Stop Interrupting Quotes

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Let all of life be an unfettered howl. Like the crowd greeting the gladiator. Don't stop to think, don't interrupt the scream, exhale, release life's rapture.
Vladimir Nabokov
It is not very polite to interrupt a person, of course, but sometimes if the person is very unpleasant you can hardly stop yourself.
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
You have no idea how much the last few days have meant to me," I began. "Meeting you has been the best thing that's ever happened to me." I hesitated, know that if I stopped now, I'd never be able to say it to anyone. "I love you," I whispered. "Did you ever imagine something like this?" she wondered aloud. "You and me , I mean?" "No," I said. "It scares me a little." My stomach flipped, and all at once, I was sure she didnt feel the same way. "You dont have to say it back to me," I began. "That's not why I said it--" "I know," she interrupted. "You don't understand. I wasnt scared because you told me. I got scared because I wanted to say it, too: I love you, John.
Nicholas Sparks (Dear John)
The great thing, if one can, is to stop regarding all the unpleasant things as interruptions of one's 'own,' or 'real' life. The truth is of course that what one calls the interruptions are precisely one's real life -- the life God is sending one day by day.
C.S. Lewis (The Collected Works of C.S. Lewis: The Pilgrim's Regress, Christian Reflections, God in the Dock)
The world didn't stop because we weren't in it anymore.
Susanna Kaysen (Girl, Interrupted)
Why did she do it? Nobody dared to ask. Because - what courage! Who had the courage to burn herself? Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way. What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration? I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer. She lit the match.
Susanna Kaysen (Girl, Interrupted)
Acquainted with the Night I have been one acquainted with the night. I have walked out in rain—and back in rain. I have outwalked the furthest city light. I have looked down the saddest city lane. I have passed by the watchman on his beat And dropped my eyes, unwilling to explain. I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, One luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night.
Robert Frost (West-Running Brook)
Some people's lives seem to flow in a narrative; mine had many stops and starts. That's what trauma does. It interrupts the plot. You can't process it because it doesn't fit with what came before or what comes afterwards.
Jessica Stern
Winston Gallagher!" I said, recognizing the first ghost I'de met. Then my eyes narrowed & I covered my hand in front of my crotch as I saw Winstons gaze fasten there next. "Don't even think about poltergeisting my panties again". "This is the sod? Come here you scurvy little--" "Bones don't!" I interrupted. He stopped, giving a last glare to him while mouthing YOU. ME. EXORCIST. before returning to my side.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
When you interrupt, you've stopped listening. People need to be heard.
Jerry Seinfeld
I think many people ill themselves simply to stop the debate about whether they will or they won't.
Susanna Kaysen (Girl, Interrupted)
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
Some people's lives seem to flow in a narrative; mine had many stops and starts. That's what trauma does. It interrupts the plot. You can't process it because it doesn't fit with what came before or what comes afterward. A friend of mine, a soldier, put it this way. In most of our lives, most of the time, you have a sense of what is to come. There is a steady narrative, a feeling of "lights, camera, action" when big events are imminent. But trauma isn't like that. It just happens, and then life goes on. No one prepares you for it.
Jessica Stern (Denial: A Memoir of Terror)
Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't.
Susanna Kaysen (Girl, Interrupted)
A heckler once interrupted Nikita Khrushchev in the middle of a speech in which he was denouncing the crimes of Stalin. “You were a colleague of Stalin’s,” the heckler yelled, “why didn’t you stop him then?” Khrushschev apparently could not see the heckler and barked out, “Who said that?” No hand went up. No one moved a muscle. After a few seconds of tense silence, Khrushchev finally said in a quiet voice, “Now you know why I didn’t stop him.” Instead of just arguing that anyone facing Stalin was afraid, knowing that the slightest sign of rebellion would mean certain death, he had made them feel what it was like to face Stalin—had made them feel the paranoia, the fear of speaking up, the terror of confronting the leader, in this case Khrushchev. The demonstration was visceral and no more argument was necessary.
Robert Greene (The 48 Laws of Power)
The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark—why not kill myself? Missed the bus—better put an end to it all. Even the good got in there. I liked that movie—maybe I shouldn’t kill myself.
Susanna Kaysen
I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, A luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night.
Robert Frost (The Poetry of Robert Frost)
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
As they split to prepare for the meeting with the Ravkans, Jesper followed Wylan down the hall. “Hey.” Wylan kept going. Jesper jogged past him and cut off his path, walking backward. “Listen, this thing with Kuwei isn’t a thing.” He tried again. “There is no thing with Kuwei.” “You don’t owe me an explanation. I’m the one who interrupted.” “No, you didn’t! Kuwei was sitting at the piano. It was an understandable mistake.” Wylan stopped short. “You thought he was me?” “Yes!” Jesper said. “See? Just a big mis—” Wylan’s gold eyes flashed. “You really can’t tell us apart?” “I … I mean, usually I can, but—” “We’re nothing alike,” Wylan said indignantly. “He’s not even that good at science! Half his notebooks are full of doodles. Mostly of you. And those aren’t good either.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Acts 10:38 says, “See how God anointed Jesus of Nazareth who went about doing good.” He just got up every day and did good. Everywhere he went, even though he had a purpose and he was headed somewhere, he let himself be interrupted by the needs of people. So often we study the steps of Jesus. Maybe we need to study the stops of Jesus. The things that he stopped for, the things that interrupted his plan, where he would alter his plan and help somebody here and there.
Joyce Meyer
I interrupted whatever you were doing?” “Indeed you did.” “Son, if you stopped to answer the phone, then you weren’t doing whatever well enough and you need to get back to her and do it better. Don’t answer the phone next time.” Damn. I just got zinged by my mum.
Georgia Cates (Beauty from Surrender (Beauty, #2))
What if I stopped thinking of pain as something that needs to be numbed, fixed, dodged, and protected against? What if I tried to honor its presence in my body, to welcome it into the present?
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
Jackson H. Brown Jr.
Another study, of 38,000 knowledge workers across different sectors, found that the simple act of being interrupted is one of the biggest barriers to productivity. Even multitasking, that prized feat of modern-day office warriors, turns out to be a myth.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Sabina." Vinca said interrupting my maudlin thoughts. "Hmmm..." She rolled her eyes. "I said, don't you think Adam looks nice tonight." I shook myself. "I guess so," I said with a shrug. "Oh, stop," he said. "You're going to make me blush.
Jaye Wells (Red-Headed Stepchild (Sabina Kane, #1))
...the simple act of being interrupted is one of the biggest barriers to productivity...What looks like multitasking is really switching back and forth between multiple tasks, which reduces productivity and increases mistakes by up to 50 percent.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
But the fact that I couldn't hold my job was worrisome. I was probably crazy. I'd been skirting the idea of craziness for a year or two, now I was closing in on it. Pull yourself together! I told myself. Stop indulging yourself. There's nothing wrong with you. You're just wayward.
Susanna Kaysen (Girl, Interrupted)
You’re all one-track about hockey, remember? And besides, we argue too much.” “We don’t argue. We bicker.” “It’s the same thing.” He rolls his eyes. “No, it’s not. Bickering is fun and good-natured. Arguing is—” “Oh my God, we’re arguing about the way we argue!” I interrupt, unable to stop from laughing
Elle Kennedy (The Deal (Off-Campus, #1))
Mendanbar took a deep breath. “You could stay here. At the castle, I mean. With me.” This wasn’t coming out at all the way he had wanted it to, but it was too late to stop now. He hurried on, “As Queen of the Enchanted Forest, if you think you would like that. I would.” “Would you, really?” “Yes,” Mendanbar said, looking down. “I love you, and—and—” “And you should have said that to begin with,” Cimorene interrupted, putting her arms around him. Mendanbar looked up, and the expression on her face made his heart begin to pound. “Just to be sure I have this right,” Cimorene went on with a blinding smile, “did you just ask me to marry you?” “Yes,” Mendanbar said. “At least, that’s what I meant.” “Good. I will.” Mendanbar tried to find something to say, but he was too happy to think. He leaned forward two inches and kissed Cimorene, and discovered that he didn’t need to say anything at all.
Patricia C. Wrede (Searching for Dragons (Enchanted Forest Chronicles, #2))
See, Don, I have this question, and I hope you’ll be honest with me.” He pulled at the end of his eyebrow. “I think you know you can count on my honesty.” “Can I?” I asked with an edge. “All right, then tell me: How long have you been fucking me?” That caused him to stop tugging his brow. “I don’t know what you’re saying—” “Because if I was going to fuck you,” I interrupted, “I’d get a bottle of gin, some Frank Sinatra music…and a crash cart for the heart attack you’d have. But you, Don, you’ve been fucking me for years now, and I haven’t gotten any liquor, music, flowers, candy, or anything!
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Luka, the king—" "Hail the king!" he playfully interrupted. "Why does everyone say 'hail the king' every time I mention Darius?" "Tradition." He winked at me from over his shoulder. A grin stretched my lips. "So, if I say king—" "Hail the king!" I tried again. "King?" "Hail the king!" "King." "Hail the king!" "K—" "Stop it!
Kate Evangelista (Taste)
Now we will count to twelve and we will all keep still. For once on the face of the earth let's not speak in any language, let's stop for one second, and not move our arms so much. It would be an exotic moment without rush, without engines, we would all be together in a sudden strangeness. Fishermen in the cold sea would not harm whales and the man gathering salt would look at his hurt hands. Those who prepare green wars, wars with gas, wars with fire, victory with no survivors, would put on clean clothes and walk about with their brothers in the shade, doing nothing. What I want should not be confused with total inactivity. Life is what it is about; I want no truck with death. If we were not so single-minded about keeping our lives moving, and for once could do nothing, perhaps a huge silence might interrupt this sadness of never understanding ourselves and of threatening ourselves with death. Perhaps the earth can teach us as when everything seems dead and later proves to be alive. Now I'll count up to twelve and you keep quiet and I will go.
Pablo Neruda
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
White people raised in Western society are conditioned into a white supremacist worldview because it is the bedrock of our society and its institutions. Regardless of whether a parent told you that everyone was equal, or the poster in the hall of your white suburban school proclaimed the value of diversity, or you have traveled abroad, or you have people of color in your workplace or family, the ubiquitous socializing power of white supremacy cannot be avoided. The messages circulate 24-7 and have little or nothing to do with intentions, awareness, or agreement. Entering the conversation with this understanding is freeing because it allows us to focus on how--rather than if--our racism is manifest. When we move beyond the good/bad binary, we can become eager to identify our racist patterns because interrupting those patterns becomes more important than managing how we think we look to others. I repeat: stopping our racist patterns must be more important than working to convince others that we don't have them. We do have them, and people of color already know we have them; our efforts to prove otherwise are not convincing. An honest accounting of these patterns is no small task given the power of white fragility and white solidarity, but it is necessary.
Robin DiAngelo (White Fragility: Why It’s So Hard for White People to Talk About Racism)
This is the real drama for me; the belief that we all, you see, think of ourselves as one single person: but it's not true: each of us is several different people, and all these people live inside us. With one person we seem like this and with another we seem very different. But we always have the illusion of being the same person for everybody and of always being the same person in everything we do. But it's not true! It's not true! We find this out for ourselves very clearly when by some terrible chance we're suddenly stopped in the middle of doing something and we're left dangling there, suspended. We realize then, that every part of us was not involved in what we'd been doing and that it would be a dreadful injustice of other people to judge us only by this one action as we dangle there, hanging in chains, fixed for all eternity, as if the whole of one's personality were summed up in that single, interrupted action.
Luigi Pirandello
Scott gave my knee an affectionate squeeze. "You'll never hear me admit this again, so listen up. You look good, Grey. On a scale from one to ten, you're definitely in the top half." "Gee, thanks." "You're not the kind of girl I would have chased after when I was in Portland, but I'm not the same guy I was back then either. You're a little too good for me, and let's face it, a little too smart." "You've got street smarts," I pointed out. "Stop interrupting. You're going to make me lose my place." "You've got this speech memorized?" A smirk. "I've got a lot of time on my hands. As I was saying--hell. I forgot where I was." "You were telling me I can rest assured that I'm better-looking than half the girls at my school." "That was a figure of speech. If you want to get technical, you're better-looking than ninety percent. Give or take." I laid a hand over my heart. "I'm speechless." Scott got down on his knee and clasped my hand dramatically. "Yes, Nora. Yes, I'll go to the homecoming dance with you.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Don't you even think of poltergeisting my panties again," I warned him, adding in a louder voice. "That goes for everyone else here, too." "This is the sod?" Bones started down the porch stairs even as Winston began to edge away. "Come back here, you scurvy little--" "Bones, don't!" I interrupted, not wanting him to start using slurs that might offend the other living-inpaireds gathered here. He stopped, giving a last glare to Winston while mouthing, You. Me. Exorcist, before returning to my side.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
There are all different kinds of smut,” Pandora said, warming to the subject. “Smut balls, loose smut, stinking smut—” “Pandora,” West interrupted in an undertone, “for the love of mercy, stop saying that word in public.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
How old were you-” “Tom,” Adam interrupted, tone sharp. He set his tea down with more force than necessary. “Stop harassing my girlfriend.” It was less of a warning and more of a threat. “Right. Yes I’m an insensitive ass.” Tom smiled, apologetic. Olive noticed that he was looking at her shoulder. When she followed his gaze, she realized that Adam had placed his arm on the back of her chair. He wasn’t touching her, but there was something… protective about his position.
Ali Hazelwood (The Love Hypothesis)
We kiss to say hello, to stave off silences, to show how much we’ve missed someone, to show we’re glad to be with them. We kiss to stop arguments or to interrupt a conversation we no longer want to have. We also use kisses when we want to pretend that everything is all right. I’ve been doing a lot of that lately. But it turns out that some things just can’t be kissed better.
Ali Harris (The First Last Kiss)
<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
I only wanted to . . . I mean, just now, when Mr. George interrupted us, there was something very important I wanted to say to you.” “It is about what I told you in the church yesterday? I mean, I can understand that you may think me crazy because I see these beings, but a psychiatrist wouldn’t make any difference.” Gideon frowned. “Just keep quiet for a moment, would you? I have to pluck up all my courage to make you a declaration of love . . . I’ve had absolutely no practice in this kind of thing.” “What?” “Gwyneth,” he said, perfectly seriously, “I’ve fallen in love with you.” My stomach muscles contracted as if I’d had a shock. But it was joy. “Really?” “Yes, really!” In the light of the torch I saw Gideon smile. “I do realize we’ve known each other for less than a week, and at first I thought you were rather . . . childish, and I probably behaved badly to you. But you’re terribly complicated, I never know what you’ll do next, and in some ways you really are terrifyingly . . . er. . . naïve. Sometimes I just want to shake you.” “Okay, I can see you were right about having no practice in making declarations of love,” I agreed. “But then you’re so amusing, and clever, and amazingly sweet,” Gideon went on, as if he hadn’t heard me. “And the worst of it is, you only have to be in the same room and I need to touch you and kiss you . . .” “Yes, that’s really too bad,” I whispered, and my heart turned over as Gideon took the hatpin out of my hair, tossed the feathered monstrosity into the air to fall on the floor, draw me close, and kissed me. About three minutes later, I was leaning against the wall, totally breathless, making an effort to stay upright. “Hey, Gwyneth, try breathing in and out in the normal way,” said Gideon, amused. I gave him a little push. “Stop that! I can’t believe how conceited you are!” “Sorry. It’s just such a . . . a heady feeling to think you’d forget to breathe on my account.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
I wanted to get rid of a certain aspect of my character. I was performing a kind of self-abortion with those aspirin. It worked for a while. Then it stopped; but I had no heart to try again.
Susanna Kaysen (Girl, Interrupted)
Interrupting what promised to be a long spate of fatherly advice, St. Vincent said in a clipped voice, “It’s not a love match. It’s a marriage of convenience, and there’s not enough warmth between us to light a birthday candle. Get on with it, if you please. Neither of us has had a proper sleep in two days.” Silence fell over the scene, with MacPhee and his two daughters appearing shocked by the brusque remarks. Then the blacksmith’s heavy brows lowered over his eyes in a scowl. “I don’t like ye,” he announced. St. Vincent regarded him with exasperation. “Neither does my bride-to-be. But since that’s not going to stop her from marrying me, it shouldn’t stop you either. Go on.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The figure stopped to cough long and hard, making a noise like a wall being hit repeatedly with a bag of rocks. Moist saw that it had a beard of the short bristled type that suggested that its owner had been interrupted halfway through eating a hedgehog.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
His dad’s gruff voice interrupted his pitiful thoughts. “Can I be frank?” “Sure. Can I be beans?” Without even having to look up, Dex knew what his dad was doing. “Stop. You know how I hate when you do that.” “Do what?” Tony grunted. “Do that puckered ass thing with your lips.” “And you know all about puckered asses.” Dex arched an eyebrow at his dad. “You know, at times I wonder who the grown-up is here.” The elevator pinged and they exited into a long white hall with dark gray flooring. “And I wonder if you’ve lost more than a few marbles. Like the entire bag.
Charlie Cochet (Hell & High Water (THIRDS, #1))
The great thing, if one can, is to stop regarding all the unpleasant things as interruptions of one's 'own' or one's 'real' life. The truth is of course that what one calls interruptions are precisely one's real life - the life God is sending one day by day; what one calls one's real life is a phantom of one's imagination.
C.S. Lewis (Letters of C. S. Lewis (Edited, with a Memoir, by W. H. Lewis))
Certainly it’s all in bloom, certainly we’ll go. For aren’t you and I gods? . . . I sense in my blood the rotation of unexplorable universes. . . . Listen—I want to run all my life, screaming at the top of my lungs. Let all of life be an unfettered howl. Like the crowd greeting the gladiator. Don’t stop to think, don’t interrupt the scream, exhale, release life’s rapture. Everything is blooming. Everything is flying. Everything is screaming, choking on its screams. Laughter. Running. Let-down hair. That is all there is to life.
Vladimir Nabokov
Greenlights can also be disguised as yellow and red lights. A caution, a detour, a thoughtful pause, an interruption, a disagreement, indigestion, sickness, and pain. A full stop, a jackknife, an intervention, failure, suffering, a slap in the face, death. We don’t like yellow and red lights. They slow us down or stop our flow. They’re hard. They’re a shoeless winter. They say no, but sometimes give us what we need.
Matthew McConaughey (Greenlights)
No," interrupted Marcia emphatically. "And you're a sweet boy. Come here and kiss me." Horace stopped quickly in front of her. "Why do you want me to kiss you?" he asked intently. "Do you just go round kissing people?" "Why, yes," admitted Marcia, unruffled. "'At's all life is. Just going around kissing people.
F. Scott Fitzgerald
And now, the waitress standing in front of them. She was beaming, as if Ian had just handed her a puppy with a Visa Black card in its mouth. "Can I get you anything else?" she asked as she cleared their untouched plates. "It doesn't look like enjoyed your breakfast very much!" "Just the bill, please." She smiled. "Are you going sightseeing today? The first stop on the Freedom Trail is just around the corner. If you go ask Bob over there at the front desk, he can–" "We have other plans," Ian interrupted. "That's great! Anything fun?" Natalie looked up at the waitress and gave her a fake smile. Except that on Natalie, it looked more demonic than cheerful. "Our mum's on trial for murder. Today's the verdict. But if it ends early, we'll be sure to pop by the Freedom Trail." The waitress's smile vanished.
Rick Riordan (The Black Book of Buried Secrets)
Henry's recollections of the past, in contrast to Proust, are done while in movement. He may remember his first wife while making love to a whore, or he may remember his very first love while walking the streets, traveling to see a friend; and life does not stop while he remembers. Analysis in movement. No static vivisection. Henry's daily and continuous flow of life, his sexual activity, his talks with everyone, his cafe life, his conversations with people in the street, which I once considered an interruption to writing, I now believe to be a quality which distinguishes him from other writers. He never writes in cold blood: he is always writing in white heat. It is what I do with the journal, carrying it everywhere, writing on cafe tables while waiting for a friend, on the train, on the bus, in waiting rooms at the station, while my hair is washed, at the Sorbonne when the lectures get tedious, on journeys, trips, almost while people are talking. It is while cooking, gardening, walking, or love-making that I remember my childhood, and not while reading Freud's 'Preface to a Little Girl's Journal.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
Sweet Mother in Heaven, please don't let me be dreaming." He raised his hand, stopping Rachel's interruption before she could get it properly started. "Or if this is a dream," he continued, "then don't let me wake up. Amen.
Virginia Kantra (The Temptation of Sean MacNeill (Sweet Home, Carolina, #4; MacNeill Brothers, #3))
The most difficult thing to read is time," Isobel says, and Marco stops, turning back to her. "Maybe because it changes so many things. I have read for countless people on innumerable subjects and the most difficult thing to understand within the cards is always the timing. I knew that, and still it surprised me. How long I was willing to wait for soomething that was only a possiblity. I always thought it was just a matter of time, but I was wrong." "I did not expect this to go on as long as-" Marco begins, but Isobel interrupts him. "It was all a matter of timing,
Erin Morgenstern (The Night Circus)
The boy is right,” Torin said, even though he and Cal were probably close to the same age (well, plus or minus five hundred years, I guess). “And the sooner, the better. We’re in stasis now, but something is coming. I sense a-“ “Great disturbance in the Force?” I interrupted before I could stop myself. Torin frowned. “I suspect you’re mocking me, but I don’t understand the reference.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Nothing," I said. "It's quiet. It's like― I don't know. It's like falling off a cliff." I laughed. "I guess my life will just stop when I get married." It didn't. It wasn't quiet either. And in the end, I lost him. I did it on purpose, the way Garance lost Baptiste in the crowd. I needed to be alone, I felt. I wanted to be going on alone to my future.
Susanna Kaysen (Girl, Interrupted)
After Father had served the chicken and mashed potatoes and peas and Mother had passed the hot rolls, Beezus decidedthe time had come to tell Aunt Beatrice about being Sacajawea. "Do you know what I did last week?" she began. "I want some jelly," said Ramona "You mean, 'Please pass the jelly,' "corrected Mother while Beezus waited patiently. 'No, what did you do last week?" asked Aunt Beatrice. "Well, last week I-" Beezus began again. " like purple jelly better then red jelly," said Ramona. ' Ramona , stop interrupting your sister," said Father. "Well, Ido like purple jelly better then red jelly," insisted Ramona."Never mind," said Mother. "Go no, Beezus." Last week-" said Beezus, looking at her aunt, who smiled as if she understood."Excuse me, Beezus," Mother cut in. "Ramona, we do not put jelly on our mashed potatoes." "I like jelly on my mashed potatoes."Ramona stirred potato and jelly aroud with her fork. "Ramona you heard what your mother said." Father looked stern. "If I can ut butter on my mashed potateos, why can't I put jelly? I put butter and jelly on toast," said Ramona. Father couldn't help laughing. "That's a hard question to answer." "But Mother-" Beezus began."I like jelly on my mashed potateos," interrupted Ramona, looking sulky.
Beverly Cleary (Beezus and Ramona (Ramona, #1))
It never stopped, even at night, it was our lullaby. It was our metronome, our pulse. It was our lives measured out in doses slightly larger than those famous coffee spoons. Soup spoons, maybe? Dented tin spoons brimming with what should have been sweet but was sour, gone off, gone by without our savouring it: our lives
Susanna Kaysen (Girl, Interrupted)
Let’s all stop pretending that selfies are an aberration of the high art we’re creating with our smart phones or that posting a photo of yourself is somehow an interruption of the high-level discourse we are used to sharing on social media. You know what selfies can show you? Yourself. And you are worth looking at. You are worth marveling at.
Nora McInerny (No Happy Endings: A Memoir)
Christy said. "It's just weird, your seeing him like that. What are you going to do?" "Nothing. What can I do?" "Maybe he'll call you to see if you're okay," Katie said. "No," Christy said, "in the movies he would have told his friend to stop the car, and he would have run back to you with an umbrella and walked you the rest of the way hoe, and you would have made him a pot of tea." Sierra laughed. "I am drinking tea right now," she said. "Maybe my life is a low budget 'B' movie, and all I get is the tea. No hero. No umbrella." "Yeah, well then my life is a class 'Z' movie," Katie said. "No tea. No hero. No umbrella. No plot--" "Yours is more of a mystery," Christy interrupted cheerfully. "The ending will surprise all of us.
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark -- why not kill myself? Missed the bus -- better put an end to it all. Even the good got in there. I liked that movie -- maybe I shouldn't kill myself.
Susanna Kaysen (Girl, Interrupted)
Butterfly, I need you to get this,” he interrupted me firmly. “I’ve been in love with you since high school. I’ll be in love with you when you walk down the aisle to me, push out our first kid, our second, our third, cry when they go off to college, nag at them to give you grandbabies, and sit next to me on our couch in our pad in assisted living. I got that. I got my family. I got my brothers. I’m healed. You do not have to go off keyin’ my dad’s car. I’m good. Stop tryin’ to make me that way. You already got me there.
Kristen Ashley (Ride Steady (Chaos, #3))
If none of that was a thing," she interrupted. "If you could go back right and, like, stop me from ever getting involved, knowing what lay ahead of me, would you do it?" Skulduggery focused on the road ahead for a few seconds. "For my sake, I wouldn't change a thing," he said. "For your sake? I'd change everything.
Derek Landy (Until the End (Skulduggery Pleasant, #15))
And what I want is to be with the kind of man that wants to marry me so bad, nothing will stop him. I want to be loved by someone who loves me so much he can't think straight. I want you to love me in a way that makes you stupid and impractical. I want to rush into this. Rushing into it is romantic. It makes me feel alive. It makes me feel like I am jumping of a cliff and I know I'll be fine because that is how much I trust you.
Taylor Jenkins Reid (Forever, Interrupted)
This isn’t what I wanted for your moving daybut this is what it’s like to be black in this country or anywhere in the world. They interrupt our joy. Our history. Our progress. They know they can’t stop us unless they kill us but they can’t kill us all,so you’re living your life and suddenly interrupted by white fear or suspicion. They fear sharing anything. Our success is a threat.
Dean Atta (The Black Flamingo)
Did I never explain to you about love, Reva?' Pa asked. I gave him a look, and he laughed uncomfortably. 'I guess not. Let me put it in a way you'll understand. Love is like stinging nettles. Only they prick from the inside out, starting at your heart and bursting on around. It's worse when it gets here'--he rubbed the bridge of his nose--'then your vision goes a little strange. But eventually the nettles stop stinging--once she agrees to kiss you. But they start right back up again when she agrees to marry you--' 'Pa,' I interrupted, 'that's not love, that's fear.' Pa shook his head, looking off admiringly in the direction where Lacrimora had disappeared. 'Same thing, in my case.
Merrie Haskell (The Princess Curse)
I couldn’t stop the snort that escaped me. If he really was friends with Cinder, it was no wonder why. They were two peas in a pod.” He arched a brow at me and folded his arms stiffly over his chest. “I thought you just said Cinder was one of the greatest characters of all time.” I matched his stubbornness. “Every great character makes mistakes. Cinder was wise by the end and able to rule over his people only because Ellamara taught him how to think beyond himself. He was a great character, but—” “I know, I know,” Brian interrupted with an over-the-top sight. “Ellamara was the real hero.
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
Um, what's cooking in that sadistic brain of yours?" Jen asked nervously. Sally's eyes snapped open. "I was just thinking that maybe if you met someone else then you could get past your furry problem." "My furry problem? Really? You make it sound like I have abnormal leg hair growth or something." Jen rolled her eyes. "Look." Sally stopped Jen before she could walk out of the room. "Let's just give it a go. You, me, and Jacque – tonight. We'll get Sorin to take us somewhere where there are going to be guys. Then you can do your thing." "My thing?" Jen asked, raising her eyebrows. "Yeah. You know, your thing. The hottie hunting thing." Jen laughed. "Man, it sounded like such a good idea at the time." Sally groaned. "Oh, come on, Jen." Jen interrupted her before Sally could continue. "Don’t. Don't do that whiny voice." "Then say you will go tonight," Sally challenged. "Or are you chicken?" "You really like living on the edge, don't you, Thelma?" "Hey, I'm just calling it how I see it.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
What?” “You swear to me that you won’t read what’s inside that bloody envelope until the time is right.” Thomas couldn’t imagine waiting to read it—he started to pull the envelope out of his pocket, but Newt grabbed his arm to stop him. “When the time is right?” Thomas asked. “How will I—” “You’ll bloody know!” Newt answered before Thomas could ask. “Now swear to me. Swear it!” The boy’s whole body seemed to tremble with every word. “Fine!” Thomas was beyond worried about his friend now. “I swear I won’t read it until the time is right. I swear. But why—” “Okay, then,” Newt interrupted. “Break your promise and I’ll never forgive you.
James Dashner (The Death Cure (Maze Runner, #3))
We need you to go out there and cover for us while we search for whoever's bugging us," Amy said. "Whoever it is, he or she is probably nearby." "All you have to do is keep talking. We've thought a lot about this, and we think you have the necessary skills," Dan said. "Very funny, Dan-o. But true. When it comes to nonstop chat, I'm the champ," Nellie agreed. Nellie turned off the shower and they all returned to the main room. "That pool is so fine," she said, as if she'd never been interrupted. "I met this couple from Scotland, and I was all, whoa, you have some delish smoked salmon in your excellent country...." Amy raised the window carefully, not making a sound. She and Dan quietly climbed out. "--and they were all, 'Aye, lassie, we dew, ye ken our bonny fish, ye dew!'" Nellie said in a terrible Scottish accent. "So I said, 'You know what ye lads and lassies need in Scotland? Bagels! To go with!' 'Whoa,' they said, 'lassie, ye canna be serious, that is one orrrig-in-al guid idea....'" "Okay, you can stop now." "Man, that's guid news," Nellie said. "This lassie is about to pass out.
Jude Watson (Beyond the Grave (The 39 Clues, #4))
I'm feeling better now," Darrak said. She stifled a scream and clamped her hands over her bare breasts. "Don't sneak up on me like that!" "Did I interrupt something?" There was a short pause. "Oh, I see. Don't let me stop you from getting naked. Please, continue." Eden scanned her reflection with wide eyes. Could she see the demon inside of her? Did she look possessed?" Nope. There was nothing noticeable. Other than the deep voice in her head only she could hear. "This should be interesting." Darrak sounded amused. "As I said before, I've never shared living space with a woman before. I honestly never would have guessed black lace panties for you. But I do approve.
Michelle Rowen (The Demon in Me (Living in Eden, #1))
Every time we prepare food we interrupt a life cycle. We pull up a carrot or kill a crab- or maybe just stop the mold that's growing on a wedge of cheese. We make meals with those ingredients and in doing so we give life to something else. It's a basic equation and if we pretend it doesn't exist, we're likely to miss the other important lesson which is to give respect to both sides of the equation.
Erica Bauermeister (The School of Essential Ingredients)
I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.” “Minerva!” he said, aghast. “The time has come for Slytherin House to decide upon its loyalties,” interrupted Professor McGonagall. “Go and wake your students, Horace.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
I gave myself a little shake. So if Gideon was carrying on as if nothing had happened—well, thanks a lot, I could do the same. “Okay, let’s get out of here,” I said brightly. “I’m cold.” I tried to push past him, but he took hold of my arm and stopped me. “Listen, about all that just now . . .” He stopped, probably hoping I was going to interrupt him. Which of course I wasn’t. I was only too keen to hear what he had to say. I also found breathing difficult when he was standing so close to me. “That kiss . . . I didn’t mean . . .” Once again it was only half a sentence. But I immediately finished it in my mind. I didn’t mean it that way. Well, obviously, but then he shouldn’t have done it, should he? It was like setting fire to a curtain and then wondering why the whole house burned down. (Okay, silly comparison.) I wasn’t going to make it any easier for him. I looked at him coolly and expectantly. That is, I tried to look at him coolly and expectantly, but I probably really had an expression on my face saying, Oh, I’m cute little Bambie, please don’t shoot me! There was nothing I could do about that. All I needed was for my lower lip to start trembling. I didn’t mean it that way! Go on, say it! But Gideon didn’t say anything. He took a hairpin out of my untidy hair (by now my complicated arrangement of strands must have looked as if a couple of birds had been nesting in it), took one strand, and wound it around his finger. With his other hand, he began stroking my fact, and then he bent down and kissed me again, this time very cautiously. I closed my eyes—and the same thing happened as before: my brain suffered that delicious break in transmission. (Well, all it was transmitting was oh, hmm, and more!) But that lasted only about ten seconds, because then a voice right beside us said, irritated, “Not starting that stuff up again, are you?
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Indeed, excessive stimulation seems to impede learning: a recent study found that people learn better after a quiet stroll through the woods than after a noisy walk down a city street. Another study, of 38,000 knowledge workers across different sectors, found that the simple act of being interrupted is one of the biggest barriers to productivity. Even multitasking, that prized feat of modern-day office warriors, turns out to be a myth. Scientists now know that the brain is incapable of paying attention to two things at the same time. What looks like multitasking is really switching back and forth between multiple tasks, which reduces productivity and increases mistakes by up to 50 percent.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
But you sent off that Flounder fellow," Loki said, and I rolled my eyes. "His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning." "Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?" "Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you." "But I know you had a soft spot for Finn," Loki continued. "My feelings for him have no bearing on his ability to do his job." I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again. "I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?" "No." I shook my head. "We never dated. We were never anything." I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you." "But I suppose you think you are?" I asked with a sarcastic laugh. "No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough." "You think Finn doesn't?" I asked, standing up straight. "Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will." The truth of his words stung harder than I'd thought they would, and I swallowed hard. "And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even." He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe. "But you're wrong." I shook my head. "I don't deserve that much." "On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give." I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else. "I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment. I looked away from Loki quickly and grabbed the vacuum cleaner. "Just get as much down there as you can," I told Duncan. "I'll try." He scooped up another load of bedding to send downstairs. Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone. "You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?" Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation. "I'll take that as a maybe later!" Loki shouted over it.
Amanda Hocking (Ascend (Trylle, #3))
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I told you,lifemate, you're always taking off my clothes." "Then stop wearing the damn things," he responded gruffly,his hands at her tiny waist, his mouth finding her flat stomach. "Someday my child will be growing right here," he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. "A beautiful little girl with your looks and my disposition." Savannah laughed softly, her arms cradling his head lovingly. "That should be quite a combination. What's wrong with my disposition?" She was writhing under the onslaught of his hands and mouth,arcing her body more fully into his ministrations. "You are a wicked woman," he whispered. "I would have to kill any man who treated my daughter the way I am treating you." She cried out,her body rippling with pleasure. "I happen to love the way you treat me,lifemate," she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls. The future might be uncertain, with the society dogging the footsteps of their people,but their combined strength was more than enough to see them through. And together they could face any enemy to ensure the continuation of their race.
Christine Feehan (Dark Magic (Dark, #4))
What do you think he saw?" Damn--I regret the awed way I phrased that and the hushed voice I used. As if I think acid is a "religious" experience, a visionary thing. "Himself," Josh says. "You always see your true self on acid. You just usually see more than you want to see. So it all seems disorted." See what I mean? He's not your normal stoner. The guy should become a poet, a psychologist, a scientist. We pull up near Greg's house and stare at it like it's a damn fortress. "You don't think he needs to go to the hospital?" I ask. "Nope," Josh says. "For a while, I thought maybe, yeah. But he's good now, he's off it, he's not hallucinating anymore." "You're sure?" "Yeah." "'Cuz you can die on LSD-" "That's such anti-drug propaganda bullshit, Dan," Josh interrupts. "Nobody's ever died from an LSD overdose. Ever. As long as you keep people from doing stupid things while they're tripping, it's all good man, man. Why do you think I babysat him?" He reaches into the backseat and punches my shoulder. "LSD isn't your dad's smack. So stop worrying." I scrunch down in the seat. How'd he know about that? "Right. What's the plan?" "I'd ask him if ther was a key hidden under a rock," Josh says, "but he's not gonna be much help. Watch." He pokes Greg in the leg, prods him on the shoulder, grabs his cheeks and smushes them together, the way parents do to a baby, and says, " Ootchi googi Greggy, did ums have a good trippy? Did ums find out itty-bitty singies about oos-self zat oos didn't likeums?" Yup... Greg was in his own little world...
J.L. Powers (The Confessional)
But his son hated him. He hated him for coming up to them, for stopping and looking down on them; he hated him for interrupting them; he hated him for the exaltation and sublimity of his gestures; for the magnificence of his head; for his exactingness and egotism (for there he stood, commanding then to attend to him); but most of all he hated the twang and twitter of his father's emotion which, vibrating round them, disturbed the perfect simplicity and good sense of his relations with his mother. By looking fixedly at the page, he hoped to make him move on; by pointing his finger at a word, he hoped to recall his mother's attention, which, he knew angrily, wavered instantly his father stopped. But, no. Nothing would make Mr. Ramsay move on. There he stood, demanding sympathy.
Virginia Woolf (To the Lighthouse)
Win interrupted me. "Stop," he said. "I love you, too." He paused. "You underestimate me, Annie. I'm not blind to your faults. You keep too many secrets, for one. You lie sometimes. You have trouble saying the things in your heart. You have an awful temper. You hold a grudge. And I'm not saying this one is your fault, but people who know you have a disturbing tendency to end up with bullets in them. You don't have faith in anyone, including me. You think I'm an idiot sometimes. Don't deny it--I can tell. And maybe I was an idiot a year ago, but a lot has happened since then. I'm different, Anya. You used to say I didn't know what love was. But I think I learned what it is. I learned it when I thought I had lost you over the summer. And I learned it when my leg ached something awful. And I learned it when you were gone and I didn't know if I'd ever see you again. And I learned it every night when I'd pray that you were safe even if I never got to see you again. I don't want to marry you. I'm just happy to be near you for a while, and for as long as you'll let me be. Because there's never been anyone else for me but you. There will never be anyone else for me but you. I know this. I do. Annie, my Annie, don't cry..." (Was I crying? Yes, I suppose I was. But I was still so awfully tired. You can't possibly hold this against me.) "I know that loving you is going to be hard, Annie. But I love you, come what may.
Gabrielle Zevin (Because It Is My Blood (Birthright, #2))
Pablo Neruda, "Keeping Quiet.” Now we will count to twelve and we will all keep still. For once on the face of the earth let’s not speak in any language, let’s stop for one second, and not move our arms so much. It would be an exotic moment without rush, without engines, we would all be together in a sudden strangeness. Fishermen in the cold sea would not harm whales and the man gathering salt would look at his hurt hands. Those who prepare green wars, wars with gas, wars with fire, victory with no survivors, would put on clean clothes and walk about with their brothers in the shade, doing nothing. What I want should not be confused with total inactivity. Life is what it is about; I want no truck with death. If we were not so single-minded about keeping our lives moving, and for once could do nothing, perhaps a huge silence might interrupt this sadness of never understanding ourselves and of threatening ourselves with death. Perhaps the earth can teach us as when everything seems dead and later proves to be alive. Now I’ll count up to twelve and you keep quiet and I will go.
Jon Kabat-Zinn (Full Catastrophe Living)
Are you wearing space pants?" Miranda asked him. "What?" How did it end? oh, right. "Because your butt is fine." He gazed at her in that way he had like he was measuring her for straitjacket. "I think-" he started, then stopped and seemed to be having trouble talking. Cleared his throat three times before saying, "I think the line is 'because your butt is out of this world." "Oh. That makes a lot more sense. I can see that. See, I read this book about how to get guys to like you and they said it was a line that never failed but i got interrupted in the middle and the line before it was about china-not the country, the kind you eat off of-and that is where the fine part was but i must have gotten them confused. He just kept staring at her.
Michele Jaffe (Prom Nights from Hell)
What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways. I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever. And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says. I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first--paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes...Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music.
Shauna Cross (Derby Girl)
The fall of Trantor,” said Seldon, “cannot be stopped by any conceivable effort. It can be hastened easily, however. The tale of my interrupted trial will spread through the Galaxy. Frustration of my plans to lighten the disaster will convince people that the future holds no promise to them. Already they recall the lives of their grandfathers with envy. They will see that political revolutions and trade stagnations will increase. The feeling will pervade the Galaxy that only what a man can grasp for himself at that moment will be of any account. Ambitious men will not wait and unscrupulous men will not hang back. By their every action they will hasten the decay of the worlds. Have me killed and Trantor will fall not within three centuries but within fifty years and you, yourself, within a single year.
Isaac Asimov (Foundation (Foundation, #1))
I walked past the lady in yellow robes and the maid bringing her a letter, past the soldier with a magnificent hat and the girl smiling at him, thinking of warm lips, brown eyes, blue eyes. Her brown eyes stopped me. It's the painting from whose frame a girl looks out, ignoring her beefy music teacher, whose proprietary hand rests on her chair. The light is muted, winter light, but her face is bright. I looked into her brown eyes and I recoiled. She was warning me of something-- she had looked up from her work to warn me. Her mouth was slightly open, as if she had just drawn a breath in order to say to me, "Don't!" I moved backward, trying to get beyond the range of her urgency. But her urgency filled the corridor. "Wait," she was saying, "wait! Don't go!" ... She had changed a lot in sixteen years. She was no longer urgent. In fact, she was sad. She was young and distracted, and her teacher was bearing down on her, trying to get her to pay attention. But she was looking out, looking for someone who would see her. This time I read the title of the painting: Girl Interrupted at Her Music. Interrupted at her music.- as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that? I had something to tell her now "I see you," I said. My boyfriend found me crying in the hallway. "What's the matter with you?" he asked. "Don't you see, she's trying to get out," I said, pointing at her.
Susanna Kaysen (Girl, Interrupted)
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit. “Try me.” His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.” “Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform. “So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.” “Good answer.” “Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’” “Uh-oh again.” Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.” Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.” “I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—” “You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help. “He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .” “So what happened then?” “Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.” I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended. “So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.” “Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.” “I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’” I can’t stop laughing. “He didn’t. He did not mention your mother.” “I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
Huntley Fitzpatrick (My Life Next Door)
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand. “I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage. “Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.” “Thanks for the bulletin. You’re too kind,” Isabella retorted dryly. “Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.” “Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.” “Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.” “Minerva!” he said, aghast. “The time has come for Slytherin House to decide upon its loyalties,” interrupted Professor McGonagall. “Go and wake your students, Horace.” Harry did not stay to watch Slughorn splutter: He and Luna ran after Professor McGonagall, who had taken up a position in the middle of the corridor and raised her wand. “Piertotum--oh, for heaven’s sake, Filch, not now--” The aged caretaker had just come hobbling into view, shouting, “Students out of bed! Students in the corridors!” “They’re supposed to be, you blithering idiot!” shouted McGonagall. “Now go and do something constructive! Find Peeves!” “P-Peeves?” stammered Filch as though he had never heard the name before. “Yes, Peeves, you fool, Peeves! Haven’t you been complaining about him for a quarter of a century? Go and fetch him, at once!” Filch evidently thought Professor McGonagall had taken leave of her senses, but hobbled away, hunch-shouldered, muttering under his breath. “And now--Piertotum Locomotor!” cried Professor McGonagall. And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same. “Hogwarts is threatened!” shouted Professor McGonagall. “Man the boundaries, protect us, do your duty to our school!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
A pale, bored woman in white ankle-socks and a white tasselled beret was sitting on a bentwood chair at the corner entrance to the verandah of the writer's club, where there was an opening in the creeper-grown trellis. In front of her on a plain kitchen table lay a large book like a ledger, in which for no known reason the woman wrote the names of the people entering the restaurant. She stopped Koroviev and Behemoth. 'Your membership cards?' she said, staring in surprise at Koroviev's pince-nez, at Behemoth's Primus and grazed elbow. 'A thousand apologies, madam, but what membership cards?' asked Koroviev in astonishment. 'Are you writers?' asked the woman in return. 'Indubitably,' replied Koroviev with dignity. 'Where are your membership cards?' the woman repeated. 'Dear lady...' Koroviev began tenderly. 'I'm not a dear lady,' interrupted the woman. 'Oh, what a shame,' said Koroviev in a disappointed voice and went on: 'Well, if you don't want to be a dear lady, which would have been delightful, you have every right not to be. But look here - if you wanted to make sure that Dostoyevsky was a writer, would you really ask him for his membership card? Why, you only have to take any five pages of one of his novels and you won't need a membership card to convince you that the man's a writer. I don't suppose he ever had a membership card, anyway! What do you think?' said Koroviev, turning to Behemoth. 'I'll bet he never had one,' replied the cat, putting the Primus on the table and wiping the sweat from its brow with its paw. 'You're not Dostoyevsky,' said the woman to Koroviev. 'How do you know?' 'Dostoyevsky's dead,' said the woman, though not very confidently. 'I protest!' exclaimed Behemoth warmly. 'Dostoyevsky is immortal!' 'Your membership cards, please,' said the woman.
Mikhail Bulgakov (The Master and Margarita)
Wow.You two seem to be right as rain again," Cole said from behind us. I could hear the undercurrent of rage beneath his voice. "I hate to interrupt this sudden case of the touchy-feelies, but with the three of us standing here, it almost feels like that spring day so long ago.Almost as if Jack hand't left for camp.Almost as if Jack had nothing to do with you going under,Nik." Jack winced, but he kept his eyes on me. "You should've seen her.Did you know that when she left your dorm that night, she came straight to me? Begged to go with me. Barely able to breathe for the pain." He enunciated each word. I studied Jack's face and shook my head. Jack dropped his arm from my shoulders. "You never let me explain. I ran to you,but you drove off.You didn't trust me." There was silence for a few long moments. "Would either of you care to know my opinion?" Cole said. "Shut up," we replied at the same time. Cole shrugged. "You know where to find me." He turned and walked across the parking lot to the sidewalk that led around the corner of the post office. I watched him until he disappeared, than I faced Jack again. Jack rougly ran both of his hands through his hair. "This is a mess." It sounded like he was talking to himself, not to me. "I know how it looked, but you should've let me explain. I hated you for leaving." He looked up at the sky. "I hated you." Jack took a step backward, away from me, and as he did,a voice called out to us. "Don't let him drive you apart!" We both turned toward the sound. Mary was sitting on a bench under the shelter of the bus stop. I hadn t noticed her before.She'd been watching us. She stood and came over. "That's what he wants. He's scared of anchors. I told you I have a theory about anchors.
Brodi Ashton (Everneath (Everneath, #1))
Her kiss is hungry, as if long deprived. As if they didn’t already spend the morning doing just exactly this, making up for the lost time they were apart. Triton’s trident, I could do this all day. Then he catches himself. No, I couldn’t. Not without wanting more. Which is why we need to stop. Instead, he entwines his hands in her hair, and she teases his lips with her tongue, trying to get him to fully open his mouth to her. He gladly complies. Her fingers sneak their way under his shirt, up his stomach, sending a trail of fire to his chest. He is about to lose his shirt altogether. Until Antonis’s voice booms from the doorway. “Extract yourself from Prince Galen, Emma,” he says. “You two are not mated. This behavior is inappropriate for any Syrena, let alone a Royal.” Emma’s eyes go round as sand dollars. He can tell she’s not sure what to think about her grandfather telling her what to do. Or maybe she’s caught off guard that he called her a Royal. Either way, like most people, Emma decides to obey. Galen does, too. They stand up side by side, not daring to be close enough to touch. They behold King Antonis in a polka-dot bathrobe, and though he’s the one who looks silly, they are the ones who look shamed. Galen feels like a fingerling again. “I apologize, Highness,” he says. It seems like all he does lately is apologize to the Poseidon king. “It was my fault.” Antonis gives him a reproving look. “I like you, young prince. But you well know the law. Do not disappoint me, Galen. My granddaughter is deserving of a proper mating ceremony.” Galen can’t meet his eyes. He’s right. I shouldn’t be flirting with temptation like this. With the Archives on their way-or possibly here already-there is a distant but small chance that he and Emma can still live within the confines of the law. That they can still live as mates under the Syrena tradition. And he almost just blew it. What if it had gone too far? Then his mating with Emma would forever be blemished by breaking the law. “It won’t happen again, Highness.” Not until we’re mated, anyway. “Um. Did you just promise not to kiss me ever again?” Emma whispers. “Can we talk about this later? The Archives are obviously here, angelfish.” She’s on the verge of a fit, he can tell. “He’s just looking out for us,” Galen says quickly. “I agree, we need to respect the law-“ At this her fit subsides as if it was never there. She smiles wide at him. He can’t decide if it’s genuine, or if it’s the kind of smile she gives him when he’ll pay for something later. “Okay, Galen.” “Galen, Emma,” Nalia calls from the dining room, saving him from making a fool of himself. “Everyone is here.” Emma gives him a look that clearly says, “We’re so not done with this conversation.” Then she turns and walks away. Galen takes a second to regain a little bit of composure-which kissing Emma tends to steal from him. Then there’s the mortification of being interrupted by-Get it together, idiot.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by." He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin. "Hello,Lauren.I happened to be in the neighborhood and decided to drop by." "What do you want,Nick?" she sighed, her blue eyes searching his. "You." Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?" "I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-" He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you." "Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying. "Come here and I'll show you just how perverted I can be," he invited smoothly. Lauren took a cautious step backward. "Absolutely not.
Judith McNaught (Double Standards)
We can take things as slowly as you want, but you know it’s too late now to change your mind, Pierce,” he said, in a warning tone. “Of course,” I said. I could see I had approached this all wrong. Where, when you actually needed one, was one of those annoying women’s magazines with advice on how to handle your man? Although that advice probably didn’t apply to death deities. “Because the Furies are after me. And I promised you that I wouldn’t try to escape. That isn’t what I was-“ “No,” he said, with an abrupt shake of his head. “The Furies have no part in this. It doesn’t matter anymore whether or not you try to escape.” He was pacing the length of the room. A muscle had begun to twitch wildly in the side of his jaw. “I thought you knew. I thought you understood. Haven’t you read Homer?” Not again. Mr. Smith was obsessed with this Homer person, too. “No, John,” I said, with forced patience. “I’m afraid we don’t have time to study the ancient Greek poets in school anymore because we have so much stuff to learn that happened since you died, such as the Civil War and the Holocaust and making files in Excel-“ “Well, considering what they had to say about the Fates,” John interrupted, impatiently, “Homer might possibly have been of more use to you.” “The Fates?” The Fates were something I dimly remembered having been mentioned in the section we’d studied on Greek mythology. They were busybodies who presided over everyone’s destiny. “What did Homer have to say about them?” John dragged a hand through his hair. For some reason, he wouldn’t meet my gaze. “The Fates decreed that anyone who ate or drank in the realm of the dead had to remain there for all eternity.” I stared at him. “Right,” I said. “Only if they are pomegranate seeds, like Persephone. The fruit of the dead.” He stopped pacing suddenly and lifted his gaze to mine. His eyes seemed to burn through to my soul. “Pomegranate seeds are what Persephone happened to eat while she was in the Underworld,” he said. “That’s why they call them the fruit of the dead. But the rule is any food or drink.” A strange feeling of numbness had begun to spread across my body. My mouth became too dry for me to speak. “However you feel about me, Pierce,” he went on, relentlessly, “you’re stuck here with me for the rest of eternity.
Meg Cabot (Underworld (Abandon, #2))
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued. “… have to find St. Vincent…” Marcus was saying. “No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.” “We need privacy.” “I believe there is a small room nearby— more of a vestibule, actually…” But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase. St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust. The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.” Dazedly Lillian murmured, “Marcus, wait—” She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters. White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded. “Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering. “Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))