Straight Savage Quotes

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Midway along the journey of our life I woke to find myself in a dark wood, for I had wandered off from the straight path. How hard it is to tell what it was like, this wood of wilderness, savage and stubborn (the thought of it brings back all my old fears), a bitter place! Death could scarce be bitterer. But if I would show the good that came of it I must talk about things other than the good.
Dante Alighieri
She's more than just a fucking Gifted, that's what I'm trying to say. She didn't just heal us enough to survive, she fixed everything. Everything! My fingers are straight again, Gabe. She fixed an injury that happened twenty fucking years ago.
J. Bree (Savage Bonds (The Bonds That Tie, #2))
Parenting is savage—there is no other activity on earth that you could get up to do four times a night for two years straight, and at the end of it be merely in the running for mediocre.
Emily Itami (Fault Lines)
Where are we going?” she asked. “Mr. Durbin’s sheep have begun to lamb, and I wanted to see how the ewes are doing.” He cleared his throat. “I suppose I should have told you about today’s outing earlier.” Anna kept her eyes straight ahead and made a noncommittal sound. He coughed. “I might’ve, had you not left so precipitously yesterday afternoon.” She arched a brow but did not reply. There was a lengthy lull broken only by the dog’s eager yelp as he flushed a rabbit from the hedge along the lane. Then the earl tried again. “I’ve heard some people say my temper is rather . . .” He paused, apparently searching for a word. Anna helped him. “Savage?” He squinted at her. “Ferocious?” He frowned and opened his mouth. She was quicker. “Barbaric?” He cut her off before she could add to her list. “Yes, well, let us simply say that it intimidates some people.” He hesitated. “I wouldn’t want to intimidate you, Mrs. Wren.” “You don’t.
Elizabeth Hoyt (The Raven Prince (Princes Trilogy, #1))
The last thing you’d want is to look like you’re one straight jacket shy of a psych ward—
Belinda Boring (Savage Possession (Mystic Wolves, #5))
t was amazing how easy it was to think in straight lines when he was in motion, even without his violin.
Victoria E. Schwab (This Savage Song (Monsters of Verity, #1))
These moments of nocturnal prowling leave an indelible impression. Eyes and ears are tensed to the maximum, the rustling approach of strange feet in the tall grass in an unutterably menacing thing. Your breath comes in shallow bursts; you have to force yourself to stifle any panting or wheezing. There is a little mechanical click as the safety-catch of your pistol is taken off; the sound cuts straight through your nerves. Your teeth are grinding on the fuse-pin of the hand-grenade. The encounter will be short and murderous. You tremble with two contradictory impulses: the heightened awareness of the huntsmen, and the terror of the quarry. You are a world to yourself, saturated with the appalling aura of the savage landscape.
Ernst Jünger
You said I was pretty, before." "Did I?" A new laugh escaped him, mirthless. "How unoriginal. I must be the master of understatement. I think you're goddamned radiant, and you know it. Sometimes I think if I look at you too long I'll go blind, like a lunatic staring straight into the sun. No," he said in a savage undertone, and let the gown fall back to the floor. "You're not pretty.
Shana Abe (The Dream Thief (Drakon, #2))
Either way... you've got to tell him--in no uncertain terms--to knock it the fuck off already. Don't be measured, don't wrap it up in "I" statements, no mewling about your feelings. Give him both barrels: "If you don't knock it the fuck off... I'm going to kick your ass out, got it?" A strategic blowup or two should occur--scream, yell, smash a few things you're not all that attached to--when he slips up. Repeat until his attitude changes or his address does.
Dan Savage (Savage Love: Straight Answers from America's Most Popular Sex Columnist)
You risked your life for me." He took my shoulders into his hands. "When are you going to learn, Dutch: No one matters but you and the baby. You keep risking your life--" He threw one hand out to indicate our surroundings. "--on things that are not the least bit important." He stepped even closer. "On people who committed suicide and crazy chicks in cemeteries and--" He stopped and dropped a heated gaze on me. His voice cracked when he said in a hushed tone, "I can't lose you." "And I can lose you?" I asked, almost screaming at him. He lowered his head and pinched the bridge of his nose with his thumb and index finger. Then he admitted what was probably his greatest fear. "I don't know how to win. I don't have the faintest idea of how to kill the Twelve. And when I saw your name on that wall." His breath hitched in his chest. Then he focused his coffee-colored gaze on me. "If you die," he said with a savage vehemence in his voice, "I will go straight to hell and kill every demon there. Or I'll perish in the attempt.
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
Life throws shit at you, no doubt about it. It's usually pretty unexpected, too. Sometimes it's something awesome, like a gift that came straight out of heaven or whatever.Other times, not so much.
Shay Savage
Midway along the journey of our life I woke to find myself in a dark wood, for I had wandered off from the straight path. How hard it is to tell what it was like, this wood of wilderness, savage and stubborn (the thought of it brings back all my old fears), a bitter place! Death could scarce be bitterer. But if I would show the good that came of it I must talk about things other than the good.” ― Dante Alighieri
Dante Alighieri (The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio)
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
Yeah, things are better for blacks and women and gays, but it was the blacks and women and gays that did it, not fuck-ups like this bunch. Whites and straights came along to give help, all right, after the blacks said ‘enough’ and got their heads busted, and it’s the same for the gays and the women. The whites and straights, they control things, and they could have changed it anytime.
Joe R. Lansdale (Savage Season (Hap Collins and Leonard Pine, #1))
Straight people don't have to come out, as heterosexuality is assumed. [...] Young straight people are less likely to question the choices that their families and societies are attempting to make for them. [...]A lot of straight people move through life following a script that others wrote for them.
Dan Savage (American Savage: Insights, Slights, and Fights on Faith, Sex, Love, and Politics)
I feel I must burst because of all that life offers me and because of the prospect of death. I feel that I am dying of solitude, of love, of despair, of hatred, of all that this world offers me. With every experience I expand like a balloon blown up beyond its capacity. The most terrifying intensification bursts into nothingness. You grow inside, you dilate madly until there are no boundaries left, you reach the edge of light, where light is stolen by night, and from that plenitude as in a savage whirlwind you are thrown straight into nothingness. Life breeds both plenitude and void, exuberance and depression. What are we when confronted with the interior vortex which swallows us into absurdity? I feel my life cracking within me from too much intensity, too much disequilibrium. It is like an explosion which cannot be contained, which throws you up in the air along with everything else
Emil M. Cioran (On the Heights of Despair)
The expense of spirit in a waste of shame Is lust in action; and till action, lust Is perjured, murderous, bloody, full of blame, Savage, extreme, rude, cruel, not to trust, Enjoy’d no sooner but despised straight, Past reason hunted, and no sooner had Past reason hated, as a swallow’d bait On purpose laid to make the taker mad; Mad in pursuit and in possession so; Had, having, and in quest to have, extreme; A bliss in proof, and proved, a very woe; Before, a joy proposed; behind, a dream. All this the world well knows; yet none knows well To shun the heaven that leads men to this hell.
William Shakespeare
People hate these shows, but their hatred smacks of denial. It's all there, all the old American grotesques, the test-tube babies of Whitman and Poe, a great gauntlet of doubtless eyes, big mouths spewing fantastic catchphrase fountains of impenetrable self-justification, muttering dark prayers, calling on God to strike down those who would fuck with their money, their cash, and always knowing, always preaching. Using weird phrases that nobody uses, except everybody uses them now. Constantly talking about 'goals.' Throwing carbonic acid on our castmates because they used our special cup annd then calling our mom to say, in a baby voice, 'People don't get me here.' Walking around half-naked with a butcher knife behind our backs. Telling it like it is, y'all (what-what). And never passive-aggressive, no. Saying it straight to your face. But crying...My God, there have been more tears shed on reality TV than by all the war widows of the world. Are we so raw? It must be so. There are simply too many of them-too many shows and too many people on the shows-for them not to be revealing something endemic. This is us, a people of savage sentimentality, weeping and lifting weights.
John Jeremiah Sullivan (Pulphead)
In the morning this light breasts your windowpane and, having pried your eye open like a shell, runs ahead of you, strumming its lengthy rays - like a hot-footed schoolboy running his stick along the iron grate of the park or garden - along arcades, colonnades, red-brick chimneys, saints and lions. "Depict! Depict!" it cries to you, either mistaking you for some Canaletto or Carpaccio or Guardi, or because it doesn't trust your retina's ability to retain what it makes available, not to mention your brain's capacity to absorb it. Perhaps art is simply an organism's reaction against its retentive limitations. At any rate, you obey the command and grab your camera, supplementing both your brain cells and your pupil. Should this city ever be short of cash, it can go straight to Kodak for assistance - or else tax its products savagely. By the same token, as long as this place exists, as long as winter light shines upon it, Kodak shares are the best investment.
Joseph Brodsky (Watermark)
Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.
Margaret Mitchell (Gone with the Wind)
Parenting is savage-there is no other activity on earth that you could get up to do four times a night for two years straight, and at the end of it be merely in the running for mediocre.
Emily Itami (Fault Lines)
Parenting is savage – there is no other activity on earth that you could get up to do four times a night for two years straight, and at the end of it be merely in the running for mediocre.
Emily Itami (Fault Lines)
Her big green eyes drove all conventional greetings clean out of his mind. Oh, what the hell? he thought savagely, and bent his head to kiss her. ‘G-Giovanni!’ The suitcase fell uselessly from her hand and her fingertips went straight up to his shoulders, biting into the sensually scented leather with an abandon which gathered momentum with each thrust of his tongue as he kissed her with shameless abandon.
Sharon Kendrick (The Sicilian's Passion)
Ford leaped to the controls—only a few of them made any immediate sense to him so he pulled those. The ship shook and screamed as its guidance rocket jets tried to push it every which way simultaneously. He released half of them and the ship spun round in a tight arc and headed back the way it had come, straight toward the oncoming missiles. Air cushions ballooned out of the walls in an instant as everyone was thrown against them. For a few seconds the inertial forces held them flattened and squirming for breath, unable to move. Zaphod struggled and pushed in manic desperation and finally managed a savage kick at a small lever
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
In the great pasture of life there are really only four kinds of creatures: sheep, as Dani likes to call them; shepherds who try to guide the sheep and keep them on the straight and narrow; sheepdogs who run them from field to field, prevent them from straying, and fight off the predators that come to slaughter and feast; and wolves, savage, fierce, and a law unto their own.
Karen Marie Moning (Burned (Fever #7))
And even in the open air the stench of whiskey was appalling. To this fiendish poison, I am certain, the greater part of the squalor I saw is due. Many of these vermin were obviously not foreigners—I counted at least five American countenances in which a certain vanished decency half showed through the red whiskey bloating. Then I reflected upon the power of wine, and marveled how self-respecting persons can imbibe such stuff, or permit it to be served upon their tables. It is the deadliest enemy with which humanity is faced. Not all the European wars could produce a tenth of the havock occasioned among men by the wretched fluid which responsible governments allow to be sold openly. Looking upon that mob of sodden brutes, my mind’s eye pictured a scene of different kind; a table bedecked with spotless linen and glistening silver, surrounded by gentlemen immaculate in evening attire—and in the reddening faces of those gentlemen I could trace the same lines which appeared in full development of the beasts of the crowd. Truly, the effects of liquor are universal, and the shamelessness of man unbounded. How can reform be wrought in the crowd, when supposedly respectable boards groan beneath the goblets of rare old vintages? Is mankind asleep, that its enemy is thus entertained as a bosom friend? But a week or two ago, at a parade held in honour of the returning Rhode Island National Guard, the Chief Executive of this State, Mr. Robert Livingston Beeckman, prominent in New York, Newport, and Providence society, appeared in such an intoxicated condition that he could scarce guide his mount, or retain his seat in the saddle, and he the guardian of the liberties and interests of that Colony carved by the faith, hope, and labour of Roger Williams from the wilderness of savage New-England! I am perhaps an extremist on the subject of prohibition, but I can see no justification whatsoever for the tolerance of such a degrading demon as drink.
H.P. Lovecraft (Lord of a Visible World: An Autobiography in Letters)
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
A typical Andarion male, Hauk belonged to the most brutal of all known races. One that valued physical beauty only second to physical strength. With long black hair that he wore in tiny braids, his features were perfect and sharp. His white irises were ringed by a band of blood red. But Nykyrian didn’t care what he looked like. Hauk was raw, savage strength and a brilliant techspert. Darling, on the other hand, looked almost frail in comparison. Where Hauk was built solid and huge like a tree, Darling was lean and finely boned. His straight red hair fell across the left side of his face, covering a vicious scar that they never talked about.
Sherrilyn Kenyon (Born of Night (The League, #1))
This individual, who, either in his own person or in that of some member of his family, seemed to be always in trouble (which in that place meant Newgate), called to announce that his eldest daughter was taken up on suspicion of shoplifting. As he imparted this melancholy circumstance to Wemmick, Mr Jaggers standing magisterially before the fire and taking no share in the proceedings, Mike’s eye happened to twinkle with a tear. ‘What are you about?’ demanded Wemmick, with the utmost indignation. ‘What do you come snivelling here for?’ ‘I did’t go to do it, Mr Wemmick.’ ‘You did,’ said Wemmick. ‘How dare you? You’re not in a fit state to come here, if you can’t come here without spluttering like a bad pen. What do you mean by it?’ ‘A man can’t help his feelings, Mr Wemmick,’ pleaded Mike. ‘His what?’ demanded Wemmick, quite savagely. ‘Say that again!’ ‘Now, look here my man,’ said Mr Jaggers, advancing a step, and pointing to the door. ‘Get out of this office. I’ll have no feelings here. Get out.’ ‘It serves you right,’ said Wemmick. ‘Get out.’ So the unfortunate Mike very humbly withdrew, and Mr Jaggers and Wemmick appeared to have re-established their good understanding, and went to work again with an air of refreshment upon them as if they had just had lunch. Chapter Thirteen From Little Britain, I went, with my cheque in my pocket, to Miss Skiffins’s brother, the accountant; and Miss Skiffins’s brother, the accountant, going straight to Clarriker’s and bringing Clarriker to me, I had the great satisfaction of concluding that arrangement.
Charles Dickens (Great Expectations)
I feel I must burst because of all that life offers me and because of the prospect of death. I feel that I am dying of solitude, of love, of despair, of hatred, of all that this world offers me. With every experience I expand like a balloon blown up beyond its capacity. The most terrifying intensification bursts into nothingness. You grow inside, you dilate madly until there are no boundaries left, you reach the edge of light, where light is stolen by night, and from that plenitude as in a savage whirlwind you are thrown straight into nothingness. Life breeds both plenitude and void, exuberance and depression. What are we when confronted with the interior vortex which swallows us into absurdity? I feel my life cracking within me from too much intensity, too much disequilibrium. It is like an explosion which cannot be contained, which throws you up in the air along with everything else
Emil M. Cioran (On the Heights of Despair)
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face. He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot. Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.” I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it. “What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?” “Nevada!” My mother’s voice cut through my dreams like a knife. I sat straight up in my bed. Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
…I was startled out of my concentration by the sound of malicious hissing. Waddling toward me with remarkable speed were two huge white geese, their heads thrust forward, mouths open like snakes with their tongues protruding, emitting a terrifying sound. I gave a low involuntary cry and began to backtrack toward my car, afraid to take my eyes off them. They covered the ground between us at a pace that forced me into a run. I barely reached my car before they caught up with me. I wrenched the door open and slammed it again with a panic I hadn't felt in years. I locked both doors, half expecting the viperous birds to batter at my windows until they gave way. For a moment they balanced, half lifted, wings flapping, black eyes bright with ill-will, their hissing faces even with mine. And then they lost interest and waddled off, honking and hissing, pecking savagely at the grass. Until that moment, it had never even occurred to me to include crazed geese among my fears, but they had suddenly shot straight to the top of the list along with worms and water bugs.
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room. Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole. Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child. Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Watching, the ancient bull whale was swept up in memories of his own birthing. His mother had been savaged by sharks three months later; crying over her in the shallows of Hawaiki, he had been succoured by the golden human who became his master. The human had heard the young whale’s distress and had come into the sea, playing a flute. The sound was plangent and sad as he tried to communicate his oneness with the young whale’s mourning. Quite without the musician knowing it, the melodic patterns of the flute’s phrases imitated the whalesong of comfort. The young whale drew nearer to the human, who cradled him and pressed noses with the orphan in greeting. When the herd travelled onward, the young whale remained and grew under the tutelage of his master. The bull whale had become handsome and virile, and he had loved his master. In the early days his master would play the flute and the whale would come to the call. Even in his lumbering years of age the whale would remember his adolescence and his master; at such moments he would send long, undulating songs of mourning through the lambent water. The elderly females would swim to him hastily, for they loved him, and gently in the dappled warmth they would minister to him. In a welter of sonics, the ancient bull whale would communicate his nostalgia. And then, in the echoing water, he would hear his master’s flute. Straight away the whale would cease his feeding and try to leap out of the sea, as he used to when he was younger and able to speed toward his master. As the years had burgeoned the happiness of those days was like a siren call to the ancient bull whale. But his elderly females were fearful; for them, that rhapsody of adolescence, that song of the flute, seemed only to signify that their leader was turning his thoughts to the dangerous islands to the south-west.
Witi Ihimaera (The Whale Rider)
Mattis and Gary Cohn had several quiet conversations about The Big Problem: The president did not understand the importance of allies overseas, the value of diplomacy or the relationship between the military, the economy and intelligence partnerships with foreign governments. They met for lunch at the Pentagon to develop an action plan. One cause of the problem was the president’s fervent belief that annual trade deficits of about $500 billion harmed the American economy. He was on a crusade to impose tariffs and quotas despite Cohn’s best efforts to educate him about the benefits of free trade. How could they convince and, in their frank view, educate the president? Cohn and Mattis realized they were nowhere close to persuading him. The Groundhog Day–like meetings on trade continued and the acrimony only grew. “Let’s get him over here to the Tank,” Mattis proposed. The Tank is the Pentagon’s secure meeting room for the Joint Chiefs of Staff. It might focus him. “Great idea,” Cohn said. “Let’s get him out of the White House.” No press; no TVs; no Madeleine Westerhout, Trump’s personal secretary, who worked within shouting distance of the Oval Office. There wouldn’t even be any looking out the window, because there were no windows in the Tank. Getting Trump out of his natural environment could do the trick. The idea was straight from the corporate playbook—a retreat or off-site meeting. They would get Trump to the Tank with his key national security and economic team to discuss worldwide strategic relations. Mattis and Cohn agreed. Together they would fight Trump on this. Trade wars or disruptions in the global markets could savage and undermine the precarious stability in the world. The threat could spill over to the military and intelligence community. Mattis couldn’t understand why the U.S. would want to pick a fight with allies, whether it was NATO, or friends in the Middle East, or Japan—or particularly with South Korea.
Bob Woodward (Fear: Trump in the White House)
Professor Joseph Stiglitz, former Chief Economist of the World Bank, and former Chairman of President Clinton's Council of Economic Advisers, goes public over the World Bank’s, “Four Step Strategy,” which is designed to enslave nations to the bankers. I summarise this below, 1. Privatisation. This is actually where national leaders are offered 10% commissions to their secret Swiss bank accounts in exchange for them trimming a few billion dollars off the sale price of national assets. Bribery and corruption, pure and simple. 2. Capital Market Liberalization. This is the repealing any laws that taxes money going over its borders. Stiglitz calls this the, “hot money,” cycle. Initially cash comes in from abroad to speculate in real estate and currency, then when the economy in that country starts to look promising, this outside wealth is pulled straight out again, causing the economy to collapse. The nation then requires International Monetary Fund (IMF) help and the IMF provides it under the pretext that they raise interest rates anywhere from 30% to 80%. This happened in Indonesia and Brazil, also in other Asian and Latin American nations. These higher interest rates consequently impoverish a country, demolishing property values, savaging industrial production and draining national treasuries. 3. Market Based Pricing. This is where the prices of food, water and domestic gas are raised which predictably leads to social unrest in the respective nation, now more commonly referred to as, “IMF Riots.” These riots cause the flight of capital and government bankruptcies. This benefits the foreign corporations as the nations remaining assets can be purchased at rock bottom prices. 4. Free Trade. This is where international corporations burst into Asia, Latin America and Africa, whilst at the same time Europe and America barricade their own markets against third world agriculture. They also impose extortionate tariffs which these countries have to pay for branded pharmaceuticals, causing soaring rates in death and disease.
Anonymous
It was as though Diane had The strength of Ten Men. She looked like an Evil Lumberjack on Steroids. Holding The Hammer high above Her Head, looking Ray straight in The Eyes now, Diane slammed The sharp Hammer down onto Ray’s face. Hitting Him again and again, each hit more savage than The last. There was no escape from The blows, Ray’s only Hope, was to somehow reach The real Diane, to get past this Devilish Entity, That had Invaded The Woman He Loved before it was too Late.
Vicky Mclelllan (A Sister's Curse)
Little by little, his princess’s death grip loosened. “Are you afraid?” “No! Don’t stop! I love it!” Elation shot through him, a bolt of joy lancing straight to his heart and topping all prior experiences in his life.
Vivienne Savage (Beauty and the Beast (Once Upon a Spell, #1))
Her cheeks flushed hot, the memory of their shared kisses and encounter in the hot spring sending a jolt straight to her core. She’d thrown herself at her dream prince, and for a few minutes, she’d had him at her mercy, his flesh hot, alive, and stiff beneath her fingers. “My princess,” he breathed.
Vivienne Savage (Beauty and the Beast (Once Upon a Spell, #1))
How in the world had she gazed upon the man and maintained a straight face while holding him at knifepoint? He’d been the finest example of masculinity, with such broad shoulders and biceps thicker than her thighs. Soft golden hairs had dusted his chest, and she’d ached to touch it and drag her fingers through them. Above all of that, she’d been more taken by his eyes. They
Vivienne Savage (Goldilocks and the Bear (Once Upon a Spell, #3))
In recent years there has been a tendency by some Western historians and politicians to look back at the aftermath of the Second World War through rose-tinted spectacles. Frustrated with the progress of rebuilding and reconciliation in the wake of wars in Afghanistan and Iraq at the beginning of the twenty-first century, they pointed to the success of similar projects in Europe in the 1940s. The Marshall Plan in particular was singled out as the template for postwar economic reconstruction. Such politicians would have done well to remember that the process of rebuilding did not begin straight away in Europe – the Marshall Plan was not even thought of until 1947 – and the entire continent remained economically, politically and morally unstable far beyond the end of the decade. As in Iraq and Afghanistan more recently, the United Nations recognized the need for local leaders to take command of their own institutions. But it took time for such leaders to emerge. In the immediate aftermath of the war, the only people who had the moral authority to take charge were those with proven records of resistance. But people who are skilled in the arts of guerrilla warfare, sabotage and violence, and who have become used to conducting all their business in strict secrecy, are not necessarily those best suited to running democratic governments.
Keith Lowe (Savage Continent: Europe in the Aftermath of World War II)
Knox pulls off with a wet pop and then moves to the other nipple, biting down on that one hard until I moan his name. It all goes straight to my pussy, my clit throbbing with the desire to be touched. It takes no time at all for me to reach this point with Knox and his go for what you want attitude, and I let myself get wrapped up in it, panting softly while he works me over with his lips and teeth and tongue.
Eva Ashwood (Queen of Anarchy (Dirty Broken Savages, #2))
Your boyfriend’s cuckold kink is most likely a subconscious, erotic response to a sexually charged fear. While most of us don’t eroticize our fears, a number of us respond to sexual fears or even traumas by incorporating them into our erotic imaginations. And what do many straight men fear most? Being cheated on. —DECEMBER 7, 2006
Dan Savage (Savage Love from A to Z: Advice on Sex and Relationships, Dating and Mating, Exes and Extras)
I could not believe my ears. “Banter? Insulting a girl’s body is not banter! You and I were bantering but—” “Wait, we’re not now?” “No.” My fingers curved into a fist. “I’m yelling at you.” “You yell very gently.” He scratched the side of his sweaty head. “It’s not unpleasant.” Frustration ripped through me. I hadn’t thought of Beckett often since we first met, having filed him away with Charles, Rhys, and the rest of the rich, stuck-up, egotistical douche lords of his ilk, but for a second, I’d considered maybe he was different. I’d clearly been wrong. Beckett might not have made fat jokes, but he’d stood by while they were being made, and that was just as bad. I stuck my hand out. “Can you give me my earbuds back? I have to go to practice, and so do you.” He made no move to comply. “I thought we were talking.” I shook my hand. “Right, well, that’s done. Earbuds, please.” I felt his gaze on the side of my face for a long time but stared straight ahead. Finally, he sighed, and from the corner of my eye, I watched him stick his hand in his pocket.
Julia Wolf (Save One Thing (Savage Academy, #1))
Suddenly round the corner of the house a group of men appeared, as though they had come up from the ground. They waded waist-deep in the grass, in a compact body, bearing an improvised stretcher in their midst. Instantly, in the emptiness of the landscape, a cry arose whose shrillness pierced the still air like a sharp arrow flying straight to the very heart of the land; and, as if by enchantment, streams of human beings — of naked human beings — with spears in their hands, with bows, with shields, with wild glances and savage movements, were poured into the clearing by the dark-faced and pensive forest. The bushes shook, the grass swayed for a time, and then everything stood still in attentive immobility. “‘Now, if
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
Suddenly round the corner of the house a group of men appeared, as though they had come up from the ground. They waded waist-deep in the grass, in a compact body, bearing an improvised stretcher in their midst. Instantly, in the emptiness of the landscape, a cry arose whose shrillness pierced the still air like a sharp arrow flying straight to the very heart of the land; and, as if by enchantment, streams of human beings — of naked human beings — with spears in their hands, with bows, with shields, with wild glances and savage movements, were poured into the clearing by the dark-faced and pensive forest. The bushes shook, the grass swayed for a time, and then everything stood still in attentive immobility. “‘Now, if he does not say the right thing to them we are all done for,’ said the Russian at my elbow. The
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
He’s fucking pierced. As in a sexy as fuck barbell straight through the head of his dick. I can’t get the image out of my head.
Lucy Smoke (Pretty Little Savage (Sick Boys, #1))
Not that living with her was any walk in the park. Her mood swings were fierce, and she was prone to savage dreams, often waking him up with her sleep talk, semicoherent tear-choked pleas to be left alone. And what he at first thought was a temporary desire for a protector in her life had over the years morphed into a river of visceral, mostly inarticulate need for him, a neediness her never quite understood but responded to with everything he had. She could never wear him out with her demands, there was something about her that made him want to be the best possible version of himself. He loved her, loved to come through for her, loved that what he had always thought of with embarrassment as his flatline personality, his bland stolidness, could become the rock in the raging sea of another soul's life. Still, there was something inside her he could never quite get at. Sometimes he felt like a knight assigned to protect a maiden from a dragon that only she could see, and so he paid attention to the words she cried out in her sleep, when her half-panicked rants became less coherent and maybe closer to the bone, but he was not a particularly analytical individual, so all his secret studying came to nothing. And given that he had been raised in a home in which he'd been taught to take people as they were, no questions asked, a home in which the character trait prized above all else was an Apache level of forbearance, he would die before straight up asking his wife of tweleve years, the mother of his two sons, Who Are You.
Richard Price
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Mercy could not keep up the pace. Gradually the line passed her by, until she was walking with Eben Nims, and she must not fall farther behind than that, because the Indians behind Eben were the end of the line. Daniel held tight and sucked his thumb. But not only did Marah refuse to walk, she kept yelling that her feet were cold, and she wanted Stepmama, and she needed her mittens, and she was hungry. Mercy could walk, though not fast enough, and she could carry, though not easily. But she could not supply food, warmth or Stepmama. Mercy tried to believe that Stepmama was up ahead of her with the baby; that it was so crowded and chaotic Mercy could not spot her. But in her heart, she did not think Stepmama had left the stockade. “The savage put food in my pack, Mercy,” said Eben quietly. “If you slip your hand into the opening near my left shoulder, there’s a loaf of bread on top.” They walked on, considering whether the Indians would tomahawk her for stealing Eben’s own bread. Well, they’d shortly tomahawk Marah for whining, so Mercy might as well get on with it. She set the two children down, and Eben bent his knees so she could reach and Mercy fished around in the pack. She slid the loaf out. It was long and fat and crusty. Her Indian was watching. Mercy looked straight at him while she ripped off a chunk for Marah. He did nothing. Mercy decided to give some to Jemima too, which would give her something to do besides whine. She would give bread to Eliza and hope food would break Eliza’s grieving stupor. Marah didn’t take a single bite. She threw the bread across the snow. “I want Mama!” she said fiercely. She glared at Mercy, as if all this hiking and shivering were Mercy’s fault. Mercy could not abandon the bread out there in the snow. She was going to need that bread. It was all they had, and somehow Mercy had become responsible for Marah and Daniel and Ruth and Eliza and Jemima, and probably even for Eben. Mercy stepped off the trodden path to retrieve the crust, but her Indian stopped her, shaking his head. On his face was no expression but the one painted in black. His arms were tattooed with snakes that curled their fangs when he tightened his muscles. How could he go half bare in this weather? she thought, and then remembered that she wore his rabbit-lined cloak. Daniel, sitting happily on her hip, reached out from under the rabbit fur and patted the snake. The Indian tensed his upper arm to make the snake slither. Daniel giggled, so the Indian did it again, and it seemed to Mercy that he actually smiled at Daniel. Then, blessedly, he took Marah for her.
Caroline B. Cooney (The Ransom of Mercy Carter)
The large oak door to the house opened, and Alex looked up to see her father, silhouetted by the bright lights of the entryway. He looked nothing like a duke—without an overcoat or a waistcoat, without a cravat. His shirt was tucked into his buckskin breeches, but his sleeves were rolled up on his bronzed arms, and Alex chuckled to think of what London’s aristocracy would think to see him, one of the most powerful men in England, wandering about dressed like a “savage.” A flash of white appeared as he grinned down at the group on the drive. He called back into the house, “My word! It appears someone’s left a group of orphans at the door!” The four women laughed at his silly jest as he came bounding down the steps, taking Alex into his arms for a warm hug and a kiss on the forehead, and welcoming Vivi and Ella in turn. He then turned to help the duchess down from the carriage. When her feet touched the ground, she looked up at her husband and said, “Rather too old to be an orphan, I think.” Wrapping his arms around her, the duke replied lovingly, “Nonsense. You grow younger with each day,” and kissed her soundly on the mouth. Vivi and Ella turned away, blushing and leaving Alex shaking her head and teasing, “Your behavior really is too uncivilized. Shouldn’t you be setting a better example for the next generation?” “It looks like an excellent example to me.” The words sent a tingle up Alex’s spine as she recognized the warm, friendly voice. She turned to find Blackmoor, clad as casually as her father, coming down the steps to greet them. In the darkness, she couldn’t be sure, but he seemed to be looking straight at her. Her stomach turned over as she watched him approach, and she blushed deeply to think that he was discussing her parents’ actions so openly. “You could have this yourself, Gavin, if you would only take a wife!” her mother pointed out, kissing him on both cheeks in welcome. Vivi
Sarah MacLean (The Season)
Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.
Catherine Anderson (Comanche Moon (Comanche, #1))
The Indian reached to his belt and pulled something loose. Lifting it high, he stared straight at the window where Loretta stood. She had the uncanny feeling he could see her. Something golden streamed from his fingers, shimmering in the slanting sunlight. “Pe-nan-de,” he yelled. “Honey, you call it. Send me the woman whose hair I hold.” “Oh, sweet Jesus,” Tom whispered. Unable to drag her eyes from the strands of gold trailing from the half-breed’s brown fingers, Loretta pressed a trembling hand to her throat. This isn’t really happening, she thought fuzzily. In a minute I’ll wake up. It’s just a bad dream. “We’re outnumbered fifty to one,” Henry said. “What in hell we gonna do?” Tom shifted at the window. “Ain’t no matter if it’s a hundred to one, you can’t send him the girl.” “Better just her than all of us.” A trickle of moisture dripped off Henry’s nose, and he made a quick swipe with his white sleeve. “I got Amy and Rachel to think of. You know what those savages would do to Amy, Tom.” “And what about Loretta?” Loretta reached to the wall for support. He wanted her?
Catherine Anderson (Comanche Moon (Comanche, #1))
The surviving burglar stood petrified, stooping over his comrade, with the lantern in one shaking hand and the revolver still grasped in the other; and as he stood, he poured out, in a curious, whimpering undertone, an unending torrent of incoherent blasphemies, as appears to be the habit of that type of man when frightened. I stepped silently behind him and looked over his shoulder at the expiring criminal, speculating on what he would do next. At the moment he was paralyzed and imbecile with terror, and I had a strong inclination to dispatch him then and there; but the same odd impulse that I had noticed on the last occasion constrained me to dally with him. Again I was possessed by a strange, savage playfulness like that which impels a cat or leopard to toy daintily and tenderly with its prey for a while before the final scrunch. "We remained thus motionless for more than half a minute in a silence broken only by his blasphemous mutterings. Then, quite suddenly, he stood up and began to flash his lantern on the stairs and about the hall until at length its light fell full on my face which was within a foot of his own. And at that apparition he uttered a most singular cry, like that of a young goat, and started back. Another moment and he would have raised his pistol arm, but I had foreseen this and was beforehand with him. Even as his hand rose, the concussor struck the outer side of his arm, between the shoulder and the elbow, on the exact spot where the musculo-spiral nerve turns round the bone. The effect was most interesting. The sudden nerve stimulus produced an equally sudden contraction of the extensors. The forearm straightened with a jerk, the fingers shot out straight and the released revolver flew clattering along the hall floor. "Anatomy has its uses even in a midnight scuffle.
R. Austin Freeman (The Uttermost Farthing A Savant's Vendetta)
Yooooo, that nigga is a straight-up savage! Nigga, you just gone let him take yo’ girl like that?!
K. Renee (A Love Worth Fighting For: Cannon & Tiff)
He gazed at her for what seemed like an eternity before reaching out to stroke her cheek. “I’d just like to forget. Forget every last thing.” Her heart beat erratically from the emotions flickering through his eyes. Need and want. Fear and hope. She couldn’t tell where one emotion ended and the next began. The only thing she could tell for certain was that, in the subtle flicker of candlelight, something had changed between them. Profoundly changed. Desire coiled in and around them like a vine and settled low in her belly. Heat blossomed over her, quashing her ability to think straight as he bent his head and touched his lips to hers. She closed her eyes to everything but the feel of his mouth on hers, in a kiss so different from their first that it astonished in comparison. This was not the wild and savage connection they had shared behind the assembly rooms. Yet, there was passion in its tenderness, and hunger in the languorous fusion of their tongues.
Anna Durbin (King of Wands)
Twisting in my seat, I studied her profile. The straight slope of her nose. The pout of her red lips. The stubborn jut of her chin. Every one of her features was so purely Helen. The face that launched a thousand ships. Jesus. She turned suddenly, her gaze whipping over my face in a way that seemed accusatory. Of what, I had no idea. I never got to ask, because the next second, she lunged across the console, and her mouth landed on mine. Hard. Fierce. Her fingers balled my T-shirt while she licked at my lips until they opened from pure instinct and my tongue pushed hers back into her own mouth, twisting around it. This wasn’t sweet. I didn’t know what it was. My mind was two steps behind, and her warm, soft lips on mine refused to let me catch up. But I wasn’t one to let things happen to me without having a say—and that included a sneak attack kiss by a girl I never saw coming. I held her face in my hands, tipped it back, and took her deeper. She moaned, high and tremulous, and I licked the inside of her mouth, tasting that moan, swallowing it down my throat, letting it heat my chest and belly. It was pure Helen.
Julia Wolf (Soft Like Thunder (Savage U, #1))
It was crazy how my mother still had the power to make me stand up straight just by the tone of her voice. She also had the ability to make me feel like a failure, despite my near-perfect grades. Other seniors were slacking off once they were accepted into college, but I kept up with my assignments because it was ingrained in me to do so. Slacking off wasn’t part of my chemical makeup.
Julia Wolf (Through the Ashes (The Savage Crew, #2))
What is the practical purpose of this invention? What are the ‘epoch-making possibilities’?” “Oh, but don’t you see? It is an invaluable instrument of public security. No enemy would attack the possessor of such a weapon. It will set the country free from the fear of aggression and permit it to plan its future in undisturbed safety.” His voice had an odd carelessness, a note of offhand improvisation, as if he were neither expecting nor attempting to be believed. “It will relieve social frictions. It will promote peace, stability and—as we have indicated—harmony. It will eliminate all danger of war.” “What war? What aggression? With the whole world starving and all those People’s States barely subsisting on handouts from this country—where do you see any danger of war? Do you expect those ragged savages to attack you?” Dr. Ferris looked straight into his eyes. “Internal enemies can be as great a danger to the people as external ones,” he answered. “Perhaps greater.” This time his voice sounded as if he expected and was certain to be understood. “Social systems are so precarious. But think of what stability could be achieved by a few scientific installations at strategic key points. It would guarantee a state of permanent peace—don’t you think so?
Ayn Rand (Atlas Shrugged)
I wasn’t the kind of girl who enjoyed getting dressed up in torturous outfits and shoes, and I was rarely on my best behavior with stuffy, boring people. I’d rather be in my cargo pants and tank hanging out with Caden, drinking palinka straight from the bottle at our favorite spot.
Stacey Marie Brown (Savage Lands (Savage Lands, #1))
Julien cracked his knuckles one at a time. “I didn’t take you for the type of dude who’d disrespect a woman after he got with her. I stand corrected.” Turning from the beach to peer at him, I sat up straight. “What are you talking about?” He waved a dismissive hand. “Fuck off. You think I didn’t notice her in the house, in your bedroom, when everyone else was away? My leg is jacked, not my eyes and ears. The kitchen will never be the same after the two of you spurted your fluids all over it.
Julia Wolf (Sweet Like Poison (Savage U, #3))
Funny thing about words. Regarded individually or encountered in newspapers or books (written by other people), they are as lovely and blameless as talcum-sweet babies. String them together into a sentence of your own, however, and these cooing infants become a savage gang straight out of Lord of the Flies.
David Rakoff (Half Empty: Essays)
We are the Sublime Radiance, the Star of India, and the Sun of Glory," said the emperor, who knew a thing or two about flattery himself, "yet we were raised in that shit-hole dump of a town where men fuck women to make babies but fuck boys to make them men- raised watching out for the attacker who worked from behind as well the warrior straight ahead... Is that how a king should be raised, Bhakti Ram Jain?" the emperor roared, tipping over the basin in his wrath. "Illiterate, ass-guarding, savage- is that what a prince should be?
Salman Rushdie (The Enchantress of Florence)
I'm goin' straight to hell for this," he mutters, arousal coating his tone. "Then take me with you.
Lilian Harris (Ruthless Savage (Savage Kings, #1))