“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
When you go to a football game and someone offers you a beer [...], they're really saying hi, have a glass of extroversion.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
If we meet and I say, "Hi,"
That's a salutation.
If you ask me how I feel,
That's a consideration.
If we stop and talk awhile,
That's a conversation.
If we understand each other,
That's communication.
If we argue, scream and fight,
That's an altercation.
If later we apologize,
That's a reconciliation.
If we help each other home,
That's cooperation.
And all these ations added up
Make civilization.
(And if I say this is a wonderful poem, Is that exaggeration?)
”
”
Shel Silverstein (A Light in the Attic)
“
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
And there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.” She nodded. “So as much as I love my present, and as nice as it is to get a thank you, I don’t need either of ’em. Nothing’s too much to ask when it comes to brothers.
”
”
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
“
You’ve never even said hi to me,” I said.
“I know,” he replied, “but today, I’m feeling brave.”
My eyebrows came together. “What does bravery have to do with saying Hey to someone?”
That was the moment; the first time his eyes locked on mine in a way that floored me. It left me breathless as it made my heart sputter to a stop.
“When it comes to a girl like you, bravery is always required.
”
”
Nicole Williams (Scandal in Seattle (Great Exploitations, #2))
“
But hey, I had the best times during each sprint,” I added.
His laugh was soft and possibly a little disappointed. “That’s my girl. Running every morning?”
“Every morning and I’ve been swimming more.” I stopped talking when I heard a voice in the background.
All I heard was my dad mumbling, “It’s Sal… you wanna talk to her?... Okay… Sal, your mom says hi.”
“Tell her I said hi back.”
“My daughter says hi… no, she’s mine. The other one is yours… Ha! No!... Sal are you mine or your mom’s?” he asked me.
“I’m the milkman’s.”
“I knew it!” He finally laughed with a deep pleased sigh.
I was smiling like a total fool. “I love you too, old man.
”
”
Mariana Zapata (Kulti)
“
Is he crying? I lean forward for a better look and find him staring right at me.
Oh,no.Oh no oh no oh NO.
He stops. "Anna?"
"Um.Hi." My face is on fire. I want to rewind this reel,shut it off, destroy it.
His expression runs from confusion to anger. "Were you listening to that?"
"I'm sorry-"
"I can't believe you were eavesdropping!"
"It was an accident.I was passing by,and...you were there. And I've heard so much about your father,and I was curious.I'm sorry."
"Well," he says, "I hope what you saw met your grandest expectations." He stalks past me,but I grab his arm.
"Wait! I don't even speak French, remember?"
"Do you proise," he says slowly, "that you didn't understand a single word of our conversation?"
I let go of him. "No.I heard you. I heard the whole thing.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
They each look at Ava, then at me, in turn, scanning down from our heads to our feet, their eyes taking us in like little mouths sipping strange drinks. As they do, their noses twitch, their eight eyes do not blink, but stare and stare. Then they look back at the Duchess and lean in to each other, their lip-glossed mouths forming whispery words. Ava squeezes my arm, hard. The Duchess turns and arches an eyebrow at us. She raises a hand up. Is there an invisible gun in it? No. It’s an empty, open hand. With which she then waves. At me. With something like a smile on her face. Hi, her mouth says. My hand shoots up of its own accord before I can even stop myself. I’m waving and waving and waving. Hi, I’m saying with my mouth, even though no sound comes out. Then the rest of the Bunnies hold up a hand and wave too.
”
”
Mona Awad (Bunny)
“
Stop that. This is not about sex. It’s about boundaries. It’s about equality.” “If you’re going to stare at it, it’s going to wake up and say hi.
”
”
Tracey Garvis Graves (Heart-Shaped Hack (Kate and Ian, #1))
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
With one Like I can say hi to a friend, support them during a crisis, share in a joke, make someone happy, or reinforce a person’s self esteem. I make myself part of their world. It’s like I stopped by for coffee. But, by Liking, I can also avoid talking to all the people I don’t want to waste time on. Or I can check to see what my ex-girlfriend is doing seven or eight times an hour. It’s a double-edged mouse click.
”
”
Bart Hopkins (Like)
“
Wow, hi,’ Eight says, and when he speaks it’s with his own voice.
It’s him. It’s really him.
Marina nearly doubles over with a delighted sob. She collects herself quickly, though, and grabs Eight first by the shoulders, then on the sides of his face. She pulls him in close.
‘You’re warm,’ she says in wonder. ‘You’re so warm.’
Eight laughs easily. He puts his hand over Marina’s and gently kisses the side of it.
‘You’re warm, too,’ he says.
‘I’m so sorry, Eight. I’m sorry I couldn’t heal you.’
Eight shakes his head. ‘Stop, Marina. It’s okay. You brought me here. It’s – I can’t even describe it. It’s amazing in there.’
Already, I see the energy spreading outward from Eight’s heart. It races through his body, fissures opening on his arms and legs. He doesn’t seem to be in any pain. He just smiles at Marina and looks at her like he’s trying to memorize her face.
‘Can I kiss you?’ Marina asks him.
‘I really wish you would.
”
”
Pittacus Lore (The Revenge of Seven (Lorien Legacies, #5))
“
We are all hurting, you said. We are all trying to live, to breath, and find ourselves stopped by that which is out of our control. We find ourselves unseen. We find ourselves unheard. We find ourselves mislabelled. We who are loud and angry, we who are bold and brash. We who are Black. We find ourselves not saying it how it is. We find ourselves scared. We find ourselves suppressed, you said. But do not worry about has come before, or what will come; move. Do not resist the call of a drum. Do not resist the thud of a kick, the tap of a snare, the rattle of a hi-hat. Do not hold your body stiff but flow like easy water. Be here, please, you said, as the young man took a cowbell, moving it in a way which makes you ask, which came first, he or the music? The ratata is perfect, offbeat, sneaking through brass and percussion. Can you hear the horns? Your time has come. Revel in glory for it is yours to do so. You worked twice as hard today, but that isn’t important, not here, not now. All that matters is that you are here, that you are present, can’t you hear? What does it sound like? Freedom?
”
”
Caleb Azumah Nelson (Open Water)
“
Singing is magic. When I sing, I own who I am. I can communicate purely. When you sing you stop using the language of “Hi, how are you…” You’re able to say things that are much more profound. Singing takes me to a mystical place where language doesn’t matter anymore, where anything is possible.
”
”
Britney Spears (The Woman in Me)
“
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi."
Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail?
A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper."
Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions."
"I'm not sure what you mean by that."
"Sure you do."
"If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it."
I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time."
"What does that mean? Hard to get?"
"It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention."
He nods. "Exactly. That's exactly what she's doing."
Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get."
"Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games."
The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly.
"Find out?"
"If all she wants is games."
"How?"
"You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'"
"I've never heard that."
"Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you."
He shakes his head. "I don't think I can do that."
"You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know."
"I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice.
"You've got to be ready to deal with it, no matter what."
Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return.
I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Oh my God, this was an interrogation.
Grady picked up his bottle as he smiled at me. “We just met, but I think we’re…going to be pretty good friends.”
“Good friends?” Brock chuckled, and my hands tightened into fists. “Sounds about right. Anyway,” he said in a way that dripped dismissiveness, “I don’t want to keep you all from your dinner. Just wanted to stop by and say hi. I’ll hit you up later,” Brock said to Cam before focusing on me in that intense way of his that made you feel like there was no one else in the entire world but you.
He tapped the tip of my nose.
I blinked.
Brock grinned. “I’ll see you again soon.
”
”
J. Lynn (Fire in You (Wait for You, #6))
“
Now you've done it." His tone was quietly playful.
I couldn't help it.I looked up at him questioningly.
"You've added a third word to your repitoire. Hi,thanks,and now yes." His lips turned up at the corners,and the heat rushed to my face. He noticed. "At least that much hasn't changed."
I turned back to my notebook,my hands trembling.
He leaned toward me. "Now that we have our first conversation out of the way, do you want to tell me where you've been?" From the way he spoke I knew his smile was gone.
I could feel little beads of sweat form on my forehead.
"You left me.Without a word," he said. He sounded tentative, as if he were trying to keep his voice even. I took in a deep breath,but I couldn't figure out what he was feeling. There wasn't one singular emotion that was stronger than the others. "Don't you have anything to say to me?"
He waited. My heart felt like it would burst through my chest into a million little pieces,and I could see this wasn't going to work.
I started to close my book.
"Don't-" he blurted, and I froze. "Don't go.You don't have to talk to me.I'm the one who should go." His voice sounded achingly sad. I could hear him packing his bag.
Say something.Say something. "Um..."
Jack paused, as if further movement might stop my words.
He was the reason I came back.I couldn't scare him off. As hard as it would be to talk to him,it would be much harder to watch him walk out that door. "No," I said. I took a shaky breath. "You don't...have to leave. Please."
He took his book back out and put it on his desk. I followed,setting my own books out.
"Thank you," Jack whispered.
We didn't talk for the rest of the hour.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
We tend to think of coolness as a pose that you strike with a pair of sunglasses, a nonchalant attitude, and drink in hand. But maybe we didn't choose these social accessories at random. Maybe we've adopted dark glasses, relaxed body language, and alcohol as signifiers precisely because they camouflage signs of a nervous system on overdrive. Sunglasses prevent others from seeing our eyes dilate with surprise or fear; we know from Kagan’s work that a relaxed torso is a hallmark of low reactivity; and alcohol removes our inhibitions and lowers our arousal levels. When you go to a football game and someone offers you a beer, says the personality psychologist Brian Little, “they’re really saying hi, have a glass of extroversion.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
There's a small moment in this chapter when Bella wants to practice fighting techniques with Emmett, but Edward won't let her.
Emmett is here? Hi Emmett! Hey Emmett, according to Google Maps, you live 2,931 miles away from me. If I don't make any stops for food or fuel, and sit on a pile of absorbent kitty litter, I can make the trip in 48 hours. So I can be there by Sunday or Monday. Oh…hey, did you know Monday is Valentine's Day? That's super weird, right? Didn't plan that at all. I swear. OK, see you then!
Anyway, Bella wants to practice with Emmett but Edward says no. Huh? Not only does Edward refuse to teach his wife basic self-defense, but she can't even learn some tips from The Pain Maker? Why? I dare you to explain this. I double wolf dare you.
”
”
Dan Bergstein
“
The hospital is as busy as it was yesterday. We go in through the main entrance, and people walk in every direction. The people in scrubs and white coats all walk a little bit faster. There’s a guy sleeping on one of the waiting room sofas, and a hugely pregnant woman leaning against the wall by the elevator. She’s swirling a drink in a plastic cup. That baby is giving her T-shirt a run for its money. A toddler is throwing a tantrum somewhere down the hallway. The shrieking echoes.
We move to the bank of elevators, too, and Melonhead isn’t one of those guys who insists on pressing a button that’s already lit. He smiles and says “Good afternoon” to the pregnant woman, but I can’t look away from her swollen belly.
My mother is going to look like that.
My mother is going to have a baby.
My brain still can’t process this.
Suddenly, the woman’s abdomen twitches and shifts. It’s startling, and my eyes flick up to find her face.
She laughs at my expression. “He’s trying to get comfortable.”
The elevator dings, and we all get on. Her stomach keeps moving.
I realize I’m being a freak, but it’s the creepiest thing I’ve ever seen. I can’t stop staring.
She laughs again, softly, then comes closer. “Here. You can feel it.”
“It’s okay,” I say quickly.
Melonhead chuckles, and I scowl.
“Not too many people get to touch a baby before it’s born,” she says, her voice still teasing. “You don’t want to be one of the chosen few?”
“I’m not used to random women asking me to touch them,” I say.
“This is number five,” she says. “I’m completely over random people touching me. Here.” She takes my wrist and puts my hand right over the twitching.
Her belly is firmer than I expect, and we’re close enough that I can look right down her shirt. I’m torn between wanting to pull my hand back and not wanting to be rude.
Then the baby moves under my hand, something firm pushing right against my fingers. I gasp without meaning to.
“He says hi,” the woman says.
I can’t stop thinking of my mother. I try to imagine her looking like this, and I fail.
I try to imagine her encouraging me to touch the baby, and I fail.
Four months.
The elevator dings.
“Come on, Murph,” says Melonhead.
I look at the pregnant lady. I have no idea what to say. Thanks?
“Be good,” she says, and takes a sip of her drink.
The elevator closes and she’s gone
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
He looks almost as bad as I feel. Nat calls out, “So I’m guessing by your silence that I’ve won this round.”
I shake my head and speak into the cell, “Sorry, I gotta go. Max is here.”
She purrs into the phone. “Ah, I get ya.” Then sings, “Let me lick you up and down ‘til you say stop.”
I fight my hysterical laugh and mumble, “Yeah, like I said, I gotta go.”
But she ignores me, singing louder, “Let me play with your body, baby, make you real hot.”
I hang up and swallow hard. “Hi.”
Max opens his mouth to speak, but Nat is not to be ignored. She shouts through the wall, “Let me do all the things you want me to do.” I cover my mouth with a hand, flushing as she finishes her solo. “’Cause tonight, baby, I wanna get freaky with you.” A moment later, she yells a huffy, “You shut up, ASSer!
”
”
Belle Aurora (Sugar Rush (Friend-Zoned, #3))
“
Okay, that’s fair,” I said. “But it’s not a contest about whose days suck the most, Auggie. The point is we all have to put up with the bad days. Now, unless you want to be treated like a baby the rest of your life, or like a kid with special needs, you just have to suck it up and go.” He didn’t say anything, but I think that last bit was getting to him. “You don’t have to say a word to those kids,” I continued. “August, actually, it’s so cool that you know what they said, but they don’t know you know what they said, you know?” “What the heck?” “You know what I mean. You don’t have to talk to them ever again, if you don’t want. And they’ll never know why. See? Or you can pretend to be friends with them, but deep down inside you know you’re not.” “Is that how you are with Miranda?” he asked. “No,” I answered quickly, defensively. “I never faked my feelings with Miranda.” “So why are you saying I should?” “I’m not! I’m just saying you shouldn’t let those little jerks get to you, that’s all.” “Like Miranda got to you.” “Why do you keep bringing Miranda up?” I yelled impatiently. “I’m trying to talk to you about your friends. Please keep mine out of it.” “You’re not even friends with her anymore.” “What does that have to do with what we’re talking about?” The way August was looking at me reminded me of a doll’s face. He was just staring at me blankly with his half-closed doll eyes. “She called the other day,” he said finally. “What?” I was stunned. “And you didn’t tell me?” “She wasn’t calling you,” he answered, pulling both comic books out of my hands. “She was calling me. Just to say hi. To see how I was doing. She didn’t even know I was going to a real school now. I can’t believe you hadn’t even told her. She said the two of you don’t hang out as much anymore, but she wanted me to know she’d always love me like a big sister.” Double-stunned. Stung. Flabbergasted. No words formed in my mouth. “Why didn’t you tell me?” I said, finally. “I don’t know.” He shrugged, opening the first comic book again. “Well, I’m telling Mom and Dad about Jack Will if you stop going to school,” I answered. “Tushman will probably call you into school and make Jack and those other kids apologize to you in front of everyone, and everyone will treat you like a kid who should be going to a school for kids with special needs. Is that what you want? Because that’s what’s going to happen. Otherwise, just go back to school and act like nothing happened. Or if you want to confront Jack about it, fine. But either way, if you—
”
”
R.J. Palacio (Wonder)
“
Why did you break in Mrs. Casnoff’s desk for?”
Information on Archer. After he left.
“Ah. You’re welcome, by the way?”
For what?
She jiggled the nail harder. “For putting him in his place the other night. Working with The Eye,” she scoffed. “Yeah, that’s a brilliant plan.”
He’s just trying to think of something,” I said automatically. I wasn’t sure why I was defending him when I’d basically said that idea was the stupidest thing ever to have stupided, but I didn’t like the scorn in her voice. Well, my voice, her words.
Elodie paused in trying to open the desk drawer and shoved my hair back with both hands. “What’s it going to take for you to realize that Archer Cross is bad news? He’s an Eye. He’s a liar and a jerk, and he’s not nearly as funny as he thinks he is. And you’re betrothed to Cal. Boys who can heal all wounds and are super hot, to boot? Don’t exactly come around every day.”
I don’t think about Cal like that.
Pressing the point of the nail back into the lock, Elodie snorted. “Um, hi, I’ve been in your head. You totally think about him like that.”
Look,, this isn’t a slumber party, I snapped. Can you please get back to work?
“Fine,” she muttered. “Don’t listen to me. But I’m telling you, Cal is the way to go. Heck, if I had a body, I wouldn’t mind-“
I’m going to need you to stop right there.
I’m ninety-nine percent sure she wasn’t going to stop right there, but before she could say anything else, the lock on the drawer gave way.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart. Alexander P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges.
Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy.
This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right.
This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour.
He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up.
He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
Hi,” I say, stopping right in front of him. “I missed you today in chemistry.”
“I got to school a little late.”
“But you left my house early,” I say, wondering what time he did in fact leave—if he waited until I fell asleep or stayed until the last possible moment.
“I still overslept,” he explains.
“I’m sorry if that was my fault.”
“I think it was your fault.” He smiles wider. “Once I got home, I couldn’t really fall asleep. Too wound up, I guess.”
“Because of all the drama with Adam?”
He shakes his head and touches the side of my face, raising my chin slightly to kiss my lips.
”
”
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
“
Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.
”
”
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
“
My mother was the first person you called for a recipe (a cup of onions, garlic, don’t forget the pinch of sugar) and the last one you called at night when you just couldn’t sleep (a cup of hot water with lemon, lavender oil, magnesium pills). She knew the exact ratio of olive oil to garlic in any recipe, and she could whip up dinner from three pantry items, easy. She had all the answers. I, on the other hand, have none of them, and now I no longer have her. “Hi,” I hear Eric say from inside. “Where is everyone?” Eric is my husband, and he is our last guest here today. He shouldn’t be. He should have been with us the entire time, in the hard, low chairs, stuck between noodle casseroles and the ringing phone and the endless lipstick kisses of neighbors and women who call themselves aunties, but instead he is here in the entryway to what is now my father’s house, waiting to be received. I close my eyes. Maybe if I cannot see him, he will stop looking for me. Maybe I will fold into this ostentatious May day, the sun shining like a woman talking loudly on a cell phone at lunch. Who invited you here? I tuck the cigarette into the pocket of my jeans. I cannot yet conceive of a world without her, what that will look like, who I am in her absence. I am incapable of understanding that she will not pick me up for lunch on Tuesdays, parking without a permit on the
”
”
Rebecca Serle (One Italian Summer)
“
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person? Yeah but did I actually turn my straighteners off ?
”
”
Sara Barnard (A Quiet Kind of Thunder)
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
I hope Peter’s still out there. I don’t want to lose my nerve. So I quicken my pace and that’s when I spot him, alone in the hot tub, his head tipped back with his eyes closed.
“Hi,” I say, and my voice echoes into the woods.
His eyes fly open. Nervously, he looks over my shoulder. “Lara Jean! What are you doing out here?”
“I came to see you,” I say, and my breath comes out in white puffs. I start taking off my boots and socks. My hands are shaking, and not because I’m cold. I’m nervous.
“Uh…what are you doing?” Peter’s looking at me like I’m crazy.
“I’m getting in!” Shivering, I unzip my puffy coat and set it on the bench. Steam is rising out of the water. I dip my feet in and sit down on the ledge of the hot tub. It’s hotter than a bath, but it feels nice. Peter’s still watching me warily. My heart is racing out of control and it’s difficult to look him in the eyes. I’ve never been so scared in my life. “That thing you brought up earlier…you caught me off guard, so I didn’t know what to say. But…well, I like you too.” It comes out so fumbly and uncertain, and I wish I could start over and say it smoothly and confidently. I try again, louder. “I like you, Peter.”
Peter blinks, and he looks so young all of a sudden. “I don’t understand you girls. I think I have you figured out, and then…and then…”
“And then?” I hold my breath as I wait for him to speak. I’m so nervous; I keep swallowing, and it sounds loud to my ears. Even my breathing sounds loud, even my heartbeat.
His pupils are dilated he’s looking at me so hard. He’s staring at me like he’s never seen me before. “And then I don’t know.”
I think I stop breathing when I hear him say “I don’t know.” Did I screw things up that badly that now he doesn’t know? It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees.
He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Hi, Sunshine,” he says quietly. Then he leans down and lightly kisses my forehead.
“Why do you call me that?” I ask softly as I snuggle closer to him. He says nothing but looks at me with the strangest expression. If I didn't know any better, I would say he was a little embarrassed. He gives me a small smile that tells me he's got a secret, and I watch as the secret smile suddenly morphs into that heartbreaking shy smile of his that I love. Oh, boy! Could he be any more adorable than he already is? I giggle softly at his reaction. “You're not going to tell me, are you?”
“Maybe someday,” he says quietly, still smiling at me. “
That's not fair,” I whisper, running my hand lightly over his arm.
He chuckles softly. “All's fair in love and nicknames,” he mutters quietly, and I stop breathing. Did he just say love?
”
”
Lashell Collins (Pierced By Love (Pierced #2))
“
Hey!” a voice calls out behind us, and we turn to find Ryder standing beside the row of orange lockers outside Mr. Jepsen’s classroom. I have no idea why he’s out of class early, and I don’t care. “I just heard the announcement--congrats.”
“Thanks,” Morgan chirps. “This is epic, right? Both of us.”
Ryder nods, his gaze shifting from Morgan to me.
I duck my head, averting my eyes. This is worse than when I hated him, I realize. At least then, it wasn’t awkward. I could just ignore him and go about my business. Now I feel all queasy and mad and breathless and guilty. I need to get away from him. Fast.
Mercifully, Morgan glances down at her watch. “We gotta get going. There’s a meeting in the media center.”
“Right,” Ryder says. “But, uh…Jemma, could I talk to you for a second after school today? Before practice, maybe?”
My gaze snaps up to meet his. “I…um, I don’t think that’s a good idea.”
“I’ll be quick,” he says. “Actually, maybe I’ll come over to your house after dinner. That way I can say hi to Nan.”
“She’s…really not up to visitors.”
“Really?” He fixes me with a stare, one brow raised in disbelief. “’Cause your mom said just the opposite.”
Crap. Now what? I’m out of excuses. Besides, the last thing I want to do is pique Morgan’s curiosity. “Oh, fine. Whatever.”
“Great. See you then.” He turns and heads back into the classroom without a backward glance.
I have no clue what he wants to talk about. Things are already uncomfortable enough between us as it is. No use making it worse by discussing things that don’t need to be discussed. We made out, even though I hadn’t bothered to break up with Patrick first. It was a mistake--a big mistake. End of story.
The memory of that night hits me full force--his shirt was off; mine was close to it. My cheeks flare with sudden heat as I recall the feel of his fingertips skimming up my sides, moving beneath my bra as he kissed me like no one’s kissed me before. Ho-ly crap.
Stop.
“What was that about?” Morgan asks me as we continue on our way. “He was acting kinda weird, wasn’t he?”
“I didn’t notice,” I say with a shrug, going for nonchalance. “Anyway, we should hurry. We’re probably late already.”
“Maybe he wants you to ask him to escort you,” she teases, hurrying her step.
I match my pace to hers, needing to take two steps for every one of hers. “Yeah, right,” I say breathlessly.
“Hey, you never know.” She looks at me and winks. “Weirder things have happened.”
Oh, man. She has no idea.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
In a calm moment, introduce the idea of you and your child both having a “Perfect Kid” or “Perfect Girl” or “Perfect Boy” inside. It might sound like this: “Do you know that I have a Perfect Girl in me? Yes! She often tells me things have to be perfect or else they’re not worth doing! I think you have one too! I think she popped up when you were doing your math homework. Anyway, there’s no problem with having a Perfect Voice. A lot of people have them! But sometimes Perfect Girl, for me, she just gets so loud and she makes it hard for me to focus. I’ve found that talking to her nicely can help . . .” Now pause. See how your child responds. Often a child will take to this immediately and say, “What do you mean?” Continue: “Well, Perfect Girl isn’t a problem unless she’s so loud that I can’t hear the other voices in me. So when she’s getting loud, I just say to her, ‘Oh, hi, Perfect Girl. You again! I know, you always say, “Perfect, perfect, must be perfect, if it’s not perfect I have to stop.” I hear you! And also, I’m going to ask you to step back. I am going to take a deep breath and find my “I can do hard things” voice because I know that’s in there too.’ Then I can hear a quieter voice telling me it’s okay that things are hard and I can do hard things.
”
”
Becky Kennedy (Good Inside: A Practical Guide to Resilient Parenting Prioritizing Connection Over Correction)
“
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show.
This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah.
She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed.
How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first.
He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes.
‘Oh god, Doug, please just close them. I’m so tired.’
Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room.
‘Ready to say hello to Mum, mate?’ Doug asked.
‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy.
Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark.
‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’
Sarah sat up, her eyes wide.
‘Hi, Mum,’ said Lockie again.
‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day.
Softly, as though she hadn’t been trying to die slowly.
Softly she said, ‘Hello, my boy.’
Doug could see her chest heaving.
‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
”
”
Nicole Trope (The Boy Under the Table)
“
Suddenly, the wind got colder for a moment. Colder and fiercer. I had to hold my hair down, the blonde locks thick with mousse and hairspray, as they were being whipped around my face. Something caught my eye. Out in the dark yard, behind the huge maple tree, I saw movement—a dark figure shifting as if to hide behind the tree. A Peeping Tom? Creepy. And you always think in the city you’ll see the weirdos, and there I was in a small town, blatantly staring at a man watching me. Maybe it was Josh. But wouldn’t he just say hi and be my Romeo to his Juliet? Holding my hair to my face, I tried to focus my eyes. But with so little light behind the shape, it was hard to see clearly, and I lost it completely when it stopped moving. I squinted in disbelief at two red slits glowing mid-trunk on the tree. I would’ve thought they were cat’s eyes catching the light, but they seemed much too large and far too high up the trunk of the tree. Not to mention, they were red. If I didn’t know better, I would’ve thought they belonged to the dark figure hiding behind the tree trunk, but that had clearly been a man spying on me. What man had red eyes? I blinked several times, assuming it was a hallucination. When the red eyes didn’t leave and the figure didn’t move from the tree, my stomach sank and my heart raced, but I didn’t move. I was frozen in fear, no—terror. After
”
”
Tara Brown (Sunder)
“
He learned that we should keep our eyes on the goal and not on the ground. He learned so much about the Burger King’s operations that later when he was running the Investment Bank and was looking for high-profile American billionaires to sit on his Board of Directors, he met Joe Antonius, Chairman of the 32-billion-dollar conglomerate. The first thing they had in common was that Antonius ran that corporation where Mir once cleaned bathrooms. He went up to him, introduced himself, “Hi Joe! I am Mir Mohammad Ali Khan, founder and Chairman of KMS Investment Bank and my first job in America was washing bathrooms at one of your restaurants.” Joe burst out laughing and all top notch people – Bill Gates, Warren Buffet, and Peter Lynch – could not believe what the young man was saying. Joe took him aside and said, “Tell me honestly what did you like about cleaning bathrooms.” “Ammonia,” replied Mir. “Why?” Mir said, “I hated my job and it hurt my ego. I hated it so much that I cried throughout the first week and every time somebody saw me crying, I would tell them that it was because of ammonia. Ammonia helped me shelter my ego.” Later Antonius joined the Board of Mir’s bank for NO COMPENSATION and also brought 6 top people from Forbes, Yoblon, Mario, Andretti, and others. In the first meeting of the Board Antonius said, “I joined this board because if this immigrant kid can come from a family background that he has, compromise with his ego, wash bathrooms and smile and tell us in a corporate meeting of leaders that he is proud of it, then it means that he will go far in life. At 29 he owns a bank, imagine what he will do at 49.
”
”
N.K. Sondhi (Know Your Worth : Stop Thinking, Start Doing)
“
Let’s go home,” she said.
He arched his brows. “Already? I thought you would want to stay for a while.”
Dark eyes flashed. “No, I want to take you home where women can’t stare at you like hyenas after a baby chick.”
He laughed-loudly, which caught a fair bit of attention. “Surely I’m more threatening than a chick?”
She smiled, ruining her petulant expression. “A puppy perhaps.”
Grey stepped closer so that their torsos touched. It was totally improper behavior, but the gossips already had so much to talk about, one more thing would hardly matter. “Is that all you want to take me home for? To protect me?”
Her gaze turned coy. “I received the newest edition of Voluptuous today. I thought I might read to you.”
Was it just him or had the temperature in the room suddenly climbed ten degrees. “Let’s go.”
He grabbed her by the hand and started weaving their way toward the door. People stopped hi to say hello, and he was forced to speak to them rather than be as rude as he wanted. A good fifteen minutes passed before he and Rose finally made it to the entrance of the ballroom, only to have Vienne La Rieux descend upon them.
“Monsieur et Madame le Duc!” she cried, clasping her hands together in front of her breast-abundantly displayed above a peacock-colored gown that must have cost a small fortune. “Finally, you leave my club together, non?”
Grey winked at her. “At last, madam. But we may want a room again someday.”
The French woman grinned, delighting in Rose’s obvious embarrassment. “Mais oui! An anniversary present, Your Grace. On the house.”
He thanked her and bade her farewell.
“She knew?” Rose’s tone was incredulous as they made their way closer to the exit. “How could she know?”
Grey shrugged. “The woman seems to know deuced near everything that happens here.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Then she bent her head over at the waist and tossed her head around to separate the curls.
The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell.
She looked at them, her mouth watering. Yep. Enrique’s. The best in town.
He whirled around to punch the door-close button.
“Hey,” she said. “I’m getting off here.”
Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.”
Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops.
He grabbed her up off her feet and bent his head. Found her mouth with his.
“Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!”
Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides.
And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before.
The door slid closed. The girls began banging on it.
“We know your room number, Chase, honey,” they yelled. “See you there.”
Loud giggles.
“We’ll show you a real good time.”
The elevator moved up, the voices faded away. But Chase kept on kissing her.
She had to make him stop it. Right now. Who did he think he was, anyway?
Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes.
He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . .
When he finally let her go she pulled back and away, fighting to get a handle on her breathing.
“What’s the matter?” he demanded.
Her blood rushed through her so fast it made her dizzy.
“You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?”
She touched her lips. They were still on fire.
“You have got a helluva nerve, Chase Lomax.”
He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted.
“I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.”
“I was drying my hair.”
He stared, then burst out laughing. “Oh, well, then.”
His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good.
“Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?”
He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?”
He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat.
“You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.”
Something flashed deep in his brown eyes.
“Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
”
”
Genell Dellin (Montana Gold)
“
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person?
”
”
Sara Barnard (A Quiet Kind of Thunder)
“
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Marlboro Man answered, “Hello?” He must have been almost asleep.
“Um…um…hi,” I said, squinting in shame.
“Hey there,” he replied.
“This is Ree,” I said. I just wanted to make sure he knew.
“Yeah…I know,” he said.
“Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.”
He chuckled. “Where are you?”
“Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.”
Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.”
“Hang tight,” he said. “I’ll be right there.”
Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship.
“Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say.
He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before.
And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog.
It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I’d known him just ten days, and it had just left his mouth in an unexpected whisper. It had been purely instinctive, it seemed--something entirely unplanned. He clearly hadn’t planned to say those words to me that night; that wasn’t the way he operated. He was a man who had a thought and acted on it immediately, as evidenced by his sweet, whispery phone calls right after our dates. He spent no time at all calculating moves; he had better things to do with his time. When we held each other on that chilly spring night and his feelings had come rushing to the surface, he’d felt no need to slap a filter over his mouth. It had come out in a breath: I love you. It was as if he had to say it, in the same way air has to escape a person’s longs. It was involuntary. Necessary. Natural.
But as beautiful and warm a moment as it was, I froze on the spot. Once I realized it had been real--that he’d actually said the words--it seemed too late to respond; the window had closed, the shutters had clapped shut. I responded in the only way my cowardice would allow: by holding him tighter, burying my face deeper into his neck, feeling equal parts stupid and awkward. What is your problem? I asked myself. I was in the midst of what was possibly the most romantic, emotionally charged moment of my life, in the embrace of a man who embodied not only everything I’d ever understood about the textbook definition of lust, but everything I’d ever dreamed about in a man. He was a specimen--tall, strong, masculine, quiet. But it was much more than that. He was honest. Real. And affectionate and accessible, quite unlike J and most of the men I’d casually dated since I’d returned home from Los Angeles months earlier. I was in a foreign land. I didn’t know what to do.
I love you. He’d said it. And I knew his words had been sincere. I knew, because I felt it, too, even though I couldn’t say it. Marlboro Man continued to hold me tightly on that patio chair, undeterred by my silence, likely resting easily in the knowledge that at least he’d been able to say what he felt.
“I’d better go home,” I whispered, suddenly feeling pulled away by some imaginary force. Marlboro Man nodded, helping me to my feet. Holding hands, we walked around his house to my car, where we stopped for a final hug and a kiss or two. Or eight. “Thanks for having me over,” I managed.
Man, I was smooth.
“Any time,” he replied, locking his arms around my waist during the final kiss. This was the stuff that dreams were made of. I was glad my eyes were closed, because they were rolled all the way into the back of my head. It wouldn’t have been an attractive sight.
He opened the door to my car, and I climbed inside. As I backed out of his driveway, he walked toward his front door and turned around, giving me his characteristic wave in his characteristic Wranglers. Driving away, I felt strange, flushed, tingly. Burdened. Confused. Tortured. Thirty minutes into my drive home, he called. I’d almost grown to need it.
“Hey,” he said. His voice. Help me.
“Oh, hi,” I replied, pretending to be surprised. Even though I wasn’t.
“Hey, I…,” Marlboro Man began. “I really don’t want you to go.”
I giggled. How cute. “Well…I’m already halfway home!” I replied, a playful lilt to my voice.
A long pause followed.
Then, his voice serious, he continued, “That’s not what I’m talking about.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
And there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.
”
”
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
“
See the dog in the mirror?” CJ asked. I heard the word “dog” and figured she wanted me to go through the door. I walked in and immediately stopped dead: there was a dog in there! It looked like Rocky. I bounded forward, then pulled back in surprise as it jumped aggressively at me. It was not Rocky—in fact, it didn’t smell like any dog at all. I wagged my tail and it wagged. I bowed down and it bowed down at the same time. It was so strange, I barked. It looked like it was barking, too, but it didn’t make a noise. “Say hi, Molly! Get the dog!” CJ said. I barked some more, then approached, sniffing. There was no dog, just something that looked like a dog. It was very strange. “You see the dog, Molly? See the dog?” Whatever was going on, it wasn’t very interesting. I turned away, smelling under the bed, where there were dusty shoes.
”
”
W. Bruce Cameron (A Dog's Purpose Boxed Set (A Dog's Purpose #1-2))
“
Their affair had been three of the most intense, reckless, terrifying, happy, alive months of his life. Like how he imagined being on heroin felt if the high never ended, if every syringe didn’t also contain the possibility of death. They’d been partners at the time, and there had been one week when they’d been on the road together in northern California. Every night, they rented two rooms. Every night, for five days, he stayed with her. They barely slept that week. Couldn’t keep their hands off each other. Couldn’t stop talking when they weren’t making love, and the daylight hours when they had to pretend to be professionals made it all the more beautifully excruciating. He had never felt such a complete lack of self-consciousness around anyone. Even Theresa. Unconditional acceptance. Not just of his body and mind, but also of something more, of something indefinably him. Ethan had never connected with anyone on this level. The most generous blessing and life-destroying curse all wrapped up in the same woman, and despite the pain of the guilt and the knowledge of how it would crush his wife, whom he still loved, the idea of turning away from Kate seemed like a betrayal of his soul. So she had done it for him. On a cold and rainy night in Capitol Hill. In a booth over glasses of Belgian beer in a loud dark bar called the Stumbling Monk. He was ready to leave Theresa. To throw everything away. He had asked Kate there to tell her that and instead she had reached across the scuffed wood of a table worn smooth by ten thousand pint glasses and broken his heart. Kate wasn’t married, had no children. She wasn’t ready to jump off the cliff with him when he had so much pulling him back from the ledge. Two weeks later, she was in Boise, pursuant to her own transfer request. One year later, she was missing in a town in Idaho in the middle of nowhere called Wayward Pines, with Ethan off to find her. Eighteen hundred years later, after almost everything they had known had turned to dust or eroded out of existence, here they stood, facing each other in a toy shop in the last town on earth. For a moment, staring into her face at close range blanked Ethan’s mind. Kate spoke first. “I was wondering if you’d ever drop in.” “I was wondering that myself.” “Congratulations.” “For?” She reached over the counter and tapped his shiny brass star. “Your promotion. Nice to see a familiar face running the show. How are you adjusting to the new job?” She was good. In this short exchange, it was obvious that Kate had mastered the superficial conversational flow that the best of Wayward Pines could achieve without straining. “It’s going well,” he said. “Good to have something steady and challenging, I bet.” Kate smiled, and Ethan couldn’t help hearing the subtext, wondered if everyone did. If it ever went silent. As opposed to running half naked through town while we all try to kill you. “The job’s a good fit,” he said. “That’s great. Really happy for you. So, to what do I owe the pleasure?” “I just wanted to pop in and say hi.” “Well, that was nice of you. How’s your son?” “Ben’s great,” Ethan said.
”
”
Blake Crouch (Wayward (Wayward Pines, #2))
“
After years of living in New York and feeling depressed about its state, I finally decided to stop feeling sorry and start feeling activated. Recently I made a concerted effort to get to know my neighbors. I made sure to say hi in the halls. I emailed them when I had a question. I started offering people in the subway help with their heavy items. I filed a petition with the city to determine if the building I live in is meant to be rent-stabilized. It's unclear what the result of that will be, but it made me feel more connected to the place where I live. I began attending meetings about gentrification. These weren't just things I thought of as good deeds, but a way to help reorient myself in the city. Separately they felt insignificant, but together they helped me see myself, and my city, as connected entities that are capable of changing each other. I've begun to appreciate New York more now, and so I am more willing to fight for it. The question I still have is whether it will ever be enough. Or will the city keep changing so fast that it will not matter how many individuals attempt to put the brakes on that change or dictate how and why change happens?
”
”
P.E. Moskowitz (How to Kill a City: Gentrification, Inequality, and the Fight for the Neighborhood)
“
The next morning, Peter is waiting in the parking lot for me when I get off the bus. “Hey,” he says. “Are you seriously taking the bus every day?”
“My car is being fixed, remember? My accident?”
He sighs like this is somehow offensive to him, me taking the bus to school. Then he grabs my hand and holds it as we walk into school together.
This is the first time I’ve walked down the school hallway holding hands with a boy. It should feel momentous, special, but it doesn’t, because it’s not real. Honestly, it feels like nothing.
Emily Nussbaum does a double take when she sees us. Emily is Gen’s best friend. She’s staring so hard I’m surprised she doesn’t take a quick pic on her phone to send to Gen.
Peter keeps stopping to say hi to people, and I stand there smiling like it’s the most natural thing in the world. Me and Peter Kavinsky.
At one point I try to let go of his hand, because mine is starting to feel sweaty, but he tightens his grip. “Your hand is too hot,” I hiss.
Through clenched teeth he says, “No, your hand is.”
I’m sure Genevieve’s hands are never sweaty. She could probably hold hands for days without getting overheated.
When we get to my locker, we finally drop hands so I can dump my books inside. I’m shutting my locker door when Peter leans in and tries to kiss me on the mouth. I’m so startled I turn my head, and we hit foreheads.
“Ow!” Peter rubs his forehead and glares at me.
“Well, don’t just sneak up on me like that!” My forehead hurts too. We really banged them hard, like cymbals. If I looked up right now, I would see blue cartoon birdies.
“Lower your voice, dummy,” he says through clenched teeth.
“Don’t you call me a dummy, you dummy,” I whisper back.
Peter heaves a big sigh like he’s really annoyed with me. I’m about to snap at him that it’s his fault, not mine, when I catch a glimpse of Genevieve gliding down the hallway. “Gotta go,” I say, and I dart off in the opposite direction.
“Wait!” Peter calls out.
But I keep darting.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
We drove into the Cradle Mountain resort still munching on raspberries. Emma and Kate waited with the kids in the car.
“I’ll just be a minute,” I said. “I’ll check in and we’ll head to our rooms.” The currawongs were calling, and a padymelon, a small version of a roo, hopped off a wall just at the edge of the car park as I went in.
“Where’s all the snow?” I asked the woman behind the desk.
“It snowed this morning,” she said.
“Well, good,” I said. “There’s hope.”
Then she passed me a note. She said, “Frank called from the zoo.”
“I’m not surprised,” I said. “I haven’t called the zoo all day, and Frank is always trying to track me down.”
“Why don’t you come take the call in the office?” she said. I thought that was a little odd, since when I had been there before I’d always used the pay phone near the pub at the resort. But I entered the office and sat down in a big, comfortable chair. I could see the car park out the window. Emma and Kate were still out at the car. Robert had fallen asleep, and Kate sat inside with him. Bindi smiled and laughed with Emma.
“How you going, Frank?” I said into the phone.
He said, “Hi, Terri. I’ve been trying to get hold of you for a while.” His voice had a heavy, serious tone.
“Well, I’ve just got here,” I said. “Sorry about that, but I’m here now. What’s up?”
“I’m sorry to say that Steve had a bit of an accident while he was diving,” Frank said. “I’m afraid he got hit in the chest by a stingray’s barb.”
I’m sure there wasn’t much of a pause, but I felt time stop. I knew what Frank was going to say next. I just kept repeating the same thing over and over in my head.
Don’t say it, don’t say it, don’t say it.
Then Frank said the three words I did not want him to say, “And he died.”
I took a deep breath and looked out the window. There was Bindi, so happy to have finally arrived at one of her favorite places. We were going to have fun. She had brought her teacher and Kate. She was so excited. And the world stopped. I took another breath.
“Thank you very much for calling, Frank,” I said. I didn’t know what I was saying. I was overwhelmed, already on autopilot. “You need to cancel the rest of our trip, you need to contact my family in Oregon, and you need to get us home.”
So it began.
”
”
Terri Irwin (Steve & Me)
“
I’m Darren, and this is Nina,” he says to me when she stops next to him.
Nina looks me over. “Hi.” Her tone is friendly with an undercurrent of protectiveness.
“Hi,” I respond, with maybe a little too much I come in peace worked in. “I’m Pippa.”
“Pippa? Isn’t that a cute name?” Nina squeaks, surprisingly genuine. She looks up at Darren and smiles, and my eyes follow hers to him.
“It’s a great name,” he agrees. There’s his little twisted tooth again.
I’ve always thought my name was ridiculous, but if a guy can like it…My cheeks flush.
”
”
Kristin Rae (Wish You Were Italian (If Only . . . #2))
“
Hunter turned toward her and looped an arm around her waist. His eyes were dark splashes in the moonlight. “Blue Eyes, it will be good. Trust this Comanche.”
“How can it be, Hunter?”
“I will make it so.” He feathered a finger across her bottom lip.
Trust. His voice, his gentle touch, delved deep, turning her warm and liquid, melting her resistance. She closed her eyes. In four more days, maybe less, she would be back in Hunter’s village.
“Hunter, why did you tie me to stakes again tonight? How long do you plan to do that?”
“Until my touch is carved in your heart.”
“Oh, Hunter, it’s already carved in my heart. When I ran from you, it wasn’t out of fear.”
“You said hi, hites with a rifle. You will have no fear again. Anger, maybe much hatred, but no fear.” He trailed a knuckle along her cheek. “You made pictures of your remembering. Now I make new rememberings, so they are very much good.”
Puzzled, Loretta studied his dark face. Then she realized he was referring to her memories of her mother’s death--the Comanches, the stakes, her torturous last minutes. He was deliberately evoking those memories, only to expunge them by gently loving her. When she thought of his stakes now, she thought of shivers running down her spine, of sweet kisses in moonlight, of wonderfully strong arms enfolding her with warmth.
Tears sprang to her eye. “Thank you for the new memories, Hunter. They are very much good.”
His face drew close. “This Comanche wants to make more new remembering.”
She took a ragged breath. “I can’t. Don’t you see? To say yes is surrendering all that I am.”
He manacled her wrists with his iron grip. “That too is why I tie you.” His lips brushed hers, setting her senses afire. “You will make war tomorrow?”
He whispered the question into her mouth, his breath warm and sweet. His tongue touched hers. Loretta’s heart caught at the careful way he drew her against him. Tomorrow. It seemed soon enough for fighting him. For tonight, she couldn’t stop herself from loving him--one last time.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
And that's when the doorbell rings. Marcus freezes. As do I. "That must be your friend," I somehow manage to say, even though my throat is trying to close.
Marcus is clearly torn between remaining immobile and opening the door. The bell rings again.
"Want me to get it?"
"No," he says. "No."
I stand, not knowing what to do while he slowly springs open the door. Not surprisingly, Marcus's old schoolfriend is a petite and extraordinarily pretty brunette. She steps into the apartment and kisses Marcus full on the lips. "Hello, darling," she says.
Marcus recoils slightly and casts a worried glance in my direction which his friend follows.
"Hi," I say, extending my hand as I try to force my face into a smile. She takes it. Her hand is cool and delicate, as slender as the rest of her. "I'm Lucy," I continue brightly. "Marcus's girlfriend."
Now it's her turn to recoil.
"This is my friend, Joanne," Marcus says tightly.
I look at my lover. "An old schoolfriend. That's what you said, isn't it?" I turn back to Joanne. "Which school did you go to with Marcus? Primary? Grammar? Or maybe it was the harsh school of life?"
His old schoolfriend looks at him blankly. "I don't know quite what's going on here, Marcus," she says. "But I don't think that I want to be a part of it." She turns away from him, spinning on her heel toward the door.
"Jo," Marcus pleads as he catches her sleeve. "Don't go."
And I think that's my cue to leave. "Oh, Marcus," I say sadly. "Do you have so little respect for me?"
"I can explain," he says, and I notice that he's still looking at Jo rather than at me.
"You're welcome to stay and listen to it," I say to Jo. "I'll be the one to leave." Marcus does nothing to stop me, so I hitch up my gym bag once more and move toward the door. "It's been nice meeting you," I say to Marcus's new love. "You'll enjoy your dinner. It smells wonderful. It even covers the smell of a rat. The chocolates are great, by the way. I hope you both choke on them.
”
”
Carole Matthews (The Chocolate Lovers' Club)
“
train me, nice as could be other than acting like she’s my mom, all honey-this and honey-that and “You think you can remember all that, sweetie?” Just three or four years out of high school herself. But she did have three kids, so probably she’d wiped so many asses she got stuck that way. I didn’t hold it against her. Coach Briggs’s brother stayed upstairs in the office. Heart attack guy was a mystery. First they said he might come back by the end of summer. Then they all stopped talking about him. As far as customers, every kind of person came in. Older guys would want to chew the fat outside in the dock after I loaded their grain bags or headgates or what have you. I handled all the larger items. They complained about the weather or tobacco prices, but oftentimes somebody would recognize me and want to talk football. What was my opinion on our being a passing versus running team, etc. So that was amazing. Being known. It was the voice that hit my ear like a bell, the day he came in. I knew it instantly. And that laugh. It always made you wish that whoever made him laugh like that, it had been you. I was stocking inventory in the home goods aisle, and moved around the end to where I could see across the store. Over by the medications and vaccines that were kept in a refrigerator case, he was standing with his back to me, but that wild head of hair was the giveaway. And the lit-up face of Donnamarie, flirting so hard her bangs were standing on end. She was opening a case for him. Some of the pricier items were kept under lock and key. I debated whether to go over, but heard him say he needed fifty pounds of Hi-Mag mineral and a hundred pounds of pelleted beef feed, so I knew I would see him outside. I signaled to Donnamarie that I’d heard, and threw it all on the dolly to wheel out to the loading dock. He pulled his truck around but didn’t really see me. Just leaned his elbow out the open window and handed me the register ticket. He’d kept the Lariat of course, because who wouldn’t. “You’ve still got the Fastmobile, I see,” I said. He froze in the middle of lighting a smoke, shifted his eyes at me, and shook his head fast, like a splash of cold water had hit him. “I’ll be goddamned. Diamond?” “The one,” I said. “How you been hanging, Fast Man?” “Cannot complain,” he said. But it seemed like he wasn’t a hundred percent on it really being me loading his pickup. He watched me in the side mirror. The truck bounced a little each time I hefted a mineral block or bag into the bed. Awesome leaf springs on that beauty. I came around to give him back his ticket, and he seemed more sure.
”
”
Barbara Kingsolver (Demon Copperhead)
“
The Risen Presence always appears once your False Self stops attaching, defending, denying, and blaming. As in Matthew's account (28:9), he just walks up and says, “Hi!” Paul actually says in several places that “our former selves have been crucified” already (Romans 6:6). The False Self is fragile and temporary and is thus already “over and out.” Its death knell has already rung. It is just a matter of time until you touch the true, and the false falls away like clumsy scaffolding. This is probably why some saints were pictured holding or looking at a human skull. It was not meant to be morbid but a way of picturing this shock of realization and the utter change of consciousness that follows. Once you experience the Real, the unreal is increasingly a mere diversion or entertainment, not substantial reality. Once you encounter the Risen Presence, you can rather easily let go of the past and the petty. The Risen Christ could be called the “future shock” of God. The Gospel accounts make note that the Resurrection occurs “very early on the first day of the week” (John 20:1), clearly evoking a new creation, a fresh start, a new first (Genesis 1:3–5), but now an eternal day of Easter light. And, of course, scientists now tell us that all light in the universe is electromagnetically connected and that all natural light is in fact one. The Risen Christ is the personification of this one Light that includes all light, which is why he is always described as “dazzling white” or “like lightning” (Matthew 28:3).
”
”
Richard Rohr (Immortal Diamond: The Search for Our True Self)
“
I’m so happy to see you.”
“I’m happy to see you, too, Rabbit. Finally. Are you okay?”
“I am now.”
“Then stop crying. It kills me when you cry.” He wiped the tears from her cheeks with a soft brush of his thumb.
“Jenna, let him come in,” Jack said again and put his hands on her shoulders.
“Oh, sorry. Come in. Let’s get you settled.”
Ben and Jack shook hands. “You lucky SOB. I knew you’d take care of her if I sent her to you. I never thought you’d keep her.”
“Yeah, well, tough shit. You got to hug her, now keep your hands to yourself. She’s all mine.”
“Yeah, he’s already marked his territory,” Sam said and walked out of the office. “He put a ring on her finger and knocked her up with twins.”
Sam grinned, the same cocky grin Jack had on his face.
“Sam!” Jenna scolded, outraged by his audacious comment.
“Well, it’s true. Hi, Ben, I’m Jack’s brother, Sam. Don’t let the resemblance fool you, we’re exactly alike.”
“We’ll get along just fine then. Did I hear you say something about twins?”
The two men shook hands while Jack put his arm around Jenna and pulled her to his side. “Yeah, she’s having identical twins. Imagine that.”
“See, he’s territorial, too.” Sam pointed to Jack and Jenna.
-Jenna, Ben, Jack, & Sam
”
”
Jennifer Ryan (Saved by the Rancher (The Hunted, #1))
“
Shit Can Happen"
Bitch
Yeah...
[1] - Shit can happen [8X]
[Kon Artis]
Yo, yo, huh, yo, yo, yo
That's right motherfuckers we back
Same slanging, orangatangin, wilding out on hoodrats
They say I act like I'm too famous to say hi
And tell 'em what my name is but really I'm still nameless...
You niggas don't get it yet do you
Dealing out platinum or flop I still put it through you
Wit a luger that'll spit fire
And hit higher than a pitch by a bitch like Mariah
You think for one second since we got a deal
That we won't deal wit you in front of St Andrew's still?
You gay rappers better learn that
I won't stop until I see 'em turn back
If you don't slow that roll you got
You gonna see these Runyan Ave. niggas that really need some Prozac
For' sure' that, ask the others
But gator lay you down next to your mother's mother's grandmother
[Kuniva]
You know I'm feeling real rowdy tonight
Ready to fight and half the niggas I give dap to I don't even like
The same cat who never gave a damn about your name
I gives a fuck about it like the next selling Clippers' game
I kill you in ways you couldn't even fathom
You and your madame, it's really unexplainable how I have 'em
Who call theyself screaming about a challenge
Nigga we got a gift while you barely making it off mere talent
My skills are deeply embedded even your hoe said it
She was knock kneed I fucked her now she's bow legged
In the middle of rappin I drop the mic
And have a stare down and jump in the crowd and start scrappin
Kuniva and Kon Artis my nigga we get it cracking
While the paramedics pick you up we on the side laughing
[HOOK: 1- in background]
[Kon Artis]
Now this aint funny so don't you dare laugh
Shit can happen in him and yo' ass
You can be touched don't think you can't
Cause niggas aint fucking around no more man [repeat]
[Swifty McVay]
”
”
Reginald Sanjay Pal
“
about the President's arrest?” “Uh, yeah, I guess I heard about that.” She looks at Sullivan. “But I didn't want to believe it. I started reading an article about it in the paper a few days ago, but I had to stop.” I could see it in her eyes, still to this day. I'm not sure how Sullivan had felt about her, but she had loved him. “But you'd seen her since she was sixteen.” I say. It isn't a question. “Yeah, once,” she admits reluctantly. “She came by about two years ago asking for money. No 'Hi', no 'Sorry I ran away without telling you three years ago', just 'Got any money?'” “Did you give her any?” She shakes her head. “That
”
”
Nick Pirog (3 a.m. (Henry Bins #1))
“
Tobias enters the room a moment later, followed by Tori and Harrison. I have been avoiding him. I haven’t spoken to him since that fight we had, before Marlene…
“Hello, Tris,” Tobias says when I’m close enough to hear him. His voice is low, rough. It transports me to quiet places.
“Hi,” I say in a tight little voice that does not belong to me.
He sits next to me and puts his arm on the back of my chair, leaning close. I don’t stare back--I refuse to stare back.
I stare back.
Dark eyes--a peculiar shade of blue, somehow capable of shutting the rest of the cafeteria out, of comforting me and also of reminding me that we are farther away fro each other than I want us to be
“Aren’t you going to ask me if I’m all right?” I say.
“No, I’m pretty sure you’re not all right.” He shakes his head. “I’m going to ask you not to make any decisions until we’ve talked about it.”
It’s too late, I think. The decision’s made.
“Until we’ve all talked about it, you mean, since it involves all of us,” says Uriah. “I don’t think anyone should turn themselves in.”
“No one?” I say.
“No!” Uriah scowls. “I think we should attack back.”
“Yeah,” I say hollowly, “let’s provoke the woman who can force half of this compound to kill themselves. That sounds like a great idea.”
I was too harsh. Uriah tips the contents of his bottle down his throat. He brings the bottle down on the table so hard I’m afraid it will shatter.
“Don’t talk about it like that,” he says in a growl.
“I’m sorry,” I say. “But you know I’m right. The best way to ensure that half our faction doesn’t die is to sacrifice one life.”
I don’t know what I expected. Maybe that Uriah, who knows too well what will happen if one of us does not go, would volunteer himself. But he looks down. Unwilling.
“Tori and Harrison and I decided to increase security. Hopefully if everyone is more aware of these attacks, we will be able to stop them,” Tobias says. “If it doesn’t work, then we will think of another solution. End of discussion. But no one is going to do anything yet. Okay?”
He looks at me when he asks and raises his eyebrows.
“Okay,” I say, not quite meeting his eyes.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Hi, Dale, it’s Gabby...Clay’s girlfriend.” It felt weird giving myself that title, but I pushed it aside. Bigger issues to deal with. “If he’s there, can I talk to him?” Dale chuckled. “Sure, but I don’t imagine it’d be much of a conversation.” I heard him call out to Clay. A moment later, a husky voice said, “Hello?” After not talking to me for so long, hearing his voice startled and annoyed me slightly. He would talk to a perfect stranger, but not me? I opened my mouth to say something about it, but the pain in my head insistently prodded me to get on with the important news. “Clay, I did it again. I’m at the diner where we had breakfast. I need you to come get me before it gets worse.” He didn’t say anything for so long that I looked at the phone to see if I still had a signal. The screen said disconnected. Would it have killed him to say “Okay” or maybe even “Bye” before hanging up? His hello had been too shocking to recall the sound of his voice. I sighed and put my cell away. With Sam’s frequent calls and Rachel’s occasional texts, my remaining minutes dipped into the double digits. I needed to adjust my budget to buy more airtime. Did life really need to throw me this many curveballs? And all at once? I forced myself to eat more of my mostly untouched meal so the waitress wouldn’t bother me as I waited. The last of the waves hit me. Only determination and a hand over my mouth kept me from whimpering. After about ten minutes, I settled the bill and watched out the window for Clay, barely checking the need to curl into a ball and lie down on the padded bench. The waitress kept a close eye on me, probably thinking she would need to clean up barf soon. She might. Dale’s huge tow truck pulled into the parking lot. Clay opened his door and leapt out while it still rolled to a stop. Through the window, he spotted me. His eyes never left me as he strode in and Dale pulled away. Clay still wore his greasy coveralls, and with his hair pulled back, he looked like an angel—a grimy one—coming to save me. Again. “Hi,
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
He won’t have long, daughter.’
‘Who won’t?’ she replies, puzzled.
Without another word, the entity’s eyes close and Eight’s body begins to tremble. To my surprise, the energy actually recedes from his body. The cracks along the backs of his hands stop glowing and close up, as does the one that opened across his forehead. After a few seconds, the only thing left glowing on Eight is the wound over his heart. He floats out of the column of energy and ends up right in front of Marina.
When Eight opens his eyes, they don’t glow. They’re green, just like I remember them, serene, but with a spark of that old mischief. Eight’s lips curl into a slow smile as he sees Marina.
‘Wow, hi,’ Eight says, and when he speaks it’s with his own voice.
It’s him. It’s really him.
Marina nearly doubles over with a delighted sob. She collects herself quickly, though, and grabs Eight first by the shoulders, then on the sides of his face. She pulls him in close.
‘You’re warm,’ she says in wonder. ‘You’re so warm.’
Eight laughs easily. He puts his hand over Marina’s and gently kisses the side of it.
‘You’re warm, too,’ he says.
‘I’m so sorry, Eight. I’m sorry I couldn’t heal you.’
Eight shakes his head. ‘Stop, Marina. It’s okay. You brought me here. It’s – I can’t even describe it. It’s amazing in there.’
Already, I see the energy spreading outward from Eight’s heart. It races through his body, fissures opening on his arms and legs. He doesn’t seem to be in any pain. He just smiles at Marina and looks at her like he’s trying to memorize her face.
‘Can I kiss you?’ Marina asks him.
‘I really wish you would.’
Marina kisses him, pressing in close, squeezing him. As she does, the energy swells up from within Eight and, slowly, his body begins to break apart. It’s different from when a Mogadorian disintegrates. It’s as if, for a moment, I can see every cell in Eight’s body and see how the energy from the well glows in between each of them. One by one, those pieces of Eight dissolve, and he becomes one with the light. Marina tries to cling to him, but her fingers pass right through the energy.
And then, he’s gone.
”
”
Pittacus Lore (The Revenge of Seven (Lorien Legacies, #5))
“
He pulls on my hands until I stand up. Then he bends and tosses me over his shoulder and spins in a circle. I scream, covering my eyes. I know he won’t drop me but still. He runs around, and Sam and Pete chase us. Pete—or Sam. I still can’t tell them apart— slaps my butt. I flail around, trying to reach out and grab him, but Logan is running with me over his shoulder. He spins, holding tightly to my legs. I cover my eyes and squeal, but I know he can’t hear me. I hit Logan on the butt, but he pays me no mind. Suddenly, he stops and starts to lower me down his body. I slide along him slowly, my body contours rubbing against his until my feet hit the ground. “Hi,” he says quietly. He signs it, too, but his free arm is around me, holding me against him. “Hi,” I say, and I sign it just like he did. Then I smack his chest. “I can’t believe you did that.
”
”
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
“
When the children returned to the studio, the STUDIO CLOSED sign was still on the door. This didn’t stop the Aldens.
“Hi, Hilda! It’s the Aldens,” Jessie yelled as she rapped on the window.
Hilda whirled around, startled to see four pairs of eyes staring at her. She opened the door slightly. “What are you doing here? My studio is closed right now.”
Violet looked past Hilda. “Oh, so you have the Clover Dodge statue,” she said before the young woman could block her view. “Are you fixing it? I’d love to see how.”
Hilda stared at Violet. “I’m not here to teach art classes, Violet. I’m here to…well, I haven’t time to explain.”
Henry, who was taller than Hilda, peered right over her shoulder. “Are you fixing the arm from the angel statue, too? Charlotte will be glad you got started on that.”
Hilda studied the Aldens’ faces. “What do you mean? William was the one who got me working on the angel statue, not Charlotte. He told me she left most of the decisions up to him.” Hilda pushed the door to keep the children back. “I really must get back to my work. I’ll see you at Skeleton Point later this afternoon.”
The Aldens had a lot more to say, but they never got the chance. After she slammed the door, Hilda walked over to the windows and pulled the shade down one by one.
The Mystery at Skeleton Point
”
”
Gertrude Chandler Warner (The Boxcar Children Halloween Special (The Boxcar Children Mysteries))
“
There was a full-sized seated skeleton in front of them on the steps. “The Walking Skeleton!” Benny said.
Henry chuckled. “No, I guess you’d have to call it the Sitting Skeleton. It’s just sitting there as if it stopped to take a rest.”
“I’m not afraid of Halloween tricks even when it’s not Halloween.” Benny scurried past the skeleton.
Henry looked very serious. “Now I know someone is trying to scare us away from Skeleton Point again,” he said.
“You’re probably right, Henry,” said Jessie. “But who could it be?”
“William Mason and Hilda Stone,” said Benny, almost immediately. “They’re mean to us, and they don’t want us around.”
“You’re right, Benny. Remember that man in town said William Mason wanted to buy Skeleton Point for himself? Maybe he’s mad at Charlotte for buying it first.”
Jessie looked thoughtful. “What about Greeny?” she asked. “We know he doesn’t want us around, either--and we know he’s taking things from the house. Maybe he wants to scare us away so we won’t figure out what he’s up to. We should still keep an eye on him.”
Henry agreed. “In fact, we should keep an eye on all of them.”
When they returned to the house, the Aldens found that William had joined Hilda outside.
Jessie waved. “Hi!” she called out, as if she had come straight from her errand across the lake. “Sorry we took so long. The hardware store was out of those light switches.”
Hilda and William kept working. It seemed neither of them wanted to say anything.
Finally Hilda spoke up. “Oh, it turns out we don’t need them after all.”
William pushed back the brim of his red hat and checked his watch. “Half the day’s gone. I don’t see much use for you kids sticking around here. Hilda and I are doing some technical work Charlotte asked us to do--not something suitable for children.”
“We know how to measure, too” Benny said. “I learned in kindergarten.”
Hilda hesitated. “What we’re doing is a little more complicated than what you do in school. Now, why don’t you children go for a bike ride. Or a swim,” she suggested before going into the house.
Henry turned to William. “We already went for a swim,” he said. “An unplanned one.”
William didn’t say anything about untying the Alden’s boat, but he looked away and cleared his throat. “Well, then, go for a planned one this afternoon. Take tomorrow off, too. Everything’s under control here.”
Before William turned to go into the house, the Aldens looked down. Just as they suspected, William was wearing heavy work boots that left deep prints just like the ones near the statue.
The Mystery at Skeleton Point
”
”
Gertrude Chandler Warner (The Boxcar Children Halloween Special (The Boxcar Children Mysteries))
“
A lady says to a priest, “Father, I have a problem. I have these two talking female parrots, but they only know how to say one thing.” “What do they say?” the priest asks “They only know how to say, ‘Hi, we are prostitutes. Do you want to have some fun?’” “That’s terrible! But I have a solution to your problem. Bring your two talking female parrots over to my house and I will put them with my two male talking parrots. I have taught my birds to pray and read the Bible. My parrots will teach your parrots to stop saying that terrible phrase and your parrots will learn to pray and worship.” “Thank you, Father, that’s very helpful.” The next day, the lady brings her parrots to the priest’s house. The two male birds are holding rosary beads and praying in their cage. The lady puts her females in with them and the birds immediately say, “Hi, we are prostitutes! Do you want to have some fun?” One male parrot looks over to the other one and screams, “Frank! Put the Bibles away, our prayers have been answered!
”
”
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
“
Finally, satisfied that they’ve got as much privacy as they’re going to get, she goes back to the cage and kneels beside it. She stares through the bars at the small, pale face inside. “Hi,” she says. “Hi, Miss Justineau.” “Is it okay if we…” she starts to say. But then she thinks better of it. “I’m coming in,” she says. “No!” Melanie yelps. “Don’t. Stay there!” As Justineau puts her hand on the door and slides back the bolt, the girl scrambles to the other end of the cage. She presses herself hard into the corner. Justineau stops, with the door half open. “You said you could only smell me a little bit,” she says. “Is it enough to be uncomfortable for you?” “Not yet.” Melanie’s voice is tight. “Then we’re okay. If that changes, you tell me and I’ll get out. But I don’t like you being in a cage like an animal with me out there looking in. This would feel better for me. If it’s okay with you.” But it’s clear from Melanie’s face that it’s not okay. Justineau gives up. She closes the door and locks it again. Then she sits down and leans her shoulder against the mesh, legs crossed. “Okay,
”
”
M.R. Carey (The Girl With All the Gifts)
“
As Jimmy Boggs used to remind us, revolutions are made out of love for people and for place. He often talked about loving America enough to change it. “I love this country,” he used to say, “not only because my ancestors’ blood is in the soil but because of what I believe it can become.” Shea Howell, Oakland University rhetoric professor and former director of Detroit Summer, has helped hundreds of students and community organizers appreciate what Jimmy meant: Love isn’t just something you feel. It’s something you do every day when you go out and pick up the papers and bottles scattered the night before on the corner, when you stop and talk to a neighbor, when you argue passionately for what you believe with whoever will listen, when you call a friend to see how they’re doing, when you write a letter to the newspaper, when you give a speech and give ’em hell, when you never stop believing that we can all be more than we are. In other words, Love isn’t about what we did yesterday; it’s about what we do today and tomorrow and the day after. Taking King seriously also requires a paradigm shift in how we address the three main questions of philosophy: What does it mean to be a human being? How do we know? How shall we live? It means rejecting scientific rationalism (based on the Cartesian body-mind dichotomy), which recognizes as real only that which can be measured and therefore excludes the knowledge that comes from the heart or from relationships between people. It means that we must be willing to see with our hearts and not only with our eyes. King was assassinated before he could begin to develop strategies and praxis to implement this revolutionary/evolutionary perspective for our young people, our cities, and our country. After his death many of his closest associates were too overwhelmed or too busy taking advantage of the new opportunities for advancement within the system to keep his vision and his practice alive. We will never know how King would have developed had he lived to see the twenty-first century. What we do know is that in the forty years since his assassination, our communities have been turned into wastelands by the Hi-Tech juggernaut and the export of, first, factory and, now, computer jobs overseas so that global corporations can make more of a profit with cheaper labor. We have witnessed and shared the suffering of countless numbers of young people in our inner cities,
”
”
Grace Lee Boggs (The Next American Revolution: Sustainable Activism for the Twenty-First Century)
“
Yes,” I call. “Sky,” the receptionist says quietly. I pick up the handset. “Yes,” I say again. “What’s up?” “There’s a really hunky guy standing in front of me, and he’s asking for you,” she whispers into the phone. What hunky guy would be asking about me? “What does he look like?” “He’s about six two,” she starts. “Six three,” I hear someone say. “Oh, six three,” she says. “He’s a big one.” She giggles. My heart jumps. “What color is his hair?” “Blond. And long.” It’s Matt. Oh shit. It’s Matt. “I’ll be right there,” I say. But my heart is thumping like crazy. What is Matt doing here? I hunt around under my desk for my shoes and slide them on. Then I straighten my skirt and run a hand down my hair to smooth it. A minute ago, I had it held up with a pencil. It’s just Matt, I tell myself. It’s Matt. “Do you want me to send him back?” the receptionist asks. She laughs again. “Or I can just keep him?” Definitely not. He’s mine. “I’ll be right there,” I repeat. I look down at my business suit. I hope I look all right. I guess it’s too late now to worry about it. I walk into the reception area and find Matt leaning against the glass doorway. He turns to face me and smiles. “Hi,” he says quietly. I walk toward him, my legs shaky. “What are you doing here?” I ask, but I’m grinning, too. I stop in front of him, one move short of leaning into him for a hug. The receptionist is watching really closely. “I came to see if you want to go to lunch.” He shrugs. He’s wearing black jeans and lace-up boots. A black T-shirt is stretched across his broad chest, and it’s tucked neatly into his jeans. I can see his tattoos. A piece of hair has fallen from his ponytail, and I want to reach up and tuck it behind his ear. “How did you find out where I work?” I ask. I motion for him to follow me. Thank you, I mouth at the receptionist, and she winks at me and gives me a thumbs-up. I shake my head, and Matt walks quietly behind me. “I texted Seth,” he says. “Traitor,” I say, but inside, I’m thrilled. “Did I come at a bad time?” he asks. He looks down at his wrist, even though there’s no watch on it. “I can come back later.” “No, no.” I don’t want him to leave. Ever. I lean against the edge of my desk. “I’m glad you’re here.” His voice is deep and soft when he responds. “I’ve been thinking about you all morning.” He shrugs, looking a little sheepish. “So I figured I’d drop by. I totally understand if you’re too busy, though.” He looks into my eyes. “I might cry if you send me away, but I’ll go.” I’m not going to send him away. Not a chance. “I don’t want you to go,” I say. He grins. “Good.” He looks around my office. “Do you have time for lunch?” “Oh!” I cry. “I thought you were just going to stand there and let me look at you. You actually want to go somewhere?” He laughs. “Yeah. I told you. I’m going to make you fall in love with me. Lunch is step one.” “What’s step two?” I ask impulsively. “If I told you, it wouldn’t work.” I nod. I want it to work. “Don’t tell me.” “Guy’s got to have some secrets.
”
”
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
“
Stu stops munching, looks up at me from under his shaggy hair.
“So, can you read?” He slides a section toward me.
I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can’t read or speak, though I still have language inside my head. Words are a consolation, but not a tool.
“Guess not. You want me to read stuff out loud to you?”
I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk.
“It’s so weird,” he says in a hesitant voice. “You don’t look like a cat. When you stare at me, you look like Eliza.”
That’s the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you.
”
”
Simone Martel
“
This Must Be The Place (Naive Melody)"
Home is where I want to be
Pick me up and turn me round
I feel numb - burn with a weak heart
(So I) guess I must be having fun
The less we say about it the better
Make it up as we go along
Feet on the ground
Head in the sky
It's ok I know nothing's wrong . . nothing
Hi yo I got plenty of time
Hi yo you got light in your eyes
And you're standing here beside me
I love the passing of time
Never for money
Always for love
Cover up say goodnight . . . say goodnight
Home - is where I want to be
But I guess I'm already there
I come home she lifted up her wings
Guess that this must be the place
I can't tell one from another
Did I find you, or you find me?
There was a time Before we were born
If someone asks, this where I'll be . . . where I'll be
Hi yo We drift in and out
Hi yo sing into my mouth
Out of all tose kinds of people
You got a face with a view
I'm just an animal looking for a home
Share the same space for a minute or two
And you love me till my heart stops
Love me till I'm dead
Eyes that light up, eyes look through you
Cover up the blank spots
Hit me on the head Ah ooh
”
”
Talking Heads
“
Calm down, calm down. Deep breath,” Colleen whispered. “It's showtime. He's a nice guy, you're a nice woman.”
“Hey, Paulie,” Bryce said as he loped over to Paulie's car. “Everything okay here? Our window just broke.”
Paulie inhaled audibly, her breath hitching in her throat. “Oh! Wow. Hi. Your eyes are so...so...blue.”
Colleen winced. “Stop that.”
“Stop that,” echoed Paulie.
Bryce stopped and tilted his head.
“Paulie, relax. Just...just say hi to him.”
Another shaking breath. “Hi, Bryce!” she said loudly. “What are you doing here?”
Bryce laughed. “I live here. How about you?”
A squeaky groan came over the wire.
“I threw a pebble, I guess. I think I had a blowout,” Colleen whispered.
“I threw a pebble, I guess,” Paulie parroted. “I think I had a blow job.” She clapped her hands over her mouth. “Out, out! I didn't mean blow job. I never had a blow job. I meant something else. Out. I had a blowout.”
“Paulie, calm down,” Colleen whispered. “Jesus.”
“Jesus, calm down,” Paulie said, then wiped her forehead with her arm. “Uh...I...I have a flat tire.”
“Bummer,” Bryce said, not freaked out in the least by Paulie sounding as if she were possessed by a demon.
“Can you help me change it, Bryce?” Colleen asked.
“Can you help me change it? Bryce? Please? Please help me.”
Dear Lord. This was going to be a long afternoon.
”
”
Kristan Higgins (Waiting on You (Blue Heron, #3))
“
So he heads straight for the condoms an grabs a box a 24 Durex Avanti. He says they’ve got a 64mm width stead a the usual 56mm width. Also they in’t got extra lubricant, which means he generates his own, or rather, some lady’s own. You can tell Sonia Guha knows this when we get to the front a the checkout queue an start unloadin everything for her. You can just see it in her eyes. I mean, sure, she’s chattin to Amit an laughin at his jokes an lookin at him an all that. But she’s lookin at him with these Wow-you-wear-big-condoms eyes. She’s so impressed by the condoms an the aftershave an stuff that she don’t even notice the lipstick an pink bog roll or the pills. Me, I can’t believe Amit’s strategy’s actually workin. But then suddenly, just as she’spickin up the box a big condoms to put them in the carrier bag, some croaky voice behind us gives it,—Amit, vot is this gandh you buying? Amit turns an freezes.—Oh, hi, Aunty Narinder. How are you, Aunty? —Don’t you How-are-you me. Vot is this Durex business you buying? Wait till I tell your mama. —No, Aunty, wait. They ain’t for me, Amit goes, as if he’s forgotten Sonia Guha’s even there. Then there’s a pause as he thinks what he can say that’ll stop this aunty tellin his mum.—They’re for Mama an Papa. I’m doing the shopping for them. See, look, I also buy her Rimmel rose lipstick. I bought the toilet roll, even Bodyform with wings.
”
”
londonstani
“
When I sing, I own who I am. I can communicate purely. When you sing you stop using the language of “Hi, how are you…” You’re able to say things that are much more profound.
”
”
Britney Spears (The Woman in Me)
“
he asked them. “Too long. Don’t be such a stranger. Stop by if you’re in our neighborhood. We would love to sit and chat. We can talk about the good old days and we got lots of pictures and stories from Tuscany.” “Will do. Enjoy the evening.” Jack turned and was face to face with their daughter, Patti. “Hi, Jack,” she whispered. “Great to see you again,” she said and kissed him on the cheek. “It was so good to talk with you the other day. It meant a lot to see you.” He watched her as she started to walk away and turned to him and say, “I wanted to let you know that after we talked I gave my husband a phone call. Eric and I decided to get back together. We’ve shared a lot of history, and we’re at least going to give it one last try to see if we can make it work. Thanks for everything, Jack. Bye.” She kissed him on the cheek. Jack saw Hope walking across the floor. “She’s pretty. Who was that?” glancing at Patti walk away. “An old and dear friend. Both Charley and I had a crush on her when we were younger. I’ll introduce you to her and her mom and dad later. You’ll like her.” More people filed inside to an already full hall. Soon it was standing room only. Jack turned to Hope and whispered, “I can’t believe this. We’ve had over twenty businesses make donations to the veterans’ fund to help support job training and for overseas servicemen’s wives and families. We also got money from the Yankee Bookshop, the Woodstock Inn, the Billings Farm Museum, the bank, and Bentleys Restaurant. They all donated money.” “That’s great,” she said excitedly. “And we’ve received over thirty new membership requests for the Veterans Post and that’s just yesterday. This is better than I ever expected. And four companies have committed to hiring more vets locally, including King Arthur Flour Company. They’re planning to build a new distribution center just west of town. I can’t believe all of this is happening.” “You should,” Hope said. “I remember you sat down right over there at that table and laid out what you wanted to see happen and you kept working on it until it did. I’m so proud of you.” He hugged her close and kissed her. He never wanted to let her go. The distinct fragrance of fresh balsam, pine, and holly filled
”
”
Bryan Mooney (Christmas in Vermont: A Very White Christmas)
“
A thousand knives carve her name into my heart. Bleeding, barely able to breathe, I say gruffly, “Goddammit. Stop being sweet. I can’t handle it when you’re sweet.” “Yes, you can, you wuss. C’mon, we’ll practice.” She lifts up to an elbow and smiles down at me. “Hi, Homer. I’m Reyna. It’s nice to meet you. You look like an orphan’s idea of Christmas morning.
”
”
J.T. Geissinger (Brutal Vows (Queens & Monsters, #4))
“
I give them that weird closed-mouth smile I often give to strangers instead of just saying hi. I know it looks pained, forced—a little serial-killer-y—but I keep doing it anyway. It’s a problem, and I can’t stop.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
It was such a classic ADD story that I’ve come to call it the “cough drop sign” when a person habitually has trouble following through on plans on a minute-to-minute, even second-to-second, basis. This is not due to procrastination per se as much as it is due to the busyness of the moment interrupting or interfering with one’s memory circuits. You can get up from your chair, go into the kitchen to get a glass of water, and then in the kitchen forget the reason for your being there. Or, on a larger scale, the most important item on your agenda for a given day might be to make a certain telephone call, a call that, say, has crucial business consequences. You mean to do it, you want to do it, you are not afraid of doing it, indeed you are eager to make the call and feel confident about doing it. And yet, as the day progresses, you never get around to making the call. An invisible shield of procrastination seems to separate you from the task. You sharpen your pencil instead, talk to an associate, pay some bills, have lunch, get interrupted by a minor problem, return some other calls to clear your desk so you can make the important call, only to find that the end of the day has come and the call still has not been made. Or, on an interpersonal level, you may mean to bring home flowers to your spouse, have it in mind to do it all day, really want to do it, in fact on the subway home envision just which florist shop you will stop at, only to find yourself standing in front of your spouse, saying “Hi, honey” with no flowers in hand. Sometimes this is due to unconsciously not wanting to buy the flowers. But sometimes, far more often than most people realize, it is due to ADD. Wanting to do something, meaning to do something, but just not doing it: this is the “cough drop sign” and it is common among adults with ADD.
”
”
Edward M. Hallowell (Driven to Distraction: Recognizing and Coping with Attention Deficit Disorder)
“
Pitch example 2 Hi (journalist name), I would like to offer the news of a joint venture for your business pages. Two industry leaders in the world of branding and signage from the UK and US have joined forces to form (the name of the joint venture), a one-stop design, engineering, manufacturing and project management solution for businesses across the globe. Do let me know if you need more information on this. Regards (Name) Dissecting the pitch This pitch is about a branding joint venture and it’s a real pitch that I sent to a journalist for my client, which resulted in great coverage. Let’s break it down: Straight away, you know it’s a joint venture story. I’ve been helpful enough to tell the journalist where it would fit, i.e. their business pages. The credibility is enforced by saying two industry leaders in the world of branding and signage. I’ve detailed the sector. I’ve mentioned the international collaboration by saying it’s a UK and US company. I briefly explain what they’re offering by saying it’s a one-stop design, engineering, manufacturing and project management solution. It’s a bit of a mouthful but the reason there was this much detail as opposed to the more straightforward doggy daycare, is because the audiences were very different. This is for the branding press and the business press, whereas the doggy daycare was aimed at the local media, who cover a range of topics.
”
”
H Khatun (Priceless Publicity: How to get money-can't-buy media coverage for your business)
“
This beautiful mystery woman had a very white complexion and wore her blond, silky hair tied back from her face in a braid, which she had tucked under her fur coat. As she got closer, I could see that her facial features were not detailed in the way of an earthly human face. She had beautiful, small eyes and a very small nose with a tip that somehow looked unfinished. It was the same with her tiny mouth, something about the corners looked unfinished as well.
I was frozen and I did not know what to do. Honestly, my mind stopped functioning and seemed to travel far away, wandering over my head in search of an explanation or an answer for this apparition. And then this beautiful mystery woman arrived in front of me and inexplicably hugged me very tight, with unusual passion for a stranger.
With what felt like the deepest, genuine love, the beautiful mystery woman placed her forehead very tightly against the right side of my neck and then she raised her head until her warm right cheek was tight against my right cheek, so tight I could feel the bones of her face. Her left arm held me tight around my waist, while her right arm was over my left shoulder, squeezing me from behind my neck. She did not say ‘hi’ or any word; she just kept holding me tight that I started to feel her body heat.
”
”
Frank Moses (Cactus: Life Story and Fate, With an Unexpected Twist)
“
Hi! Has this ever happened to you? You’ve just finished the latest Dave the Villager book, and all you want to do is talk about it. Will Dave recover from the latest cliffhanger? Will Robo-Steve ever come back for good? Will we really have to wait until Book 50 to see the enderdragon??? So you go and see your friends at school, but all they want to talk about is Surfer Villager. “The Surfer Villager books are great,” they tell you. “You should check them out!” “Don’t talk to me about Surfer Villager!” you yell at them. “The Dave the Villager books are the only books I’ve ever read, and they’re the only books I ever will read! Dave Villager is the greatest author of all time!” “Wait,” they say, “isn’t Dave Villager the character, not the author?” “No, you morons,” you scream, “Dave Villager is the author, and Dave the Villager is the character!” “That’s very confusing,” they reply. “No it’s not!” you bellow, spraying them with spittle. “Is the author’s surname really Villager?” they ask. “Come to think of it, is his first name really Dave?” “Is Dr Block really a doctor?!” you roar. “I DON’T THINK SO!!!” “He might be,” they say. “SHUT UP!!!” you exclaim. And then you run home crying. When you get home, your Aunt Mavis gives you a big hug. “What’s the matter, dear?” Aunt Mavis asks. “Those idiots at school don’t know anything about Dave the Villager,” you sob, wiping the tears from your eyes. “All I want to do is find someone I can discuss my favorite books with. I want to discuss the mythology of the Old People, and whether it’s remained consistent throughout all 28 books! I want to debate whether or not Dave could have prevented the destruction of the mirror universe in Book 20! I want someone to read my Boggo fanfiction!” “Oh, I don’t know about any of that,” says Aunt Mavis. “I haven’t read any unofficial Minecraft fiction in years. I used to read Diary of an Angry Alex, but when the books stopped I was devastated. I vowed never to read any Minecraft books ever again. And that’s a promise I will keep until the day I die. Now I only read Roblox novels.
”
”
Dave Villager (Dave the Villager 28: An Unofficial Minecraft Book (The Legend of Dave the Villager))
“
Jake ignored my question. “Who was that first guy you were talkin’ to?” “James. You met him at my house before.” “Why were you talkin’ to him?” “He stopped me to say hi. Why?” “He touched you.” “He tucked my hair behind my ear. It isn’t like it was obscene.” “Not like what Green wanted to do to you. Why the fuck were you talkin’ to him?” His jaw clenched as his body tensed further. “He stopped me. I was politely excusing myself and trying to get away from him.” “That didn’t seem to be workin’, did it? You like what he was sayin’ to you, babe? Like hearin’ him talk about your sweet cunt? Were you thinkin’ about how it would be?” Jake asked crudely, his voice low and rough. “No, what? How what would be?” “Fuckin’ a rock star. Slummin’ it with the lowly mechanic not doin’ it for you anymore?” I stared up at him in wide-eyed disbelief. Fuck it. Poke the bear. I glared at him, my temper rising. “Why are you being a jerk? I’m here with you.” “Oh, so if I wasn’t around? I could leave if that’d make it easier for you to work the room.” He lowered his hands and stepped back. His shoulders were tight as his fists clenched by his sides. “You’re being an ass. Come find me when you calm down.” I shifted to leave but Jake moved back into my space. “James,” he sneered, “tucked your hair behind your ear. Do you know how intimate that is? How it felt to watch that? And Blake? I can’t even go there again. You stood there and let them touch you, Piper. Why?” His hands slammed back on the wall, punctuating the word as his body pressed close to mine. “Jake, I didn’t—” “You don’t care when we don’t see each other. I called you yesterday, fuckin’ hatin’ that I had to cancel, but you were totally fine with it. Christ, you couldn’t even call yourself my woman on the way here. Obviously, you’re still free and available to do what you want.
”
”
Layla Frost (Hyde and Seek (Hyde #1))
“
I met Chris at the Student Union. We both used to study there between our 9:30 and 11:30 classes.
I had seen him on campus before. He was always wearing this yellow sweatshirt and giant headphones. The kind of headphones that say, “I may not take my clothes seriously. I may not have brushed or even washed my hair today. But I pronounce the word ‘music’ with a capital ‘M.’ Like God.”
So I had noticed him before. He had Eddie Vedder hair. Ginger brown, tangly. He was too thin (much thinner than he is now), and there were permanent smudges under his eyes. Like he was too cool to eat or sleep.
I thought he was dreamy.
I called him Headphone Boy. I couldn’t believe my luck when I realized we studied in the Union at the same time.
Well, I studied. He would pull a paperback out of his pocket and read. Never a textbook. Sometimes, he’d just sit there with his eyes closed, listening to music, his legs all jangly and loose. He gave me impure thoughts. (...)
There we were. In the Student Union. He always sat in the corner. And I always sat one row across from him, three seats down. I took to leaving my 9:30 class early so I could primp and be in my spot looking casual by the time he sauntered in.
He never looked at me – or anyone else, to my relief – and he never took off his headphones. I used to fantasize about what song he might be listening to… and whether it would be the first dance at our wedding… and whether we’d go with traditional wedding photography or black and white… Probably black and white, magazine style. There’d be lots of slightly out-of-focus, candid shots of us embracing with a romantic, faraway look in our eyes.
Of course, Headphone Boy already had a faraway look in his eyes, which my friend Lynn attributed to “breakfast with Mary Jane.”
This started in September. Sometime in October, one of his friends walked by and called him “Chris.” (A name, at last. “Say it loud and there’s music playing. Say it soft and it’s almost like praying.”) One Tuesday night in November, I saw him at the library. I spent the next four Tuesday nights there, hoping it was a pattern. It wasn’t. Sometimes I’d allow myself to follow him to his 11:30 class in Andrews Hall, and then I’d have to run across campus to make it to my class in the Temple Building.
By the end of the semester, I was long past the point of starting a natural, casual conversation with him. I stopped trying to make eye contact. I even started dating a Sig Ep I met in my sociology class.
But I couldn’t give up my 10:30 date with Headphone Boy. I figured, after Christmas break, our schedules would change, and that would be that. I’d wait until then to move on.
All my hope was lost.
And then… the week before finals, I showed up at the Union at my usual time and found Chris sitting in my seat. His headphones were around his neck, and he watched me walk toward him. At least, I thought he was watching me. He had never looked at me before, never, and the idea made my skin burn. Before I could solve the problem of where to sit, he was talking to me.
He said, “Hey.”
And I said, “Hi.”
And he said, “Look…” His eyes were green. He kind of squinted when he talked. “I’ve got a 10:30 class next semester, so… we should probably make other arrangements.”
I was struck numb.
I said, “Are you mocking me?”
“No,” he said, “I’m asking you out.”
“Then, I’m saying yes.”
“Good..,” he said, “we could have dinner. You could still sit across from me. It would be just like a Tuesday morning. But with breadsticks.”
“Now you’re mocking me.”
“Yes.” He was still smiling. “Now I am.”
And that was that. We went out that weekend. And the next weekend. And the next. It was wildly romantic.
”
”
Rainbow Rowell (Attachments)
“
As everyone streamed into the house, the music blared and the liquor flowed. All of the furniture in the house had been taken out and replaced with bars or dance floors. The outside deck was covered in people, bars, and heat lamps. People who hadn’t been lucky enough to be invited snuck into the party through a hole in the fence. Inside, partygoers talked with old classmates, danced, and scoured the crowd for a midnight kiss. Upstairs, Evan had created a sectioned-off VIP area, with more bars and friends. It was a house party on steroids, with one hundred, maybe two hundred people crammed into Snapchat’s new headquarters to sip champagne and ring in the New Year. John Spiegel stopped by the party, saying hi and congratulating Evan, Bobby, David, Daniel, and Evan’s girlfriend at the time. He chatted with some of Evan’s friends he had met over the years, sharing a sense of bewilderment over how quickly his son’s crazy scheme had taken off. John had worked his way up a very traditional ladder, climbing from the law review to a Supreme Court clerkship to becoming an extremely successful litigator. Evan had eschewed a bachelor’s degree from Stanford to focus on his seemingly quixotic business. Everything seemed to be going perfectly.
”
”
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
“
lot for me when I get off the bus. “Hey,” he says. “Are you seriously taking the bus every day?” “My car is being fixed, remember? My accident?” He sighs like this is somehow offensive to him, me taking the bus to school. Then he grabs my hand and holds it as we walk into school together. This is the first time I’ve walked down the school hallway holding hands with a boy. It should feel momentous, special, but it doesn’t, because it’s not real. Honestly, it feels like nothing. Emily Nussbaum does a double take when she sees us. Emily is Gen’s best friend. She’s staring so hard I’m surprised she doesn’t take a quick pic on her phone to send to Gen. Peter keeps stopping to say hi to people, and I stand there smiling like it’s the most natural thing in the world. Me and
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Before I can say anything, the door to my parents’ apartment bursts open. My little sister darts out, and she dashes down the concrete stairs.
“Tina, Tina!” She cannons into me; I grab hold of her. We squeeze each other hard. She’s getting so big now—she’s just an inch shorter than I am—and she hugs my breath out.
“Stop,” I croak. “Mayday, mayday!”
“I’m so glad you’re here. Can you tell Mom that I am too old enough to go to a coed sleepover?”
I give her a once over. “Sure,” I say, “as long as the parents kick it off by caponizing all the boys.”
Beside me, Blake chokes.
“What’s caponizing?”
“Removing the testicles,” I say. “It improves the temperament of the male animal. Try it sometime.”
Blake clears his throat.
“Oh,” I say. “Mayday, this is Blake Rivers.”
We’ve agreed—and by we’ve agreed I mean I’ve insisted—that we won’t give his real name. No point opening that door. Mom is bad enough when she thinks he doesn’t have any money. I can’t imagine what it would be like if she knew the truth.
“Blake, this is my little sister. Her name is Mabel, but I call her anything that starts with an M. Mayday, Maple, and Muggle are my favorites.”
She wrinkles her nose at Blake. “You can call me Mabel.” Mabel purses her lips and looks at Blake. Blake looks at her right back. Some people say that Mabel and I look alike, and I guess we do, in the most superficial sense. We’re both Chinese. But Mabel’s hair is short and dyed blue, and she wears it pulled over her eyes. Her eyes are set more narrowly than mine. And—this is really unfair, but I swear I am not bitter about this—she is thirteen and she’s already in B-cups. Which, ahem. Is more than I will ever manage.
Mabel shrugs. “Hi Blake. You’re the guy who is definitely not Tina’s boyfriend.”
Blake shifts the shoulder strap of his bag. “One of many, I presume.”
“Nope.” Mabel twirls away. “You’re the only one. The rest of the boys aren’t dating her.”
“Oh, well,” Blake says vaguely. “That is an important distinction.”
I try to jab my elbow into his side, but he sidles away.
“And you’re the only she talks about like this: ‘Mom, he’s not my boyfriend.’”
Oh, that imitation. It’s just a little too spot on. I raise a finger at her, but she twirls away before I can get her back.
“Come on. Mom is cooking. This is the first time you’ve brought a boyfriend home from college.”
“He’s not my—” I stop, because my sister’s lips are twitching.
“Fine.” I pick up my own bag.
“Lay on, Macduff,” Blake says.
Mabel stops and turns to him. “Hey. Only Tina can call me M-words other than Mabel.”
“Sorry.”
“Tina and her boyfriend,” she corrects. “So you’re okay.
”
”
Courtney Milan (Trade Me (Cyclone, #1))
“
there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.
”
”
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
“
Hi.” He reaches me, but doesn’t stop until he’s in my space and he’s taking my hand. “I made you something.” My mouth curves while I gape at him, restless nerves bouncing inside me as he fastens something to my jacket. I squint at it, forehead lined in perplexity. “Is that a… flower?” I mumble, and he laughs softly. “I made you a boutonniere out of a napkin,” Kyran says, almost timidly. Then he hands me another one. “This one’s mine.” I’m just gawking at him, totally stunned, as he whispers, “You have to pin it on me, baby.” My lashes flutter for another few seconds before I snap into movement and do it, pinning a rumpled little napkin flower to his jacket while I ask, “What… What is this?” He leans in close to my ear, squeezing my shivering hand in his. “Thank you for coming to prom with me, Avi.
”
”
Nyla K. (For the Fans)