Stranger Things 4 Quotes

We've searched our database for all the quotes and captions related to Stranger Things 4. Here they are! All 86 of them:

We feel the love of strangers every day in the things they do that affect us without our knowledge.
Cassia Leo (Bring Me Home (Shattered Hearts, #4))
I thought that I was the Warrior and Cersei was the Maid, but all the time she was the Stranger, hiding her true face from my gaze. "Pray for me, if you like," he told his cousin. "I forgotten all the words.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Wow," Puck mused, standing beside me. "The River of Dreams." ... Moons, comets and constellations rippled on the surface, and other, stranger things floated upon the misty black waters. Petals and book pages, butterfly wings and silver medals. The hilt of a sword stuck out of the water at an odd angle, the silver blade tangled with ribbons and spiderwebs. A coffin bobbed to the surface, covered in dead lilies, before sinking into the depths once more. The debris of human imaginations, floating through the dark waters of dream and nightmare.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
It doesn't matter if you never see someone again, I told myself. There are millions of people in the world, and most of them never see each other in the first place. You hoped to know Ellington Feint forever, but there's no such thing as forever, really. Everything is much shorter than that.
Lemony Snicket (Why Is This Night Different from All Other Nights? (All the Wrong Questions, #4))
No one's place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn't about how it ends. It's about the moments between. It's about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. The feeling of something we'd thought lost to us forever returned in a single, life-changing moment. Yes, that is simple, even though it might be momentous to us as individuals. Because every day, on this planet, people are born and people die and stranger things happen. But I know my place now, and my purpose. And no matter what trial you have to endure to find that out... It's worth it.
Jenny Trout (All Souls' Night (Blood Ties, #4))
Now lend me your ears. Here is Creative Writing 101: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Kurt Vonnegut Jr.
No one's place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn't about how it ends. It's about the moments between. It's about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. ... Because every day, on this planet, people are born and people die and stranger things happen.(Armintrout, All Souls' Night, 367)
Jenny Trout (All Souls' Night (Blood Ties, #4))
Politics, it turns out, is a science I don’t yet understand . Killing things, breaking things — destroying things? That, I understand. Getting angry and going to war, I understand. But patiently playing a confusing game of chess with a bunch of strangers from around the world? God, I’d so much rather shoot someone.
Tahereh Mafi (Restore Me (Shatter Me, #4))
Among other things, I’m afraid of cows.” “Because of their size?” Helen asked sympathetically. “No, it’s the way they stare. As if they’re plotting something.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
When you meet the right man, the list of things you would never do suddenly becomes much shorter.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
We make our worlds of stranger stuff: We choose people who do not annoy us, places of green or glass and steel that feel as alive and necessary as our brothers and sisters, houses in which everything has a place, rules such as Do Not Take Things That Aren’t Yours Unless No One Is Looking and Good Things Happen to Good People and A Year Is 365 Days are agreed upon, even when they aren’t true, perhaps especially so.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
No one’s place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn’t about how it ends. It’s about the moments between. It’s about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. The feeling of something we’d thought lost to us forever returned in a single, life-changing moment. Yes, that is simple, even though it might be momentous to us as individuals. Because every day, on this planet, people are born and people die and stranger things happen. But I know my place now, and my purpose. And no matter what trial you have to endure to find that out… It's worth it.
Jenny Trout (All Souls' Night (Blood Ties, #4))
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.
Kelly Link (Stranger Things Happen)
You’re a bloody spy,” the stranger said, as calmly as if they’d just sat down for a cup of coffee together. “And to make it worse, you’re trying to steal our Berg. And strike three, you’re an ugly son of a gun, aren’t you?” “I was just going to say the same thing about you,” Mark replied. Everything had turned surreal.
James Dashner (The Kill Order (Maze Runner, #4))
So let’s talk a little about April May’s theory of tiered fame. Tier 1: Popularity You are a big deal in your high school or neighborhood. You have a peculiar vehicle that people around town recognize, you are a pastor at a medium-to-large church, you were once the star of the high school football team. Tier 2: Notoriety You are recognized and/or well-known within certain circles. Maybe you’re a preeminent lepidopterist whom all the other lepidopterists idolize. Or you could be the mayor or meteorologist in a medium-sized city. You might be one of the 1.1 million living people who has a Wikipedia page. Tier 3: Working-Class Fame A lot of people know who you are and they are distributed around the world. There’s a good chance that a stranger will approach you to say hi at the grocery store. You are a professional sports player, musician, author, actor, television host, or internet personality. You might still have to hustle to make a living, but your fame is your job. You’ll probably trend on Twitter if you die. Tier 4: True Fame You get recognized by fans enough that it is a legitimate burden. People take pictures of you without your permission, and no one would scoff if you called yourself a celebrity. When you start dating someone, you wouldn’t be surprised to read about it in magazines. You are a performer, politician, host, or actor whom the majority of people in your country would recognize. Your humanity is so degraded that people are legitimately surprised when they find out that you’re “just like them” because, sometimes, you buy food. You never have to worry about money again, but you do need a gate with an intercom on your driveway. Tier 5: Divinity You are known by every person in your world, and you are such a big deal that they no longer consider you a person. Your story is much larger than can be contained within any human lifetime, and your memory will continue long after your earthly form wastes away. You are a founding father of a nation, a creator of a religion, an emperor, or an idea. You are not currently alive.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
It’s no simple task to find someone to love. You make it sound as easy as shopping for a good melon.” “Obviously you’ve done neither of those things. Finding someone to love is considerably easier than finding a good melon.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Eight rules for writing fiction: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things -- reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Kurt Vonnegut Jr. (Bagombo Snuff Box)
A humbling thought occurred to her. When you meet the right man, the list of things you would never do suddenly becomes much shorter.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Funny thing about trying to change a person—it never worked.
Cheryl Bradshaw (Stranger in Town (Sloane Monroe, #4))
Procrastination, Tom.’ ‘Yes–I know. It’s the thief of time.’ Leo had given him a smug look. ‘I wasn’t going to say that–I was going to say makes easy things hard, hard things harder.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
Ethan filled his gaze with her, so feminine and fine, with glimmers dancing across her dress and little crystal things sparkling in her hair. Despite her outward delicacy, there was something remarkably sturdy about her, an unyielding toughness he admired more than she would have believed. The life she'd chosen had come with the never-ending obligation to demonstrate what a woman was and was not, and what a woman could be. People would allow her no room for mistakes or ordinary human frailty. God knew she endured it all far better than Ethan would have.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Dear Stephen,’ he begins. ‘This is a difficult letter to write, but I know it will be a great deal more difficult to read. I will come straight to it. I believe you are in the early stages of dementia, possibly Alzheimer’s.’ Elizabeth can hear her heart beating through her chest. Who on earth has chosen to shatter their privacy this way? Who even knows? Her friends? Has one of them written? They wouldn’t dare, not without asking. Not Ibrahim, surely? He might dare. ‘I am not an expert, but it is something I have been looking into. You are forgetting things, and you are getting confused. I know full well what you will say – “But I’ve always forgotten things. I’ve always been confused!” – and you are right, of course, but this, Stephen, is of a different order. Something is not right with you, and everything I read points in just one direction.’ ‘Stephen,’ says Elizabeth, but he gently gestures for hush. ‘You must also know that dementia points in just one direction. Once you start to descend the slope, and please believe me when I say you have started, there is no return. There may be footholds here and there, there may be ledges on which to rest, and the view may still be beautiful from time to time, but you will not clamber back up.’ ‘Stephen, who wrote you this letter?’ Elizabeth asks. Stephen holds up a finger, asking her to be patient a few moments more. Elizabeth’s fury is decreasing. The letter is something she should have written to him herself. This should not have been left to a stranger. Stephen starts
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
It’ll be worse than having civilians on the battlefield.” “Marginally. She’s had some military training, right?” It was Reza’s turn to frown. He hadn’t the slightest clue what military training she had, if any. Maybe she’d just been handed her uniforms and told to report to Fort Hood. Stranger things had happened. “I have no idea,” he admitted. “Well, find out. And make sure she doesn’t accidently set off any pyro.” Reza winced at the jab and flipped Evan off. “Very funny.
Jessica Scott (A Place Called Home (Coming Home #4))
Forgiveness,” Father Silvio repeated calmly. “It’s what we all seek, most of us without even knowing it. Forgiveness for our sins, for our failures, for our shortcomings and mistakes. Forgiveness for things we have done … and for things we didn’t do.
Camilla Läckberg (The Stranger (Patrik Hedström, #4))
Not this time, Sam. I dreamed . . . in the black of night a man asks all the questions he dare not ask by daylight. For me, these past years, only one question has remained. Why would the gods take my eyes and my strength, yet condemn me to linger on so long, frozen and forgotten? What use could they have for an old done man like me?” Aemon’s fingers trembled, twigs sheathed in spotted skin. “I remember, Sam. I still remember.” He was not making sense. “Remember what?” “Dragons,” Aemon whispered. “The grief and glory of my House, they were.” “The last dragon died before you were born,” said Sam. “How could you remember them?” “I see them in my dreams, Sam. I see a red star bleeding in the sky. I still remember red. I see their shadows on the snow, hear the crack of leathern wings, feel their hot breath. My brothers dreamed of dragons too, and the dreams killed them, every one. Sam, we tremble on the cusp of half-remembered prophecies, of wonders and terrors that no man now living could hope to comprehend . . . or . . .” “Or?” said Sam. “. . . or not.” Aemon chuckled softly. “Or I am an old man, feverish and dying.” He closed his white eyes wearily, then forced them open once again. “I should not have left the Wall. Lord Snow could not have known, but I should have seen it. Fire consumes, but cold preserves. The Wall . . . but it is too late to go running back. The Stranger waits outside my door and will not be denied. Steward, you have served me faithfully. Do this one last brave thing for me. Go down to the ships, Sam. Learn all you can about these dragons.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire #4))
Communication between me and you will happen in 4 stages: 1. We will talk about other people and things. 2. We will talk about each other. 3. There will be no 'about'. There will be just me and you and silent communication. 4. There will be no me and no you. There will be eternity. Come, o familiar stranger! Let's communicate.
Shunya
In case you weren't aware, my good fellow, you are in the company of one of the most skilled and accomplished women in England. In fact, I would say Dr. Gibson has a male brain in a woman's body." Garrett grinned wryly at his last comment, which she knew had been intended as a compliment. "Thank you, Doctor." "Despite my short acquaintance with Dr. Gibson," Ethan said, "her brain seems entirely female to me." The remark caused Garrett to stiffen slightly, as she expected a mocking comment to follow. Something about how a woman's mind was changeable, or shallow, the usual clichés. But as Ethan continued, there was no hint of teasing in his tone. "Keen, subtle, and quick, with an intellect strengthened by compassion- yes, she has a woman's mind." Thrown off guard, Garrett stared at him with a touch of wonder. In that brief, private moment, Ethan looked as if he really did prefer her to everything else in the world. As if he saw all of her, the good and the bad, and wouldn't change a thing about her.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
Sometimes she thought of David as an ostrich, burying his head in the sand and forcing himself to believe that all would be well. It was one of the few things about him that she found frustrating. It wasn't so much optimism as an inability to face reality and a tendency to look for the easy way out. It wasn't going to work this time. There was no easy way out.
Rachel Abbott (Stranger Child (DCI Tom Douglas #4))
Ode, Elegy, Aubade, Pslam" 1 The songbird that escapes from a burning house will build its nest in the shape of a cage. 2 This is one thing we know: song begs for the places that make it grow from seed to starling, 3 places that put the heart’s hemlock in an empty rowboat and heave it from the shore. 4 We only praise what we cannot keep: violin strings berried with rain, teacups overflowing with brandywine, radios sickened with static. 5 Glass tossed out with the tide will come back smoother and stranger, but never to the same person. 6 This is something we want to know. The woman in love never touches her ears. 7 The man in his house is always lost without her. 8 Morning pulls light from the dark like a boy hoisting a trout from the lake by its clean, pink gills. 9 When the woman escapes from a burning house she will know the path of the wind, 10 how it writes its scripture in peach blossoms blown into a baby’s empty pram. 11 She’ll feel it compose its words against her body, against the night, against the water, in an endless, artless psalm.
Ryan Teitman (Litany for the City)
Psalm 94 God the Refuge of the Righteous 1O LORD God, †to whom vengeance belongs— O God, to whom vengeance belongs, shine forth! 2Rise up, O †Judge of the earth; aRender punishment to the proud. 3LORD, †how long will the wicked, How long will the wicked triumph? 4They †utter speech, and speak insolent things; All the workers of iniquity boast in themselves. 5They break in pieces Your people, O LORD, And afflict Your heritage. 6They slay the widow and the stranger, And murder the fatherless. 7†Yet they say, “The LORD does not see,
Anonymous (Holy Bible, New King James Version)
CHR. Then I perceive it is not best to covet things that are now, but to wait for things to come. INTER. You say the truth: "For the things which are seen are temporal; but the things which are not seen are eternal." [2 Cor. 4:18] But though this be so, yet since things present and our fleshly appetite are such near neighbours one to another; and again, because things to come, and carnal sense, are such strangers one to another; therefore it is, that the first of these so suddenly fall into amity, and that distance is so continued between the second.
John Bunyan (The Pilgrim's Progress with Original Illustrations and Reader's Guide)
The ten commandments according to Leó Szilárd 1. Recognize the connections of things and laws of conduct of men, so that you may know what you are doing. 2. Let your acts be directed toward a worthy goal, but do not ask if they will reach it; they are to be models and examples, not means to an end. 3. Speak to all men as you do to yourself, with no concern for the effect you make, so that you do not shut them out from your world; lest in isolation the meaning of life slips out of sight and you lose the belief in the perfection of creation. 4. Do not destroy what you cannot create. 5. Touch no dish, except that you are hungry. 6. Do not covet what you cannot have. 7. Do not lie without need. 8. Honor children. Listen reverently to their words and speak to them with infinite love. 9.Do your work for six years; but in the seventh, go into solitude or among strangers, so that the memory of your friends does not hinder you from being what you have become. 10. Lead your life with a gentle hand and be ready to leave whenever you are called. Leo Szilard 'Die Stimme der Delphine.' Utopische Erzählungen. Rowohit Taschenbuch Verlag. 1963. Translated by Dr. Jacob Bronowski.
Leo Szilard
The internet’s prime purpose is to facilitate uniformity of thought (always a good starting point for the bluffer when discussing social media). The rules for what you’re allowed to think online change all the time, but they’re usually something like this: 1. Julian Assange is the victim of a CIA and media conspiracy aimed at causing his eventual death. 2. Rupert Murdoch is Satan. 3. You are compelled to say RIP about the death of strangers. 4. You are not allowed to offend anyone, ever. 5. Anything someone else says can be taken as offensive. 6. Being offensive is illegal. 7. Cats do the cutest things.
Susie Boniface (Bluffer's Guide to Social Media (Bluffer's Guides))
Rule #1 – Don’t get involved with clients Rule #2 – Don’t take out a woman who won’t eat Rule #3 – Don’t talk to arrogant strangers Rule #4 – Don’t play with fire if you don’t want to get burned Rule #5 – Be nice to little old ladies Rule #6 – Don’t play your hand too soon Rule #7 – No public displays of affection Rule #8 – Wrap it before you tap it Rule #9 – A promise is a promise Rule #10 – If you don’t have anything, you have nothing to lose Rule #11 – All good things come to those who wait Rule #12 – Sometimes you gotta do what you gotta do Rule #13 – Some things are just meant to be Rule #14 – Forever Rule #15 – Money doesn’t always make life easier Rule #16 – Carpe diem Rule #17 – Whatever happens, happens Rule #18 – Forever isn’t long enough
Samantha Christy (Stone Rules (The Stone Brothers, #1))
But then they hand you your beautiful baby, and the baby gazes up at you and says hello, and your heart just melts.” “It talks?” Sophie asked, then remembered Alden telling her months earlier that elvin babies spoke from birth. It sounded even stranger now that she could picture it. “Your speaking caused quite the uproar,” Mr. Forkle told her. “Though luckily no one could understand the Enlightened Language, so they thought you were babbling. I spent the majority of your infancy inventing excuses for the elvin things you did.” “Okay,” Sophie said, wishing he’d stop with the weird-info overload. “But what I mean is . . . I’ve been counting my age from my birthday.” Mr. Forkle didn’t look surprised. “Why didn’t you tell me?” she asked. “How could I? Humans built everything around their birthdays. As long as you were living with them I had to let you do the same. And since you’ve been in the Lost Cities, we’ve had so little contact. I assumed someone would notice, since your proper ID is on your Foxfire record—and in the registry. But I don’t think anyone realized you were counting differently.” “Alden wouldn’t have thought to check,” Della agreed. “Neither of us knew humans didn’t count inception.” “So wait,” Biana jumped in, “does that mean that by our rules Sophie is—” “Thirty-nine weeks older than she’s been saying,” Mr. Forkle finished for her. Fitz cocked his head as he stared at Sophie, like everything had turned sideways. “So then you’re not thirteen . . .” “Not according to the way we count,” Mr. Forkle agreed. “Going by Sophie’s ID, she’s fourteen and a little more than five months old.” Keefe laughed. “Only Foster would find a way to age nine months in a day. Also, welcome to the cool fourteen-year-olds club!” He held out his hand for a high five.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
I made an appointment with a sleep doctor, who explained that during the sleep study people would be watching me sleep and monitoring my brain waves to see how I reacted during the four stages of sleep. I'd explain those stages if I could spell all the complicated words but they basically range from "Wide awake" to "Just barely not dead." My sleep cycle is a bit more elaborate. The seven stages of sleep (according to my body) STAGE 1: You take the maximum dose of sleeping pills, but they don't work at all and then you glare at their smug bottles at three a.m., whispering, "You lying bastards." STAGE 2: You fall asleep for eight minutes and you have that dream where you've missed a semester of classes and don't know where you're supposed to be and when you wake up you realize that even in your sleep you're fucking your life up. STAGE 3: You close your eyes for just a minute but never lose consciousness and then you open your eyes and realize it's been hours since you closed your eyes and you feel like you've lost time and were probably abducted by aliens. STAGE 4: This is the sleep that you miss because you're too busy looking up "Symptoms of Alien Abduction" on your phone. STAGE 5: This is the deep REM sleep that recharges you completely and doesn't actually exist but is made up by other people to taunt you. STAGE 6: You hover in a state of half sleep when you're trying to stay under but someone is touching your nose and you think it's a dream but now someone is touching your mouth and you open your eyes and your cat's face is an inch from yours and he's like, "BOOP. I got your nose." STAGE 7: You finally fall into the deep sleep you desperately need. Sadly, this sleep only comes after you're suppose to be awake, and you feel guilty about getting it because you should have been up hours ago but you've been up all night and now your arms are missing. I suspected that the only stage of sleep I'd have during the sleep study would be the sleep you don't get because strangers are watching you.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Eena worried to Ian in her thoughts. (You’re not going to let him walk away thinking what I think he’s thinking, are you?) (You won't change his mind. The evidence is a little suggestive. You should have just stayed behind me.) (Oh, this is all my fault?) (Well, you were the one swimming in your underwear.) (And you’re the one who took your shirt off!) (You think the alternative would have been better?) She shuttered at the thought of the Braetic stumbling across her in her underclothes. “Cale,” Eena said in another attempt to convince the stranger. Somehow she managed to sidestep Ian’s effort to halt her, and she approached the man. “I am not messing around with my protector. I am, and always have been, true and faithful to Derian. It’s just……a lot of weird things have happened lately.” The Braetic looked willing to consider a good excuse. “Such as?” “Well,” she started, casting a furtive glance at Ian. He was shaking his head, conveying strong disapproval. She ignored him. “Okay, well…..I’ve been fighting these immortals who are bent on using me to break free from an imprisoning gem where they were sentenced to stayed locked up for eternity. They nearly annihilated a world of Viiduns—that’s how awful they are! But one of these immortals has control over my necklace, and her brother keeps transporting me and my protector all over Moccobatra in search of pieces to a star-shaped platform they intend to use to free their bodies which have been trapped for over three-thousand years now. We were sent here at an inopportune—and highly embarrassing—moment to find the final piece to the platform. It’s been a nightmare just trying to stay alive!” “Wow,” Cale breathed, not looking half as concerned as Eena thought he ought to. “So these immortals are using you and trying to kill you at the same time?” She shook her head. “No, no, only the dragons are trying to kill me…or they were trying to kill me until Naga put a stop to them.” Eena heard Ian’s hand smack against his forehead. She saw humor sweep over the Braetic’s face. It made her angry. “Dragons too, huh?” Cale snickered. “It’s the truth!” she insisted. (Eena, just forget it. You’re only making it worse.) She ignored her protector’s advice again. “Cale, I’m telling you the honest-to-goodness truth. Do you know the story of Wanyaka Cave? The red-gemmed prison and the two spirit sisters?” Completely out of patience, Ian broke into the conversation, rudely speaking over his queen. “We’ll be on our way now, sir. We apologize for trespassing.” With a big grin on his face, the Braetic offered a friendly alternative. “Why don’t the pair of you accompany me home. I’m sure my wife can round up some suitable clothing for you. Those immortals must have a ripe sense of humor, leaving you alone in the woods without any decent attire.” He caught a chuckle in his throat. “That is unless it was the dragons who took the shirt off your back.” “Dragons are immortals!” Eena snapped, as if any fool ought to know it. Ian flashed her a harsh look. “We would greatly appreciate the help, sir.” “Oh, it’ll cost you something,” Cale informed them, “but we can discuss that on our way.
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
Thank you, Ravenel. I’m sorry for the way I behaved when we met before.” West shrugged casually. “There’s family for you: ‘more kin than kind.’” The quote snared Ethan’s attention, the motion of his breathing pausing beneath Garrett’s head. “That’s from Hamlet, isn’t it? Do you have a copy of it here?” “There’s a complete set of Shakespeare’s plays in the library,” West said, “including Hamlet. Why are you interested?” “Jenkyn told me to read it. He said it was a mirror to a man’s soul.” “God. No wonder I hate it.” Garrett drew back to look at Ethan. He was pale and exhausted, the lines of his face set in a way that she knew meant he was in pain. “The only thing you’re going to do for the next week is lie still and rest,” she told him. “Reading Hamlet is too much excitement for you.” “Excitement?” West repeated with a snort. “It’s a play about procrastination.” “It’s a play about misogyny,” Garrett said. “Regardless, I’m giving Mr. Ransom an injection of morphine now, so he can sleep.” “‘Good night, sweet prince,’” West said cheerfully, and left the room.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
How very small she seemed, tucked in the corner of the library with her knees drawn up. For the past hour and a half, she had been a commanding figure, strung tight with energy, her gaze stern and steely. She had worked in millimeters, doing tiny, crucial things to veins and cellular tissue with astonishing precision. Although West knew nothing about surgery, he'd understood that he was witnessing someone perform with rare skill. Now, in her exhaustion, the brilliant surgeon resembled an anxious schoolgirl who had taken a wrong turn on the way home. West liked her a great deal. In fact, he was rather sorry now that he'd kept shrugging off Helen's efforts to introduce them. He'd envisioned the female doctor as a severe matron, probably hostile toward men, and Helen's assurances that Dr. Gibson was quite pretty hadn't been at all convincing. Helen, with her completely unjustified affection for humanity, loved to overestimate people. But Garrett Gibson was more than pretty. She was riveting. An intelligent, accomplished woman with an elusive quality... a suggestion of hidden tenderness... that intrigued him.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
The cart slowed as they came to a place so dark and quiet that it seemed as if they had entered some remote forest. Peeking beneath the hem of the cart's canvas covering, Garrett saw towering gates covered with ivy, and ghostly sculptures of angels, and solemn figures of men, women, and children with their arms crossed in resignation upon their breasts. Graveyard sculptures. A stab of horror went through her, and she crawled to the front of the cart to where West Ravenel was sitting with the driver. "Where the devil are you taking us, Mr. Ravenel?" He glanced at her over his shoulder, his brows raised. "I told you before- a private railway station." "It looks like a cemetery." "It's a cemetery station," he admitted. "With a dedicated line that runs funeral trains out to the burial grounds. It also happens to connect to the main lines and branches of the London Ironstone Railroad, owned by our mutual friend Tom Severin." "You told Mr. Severin about all this? Dear God. Can we trust him?" West grimaced slightly. "One never wants to be in the position of having to trust Severin," he admitted. "But he's the only one who could obtain clearances for a special train so quickly." They approached a massive brick and stone building housing a railway platform. A ponderous stone sign adorned the top of the carriage entrance: Silent Gardens. Just below it, the shape of an open book emblazoned with words had been carved in the stone. Ad Meliora. "Toward better things," Garrett translated beneath her breath.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
I ASSURE you that I am the book of fate. Questions are my enemies. For my questions explode! Answers leap up like a frightened flock, blackening the sky of my inescapable memories. Not one answer, not one suffices. What prisms flash when I enter the terrible field of my past. I am a chip of shattered flint enclosed in a box. The box gyrates and quakes. I am tossed about in a storm of mysteries. And when the box opens, I return to this presence like a stranger in a primitive land. Slowly (slowly, I say) I relearn my name. But that is not to know myself! This person of my name, this Leto who is the second of that calling, finds other voices in his mind, other names and other places. Oh, I promise you (as I have been promised) that I answer to but a single name. If you say, "Leto," I respond. Sufferance makes this true, sufferance and one thing more: I hold the threads! All of them are mine. Let me but imagine a topic say... men who have died by the sword-and I have them in all of their gore, every image intact, every moan, every grimace. Joys of motherhood, I think, and the birthing beds are mine. Serial baby smiles and the sweet cooings of new generations. The first walkings of the toddlers and the first victories of youths brought forth for me to share. They tumble one upon another until I can see little else but sameness and repetition. "Keep it all intact," I warn myself. Who can deny the value of such experiences, the worth of learning through which I view each new instant? Ahhh, but it's the past. Don't you understand? It's only the past!
Frank Herbert (God Emperor of Dune (Dune #4))
I could see the road ahead of me. I was poor and I was going to stay poor. But I didn't particularly want money. I didn't know what I wanted. Yes, I did. I wanted someplace to hide out, someplace where one didn't have to do anything. The thought of being something didn't only appall me, it sickened me. The thought of being a lawyer or a councilman or an engineer, anything like that, seemed impossible to me. To get married, to have children, to get trapped in the family structure. To go someplace to work every day and to return. It was impossible. To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor, Mother's Day . . . was a man born just to endure those things and then die? I would rather be a dishwasher, return alone to a tiny room and drink myself to sleep. My father had a master plan. He told me, "My son, each man during his lifetime should buy a house. Finally he dies and leaves that house to his son. Then his son gets his own house and dies, leaves both houses to his son. That's two houses. That son gets his own house, that's three houses . . ." The family structure. Victory over adversity through the family. He believed in it. Take the family, mix with God and Country, add the ten-hour day and you had what was needed. I looked at my father, at his hands, his face, his eyebrows, and I knew that this man had nothing to do with me. He was a stranger. My mother was non-existent. I was cursed. Looking at my father I saw nothing but indecent dullness. Worse, he was even more afraid to fail than most others. Centuries of peasant blood and peasant training. The Chinaski bloodline had been thinned by a series of peasant-servants who had surrendered their real lives for fractional and illusionary gains. Not a man in line who said, "I don't want a house, I want a thousand houses, now!" He had sent me to that rich high school hoping that the ruler's attitude would rub off on me as I watched the rich boys screech up in their cream-colored coupes and pick up the girls in bright dresses. Instead I learned that the poor usually stay poor. That the young rich smell the stink of the poor and learn to find it a bit amusing. They had to laugh, otherwise it would be too terrifying. They'd learned that, through the centuries. I would never forgive the girls for getting into those cream-colored coupes with the laughing boys. They couldn't help it, of course, yet you always think, maybe . . . But no, there weren't any maybes. Wealth meant victory and victory was the only reality. What woman chooses to live with a dishwasher?
Charles Bukowski (Ham On Rye)
Cultivate Spiritual Allies One of the most significant things you learn from the life of Paul is that the self-made man is incomplete. Paul believed that mature manhood was forged in the body of Christ In his letters, Paul talks often about the people he was serving and being served by in the body of Christ. As you live in the body of Christ, you should be intentional about cultivating at least three key relationships based on Paul’s example: 1. Paul: You need a mentor, a coach, or shepherd who is further along in their walk with Christ. You need the accountability and counsel of more mature men. Unfortunately, this is often easier said than done. Typically there’s more demand than supply for mentors. Some churches try to meet this need with complicated mentoring matchmaker type programs. Typically, you can find a mentor more naturally than that. Think of who is already in your life. Is there an elder, a pastor, a professor, a businessman, or other person that you already respect? Seek that man out; let him know that you respect the way he lives his life and ask if you can take him out for coffee or lunch to ask him some questions — and then see where it goes from there. Don’t be surprised if that one person isn’t able to mentor you in everything. While he may be a great spiritual mentor, you may need other mentors in the areas of marriage, fathering, money, and so on. 2. Timothy: You need to be a Paul to another man (or men). God calls us to make disciples (Matthew 28:19). The books of 1st and 2nd Timothy demonstrate some of the investment that Paul made in Timothy as a younger brother (and rising leader) in the faith. It’s your job to reproduce in others the things you learn from the Paul(s) in your life. This kind of relationship should also be organic. You don’t need to approach strangers to offer your mentoring services. As you lead and serve in your spheres of influence, you’ll attract other men who want your input. Don’t be surprised if they don’t quite know what to ask of you. One practical way to engage with someone who asks for your input is to suggest that they come up with three questions that you can answer over coffee or lunch and then see where it goes from there. 3. Barnabas: You need a go-to friend who is a peer. One of Paul’s most faithful ministry companions was named Barnabas. Acts 4:36 tells us that Barnabas’s name means “son of encouragement.” Have you found an encouraging companion in your walk with Christ? Don’t take that friendship for granted. Enjoy the blessing of friendship, of someone to walk through life with. Make it a priority to build each other up in the faith. Be a source of sharpening iron (Proverbs 27:17) and friendly wounds (Proverbs 27:6) for each other. But also look for ways to work together to be disruptive — in the good sense of that word. Challenge each other in breaking the patterns of the world around you in order to interrupt it with the Gospel. Consider all the risky situations Paul and Barnabas got themselves into and ask each other, “what are we doing that’s risky for the Gospel?
Randy Stinson (A Guide To Biblical Manhood)
Tom had always told her that few things were black and white, and that sometimes good people did bad things.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
Suicide had never been something he had found easy to deal with in his job. It spoke of a level of hopelessness that was outside his comprehension. Even in the bleakest moments of his life he had managed to retain the hope that each day, things would get a little better.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
few things were black and white, and that sometimes good people did bad things.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
wasn’t going to say that – I was going to say makes easy things hard, hard things harder.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
To turn yourself inside out to impress another human being, you will become a stranger in your own skin. Twisting oneself into knots on behalf of someone else will do two things. It will make you a scattered soul ripped to shreds with stress. And, just make the other person hungry for pretzels. Strength is marrow born. Flip the script and let that opposing force choke on the crushing mound of their own disbelief. " - A.H. Scott 4/8/16
A.H. Scott
Sometimes she thought of David as an ostrich, burying his head in the sand and forcing himself to believe that all would be well. It was one of the few things about him that she found frustrating. It wasn’t so much optimism as an inability to face reality and a tendency to look for the easy way out.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
a holy person will desire to be spiritually minded. He will endeavor to set his affections entirely on things above (Colossians 3:2), and to hold things on earth with a very loose hand. He will not neglect the business of the life that now is, but his mind and thoughts will give priority to the life to come. He will aim to live like one whose treasure is in heaven, and he will want to pass through this world like a stranger and pilgrim traveling to his home. To commune with God in prayer, in the Bible, and in the assembly of His people will be the holy person’s main enjoyments. He will value every place and thing and company in proportion to how they draw him nearer to God. He will enter into something of David’s feeling when he says, My soul has followed hard after thee (Psalm 63:8) and My portion, O Lord, . . . will be to keep thy words (Psalm 119:57).
J.C. Ryle (Holiness: For the Will of God Is Your Sanctification – 1 Thessalonians 4:3 [Annotated, Updated])
All those personal pronouns and social relationships, for one thing. But there are other clues: females tend to progress information using the negative, such as “I don’t think”, or “our future is not as a couple”. They hedge – you know, use polite forms – to soften the information – “perhaps”, or “I’m sorry if …” – and they refer more to cognitive and emotional processes: think, feel, hope.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
And holding people planetbound keeps them out of mischief.” “It does something more important than that. It fills them with a longing to travel. It creates a need to make far voyages and see strange things. Eventually, travel comes to mean freedom.” “But the spice dwindles,” she said. “And freedom becomes more precious every day.” “This can only lead to desperation and violence,” she said. “A wise man in my ancestry—I was actually that person, you know? Do you understand that there are no strangers in my past?” She nodded, awed. “This wise man observed that wealth is a tool of freedom. But the pursuit of wealth is the way to slavery.
Frank Herbert (God Emperor of Dune (Dune, #4))
No more waiting for the doctor on campus to help her. It was time for her to make things happen for herself . . . before they got even worse. She had always been told she was headstrong, so she was going to make it work in her favor this time.
Jennifer Jaynes (The Stranger Inside (Strangers #4))
Title: Professional Bridesmaid for Hire—w4w—26 (NYC) Post: When all of my friends started getting engaged, I decided to make new friends. So I did—but then they got engaged also, and for what felt like the hundredth time, I was asked to be a bridesmaid. This year alone, I’ve been a bridesmaid 4 times. That’s 4 different chiffon dresses, 4 different bachelorette parties filled with tequila shots and guys in thong underwear twerking way too close to my face, 4 different prewedding pep talks to the bride about how this is the happiest day of her life, and how marriage, probably, is just like riding a bike: a little shaky at first, but then she’ll get the hang of it. Right, she’ll ask as she wipes the mascara-stained tears from her perfectly airbrushed face. Right, I’ll say, though I don’t really know. I only know what I’ve seen and that’s a beautiful-looking bride walking down, down, down the aisle, one two, three, four times so far this year. So let me be there for you this time if: — You don’t have any other girlfriends except your third cousin, twice removed, who is often found sticking her tongue down an empty bottle of red wine. — Your fiancé has an extra groomsman and you’re looking to even things out so your pictures don’t look funny and there’s not one single guy walking down the aisle by himself. — You need someone to take control and make sure bridesmaid #4 buys her dress on time and doesn’t show up 3 hours late the day of the wedding or paint her nails lime green. Bridesmaid skills I’m exceptionally good at: — Holding up the 18 layers of your dress so that you can pee with ease on your wedding day. — Catching the bouquet and then following that moment up with my best Miss America–like “OMG, I can’t believe this” speech. — Doing the electric and the cha-cha slide. — Responding in a timely manner to prewedding email chains created by other bridesmaids and the maid of honor.
Jen Glantz (Always a Bridesmaid (For Hire): Stories on Growing Up, Looking for Love, and Walking Down the Aisle for Complete Strangers)
Her father hadn’t understood the reason for her low spirits, but he had assured her that everyone had a fit of the doldrums sooner or later. The best cure, he’d said, was to spend time with cheerful people. “Is there a second choice?” Garrett had asked dully. “Because at the moment, the only thing I’d like to do with cheerful people is push them into the path of an oncoming carriage.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
She tilted her head back to look up at him, her face tense with worry, not for herself but for him. “How did he find out we were acquainted?” “One of his men followed me and saw us at the night market. From now on, Jenkyn will try to use you to manipulate me. He fancies himself a chess master, and all the rest of us pawns. He knows I’d do anything to protect you.” Garrett blinked at that. “Should we pretend to have a falling-out?” Ethan shook his head. “He’d see through that.” “Then what’s to be done?” “You can start by leaving the soiree. Tell Lady Tatham you have the vapors, and I’ll find a carriage for you.” Garrett stepped back from him and gave him an indignant glance. “The ‘vapors’ is a term for a hysterical fit. Do you know what it would do to my career if people thought I might succumb to vapors in the middle of a medical procedure? Besides, now that Sir Jasper knows about our mutual attachment, I wouldn’t be any safer at home than I am here.” Ethan looked at her alertly. “Mutual?” “Why else would I be lurking with you in a servants’ stairwell?” she asked dryly. “Of course it’s mutual, although I haven’t your pretty way of putting things—” She would have continued, but his mouth had fastened on hers.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Naturally we’re having difficulty with them,” West said. “Orchid keeping is nothing but a desperate effort to delay the inevitable outcome of dry sticks in pots. I told Helen not to leave the damned things behind, but she wouldn’t listen.” “Surely Helen won’t scold,” Garrett said, amused. “I’ve never heard her say a cross word to anyone.” “No, she’ll merely look a little disappointed, in that way she has. It won’t bother me personally, but one hates to see the entire gardening staff weep.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
The ambulance cart stopped at the entrance. Four footmen and an elderly butler emerged from the oak double doors. Without preamble, Garrett explained how to detach the stretcher and unload it from the cart. She was annoyed when West interrupted her instructions. “They’re footmen, Doctor. Carrying things is nine-tenths of their job.” “He is not a thing, he’s my . . . my patient.” “They’re not going to drop your patient,” West said, escorting her past the front threshold. “Now, Dr. Gibson, this pleasant-looking lady with the gaze of a brigadier general is our housekeeper, Mrs. Church. And all those capable young women are housemaids—we’ll introduce them later. For now, all you need to know is that we have two Marthas, so that’s the name to call out if you want something.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
After the war, I was in a bad place. I still am, I suppose, but for more than a year after the war...' She couldn't look Gwyn in the eye. 'I did a lot of things I regret. Hurt people I regret harming. And I hurt myself. I drank day and night and I...' She didn't want to say the word to Gwyn- fucked- so she said, 'I took strangers to my bed. To punish myself, to drown myself.' She shrugged a shoulder. 'It's a long story, and not one worth telling, but through it all, I picked taverns and pleasure halls to frequent because of the music. I've always loved music.' She braced herself for the damning judgement. But only sorrow filled Gwyn's face. 'You've probably guessed that my residency in the House, my training, my work in the library is my sister's attempt to help me.' Her sister whom she had still not apologised to, whom she still didn't have the courage to face. 'And I... I think I might be glad Feyre did this for me. The drinking, the males- I don't miss any of it. But the music... that I miss.' Nesta waved a hand, as if she could banish the vulnerability she'd offered up. But she went on, 'And since I'm not particularly welcome in the city, I was hoping you meant it when you said I could come to one of your services. Just so I can hear some music again.' Gwyn's eyes shone, like the sunlight on a warm sea. Nesta's heart thundered, waiting for her reply. But Gwyn said, 'Your story is worth telling, you know.' Nesta began to object, but Gwyn insisted, 'It is. But yes- if you want music, then come to the services. We will be glad to have you. I will be glad to have you.' Until Gwyn learned how horrible she'd been. 'No,' Gwyn said, apparently reading the thought on her face. She grabbed Nesta's hand. 'You... I understand.' Nesta heard Gwyn's own heart begin thundering. 'I understand,' Gwyn repeated, 'what it is to... fail the people who mean the most. To live in fear of people finding out. I dread you and Emerie learning my history. I know that once you do, you'll never look at me the same again.' Gwyn squeezed Nesta's hand. Her story would come later. Nesta let her see it in her face, that when Gwyn was ready, nothing she could reveal would make her walk away. 'Come to the service this evening,' Gwyn said. 'Listen to the music.' She squeezed her hand again. 'You'll always be welcome to join me, Nesta.' Nesta hadn't realised how badly she'd needed to hear it. She squeezed Gwyn's hand back.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
The thing is, once you realize life is fundamentally impossible, it is a wonderfully freeing thing. It being impossible means that the impossible is not impossible. Ipso facto, QED.
C.K. McDonnell (Relight My Fire (Stranger Times, #4))
Curiosity bit deep, but Nesta said nothing. Vassa- she hadn't seen the enchanted human queen since the war had ended. Since the young woman had tried to speak to her about how wonderful Nesta's father had been, how he had been a true father to her, helped her and won her this temporary freedom, and so on and on until Nesta's bones were screaming to get away, her blood boiling to think that her father had found his courage for someone other than her and her sisters. That he'd been the father she had needed- but for someone else. He had let their mother to die in his refusal to send his merchant fleet hunting for a cure for her, had fallen into poverty and let them starve, but had decided to fight for this stranger? This nobody queen peddling a sad tale of betrayal and loss? The thing deep in Nesta stirred, but she ignored it, pushing it down as best she could without the distraction of music or sex or wine.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
No, her father was ashes in the wind, his existence marked only by a headstone on a hill outside the city. Or so her sisters had told her. I loved you from the first moment I held you in my arms, her father had said to her in those last moments together. Don't lay your filthy hands on my daughter. Those had been his final words, spat at the King of Hybern. Her father had squandered those final words on that worm of a king. Her father. The man who had never fought for his children, not until the end. When he had come to save them- to save the humans and the Fae, yes, but most of all, his daughters. Her. A grand, stupid waste. Unholy dark power flowed through her, and it had not been enough to stop the King of Hybern from snapping his neck. She had hated her father, hated him deeply, and yet he had loved her, for some inexplicable reason. Not enough to try to spare them from poverty or keep them from starving. But somehow it had been enough for him to raise an army on the continent. To sail a ship named for her into battle. She had still hated her father in those last moments. And then his neck had cracked, his eyes not full of fear as he died, but of that foolish love for her. That was what had lingered- the look in his eyes. The resentment in her heart as he died for her. It had festered, gnawing at her like the power she buried deep, running rampant through her head until no icy baths could numb it away. She could have saved him. It was the King of Hybern's fault. She knew that. But it was hers, too. Just as it was her fault that Elain had been captured by the Cauldron after Nesta spied on it with that scrying, her fault that Hybern had done such terrible things to hunt her and her sisters down like a deer. Some days, the sheer dread and panic locked Nesta's body up so thoroughly that nothing could get her to breathe. Nothing could stop the awful power from beginning to rise, rise, rise in her. Nothing beyond the music at those taverns, the card games with strangers, the endless bottles of wine, and the sex that made her feel nothing- but offered a moment of release amid the roaring inside her.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
The infant floats in a sea of nothingness, existence but a mere eternity in darkness away from her birth. Logic dictated that this nativity is when the self is born, consciousness seeping into the fore of one's senses, distinction as a precondition rather than a prefiguration of life. Yet, this truism stipulates the priori of heightened perception: for consciousness being-in-itself as well as being-for-an-other. I had been alone; no friends; no companions; nothing more to experience than the infinitude of death. I remember questioning the very verisimilitude of my own lugubrious existence, flummoxed by the superfluous phantasm of life. How could any epistemology hold merit if my own truncated extant was mere frivol? The moments passed like teardrops, lost to a vast ocean. My life had no meaning— I was just another pebble on the ground, to be trampled without care. It was only upon meeting the others did what I perceive truly expand beyond my fringes. They were pulchritudinous things. Colorful. Exuberant. Different.  Subjects that I treated as objects, and subjects that treated me as an object. I saw none of myself in these strangers—
V.A. Lewis (Primeval Knowledge (Salvos #4))
Actions define us,’ said the White sister, ‘nothing else. You know who you are. You’re the people you surround yourself with. The things you fight for. The things you fight against. A past doesn’t say where you’re going, it’s just baggage you have to bring on the trip. All you’re doing is travelling light.
C.K. McDonnell (Relight My Fire (Stranger Times, #4))
grassroots activists’ – a euphemistic term for people who have to get up an hour early every morning just to have more time to hate things.
C.K. McDonnell (Relight My Fire (Stranger Times, #4))
There’s no pattern to his madness and that’s the most dangerous thing about this stranger.
Rina Kent (Empire of Lust (Empire, #4))
That is the wonderful thing about making changes and meeting strangers, Jamie. You never know when, and you never know who, but someday a stranger will burst through the door of your life and transform it utterly. The world will be turned upside down, and you will be happier for it.
Cassandra Clare (Nothing but Shadows (Tales from Shadowhunter Academy, #4))
And can you tell me—do you feel anything for me?” He put his big hand against her wild curls. “I feel everything for you. But that won’t change the facts. We’re strangers from two separate worlds that won’t easily merge, and I’m still a guy with what you call issues—piles of them. Not really ready to make any rapid-fire changes, though I think I made some small ones in spite of myself. I have a lot less hair, for one thing.” “You’ve come along nicely.” She gave him a little kiss. “I think if I had more time…” He stilled her chin in his hand, commanding her attention. “Listen. I won’t kid you—you changed everything. Come back sometime if you feel like it. But if you don’t, I won’t hold it against you. Remember what you told me—that after you did this, after you found me and thanked me, asked me some questions and told me the things you had to be sure I knew, you were going to be free to move on. It’s okay, Marcie. Even after what passed between us. Especially after what passed between us—you can move on if you want to. I expect that.” “And what if what I want is you?” she asked him. “The only thing in the world that could possibly make me sad is if I couldn’t make you happy. That’s what scares me the most—that you would want me, and I’d let you down.” “Why do you even think that way?” “Just a sorry old habit,” he said. “I bet you could break that habit if you’d just let yourself.” He smiled. “That’s one of the best things about you—your eternal optimism.” “Oh, Ian, that’s not optimism. It’s faith. You should give it a try sometime.
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Jeremiah’s Temple Message 7 This is the word that the LORD spoke to Jeremiah: 2“Stand at the gate of the Temple and preach this message there: “‘Hear the word of the LORD, all you people of the nation of Judah! All you who come through these gates to worship the LORD, listen to this message! 3This is what the LORD All-Powerful, the God of Israel, says: Change your lives and do what is right! Then I will let you live in this place. 4Don’t trust the lies of people who say, “This is the Temple of the LORD. This is the Temple of the LORD. This is the Temple of the LORD!” 5You must change your lives and do what is right. Be fair to each other. 6You must not be hard on strangers, orphans, and widows. Don’t kill innocent people in this place! Don’t follow other gods, or they will ruin your lives. 7If you do these things, I will let you live in this land that I gave to your ancestors to keep forever. 8“‘But look, you are trusting lies, which is useless. 9Will you steal and murder and be guilty of adultery? Will you falsely accuse other people? Will you burn incense to the god Baal and follow other gods you have not known? 10If you do that, do you think you can come before me and stand in this place where I have chosen to be worshiped? Do you think you can say, “We are safe!” when you do all these hateful things? 11This place where I have chosen to be worshiped is nothing more to you than a hideout for robbers. I have been watching you, says the LORD. 12“‘You people of Judah, go now to the town of Shiloh, where I first made a place to be worshiped. See what I did to it because of the evil things the people of Israel had done. 13You people of Judah have done all these evil things too, says the LORD. I spoke to you again and again, but you did not listen to me. I called you, but you did not answer. 14So I will destroy the place where I have chosen to be worshiped in Jerusalem. You trust in that place, which I gave to you and your ancestors, but I will destroy it just as I destroyed Shiloh. 15I will push you away from me just as I pushed away your relatives, the people of Israel!’ 16“As for you, Jeremiah, don’t pray for these people. Don’t cry out for them or ask anything for them or beg me to help them, because I will not listen to you. 17Don’t you see what they are doing in the towns of Judah and in the streets of Jerusalem? 18The children gather wood, and the fathers use the wood to make a fire. The women make the dough for cakes of bread, and they offer them to the Queen Goddess. They pour out drink offerings to other gods to make me angry. 19But I am not the one the people of Judah are really hurting, says the LORD. They are only hurting themselves and bringing shame upon themselves. 20“‘So this is what the Lord God says: I will pour out my anger on this place, on people and animals, on the trees in the field and the crops in the ground. My anger will be like a hot fire that no one can put out.
Max Lucado (NCV, Grace for the Moment Daily Bible: Spend 365 Days reading the Bible with Max Lucado)
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things — reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Kurt Vonnegut Jr.
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
Psalm 108 (109) 1For the End; a psalm by David.†ω O God, do not pass over my praise in silence, 2 For the mouth of the sinner and the mouth of the deceitful man opened against me; They spoke against me with a deceitful tongue; 3 And they surrounded me with words of hatred, And warred against me without cause. 4 Instead of loving me, they falsely accused me, But I continued to pray; 5 So they repaid me evil for good, And hatred for my love. 6 Set a sinner over him, And let the devil stand at his right hand. 7 And when he is judged, may he go forth condemned, And let his prayer become sin. 8 Let his days be very few, And may a different man receive his office; 9 Let his children be fatherless And his wife a widow; 10 Let his children wander about and be beggars; Let them be cast out of their houses. 11 Let the creditor search out whatever possessions he has; Let strangers plunder his labors; 12 Let there be no helper for him, Nor a compassionate one for his fatherless children; 13 Let his children be utterly destroyed; In a single generation, let his name be blotted out. 14 May the lawlessness of his fathers be remembered before the Lord, And may the sin of his mother not be blotted out; 15 Let them be continually before the Lord, And may the remembrance of them be utterly destroyed from the earth, 16 Because he did not remember to show mercy, But persecuted a poor and needy man, And one pierced to the heart, that he might kill him. 17 And he loved cursing, and it came to him, And he did not desire blessing, so it shall be far from him. 18 So he clothed himself with cursing like a garment, And it entered like water into his bowels And like oil into his bones; 19 Let it be for him like a garment that clothes him, And like a belt that girds him continually. 20 This is the work of those who falsely accuse me before the Lord, And of those who speak evil things against my soul. 21 But You, O Lord, O Lord, deal mercifully with me for Your name's sake, For Your mercy is good. 22 Save me, for I am poor and needy, And my heart is troubled within me. 23 I was removed like a shadow when it declines; I was shaken off like the locusts. 24 My knees were weak from fasting, And my flesh was changed because of the oil. 25 And I became an object of reproach to them; They saw me; they shook their heads. 26 Help me, O Lord my God; Save me according to Your mercy; 27 Then let them know this is Your hand, And You, O Lord, did this. 28 They themselves shall curse, but You shall bless; Let those who rise up against me be put to shame, But let Your servant be glad. 29 Let those who falsely accuse me be clothed with shame, And let them be covered with their dishonor like a double cloak. 30 I will give thanks to the Lord abundantly with my mouth, And in the midst of many I will praise Him, 31 Because He stood at the right hand of a poor man, To save me from those who persecute my soul.
Anonymous (The Orthodox Study Bible: Ancient Christianity Speaks to Today's World)
1 My son, if thou wilt receive my words, and hide my commandments within thee, 2 And cause thine ears to hearken unto wisdom, and incline thine heart to understanding, 3 (For if thou callest after knowledge, and cryest for understanding: 4 If thou seekest her as silver, and searchest for her as for treasures, 5 Then shalt thou understand the fear of the Lord, and find the knowledge of God. 6 For the Lord giveth wisdom, out of his mouth cometh knowledge and understanding. 7 He preserveth the state of the righteous: he is a shield to them that walk uprightly, 8 That they may keep the ways of judgment: and he preserveth the way of his Saints) 9 Then shalt thou understand righteousness, and judgment, and equity, and every good path. 10 When wisdom entereth into thine heart, and knowledge delighteth thy soul, 11 Then shall counsel preserve thee, and understanding shall keep thee, 12 And deliver thee from the evil way, and from the man that speaketh froward things, 13 And from them that leave the ways of righteousness to walk in the ways of darkness: 14 Which rejoice in doing evil, and delight in the frowardness of the wicked, 15 Whose ways are crooked and they are lewd in their paths. 16 And it shall deliver thee from the strange woman, even from the stranger, which flattereth with her words. 17 Which forsaketh the guide of her youth, and forgetteth the covenant of her God. 18 Surely her house tendeth to death, and her paths unto the dead. 19 All they that go unto her, return not again, neither take they hold of the ways of life. 20 Therefore walk thou in the way of good men, and keep the ways of the righteous. 21 For the just shall dwell in the land, and the upright men shall remain in it. 22 But the wicked shall be cut off from ye earth, and the transgressors shall be rooted out of it.
Proverbs
a few things.” “Are you new?” “New?
Cheryl Bradshaw (Stranger in Town (Sloane Monroe, #4))
You had to get away from your dad,” she says. “Is that why you don’t want to be a Dauntless leader? Because if you were, you might have to see him again?” I shrug. “That, and I’ve always felt that I don’t quite belong among the Dauntless. Not the way they are now, anyway.” It’s not quite the truth. I’m not sure this is the moment to tell her what I know about Max and Jeanine and the attack--selfishly, I want to keep this moment to myself, just for a little while. “But…you’re incredible,” she says. I raise my eyebrows at her. She seems embarrassed. “I mean, by Dauntless standards. Four fears is unheard of. How could you not belong here?” I shrug again. The more time goes by, the stranger I find it that my fear landscape isn’t riddled with fears like everyone else’s. A lot of things make me nervous, anxious, uncomfortable…but when confronted with those things, I can act, I’m never paralyzed. My four fears, if I’m not careful, will paralyze me. That’s the only difference.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
The more time goes by, the stranger I find it that my fear landscape isn’t riddled with fears like everyone else’s. A lot of things make me nervous, anxious, uncomfortable…but when confronted with those things, I can act, I’m never paralyzed. My four fears, if I’m not careful, will paralyze me. That’s the only difference.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
You had to get away from your dad,” she says. “Is that why you don’t want to be a Dauntless leader? Because if you were, you might have to see him again?” I shrug. “That, and I’ve always felt that I don’t quite belong among the Dauntless. Not the way they are now, anyway.” It’s not quite the truth. I’m not sure this is the moment to tell her what I know about Max and Jeanine and the attack--selfishly, I want to keep this moment to myself, just for a little while. “But…you’re incredible,” she says. I raise my eyebrows at her. She seems embarrassed. “I mean, by Dauntless standards. Four fears is unheard of. How could you not belong here?” I shrug again. The more time goes by, the stranger I find it that my fear landscape isn’t riddled with fears like everyone else’s. A lot of things make me nervous, anxious, uncomfortable…but when confronted with those things, I can act, I’m never paralyzed. My four fears, if I’m not careful, will paralyze me. That’s the only difference. “I have a theory that selflessness and bravery aren’t all that different.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
that few things were black and white, and that sometimes good people did bad things.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
Procrastination, Tom.’ ‘Yes – I know. It’s the thief of time.’ Leo had given him a smug look. ‘I wasn’t going to say that – I was going to say makes easy things hard, hard things harder.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
It spoke of a level of hopelessness that was outside his comprehension. Even in the bleakest moments of his life he had managed to retain the hope that each day, things would get a little better.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
Sometimes she thought of David as an ostrich, burying his head in the sand and forcing himself to believe that all would be well. It was one of the few things about him that she found frustrating. It wasn’t so much optimism as an inability to face reality and a tendency to look for the easy way out. It wasn’t going to work this time. There was no easy way out.
Rachel Abbott (Stranger Child (DCI Tom Douglas, #4))
There’s one more thing—a phone number. I found it on the last page. It’s written in pencil, and on the light side, but I can still make the numbers out.” Cade swerved off the road, jerking the truck to a stop. “What are you doing?” I said. He held his hand out. “Let’s try it, see what happens.” “The number?” “Why not? Who knows
Cheryl Bradshaw (Stranger in Town (Sloane Monroe, #4))
As I mentioned before, life is the existence of a person who has a life, or the life of the person, and is the period when a person lives in this world. On the other hand, a person's life in this world is also called "life". 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 대한민국 어디에도 없는 최저가격 보상제도를 실시 하고있습니다. 100% 정품 4년동안 단 한번도 가품에 대한 구설수에 오른적 없습니다. 그렇기에 믿고 구매하셔도 됩니다. Therefore, just like the lyrics of the previous lesson, "Life is like a stranger" and "Life is tough." Even if you enjoy longevity and riches in the world, you will not go empty-handed when you are old and sick and go to that world. Even if you can not leave a name like this when you leave this world, you will have to live a life like this without going up or down to people's mouths. That is to say, if there is anyone in front of anyone who can live without a shame of one point, there will be no more rewarding life than that. If I go to the 9th, I have lived like a man, but I will be 90 years old by 2016. I look around the periphery of my life today. I can not help feeling that the end point of my life is approaching every moment. However, I think that "every time I eat, I can not stay while eating rice and eating rice for a long time." In that sense, I am doing my own work today while holding down the computer keyboard. Looking back, twenty-five years old, a man who had good limbs in his early ages, became a body that he could not freely walk for a while. But what? This is my destiny ... ... When I was a young, young man, This is the beginning of the poetry of Lee Byung-won (李佛 遠, Joseon third king, Taejong, Taejong). "How are the mountains like these mountains so what?" I use the word and write a word. What about these things and what happened to the country calling and hurting the body to keep it in place? I am lucky though. There are war dead who have lost their lives in the frenzy, and warlords who have been hurt more seriously than I am. But I am not alive. I can not help saying how good it is. There is something to think about with Lee Won - won 's . It is the 心 心 song of Chung Mong-joo of Koryo Koryô. It is not the story of Lee Byeong-won's and Jongmongju's , but rather the story of Jongmongju's tomb in my hometown Yongin.
Even if you enjoy longevity and riches in the world, you will not go empty-handed when you are old a
Our personal demeanor says a lot more about us than we may realize. From the way we walk to the placement of our arms to the position of our shoulders, whether we intend to or not, our body language tells a story. Weak body language relates a weak mentality. With strong posture and a confident walk, you’re less likely to be targeted. Assailants will be looking for someone they feel will not fight back. They will study you, and if you look distracted or not confident, these factors can determine whether they decide to attack you or move on. When potential assailants are looking to victimize someone, they go through an “interview process.” This is an interview you do not want to pass. The “interview process” consists of four stages. Stage 1. Targeting—the observation. An assailant is looking for someone he feels is weak and will not put up a fight. The last thing he wants is someone who will draw attention to the situation. Stage 2. Approach. Based on what he sees, the assailant has determined that he can get closer. The window is open. Stage 3. Conversation. The assailant will engage in conversation to distract and/or lure you away from where you are. Never go with him! Stage 4. The Attack. The window was never closed and personal boundaries were neither established nor enforced. Please be aware that these stages can be condensed. There may not be a conversation or the conversation may occur in the approach, assuming the approach is within your vision. This is why awareness is an essential tool in self-defense. Too Close for Comfort Despite public perception that the victim does not know her rapist, such as in the case of a serial rapist, approximately 73% of rape victims know their assailant, according to the 2005 National Crime Victimization Survey. Although serial rapists receive tremendous coverage in the press, in part because they’re relatively less common, be aware that you’re more likely to be raped by someone you know. Studies provide insight as to the relationship between the perpetrator and the rape victim. Approximately 38% of victims are raped by a friend or acquaintance, 28% of victims are raped by someone with whom they share an intimate relationship, and 7% of victims are raped by a relative. In 2% of cases, the relationship is unknown and cannot be determined, and 26% of victims are raped by a stranger. Survival Mindset Before getting into the details of how to harden yourself as a target, it’s important to note that even if you unfortunately pass the four stages of the interview and the physical attack occurs, it doesn’t mean that you cannot fight back and survive. This is where your survival mindset kicks in and your Krav Maga skills come into play. How many times have you heard that it’s important to walk with confidence? Do you know what that really means? From a self-defense mindset, it means to convey a consistent image of awareness, inner strength, and knowledge. This image is created through strong and confident body language, eye contact, and voice.
Darren Levine (Krav Maga for Women: Your Ultimate Program for Self Defense)
An Alonso didn’t suffer from anxiety attacks or spend their nights worrying about every little thing that could go wrong the next day. An Alonso didn’t seek therapy or air their dirty laundry to a stranger. An Alonso was supposed to be perfect.
Ana Huang (Twisted Lies (Twisted, #4))