Stranger Things Eddie Quotes

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But now I gotta pay,' he said. To pay?' For my sin. That's why I'm here, right? Justice?' The Blue Man smiled. 'No, Edward. You are here so I can teach you something. All the people you meet here have one thing to teach you...That there are no random acts. That we are all connected. That you can no more seperate a breeze from the wind.' ...'It was my stupidity, running out there like that. Why should you have to die on account of me? It ain't fair.' The Blue Man held out his hand. 'Fairness,' he said, 'does not govern life and death. If it did, no good person would ever die young...Why people gather when others die? Why people feel they should? It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.' ... 'I still don't understand,' Eddie whispered. 'What good came from your death?' You lived,' the Blue Man answered. But we barely knew each other. I might as well have been a stranger.' The Blue Man put his arms on Eddie's shoulders. Eddie felt that warm, melting sensation. Strangers,' the Blue Man said, 'are just family have yet to come to know.
Mitch Albom (The Five People You Meet in Heaven)
Perhaps you do not love your job, or you work with difficult people. You are still doing important things, contributing your own small piece to the world we live in. We must never forget this. Your efforts today will affect people you will never know. It is your choice whether that effect is positive or negative. You can choose every day, every minute, to act in a way that may uplift a stranger, or else drag them down. The choice is easy. And it is yours to make.
Eddie Jaku (The Happiest Man on Earth: The Beautiful Life of an Auschwitz Survivor)
You are still doing important things, contributing your own small piece to the world we live in. We must never forget this. Your efforts today will affect people you will never know. It is your choice whether that effect is positive or negative. You can choose every day, every minute, to act in a way that may uplift a stranger, or else drag them down. The choice is easy. And it is yours to make.
Eddie Jaku (The Happiest Man on Earth)
this gave me great happiness. The same is true of every job you do. Are you a teacher? You enrich the lives of young people every day! Are you a chef? Each meal you cook brings great pleasure into the world! Perhaps you do not love your job, or you work with difficult people. You are still doing important things, contributing your own small piece to the world we live in. We must never forget this. Your efforts today will affect people you will never know. It is your choice whether that effect is positive or negative. You can choose every day, every minute, to act in a way that may uplift a stranger, or else drag them down. The choice is easy. And it is yours to make.
Eddie Jaku (The Happiest Man on Earth: The Beautiful Life of an Auschwitz Survivor)
With hardly a pause she moved on again, questing. Next it was a small fish . . . then another frog . . . and then a real prize: a water-rat that squeaked and writhed and tried to bite. She crushed the life out of it and stuffed it into her mouth, paws and all. A moment later she bent her head down and regurgitated the waste – a twisted mass of fur and splintered bones. Show him this, then – always assuming that he and Jake get back from whatever adventure they’re on, that is. And say, ‘I know that women are supposed to have strange cravings when they carry a child, Eddie, but doesn’t this seem a little too strange? Look at her, questing through the reeds and ooze like some sort of human alligator. Look at her and tell me she’s doing that in order to feed your child. Any human child.’ Still he would argue. Roland knew it. What he didn’t know was what Susannah herself might do when Roland told her she was growing something that craved raw meat in the middle of the night. And as if this business wasn’t worrisome enough, now there was todash. And strangers who had come looking for them. Yet the strangers were the least of his problems. In fact, he found their presence almost comforting. He didn’t know what they wanted, and yet he did know. He had met them before, many times. At bottom, they always wanted the same thing.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
I went into the bar and sank into a leather bar seat packed with down. Glasses tinkled gently, lights glowed softly, there were quiet voices whispering of love, or ten per cent, or whatever they whisper about in a place like that. A tall fine-looking man in a gray suit cut by an angel suddenly stood up from a small table by the wall and walked over to the bar and started to curse one of the barmen. He cursed him in a loud clear voice for a long minute, calling him about nine names that are not usually mentioned by tall fine-looking men in well cut gray suits. Everybody stopped talking and looked at him quietly. His voice cut through the muted rhumba music like a shovel through snow. The barman stood perfectly still, looking at the man. The barman had curly hair and a clear warm skin and wide-set careful eyes. He didn’t move or speak. The tall man stopped talking and stalked out of the bar. Everybody watched him out except the barman. The barman moved slowly along the bar to the end where I sat and stood looking away from me, with nothing in his face but pallor. Then he turned to me and said: “Yes, sir?” “I want to talk to a fellow named Eddie Prue.” “So?” “He works here,” I said. “Works here doing what?” His voice was perfectly level and as dry as dry sand. “I understand he’s the guy that walks behind the boss. If you know what I mean.” “Oh. Eddie Prue.” He moved one lip slowly over the other and made small tight circles on the bar with his bar cloth. “Your name?” “Marlowe.” “Marlowe. Drink while waiting?” “A dry martini will do.” “A martini. Dry. Veddy, veddy dry.” “Okay.” “Will you eat it with a spoon or a knife and fork?” “Cut it in strips,” I said. “I’ll just nibble it.” “On your way to school,” he said. “Should I put the olive in a bag for you?” “Sock me on the nose with it,” I said. “If it will make you feel any better.” “Thank you, sir,” he said. “A dry martini.” He took three steps away from me and then came back and leaned across the bar and said: “I made a mistake in a drink. The gentleman was telling me about it.” “I heard him.” “He was telling me about it as gentlemen tell you about things like that. As big shot directors like to point out to you your little errors. And you heard him.” “Yeah,” I said, wondering how long this was going to go on. “He made himself heard—the gentleman did. So I come over here and practically insult you.” “I got the idea,” I said. He held up one of his fingers and looked at it thoughtfully. “Just like that,” he said. “A perfect stranger.” “It’s my big brown eyes,” I said. “They have that gentle look.” “Thanks, chum,” he said, and quietly went away. I saw him talking into a phone at the end of the bar. Then I saw him working with a shaker. When he came back with the drink he was all right again.
Raymond Chandler (The High Window (Philip Marlowe #3))
He wanted to feed her from his hands. To nourish her and the life within. He wanted to buy her things to adorn her loveliness. Gems and ribbons, silk and precious metals. A storm of errant whims and desires swirled and eddied within him until he felt as though his flesh could no longer contain the strength of it. He. Wanted. Her.
Kerrigan Byrne (Seducing a Stranger (Goode Girls #1))
So what are you doing lurking out here?” Madison asked, cradling the sticker with Blue’s number in her hand, so Jeremy wouldn’t see it. Jeremy leaned in until his face was only inches from hers, and whispered, “That’s for me to know and you to find out.” “Ahem!” a deep voice sounded behind them. “I hate to interrupt this little tete-a-tete, but don’t you have someplace else you ought to be right now?” Madison and Jeremy sprang away from each other like startled pigeons. They turned and guiltily faced the principal. Madison spoke first. “Hello, Mr. Kaufman. I left some, um, material for my report for Mr. Dalberg’s class in my locker and I was just about to get it.” “Is that your locker?” Mr. Kaufman asked. Jeremy cut in. “Actually, it’s my locker. Madison forgot to mention that she had asked me to keep it for her.” Jeremy spun the combination on the lock to show Mr. Kaufman that he was actually getting the report. He swung open the locker and grabbed the first thing he could put his hands on--a MAD magazine. Without skipping a beat, Madison took it and started talking. “You see, Mr. Kaufman, we’re studying the role that periodicals and newspapers have played in American historical events. For instance, um, Tom Paine’s pamphlet Common Sense helped start the American Revolution, and, well, Horace Greeley’s editorials in the New York Tribune sparked the great Westward migration and the idea of Manifest Destiny, and now MAD magazine has, um, er--” “Redefined the concept of social satire in the twentieth century,” Jeremy jumped in. “Without MAD, there’d have been no National Lampoon. Without the National Lampoon, no Saturday Night Live. Without SNL, there’d be no Bill Murray. Eddie Murphy. Adam Sandler. The list goes on and on.” “Really?” Mr. Kaufman raised one eyebrow. “Very interesting.” Madison plastered a grateful smile on her face and extended her hand to Jeremy. “Thanks for keeping this, um, research material for me.” Jeremy shook her hand politely. “Anytime, Madison. I have room in here for lots more of your, uh, reports.” Before Mr. Kaufman could say anything, Jeremy shut his locker, and the two of them marched off in opposite directions away from the principal. As she walked away, Madison held her breath waiting for Mr. Kaufman to call them back. But he didn’t. Madison couldn’t believe her luck. What a bizarre encounter! And yes, she had to admit it: Jeremy had really bailed her out when she’d run out of gas with her excuse.
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
I am Gregori. The dark one. Perhaps he has told you of me." He is the most knowledgeable, the most powerful of all our kind, Aidan confirmed. He was very near. He is the greatest healer our kind has ever known and my teacher. He is also a master of destruction and bodyguard to our Prince. He terrifies me. He terrifies everyone. Only Mikhail, the Prince of our people, knows him well. "I trust Aidan has good things to say about me." He was facing her, those brilliant eyes seeing right into her soul, but Alexandria had the feeling his attention was elsewhere. His voice was so pure, so perfect, she wanted him to go on speaking. A rush of wind stirred up a whirling eddy of sand that spun and swirled until it enveloped Alexandria, driving her backward. When she finally regained her balance and uncovered her eyes, Aidan was directly in front of her. "Very impressive, Aidan," the stranger said with a trace of satisfaction. "I have not seen one of my own people for many years," Aidan said softly. "I am pleased it is you, Gregori.
Christine Feehan (Dark Gold (Dark, #3))