Stranded Boat Quotes

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It is the tenderness that breaks our hearts. The loveliness that leaves us stranded on the shore, watching the boats sail away. It is the sweetness that makes us want to reach out and touch the soft skin of another person. And it is the grace that comes to us, undeserving though we may be.
Robert Goolrick (The End of the World as We Know It: Scenes from a Life)
You couldn't think of after, you only thought of now, and come to think of it, you didn't do that either -- you were left with pools of memory, each stranded from the next by time pulling forward like a tide.
Nam Le (The Boat)
Counting on each other became automatic. When I found a sweater in Texas I wanted, I learned to buy two, which was easier than seeing the look of disappointment on Caroline's face when I returned home with only one. When she went out from the boathouse on a windy day, she gave me her schedule in advance, which assuaged her worst-case scenario of flipping the boat, being hit on the head by an oar, and leaving Lucille stranded at home. I still have my set of keys to her house, to locks and doors that no longer exist, and I keep them in my glove compartment, where they have been moved from one car to another in the past couple of years. Someday I will throw them in the Charles, where I lost the seat to her boat and so much else.
Gail Caldwell (Let's Take the Long Way Home: A Memoir of Friendship)
You couldn't think of after, you only thought of now, and come to think of it, you didn't do that either- you were left with pools of memory, each stranded from the next by time pulling forward like a tide.
Nam Le (The Boat)
Closer" Stranded in this spooky town, Stoplights are swaying and the phone lines are down Floor is crackling cold, She took my heart, I think she took my soul With the moon I run, Far from the carnage of the fiery sun Driven by the strangle of vein Showin' no mercy I do it again Open up your eyes You keep on crying, baby I'll bleed you dry Skies are blinking at me I see a storm bubbling up from the sea And it's coming closer [2x] You shimmy-shook my boat, Leavin' me stranded all in love on my own Do you think of me? Where am I now, baby where do I sleep? Feels so good but I'm old 2000 years of chasing takin' its toll And it's coming closer [4x]
Kings of Leon
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
When he was a kid, it used to feel like his parents disappeared when the got drunk. As the levels of their glasses went down, he could sense them pulling away from him, as if they were together on the same boat, slowly pulling away from the shore where Oliver was left stranded, still himself, still boring, sensible Oliver, and he'd think, Please don't go, stay here with me, because his real mother was funny and his real father was smart, but they always went. First his dad got stupid and his mum got giggly, and then his mum got nasty and his dad got angry, and so it went until there was no point staying and Oliver went to watch movies in his bedroom. He'd had his own VCR in his bedroom. He'd had a privileged upbringing, had never wanted for anything.
Liane Moriarty (Truly Madly Guilty)
The mayor informed General Petronio San Roman of the episode, down to the last literal phrase, in an alarming telegram. General San Roman must have followed his son's wishes to the letter, because he didn't come for him, but sent his wife with their daughters and two other older women who seemed to be her sisters. They came on a cargo boat, locked in mourning up to their necks because of Bayardo San Roman's misfortunes, and with their hair hanging loose in grief. Before stepping onto land, they took off their shoes and went barefoot through the streets up to the hilltop in the burning dust of noon, pulling out strands of hair by the roots and wailing loudly with such high-pitched shrieks that they seemed to be shouts of joy. I watched them pass from Magdalena Oliver's balcony, and I remember thinking that distress like theirs could only be put on in order to hide other, greater shames.
Gabriel García Márquez (Chronicle of a Death Foretold)
This body is the boat which will carry us to the other shore of the ocean of life. It must be taken care of. Unhealthy persons cannot be Yogis. Mental laziness makes us lose all lively interest in the subject, without which there will neither be the will nor the energy to practise. Doubts will arise in the mind about the truth of the science, however strong one's intellectual conviction may be, until certain peculiar psychic experiences come, as hearing or seeing at a distance, etc. These glimpses strengthen the mind and make the student persevere. Falling away ... when obtained. Some days or weeks when you are practicing, the mind will be calm and easily concentrated, and you will find yourself progressing fast. All of a sudden the progress will stop one day, and you will find yourself, as it were, stranded. Persevere. All progress proceeds by such rise and fall.
Swami Vivekananda (Complete Works of Swami Vivekananda)
The analogy that has helped me most is this: in Hurricane Katrina, hundreds of boat-owners rescued people—single moms, toddlers, grandfathers—stranded in attics, on roofs, in flooded housing projects, hospitals, and school buildings. None of them said, I can’t rescue everyone, therefore it’s futile; therefore my efforts are flawed and worthless, though that’s often what people say about more abstract issues in which, nevertheless, lives, places, cultures, species, rights are at stake. They went out there in fishing boats and rowboats and pirogues and all kinds of small craft, some driving from as far as Texas and eluding the authorities to get in, others refugees themselves working within the city. There was bumper-to-bumper boat-trailer traffic—the celebrated Cajun Navy—going toward the city the day after the levees broke. None of those people said, I can’t rescue them all. All of them said, I can rescue someone, and that’s work so meaningful and important I will risk my life and defy the authorities to do it. And they did. Of course, working for systemic change also matters—the kind of change that might prevent calamities by addressing the climate or the infrastructure or the environmental and economic injustice that put some people in harm’s way in New Orleans in the first place.
Rebecca Solnit (Hope in the Dark: Untold Histories, Wild Possibilities)
Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
After dinner Karamenaios would drop in. We had about fifty words with which to make lingual currency. We didn't even need that many, as I soon discovered. There are a thousand ways of talking and words don't help if the spirit is absent. Karamenaios and I were eager to talk. lt made little difference to me whether we talked about the war or about knives and forks. Sometimes we discovered that a word or phrase which we had been using for days, he in English or I in Greek, meant something entirely different than we had thought it to mean. It made no difference. We understood one another even with the wrong words. I could learn five new words in an evening and forget six or eight during my sleep. The important thing was the warm handclasp, the light in the eyes, the grapes which we devoured in common, the glass we raised to our lips in sign of friendship. Now and then I would get excited and, using a melange of English, Greek, German, French, Choctaw, Eskimo, Swahili or any other tongue I felt would serve the purpose, using the chair, the table, the spoon, the lamp, the bread knife, I would enact for him a fragment of my life in New York, Paris, London, Chula Vista, Canarsie, Hackensack or in some place I had never been or some place I had been in a dream or when lying asleep on the operating table. Sometimes I felt so good, so versatile and acrobatic, that I would stand on the table and sing in some unknown language or hop from the table to the commode and from the commode to the staircase or swing from the rafters, anything to entertain him, keep him amused, make him roll from side to side with laughter. I was considered an old man in the village because of my bald pate and fringe of white hair. Nobody had ever seen an old man cut up the way I did. "The old man is going for a swim," they would say. "The old man is taking the boat out." Always "the old man." If a storm came up and they knew I was out in the middle of the pond they would send someone out to see that "the old man" got in safely. If I decided to take a jaunt through the hills Karamenaios would offer to accompany me so that no harm would come to me. If I got stranded somewhere I had only to announce that I was an American and at once a dozen hands were ready to help me.
Henry Miller (The Colossus of Maroussi)
YOU CAN ALWAYS GET THERE FROM HERE A traveler returned to the country from which he had started many years before. When he stepped from the boat, he noticed how different everything was. There were once many buildings, but now there were few and each of them needed repair. In the park where he played as a child, dust-filled shafts of sunlight struck the tawny leaves of trees and withered hedges. Empty trash bags littered the grass. The air was heavy. He sat on one of the benches and explained to the woman next to him that he’d been away a long time, then asked her what season had he come back to. She replied that it was the only one left, the one they all had agreed on.
Mark Strand (Collected Poems of Mark Strand)
In a remote area on the western side of the island, near the town of Marrawah, a pod of sperm whales was stranded on the beach. One big male came to shore first. Over the next twenty-four hours, another thirty-four whales stranded themselves, including calves and pregnant mothers. Whale stranding is one of the heartbreaking mysteries of the animal world. It is little understood. At this moment no scientific reasoning mattered as we encountered the tragedy unfolding on that Tasmanian beach. I felt so helpless. All I could do was be there as the huge, gorgeous sea mammals fought pitifully to stay alive. The weather was cold, even though it was officially the Tasmanian summer, and the seas were too rough to get a boat out to help the whales. We put our arms around the dying animals, spoke to them, and looked into their eyes to share in their pain and grief. By the end of the day I was so cold that I had trouble getting my pants off over my pregnant belly. It took me half an hour of struggling in the car park to strip off my soaking-wet clothes and get into some warm, dry gear. Physically, emotionally, and even spiritually, it had been an exhausting day. I pondered what communication the baby inside me would have gotten from the event. The dying whales had sung among themselves. Steve and I spoke back and forth over their stranded bodies. What did baby Igor pick up on? Through our experiences, we were beginning to form our very own tiny wildlife warrior, even before the baby was born. Igor had only just begun his education.
Terri Irwin (Steve & Me)
I read about how Europe and America no longer want to allow people who come from my country to move to their shores for safety. I read about families stranded on shaky boats, trapped in refugee camps.
Jasmine Warga (Other Words for Home)
Several small boats were drawn up on the strand, their crews engaged in the mysterious occupations of mariners on land.
Pat McIntosh (The Fourth Crow (Gil Cunningham Book 9))
If you were stranded in the ocean in a small boat with a paddle, I’d tell you to pray to God, but row for the shore!
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
YARMOUTH is not a happy place for a picnic. A picnic should be held among green things. Green turf is absolutely an essential. There should be trees, broken ground, small paths, thickets, and hidden recesses. There should, if possible, be rocks, old timber, moss, and brambles. There should certainly be hills and dales, – on a small scale; and above all, there should be running water. There should be no expanse. Jones should not be able to see all Greene’s movements, nor should Augusta always have her eye upon her sister Jane. But the spot chosen for Mr Cheesacre’s picnic at Yarmouth had none of the virtues above described. It was on the seashore. Nothing was visible from the site but sand and sea. There were no trees there and nothing green: – neither was there any running water. But there was a long, dry, flat strand; there was an old boat half turned over, under which it was proposed to dine; and in addition to this, benches, boards, and some amount of canvas for shelter were provided by the liberality of Mr Cheesacre. Therefore it was called Mr Cheesacre’s picnic.
Anthony Trollope (Can You Forgive Her?)
Eärendil was a mariner that tarried in Arvernien; he built a boat of timber felled in Nimbrethil to journey in; her sails he wove of silver fair, of silver were her lanterns made, her prow was fashioned like a swan, and light upon her banners laid. In panoply of ancient kings, in chainéd rings he armoured him; his shining shield was scored with runes to ward all wounds and harm from him; his bow was made of dragon-horn, his arrows shorn of ebony; of silver was his habergeon, his scabbard of chalcedony; his sword of steel was valiant, of adamant his helmet tall, an eagle-plume upon his crest, upon his breast an emerald. Beneath the Moon and under star he wandered far from northern strands, bewildered on enchanted ways beyond the days of mortal lands. From gnashing of the Narrow Ice where shadow lies on frozen hills, from nether heats and burning waste he turned in haste, and roving still on starless waters far astray at last he came to Night of Naught, and passed, and never sight he saw of shining shore nor light he sought. The winds of wrath came driving him, and blindly in the foam he fled from west to east and errandless, unheralded he homeward sped. There flying Elwing came to him, and flame was in the darkness lit; more bright than light of diamond the fire upon her carcanet. The Silmaril she bound on him and crowned him with the living light and dauntless then with burning brow he turned his prow; and in the night from Otherworld beyond the Sea there strong and free a storm arose, a wind of power in Tarmenel; by paths that seldom mortal goes his boat it bore with biting breath as might of death across the grey and long forsaken seas distressed; from east to west he passed away.
J.R.R. Tolkien (The Fellowship of the Ring (BBC Dramatisation of The Lord of the Rings #1))
Looking into his eyes instead of where she was stepping, she put her foot too far to the edge of the step and as she shifted her weight forward to get onto the boat, her foot slid and she ended up falling into Chase. He caught her—also like some stupid romantic movie—but the bag she was holding whacked him in the leg and he winced. She looked down. It didn’t just hold strands of lights. There was also a big, hard plastic, gold-glitter covered star. With very sharp points. One of which was poking into his leg. Bailey quickly shifted to move the bag away from his leg but that only managed to press her hips into his. And the big, hard shape behind his fly. Her eyes flew to his face. He was looking down at her. His expression held pain, amusement, heat, and exasperation all at once. Impressively. “Sorry I’m poking you,” she said, her voice breathless. “I was going to say the same.” His grin registered before his words did.
Erin Nicholas (Must Love Alligators (Boys of the Bayou, #5))
As Michele lifted one bare-toed foot over the side she squealed. A crab had escaped from one of the pots and was scurrying around the bottom of the boat. "Super choice," she said to Brian. "Stranded on a pirate island or eaten alive by a crab.
Carole Marsh (The Mystery of Blackbeard the Pirate (Real Kids! Real Places! Book 3))
There’s something between us. It pulled at me from the second I got off that boat. A strand of something weaving us together. And I’m not cutting that cord. And you could try, but I don’t think it would work.
Catherine Cowles (Reckless Refuge (Wrecked, #4))
Was she killed by whoever is creating the synth? If she was on that boat to seize their shipment?” She tucked a strand of hair behind her ear. “Could the person selling the synth and the person searching for the Horn be the same, if the synth can possibly repair the Horn?
Sarah J. Maas (Crescent City Ebook Bundle: A 2-book bundle)
It is the tenderness that breaks our hearts. The loveliness that leaves us stranded on the shore, watching the boats sail away. It is the sweetness that makes us want to reach out and touch the soft skin of another person. And it is the grace that comes to us, undeserving though we may be. — Robert Goolrick, The End of the World as We Know It: Scenes from a Life (Algonquin Books, March 23, 2007)
Robert Goolrick (The End of the World as We Know It: Scenes from a Life)
Just above the line, a telegraph operator sat perilously on the steep river bank, his keypad in hand and a strand of copper wire running up the hill behind him to a pole where he had made a connection with the main line, ready to tell the world when the race began.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
trained and ready to fight. “I now have a really intensive faith in the First Division. They are 1,000 percent better than they were…. They are young but are hard and fit. Please remember that I am thinking of you and Sonny all the time.” He swung a leg over the side of the Reina del Pacifico and with a gymnast’s grace scrambled down the net to the waiting boat below.   Chaos awaited him on the beaches near Arzew. An unanticipated westerly set had pushed the transports and landing craft off course. Dozens of confused coxswains tacked up and down the coast in the dark, looking for the right beaches. Most of the soldiers carried more than 100 pounds of equipment; one likened himself to a medieval knight in armor who had to be winched into the saddle. Once ashore, feeling the effect of weeks aboard ship with a poor diet and little exercise, they staggered into the dunes, shedding gas capes, goggles, wool undershirts, and grenades. Landing craft stranded by an ebb tide so jammed the beaches that bulldozers had to push them off, ruining their propellers and rudders. The flat-bottomed oil tankers that were supposed to haul light tanks onto the beach instead ran aground 300 feet from shore; engineers spent hours building a causeway through the surf.
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
We began with two buttery sweet edamame and one sugar syrup-soaked shrimp in a crunchy soft shell. A lightly simmered baby octopus practically melted in our mouths, while a tiny cup of clear, lemony soup provided cooling refreshment. The soup held three slices of okra and several slippery cool strands of junsai (water shield), a luxury food that grows in ponds and marshes throughout Asia, Australia, West Africa, and North America. In the late spring the tiny plant develops leafy shoots surrounded by a gelatinous sheath that floats on the water's surface, enabling the Japanese to scoop it up by hand from small boats. The edamame, okra, and water shield represented items from the mountains, while the shrimp and octopus exemplified the ocean. I could tell John was intrigued and amused by this artistic (perhaps puny?) array of exotica. Two pearly pieces of sea bream, several fat triangles of tuna, and sweet shelled raw baby shrimp composed the sashimi course, which arrived on a pale turquoise dish about the size of a bread plate. It was the raw fish portion of the meal, similar to the mukozuke in a tea kaiseki. To counter the beefy richness of the tuna, we wrapped the triangles in pungent shiso leaves , then dunked them in soy. After the sashimi, the waitress brought out the mushimono (steamed dish). In a coal-black ceramic bowl sat an ivory potato dumpling suspended in a clear wiggly broth of dashi thickened with kudzu starch, freckled with glistening orange salmon roe. The steamed dumplings, reminiscent of a white peach, was all at once velvety, sweet, starchy, and feathery and had a center "pit" of ground chicken. The whole dish, served warm and with a little wooden spoon, embodied the young, tender softness of spring.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
In September 1942, a B-17 crashed in the Pacific, stranding nine men on a raft. Within a few days, one had died and the rest had gone mad. Two heard music and baying dogs. One was convinced that a navy plane was pushing the raft from behind. Two scuffled over an imaginary case of beer. Another shouted curses at a sky that he believed was full of bombers. Seeing a delusory boat, he pitched himself overboard and drowned. On day six, when a plane flew by, the remaining men had to confer to be sure that it was real. When they were rescued on day seven, they were too weak to wave their arms.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)