Storm Of Steel Quotes

We've searched our database for all the quotes and captions related to Storm Of Steel. Here they are! All 100 of them:

My skin has turned to porcelain, to ivory, to steel.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
She moved like a storm someone had given steel to.
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb… Robb… please, Ned, please, make it stop, make it stop hurting… The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. “Mad,” someone said, “she’s lost her wits,” and someone else said, “Make an end,” and a hand grabbed her scalp just as she’d done with Jinglebell, and she thought, No, don’t, don’t cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.— Catelyn Stark
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Habent sua fata libelli et balli [Books and bullets have their own destinies]
Ernst Jünger (Storm of Steel)
The world is changing," said Nikolai, the steel edge emerging in his voice. "We change with it, or there will be nothing to remember us but dust.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Why would the stars want to look down on such as me?
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Why ask for truth when you close your ears to it? - Ser Barristan Selmy to Daenerys
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
I'm not a lady, Arya wanted to tell her, I'm a wolf.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
old stories are like old friends (...) you have to visit them from time to time.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Like the magnolia tree, She bends with the wind, Trials and tribulation may weather her, Yet, after the storm her beauty blooms, See her standing there, like steel, With her roots forever buried, Deep in her Southern soil.
Nancy B. Brewer (Letters from Lizzie)
The gods heard my prayer, she thought. She felt so numb and dreamy. My skin has turned to porcelain, to ivory, to steel.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
This was the home of the great god Pain, and for the first time I looked through a devilish chink into the depths of his realm. And fresh shells came down all the time.
Ernst Jünger (Storm of Steel)
Jon Snow, you know nothing.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Wish me luck.” “Luck is for those with nothing else. I wish you strength and courage.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
The gods made the earth for all men t' share. Only when the kings come with their crowns and steel swords, they claimed it was all theirs. "My trees," they said, "you can't eat them apples. My stream, you can't fish here. My wood, you're not t' hunt. My earth, my water, my castle, my daughter, keep your hands away or I'll chop 'em off, but maybe if you kneel t' me I'll let you have a sniff." You call us thieves, but at least a thief has t' be brave and clever and quick. A kneeler only has t' kneel.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
We had come from lecture halls, school desks and factory workbenches, and over the brief weeks of training, we had bonded together into one large and enthusiastic group. Grown up in an age of security, we shared a yearning for danger, for the experience of the extraordinary. We were enraptured by war.
Ernst Jünger (Storm of Steel)
Still, night falls for all of us in the end, and too soon for some.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Some people hurt others just because they can.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Loss can be like chains holding you in place or a fire pushing you onward. We each choose every day what it will be to us.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
Hoooodor," said Hodor, swaying. "Hooooooodor, hoooooodor, hoDOR, hoDOR, hoDOR." Sometimes he liked to do this, just saying his name different ways, over and over and over.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
In war you learn your lessons, and they stay learned, but the tuition fees are high.
Ernst Jünger (Storm of Steel)
Throughout the war, it was always my endeavour to view my opponent without animus, and to form an opinion of him as a man on the basis of the courage he showed. I would always try and seek him out in combat and kill him, and I expected nothing else from him. But never did I entertain mean thoughts of him. When prisoners fell into my hands, later on, I felt responsible for their safety, and would always do everything in my power for them. p. 58
Ernst Jünger (Storm of Steel)
When your enemies defy you, you must serve them steel and fire. When they go to their knees, however, you must help them back to their feet. Elsewise no man will ever bend the knee to you
George R.R. Martin
Behind her, she heard Lyre's exasperated mutter. "We incubi might claim to understand them," he grumbled to Ash, "but no male can actually comprehend how a woman's mind works." "It's safer not to even try.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
For Phyllis who made me put dragons in
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
It was the sea that made me begin thinking secretly about love more than anything else; you know, a love worth dying for, or a love that consumes you. To a man locked up in a steel ship all the time, the sea is too much like a woman. Things like her lulls and storms, or her caprice, or the beauty of her breast reflecting the setting sun, are all obvious. More than that, you’re in a ship that mounts the sea and rides her and yet is constantly denied her. It’s the old saw about miles and miles of lovely water and you can’t quench your thirst. Nature surrounds a sailor with all these elements so like a woman and yet he is kept as far as a man can be from her warm, living body. That’s where the problem begins, right there—I’m sure of it.
Yukio Mishima (The Sailor Who Fell from Grace With the Sea)
I want her, he realized. I want Winterfell, yes, but I want her as well, child or woman or whatever she is. I want to comfort her. I want to hear her laugh. I want her to come to me willingly, bring me her joys and her sorrows and her lust.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
The dwarf has risen from the dead, Tyrion thought. And look, he's uglier than ever, run tell your friends.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
You think love is as fragile as that? Like a stalk of wheat, easily broken in a storm? That’s not what love is. Real love is the strongest kind of steel. It’s blade that can be melted down, its form changed with every bang of the hammer, but to break it is a task no one is capable of. Not even Death.
Kristen Ciccarelli (The Caged Queen (Iskari, #2))
Fenrys snorted, toying with a small curl of golden hair at his nape. “How you even manage to walk with that much steel on you, Whitethorn, has always been a mystery to me.” Rowan said smoothly, “How no one has ever cut out your tongue just to shut you up has always been a mystery to me as well.” An edged chuckle. “I’ve been told it’s my best feature. At least the women think so.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
When once it is no longer possible to understand how a man gives his life for his country--and the time will come--then all is over with that faith also, and the idea of the Fatherland is dead; and then, perhaps, we shall be envied, as we envy the saints their inward and irresistible strength.
Ernst Jünger (Storm of Steel)
Focus on the now and the next, not the distant future of maybe and if. Even those of the strongest faith can falter when the eyes focus too far in the distance.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
She couldn’t lose him, but she couldn’t protect him and she couldn’t stop him. He had to do this.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
I wish it was all a dream. Then I could wake up.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
She should be more frightened herself, she knew. She was only ten, a skinny girl on a stolen horse with a dark forest ahead of her and men behind who would gladly cut off her feet. Yet somehow she felt calmer than ever had in Harrenhal. The rain had washed the guard's blood off her fingers, she wore a sword across her back, wolves were prowling through the dark like lean grey shadows, and Arya Stark was unafraid. Fear cuts deeper than swords, she whispered under her breath, the words that Syrio Forel had taught her, and Jaqen's words too, valar morghulis.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
What in god’s name happened to your nuts?” “They met a jet-powered water hose.” He grimaced. “They’re already healing.” A rare glint of amusement lit Lawrence’s eyes. “You have balls of steel.” “You have inappropriate humour.
Dianna Hardy (Releasing The Wolf (Eye Of The Storm, #1))
That may be so, but his faerie had suffered too much and he had had more than enough. If anybody so much as looked at her funny, he was going to come down hard on them with both size fourteen steel-toed boots. Then he would consider seriously the merits of evisceration.
Thea Harrison (Storm's Heart (Elder Races, #2))
Trench fighting is the bloodiest, wildest, most brutal of all ... Of all the war's exciting moments none is so powerful as the meeting of two storm troop leaders between narrow trench walls. There's no mercy there, no going back, the blood speaks from a shrill cry of recognition that tears itself from one's breast like a nightmare.
Ernst Jünger (Storm of Steel)
Eventually, you realize that people are a better home than a place.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
Love was both a great strength and a great weakness. She would try to remember that.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
She moved like a storm someone had given steel to... 'You must be the one who said the password,' she said. - Shazad
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
The world grows a little darker every day.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
What we want is not always what we get.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
These moments of nocturnal prowling leave an indelible impression. Eyes and ears are tensed to the maximum, the rustling approach of strange feet in the tall grass in an unutterably menacing thing. Your breath comes in shallow bursts; you have to force yourself to stifle any panting or wheezing. There is a little mechanical click as the safety-catch of your pistol is taken off; the sound cuts straight through your nerves. Your teeth are grinding on the fuse-pin of the hand-grenade. The encounter will be short and murderous. You tremble with two contradictory impulses: the heightened awareness of the huntsmen, and the terror of the quarry. You are a world to yourself, saturated with the appalling aura of the savage landscape. p. 71
Ernst Jünger (Storm of Steel)
Sometimes Old Nan would tell the same story she'd told before, but we bever mindedn if it was a good story. Old stories are like old friends, she use to saym you have to visit them from time to time.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
What do you have in this car?" he asked. "What do you mean, like weapons?" "That would be a good start." "Well, I 've got a mini Swiss Army Knife on my key chain." "A two-inch stainless steel blade and a nail file. They might as well surrender to us now....
Richard Castle (Storm Front (Derrick Storm, #4))
At the sight of the Neckar slopes wreathed with flowering cherry trees, I had a strong sense of having come home. What a beautiful country it was, and eminently worth our blood and our lives. Never before had I felt its charm so clearly. I had good and serious thoughts, and for the first time I sensed that this war was more than just a great adventure. p. 33
Ernst Jünger (Storm of Steel)
He wanted to laugh. Only, the sound wouldn't come out. He couldn't summon even a wry humor, not anymore. Light! I can't keep this up. My eyes see as if in a fog, my hand is burned away, and the old wounds in my side rip open if I do anything more strenuous than breathe. I'm dry, like an overused well. I need to finish my work here and get to Shayol Ghul. Otherwise, there won't be anything left of me for the Dark One to kill. That wasn't a thought to cause laughter; it was one to cause despair. But Rand did not weep, for tears could not come from steel. For the moment, Lews Therin's cries seemed enough for both of them.
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
In a curious failure of comprehension, I looked alertly about me for possible targets for all this artillery fire, not, apparently, realizing that it was actually ourselves that the enemy gunners were trying for all they were worth to hit.
Ernst Jünger (Storm of Steel)
Might have punctured a lung, if he had a lung. Most trees don't, as a rule.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
A veces, los más grandes estúpidos son más astutos que los que se ríen de ellos.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Jaime watched her eyes. Pretty eyes, he thought, and calm.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
There are fights no sword can win, Catelyn wanted to tell him, but she feared the king was deaf to such words.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Seventeen, and beautiful, and already a legend. Half the girls in the Seven Kingdom want to bed him, and all the boys want to be him.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Here in the north each night is a whole winter long. Yet the place is fair enough, doubt it not! Thou shalt see sights here such as thou hast not seen in the halls of the English king. We shall be together as sisters whilst thou bidest with me; we shall go down to the sea when the storm begins once more; thou shalt see the billows rushing upon the land like wild, white-maned horses—and then the whales far out in the offing! They dash one against another like steel-clad knights! Ha, what joy to be a witching-wife and ride on the whale's back—to speed before the skiff, and wake the storm, and lure men to the deeps with lovely songs of sorcery!
Henrik Ibsen (The Vikings of Helgeland)
The world is changing,’ said Nikolai, the steel edge emerging in his voice. ‘We change with it, or there will be nothing left to remember us but the dust.’ Vasily laughed. ‘I can’t decide if you’re a fearmonger or a coward.’ ‘And I can’t decide if you’re an idiot or an idiot.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Sobbing, Sam took another step. This is the last one, the very last, I can't go on, I can't. But his feet moved again. One and then the other. They took a step, and then another, and he thought, They're not my feet, they're someone else's, someone else is walking, it can't be me.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
The first sound was the bowstrings, the snap of five thousand hemp cords being tightened by stressed yew, and that sound was like the devil’s harpstrings being plucked. Then there was the arrow sound, the sigh of air over feathers, but multiplied, so that it was like the rushing of a wind. That sound diminished as two clouds of arrows, thick as any flock of starlings, climbed into the gray sky. Hook, reaching for another broadhead, marveled at the sight of five thousand arrows in two sky-shadowing groups. The two storms seemed to hover for a heart’s beat at the height of their trajectory, and then the missiles fell. It was Saint Crispin’s Day in Picardy. For an instant there was silence. Then the arrows struck. It was the sound of steel on steel. A clatter, like Satan’s hailstorm.
Bernard Cornwell (Agincourt)
Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her. "I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart." Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously. "Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
… a woman cuts, hacks, slashes, and strikes – a whirling storm of fire and steel. Born in shadow, her destiny eclipsed by the brightest of stars. What else can she be but a comet, burning bright enough to draw every eye as she streaks toward some unfathomable fate?
Nicholas Eames (Bloody Rose (The Band, #2))
He meant to live.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
He'd shut down his emotions so fast she was surprised she hadn't heard his mental doors slamming closed.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
For this reason I consider that troops composed of boys of twenty, under experienced leadership, are the most formidable.
Ernst Jünger (The Storm of Steel: Original 1929 Translation)
«Hay peleas que no se pueden ganar con la espada»
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Eres mío, igual que yo soy tuya. Si tenemos que morir, moriremos. Todos los hombres mueren, Jon Nieve. Pero antes vamos a vivir.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
A wise man never makes an enemy of a king.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
When I don't fancy a man's eyes, I put an arrow through one.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Human nature is indeed indestructible.
Ernst Jünger (Storm of Steel)
I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife claw a rent in the top, peep, and, if I must, fall.
Annie Dillard (Pilgrim at Tinker Creek)
As gale-winds swirl and shatter under the shrilling gusts on days when drifts of dust lie piled thick on the roads and winds whip up the dirt in a dense whirling cloud- so the battle broke, storming chaos, troops inflamed, slashing each other with bronze, carnage mounting, manslaughtering combat bristling with rangy spears, the honed lances brandished in hand and ripping flesh and the eyes dazzled now, blind with the glare of bronze, glittering helmets flashing, breastplates freshly burnished, shields fiery in sunlight, fighters plowing on in a mass. Only a veteran steeled at heart could watch that struggle and still thrill with joy and never feel the terror.
Homer (The Iliad)
Irgendwie drängt sich auch dem ganz einfachen Gemüt die Ahnung auf, daß sein Leben in einen ewigen Kreislauf geschaltet, und daß der Tod des einzelnen gar kein so bedeutungsvolles Ereignis ist.
Ernst Jünger (Storm of Steel)
At midnight on the Emperor’s pavement flit Flames that no faggot feeds, nor steel has lit, Nor storm disturbs, flames begotten of flame, Where blood-begotten spirits come And all complexities of fury leave, Dying into a dance, An agony of trance, An agony of flame that cannot singe a sleeve.
W.B. Yeats
These wolves are more than wolves, Robb. You must know that. I think perhaps the gods sent them to us. Your father's gods, the old gods of the north. Five wolf pups, Robb, five for five Stark children.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
Clegane would grunt from time to time, and once Tyrion heard him mutter a curse, but otherwise he fought in a sullen silence. Not Oberyn Martell. "You raped her," he called, feinting. "You murdered her," he said, dodging a looping cut from Gregor's greatsword. "You killed her children," he shouted, slamming the spearpoint into the giant's throat, only to have it glance off the thick steel gorget with a screech.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
That made her laugh until she screamed. “Mad,” someone said, “she’s lost her wits,” and someone else said, “Make an end,” and a hand grabbed her scalp just as she’d done with Jinglebell, and she thought, No, don’t, don’t cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Remember Barbara It rained all day on Brest that day And you walked smiling Flushed enraptured streaming-wet In the rain Remember Barbara It rained all day on Brest that day And I ran into you in Siam Street You were smiling And I smiled too Remember Barbara You whom I didn't know You who didn't know me Remember Remember that day still Don't forget A man was taking cover on a porch And he cried your name Barbara And you ran to him in the rain Streaming-wet enraptured flushed And you threw yourself in his arms Remember that Barbara And don't be mad if I speak familiarly I speak familiarly to everyone I love Even if I've seen them only once I speak familiarly to all who are in love Even if I don't know them Remember Barbara Don't forget That good and happy rain On your happy face On that happy town That rain upon the sea Upon the arsenal Upon the Ushant boat Oh Barbara What shitstupidity the war Now what's become of you Under this iron rain Of fire and steel and blood And he who held you in his arms Amorously Is he dead and gone or still so much alive Oh Barbara It's rained all day on Brest today As it was raining before But it isn't the same anymore And everything is wrecked It's a rain of mourning terrible and desolate Nor is it still a storm Of iron and steel and blood But simply clouds That die like dogs Dogs that disappear In the downpour drowning Brest And float away to rot A long way off A long long way from Brest Of which there's nothing left.
Jacques Prévert
Arethusa liked to call us Poseidon’s Children. Orphans of the storm. We’d endured the worst the world could throw at us, the worst consequences of our own stupidity, and came through ... ready to face the dawn. But there are always more storms, Chiku.
Alastair Reynolds (On the Steel Breeze (Poseidon's Children, #2))
Now these [battles] too are over, and already we see once more in the dim light of the future the tumult of the fresh ones. We--by this I mean those youth of this land who are capable of enthusiasm for an ideal--will not shrink from them. We stand in the memory of the dead who are holy to us, and we believe ourselves entrusted with the true and spiritual welfare of our people. We stand for what will be and for what has been. Though force without and barbarity within conglomerate in sombre clouds, yet so long as the blade of a sword will strike a spark in the night may it be said: Germany lives and Germany shall never go under!
Ernst Jünger (Storm of Steel)
Leaving out trifles such as ricochets and grazes, I was hit at least fourteen times, these being five bullets, two shell splinters, one shrapnel ball, four hand-grenade splinters and two bullet splinters, which, with entry and exit wounds, left me an even twenty scars.
Ernst Jünger (Storm of Steel)
Ash moved faster, spinning through the steps of his deadly dance as he pushed Samael to keep moving, moving, moving. She flowed in and around Ash like a fish darting through racing waters, her blade seeking where Samael would appear. Together, they drove Samael around the dome. They moved together, synchronized and flawless, all his experience and all her instincts melding into deadly perfection. Samael
Annette Marie (Unleash the Storm (Steel & Stone, #5))
High, low, overhand, he rained down steel upon her. Left, right, backslash, swinging so hard that sparks flew when the swords came together, upswing, sideslash, overhand, always attacking, moving into her, step and slide, strike and step, step and strike, hacking, slashing, faster, faster, faster . . .until, breathless, he stepped back and let the point of the sword fall to the ground, giving her a moment of respite. “Not half bad,” he acknowledged. “For a wench.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
She chuckled and then said seriously, "Don't sweat it. I can only guess at what this must feel like, but you gotta just steel your resolve, you know? Batten down your hatches, sandbag your perimeters, plywood your windows and what not. Where are you going with this? I don't know anymore. Somehow, my pep talk became storm prep...
Bethany K. Lovell (Faetal Distraction (Blood Crown, #1))
No one would believe that in this howling waste there could still be men; but steel helmets now appear on all sides out of the trench, and fifty yards from us a machine-gun is already in position and barking. The wire entanglements are torn to pieces. Yet they offer some obstacle. We see the storm-troops coming. Our artillery opens fire. Machine-guns rattle, rifles crack.
Erich Maria Remarque (All Quiet on the Western Front)
A bloody scene with no witnesses was about to happen. It was a relief to me, finally, to have the foe in front of me and within reach. I set the mouth of the pistol at the man’s temple – he was too frightened to move – while my other fist grabbed hold of his tunic, feeling medals and badges of rank. An officer; he must have held some command post in these trenches. With a plaintive sound, he reached into his pocket, not to pull out a weapon, but a photograph which he held up to me. I saw him on it, surrounded by numerous family, all standing on a terrace. It was a plea from another world. Later, I thought it was blind chance that I let him go and plunged onward. That one man of all often appeared in my dreams. I hope that meant he got to see his homeland again.
Ernst Jünger (Storm of Steel)
The only one,” he murmured, his deep voice sliding down to her bones, “I want to belong to is you.” She turned her head and blindly found his lips with hers, sinking her fingers into his hair. He locked their mouths together. As her blood heated with need, she pressed into him. His hands slid down her back and then lower, and he pulled her hips against him. She gasped and kissed him harder.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
There are Navajo teachings about how a car works. This vehicle is very much like a horse, operating on the same principles. The automobile is considered more "intelligent," and we think of it in such terms. The automobile is mad eof iron and steel taken from the earth. This iron is the earth's spirit, which has been made into the body of the automobile. The trees, as vegetation, were also taken from the earth and made into rubber for the tires. The air, or spirit, is the same as that of a horse's breath of life, instilled in its body. The arms and legs of the auto makes it move. Then there are the dark storm clouds and heavenly bodies like lightning, which are found inside the auto to give it power. This is exactly the same power the horse has. Water, which comes from the earth, is put into the auto for its cooling system. Oil from the earth is similar to the fat from the earth a horse receives. Just as gasoline comes from the earth as fuel, plants are in a horse's body to make it operate. Therefore, horses and cars are the sam in every way.
John Holiday (A Navajo Legacy: The Life and Teachings of John Holiday)
Tyrion stared up at his father's hard green eyes with their flecks of cold bright gold. "Guilty," he said, "so guilty. Is that what you want to hear?" Lord Tywin said nothing. Mace Tyrell nodded. Prince Oberyn looked mildly disappointed. "You admit you poisoned the king?" "Nothing of the sort," said Tyrion. "Of Joffrey's death I am innocent. I am guilty of a more monstrous crime." He took a step toward his father. "I was born. I lived. I am guilty of being a dwarf, I confess it. And no matter how many times my good father forgave me, I have persisted in my infamy.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3: Part 1 of 2))
The world was simpler in those days, Jaime thought, and men as well as swords were made of finer steel. Or was it only that he had been fifteen? They were all in their graves now, the Sword of the Morning and the Smiling Knight, the White Bull and Prince Lewyn, Ser Oswell Whent with his black humor, earnest Jon Darry, Simon Toyne and his Kingswood Brotherhood, bluff old Sumner Crakehall. And me, that boy I was … when did he die, I wonder? When I donned the white cloak? When I opened Aerys’s throat? That boy had wanted to be Ser Arthur Dayne, but someplace along the way he had become the Smiling Knight instead.
George R.R. Martin (A Storm of Swords: Blood and Gold Pt. 2)
Melisandre’s red lips curled into a smile. “I have seen you in my fires, Jon Snow.” “Is that a threat, my lady? Do you mean to burn me too?” “You mistake my meaning.” She gave him a searching look. “I fear that I make you uneasy, Lord Snow.” Jon did not deny it. “The Wall is no place for a woman.” “You are wrong. I have dreamed of your Wall, Jon Snow. Great was the lore that raised it, and great the spells locked beneath its ice. We walk beneath one of the hinges of the world.” Melisandre gazed up at it, her breath a warm moist cloud in the air. “This is my place as it is yours, and soon enough you may have grave need of me. Do not refuse my friendship, Jon. I have seen you in the storm, hard-pressed, with enemies on every side. You have so many enemies. Shall I tell you their names?” “I know their names.” “Do not be so certain.” The ruby at Melisandre’s throat gleamed red. “It is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold.” “It is always cold on the Wall.” “You think so?” “I know so, my lady.” “Then you know nothing, Jon Snow,” she whispered.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Even when she walked into the most sickened of houses to purify their energy with copal and smudging of burnt herbs on the walls and hearths, houses so diseased she ordered me to stand outside with the inhabitants, the voices rippled off her like water off silver, her aura as impenetrable as a warrior's gleaming shield. She was a prophet in a land that had been stripped of its gods: a healer of the sick, a beacon in the night. She reached into steel-dark clouds to control the storms of the rainy season, seizing lightning as her reins and bending them to her will to turn harvests into gold. She called the voices to heel and banished them. I was not her.
Isabel Cañas (The Hacienda)
CAPT. J. W. SIMMONS, master of the steamship Pensacola, had just as little regard for weather as the Louisiana’s Captain Halsey. He was a veteran of eight hundred trips across the Gulf and commanded a staunch and sturdy ship, a 1,069-ton steel-hulled screw-driven steam freighter built twelve years earlier in West Hartlepool, England, and now owned by the Louisville and Nashville Railroad Company. Friday morning the ship was docked at the north end of 34th Street, in the company of scores of other ships, including the big Mallory liner Alamo, at 2,237 tons, and the usual large complement of British ships, which on Friday included the Comino, Hilarius, Kendal Castle, Mexican, Norna, Red Cross, Taunton, and the stately Roma in from Boston with its Captain Storms. As the Pensacola’s twenty-one-man crew readied the ship for its voyage to the city of Pensacola on Florida’s Gulf Coast, two men came aboard as Captain Simmons’s personal guests: a harbor pilot named R. T. Carroll and Galveston’s Pilot Commissioner J. M. O. Menard, from one of the city’s oldest families. At
Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
Watch," he whispered hoarsely. "Watch me make love to you." No power in the heavens could have made her look away as he withdrew- all the way so that she saw the passionate sheen of her body's juices glazing his rod. Her eyes widened. Coarse dark hair mingled with soft, chestnut curls, a sight that was incredibly erotic. Even more erotic was when he plunged again, gliding deeper this time, harder. She couldn't tear her gaze away. She was both amazed and stunned at the way male joined female, feeling the walls of her passage yield- soft tender flesh clinging tight and wanton to hard male steel.Everything inside her went wild. Every part of her was melting, every fiber of her being. With a helpless little moan she caught the sides of his head. She wanted to tell him how wonderful he made her feel. But the power of words had once again deserted her. The pleasure was climbing, spiraling high and fast, taking her by storm. Unable to hold back, her hands slipped to his shoulders. She clutched at him; sensation gathered there, in the very center of her body, the place he possessed so fully. Had she surrendered? Or had he? she wondered vaguely. Eyes closed, she flung her head back. Release was close. She could feel it coming, shivering throughout her body. His head dropped low. He kissed the arch of her throat. "Fionna," he said, his tone almost raw. "Fionna!" Her nails bit into his shoulders. The walls of her channel contracted around him, again and again and again, sending spasms of release hurtling through them both.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
There is no Weatherfax map on the Stella Lykes—only the barometer, the barographs, the teletypes from NOAA. The radar can see a storm, but that is like seeing a fist just before it hits you. When a storm is out there, somewhere, beyond the visible sky, the ship will let him know. “When you get close to a big storm, you can feel it. For some reason, the ship takes on almost a little uncertainty. She’s almost like a live thing—like they say animals can sense bad weather coming. Sometimes I almost believe a ship can. I know that doesn’t make sense, because she’s steel and wood and metal, but she picks up a little uncertainty, probably something that is being transmitted through the water. It’s hard to define. It’s just a tiny little different motion, a little hesitancy, a little tremble from time to time.” Off
John McPhee (Looking for a Ship)
Byzantium The unpurged images of day recede; The Emperor's drunken soldiery are abed; Night resonance recedes, night-walkers' song After great cathedral gong; A starlit or a moonlit dome disdains All that man is, All mere complexities, The fury and the mire of human veins. Before me floats an image, man or shade, Shade more than man, more image than a shade; For Hades' bobbin bound in mummy-cloth May unwind the winding path; A mouth that has no moisture and no breath Breathless mouths may summon; I hail the superhuman; I call it death-in-life and life-in-death. Miracle, bird or golden handiwork, More miracle than bird or handiwork, Planted on the starlit golden bough, Can like the cocks of Hades crow, Or, by the moon embittered, scorn aloud In glory of changeless metal Common bird or petal And all complexities of mire or blood. At midnight on the Emperor's pavement flit Flames that no faggot feeds, nor steel has lit, Nor storm disturbs, flames begotten of flame, Where blood-begotten spirits come And all complexities of fury leave, Dying into a dance, An agony of trance, An agony of flame that cannot singe a sleeve. Astraddle on the dolphin's mire and blood, Spirit after spirit! The smithies break the flood, The golden smithies of the Emperor! Marbles of the dancing floor Break bitter furies of complexity, Those images that yet Fresh images beget, That dolphin-torn, that gong-tormented sea.
W.B. Yeats (The Poems of W. B. Yeats Selected, edited, and introduced by William York Tindall)
The proper attitude toward human activity and climate is expressed in the 1957 novel Atlas Shrugged by Ayn Rand. Consider the following passage, where industrialist-philosopher Francisco d’Anconia remarks to steel magnate Hank Rearden how dangerous the climate is, absent massive industrial development. The conversation takes place indoors at an elegant party during a severe storm (in the era before all severe storms were blamed on fossil fuels). There was only a faint tinge of red left on the edge of the earth, just enough to outline the scraps of clouds ripped by the tortured battle of the storm in the sky. Dim shapes kept sweeping through space and vanishing, shapes which were branches, but looked as if they were the fury of the wind made visible. “It’s a terrible night for any animal caught unprotected on that plain,” said Francisco d’Anconia. “This is when one should appreciate the meaning of being a man.” Rearden did not answer for a moment; then he said, as if in answer to himself, a tone of wonder in his voice, “Funny . . .” “What?” “You told me what I was thinking just a while ago . . .” “You were?” “. . . only I didn’t have the words for it.” “Shall I tell you the rest of the words?” “Go ahead.” “You stood here and watched the storm with the greatest pride one can ever feel—because you are able to have summer flowers and half-naked women in your house on a night like this, in demonstration of your victory over that storm. And if it weren’t for you, most of those who are here would be left helpless at the mercy of that wind in the middle of some such plain.
Alex Epstein (The Moral Case for Fossil Fuels)
The entire idea of it was arrogant and defiant and grandiose. Anna loved it. As she walked across a wide empty plain of steel that should have been covered in topsoil and crops, she thought that this audaciousness was exactly what humanity had lost somewhere in the last couple of centuries. When ancient maritime explorers had climbed into their creaking wooden ships and tried to find ways to cross the great oceans of Earth, had their voyage been any less dangerous than the one the Mormons had been planning to attempt? The end point any less mysterious? But in both cases, they’d been driven to find out what was on the other side of the long trip. Driven by a need to see shores no one else had ever seen before. Show a human a closed door, and no matter how many open doors she finds, she’ll be haunted by what might be behind it. A few people liked to paint this drive as a weakness. A failing of the species. Humanity as the virus. The creature that never stops filling up its available living space. Hector seemed to be moving over to that view, based on their last conversation. But Anna rejected that idea. If humanity were capable of being satisfied, then they’d all still be living in trees and eating bugs out of one another’s fur. Anna had walked on a moon of Jupiter. She’d looked up through a dome-covered sky at the great red spot, close enough to see the swirls and eddies of a storm larger than her home world. She’d tasted water thawed from ice as old as the solar system itself. And it was that human dissatisfaction, that human audacity, that had put her there. Looking at the tiny world spinning around her, she knew one day it would give them the stars as well.
James S.A. Corey (Abaddon's Gate (The Expanse, #3))
IT is not impossible that among the English readers of this book there may be one who in 1915 and 1916 was in one of those trenches that were woven like a web among the ruins of Monchy-au-Bois. In that case he had opposite him at that time the 73rd Hanoverian Fusiliers, who wear as their distinctive badge a brassard with ' Gibraltar ' inscribed on it in gold, in memory of the defence of that fortress under General Elliot; for this, besides Waterloo, has its place in the regiment's history. At the time I refer to I was a nineteen-year-old lieutenant in command of a platoon, and my part of the line was easily recognizable from the English side by a row of tall shell-stripped trees that rose from the ruins of Monchy. My left flank was bounded by the sunken road leading to Berles-au-Bois, which was in the hands of the English ; my right was marked by a sap running out from our lines, one that helped us many a time to make our presence felt by means of bombs and rifle-grenades. I daresay this reader remembers, too, the white tom-cat, lamed in one foot by a stray bullet, who had his headquarters in No-man's-land. He used often to pay me a visit at night in my dugout. This creature, the sole living being that was on visiting terms with both sides, always made on me an impression of extreme mystery. This charm of mystery which lay over all that belonged to the other side, to that danger zone full of unseen figures, is one of the strongest impressions that the war has left with me. At that time, before the battle of the Somme, which opened a new chapter in the history of the war, the struggle had not taken on that grim and mathematical aspect which cast over its landscapes a deeper and deeper gloom. There was more rest for the soldier than in the later years when he was thrown into one murderous battle after another ; and so it is that many of those days come back to my memory now with a light on them that is almost peaceful.
Ernst Jünger (Storm of Steel)
A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back. “Get out of here, man!” “Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare. “Stay where you are, madam! I am not finished with you.” “You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!” “I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!” More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!” Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse. When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation. “Are you hurt, Christopher?” she asked sweetly. “Aye! My pride has been mightily bruised!” “Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.” “ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.” “You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.” “That’s an impossibility, madam, for that thing is surely made of cold, hard steel.” “You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.” “I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically. Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye. “Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?” He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve. -Christopher, Erienne, and Aggie
Kathleen E. Woodiwiss (A Rose in Winter)
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)