Dial Direct Quotes

We've searched our database for all the quotes and captions related to Dial Direct. Here they are! All 54 of them:

What do I need to get you into my bed?" Logan asked boldly. Tate couldn't help the laugh escaping his mouth at Logan's directness. "A vagina?" He raised a brow at the man. Releasing his arm, Logan took a step back and removed his cell phone from his pocket. He dialed a number and placed the phone to his ear. "Hi hon." He then met Tate's eyes and smirked as he mouthed, A vagina I can get.
Ella Frank (Try (Temptation, #1))
For years radios had been operated by means of pressing buttons and turning dials; then as the technology became more sophisticated the controls were made touch-sensitive—you merely had to brush the panels with your fingers; now all you had to do was wave your hand in the general direction of the components and hope.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Dear Jack: I have no idea who he was. But he saved me. From you. I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him. And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay. 'Yes. I mean, I think so,' I told him. But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose. The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911. He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner. 'I'm so sorry,' he just kept saying. And suddenly I felt sorry too. Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave. 'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever. A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked. The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.' When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak. That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure. So far, it hasn't done the trick. Never your Jill, Rachael
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
A loud clatter of gunk music flooded through the Heart of Gold cabin as Zaphod searched the sub-etha radio wave bands for news of himself. The machine was rather difficult to operate. For years radios had been operated by means of pressing buttons and turning dials; then as the technology became more sophisticated the controls were made touch-sensitive—you merely had to brush the panels with your fingers; now all you had to do was wave your hand in the general direction of the components and hope. It saved a lot of muscular expenditure, of course, but meant that you had to sit infuriatingly still if you wanted to keep listening to the same program.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
We're safe enough now,' he thought, 'we're snug and tight, like an air-raid shelter. We can hold out. It's just the food that worries me. Food and coal for the fire. We've enough for two or three days, not more. By that time...' No use thinking ahead as far as that. And they'd be giving directions on the wireless. People would be told what to do. And now, in the midst of many problems, he realised that it was dance music only coming over the air. Not Children's Hour, as it should have been. He glanced at the dial. Yes, they were on the Home Service all right. Dance records. He switched to the Light programme. He knew the reason. The usual programmes had been abandoned. This only happened at exceptional times. Elections, and such. He tried to remember if it had happened in the war... ("The Birds")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
Follow the fulsome fumes from the tanners and the reek from the brewery, butterscotch rotten, drifting across Seven Dials. Keep on past the mothballs at the cheap tailor’s and turn left at the singed silk of the maddened hatter. Just beyond you’ll detect the unwashed crotch of the overworked prostitute and the Christian sweat of the charwoman. On every inhale a shifting scale of onions and scalded milk, chrysanthemums and spiced apple, broiled meat and wet straw, and the sudden stench of the Thames as the wind changes direction and blows up the knotted backstreets. Above all, you may notice the rich and sickening chorus of shit.
Jess Kidd (Things in Jars)
There’s never been a map. Only a compass whose dial always knows where it’s pointing.
Fennel Hudson (A Waterside Year: Fennel's Journal No. 2)
Follow intuition. It often leads in the right direction, if not directly to the destination.
Roman Dial (The Adventurer's Son)
One foot in front of the other, more aimless than direct, Bradford left the waiting room for the outside world. Called for a taxi and then dialed Munroe again, desperate for her voice, for one ray of light in the darkness, afraid of what he might say if she did answer, afraid of himself and the inner deadening that pointed to a danger far more lethal than any rage he'd felt.
Taylor Stevens (The Doll (Vanessa Michael Munroe, #3))
You can never learn Sales by reading books and watching videos, you can only get motivated by that.. To learn Sales (telesales) dial 300+ calls daily and (direct field sales) meet at-least 5 clients daily... Only customers can teach u sales!
honeya
Mzatal gave a decisive nod. “I will manage this. It cannot continue to interfere with his work. Too much is at stake.” I raised an eyebrow. “How do you intend to manage it?” “I will tell him the truth and outline the consequences.” I was surprised Mzatal didn’t shrivel away from the look I gave him. “Dude. Seriously? You expect him to stop crushing on me because you forbid it?” Mzatal frowned, contemplative. “Perhaps not ideal given the entanglement of human emotions, though there is no time for it to drag on,” he said, as if he actually knew what he was talking about. “If he knows you have no interest and sees how his distractions have affected his work, he will subside enough for now.” My withering look became glacial. “Boss, you’re completely awesome in many ways, but you are so off-base with this it’s not even funny.” I rolled my eyes. “I’ve already ramped ‘No Interest’ up to eleven on the dial and, at this point, he doesn’t care if his work suffers.” I took a big gulp of coffee, then ran my fingers through my tangled hair. “Let me deal with it. Normally I’m not into direct confrontation with this sort of shit, but there’s isn’t enough time for it to fizzle out on its own.” Mzatal regarded me with that damned unreadable mask which he’d slipped on as I was talking. Great. Lords weren’t much on being told they were wrong, but it had to be said.
Diana Rowland (Touch of the Demon (Kara Gillian, #5))
Still lying on the ground, half tingly, half stunned, I held my left hand in front of my face and lightly spread my fingers, examining what Marlboro Man had given me that morning. I couldn’t have chosen a more beautiful ring, or a ring that was a more fitting symbol of my relationship with Marlboro Man. It was unadorned, uncontrived, consisting only of a delicate gold band and a lovely diamond that stood up high--almost proudly--on its supportive prongs. It was a ring chosen by a man who, from day one, had always let me know exactly how he felt. The ring was a perfect extension of that: strong, straightforward, solid, direct. I liked seeing it on my finger. I felt good knowing it was there. My stomach, though, was in knots. I was engaged. Engaged. I was ill-prepared for how weird it felt. Why hadn’t I ever heard of this strange sensation before? Why hadn’t anyone told me? I felt simultaneously grown up, excited, shocked, scared, matronly, weird, and happy--a strange combination for a weekday morning. I was engaged--holy moly. My other hand picked up the receiver of the phone, and without thinking, I dialed my little sister. “Hi,” I said when Betsy picked up the phone. It hadn’t been ten minutes since we’d hung up from our last conversation. “Hey,” she replied. “Uh, I just wanted to tell you”--my heart began to race--“that I’m, like…engaged.” What seemed like hours of silence passed. “Bullcrap,” Betsy finally exclaimed. Then she repeated: “Bullcrap.” “Not bullcrap,” I answered. “He just asked me to marry him. I’m engaged, Bets!” “What?” Betsy shrieked. “Oh my God…” Her voice began to crack. Seconds later, she was crying. A lump formed in my throat, too. I immediately understood where her tears were coming from. I felt it all, too. It was bittersweet. Things would change. Tears welled up in my eyes. My nose began to sting. “Don’t cry, you butthead.” I laughed through my tears. She laughed it off, too, sobbing harder, totally unable to suppress the tears. “Can I be your maid of honor?” This was too much for me. “I can’t talk anymore,” I managed to squeak through my lips. I hung up on Betsy and lay there, blubbering on my floor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Werner turns the fine-tune dial fractionally, and abruptly the voice booms into his ears, Dvee-nat-set, shayst-nat-set, davt-set-adeen, nonsense, terrible nonsense, pipelined directly into his head; it’s like reaching into a sack full of cotton and finding a razor blade inside, everything constant and undeviating and then that one dangerous thing, so sharp you can hardly feel it open your skin.
Anthony Doerr (All the Light We Cannot See)
Gazing into the heavens on a starry night a person sees the reflection of their own soul staring back at them. Perceiving our microscopic place in the revolving cosmos, we search to ascertain a meaning for our existence; we stretch our minds to comprehend a reason that justifies our fleeting journey in a universe composed of dark energy. Comprehension of a full-bodied meaning for living seems to lie just beyond my grasp. Perhaps I struggle dialing into a meaning for life because living entails adapting to a constant state of chaos. Can I harmonize the noisy commotion and distracting clutter in my life? I need to overcome personal inertia by learning to become comfortable with these changing times. In actuality, I have no choice but to capitulate to the evolution of facets in the world. Everything in the universe is undergoing constant change. Alike all humankind, I am also in the process of evolving. Who I was will undoubtedly affect who I will become. Who I am now is not who I will always be. The demands imposed upon us by the exterior world prevent stagnation of our interior world. We must all respond to change by either growing or dying. Even a blockhead such as me proves alterable, because inherent mutability ensures the survival of all persons. The entire world is interconnected; we are part of the cosmic consciousness. Many factors beyond our direct control influence us.
Kilroy J. Oldster (Dead Toad Scrolls)
For years radios had been operated by means of pressing buttons and turning dials; then as the technology became more sophisticated the controls were made touch-sensitive—you merely had to brush the panels with your fingers; now all you had to do was wave your hand in the general direction of the components and hope. It saved a lot of muscular expenditure, of course, but meant that you had to sit infuriatingly still if you wanted to keep listening to the same program.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Money is like water. It can be a conduit for commitment, a currency of love. Money moving in the direction of our highest commitments nourishes our world and ourselves. What you appreciate appreciates. When you make a difference with what you have, it expands. Collaboration creates prosperity. True abundance flows from enough; never from more. Money carries our intention. If we use it with integrity, then it carries integrity forward. Know the flow—take responsibility for the way your money moves in the world. Let your soul inform your money and your money express your soul. Access your assets—not only money but also your own character and capabilities, your relationships and other nonmoney resources. We each have the power to shift, change, and create the conversation that shapes our circumstances. The levers and dials of conversation are ours to use. When we listen, speak, and respond from the context of sufficiency, we access a new freedom and power in our relationship with money and life.
Lynne Twist (The Soul of Money: Transforming Your Relationship with Money and Life)
In Paley's famous illustration, the adaptation of all the parts of the watch to the function, or purpose, of showing the time, is held to be evidence that the watch was specially contrived to that end; on the ground, that the only cause we know of, competent to produce such an effect as a watch which shall keep time, is a contriving intelligence adapting the means directly to that end. Suppose, however, that any one had been able to show that the watch had not been made directly by any person, but that it was the result of the modification of another watch which kept time but poorly; and that this again had proceeded from a structure which could hardly be called a watch at all—seeing that it had no figures on the dial and the hands were rudimentary; and that going back and back in time we came at last to a revolving barrel as the earliest traceable rudiment of the whole fabric. And imagine that it had been possible to show that all these changes had resulted, first, from a tendency of the structure to vary indefinitely; and secondly, from something in the surrounding world which helped all variations in the direction of an accurate time-keeper, and checked all those in other directions; then it is obvious that the force of Paley's argument would be gone. For it would be demonstrated that an apparatus thoroughly well adapted to a particular purpose might be the result of a method of trial and error worked by unintelligent agents, as well as of the direct application of the means appropriate to that end, by an intelligent agent. Now it appears to us that what we have here, for illustration's sake, supposed to be done with the watch, is exactly what the establishment of Darwin's Theory will do for the organic world. For the notion that every organism has been created as it is and launched straight at a purpose, Mr. Darwin substitutes the conception of something which may fairly be termed a method of trial and error. Organisms vary incessantly; of these variations the few meet with surrounding conditions which suit them and thrive; the many are unsuited and become extinguished.
Thomas Henry Huxley (Criticism on "The Origin of Species")
There were two kinds of people in this world. Those whose thoughts and emotions were on a dial and those whose emotions were on a switch. He was a switchman himself and had spent his entire lifetime among switches. Something either was or wasn’t. Had happened or hadn’t. You either could do it or couldn’t. It either worked or it didn’t. You were either happy or unhappy. Dial people were different. Their emotions ran up and down a scale and you had to guess at what point they were and try to coax them to go in the direction you wanted.
Lisa Marie Rice (Midnight Man (Midnight, #1))
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
There is a wealth of historical data that suggests we prefer a balance of leisure and toil. But we have been convinced through more than two hundred years of propaganda that inactivity is the same as laziness, and that leisure is a shameful waste of time. If you think I’m using the word propaganda metaphorically, you’re wrong. Let’s dial it back to the 1920s for a moment. The battle over work hours was still being fiercely fought throughout the industrialized world, but the workers were winning. The punishing days of the nineteenth century were far behind us, and workdays were getting shorter and shorter in most industries. There seems to have been a realization among employers that they couldn’t win a direct fight, so they used more subtle tactics learned during World War I. Employers realized they could borrow strategies from the War Department in order to motivate the production line.
Celeste Headlee (Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving)
Their avatars all sat motionless, with their eyes closed. This was a signal that they were “engaged,” meaning they were currently on phone calls, browsing the Web, or logged into chat rooms. It was poor OASIS etiquette to try to talk to an engaged avatar. They usually just ignored you, and you’d get an automated message telling you to piss off. I took a seat at my desk and tapped the Engage icon at the edge of my display. My own avatar’s eyes slid shut, but I could still see my surroundings. I tapped another icon, and a large two-dimensional Web browser window appeared, suspended in space directly in front of me. Windows like this one were visible to only my avatar, so no one could read over my shoulder (unless I selected the option to allow it). My homepage was set to the Hatchery, one of the more popular gunter message forums. The Hatchery’s site interface was designed to look and operate like an old pre-Internet dial-up bulletin
Ernest Cline (Ready Player One (Ready Player One, #1))
Around that time, Musk was asked by a user on Twitter if he was bipolar. “Yeah,” he answered. But he added that he had not been medically diagnosed. “Bad feelings correlate to bad events, so maybe the real problem is getting carried away for what I sign up for.” One day, when they were sitting in the Tesla conference room after one of Musk’s spells, McNeill asked him directly whether he was bipolar. When Musk said probably yes, McNeill pushed his chair back from the table and turned to talk to Musk eye to eye. “Look, I have a relative who is bipolar,” McNeill said. “I’ve had close experience with this. If you get good treatment and your meds dialed right, you can get back to who you are. The world needs you.” It was a healthy conversation, McNeill says, and Musk seemed to have a clear desire to get out of his messed-up headspace. But it didn’t happen. His way of dealing with his mental problems, he says when I ask, “is just take the pain and make sure you really care about what you’re doing.
Walter Isaacson (Elon Musk)
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.
Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
Gadgetry will continue to relieve mankind of tedious jobs. Kitchen units will be devised that will prepare ‘automeals,’ heating water and converting it to coffee; toasting bread; frying, poaching or scrambling eggs, grilling bacon, and so on. Breakfasts will be ‘ordered’ the night before to be ready by a specified hour the next morning. Communications will become sight-sound and you will see as well as hear the person you telephone. The screen can be used not only to see the people you call but also for studying documents and photographs and reading passages from books. Synchronous satellites, hovering in space will make it possible for you to direct-dial any spot on earth, including the weather stations in Antarctica. [M]en will continue to withdraw from nature in order to create an environment that will suit them better. By 2014, electroluminescent panels will be in common use. Ceilings and walls will glow softly, and in a variety of colors that will change at the touch of a push button. Robots will neither be common nor very good in 2014, but they will be in existence. The appliances of 2014 will have no electric cords, of course, for they will be powered by long- lived batteries running on radioisotopes. “[H]ighways … in the more advanced sections of the world will have passed their peak in 2014; there will be increasing emphasis on transportation that makes the least possible contact with the surface. There will be aircraft, of course, but even ground travel will increasingly take to the air a foot or two off the ground. [V]ehicles with ‘Robot-brains’ … can be set for particular destinations … that will then proceed there without interference by the slow reflexes of a human driver. [W]all screens will have replaced the ordinary set; but transparent cubes will be making their appearance in which three-dimensional viewing will be possible. [T]he world population will be 6,500,000,000 and the population of the United States will be 350,000,000. All earth will be a single choked Manhattan by A.D. 2450 and society will collapse long before that! There will, therefore, be a worldwide propaganda drive in favor of birth control by rational and humane methods and, by 2014, it will undoubtedly have taken serious effect. Ordinary agriculture will keep up with great difficulty and there will be ‘farms’ turning to the more efficient micro-organisms. Processed yeast and algae products will be available in a variety of flavors. The world of A.D. 2014 will have few routine jobs that cannot be done better by some machine than by any human being. Mankind will therefore have become largely a race of machine tenders. Schools will have to be oriented in this direction…. All the high-school students will be taught the fundamentals of computer technology will become proficient in binary arithmetic and will be trained to perfection in the use of the computer languages that will have developed out of those like the contemporary “Fortran". [M]ankind will suffer badly from the disease of boredom, a disease spreading more widely each year and growing in intensity. This will have serious mental, emotional and sociological consequences, and I dare say that psychiatry will be far and away the most important medical specialty in 2014. [T]he most glorious single word in the vocabulary will have become work! in our a society of enforced leisure.
Isaac Asimov
I hung up the phone after saying good night to Marlboro Man, this isolated cowboy who hadn’t had the slightest probably picking up the phone to say “I miss you.” I shuddered at the thought of how long I’d gone without it. And judging from the electrical charges searing through every cell of my body, I realized just how fundamental a human need it really is. It was as fundamental a human need, I would learn, as having a sense of direction in the dark. I suddenly realized I was lost on the long dirt road, more lost than I’d ever been before. The more twists and turns I took in my attempt to find my bearings, the worse my situation became. It was almost midnight, and it was cold, and each intersection looked like the same one repeating over and over. I found myself struck with an illogical and indescribable panic--the kind that causes you to truly believe you’ll never, ever escape from where you are, even though you almost always will. As I drove, I remembered every horror movie I’d ever watched that had taken place in a rural setting. Children of the Corn. The children of the corn were lurking out there in the tall grass, I just knew it. Friday the 13th. Sure, it had taken place at a summer camp, but the same thing could happen on a cattle ranch. And The Texas Chain Saw Massacre? Oh no. I was dead. Leatherface was coming--or even worse, his freaky, emaciated, misanthropic brother. I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
Ernest Cline (Ready Player One)
His father curled a finger toward him. “I have need of your gift.” “Why?” His Starborn abilities were little more than a sparkle of starlight in his palm. His shadow talents were the more interesting gift. Even the temperature monitors on the high-tech cameras in this city couldn’t detect him when he shadow-walked. His father held up the prism. “Direct a beam of your starlight through this.” Not waiting for an answer, his father again put an eye to the metal viewing contraption atop the prism. It ordinarily took Ruhn a good amount of concentration to summon his starlight, and it usually left him with a headache for hours afterward, but … He was intrigued enough to try. Setting his index finger onto the crystal of the prism, Ruhn closed his eyes and focused upon his breathing. Let the clicking metal of the orrery guide him down, down, down into the black pit within himself, past the churning well of his shadows, to the little hollow beneath them. There, curled upon itself like some hibernating creature, lay the single seed of iridescent light. He gently cupped it with a mental palm, stirring it awake as he carefully brought it upward, as if he were carrying water in his hands. Up through himself, the power shimmering with anticipation, warm and lovely and just about the only part of himself he liked. Ruhn opened his eyes to find the starlight dancing at his fingertip, refracting through the prism. His father adjusted a few dials on the device, jotting down notes with his other hand. The starlight seed became slippery, disintegrating into the air around them. “Just another moment,” the king ordered. Ruhn gritted his teeth, as if it’d somehow keep the starlight from dissolving. Another click of the device, and another jotted note in an ancient, rigid hand. The Old Language of the Fae—his father recorded everything in the half-forgotten language their people had used when they had first come to Midgard through the Northern Rift. The starlight shivered, flared, and faded into nothing. The Autumn King grunted in annoyance, but Ruhn barely heard it over his pounding head. He’d mastered himself enough to pay attention as his father finished his notes. “What are you even doing with that thing?” “Studying how light moves through the world. How it can be shaped.” “Don’t we have scientists over at CCU doing this shit?” “Their interests are not the same as mine.” His father
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I rolled away from him with a gasp of laughter and hopped out of bed. “I need a shower.” Jack followed readily. I stopped short as I flipped on the switch in his bathroom, an immaculate well-lit space with contemporary cabinetry and modern stone vessel sinks. But it was the shower that left me speechless, a room made of glass and slate and granite, with rows of dials and knobs and thermostats. “Why is there a car wash in your bathroom?” Jack went past me, opened the glass door, and went inside. As he turned knobs and adjusted the temperature on digital screens, jets sprouted from every conceivable place, and steam collected in white drifts. Three rainfall streams came directly from the ceiling. “Aren’t you going to come in?” Jack’s voice filtered through the sound of abundant falling water. I went to the glass doorway and peeked inside. Jack was a magnificent sight, all bronzy and lean, a sheet of water glimmering over his skin. His stomach was drum-tight, his back gorgeous and sleekly muscled. “I hate to be the one to tell you this,” I said, “but you need to start exercising. A man your age shouldn’t let himself go.” He grinned and gestured for me to come to him. I ventured into the maelstrom of competing sprays, battered with heat from all directions. “I’m drowning,” I said, spluttering, and he pulled me out of the direct downpour of an overhead spray. “I wonder how much water we’re wasting.” “You know, Ella, you’re not the first woman who’s ever been in this shower with me—” “I’m shocked.” I leaned against him as he soaped my back. “— but you’re for damn sure the first one who’s ever worried about wasting water.” “How much, would you say?” “Ten gallons per minute, give or take.” “Oh my God. Hurry. We can’t stay in here long. We’ll throw the entire ecological system out of balance.” “This is Houston, Ella. The ecological system won’t notice.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
He nodded again. She walked away. Myron stood and headed in the opposite direction. He took out his cell phone and hit the speed-dial number one slot. Win answered it. “Articulate.” “Was it Katie Rochester?” He had expected something like this—Katie not cooperating. So Myron had prepared. Win was on the scene in Manhattan, ready to follow. It was, in fact, better. She would head back to wherever she was hiding. Win would tag along and learn all. “Looked like her,” Win said. “She was with a dark-haired paramour.
Harlan Coben (Promise Me (Myron Bolitar, #8))
He nodded again. She walked away. Myron stood and headed in the opposite direction. He took out his cell phone and hit the speed-dial number one slot. Win answered it. “Articulate.” “Was it Katie Rochester?” He had expected something like this—Katie not cooperating. So Myron had prepared. Win was on the scene in Manhattan, ready to follow. It was, in fact, better. She would head back to wherever she was hiding. Win would tag along and learn all. “Looked like her,” Win said. “She was with a dark-haired paramour.” “And now?” “After hanging up, she and said paramour began heading downtown by foot. By the way, the paramour is carrying a firearm in a shoulder holster.” That wasn’t good. “You’re on them?” “I’ll pretend you didn’t ask me that.” “I’m on my way.
Harlan Coben (Promise Me (Myron Bolitar, #8))
Avery needed to talk to Kane. "Excuse me for a minute," Avery said, dropping his feet to the floor, and abruptly standing. He walked straight out the conference room door without any explanation. He made a beeline for his office, absently slamming the door shut behind him. He didn't bother with taking a seat at his desk, he was too wound up. Instead, he reached over, picked up the phone, and dialed Kane's direct office line. He prayed he'd answer.
Kindle Alexander (Always (Always & Forever #1))
I lowered my face, took two more steps—and that was when I spotted Coach Bobby and his buddies in a Ford Expedition. Sigh. All four of them were there: Assistant Coach Pat drove, Coach Bobby was in the passenger seat, the other two slabs of beef sat in the back. I took out my mobile phone and hit the speed-dial button one. Win answered on the first ring. “Articulate,” Win said. That’s how he always answers the phone, even when he can clearly see on the caller ID that it’s me, and yes, it is annoying. “You better circle back,” I said. “Oh,” Win said, his voice kid-on-Christmas-morning happy, “goodie, goodie.” “How long will it take?” “I’m just down the street. I suspected something like this might occur.” “Don’t shoot anyone,” I said. “Yes, Mother.” My car was parked near the back of the lot. The Expedition followed slowly. The drizzle picked up a bit. I wondered what their plan was—something moronically macho, no doubt—and decided to just play it as it lays. Win’s Jag appeared and waited in the distance. I drive a Ford Taurus, aka The Chick Trawler. Win hates my car. He won’t sit in it. I took out my keys and hit the remote. The car made that little ding noise and unlocked. I slipped inside. The Expedition made its big move then. It raced forward and stopped directly behind the Taurus, blocking me in. Coach Bobby jumped out first, petting his goatee. His two buddies followed. I
Harlan Coben (Long Lost (Myron Bolitar, #9))
The E-Meter, short for “electropsychometer,” is an “electronic instrument that measures mental state and change of state in individuals,” according to the church. During the process, the preclear, or PC (person getting the auditing), is asked a set of questions or given directions as he holds on to two empty “cans” hooked up to the meter. It is believed that the thoughts in a person’s mind affect the flow of energy between the cans and cause the needle on the dial to move.
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
Radio was truly diverse in the seventies. A station would play a rock track, then a country track, then something else. You didn’t have to change the dial if you wanted to hear a certain kind of sound. We knew we had a good shot at getting on the radio with the original Eagles sound, but we also knew the best-selling hit songs were all rock-oriented, which was why everyone but Bernie wanted to head in this direction.
Don Felder (Heaven and Hell: My Life in the Eagles (1974-2001))
When you think of investments and returns, call Mark 10. If you are depressed, call Psalm 27. If your pocketbook is empty, call Psalm 37. If people seem unkind, call John 15. If discouraged about your work, call Psalm 126. If you find the world growing small and yourself great, call Psalm 19. —AUTHOR UNKNOWN Emergency numbers may be dialed direct. No operator assistance is necessary. All lines to heaven are open 24 hours a day and seven days a week. Prayer: Father God, You say to call on You, that You will never forsake me. Thank You for giving me the Bible so I can be encouraged in times of emergency. Amen.   Action: Call one of the emergency phone numbers today to see what information you receive.   Today’s Wisdom: Without wise leadership, a nation is in trouble; but with good counselors there is safety. —PROVERBS 11:14 TLB
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
Check the Continuity First, check that you don’t have a short circuit between the positive and negative columns. To do this, use the continuity function on your multimeter. A continuity test checks for a direct connection between two points in a circuit. The symbol for the continuity tester usually looks like the one shown here. You don’t want a direct connection between the positive and negative columns because that would short-circuit the battery and stop the game from working. Use the continuity tester to check for short circuits. Turn the dial on your multimeter so that it points toward the continuity symbol. Plug the black measurement lead into the multimeter’s COM socket, and plug the red measurement lead into the multimeter’s V socket. Touch the tip of the black and red measurement leads to each other, and you should hear a beep to indicate that there’s a direct connection.
Oyvind Nydal Dahl (Electronics for Kids: Play with Simple Circuits and Experiment with Electricity!)
You need a good process for qualifying prospects before they get to you so you’re not stuck doing demos with people who will pay you $30 a month or are the wrong fit for your product. Dialing in your positioning, website, and marketing is one way to make sure you’re attracting the right prospects and weeding out those who aren’t a good match. Using a qualifying form to schedule a demo is also good. Have them put in the company’s name, the company’s size, their best work email, and other information you need to know. Weeding through those prospects can be time-consuming—especially if you have a dual funnel with low-priced and enterprise-level tiers. Here’s a hack: At Drip, anytime someone clicked “Book a Demo,” they got a pop-up that asked for their name and value metric (i.e., how many subscribers they had). If they put in a low number, they were redirected to a page with a video demo, a 10-minute screencast of me walking through the product. If they put in a high number, they were directed to our scheduling link to book a time for a more extensive conversation. As Drip grew, the cutoff number for in-person demos grew, too. At first, we were doing demos for people in our lowest tiers because it was early and we wanted to learn about our market by talking to anyone we could. Bit by bit, we ratcheted up the number on the form based on how many salespeople had the bandwidth to run demos.
Rob Walling (The SaaS Playbook: Build a Multimillion-Dollar Startup Without Venture Capital)
I didn’t grow up literary and cultured. I used to do speed art – dashing through a gallery between the blockbuster pieces, in a bucket-list way. And when lines of poetry were quoted in a book, I’d skip over them. But it was actually while researching this book and wading curiously into dense essays and texts, following a thread and then applying myself mindfully to big, wise words and expressions which had to be understood with the heart, that I got a feel for how the considered study of life could also dial me directly back into life.
Sarah Wilson (This One Wild and Precious Life: A Hopeful Path Forward in a Fractured World)
After all, it is impossible to deprive oneself completely of all bodily or worldly objects of desire. The powers of perception and desire cannot be simply turned off—we can turn the dial where we like, but the instrument goes on receiving. Rather, the soul has the capacity of refusing attachment to them while they are present. If its focus and desire are directed elsewhere, we can possess rejected goods without being ultimately attached to them.
Zena Hitz (Lost in Thought: The Hidden Pleasures of an Intellectual Life)
The idea is to try to become as precise as possible; the clearer you are on what is and isn’t working for you, the better you can set your wayfinding direction. For instance…What you initially logged as “Staff Mtg—Enjoyed it for once today!” might, after you’ve looked at it again, be more accurately restated as “Staff Mtg—Felt great when I rephrased what Jon said and everyone went ‘Ooooh—exactly!’ ” This more precise version tells a much more useful story about what specific activity or behavior engages you. And it opens the door to developing even greater self-awareness. When your entries have that kind of detail in them, your reflections can be more insightful. When journaling your reflection on the log entry about that staff meeting, you might ask yourself, “Was I more engaged by artfully rephrasing Jon’s comment (getting the articulation dialed in just right) or by facilitating consensus among the staff (being the guy who made the group’s ‘Now we get it!’ unifying moment happen)?” If you conclude that artful articulation was the real sweet spot of that staff meeting moment for you, that important insight can help you be on the lookout for content-creation opportunities over group facilitation opportunities. Take this sort of observation and reflection as far as you find helpful (and no further—you don’t want to get stuck in your journal).
Bill Burnett (Designing Your Life: How to Build a Well-Lived, Joyful Life)
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KAVENDIS J
Pierce was thinking about the New York fair around the same time that a modest display of Bell Labs innovations was being demonstrated at Seattle’s Century 21 Exposition, which was being marked by the construction of a huge “space needle” on the city’s fairgrounds. At the Seattle fair visitors could ride a monorail to a Bell exhibit intimating a future of startling convenience: phones with speedy touch-tone buttons (which would soon replace dials), direct long-distance calling (which would soon replace operators), and rapid electronic switching (which would soon be powered by transistors). A visitor could also try something called a portable “pager,” a big, blocky device that could alert doctors and other busy professionals when they received urgent calls.2 New York’s fair would dwarf Seattle’s. The crowds were expected to be immense—probably somewhere around 50 or 60 million people in total. Pierce and David’s 1961 memo recommended a number of exhibits: “personal hand-carried telephones,” “business letters in machine-readable form, transmitted by wire,” “information retrieval from a distant computer-automated library,” and “satellite and space communications.” By the time the fair opened in April 1964, though, the Bell System exhibits, housed in a huge white cantilevered building nicknamed the “floating wing,” described a more conservative future than the one Pierce and David had envisioned.
Jon Gertner (The Idea Factory: Bell Labs and the Great Age of American Innovation)
Frontier Airlines Customer Service Number +1-855-653-0615 You can call Frontier Airlines customer service team by dialing this number +1-855-653-0615 the Frontier Airlines phone number and find the ideal solution for every one of your inquiries. The Frontier Airlines customer service agents are consistently available to guide and help you whether you need to make a new flight booking with Frontier Airlines, make some amendments in your current Frontier booking or simply need to enquire about something. The Frontier executives are very much experienced and prepared to determine any question or issue that a traveler may report. You can dial the Frontier Airlines phone number whenever from anyplace around the world for help and direction. Beneath given are a few services that you can benefit via dialing the Frontier Airlines phone number +1-855-653-0615: Knowing the nuances related to the flight status is a level out need. Checking flight status is one of the critical factors to travel freely, safely and without confronting any issue. The Frontier Airlines customer service team will tell you all the subtleties as for the status of your excursion on the call itself before your boarding on the plane. You can settle on a decision of making a call on the Frontier Airlines phone number to ask directly from the Frontier executives if your flight is on time or not as per the booking nuances. This will really help you with being prepared early about any suspension of flight or the dropping of flight due to any emergency situation or bad weather conditions.
CIVAF B
She’d need to find room in her compact kitchen for a high chair. Her second bedroom, which she now used as an office and craft room, would become the baby’s. A sense of excitement filled her, unlike anything she’d ever experienced. This was her baby, her very own child. This time she’d do everything right. This time there wasn’t a man standing in the way. High on enthusiasm, she reached for the phone and dialed her sister’s number. She felt closer to Kelly than she had in years. The weekend getaway had brought them together again, all three of them. How wise her mother had been to arrange it. “I didn’t get you up, did I?” she asked when her sister answered. Tyler bellowed in the background. “That’s a joke, right?” Maryellen smiled. “You doing anything special for lunch?” “Nothing in particular. What do you have in mind?” “Can you meet me at the Pot Belly Deli?” “Sure.” Kelly had the luxury of being a stay-at-home mother. Paul and Kelly had waited years for this baby and were determined to make whatever sacrifices were necessary. That option—staying with her baby—wasn’t available to Maryellen. She’d have to find quality day care and wasn’t sure where to even start. Just before noon, Kelly arrived at the gallery, pushing Tyler in his stroller. At nine months, the little boy sat upright, waving his chubby hands, cooing happily and directing the world from his seat. “Let’s grab some soup from the deli and eat down by the waterfront,” Kelly suggested. It was a lovely spring day after a week of rain, and the fresh air would do them all good. “Sounds like a great idea,” Maryellen told her. Practical, too, since it would be easier to amuse Tyler at the park than in a crowded restaurant. Maryellen phoned in their order and her sister trekked down to grab a picnic table. Several other people had the same idea, but she’d secured a table for them by the time Maryellen got there. Sitting across from her sister, Maryellen opened her container of chicken rice soup and stirred it with a plastic spoon. Cantankerous seagulls circled overhead, squawking for a handout, but Maryellen and Kelly ignored them. “I
Debbie Macomber (204 Rosewood Lane (Cedar Cove #2))
But the real lesson had been this: Follow intuition. If often leads in the right direction, if not directly to the destination.
Roman Dial (The Adventurer's Son)
Talent today is more aware, assertive and empowered than ever before, which makes it respond better to coaching and facilitation as opposed to direction and control. And organization cultures are changing to reflect this need by dialing down entitlements, privileges and distinctions associated with rank. This is an age which puts a premium on democracy and respect over authority and seniority
Gyan Nagpal (The Future Ready Organization: How Dynamic Capability Management Is Reshaping the Modern Workplace)
After years of experimenting, I discovered that the more I tried to exert power directly, the less powerful I became. I learned to dial back my ego and distribute power as widely as possible without surrendering final authority.
Phil Jackson (Eleven Rings: The Soul of Success)
THE FIRST THING THAT HAPPENED DURING JARUZELSKI’S MILITARY COUP IN Poland was that the narcs invaded the telephone exchanges and severed the trunk lines with axes, ensuring that they would take months to repair. This and similar stories have gotten us into the habit of thinking that modern information technology is to totalitarianism what crosses are to vampires. Skeptics might say it’s just a coincidence that glasnost and perestroika came just after the photocopier, the fax, and the personal computer invaded Russia, but I think there’s a connection, and if you read WIRED, you probably do too. After all, how could any country whose power structure was based on controlling the flow of information survive in an era of direct-dial phones and ubiquitous fax machines?
Neal Stephenson (Some Remarks: Essays and Other Writing)
In light of all this, we’re now equipped to think about the relationship between laughter and humor. In any given comedic situation, humor precedes and causes laughter, but when we step back and take a broader perspective, the order is reversed. Our propensity to laugh comes first and provides the necessary goal for humor to achieve.34 Humor can thus be seen as an art form, a means of provoking laughter subject to certain stylistic constraints. Humorists, in general, work in the abstract media of words and images. They don’t get credit, as humorists, for provoking laughter by physical means—by tickling their audiences, for example. They’re also generally discouraged from eliciting contagious laughter, that is, by laughing themselves. In this way, humor is like opening a safe. There’s a sequence of steps that have to be performed in the right order and with a good deal of precision. First you need to get two or more people together.35 Then you must set the mood dial to “play.” Then you need to jostle things, carefully, so that the dial feints in the direction of “serious,” but quickly falls back to “play.” And only then will the safe come open, releasing the precious laugher locked inside.36 Different cultures may put different constraints on how a humorist is allowed to interact with the safe, or they may set a different “combination,” that is, by defining “playful” and “serious” in their own idiosyncratic ways such that one culture’s humor might not unlock a foreigner’s safe. But the core locking mechanism is the same in every human brain, and we come straight out of the factory ready to be tickled open, literally and metaphorically.
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
The study of stem cell niches in mammalian systems presents an 'arduous endeavor'; in comparison, the fly germarium is relatively easy to manipulate. In the 1990s, H. Lin, A.C. Spradling, and others used of a number of approaches to study Drosophilia GSCs and their niche, including killing specific cells in the germarium with precisely directed lasers; transplantation of cells from the ovary of one fly to another; and genetic perturbations that included the dialing up or down of Hh pathway signaling. The researchers found that following laser ablation of cells surrounding the GSCs - that is killing the niche cells - all the GSCs went on to form eggs, and the system was quickly depleted of its GSC reserve. Moreover, through genetic analyses the researchers identified specific genes required in the niche cells to maintain GSCs within the niche, as would be deduced for a gene that, when disrupted in niche cells, has the same effect as laser ablation of those cells. These studies are credited with providing the first clear experimental evidence of a stem cell niche, as well as defining what genes - what signaling pathways and other cellular activities - are important to the process. Many of the same pathways relevant in other cell types proved relevant to communication between the niche and GSCs, including the Hh pathway. The genes required for suppression of transposon mobilization by the piRNA system also have relevance to the GSC niche; disruption of the piwi gene, for example, can lead to uncontrolled proliferation of GSCs.
Stephanie Elizabeth Mohr (First in Fly: Drosophila Research and Biological Discovery)
I've felt completely ineffective. Like I'm spinning my tires in mud, my efforts splattering in all directions without design. Like nothing I do matters. In the maelstrom of it all, and without a moment to reflect, I find myself pining for the instant gratification of the OR. The satisfaction of removing an appendix. The finality of stitches taut and gleaming within a pulsing heart. The rise of oxygen levels with the turn of a dial. Breath, life, progress, all finely-tuned and quantifiable. Most of all, I yearn for the accolades. The respect. The sense that I'm accomplishing something. After all, I wondered this afternoon, what am I really achieving? Why should I continue down this route, and cast aside such carefully-honed skills, when Pip's just going to scream at me? Maybe the kids would be better off if I went back. I turned the words in my mind, and I detected glimmers of an identity I discarded long ago, one that thrived upon white corridors, adrenaline, and a tally of successes. An identity that lingers like an old, duplicitous friend, the betrayals of which time has obscured. Is my purpose in this new direction -- and in life -- really to "accomplish something"? To build myself up, and convince myself that I matter? To fashion my own identity? Or am I on this path so that He may accomplish His purpose through me? To submit wholly and lovingly to my identity in Christ? "I pursue this to serve God.
Kathryn Butler
CONVENTIONAL SWING (BALL SWINGS IN THE DIRECTION THE SEAM IS POINTING) ‘The key to swinging the ball is to keep a light grip and secondly the flick of the wrist with the fingers going down the ball … not across it. This is the major point. The bowler has to keep the energy behind the ball by flicking their fingers to six o’clock on the dial, rather than to five o’clock or seven o’clock. ‘The grip is also important. The fingers can be together or apart, but I preferred them to be together. Others like the great Ray Lindwall, Australia’s fast bowler of years gone by, would have his fingers placed on both sides of the seam. It’s a personal preference only. ‘I always loved the saying: “If he misses, I will hit his stumps.” It is simple but it is accurate, and 52 per cent of my dismissals in Test and one-day cricket were bowled or LBW.’ THE YORKER: WASIM AKRAM
Dean Jones (Dean Jones' Cricket Tips: The things They Don't Teach You at the Academy)
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