baking. The cake will be a walnut cake with hints of cinnamon, and we will do a soaking syrup infused with a little bit of sweet sherry. A thin layer of the thick poppy seed filling we use in our rugelach and hamantaschen, and then a layer of honey-roasted whole apricots and vanilla pastry cream. This will get covered in vanilla buttercream.

Two thousand Jews, for example, lived in and around the small town of Tykocin, northwest of Warsaw on the road to Bialystok in eastern Poland, worshiping in a square, fortified synagogue with a turreted tower and a red mansard roof, built in 1642, more than a century after Jewish settlement began in the region. Lush farm country surrounds Tykocin: wheat fields, prosperous villages, cattle in the fields, black-and-white storks brooding wide, flat nests on the chimneys of lucky houses. Each village maintains a forest, a dense oval stand of perhaps forty acres of red-barked pines harvested for firewood and house and barn construction. Inside the forests, even in the heat of summer, the air is cool and heady with pine; wild strawberries, small and sweet, strew the forest floor. Police Battalions 309 and 316, based in Bialystok, invaded Tykocin on 5 August 1941. They drove Jewish men, women and children screaming from their homes, killed laggards in the streets, loaded the living onto trucks and jarred them down a potholed, winding dirt road past the storks and the cattle to the Lopuchowo village forest two miles southwest. In the center of the Lopuchowo forest, men dug pits, piling up the sandy yellow soil, and then Police Battalions 309 and 316, out for the morning on excursion from Bialystok, murdered the Jews of Tykocin, man, woman and child. For months the forest buzzed and stank of death. (Twenty miles northwest of Tykocin in the village of Jedwabne, Polish villagers themselves, with German encouragement, had murdered their Jewish neighbors on 10 July 1941 by driving them into a barn and burning them alive, a massacre examined in Jan T. Gross’s book Neighbors.)

from the fields beyond.

She pushed past me and stormed toward the strawberry fields. She hit the tetherball as she passed and sent it spinning angrily around the pole. I’d like to say my day got better from there.

Carolina Flores took a sip of her sandía agua fresca on her porch and looked out across the scenic landscape of her lush farm, mesmerized by the clear blue sky overhead, the rows of colorful Swiss chard lined up like little soldiers, and the fields of red onions, ripe for picking. It wasn't strawberry season yet, her favorite, but she loved the calm of the winter months. A cool coastal breeze wafted the fragrant scent of garlic through the air, and Carolina marveled at the contrast between the snowcapped Santa Ynez Mountains in the distance and the food growing on the land. Mi tierra.

Grateful for a chance to brush my teeth after sleeping on a train last night, I spend a little extra time on my oral hygiene before plopping back down on the couch and streaming Across the Universe. It’s one of my favorite movies, and tonight is all about comfort. There’s something about Jim Sturgess singing Strawberry Fields Forever that makes my relationship problems fade away.

Fifth and finally, m’ijo . . . ” He raised his arm and pointed out the kitchen window. “You know the effort you put in every time you pick strawberries, cherries, cucumbers, onions, green tomatoes, peaches and grapes?” “Yes,” I replied, a little bit puzzled, thinking of the weekends and summers of hard work in the fields. “Well, you put that same effort here!” he said, pointing to my books on the kitchen table. “And when you get a job, you put that same effort into your job. Always, always give more than what is expected of you.

18. A Parable Buddha told a parable in sutra: A man traveling across a field encountered a tiger. He fled, the tiger after him. Coming to a precipice, he caught hold of the root of a wild vine and swung himself down over the edge. The tiger sniffed at him from above. Trembling, the man looked down to where, far below, another tiger was waiting to eat him. Only the vine sustained him. Two mice, one white and one black, little by little started to gnaw away the vine. The man saw a luscious strawberry near him. Grasping the vine with one hand, he plucked the strawberry with the other. How sweet it tasted!

In the evenings the family gathered at Kirkwood Hall. Sometimes Andrew cooked, sometimes Delphine. There was a bounty of vegetables from the kitchen garden: tiny patty-pan squash, radishes both peppery and sweet, beets striped deep magenta and white, golden and green, butter lettuce and spinach and peas, zucchini blossoms stuffed with Graham's mozzarella and salty anchovies. Delphine whipped eggs from the chickens into souffles. Chicken- from the chickens, sadly- were roasted in a Dutch oven or grilled under a brick. Plump strawberries from the fields and minuscule wild ones from the forest were served with a drizzle of balsamic syrup or a billow of whipped cream. Delphine's baking provided custardy tarts, flaky biscuits, and deep, dark chocolate cake.

bought a pristine copy of Man on the Run, a biography of Paul McCartney that began not with the Beatles, but with what McCartney did after they broke up. Parker had always preferred McCartney’s work to John Lennon’s, whatever effect it might have had on his standing with the cool kids. Lennon could only ever really write about himself, and Parker felt that he lacked empathy. McCartney, by contrast, was capable of thinking, or feeling, himself into the lives of others. It was the difference between “Strawberry Fields Forever” and “Penny Lane”: although Parker loved both songs, “Penny Lane” was filled with characters, while “Strawberry Fields Forever” really had only one, and his name was John Lennon. Parker might even have taken the view that Lennon needed to get out of his apartment more, but when he did, an idiot shot him. He’d probably been right to spend the best part of a decade locked inside. Ross appeared just as McCartney

I am not a Buddhist. Yet there is a Buddhist story that I hold dear. A monk walks in a forest, and chances upon a tiger. The tiger chases him, and the monk runs until he comes to a cliff. With the tiger on his heels, the man grasps a vine and clambers down. Another tiger appears at the bottom. As the man hangs there, a mouse crawls from a crevice just beyond his reach and begins to gnaw the vine. Death above, death below, and death in between. He sees a big ripe strawberry near his mouth. It is delicious. In this moment, flying miles above the strawberry fields of California's San Joachin Valley, I think that I would change the ending of this story. Instead of giving the doomed man a strawberry, what if we leave him alone with the two tigers, the mouse, and the fraying vine? For the last time, his arms grow tired, he feels a familiar ache deep in his muscles. For the last time he catches his breath, feels a rasping in his throat and lungs. He feels this, and a thousand other things. It is all delicious.

She was not alone. “There’s a definite panic on the hip scene in Cambridge,” wrote student radical Raymond Mungo that year, “people going to uncommonly arduous lengths (debt, sacrifice, the prospect of cold toes and brown rice forever) to get away while there’s still time.” And it wasn’t just Cambridge. All over the nation at the dawn of the 1970s, young people were suddenly feeling an urge to get away, to leave the city behind for a new way of life in the country. Some, like Mungo, filled an elderly New England farmhouse with a tangle of comrades. Others sought out mountain-side hermitages in New Mexico or remote single-family Edens in Tennessee. Hilltop Maoists traversed their fields with horse-drawn plows. Graduate students who had never before held a hammer overhauled tobacco barns and flipped through the Whole Earth Catalog by the light of kerosene lamps. Vietnam vets hand-mixed adobe bricks. Born-and-bred Brooklynites felled cedar in Oregon. Former debutants milked goats in Humboldt County and weeded strawberry beds with their babies strapped to their backs. Famous musicians forked organic compost into upstate gardens. College professors committed themselves to winter commutes that required swapping high heels for cross-country skis. Computer programmers turned the last page of Scott and Helen Nearing’s Living the Good Life and packed their families into the car the next day. Most had no farming or carpentry experience, but no matter. To go back to the land, it seemed, all that was necessary was an ardent belief that life in Middle America was corrupt and hollow, that consumer goods were burdensome and unnecessary, that protest was better lived than shouted, and that the best response to a broken culture was to simply reinvent it from scratch.

Needing to shake off the negative energy, I decide to prepare one of the desserts---something sweet to take away the sour taste of fear infiltrating my mouth. I'm going to tackle the strawberry and lavender sorbet---the herb from Garrance's rooftop garden, the strawberries sweet and juicy. Thankfully, the recipe is easy---especially when you have three Thermomix machines at your disposal. After commandeering most of the ingredients, I smell the lavender Garrance had bestowed upon us and another fantasy sets in. Charles and I are running through a field bursting with purple flowers in the South of France, smiling and laughing. We're kissing, softly at first, and then we're naked, exploring each other's bodies, his rippled stomach, and floating on a cloud made from the fragrance of the lavender---sweet and woodsy--- "Kate, where'd you go? You look all dreamy," says Charles. "Nowhere. Just thinking," I say. "You're sexy as hell when you think. You bite those full lips of yours and it's kind of distracting when I'm trying to work.

Do you remember the Shire, Mr. Frodo? It'll be spring soon. And the orchards will be in blossom. And the birds will be nesting in the hazel thicket. And they'll be sowing the summer barley in the lower fields... and eating the first of the strawberries with cream.

When the strawberries in the bush reminded her of Bella’s lips, she knew she had to go back inside her house and had cleaned the clothes enough.

Frasi inizio Bleach Volume 66 – SORRY I AM STRONG – Ōetsu Nimaiya L'unica cosa da recidere è la vita? Volume 67 – BLACK – Ichibē Hyōsube Il futuro, completamente buio completamente capovolto Volume 68 – THE ORDINARY PEACE – Askin Nakk Le Vaar È così odioso e venefico che ti gira la testa, vero? Volume 69 – AGAINST THE JUDGEMENT – Buzzard Black (Bazz-B) Proiettile, artiglio, vessillo militare, sciabola, piego cinque dita e ti aspetto. Volume 70 – FRIENDS – Jugram Haschwalth Non provo dolore a esclusione del fatto che non posso distogliere gli occhi da quella bilancia. Volume 71 – BABY HOLD YOUR HAND – Nemuri Nanagō (Nemu Kurotsuchi) Adorabile mano della mia bambina, manina errante vaga alla mia ricerca come si avvicina, si allontana; la prenderò Camminiamo insieme mano nella mano fino alla fine del tempo Volume 72 – MY LAST WORDS – Uryu Ishida Se le parole avessero forma non potrebbero raggiungerti, tu che ti ergi nelle tenebre. Volume 73 – BATTLE FIELD BURNING – Renji Abarai Il fuoco che stilla dalle zanne non si spegne brucia completamente il campo di guerra facendo emergere la sagoma di colui che è amico. Volume 74 – THE DEATH AND THE STRAWBERRY – Ichigo Kurosaki & Rukia Kuchiki Noi, anche senza forma continuiamo il nostro cammino. it.m.wikiquote org wiki Bleach

I love how he holds me like I’m precious but not breakable. I love the way he looks in my eyes like they hold the secret to his happiness.

stared at the little girl and suddenly she

We wandered the entire length of the street market, stopping to buy the provisions I needed for the lunch dish I wanted to prepare to initiate l'Inglese into the real art of Sicilian cuisine. I took l'Inglese around the best stalls, teaching him how to choose produce, livestock, game, fish, and meat of the highest quality for his dishes. Together we circled among the vegetable sellers, who were praising their heaps of artichokes, zucchini still bearing their yellow flowers, spikes of asparagus, purple-tinged cauliflowers, oyster mushrooms, and vine tomatoes with their customary cries: "Carciofi fresci." "Funghi belli." "Tutto economico." I squeezed and pinched, sniffed, and weighed things in my hands, and having agreed on the goods I would then barter on the price. The stallholders were used to me, but they had never known me to be accompanied by a man. Wild strawberries, cherries, oranges and lemons, quinces and melons were all subject to my scrutiny. The olive sellers, standing behind their huge basins containing all varieties of olives in brine, oil, or vinegar, called out to me: "Hey, Rosa, who's your friend?" We made our way to the meat vendors, where rabbits fresh from the fields, huge sides of beef, whole pigs and sheep were hung up on hooks, and offal and tripe were spread out on marble slabs. I selected some chicken livers, which were wrapped in paper and handed to l'Inglese to carry. I had never had a man to carry my shopping before; it made me feel special. We passed the stalls where whole tuna fish, sardines and oysters, whitebait and octopus were spread out, reflecting the abundant sea surrounding our island. Fish was not on the menu today, but nevertheless I wanted to show l'Inglese where to find the finest tuna, the freshest shrimps, and the most succulent swordfish in the whole market.

Side One of 1967–1970 is up there with Side Three of Hot Rocks in the annals of great vinyl sides. (“Strawberry Fields,” “Penny Lane,” “Sgt. Pepper,” “With a Little Help,” “Lucy,” “A Day in the Life,” and “All You Need Is Love” vs. “Jumpin’ Jack Flash,” “Street Fighting Man,” “Sympathy for the Devil,” “Honky Tonk Women,” and “Gimme Shelter.” Damn.) For the Beatles, it was just another rip-off repackage.

If you think about it, there’s something quite depressing about living in a gated community full of six-bedroom “Spanish-style” homes while, half a mile down the road, illegal migrant workers break their backs in the strawberry fields, and you have to drive past them every morning on the way to school.

How about a picture?" he said, winding on the spool of film. "A little memento of your seaside rendezvous, Miss Smitham?" She perked up, just as he'd hoped she would- Dolly loved having her photograph taken- and Jimmy glanced about for the sun's position. He walked to the far side of the small field in which they'd had their picnic. Dolly had pushed herself up to a sitting position and was stretching like a cat. "Like this?" she said. Her cheeks were flushed from the sun, her bow lips plump and red from the strawberries he'd bought at a roadside stall. "Perfect," he said, and she really was.

Every strawberry plant is a clone of another plant. You know what the difference is between the ones that thrive and the ones that don’t?” I shook my head. “A gardener.” “I don’t follow.” “There’s two kinds of growth in life. The kind where you grow however and whenever you want with no struggle. You may get big, but you won’t have the roots to become anything but ground cover for other plants. You won’t fulfill your purpose. Then there’s the other kind. The kind where someone loves you enough to trim your runers and your blossoms while you’re young so that you can become strong, so you can be trusted to bear good fruit. That’s what the gardener is for.” I looked at the strawberry plant and squeezed my fingers around the gardening shears. “I need to be the gardener.” He nodded. “Only if you care enough about the plant to let it be what it’s meant to be. Nothing can grow how it needs without a little pain. But by trimming the plant now, we can trust it to grow right in the future.

Focus on what you’ve learned and how far you’ve come, not where you’re still hoping to go.

Nothing can grow how it needs to without a little pain.

My grandpa always taught me to judge people based on my own experience with them, but ignoring the experience another person has is like describing an elephant as a tree trunk because I only felt its leg. An elephant leg is a lot like a tree trunk, but it doesn’t take into account the rest of the animal and it doesn’t paint the full picture. So while I can’t dismiss my experience with Tag, I have to accept Tripp’s, as well.

Do you know, there are some mornings in spring or fall, when I wake and think, I'll run across the fields into the woods and pick wild strawberries! Or I'll swim in the lake, or I'll dance all night tonight until dawn! And then, in a rage, discover I'm in this old and ruined dragon. I'm the princess in the crumbled tower, no way out, waiting for her Prince Charming.

Helpin’ people is never a waste of time.

greatness comes from having the graciousness to accept help when it’s sincerely offered.

How does she know it’s a boy?” Ash mutters to me. “Therapist magic,” I say. “It has a penis,” Millie says, still petting the fuzz ball.

This world, you think. You are flying over the strawberry field, but you know it’s a trap. This time, you keep flying.

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But on earth here in France, every sense was bathed in luxury, luxury of which she became more and more aware as she grew older. The palate was indulged with strawberries from Saumur and melons planted in the Loire by a Neapolitan gardener long ago, with trout pate, Tours pastries, and vin d’Annonville, with its delicate bouquet. The nostrils were pampered by the happy work of Catherine de Médicis’s Italian perfumers working with the flowers from the fields of Provence, producing heady fragrances to be worn on throats and wrists and to scent gloves and capes. Hyacinth, jasmine, lilac—all wafted through the rooms and from the bathwaters of the châteaux. The skin was caressed with unguents and the feel of silk, velvet, fur, leather gloves of softest deerskin; goosedown pillows cupped weary bodies at the day’s end; and in winter, newly installed Germanic tile stoves at Fontainebleau provided central heating. Eyes were continually presented with beauty in ordinary objects rendered more opulently pleasing: a crystal mirror decorated with velvet and silk ribbons; buttons with jewels affixed. There were fireworks reflected in the river; paintings by Leonardo; and black-and-white chequered marble paving in the long palace gallery over the Cher that spanned the rippling water outside. Pleasing sounds were everywhere: in the chirping of the pet canaries and more exotic birds in the garden aviaries; in the baying of the hounds in the matchless royal hunting packs; in the splash and gurgle of the fountains and elaborate water displays in the formal gardens. And above all that, the sound of melodious French, exquisitely spoken; witty conversations, and the poets of the court reciting verses composed to celebrate the aristocratic dreamworld they inhabited, with a haunting melancholy that it would all pass away.