Gardner Quotes

The truth is, honey, I've enjoyed my life. I've had a hell of a good time.

We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. Through the unknown, remembered gate When the last of earth left to discover Is that which was the beginning; At the source of the longest river The voice of the hidden waterfall And the children in the apple-tree Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. —T.S. Eliot, from “Little Gidding,” Four Quartets (Gardners Books; Main edition, April 30, 2001) Originally published 1943.

Are you any good at it?" "Pulling idiots out of the snow? I'm the best.

Self pity is easily the most destructive of the non-pharmaceutical narcotics; it is addictive, gives momentary pleasure and separates the victim from reality.

Tucker: "Today we ran into a mama grizzly with two cubs at the ridge off Colter Bay and Clara sang to it to make it go away." Mrs. Avery: You sang to it? Tucker: Her singing is that bad.

Hey, Carrots," he says.

Now, you listen, Alyssa Victoria Gardner. Normal is subjective. Don't ever let anyone tell you you're not normal. Because you are to me. And my opinion is all that matters. Got it?

When I was a child I truly loved: Unthinking love as calm and deep As the North Sea. But I have lived, And now I do not sleep.

When I’m old and gray, I want to have a house by the sea. And paint. With a lot of wonderful chums, good music, and booze around. And a damn good kitchen to cook in.

I started after him...and the clown looked back. I saw Its eyes, and all at once I understood who It was." "Who was it, Don?" Harold Gardner asked softly. "It was Derry," Don Hagarty said. "It was this town.

You try as a parent. You love beyond reason. You fight beyond endurance. You hope beyond despair. You never think, until the very last moment, that it still might not be enough.

Nice tree," he says. That boy has unexpected depth.

I wanted to tell you that wherever I am, whatever happens, I’ll always think of you, and the time we spent together, as my happiest time. I’d do it all over again, if I had the choice. No regrets.

You are going to love the sports here. Snow skiing and water-skiing and rock climbing and all kinds of extreme sports. I give you full permission to hurl yourself off stuff.

Sex isn't all that important, but it is when you love someone very much.

The future was uncertain, absolutely, and there were many hurdles, twists, and turns to come, but as long as I kept moving forward, one foot in front of the other, the voices of fear and shame, the messages from those who wanted me to believe that I wasn't good enough, would be stilled.

It's been nice knowing you, Clara.' Huh? My brain still a bit shell-shocked. 'Say a prayer for me, will you? He gives me a shaky grin. Because I'm pretty sure my parents are going to kill me

There is nothing to fear except the power you give to your own demons.

The world is your oyster. It's up to you to find the pearls.

Whoa," Connor Stoll said. "Back up. Zoom in right there." "What?" Annabeth said nervously. "You see invaders?" "No, right there—Dylan's Candy Bar." Connor grinned at his brother. "Dude, it's open. And everyone is asleep. Are you thinking what I'm thinking?" "Connor!" Katie Gardner scolded. She sounded like her mother, Demeter. "This is serious. You are not going to loot a candy store in the middle of a war!" "Sorry," Connor muttered, but he didn't sound very ashamed.

You see, the what ifs are as boundless as the stars.

I've been thinking lately about immortality. What it means to be remembered, what I want to be remembered for, certain questions concerning memory and fame. I love watching old movies. I watch the faces of long-dead actors on the screen, and I think about how they'll never truly die. I know that's a cliché but it happens to be true. Not just the famous ones who everyone knows, the Clark Gables, the Ava Gardners, but the bit players, the maid carrying the tray, the butler, the cowboys in the bar, the third girl from the left in the nightclub. They're all immortal to me. First we only want to be seen, but once we're seen, that's not enough anymore. After that, we want to be remembered.

They watch on, evil, incredibly stupid, enjoying my destruction. 'Poor Grendel's had an accident,' I whisper. 'So may you all.

I wish to live to 150 years old, but the day I die, I wish it to be with a cigarette in one hand and a glass of whiskey in the other.

When I lose my temper, honey, you can't find it any place.

She watched you wrestle Toby Jameson, who probably weighs two hundred pounds, without even working up a sweat. And she said to herself, wow, that's a good wrestler, he must be an angel.

We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.

I can't leave you," he says hoarsely. "I can't leave you either," I say, shaking my head. "I can't." "Then don't," he says, and grabs me behind the neck and kisses me again, and the world is tilting, and everything goes black.

If you took this thing on yourself, unwilling, at others' asking, then you have pity and honour from me. And I marvel at you: to keep it hid and not to use it. You are a new people and a new world to me. Are all your kin of like sort? Your land must be a realm of peace and content, and there must gardners be in high hounour.

Slowly slowly O mind... Everything in own pace happens, Gardner may water a hundred buckets... Fruit arrives only in its season.

Once, I was my mother's daughter. Now I am my daughter's mother.

Go fuck yourself," I replied, always the lady. "I'm staying here.

Clara: "I won't hurt you." Be not afraid. His eyes flashed with anger like i've come right out and called him chicken.

What we have is divine. It's beautiful and good and right. I feel it..." He presses his his hand to his chest, over his heart. "I feel it all the time. You're in here, part of me. You're what I go to bed thinking about and what I wake up to in the morning.

I want my children to understand the world, but not just because the world is fascinating and the human mind is curious. I want them to understand it so that they will be positioned to make it a better place

I like what I like and not what I'm supposed to like because of mass rating. And I very much dislike the things I don't like.

We think we are being interesting to others when we are being interesting to ourselves.

Hasta la vista, baby," he tells me, and I shake my head and smile at how adorably dorky he can be. His Spanish only comes from Arnold Schwarzenegger.

Being still does not mean don't move. It means move in peace.

I can't stop thinking about how much better she'd be for him than I am. But I also kind of want to tear her hair out.

Walk that walk and go forward all the time. Don't just talk that talk, walk it and go forward. Also, the walk didn't have to be long strides; baby steps counted too. Go forward.

God knows I've got so many frailties myself, I ought to be able to understand and forgive them in others. But I don't.

Death used to be an executioner, but the gospel has made him just a gardner.

i understand that the world was nothing: a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears. i understood that, finally and absolutely, i alone exist. all the rest, i saw, is merely what pushes me, or what i push against, blindly - as blindly as all that is not myself pushes back. i create the whole universe, blink by blink.

I couldn't go on, too conscious all at once of my whispering, my eternal posturing, always transforming the world with words--changing nothing.

People will tell you that writing is too difficult, that it's impossible to get your work published, that you might as well hang yourself. Meanwhile, they'll keep writing and you'll have hanged yourself.

Stories are the single most powerful weapon in a leader’s arsenal

Maybe, in the final analysis, they saw me as something I wasn't and I tried to turn them into something they could never be. I loved them all but maybe I never understood any of them. I don't think they understood me.

Talking, talking. Spinning a web of words, pale walls of dreams, between myself and all I see.

Who do you love? It's a question anyone should be able to answer. A question that defines a life, creates a future, guides most minutes of one's days. Simple, elegant encompassing. Who do you love?

I have only one rule in acting--trust the director, and give him heart and soul.

Find a pile of gold and sit on it.

It's a damn good story. If you have any comments, write them on the back of a check.

There is no limit to desire but desire's needs.

Hell, I suppose if you stick around long enough they have to say something nice about you.

It was right then that I started thinking about Thomas Jefferson on the Declaration of Independence and the part about our right to life, liberty, and the pursuit of happiness. And I remember thinking how did he know to put the pursuit part in there? That maybe happiness is something that we can only pursue and maybe we can actually never have it. No matter what. How did he know that?

Others may question your credentials, your papers, your degrees. Others may look for all kinds of ways to diminish your worth. But what is inside you no one can take from you or tarnish. This is your worth, who you really are, your degree that can go with you wherever you go, that you bring with you the moment you come into a room, that can't be manipulated or shaken. Without that sense of self, no amount of paper, no pedigree, and no credentials can make you legit. No matter what, you have to feel legit inside first.

Life is like a drawing without an eraser

So childhood too feels good at first, before one happens to notice the terrible sameness, age after age.

Deep down, I'm pretty superficial.

I'm tired of this 'we better lay low, or someone will figure out we're different' crap. I mean, it's not like if I win a match people are going to say, who's that kid, he's a really good wrestler, he must be an angel.

If there is no door to your dream, create one.

Many men spend their lives living in the wrong corner of their souls, mainly out of fear of what they might find on the other side.

Wealth can also be that attitude of gratitude with which we remind ourselves everyday to count our blessings.

We are continually faced with a series of great opportunities brilliantly disguised as insoluble problems.

I cannot believe such monstrous energy of grief can lead to nothing!

The life that I have lived was no more than a mask covering the real me. What has happened was not to kill me but to reveal me.

The primary subject of fiction is and has always been human emotion, values, and beliefs.

As a rule of thumb I say, if Socrates, Jesus and Tolstoy wouldn't do it, don't.

There is still a difference between something and nothing, but it is purely geometrical and there is nothing behind the geometry.

Tucker snorts. "Sage is a fighter, it spreads over the land like wildfire, sucking up all the water, the nutrients in the earth, until everything else dies. It's a hearty little plant, that I'll give it. But it's gray and ugly and ticks love to hide in it. You ever seen a tick?" He glances over at me. The look on my face must be pretty appalled because suddenly he gives and uncomfortable cough and says quietly, "Sage does have a nice smell.

Our story is over, though in its end lies its beginning.

Still a dreamer, yet more of a realist than ever before, I knew this was my time to sail. On the horizon I saw the shining future, as before. The difference now was that I felt the wind at my back. I was ready.

So did you really mean all that stuff you said when I was a dead man?" "Every word." "Could you say it again?" he asks. "My memory's a little fuzzy." "Which part?" The part where I said I wanted to stay with you forever?" "Yeah," he murmurs, his face close to mine, his breath hot on my cheek. "When I said that I love you?" He pulls back a little, searches my eyes with his. "Yes. Say it." "I love you." He takes a deep, happy breath. "I love you," he says back. "I love you, Clara." Then his gaze drops to my lips again, and he leans in, and the rest of the world simply goes away.

I collect words--they are sweets in the mouth of sound.

The world is all pointless accident... I exist, nothing else.

I think the main reason my marriages failed is that I always loved too well but never wisely.

A pleasant morning. Saw my classmates Gardner, and Wheeler. Wheeler dined, spent the afternoon, and drank Tea with me. Supped at Major Gardiners, and engag'd to keep School at Bristol, provided Worcester People, at their ensuing March meeting, should change this into a moving School, not otherwise. Major Greene this Evening fell into some conversation with me about the Divinity and Satisfaction of Jesus Christ. All the Argument he advanced was, 'that a mere creature, or finite Being, could not make Satisfaction to infinite justice, for any Crimes,' and that 'these things are very mysterious.' (Thus mystery is made a convenient Cover for absurdity.) [Diary entry, February 13 1756]

Boring is the right thought at the wrong time.

When you have to face up to the fact that marriage to the man you love is really over, that's very tough, sheer agony. In that kind of harrowing situation, I always go away and cut myself off from the world. Also, I sober up immediately when there is genuine bad news in my life; I never face it with alcohol in my brain. I just rented a house in Palm Springs and sat there and just suffered for a couple of weeks. I suffered there until I was strong enough to face it.

You can be the hunter, or you can be the hunted.

It had struck me that the world was full of holes, holes which you could fall into, never to be seen again. I couldn't understand the difference between disappearance and death. Both seemed the same to me, both left holes. Holes in your heart holes in your life.

And I'm thankful, in that moment, full to the brim with gratitude that Christian is with me. He's here. My partner. My best friend.

It wasn’t that strangers couldn’t hurt you. It was simply that the people you loved could do it so much better.

Everyone's life is a mess. Everyone's. We all make mistakes . . . and not just little slip-ups. Major mistakes that hurt us and other people.

Don't be a little paranoid; worry about everything, or let it all go.

If things were different, if there were no revolution, no war, no threads of light, if he were rich, would he go back to London with her and ask for her hand in marriage? He smiled, for the answer was simple. Yes, yes, he would.

Fiction does not spring into the world fully grown, like Athena. It is the process of writing and rewriting that makes a fiction original, if not profound.

One must be just a little crazy to write a great novel. One must be capable of allowing the darkest, most ancient and shrewd parts of one’s being to take over the work from time to time.

An excellent plumber is infinitely more admirable than an incompetent philosopher. The society which scorns excellence in plumbing because plumbing is a humble activity, and tolerates shoddiness in philosophy because it is an exalted activity, will have neither good plumbing nor good philosophy. Neither its pipes nor its theories will hold water.

tedium is the worst pain. the mind lays out the world in blocks, and the hushed blood waits for revenge. all order, i've come to understand, is theoretical, unreal - a harmless sensible, smiling mask men slide between the two great, dark realities, the self and the world - two snake pits.

If you ask me to tell you anything about the nature of what lies beyond the phaneron… my answer is “How should I know?”… I am not dismayed by ultimate mysteries… I can no more grasp what is behind such questions as my cat can understand what is behind the clatter I make while I type this paragraph.

Suddenly, in the space of a moment, I realized what it was that I loved about Britain - which is to say, all of it. Every last bit of it, good and bad - Marmite, village fetes, country lanes, people saying 'mustn't grumble' and 'I'm terribly sorry but', people apologizing to me when I conk them with a nameless elbow, milk in bottles, beans on toast, haymaking in June, stinging nettles, seaside piers, Ordnance Survey maps, crumpets, hot-water bottles as a necessity, drizzly Sundays - every bit of it. What a wondrous place this was - crazy as fuck, of course, but adorable to the tiniest degree. What other country, after all, could possibly have come up with place names like Tooting Bec and Farleigh Wallop, or a game like cricket that goes on for three days and never seems to start? Who else would think it not the least odd to make their judges wear little mops on their heads, compel the Speaker of the House of Commons to sit on something called the Woolsack, or take pride in a military hero whose dying wish was to be kissed by a fellow named Hardy? ('Please Hardy, full on the lips, with just a bit of tongue.') What other nation in the world could possibly have given us William Shakespeare, pork pies, Christopher Wren, Windsor Great Park, the Open University, Gardners' Question Time and the chocolate digestive biscuit? None, of course. How easily we lose sight of all this. What an enigma Britain will seem to historians when they look back on the second half of the twentieth century. Here is a country that fought and won a noble war, dismantled a mighty empire in a generally benign and enlightened way, created a far-seeing welfare state - in short, did nearly everything right - and then spent the rest of the century looking on itself as a chronic failure. The fact is that this is still the best place in the world for most things - to post a letter, go for a walk, watch television, buy a book, venture out for a drink, go to a museum, use the bank, get lost, seek help, or stand on a hillside and take in a view. All of this came to me in the space of a lingering moment. I've said it before and I'll say it again. I like it here. I like it more than I can tell you.

He felt the guilt of inaction, of simply waiting while his life went to waste. No one was worth the gift of his life, no one could possibly be worth that. It belonged to him alone, and he did not deserve it either, because he was letting it waste. It was getting away from him and he made no effort to stop it. He did not know how.

As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.

I often said that writers are of two types. There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint. And then there's the gardener who digs the hole in the ground, puts in the seed and waters it with his blood and sees what comes up. The gardener knows certain things. He's not completely ignorant. He knows whether he planted an oak tree, or corn, or a cauliflower. He has some idea of the shape but a lot of it depends on the wind and the weather and how much blood he gives it and so forth. No one is purely an architect or a gardener in terms of a writer, but many writers tend to one side or the other. I'm very much more a gardener.

It wasn't you're fault," I whisper. And then out of self-protection more than anything else, I bring the glory. I don't warn him or anything. I don't damp it down. I bring it. The room fills with light. "This is what I am," I say, my hair ablaze around my head. He squints at me. his jaw juts out a little in pure stubbornness. He stands his ground "I know," he says. I take a step towards him, close the space between us, put my glowing hand against his cheek. He starts to tremble. "This is what I am," I say again and my wings are out now. His knees wobble, but he fights it. He puts his hand at my waist, turns me, pulls me closer, which surprises me. "I can accept that," he whispers, and holds his breath, and leans in to kiss me His lips brush mine for an instant, and an emotion like victory tears through him, but he pulls away and glances at the front door. Groans. Christian is standing in the doorway. "Wow," Tucker says, trying to grin. "You really know how to cramp a guy's style." His legs give out. He falls to his knees. My light blinks off.

I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.

Her constant orders for beheading are shocking to those modern critics of children's literature who feel that juvenile fiction should be free of all violence and especially violence with Freudian undertones. Even the Oz books of L. Frank Baum, so singularly free of the horrors to be found in Grimm and Andersen, contain many scenes of decapitation. As far as I know, there have been no empirical studies of how children react to such scenes and what harm if any is done to their psyche. My guess is that the normal child finds it all very amusing and is not damaged in the least, but that books like Alice's Adventures in Wonderland and The Wizard of Oz should not be allowed to circulate indiscriminately among adults who are undergoing analysis.

Like other kinds of intelligence, the storyteller's is partly natural, partly trained. It is composed of several qualities, most of which, in normal people, are signs of either immaturity or incivility: wit (a tendency to make irreverent connections); obstinacy and a tendency toward churlishness (a refusal to believe what all sensible people know is true); childishness (an apparent lack of mental focus and serious life purpose, a fondness for daydreaming and telling pointless lies, a lack of proper respect, mischievousness, an unseemly propensity for crying over nothing); a marked tendency toward oral or anal fixation or both (the oral manifested by excessive eating, drinking, smoking, and chattering; the anal by nervous cleanliness and neatness coupled with a weird fascination with dirty jokes); remarkable powers of eidetic recall, or visual memory (a usual feature of early adolescence and mental retardation); a strange admixture of shameless playfulness and embarrassing earnestness, the latter often heightened by irrationally intense feelings for or against religion; patience like a cat's; a criminal streak of cunning; psychological instability; recklessness, impulsiveness, and improvidence; and finally, an inexplicable and incurable addiction to stories, written or oral, bad or good.