Stranded Girl Quotes

We've searched our database for all the quotes and captions related to Stranded Girl. Here they are! All 100 of them:

Ash brushed my cheek with the back of his hand, catching a loose strand of hair between his fingers. "I've seen thousands of mortal girls," he said softly, "more than you could ever count, from all corners of your world. To me, they're all the same." His finger slid below my chin, tilting my head up. "They only see this outer shell, not who I really am, beneath. You have. You've seen me without the glamour and illusions, even the ones I show my family, the farce I maintain just to survive. You've seen who I really am, and yet, you're still here." He brushed his thumb over my skin, leaving a trail of icy heat. "You're here, and the only dance I want is this one.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Laila watches Mariam glue strands of yarn onto her doll's head. In a few years, this little girl will be a woman who will make small demands on life, who will never burden others, who will never let on that she too had sorrows, disappointments, dreams that have been ridiculed. A woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but shaped by the turbulence that washes over her. Already Laila sees something behind this young girl's eyes, something deep in her core, that neither Rasheed nor the Taliban will be able to break. something as hard and unyielding as a block of limestone. Something that, in the end, will be her undoing and Laila's salvation. The little girl looks up. Puts the doll down. Smiles.
Khaled Hosseini (A Thousand Splendid Suns)
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?” “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says. “Your father? Why?” I ask. “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says. “What? You’re making that up!” I exclaim. “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’” “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father. “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says. “Oh, please,” I say, laughing. “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.” “Without success,” I add. “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true? “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.” “I am now,” I say. “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!” I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Piper, I don’t just go putting my arms around girls.” She paused in the doorway. Looked back. “What does that mean?” He gave in to just a touch of temptation, tucking a wind-tangled strand of hair behind her ear. Soft. “It means I’ll be around.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
Girl lithe and tawny, the sun that forms the fruits, that plumps the grains, that curls seaweeds filled your body with joy, and your luminous eyes and your mouth that has the smile of the water. A black yearning sun is braided into the strands of your black mane, when you stretch your arms. You play with the sun as with a little brook and it leaves two dark pools in your eyes.
Pablo Neruda
These moments, as unique to each individual as strands of DNA, can at their best cause the sensation of a catapult into the shimmer of stars. At the opposite extreme, they can feel like a descent into quicksand.
Greer Hendricks (An Anonymous Girl)
He looked at my lips. I suddenly found myself wanting to lick his. 'Yes,' he replied, his eyes going molten. My breath caught in my throat as he reached out and brushed a strand of hair where it had flown across my cheek. 'I believe we do have unfinished business.' 'Good.' I gulped, suddenly one big mass of tingling body parts that wanted an immediate introduction to all of his body parts. I tried to slam down a mental barrier between his mind and mine, but it did no good. The cheerleaders in my groin were setting up fundraising car washes to finance a field trip to his groin.
Katie MacAlister (A Girl's Guide to Vampires (Dark Ones #1))
Are the Trials starting?” The girl claps her hands over her mouth. “I'm sorry,” she whispers. “I—” “It's all right.” I don't smile at her. It will only scare her. For a female slave, a smile from a Mask is not usually a good thing. “I'm actually wondering the same thing. What's your name?” “S-slave-Girl.” Of course. My mother would already have scourged her name out of existence. “Right. You work for the Commandant?” I want her to say no. I want her to say that my mother roped her into this. I want her to say she's assigned to the kitchens or infirmary, where slaves aren't scarred or missing body parts. But the girl nods in response to my question. Don't let my mother break you, I think. The girl meets my eyes, and there is that feeling again, low and hot and consuming. Don't be weak. Fight. Escape. A gust of wind whips a strand free from her bun and across her cheekbone. Defiance flashes across her face as she holds my gaze, and for a second, I see my own desire for freedom mirrored, intensified in her eyes. It's something I've never detected in the eyes of a fellow student, let alone a Scholar slave. For one strange moment, I feel less alone. But then she looks down, and I wonder at my own naiveté. She can't fight. She can't scape. Not from Blackcliff. I smile joylessly; in this, at least, the slave and I are more similar than she'll ever know.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Stop looking at me like that,” she whispered. “I can’t.” I could barely say it. I could barely breathe. I wanted to look at her for the rest of my life. Reaching a hand up, I ran just the tips of my fingers through her hair. Most of it was down, but just a few strands were pulled up away from her face. It was the perfect hair for the perfect dress, worn by the perfect girl.
N.K. Smith (My Only)
I will tell you about the lady I loved." The girls settled together on the entrance steps, not even breathing, for fear it would rustle the rosebushes about them and mask Mr. Keeper's words. Mr. Keeper stood unmoving on the dance floor. "Once upon a time," he said. His voice dripped in silk strands. "There was a High King, who wanted more than anything to kill the Captain General who incited a rebellion against him. It consumed him. The desire to kill the Captain General filled him to his core, and he spent every breath, every step, thinking of ways to murder the Captain General. "But he was old, and time passed, as it always does." Mr. Keeper paused. Bramble cast a slightly bemused glance at Azalea, her eyebrow arched. "So," Mr. Keeper continued, "he took an oath. He filled a wine flute to the brim with blood. And he swore, on that blood, to kill the Wentworth General, and that he would not die until he did. "And then, he drank it. "The end." There was a very ugly, naked silence after that. The girls' mouths gaped in perfect Os. "Sorry?" said Delphinium. "I missed the part about the lady?" "Ah," said Mr. Keeper. "The blood. It was hers.
Heather Dixon Wallwork (Entwined)
Now we are able to rejoice that we are saved not through the immanent mechanisms of history and nature, but by grace; that God will not unite all of history’s many strands in one great synthesis, but will judge much of history false and damnable; that he will not simply reveal the sublime logic of fallen nature but will strike off the fetters in which creation languishes; and that, rather than showing us how the tears of a small girl suffering in the dark were necessary for the building of the Kingdom, he will instead raise her up and wipe away all tears from her eyes – and there shall be no more death, nor sorrow, nor crying, nor any more pain, for the former things will have passed away and he that sits upon the throne will say, ‘Behold, I make all things new.
David Bentley Hart (The Doors of the Sea: Where Was God in the Tsunami?)
She is an animal. Servile as a dog. And yet if he is careful to make no demands, to leave the air between them open, another version of the windup girl emerges. As precious and rare as a living bo tree. Her soul, emerging from within the strangling strands of her engineered DNA.
Paolo Bacigalupi (The Windup Girl)
Impressive deduction,” Ryan murmured. “You certainly look deeper than most.” He brushed back a strand of my hair, and I screwed my eyes shut. He was doing this on purpose. “But let me give you some advice.” His lips were right next to my ear. “I wouldn’t peer too far. Even the clearest window can cast back your own reflection.
Sam Dogra (The Binding (Chronicles of Azaria, #1))
It’s everything, isn’t it? It’s the quiet dinners when not much gets said. It’s the sunny days at the beach. It’s hearing your laughter in my head when I see Kayla giggling. It’s seeing the love in your eyes when you watch our baby sleep. It’s watching the sun rise in your smile and set in your tears. It’s the contentment in seeing you eat and sleep and study and play. It’s the small, everyday things, like never getting tired of watching you tuck that same stubborn strand of hair behind your ear twenty times a day, and it’s the huge life-altering things like seeing your smile and my eyes on our beautiful little girl’s face. It’s knowing that even if you turn away from me forever, I’ll always be the better for having had you in my life.
Natasha Anders (A Husband's Regret (Unwanted, #2))
Around six-thirty, Rory was across the street, leaning against a telegraph pole, smiling just for laughs; the world was filthy, and so was he. After a short search, he pulled a long strand of girls' hair from his mouth. Whoever she was, she was out there somewhere, she lay open-legged in Rory's head. A girl we'll never know, or see.
Markus Zusak (Bridge of Clay)
The beach is a virtual strand-to-sand buffet of hot chicks, and these girls are always ready for a party..
A.J. Linn
fine, dark grey strands. Like plague-flavoured candy floss, Justineau thinks.
M.R. Carey (The Girl With All the Gifts)
Gathering the strands of her fraying temper,
Audrey Blake (The Girl in His Shadow)
Strands of moonlight caught in her black hair like ribbons of silver, and her eyes - those hawk’s eyes - burned like firelight. Soraya had never seen her look so inhuman - or so beautiful.
Melissa Bashardoust (Girl, Serpent, Thorn)
I don’t know. How can you know? I…I’m a monster. When I’m hungry, I might do anything." "Oh no, of course I couldn’t possibly understand you." Violet’s shadowed face seemed to be wearing a grim and serious smile. "I know, you woke up one day and found out that you couldn’t be the person you remembered being, the little girl everybody expected you to be. You just weren’t her any more, and there was nothing you could do about it. So your family decided you were a monster and turned on you." Violet sighed, staring out into the darkness. "Believe me, I do understand that. And let me tell you - from one monster to another - that just because somebody tells you you’re a monster, it doesn’t mean you are. "just now you told me what you did because you want me to stop you from eating Pen. If you were a real monster, you wouldn’t have done that, would you?" Trista’s eyes stung, and she wiped strands of cobweb away with her sleeve. "Idiot," added Violet, for good measure.
Frances Hardinge (Cuckoo Song)
Hannah pulls the hair elastic from her ponytail and flicks the rubber band to the asphalt. She never breaks her stride, but she slides her fingers through her shiny strands and tousles them into something slightly less smooth and tame. It's not the beautiful, tangled mess it usually is. But it's close.
Ashley Herring Blake (Girl Made of Stars)
A one night stand with the perfect girl is like... it's like getting to the airport in Hawaii, then getting right back on the plane and flying home. It's depressing to have been that close to paradise without actually getting there.
Steph Campbell (Depths (Silver Strand, #2))
Intoxicated with her success and his awed eyes, and with the way the wind rushed by and flicked delicate strands of saliva across her cheeks, Will spread out her arms, spun in a pirouette. Shumba chose that moment to stumble over a rabbit hole and with a terrific crash, that sounded and resounded for miles and miles of flei, Will fell into the long grass.
Katherine Rundell (The Girl Savage)
The bathroom was jungle-fogged, flooded with puddles, piled with soaked towels; cakes of soap with long strands of blonde baked in. A girl in pieces: Barbie-thin ankles, a shaving cut on her knee; hipbones she could stab you with; white hands gelled with strawberry body lotion.
Allyse Near (Fairytales for Wilde Girls)
This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true. ... This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it. ... Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
It’s said that sport is the civilised society’s substitute for war, and also that the games we play as children are designed to prepare us for the realities of adult life. Certainly it’s true that my brother thrived in the capitalist kindergarten of the Monopoly board, developing a set of ruthless strategies whose success is reflected in his bank balance even to this day. I, on the other hand, can still be undone by the kind of ridiculous sentimentality that would see me sacrifice anything, anything, in order to have the three matching red-headed cards of Fleet Street, Trafalgar Square and The Strand sitting tidily together on my side of the board.
Danielle Wood (Rosie Little's Cautionary Tales for Girls)
He said the difference between the male and female modes of thought were easily illustrated by the thoughts of a boy and girl, sitting on a park bench, looking at the full moon. The boy thinks of the universe, its immensity and mystery; the girl thinks, "I must wash my hair." When I read this I was frantically upset; I had to put the magazine down. It was clear to me at once that I was not thinking as a girl thought; the full moon would never as long as I lived remind me to wash my hair. I knew if I showed it to my mother she would say, "Oh it is just that maddening male nonsense, women have no brains." That would not convince me; surely a New York psychiatrist must know. And women like my mother were in the minority, I could see that. Moreover I did not want to be like my mother, with her virginal brusqueness, her innocence. I wanted men to love me, and I wanted to think of the universe when I looked at the moon. I felt trapped, stranded; it seemed there had to be a choice where there couldn't be a choice.
Alice Munro (Lives of Girls and Women)
The last thing I wanted was to look down at the stranded face of my teenager. A pretty girl. Her whole death was now ahead of her.
Markus Zusak (The Book Thief)
Do I look like a mainstream girl?" She always marched to the beat of her own drum. (Angie) He traced the short strands along her hairline. "You look beautiful." (Eoin)
Annie Nicholas (Not His Dragon (Not This, #1))
Lastly,” Lye said,”we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money; and lost, like memory; and wasted, like life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired,riskless living can be plumped up again—after all, it was only a bit thirsty for something to do.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Strands of moonlight caught in her black hair like ribbons of silver, and her eyes - those hawk’s eyes - burned like firelight. Soraya had never seen her look so inhuman - or so beautiful.
Melissa Bashardoust (Girl, Serpent, Thorn)
The whole scene, the empty beach, the green and blue sea, the naked girl with the strands of fair hair, reminded Bond of something. He searched his mind. Yes, she was Botticelli’s Venus, seen from behind.
Ian Fleming (Dr. No (James Bond #6))
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante. Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back. I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.” “Am I hurting you?” “No, but I’m not a puppet to be dragged around.” He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.” “Fine.” He grinned. “Fine.” I hissed back. “Fine!” We walked to the elevator, and he pushed the button to my floor. “My room is on the same floor,” Ren edxplained. I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.” Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.” “I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?” He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting. I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me. I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me. So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away. He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.” I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more. With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I lay my fantasy in the backseat of Isa's car and slide in next to her. She snuggles up, using me as her personal pillow, her blond curls sprawled over my crotch. I close my eyes for a second, trying to get the image out of my head. And I don't know what to do with my hands. My right one is on the door armrest. My left one hovers over Brittany. I hesitate. Who am I kidding? I'm not a virgin. I'm an eighteen-year-old guy who can deal with having a hot, passed-out girl next to me. Why am I afraid of putting my arm where it's comfortable, right over her midsection? I hold my breath as I settle my arm on her. She cuddles closer and I'm feeling weird and light-headed. Either it's the aftereffects from the joint or . . . I don't want to think about the "or." Her long hair is wrapped around my thigh. Without thinking, I weave my hands in her hair and watch as the silky strands slowly fall through the V's between my fingers.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
And I know that there are black boys and black girls out there lost in a Bermuda triangle of the mind or stranded in the doldrums of America, some of them treading and some of them drowning, never feeling and never forgetting. The most precious thing I had then is the most precious thing I have now—my own curiosity. That is the thing I knew, even in the classroom, they could not take from me. That is the thing that buoyed me and eventually plucked me from the sea.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
Only this morning when I had seen her in the canyon, I was tongue-tied. She’d looked just like any other girl out gathering berries. Her hair braided back, loose strands brushing her neck, her cheeks flushed with heat. No pretense. No royal airs. No secrets that I didn’t already know. Words had run through my mind trying to describe her, but none seemed quite right. I had sat like a witless fool on the back of my horse, just staring. And then she invited me to stay. As we walked, I knew I was going down a dangerous path, but that didn’t stop me. At first I kept all my words in check, carefully doled out, but then in an uncanny way, she pulled them from me anyway. It all seemed very easy and innocent. Until it wasn’t. I should have known. Up
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
I’ve fought dragons, attended balls and chased a whale. I’ve won wars, lost court cases, travelled India, ridden broomsticks and stranded myself on numerous islands. I’ve died a dozen times. Because here’s the thing about a book: when you pick up a story, you put down your own.
Holly Smale (All That Glitters (Geek Girl, #4))
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind. But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again." The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer. This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building. Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head. It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped. The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm. A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape. And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!" But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!" The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM. She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!" But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work. Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life! Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
But every time the strand wolf howled across the water, as, perhaps, you were stooping down to examine a prospective concubine missed in the first winnowing, it was only by suppressing memories of the three years just passed that you kept from wondering if it was this particular girl the beast waited for.
Anonymous
Shuggie fixated on the comb gliding through the hair. He watched how each strand separated like burn water. “I think she is going to drink herself to death.” “Would you be sad?” asked the girl. He stopped combing her hair. “I would be gutted. Wouldn’t you?” She shrugged. “I dunno. I think it’s what all alkies want anyways.” She shivered. “To die, I mean. Some are just taking the slow road to it.
Douglas Stuart (Shuggie Bain)
The adults looked transfixed by Andee. When Andee finally swam a little closer, Siobhan could see why: the determined set of her mouth, the ferocity in her eyes. How much she wanted to finish. She would finish, no matter what. It would be cruel to stop her. And more to the point, if they ever were stranded in the ocean, Andee—who had been in the water for what felt like an eternity—would be the last to go down.
Kim Fu (The Lost Girls of Camp Forevermore)
We followed his arm to where Anna Farnsworth languished beneath the ghostly lights, the illumination giving her a flickering phosphor tint. She had just appeared in The Girl on the Strand, utterly scandalous. It was common tat around New York that an old wizard had made her from a whole garden’s worth of peonies. He should have made her out of something more sturdy, because she was looking wilted under the August heat.
Nghi Vo (The Chosen and the Beautiful)
I hate your kind." "Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?" Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first." The old gaijin laughs. "That would have been exciting." "We would have beaten you. Just like the cheshires." "You may yet." He shrugs. "You do not fear cibiscosis or blister rust." "No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont." He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals." Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?" The old man exchanges a glance with his ladyboy. "Can you do it?" Emiko presses. He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented." Emiko slumps. The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children—in genetic terms, if not physical ones—they can be made fertile, a part of the natural world." Emiko feels her heart pounding. "You can do this, truly?" "Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.
Paolo Bacigalupi (The Windup Girl)
Not very pretty for a whore.” The soldier behind her tugged on a strand of her hair. She ducked under his arm, grabbing his wrist and twisting it behind his back to pin him. It was a trick she had learned under the harsh tutelage of Mircea and perfected by practicing on Bogdan and Radu. The soldier shouted angrily and tried to pull away, so she twisted harder, pushing up against the joint. He yelped in pain. “You are prettier than I.” She put more pressure on his arm. “Perhaps you could offer yourself as whore instead.” “Help me!” he gasped. Lada looked up, defiance in her set jaw, to find the other Janissaries grinning in delight. The single-browed soldier, who could not have been more than eighteen or nineteen, laughed and walked forward, patting his trapped comrade on the head condescendingly. “Poor Ivan. Is the little girl picking on you?
Kiersten White (And I Darken (The Conqueror's Saga, #1))
Dude, wait until you see the hot little number on there!” He was grinning like the Cheshire cat. “What are you talking about? Aren’t all flight attendant’s middle-aged, blonde women?” “Not this one. She’s feisty too, kneed me right in the balls.” I smiled, and it was actually genuine. I wondered if he was fucking with me. But, it was enough to peak my curiosity. I slowly walked towards the plane wondering if it was going to be a grandma, or something. It wouldn’t be the first time. I really hoped that it wasn’t some die-hard groupie either. As soon as I reached the top of the stairs I almost tripped and fell on my face when I got my first look at her. She was gorgeous! She looked like she walked straight off of a pin-up girl calendar. She had long, black hair with strands of hot pink. I appraised my way down her body. She had a slim waist and curvy hips. She was built like an hourglass. I noticed a couple of sexy facial piercings. She had an adorable little nose and big brown eyes. Then I saw a tattoo peeking out on her shoulder. I could tell that she had a chest piece. I was instantly hard. Awesome…
Sophie Monroe (Battlescars (Battlescars, #1))
A butterfly fluttered from flower to flower in the old garden, gracing the silvery-blue tips of the crocuses and what remained of the icy-white petals of the lady's prized tulips. The yellow strands on the butterfly's wings shimmered in the fading light, and Libby watched the creature in its journey, mesmerized by the graceful rise and fall of its dance. Her arms outstretched, Libby twirled around like she had as a girl, embracing the last rays of sunlight. Here in this garden, she was as free as the butterfly. Here she didn't have to hide. The butterfly climbed above the flowers and soared toward the lily pond. Beyond the pond were more flowers, hundreds of them, and then the trees. Soon the butterfly would curl up under a rock or leaf and rest for the night, hiding in the darkness, alone and vulnerable until the sun powered her wings again at dawn. Libby trailed the creature around the pond to see where it would land. If the night stayed warm, she might curl up beside the butterfly to rest, but not now. She no longer had to hide in these gardens. Soon the moonlight would glaze the paths with gold, and she would explore for hours, enveloped in the shadows and the light.
Melanie Dobson (Shadows of Ladenbrooke Manor)
Marthe Away (She Is Away)" All night I lay awake beside you, Leaning on my elbow, watching your Sleeping face, that face whose purity Never ceases to astonish me. I could not sleep. But I did not want Sleep nor miss it. Against my body, Your body lay like a warm soft star. How many nights I have waked and watched You, in how many places. Who knows? This night might be the last one of all. As on so many nights, once more I Drank from your sleeping flesh the deep still Communion I am not always strong Enough to take from you waking, the peace of love. Foggy lights moved over the ceiling Of our room, so like the rooms of France And Italy, rooms of honeymoon, And gave your face an ever changing Speech, the secret communication Of untellable love. I knew then, As your secret spoke, my secret self, The blind bird, hardly visible in An endless web of lies. And I knew The web too, its every knot and strand, The hidden crippled bird, the terrible web. Towards the end of the night, as trucks rumbled In the streets, you stirred, cuddled to me, And spoke my name. Your voice was the voice Of a girl who had never known loss Of love, betrayal, mistrust, or lie. And later you turned again and clutched My hand and pressed it to your body. Now I know surely and forever, However much I have blotted our Waking love, its memory is still there. And I know the web, the net, The blind and crippled bird. For then, for One brief instant it was not blind, nor Trapped, not crippled. For one heart beat the Heart was free and moved itself. O love, I who am lost and damned with words, Whose words are a business and an art, I have no words. These words, this poem, this Is all confusion and ignorance. But I know that coached by your sweet heart, My heart beat one free beat and sent Through all my flesh the blood of truth.
Kenneth Rexroth (The Complete Poems)
Glowing in the dimensionless whispering dimness, Griffin saw a scene that could only have come from his dreams. The girl, naked white against the ledges and slopes of the falls, water cascading down her back, across her thighs, cool against her belly, her head laid back and white water bubbling through the shining black veil of her hair, touching each strand, silkily shining it with moisture; her eyes closed in simple pleasure; that face, the right face, the special face, the certain face of the woman he had always looked for without looking, hunted silently for, without acknowledging the search; lusted for, without feeling worthy of the hunger.
Harlan Ellison (I Have No Mouth & I Must Scream)
Ever since I first read Midori Snyder’s essay, ‘The Armless Maiden and the Hero’s Journey’ in The Journal of Mythic Arts, I couldn’t stop thinking about that particular strand of folklore and the application of its powerful themes to the lives of young women. There are many different versions of the tale from around the world, and the ‘Armless Maiden’ or ‘Handless Maiden’ are just two of the more familiar. But whatever the title, we are essentially talking about a narrative that speaks of the power of transformation – and, perhaps more significantly when writing young adult fantasy, the power of the female to transform herself. It’s a rite of passage; something that mirrors the traditional journey from adolescence to adulthood. Common motifs of the stories include – and I am simplifying pretty drastically here – the violent loss of hands or arms for the girl of the title, and their eventual re-growth as she slowly regains her autonomy and independence. In many accounts there is a halfway point in the story where a magician builds a temporary replacement pair of hands for the girl, magical hands and arms that are usually made entirely of silver. What I find interesting is that this isn’t where the story ends; the gaining of silver hands simply marks the beginning of a whole new test for our heroine.
Karen Mahoney
The stern broad-shouldered spear-girl and her jollier companion seemed to think them to some degree their property. The one opened the drinking-coconuts and passed them, the other handed the dried fishes, one by one. But not very valuable property: the spear-girl, whose name appeared to be Taio, looked at the white, hairy, waterlogged, waterwrinkled skin of Jack's leg where his trousers were rolled back, and uttered a sound of sincere and candid disgust, while the other one, Manu, took hold of a lock of his long yellow hair, now untied and hanging down his back, plucked out a few strands, turned them in her fingers and tossed them over the side, shaking her head and then carefully washing her hands.
Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Miriam gave her hair a preliminary drying, gathered her dressing-gown together and went upstairs. From the schoolroom came unmistakable sounds. They were evidently at dinner. She hurried to her attic. What was she to do with her hair? She rubbed it desperately—fancy being landed with hair like that, in the middle of the day! She could not possibly go down.... She must. Fraulein Pfaff would expect her to—and would be disgusted if she were not quick—she towelled frantically at the short strands round her forehead, despairingly screwed them into Hinde's and towelled at the rest. What had the other girls done? If only she could look into the schoolroom before going down—it was awful—what should she do?... She caught sight of a sodden-looking brush on Mademoiselle's bed. Mademoiselle had put hers up—she had seen her... of course... easy enough for her little fluffy clouds—she could do nothing with her straight, wet lumps—she began to brush it out—it separated into thin tails which flipped tiny drops of moisture against her hands as she brushed. Her arms ached; her face flared with her exertions. She was ravenous—she must manage somehow and go down. She braided the long strands and fastened their cold mass with extra hairpins. Then she unfastened the Hinde's—two tendrils flopped limply against her forehead. She combed them out. They fell in a curtain of streaks to her nose. Feverishly she divided them, draped them somehow back into the rest of her hair and fastened them.
Dorothy M. Richardson
My hair floated out around me with the evening breeze, and Romeo caught a strand of it before he opened the door to the car. “You really do look beautiful,” he murmured, dipping his head low. “Thanks,” I said against his lips. His kiss ignited instant desire inside me. Even though I spent last night with him, and the night before, I missed him terribly. I felt like we hadn’t had enough alone time. I wanted more. I wanted so much more. He groaned and pulled back. “Let’s get this dinner over with,” he said grumpily. “I want to spend some time alone with you.” “You read my mind.” “Now that the season is over, we’ll have more time together.” “Want to just go to Taco Bell and hide at your place?” I asked when he slid into the driver’s seat. He laughed. The sound filled the interior of the car. “Why, Rimmel,”— he pressed a hand to his chest like he was scandalized—“ are you suggesting we stand up my mother?” I giggled. “I knew it,” he drawled. “Underneath that sweet exterior lies the heart of a baddie baddie.” I laughed out loud. “A baddie baddie?” “Like totally,” he said in a valley girl voice and pretended to flip the long hair he didn’t have. God, I loved him. “So what do you say?” I taunted as I smiled. “Want to play hookie?” He groaned. “I’d love to, baby, but we can’t.” I stuck out my tongue. “Watch what you do with that thing, baby girl.” “Yeah? Or what?” I challenged. “Or we might be late and I might mess up the perfect hair and makeup you got going on.” His eyes twinkled and he fake gasped as he put the car in gear. “Just what would mother say?
Cambria Hebert (#Hater (Hashtag, #2))
He smiled and pulled the ugly white fichu from her neck. She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?" He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you." "I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?" "I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin. She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap. And underneath... "Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free. "Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair. He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers. He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill. Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist. "Wonderful," he murmured, taking it in both hands and lifting it.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The Fates themselves grant us one or two places in our lives where the thread untwists and we can follow either one strand or the other. Better to know when and where those choices will come to us instead of being taken by surprise. “ “Why only one or two?” I asked, thinking of all the moments my life had already accumulated in which I’d chosen to follow a different path than the one most people would expect of me. “Why not say that every day lets me choose my own future?” The priest chuckled. “What a gift you have for joking, Lady Helen! You know your future. You’ll be Sparta’s queen, living a life blessed by the gods. Your only surprises will be the name of your husband and whether your babies will be sons or daughters. You don’t need to visit the Pythia. But your noble brothers will be heroes, making their own futures; heroes should know what awaits them.” “He’s right, Helen,” Castor said. “Polydeuces and I should know our fate.” Castor’s fate? He didn’t need an oracle to discover that; I could tell him exactly what it would be. The young priest’s glib words were better than underground fumes for giving me a vision of what lay in store for both of my brothers: They were going to have their ears filled with flattery, then be persuaded to leave a rich gift at Apollo’s shrine just to hear some poor girl babble riddles while she choked half to death on smoke. Then they’d made another offering just to have Apollo’s priests translate the Pythia’s wild words. If their gifts to the sun god were too extravagant, I could also predict what Father would have to say about it when we got home.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
And there she is. I touch my jaw and she touches hers. I watch her lips part in awe and, for the first time in a long time, it’s not in a tight frown. She blinks slowly. I blink slowly. Because this is me. All I can do is stare. At some point the stretched-out neckline of my ratty thrift-store shirt slipped off my shoulder. A strand of hair falls across my face. A girl who could be my sister stares back at me—it’s not even that I did a good job with the makeup, because I didn’t, but she’s there. There’s a surge of vertigo as I realize this is what it’s like to bridge the gap between me-the-body and me-the-self. Or the start of it. It feels like waves are crashing in my ears, warm foam rising up to envelop me. I wrap my arms around my stomach and take a long, clean breath. And that’s really it—I feel clean for the first time in years.
Meredith Russo (Birthday)
I loved you, Atthis, years ago, when my youth was still all flowers and sighs, and you -- you seemed to me such a small ungainly girl. Can you forget what happened before? If so, then I'll remind you how, while lying beside me, you wove a garland of crocuses which I then braided into strands of your hair. And once, when you'd plaited a double necklace from a hundred blooms, I tied it around the swanning, sun-licked ring of your neck. And on more than one occasion (there were two of them, to be exact), while I looked on, too silent with adoration to say your name, you glazed your breasts and arms with oil. No holy place existed without us then, no woodland, no dance, no sound. Beyond all hope, I prayed those timeless days we spent might be made twice as long. I prayed one word: I want. Someone, I tell you, will remember us, even in another time.
Sappho (A Fragment Of An Ode Of Sappho From Longinus: Also, An Ode Of Sappho From Dionysius Halicarn)
She was confusing me. This was my tragedy. Why were we talking about her? “I’d get there and people would stare at me,” I said. “Look at me!” “Look at me!” she shot back. She pointed accusingly at herself in the full-length mirror. Her hair looked wilty. Her bottom lip sagged. “I’m thirty-eight years old and still living with my mother. I’ve wanted to get away from that woman all my life. And here it is, ten-thirty at night. I’m tired, Dolores. I just want to go to bed. But instead, I’m on my way to work, dressed up like . . . one of the goddamned Andrews sisters.” In the mirror, we shared a smile. I wanted to reach over and rub her back, tell her I loved her. I opened my mouth to say it, but something else came out. “What if I get so depressed down there that I slit my wrists? They could call here and say they found me in a pool of blood.” “Oh for Christ’s sweet sake!” Her hairbrush flew past me and hit the wall. She slammed into the bathroom, banging the medicine-cabinet door once, twice, three times. Tap water ran for several minutes. When she came back, her eyes were red. She bent over and picked up the brush, picked strands of hair from the bristles. “You don’t want to go to college? Don’t go. I can’t keep this up. I thought I could, but I can’t.” “I’ll get a job,” I said. “Maybe I’ll go on a diet. I’m sorry.” “You’re sorry, I’m sorry, everybody’s sorry,” she sighed. “Write that girl a letter. Don’t let her get stuck with those bedspreads.” I stopped her as she headed for the stairs. “Ma?” I said. She turned and faced me and I saw, in her eyes, the dazed woman she’d been those first days when she’d returned from the mental hospital years before. “Goddamnit, Dolores,” she said. “You’ve made me so goddamned tired.” Then she was down the stairs and out the door.
Wally Lamb (She's Come Undone)
Lastly,” Lye said, “we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money; and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be plumped up again—after all, it was only a bit thirsty for something to do.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
There was a difference between quality and mere showiness, he thought. That notion was reinforced immediately by the appearance of Lady Aline. She was dazzling, with strands of white pearls in her lustrous dark hair, her voluptuous body wrapped in a blue dress that molded tightly over the swell of her breasts. A double circlet of fresh white rosebuds was wrapped around one of her gloved wrists. Extending her hands in welcome, she went to a group of guests near the door of the ballroom. Her smile was a flash of magic. As he watched her, McKenna noticed something about her that had not registered during their earlier meeting... she walked differently than he remembered. Instead of exhibiting the impetuous grace she had possessed as a girl, Aline now moved with the leisurely deliberateness of a swan gliding across a still pond. Aline's entrance attracted many gazes, and it was obvious that McKenna was not the only man who appreciated her sparkling allure. No matter how tranquil her facade, there was no concealing the luminous sensuality beneath.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Life in the years between 1993 and 1998 went on as life in places like Derry always does: the buds of April became the brittle, blowing leaves of October; Christmas trees were brought into homes in mid-December and hauled off in the backs of Dumpsters with strands of tinsel still hanging sadly from their boughs during the first week of January; babies came in through the in door and old folks went out through the out door. Sometimes people in the prime of their lives went out through the out door, too. In Derry there were five years of haircuts and permanents, storms and senior proms, coffee and cigarettes, steak dinners at Parker's Cove and hotdogs at the Little League field. Girls and boys fell in love, drunks fell out of cars, short skirts fell out of favor. People reshingled their roofs and repaved their driveways. Old bums were voted out of office; new bums were voted in. It was life, often unsatisfying, frequently cruel, usually boring, sometimes beautiful, once in awhile exhilarating. The fundamental things continued to apply as time went by.
Stephen King (Insomnia)
The danger was not gone—Helen knew that. Each day spent together, the existence of this tiny charge was in her hands. It suddenly seemed the most perplexing fact of life—it was up to flawed, bruised, broken adults to bring up angels. Helen wanted to offer the child a place of safety, but no matter where Lyric went, that could not be found. Not for sure. If she stayed, they would each risk hurt, loss, and suffering. But it was no more than anyone else could offer. Helen realized, as she brushed a strand from the girl’s face and tucked it behind her small ear, that if she didn’t take that risk, she could be risking even more. For both of them. Lyric blinked, yet the look in her eyes never left. Helen closed her own eyes and leaned forward, placing a soft kiss on the child’s forehead. I will fail. She knew. I will fail you thousands of times more. But if we stay together, I will spend every day we have doing all I can to keep you from losing that look in your eyes. She nodded slowly to herself, to the unspoken words inside her. When you see me, I hope you always see a home.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.
Bernie Morris (The Fury of the Fae)
By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !
Rudyard Kipling (Mandalay)
I take a deep breath, relishing in the fresh air and open space around me. Something wet splatters on my cheek, and I turn my face toward the cloudy sky that is now beginning to drizzle down on me. I spread out my arms and tilt my head up, loving the feel of rain pelting my skin. The the drizzle turns into a downpour. Rain is falling rapidly while I'm smiling stupidly. My head feels clearer than it has in days as cool water coats my skin, my dress, my hair. I spin in place, the skirts of my gown swishing around my ankles, feeling like an idiot and absolutely loving it. I slip the shoes from my aching feet and pad through puddles like I did as a little girl, reminding me of a time when I was younger... Laughter bubbles out of me. Hysterical. I am completely hysterical. Rain is sticking strands of hair to my face and dripping down the tip of my nose while I smile through it all, momentarily forgetting about my troubles and simply taking a moment to exist. "I don't know that I ever lived before lying eyes on the likes of you." I spin, blinking through the steady stream of rain before my eyes find the gray ones blending in with the sheet of water falling down on us. His hair is dripping wet, all wavy and tousled. His white button-down shirt is sticky and see-through, showing off an inked chest and tanned torso beneath. And the sight of him has me smiling. "oh, but I only have eyes for one little lady, and I can't seem to take them off of her." His chest is rising and falling just as rapidly as the rain while my heart is thundering just as loudly as the storm.
Lauren Roberts, Powerless
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
Rider scooped Willow into his arms and carried her outside to the nearest tree, Miriam right behind him. Awkwardly shifting his burden, he sat in the shade and settled Willow in his lap. "Mrs. Brigham, could you lend me a hand?" he asked anxiously. "I think we should loosen her clothing or something." Rider propped Willow's limp form over one arm, giving Miriam access to the back of the girl's dress. As the corset came into view, he snorted in disgust. "Unlace that contraption, too. No wonder she fainted; she can't breathe." Miriam looked aghast. "Oh, but I can't do that! It wouldn't be decent." "She's wearing something under it, isn't she?" "Well, yes, but--" "Good God, I'll do it myself!" His free hand produced a small knife from his pants pocket. The blade flashed and before Miriam could stop him, the corset ribbons were severed. Immediately, Willow inhaled deeply. Rider shifted her back into the bend of his arm and gently patted her cheeks. "Come on, little girl, open those big blue eyes." Inhaling another deep breath, Willow gradually came around. She blinked at the leafy roof overhead, then focused a confused gaze on Rider's smiling face. "What happened? How did I get out here?" Glancing around, she impatiently brushed a few errant strands of hair from her eyes. "Oh, my dear, you fainted," Miriam fussed. "Fainted! I've never fainted in my life. I'm not the fainting kind." "Maybe not under normal circumstances," Rider contradicted, "but you did faint. And it's little wonder, trussed up in that ridiculous corset. Wearing that thing in this heat is insane!" "Really, Mr. Sinclair." Miriam scowled. "I hardly think this is an appropriate subject in mixed company." "I'm sorry, Mrs. Brigham, but it's the truth." "I don't care what either one of you says," Willow broke in. "I did not faint." Rider grimaced in disgust. "Just dozed off again, huh?
Charlotte McPherren (Song of the Willow)
EVEN BEFORE HE GOT ELECTROCUTED, Jason was having a rotten day. He woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know. That wasn’t necessarily the rotten part. The girl was cute, but he couldn’t figure out who she was or what he was doing there. He sat up and rubbed his eyes, trying to think. A few dozen kids sprawled in the seats in front of him, listening to iPods, talking, or sleeping. They all looked around his age…fifteen? Sixteen? Okay, that was scary. He didn’t know his own age. The bus rumbled along a bumpy road. Out the windows, desert rolled by under a bright blue sky. Jason was pretty sure he didn’t live in the desert. He tried to think back…the last thing he remembered… The girl squeezed his hand. “Jason, you okay?” She wore faded jeans, hiking boots, and a fleece snowboarding jacket. Her chocolate brown hair was cut choppy and uneven, with thin strands braided down the sides. She wore no makeup like she was trying not to draw attention to herself, but it didn’t work. She was seriously pretty. Her eyes seemed to change color like a kaleidoscope—brown, blue, and green. Jason let go of her hand. “Um, I don’t—” In the front of the bus, a teacher shouted, “All right, cupcakes, listen up!” The guy was obviously a coach. His baseball cap was pulled low over his hair, so you could just see his beady eyes. He had a wispy goatee and a sour face, like he’d eaten something moldy. His buff arms and chest pushed against a bright orange polo shirt. His nylon workout pants and Nikes were spotless white. A whistle hung from his neck, and a megaphone was clipped to his belt. He would’ve looked pretty scary if he hadn’t been five feet zero. When he stood up in the aisle, one of the students called, “Stand up, Coach Hedge!” “I heard that!” The coach scanned the bus for the offender. Then his eyes fixed on Jason, and his scowl deepened. A jolt went down Jason’s spine. He was sure the coach knew he didn’t belong there. He was going to call Jason out, demand to know what he was doing on the bus—and Jason wouldn’t have a clue what to say. But Coach Hedge looked away and cleared his throat. “We’ll arrive in five minutes! Stay with your partner. Don’t lose your worksheet. And if any of you precious little cupcakes causes any trouble on this trip, I will personally send you back to campus the hard way.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
touched mine. She tucked a strand of my curly red-gold hair behind my ear, but
C.J. Archer (The Wrong Girl (The 1st Freak House Trilogy #1))
Her hair was a tangled mess of blood, rain, and dirt—impossible to tell the color, dark brown maybe, bordering on black. A strand lay across her face, dividing it into two halves. Franza kneeled next to the girl and carefully brushed the strand of hair to one side, putting the halves back together.
Gabi Kreslehner (Rain Girl (Franza Oberwieser, #1))
Turtledoves They walk along together, A couple holding hands And never caring whether The sight of them demands Responses less than seemly: A point, a laugh, a stare. Her hazel eyes are dreamy; He loses himself there. Time melts away, revealing A boy and girl in love. With poplars for a ceiling, Heralded by doves, They stroll the cobbled pathway, A golden life ahead. The vision fades. It’s today, And standing there instead, Forever by his side, Is the woman he adores. He cherishes his bride More deeply than before In spite of all the creases, The creaks and silver strands. He knows nothing but peace as They wander, holding hands. Erin McCarty
Jack Canfield (Chicken Soup for the Soul Love Stories: Stories of First Dates, Soul Mates and Everlasting Love)
EVEN BEFORE HE GOT ELECTROCUTED, Jason was having a rotten day. He woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know. That wasn’t necessarily the rotten part. The girl was cute, but he couldn’t figure out who she was or what he was doing there. He sat up and rubbed his eyes, trying to think. A few dozen kids sprawled in the seats in front of him, listening to iPods, talking, or sleeping. They all looked around his age…fifteen? Sixteen? Okay, that was scary. He didn’t know his own age. The bus rumbled along a bumpy road. Out the windows, desert rolled by under a bright blue sky. Jason was pretty sure he didn’t live in the desert. He tried to think back…the last thing he remembered… The girl squeezed his hand. “Jason, you okay?” She wore faded jeans, hiking boots, and a fleece snowboarding jacket. Her chocolate brown hair was cut choppy and uneven, with thin strands braided down the sides. She wore no makeup like she was trying not to draw attention to herself, but it didn’t work. She was seriously pretty. Her eyes seemed to change color like a kaleidoscope—brown, blue, and green. Jason let go of her hand. “Um, I don’t—” In the front of the bus, a teacher shouted, “All right, cupcakes, listen up!” The guy was obviously a coach. His baseball cap was pulled low over his hair, so you could just see his beady eyes. He had a wispy goatee and a sour face, like he’d eaten something moldy. His buff arms and chest pushed against a bright orange polo shirt. His nylon workout pants and Nikes were spotless white. A whistle hung from his neck, and a megaphone was clipped to his belt. He would’ve looked pretty scary if he hadn’t been five feet zero. When he stood up in the aisle, one of the students called, “Stand up, Coach Hedge!” “I heard that!” The coach scanned the bus for the offender. Then his eyes fixed on Jason, and his scowl deepened. A jolt went down Jason’s spine. He was sure the coach knew he didn’t belong there. He was going to call Jason out, demand to know what he was doing on the bus—and Jason wouldn’t have a clue what to say. But Coach Hedge looked away and cleared his throat. “We’ll arrive in five minutes! Stay with your partner. Don’t lose your worksheet. And if any of you precious little cupcakes causes any trouble on this trip, I will personally send you
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Even at a distance, he recognized Emma sprawled headlong in the street, and he broke into a run. The road was empty, so was the boardwalk. He knelt beside her and helped her sit up. “Emma . . . honey, are you okay?” Tears streaked her dusty cheeks. “I-I lost my Aunt Kenny, and”—she hiccupped a sob—“m-my mommy’s gone.” Her face crumpled. “Oh, little one . . . come here.” He gathered her to him, and she came without hesitation. He stood and wiped her tears, and checked for injuries. No broken bones. Nothing but a skinned knee that a little soapy water—and maybe a sugar stick—would fix right up. “Shh . . . it’s okay.” He smoothed the hair on the back of her head, and her little arms came around his neck. A lump rose in his throat. “I won’t let anything happen to you.” Her sobs came harder. “Clara fell down too, Mr. Wyatt.” She drew back and held up the doll. “She’s all dirty. And she stinks.” Wyatt tried his best not to smile. Clara was indeed filthy. And wet. Apparently she’d gone for a swim in the same mud puddle Emma had fallen in. Only it wasn’t just mud, judging from the smell. “Here . . .” He gently chucked her beneath the chin. “Let’s see if we can find your Aunt Kenny. You want to?” The little girl nodded with a hint of uncertainty. “But I got my dress all dirty. She’s gonna be mad.” Knowing there might be some truth to that, he also knew Miss Ashford would be worried sick. “Do you remember where you were with Aunt Kenny before you got lost?” Emma shook her head. “I was talkin’ to my friend, and I looked up . . .” She sniffed and wiped her nose with the back of her hand. “And Aunt Kenny was gone.” Wyatt knew better than to think it was McKenna Ashford who had wandered away. “We’ll find her, don’t you worry.” “Clara’s dress is dirty like mine, huh?” She held the doll right in front of his face. Wyatt paused, unable to see it clearly. Easily supporting Emma’s weight, he took Clara and did his best to wipe the dirt and mud from the doll’s dress and its once-yellow strands of hair. His efforts only made a bigger mess, but Emma’s smile said she was grateful. “She likes you.” Emma put a hand to his cheek, then frowned. “Your face is itchy.” Knowing what she meant, he laughed and rubbed his stubbled jaw. He’d bathed and shaved last night in preparation for church this morning, half hoping he might see McKenna and Emma there. But they hadn’t attended. “My face is itchy, huh?” She squeezed his cheek in response, and he made a chomping noise, pretending he was trying to bite her. She pulled her hand back, giggling. Instinctively, he hugged her close and she laid her head on his shoulder. Something deep inside gave way. This is what it would have been like if his precious little Bethany had lived. He rubbed Emma’s back, taking on fresh pain as he glimpsed a fragment of what he’d been denied by the deaths of his wife and infant daughter so many years ago. “Here, you can carry her.” Emma tried to stuff Clara into his outer vest pocket, but the doll wouldn’t fit. Wyatt tucked her inside his vest instead and positioned its scraggly yarn head to poke out over the edge, hoping it would draw a smile. Which it did.
Tamera Alexander (The Inheritance)
At least we were still together. We loved each other, and I would fight until death parted us to save my girls. I opened my eyes and saw the little girl breathing quietly. ”Lucy, my baby girl!” I whispered as I brushed a strand of golden hair off her fragile face, glistening in sunlight. I kissed her lightly on the cheek, and tears of relief trickled down and plunged onto her satin skin. Tulip was lying still, beautiful and helpless next to us. Were we condemned? What was waiting ahead of us?
Alexandra Maria Proca (Waiting for Love)
She rode toward the sunset in her fathers worn down car. A breeze picked up strands of her hair through the open window while a cigarette burned between her lips. He told her stories of honey and milk as he replaced the grass with mud.
Rebecca Rijsdijk (Portraits of Girls I never Met)
Justineau doesn’t have any answer. She watches with an eerie sense of dislocation as Caldwell crosses to another part of the lab, comes back with a glass fish tank in which she’s set up one of her tissue cultures. It’s an older one, with several years of growth. The tank is about eighteen inches by twelve by ten inches high, and its interior is completely filled with a dense mass of fine, dark grey strands. Like plague-flavoured candy floss, Justineau thinks. It’s impossible even to tell what the original substrate was; it’s just lost in the toxic froth that has sprouted from it. “This
M.R. Carey (The Girl With All the Gifts)
Perhaps there’s something inside her we haven’t seen yet.” The delicate comb clinked on the stone, and she started to pull Evie’s hair into loose strands. “That’s the way it is with people, you know. When I was a girl, my mother died quite unexpectedly. She meant the world to me. To my father as well. But in his grief, he consented to marry another. She was a dreadful woman, and her dreadful daughters became my stepsisters. They lived to torment me. Each morning I’d wake and wonder what I’d done to make them hate me so. Eventually I came to see that I hadn’t done anything at all. Something somewhere in their lives had hurt them—I could see that even if they couldn’t—and I made up my mind to treat them decently, as others so clearly hadn’t.” Evie studied her in the mirror. She could live to be a thousand years old and she’d never be as kind as Hazelbranch. It seemed to come naturally, as though it was a part of her, like hair or skin. “Each of us is blessed with the ability to control our own decisions,” she continued, “but cursed with the inability to control the decisions of others. I couldn’t do a thing about the way they treated me, but I got to choose the way I treated them. And do you know what happened? As we grew into adulthood, one of those wicked stepsisters became the best friend I’ve ever had.” Evie scowled and looked to the floor. She had no interest in being the bigger person. She despised Malora, and was comfortable in her anger. “It isn’t fair. Of all the people here . . .” “Life isn’t fair, Evie. It never has been and it never will be. You can sit back and moan about its unfairness while the witches roll across the countryside, or you can pick yourself up and get on with it.
M.A. Larson (Pennyroyal Academy (Pennyroyal Academy, #1))
When Bill was a fluffy white blob, the lassie rose and started to dry her thick hair, darkened to milky coffee with rain. Lyle struggled not to notice how the brisk movement of her arms jiggled her generous bosom against her thin blouse. He had a liking for small, curvy women. Or at least he did now. After draping his wet, crumpled towel over another chair, Lyle straightened and stared at his adorably disheveled companion. “Shouldn’t we introduce ourselves?” She lowered the towel from her hair and regarded him with unreadable eyes. To his complete amazement, she dropped into a curtsy. “My name is Flora, sir. I’m a housemaid here.” With difficulty, he stifled a scoffing laugh. His intelligence mustn’t have impressed her. That lie wouldn’t convince the county’s greatest blockhead. Not least because she spoke with a clipped upper-class accent and her hands, while undoubtedly competent, were as smooth and unblemished as any lady’s. “Flora…” he said in a thoughtful voice, studying the wee besom and trying to make sense of this latest twist in their interactions. “Yes, sir,” she said, dropping her gaze with unconvincing humility. What the devil was she playing at, Sir John Warren’s beautiful only child? She’d kept him guessing from the first, which promised interesting times to come. Last week in his London club, her father had offered this girl to Lyle as his bride. Intrigued and faintly annoyed that she judged him daft enough to swallow this twaddle, Lyle decided to allow her enough rope to hang herself. Plastering an ingenuous smile on his face, he stepped closer. “I’m delighted to meet you, Miss Flora. My name is Smith. Ebenezer Smith.
Anna Campbell (Stranded with the Scottish Earl)
Finding out about a lost niece, raised by wolves in the jungle of a remote French town was weird to say the least. Ordinary for all, but the Joneses, like the strand of hair sticking out from a tight bun, the red eyes that stood out from a Polaroid picture.
Anna Adams (A French Star in New York (The French Girl #2))
But I want to be ready. When I look in your eyes and see how much you want a son, I want so much to give you one. A little boy with blond hair and blue eyes, just like you.” “No, he should have green eyes and brown hair with red highlights—just like his mother.” Sylvan smiled again and swept a strand of her hair behind her ear. “Or, you never can tell—we might have a daughter. It’s extremely rare but it does happen from time to time.” Sophie shook her head. “I’d rather have a little boy. I think I would worry about a boy less than a girl.” “I doubt you’d worry less if you knew some of the things I got up to as a child.” “Yes, well you were killing abominable vrannas by the time you were nine. I hope you wouldn’t expect to let our son do anything like that.” “No.” Sylvan looked thoughtful. “There aren’t any vrannas aboard the ship. I suppose we could devise a different manhood ritual for him, though.” “Over my dead body!” Sophie pushed away from him. “Listen, Mister, if you think for one minute I would let you take any son of mine into that kind of dangerous situation—” She broke off because Sylvan was laughing softly. “What?” she demanded. “Nothing. I’m just thinking what a wonderful, protective mother you’re going to be when you’re ready to have children. When we’re both ready.” He pulled her close again and Sophie buried her face in his broad shoulder and breathed in his familiar, comforting scent. I
Evangeline Anderson (Sought (Brides of the Kindred, #3))
He finished dressing and stopped beside the bed on his way out, where he bent down, cleared a strand of hair from Juliet's face, and kissed her gently on a cheek as soft and white as a magnolia petal. Charlie-girl was in her cradle, her little body rising and falling beneath her blanket; Gareth paused there as well, smiling tenderly down at the sleeping baby before bending down to kiss her brow. Then, very carefully so as not to wake either, he crept from the room. Ten
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
The cut was only the beginning. With Goldi acting as art director, a couple of girls in pink smocks swooped in and painstakingly separated strands of his hair and painted them with a noxious substance. Then they carefully encased the locks in foil so he resembled a Star Trek extra. He was placed in a chair where—no lie—they lowered a plastic dome over his head and set it on Bake. Under the plastic dryer-dome, Bo sat there like an abductee and pondered what else his captors had in mind. He wondered when they were going to bring out the probe.
Susan Wiggs (Fireside: Lakeshore Chronicles Book 5 (The Lakeshore Chronicles))
Oh hell, my sweet girl was embarrassed, and I would be a liar if I said that didn’t turn me on. I adjusted my legs, praying my dick didn’t decide to salute at that moment. Aimee
Lora Ann (Bound (Strand Brothers, #2))
How remarkable,” Amelia said casually. “There’s still something left of you.” Plucking a handkerchief from her sleeve, she strode forward and tenderly wiped sweat and a smear of blood from his cheeks. Noticing his unfocused gaze, she said, “I’m the one in the middle, dear.” “Ah. There you are.” Leo’s head bobbed up and down like a string puppet’s. He glanced at Merripen, who was providing far more support than Leo’s own legs were. “My sister,” he said. “Terrifying girl.” “Before Merripen puts you in the carriage,” Amelia said, “are you going to cast up your accounts, Leo?” “Certainly not,” came the unhesitating reply. “Hathaways always hold their liquor.” Amelia stroked aside the dirty brown locks that dangled like strands of yarn over his eyes. “It would be nice if you would try to hold a bit less of it in the future, dear.” “Ah, but sis…” As Leo looked down at her, she saw a flash of his old self, a spark in the vacant eyes, and then it was gone. “I have such a powerful thirst.” Amelia felt the smart of tears at the corners of her eyes, tasted salt at the back of her throat. Swallowing it back, she said in a steady voice, “For the next few days, Leo, your thirst will be slaked exclusively by water or tea. Into the carriage with him, Merripen.” Leo twisted to glance at the man who held him steady. “For God’s sake, you’re not going to put me in her custody, are you?” “Would you rather dry out in the care of a Bow Street gaolkeeper?” Merripen asked politely. “He would be a damn sight more merciful.” Grumbling, Leo lurched toward the carriage with Merripen’s assistance.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
You are enough for me, which is no small thing, and I respect you tremendously in a way that has little to do with your physical attributes.
Vivien Jackson (The Girl Who Fell From the Sky (Stranded Hearts, #1))
The tank's interior is completely filled with a dense mass of fine, dark grey strands. Like plague-flavored candy floss, Justineau thinks.
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
As a tree grows, its lower branches become obsolete, too shaded by the newer ones above to be of any further use. A willow tree loads these used branches with reserves, fattens and strengthens them and then dehydrates their base such that they snap off cleanly and fall into the river. Carried away on the water, one out of millions of these sticks will wash up onto a bank and replant itself, and before long that very same tree is now growing elsewhere. What was once a twig will be forced to function as a trunk, stranded under conditions it had never considered. Every willow tree features more than ten thousand such snap-off points; it sheds 10 percent of its branches in this way every single year. Over the decades one—maybe two—of these will successfully take root downriver and grow into a genetically identical doppelgänger.
Hope Jahren (Lab Girl)
The shot that won me over completely was of Coco clad in a pleated army-green skirt, with a matching military sweater, a tiny strand of pearls, a beanie, and wild-print knee socks, all by Gucci: it’s like my id and my Girl Scout uniform hooked up in a fitting room at Bergdorf’s.
Jen Lancaster (Welcome to the United States of Anxiety: Observations from a Reforming Neurotic)
I want bad girls to win.
Mark Strand
Get a grip, Ash. This isn’t a fairy tale. I stilled. But it was a test. Three of them, to be precise. The bowls, the smudges, and getting out of here. Evil Wanker hadn’t expected me to defeat the smudges and now he hoped I’d be stranded. Fuck that. I was the Girl Who Lived, not the Girl Who Languished in Some Shitty Alternate Reality Until She Tried to Gnaw Her Own Arm off from Hunger and Subsequently Died.
Deborah Wilde (Death & Desire (The Jezebel Files, #2))
Honus took out his healing kit, and set a pot of water to boil. “When the water’s ready,” he said, “I’ll tend your wound.”   Yim touched the cut on her chin. “Is it bad?”   Honus peered at it in the firelight. “No, but you’ll have a scar.”   Yim smiled wryly. “I’m catching up with your collection.”   “I’m keeping apace with you,” replied Honus.   For the first time, Yim noticed that Honus’s shirtsleeve was torn and blood-soaked. She gasped. “Honus! Why didn’t you tell me you were hurt?”   “I didn’t wish to trouble you. Besides, it’s not deep.” He rolled up his right sleeve to reveal a bloody gash on his forearm.   When the water boiled, Honus poured some into a wooden bowl and added powder from a vial in his healing kit. After cleaning the blood from Yim’s face, he wetted a cloth with the solution in the bowl. “This will sting,” he said.   “I remember,” replied Yim. She winced as the solution foamed inside her cut. Glimpsing the concern in Honus’s eyes, she tried to hide her pain. She took a deep breath and said, “I’m glad that’s over.”   Honus cleaned the gash on his arm with the same solution, then asked, “Would you stitch my wound closed? I’d rather not do it left-handed.”   “I’ll try,” said Yim, “but I’ve never done the like before.”   “It’s not hard, and I’m certain your dainty fingers will do finer work than Theodus’s thick ones ever managed.”   “Before you malign his stitching, you should compare it to mine,” said Yim. “As a girl, I was more adept with goats than needlework.”   “Then pretend I’m a goat.”   Honus took out a curved needle and a strand of gut from his kit and dipped them in the cleansin g solution. He declined Yim’s suggestion to prepare a brew for his pain, stating he wanted to stay alert. When Yim nervously sewed his wound, he was absolutely stoic. He guided her stitching calmly, tensing only slightly each time the needle pierced his flesh. The only evidence of his pain was the deep breath he took when Yim was done. Honus gazed at his stitches and smiled. “You underestimate your skill.”   “I’m glad you’re so easily pleased,” Yim replied. “The woman who raised me would’ve made me tear out the seam and restitch it.”   Honus winced. “Let’s talk of food, instead,” he said quickly. “Perhaps this would be a good night to have that cheese we were saving.”   “To celebrate our new scars?’   “To celebrate we’re both alive.
Morgan Howell (Candle in the Storm (Shadowed Path, #2))
I brush a strand of hair from her face, then move beside her. When she wraps her arms around my neck, all I want to do is protect this girl for the rest of my life. I ease her jacket open and lean away. A pink lace bra stares back at me. Nothing else. "Como un angel," I whisper. "Is our game over?" she asks nervously. "It's definitely over, querida. 'Cause what we're gonna do next is no game.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
What happened?” Harper swallowed, unsure what to tell his daughter. What had Cat told her? “I was shot a couple of weeks ago.” Her eyes flashed to his as if to see if he were telling the truth. “Seriously?” He nodded. “But I’m okay. No big deal,” he assured her. She shook her head, stepping closer. Her hand lifted as if she wanted to touch the wound but she stopped. “Does it still hurt?” “Not much. I’m kind of used to it.” Crossing her arms, she looked up at him, considering. “Mom told me you had been hurt but she didn’t say how or why. I thought she was lying to me again.” Harper winced. “She wasn’t lying. I was shot in the chest and I was hit by glass when my scope was hit. I lost the vision in my right eye.” He rubbed at the scars on his face a little self-consciously. She blinked. “Isn’t that your shooting eye?” Harper looked at her, considering. Damn, she was sharp. “Yes, it is. I’m going to have to teach myself to shoot again. I don’t really shoot much at work, but it’s a skill I need to keep.” Dillon shook her head again, her expression forlorn. “Where do you work now? Mom didn’t know. And we haven’t heard from you in so long. It was like you disappeared off the earth. And now you’re hurt.” Tears filled her eyes again and one slipped down her cheek. She swiped it away angrily, but more began to follow. “Oh, honey.” Harper dared to take a step toward her, heartened when she didn’t bolt. “I’m okay. I really am. And I’m sorry I haven’t talked to you. Believe it or not I’ve missed you too—I just didn’t feel like I could be at home with you for a while. Not because of anything you did, but because of things that were going on in my head. I had to get them straightened out so that I could be with you guys.” Dillon didn’t look like she believed him, but at least she was listening. “I swear to you I wanted to come home, but I couldn’t risk you guys. In my old job with the SEALs I had to go to war in bad places.” “Afghanistan?” He stopped, surprised. But then, why was he surprised? Dillon was damn smart. “Yes. I was there for a good while. And a bunch of other places. And when you get used to doing something, like fighting in a war, it’s hard to change when you come home. I had problems getting used to not fighting. Do you understand?” She nodded, arms still wrapped around herself. “So rather than run the chance of maybe waking up one night and hurting you guys I moved out. It wasn’t because your mom and I had problems, it wasn’t because I didn’t love you and it definitely wasn’t because of anything you kids did. It was just me. Fighting myself in my head. And I worried that if I talked to you guys I wouldn’t be able to stay away.” Tears were still dripping down her cheeks. Harper dared to reach out and tuck a mussed strand of her dark hair behind her ear. “But I promise you I won’t leave you again. Not like this. And I promise I will always talk to you. Okay?” She nodded and took a step forward, as if seeking reassurance. Harper opened his arms for a hug and she folded into him, sobbing. “Oh, baby girl, I love you so much. I’m sorry I hurt you but I really did think it would be better if I just disappeared.” He ran his hands down her long hair and pressed a kiss to the top of her head. “Do you think you can forgive me? I really miss talking to you.” She nodded her head against him and wrapped her arms around him to squeeze, then pulled back with a gasp. “I didn’t hurt you, did I?” Harper smiled. “Nope. Not enough to notice.” He pulled her back for another hug and another kiss on top of her head. “Wanna grab some breakfast?” Dillon nodded and they headed to the kitchen, his arm around her shoulders.
J.M. Madden (Embattled SEAL (Lost and Found #4))
Ellie, I’ve been wanting to ask a question. It’s not a real big issue with me, but I still should ask. You can say no and it won’t make a difference, but just in case—” “For God’s sake, Noah! Spit it out.” He took a breath. “How do you feel about more children?” “Why?” she asked. He struggled for a moment. “Well…because if you wanted more…I could be talked into it…” She punched him in the stomach. “Never lie to me like that. Do you want a baby of your own, Noah?” “I’m nuts about Trevor and Danielle and I want to adopt them if we can work that out, and I think we can, but, yeah—if I could have one with my receding hairline and bowed legs—” She laughed and ran her fingers into his overlong, curly dark hair. There was a strand or two of silver; Noah was thirty-five. “Oh, what I’d give to have a little girl with your dark curls,” she said. “And your legs are better than mine.” “No one’s legs are better than yours,” he said. “Did you ever think about another one?” “I’ll think about that. Not right away, Noah. I have house problems and adoption problems to deal with first.” “Not
Robyn Carr (Angel's Peak (Virgin River #10))
Do you ever think about makin’ love to me?” He slides off a sock before I even answer his question. “Yes,” she answers. “Do you think about making love with me?” I lie awake most nights, fantasizing about sleeping next to her…loving her. “Right now, muñeca, makin’ love to you is the only thing on my mind.” I check my watch. I’ve got to go soon. Drug dealers don’t give a shit about your personal life. I can’t be late, but I want Brittany so damn bad. “Your coat’s next. You sure you want to keep goin’?” I slip off my other sock. The only things preventing me from being naked are my jeans and briefs. “Yes, I want to keep going.” She smiles wide, her beautiful pink lips glistening in the light. “Turn off the lights before I…take my coat off.” I turn off the shop lights, watching as she stands on the blanket and unbuttons her coat with trembling fingers. I’m in a trance, especially when she looks at me with those clear eyes shining with desire. As she opens her coat slowly, my eyes are fixed on the present inside. She walks toward me, then trips on a discarded shoe. I catch her, then place her on the soft blanket and settle atop her. “Thanks for breaking my fall,” she says breathlessly. I brush a strand of hair from her face, then move beside her. When she wraps her arms around my neck, all I want to do is protect this girl for the rest of my life. I ease her jacket open and lean away. A pink lace bra stares back at me. Nothing else. “Como un ángel,” I whisper. “Is our game over?” she asks nervously. “It’s definitely over, querida. ’Cause what we’re gonna do next is no game.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))