Stop Expecting Quotes

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When you stop expecting people to be perfect, you can like them for who they are.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long time—the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes—when there's a particular missing part that overwhelms you with the feeling that she's gone, forever—there comes another day, and another specifically missing part.
John Irving (A Prayer for Owen Meany)
Stories don't always have happy endings." This stopped him. Because they didn't, did they? That's one thing the monster had definitely taught him. Stories were wild, wild animals and went off in directions you couldn't expect.
Patrick Ness (A Monster Calls)
You are your own worst enemy. If you can learn to stop expecting impossible perfection, in yourself and others, you may find the happiness that has always eluded you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Set the standard! Stop expecting others to show you love, acceptance, commitment, & respect when you don't even show that to yourself.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
Never idealize others. They will never live up to your expectations. Don't over-analyze your relationships. Stop playing games. A growing relationship can only be nurtured by genuineness.
Leo F. Buscaglia
It did not really matter what we expected from life, but rather what life expected from us. We needed to stop asking about the meaning of life, and instead to think of ourselves as those who were being questioned by life—daily and hourly. Our answer must consist, not in talk and meditation, but in right action and in right conduct. Life ultimately means taking the responsibility to find the right answer to its problems and to fulfill the tasks which it constantly sets for each individual.
Viktor E. Frankl (Man’s Search for Meaning)
Whenever I see someone reading a book, especially if it is someone I don't expect, I feel civilisation has become a little safer.
Matt Haig (How to Stop Time)
We are so accustomed to the comforts of "I cannot", "I do not want to" and "it is too difficult" that we forget to realize when we stop doing things for ourselves and expect others to dance around us, we are not achieving greatness. We have made ourselves weak.
Pandora Poikilos (Excuse Me, My Brains Have Stepped Out)
I don't expect life to make sense," he said after a few moments, "but it could certainly be pleasant if it would stop kicking us in the balls.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
It's funny because when you're a child, you believe you can be anything you want to be, go wherever you want to go. There's no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you're hit by the realization that you can't be all you wanted to be, you just might have to settle for a little bit less. Or perhaps a variation of what you once wanted. Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives?
Cecelia Ahern (Love, Rosie)
1) I love you not for whom you are, but who i am when i'm by your side. 2) No person deserves your tears, and who deserves them won't make you cry. 3) Just because someone doesn't love you as you wish, it doesn't mean you're not loved with all his/her being. 4) A true friend is the one, who hold your hand and touches your heart. 5) The worst way to miss someone is, to be seated by him/her and know you'll never have him/her. 6) Never stop smiling not even when you're sad, someone might fall in love with your smile. 7) You may only be a person in this world, but for someone you're the world. 8) Don't spend time with someone, who doesn't care spending it with you. 9) Maybe God wants you to meet many wrong people, before you meet the right one,so when it happens you'll be thankful. 10) Dont cry because it came to an end, smile because it happened. 11) There will always be people who'll hurt you, so you need to continue trusting, just be careful. 12) Become a better person and be sure to know who you are, before meeting someone new and hoping that person knows who you are. 13) Don't struggle so much, best things happen when not expected.
Gabriel García Márquez
That is why it is so important to let certain things go. To release them. To cut loose. People need to understand that no one is playing with marked cards; sometimes we win and sometimes we lose. Don't expect to get anything back, don't expect recognition for your efforts, don't expect your genius to be discovered or your love to be understood. Complete the circle. Not out of pride, inability or arrogance, but simply because whatever it is no longer fits in your life. Close the door, change the record, clean the house, get rid of the dust. Stop being who you were and become who you are.
Paulo Coelho (The Zahir)
I advise you to stop sharing your dreams with people who try to hold you back, even if they're your parents. Because, if you're the kind of person who senses there's something out there for you beyond whatever it is you're expected to do - if you want to be EXTRA-ordinary- you will not get there by hanging around a bunch of people who tell you you're not extraordinary. Instead, you will probably become as ordinary as they expect you to be.
Kelly Cutrone (If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You)
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
Cornelia Funke (Inkheart (Inkworld, #1))
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
No one ever asks a kid for her opinion, but it seems to me that growing up means you stop hoping for the best, and start expecting the worst.
Jodi Picoult (Between the Lines (Between the Lines, #1))
I will give you this, my love, and I will not bargain or barter any longer. I will love you, as sure as He has loved me. I will discover what I can discover and though you remain a mystery, save God's own knowledge, what I disclose of you I will keep in the warmest chamber of my heart, the very chamber where God has stowed Himself in me. And I will do this to my death, and to death it may bring me. I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding you love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again. God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
Rules for Living by Olivia Joules 1. Never panic. Stop, breathe, think. 2. No one is thinking about you. They're thinking about themselves, just like you. 3. Never change haircut or color before an important event. 4. Nothing is either as bad or good as it seems. 5. Do as you would be done by, e.g. thou shalt not kill. 6. It is better to buy one expensive thing that you really like than several cheap ones that you only quite like. 7. Hardly anything matters: if you get upset, ask yourself, "Does it really matter?" 8. The key to success lies in how you pick yourself up from failure. 9. Be honest and kind. 10. Only buy clothes that make you feel like doing a small dance. 11. Trust your instincts, not your overactive imagination. 12. When overwhelmed by disaster, check if it's really a disaster by doing the following: (a) think, "Oh, fuck it," (b) look on the bright side, and if that doesn't work, look on the funny side. If neither of the above works then maybe it is a disaster so turn to items 1 and 4. 13. Don't expect the world to be safe or life to be fair.
Helen Fielding (Olivia Joules and the Overactive Imagination)
Expect nothing. Live frugally On surprise. become a stranger To need of pity Or, if compassion be freely Given out Take only enough Stop short of urge to plead Then purge away the need. Wish for nothing larger Than your own small heart Or greater than a star; Tame wild disappointment With caress unmoved and cold Make of it a parka For your soul. Discover the reason why So tiny human midget Exists at all So scared unwise But expect nothing. Live frugally On surprise.
Alice Walker
When someone leaves you once, you expect it to happen again. Eventually you stop getting close enough to people to let them become important to you, because then you don't notice when they drop out of your world.
Jodi Picoult (Leaving Time)
Life was easier when you stopped caring, when you stopped expecting things to get better.
Cora Carmack (Finding It (Losing It, #3))
Don't expect me to tell you apart," Reagan said when this became a routine. "I have short hair," Wren said. "and she wears glasses." "Stop," Reagan groaned, "don't make me look at you. It's like The Shining in here.
Rainbow Rowell (Fangirl)
The greatest threat to success is not failure but boredom. We get bored with habits because they stop delighting us. The outcome becomes expected. And as our habits become ordinary, we start derailing our progress to seek novelty.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
When love first happens, the individuals are giving each other energy unconsciously and both people feel buoyant and elated. That's the incredible high we call being ‘in love.’ Unfortunately, once they expect this feeling to come from another person, they cut themselves off from the energy in the universe and begin to rely even more on the energy from each other--only now there doesn’t seem to be enough and so they stop giving each other energy and fall back into their dramas in an attempt to control each other and force the other’s energy their way.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
About once or twice every month I engage in public debates with those whose pressing need it is to woo and to win the approval of supernatural beings. Very often, when I give my view that there is no supernatural dimension, and certainly not one that is only or especially available to the faithful, and that the natural world is wonderful enough—and even miraculous enough if you insist—I attract pitying looks and anxious questions. How, in that case, I am asked, do I find meaning and purpose in life? How does a mere and gross materialist, with no expectation of a life to come, decide what, if anything, is worth caring about? Depending on my mood, I sometimes but not always refrain from pointing out what a breathtakingly insulting and patronizing question this is. (It is on a par with the equally subtle inquiry: Since you don't believe in our god, what stops you from stealing and lying and raping and killing to your heart's content?) Just as the answer to the latter question is: self-respect and the desire for the respect of others—while in the meantime it is precisely those who think they have divine permission who are truly capable of any atrocity—so the answer to the first question falls into two parts. A life that partakes even a little of friendship, love, irony, humor, parenthood, literature, and music, and the chance to take part in battles for the liberation of others cannot be called 'meaningless' except if the person living it is also an existentialist and elects to call it so. It could be that all existence is a pointless joke, but it is not in fact possible to live one's everyday life as if this were so. Whereas if one sought to define meaninglessness and futility, the idea that a human life should be expended in the guilty, fearful, self-obsessed propitiation of supernatural nonentities… but there, there. Enough.
Christopher Hitchens (Hitch 22: A Memoir)
The necklace was a good excuse," he murmured. "For what?" "I thought maybe I could go to Charleston and show up at your front door to give this back and maybe… you might let me in. Or something. I was worried that another male would court you, so I've been trying to go as fast as I could. I mean, I figured maybe if I could read, and if I took a little better care of myself, and if I tried to stop being such a mean-ass motherfucker…" He shook his head. "But don't misunderstand. It's not like I expected you to be happy to see me. I was just… you know, hoping… coffee. Tea. Chance to talk. Or some shit. Friends, maybe. Except if you had a male, he wouldn't allow that. So, yeah, that's why I've been hurrying." His yellow eyes lifted to hers. He was wincing, as if he were afraid of what might be showing on her face. "Friends?" she said. "Yeah… I mean, I wouldn't disgrace you by asking for more than that. I know that you regret… Anyway, I just couldn't let you go without… Yeah, so… friends.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
16 Things Romance Readers Are Tired Of Hearin 1. All Romance books are exactly the same. 2. The endings are so predictable. 3. You know romance doesn't happen like that in real life. 4. You're setting unrealistic expectations for yourself about love. 5. Real men don't have abs like that. 6.So you think you're going to go on a lot of dates? 7. So you think you're going to fall in love with an ex-boyfriend? 8. ...or a billionaire? 9. ...or a duke? 10. So you'll stop reading romances when you have a boyfriend, right? 11. It's basically mommy porn, right? 12. I could write a romance book. 13. Do you only read female authors? 14. I saw the Notebook once. 15. Is Danielle Steel your favorite author? 16. Do you read REAL books?
Bookbub Bulletin
you must get the right talent and set the proper expectations. If you don’t, you will pay for the job twice—through your employees’ time and your own.
Curtis L. Jenkins (Vision to Reality: Stop Working, Start Living)
Bigots see something they expect and then they stop thinking about what is in front of them. It's probably how they got to be bigots in the first place.
Jim Butcher (White Night (The Dresden Files, #9))
Is Tyson okay?" I asked. The question seemed to take my dad by surprise. He's fine. Doing much better than I expected. Though "peanut butter" is a strange battle cry. "You let him fight?" Stop changing the subject! You realize what you are asking me to do? My palace will be destroyed. "And Olympus might be saved." Do you have any idea how long I've worked on remodeling this palace? The game room alone took six hundred years. "Dad—" Very well! It shall be as you say. But my son, pray this works. "I am praying. I'm talking to you, right?" Oh . . . yes. Good point.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Stop making rules, in your relationship, that you expect them to follow, but you are unwilling to follow yourself.
Amari Soul (Reflections Of A Man)
If the gospel isn't good news for everybody, then it isn't good news for anybody. And this is because the most powerful things happen when the church surrenders its desire to convert people and convince them to join. It is when the church gives itself away in radical acts of service and compassion, expecting nothing in return, that the way of Jesus is most vividly put on display. To do this, the church must stop thinking about everybody primarily in categories of in or out, saved or not, believer or nonbeliever. Besides the fact that these terms are offensive to those who are the "un" and "non", they work against Jesus' teachings about how we are to treat each other. Jesus commanded us to love our neighbor, and our neighbor can be anybody. We are all created in the image of God, and we are all sacred, valuable creations of God. Everybody matters. To treat people differently based on who believes what is to fail to respect the image of God in everyone. As the book of James says, "God shows no favoritism." So we don't either.
Rob Bell
Meadows, baby. Our last name is Meadows.” “Yours. Don’t get ahead of yourself. You’ll be expected to beg.” There’s no stopping the savage grin from gracing my lips. “I love to beg.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
When you have been with your partner for so many years, they become the glove compartment map that you've worn dog-eared and white-creased, the trail you recogonize so well you could draw it by heart and for this very reason keep it with you on journeys at all times. And yet, when you least expect it, one day you open your eyes and there is an unfamiliar turnoff, a vantage point taht wasn't there before, and you have to stop and wonder if maybe this landmark isn't new at all, but rather something you have missed all along.
Jodi Picoult (My Sister’s Keeper)
What do you love more?” she teased. “My hair or my heart?” “Why give me only two choices? Don’t leave out your legs, your laugh, the way you bite your lip when you’re thinking, the feel of your breath on my face, the sound of your voice in the morning, the way you taste, the three freckles on your nose, the fan of your eyelashes, the caring spirit, the determined soul — so why stop at your hair and your heart? How do you expect me to choose? When what I love the most about you — is you.
Rachel Van Dyken (Ruin (Ruin, #1))
If you’re frustrated because you’re not getting what you want, stop for a second: Have you actually flat-out asked for it? If you haven’t, stop complaining. You can’t expect the world to read your mind. You have to put it out there, and sometimes putting it out there is as simple as just saying, “Hey, can I have that?
Sophia Amoruso (#GIRLBOSS)
Amazing.” Hi stripped off his shirt, wrung it out. “Score one for your honker.” “Thanks, I think.” I cocked my chin at Hi’s substantial midsection. “Nice abs.” “Yeah, I work out twice a month. No expectations. But stop hitting on me, it’s embarrassing.
Kathy Reichs (Seizure (Virals, #2))
All life includes loss. It's taken me many, many years to learn to deal with that, and I don't expect I'll ever be fully resigned to it. But that doesn't mean we have to turn away from the world, or stop striving for the best that we can do and be. We owe that much to ourselves, at least, and we deserve whatever measure of good may come of it.
Ken Grimwood (Replay)
Anxiety does not ask your permission. Anxiety does not come when expected. It's very rude. It barges in at the strangest moments, stopping all activity, focusing everything on itself It sucks the air our of your lungs and scrambles the world.
Maureen Johnson (The Hand on the Wall (Truly Devious, #3))
It’s not okay,” I tell her. This gets her attention; it’s not what she was expecting. “You don’t have to be okay.” “What do you want from me?” Her voice is ragged, desperate. “I want you to let yourself be broken. Let yourself hurt.” She shakes her head again. “I can’t. If I let it out, it’ll never stop.” “Yes, it will.
Jasinda Wilder (Falling into You (Falling, #1))
Why did she have to spend the rest of her life coming out over and over and over...? And once she did, would people always expect her to talk about it? It would always be a huge deal, she would always be subjected to questions, and she would always have to defend herself. Would it ever stop feeling like A Thing, a barrier, between her and everyone else?
Claire Kann (Let's Talk About Love)
We grow up with such an idealistic view on how our life should be; love, friendships, a career or even the place we will live ~ only to age and realise none of it is what you expected & reality is a little disheartening, when you've reached that realisation; you have learnt the gift of all, any new beginning can start now and if you want anything bad enough you'll find the courage to pursue it with all you have. The past doesn't have to be the future, stop making it so.
Nikki Rowe
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake. Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.” “Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.” “I’m not afraid of London,” Cecily said defiantly. Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh* She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.” Will blinked at her words. You are my brother, and I want to go with you. It was the sort of thing he was used to hearing Jem say. Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination. “Do you even care where I’m going?” he said. “What if I were going to hell?” “I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?” “Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.” “Wouldn’t you stop them?” “I suppose it would depend on whether they cut me a part of the profit.” She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?” “How do you know the drugs are for Jem?” Will said. “I’m not an idiot, Will.” “No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.” “So what am I?” Cecily said. Will exhaled, too desperate to check himself. “You are my weakness.” “And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.” “Oh,” said Will, “and what do you want?” “I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child. “The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.” “Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.” Will fought the urge to shake her. “Are you ready?” She nodded, and he raised his hand to knock on the door.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
No one ever asks a kid for her opinion, but it seems to me that growing up means you stop hoping for the best, and start expecting the worst. So how do you tell an adult that maybe everything wrong with the world stems from the fact that she's stopped believing the impossible can happen?
Samantha van Leer (Between the Lines (Between the Lines, #1))
I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding your love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again. God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee’s life of the poet. She died young—alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the cross–roads still lives. She lives in you and in me, and in many other women who are not here to–night, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or so—I am talking of the common life which is the real life and not of the little separate lives which we live as individuals—and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting–room and see human beings not always in their relation to each other but in relation to reality; and the sky. too, and the trees or whatever it may be in themselves; if we look past Milton’s bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare’s sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her forerunners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it possible to live and write her poetry, that we cannot expect, for that would he impossible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while.
Virginia Woolf (A Room of One’s Own)
Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
Paulo Coelho
Turn down the volume of your negative inner voice and create a nurturing inner voice to take it’s place. When you make a mistake, forgive yourself, learn from it, and move on instead of obsessing about it. Equally important, don’t allow anyone else to dwell on your mistakes or shortcomings or to expect perfection from you.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
You are going to bring an army against the ruler of hell and put him down once and for all. And he is doing everything in his power to stop you." Oh, yeah, Garrett needed to be on medication. "But why would I want to do all of this? And how would I raise an army? I'm just not that good at organisation. Will they expect to be fed?
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
If you live your life to please everyone else, you will continue to feel frustrated and powerless. This is because what others want may not be good for you. You are not being mean when you say NO to unreasonable demands or when you express your ideas, feelings, and opinions, even if they differ from those of others.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
When the anger is intense, the person with Asperger's syndrome may be in a 'blind rage' and unable to see the signals indicating that it would be appropriate to stop. Feelings of anger can also be in response in situations where we would expect other emotions. I have noted that sadness may be expressed as anger.
Tony Attwood
Theodor Geisel (otherwise known as Dr. Seuss) spent his workdays ensconced in his private studio, the walls lined with sketches and drawings, in a bell-tower outside his La Jolla, California, house. Geisel was a much more quiet man than his jocular rhymes suggest. He rarely ventured out in public to meet his young readership, fretting that kids would expect a merry, outspoken, Cat in the Hat–like figure, and would be disappointed with his reserved personality. “In mass, [children] terrify me,” he admitted.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I shall be much obliged to you, cousin, if you will refrain from telling my sisters that she has a face like a horse!’ ‘But, Charles, no blame attaches to Miss Wraxton! She cannot help it, and that, I assure you, I have always pointed out to your sisters!’ ‘I consider Miss Wraxton’s countenance particularly well-bred!’ ‘Yes, indeed, but you have quite misunderstood the matter! I meant a particularly well-bred horse!’ 'You mean, as I am perfectly aware, to belittle Miss Wraxton!' 'No, no! I am very fond of horses!' Sophy said earnestly. Before he could stop himself he found that he was replying to this. 'Selina, who repeated the remark to me, is not fond of horses, however, and she—' He broke off, seeing how absurd it was to argue on such a head. 'I expect she will be, when she has lived in the same house with Miss Wraxton for a month or two,' said Sophy encouragingly.
Georgette Heyer (The Grand Sophy)
What makes life in Indian organizations difficult is the widespread prevalence of this very contemptuous pride. It stops us from listening to our juniors, subordinates and people down the line. You cannot expect a person to deliver results if you humiliate him, nor can you expect him to be creative if you abuse him or despise him. The line between firmness and harshness, between strong leadership and bullying, between discipline and vindictiveness is very fine, but it has to be drawn.
A.P.J. Abdul Kalam (Wings of Fire)
The demon stopped its frantic attempts to escape. It stared at the glitter and began to pant, fingers twitching in anticipation. More twitching. Faster than she'd expected, it zoomed up to the sparkles, despite the danger. She snagged the fiend right before it picked up the last one, and dropped the Magpie into the cup. Instead of a flood of swear words or the offer of a favor, she heard a long, tortured sigh. Then it sat, sorting the glitter into piles by color. Now she'd seen everything.
Jana Oliver (Forsaken (The Demon Trappers, #1))
You must know,’ said Estella, condescending to me as a beautiful and brilliant woman might, ‘that I have no heart—if that has anything to do with my memory.’ I got through some jargon to the effect that I took the liberty of doubting that. That I knew better. That there could be no such beauty without it. ‘Oh! I have a heart to be stabbed in or shot in, I have no doubt,’ said Estella, ‘and, of course, if it ceased to beat I should cease to be. But you know what I mean. I have no softness there, no—sympathy—sentiment—nonsense.’ … ‘I am serious,’ said Estella, not so much with a frown (for her brow was smooth) as with a darkening of her face; ‘If we are to be thrown much together, you had better believe it at once. No!’ imperiously stopping me as I opened my lips. ‘I have not bestowed my tenderness anywhere. I have never had any such thing.
Charles Dickens (Great Expectations)
I wish I could say they lived happily ever after. They did, for a time. Very happily [...] But things happen in life that you don't expect, that you can't plan for and you're helpless to stop. Their story didn't end as it should have. But I know for a fact that they'd live it all over again, even the ending, as long as it meant they could keep their beginning.
Lynette Noni (The Prison Healer (The Prison Healer, #1))
Ithaka As you set out for Ithaka hope the voyage is a long one, full of adventure, full of discovery. Laistrygonians and Cyclops, angry Poseidon—don’t be afraid of them: you’ll never find things like that on your way as long as you keep your thoughts raised high, as long as a rare excitement stirs your spirit and your body. Laistrygonians and Cyclops, wild Poseidon—you won’t encounter them unless you bring them along inside your soul, unless your soul sets them up in front of you. Hope the voyage is a long one. May there be many a summer morning when, with what pleasure, what joy, you come into harbors seen for the first time; may you stop at Phoenician trading stations to buy fine things, mother of pearl and coral, amber and ebony, sensual perfume of every kind— as many sensual perfumes as you can; and may you visit many Egyptian cities to gather stores of knowledge from their scholars. Keep Ithaka always in your mind. Arriving there is what you are destined for. But do not hurry the journey at all. Better if it lasts for years, so you are old by the time you reach the island, wealthy with all you have gained on the way, not expecting Ithaka to make you rich. Ithaka gave you the marvelous journey. Without her you would not have set out. She has nothing left to give you now. And if you find her poor, Ithaka won’t have fooled you. Wise as you will have become, so full of experience, you will have understood by then what these Ithakas mean.
Constantinos P. Cavafy (C.P. Cavafy: Collected Poems)
Because I was dying.   And Warner could’ve let me die. He was angry and hurt and had every reason to be bitter. I’d just ripped his heart out; I’d let him believe something would come of our relationship. I let him confess the depth of his feelings to me; I let him touch me in ways even Adam hadn't. I didn't ask him to stop.   Every inch of me was saying yes.   And then I took it all back. Because I was scared, and confused, and conflicted. Because of Adam.   Warner told me he loved me, and in return I insulted him and lied to him and yelled at him and pushed him away. And when he had the chance to stand back and watch me die, he didn’t.   He found a way to save my life.   With no demands. No expectations. Believing full well that I was in love with someone else, and that saving my life meant making me whole again only to give me back to another guy.   And right now, I can’t say I know what Adam would do if I were dying in front of him. I’m not sure if he would save my life. And that uncertainty alone makes me certain that something wasn't right between us.
Tahereh Mafi
You’d better tell me what you know, toad,” said Tiffany. “Miss Tick isn’t here. I am.” “Another world is colliding with this one,” said the toad. “There. Happy now? That’s what Miss Tick thinks. But it’s happening faster than she expected. All the monsters are coming back.” “Why?” “There’s no one to stop them.” There was silence for a moment. “There’s me,” said Tiffany.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
You've walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You've traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don't bother remembering any of it. Let's stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux
Treat all men alike.... give them all the same law. Give them all an even chance to live and grow. You might as well expect the rivers to run backward as that any man who is born a free man should be contented when penned up and denied liberty to go where he pleases. We only ask an even chance to live as other men live. We ask to be recognized as men. Let me be a free man...free to travel... free to stop...free to work...free to choose my own teachers...free to follow the religion of my Fathers...free to think and talk and act for myself.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
He was the first to reach the aircraft, and he went for the door that by some miracle was facing outward and not into the concrete wall. Wrenching the thing open, and getting out his flashlight, he didn’t know what to expect inside—smoke? Fumes? Blood and body parts? Zsadist was sitting rigid in a backward-facing seat, his big body strapped in, both hands locked on the armrests. The Brother was staring straight ahead and not blinking. “Have we stopped moving?” he said hoarsely
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
We had to learn ourselves and, furthermore, we had to teach the despairing men, that it did not really matter what we expected from life, but rather what life expected from us. We need to stop asking about the meaning of life, and instead to think of ourselves as those who were being questioned by life—hourly and daily. Our answer must consist not in talk and meditation, but in right action and in right conduct. Life ultimately means taking the responsibility to find the right answers to its problems and to fulfill the task which it constantly sets for each individual.
Viktor E. Frankl
I'll just be your brother from now on." he said, looking at her with a hopeful expectation that she would be pleased, which made her want to scream that he was smashing her heart into pieces and he had to stop. "That's what you wanted, isn't it?" It took her a long time to answer, and when she did, her own voice sounded like an echo, coming from very far away. "Yes," she said, and she heard the rush of waves in her ears and her eyes stung as if from sand or salt spray. "That's what I wanted.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
He glances over his shoulder, no doubt hearing my insanely loud shoes stop in their tracks. Then he looks again. It’s a double take for the record books. “I’m out stalking,” I call. It doesn’t come out the way I’d intended. It’s not lighthearted or funny. It comes out like a warning. I’m one scary bitch right now. I hold my hands up to show I’m not armed. My heart is racing. “Me too,” he replies. Another cab cruises past like a shark. “Where are you actually going?” My voice rings down the empty street. “I just told you. I’m going out stalking.” “What, on foot?” I come closer by another six paces. “You were going to walk?” “I was going to run down the middle of the street like the Terminator.” The laugh blasts out of me like bah.I’m breaking one of my rules by grinning at him, but I can’t seem to stop. “You’re on foot, after all. Stilts.” He gestures at my sky-high shoes. “It gives me a few extra inches of height to look through your garbage.” “Find anything of interest?” He strolls closer and stops until we have maybe ten paces between us. I can almost pick up the scent of his skin. “Pretty much what I was expecting. Vegetable scraps, coffee grounds, adult diapers.
Sally Thorne (The Hating Game)
I need you," he said roughly. "Don't run away from me." "How can you expect me not to run from you," said Alizeh, still trying to shake off her apprehension, "when you threatened just hours ago to have my eyes sewn shut?" He looked sharply away from her then, a muscle jumping in his jaw. "I shouldn't have said that." "And then you threw me off a cliff," she said, her voice a bit breathless even to her own ears. "You wouldn't stop threatening to kill me," he said angrily, turning back to face her. "I was merely trying to change the subject.
Tahereh Mafi (These Infinite Threads (This Woven Kingdom, #2))
I hate nice girls. Just exchanging greetings with them will get them on your mind. Start texting each other, and your heart will be set a flutter. If they call you, you're done for. Enjoy staring at your logs and grinning like a fool. However, I won't get fooled again. That's what your kind calls kindness. If you're nice to me, you're nice to others. I always end up nearly forgetting that. Reality is cruel, So I'm sure lies are a form of kindness. Thus, I say kindness itself is also a lie. I always ended up with these expectations. And I always ended up with these misunderstandings. And before I knew it, I stopped hoping. A highly trained loner is once bitten, twice shy. As a veteran on this battlefield of life, I've gotten used to losing. That's why I always hate nice girls. — Hachiman Hikigaya
Wataru Watari (やはり俺の青春ラブコメはまちがっている。1)
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death. There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you. The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?' They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.' The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.' So the woman lives because the community is too corrupt to protect itself from disorder. Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.' The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’ As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’ So the woman died because her community was too rigid to endure her deviance. The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation. So of course, we killed him. -San Angelo Letters to an Incipient Heretic
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
Because you have no survival instinct, Grace. You're like a tank, you just chug along< thinking nothing can stop you, until you meet up with a bigger tank. Are you sure you want to go out with someone with that kind of history?" mom seemed to warm her theory. " he couldhave a psychotic break. I read that people get those when they're twenty-eight. he could be almost normal and then suddenly go slasher. I mean, you know I've never told you what to do with your life before now. But what if-I told you not to see him?" I hadn't been expecting that. My voice was brittle. "I would say that by virtue of your not acting parental up to this point, you've relinquished your abiblity to wield any power now. Sam and I are together. It's not an option." Mom threw her hands up as if trying to stop the Grace-tank from running over her. "Okay. Fine. Just be careful, okay? Whatever. I'm going to get a drink." And just like that her parental engergies were expendede.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.' Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile. 'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.' He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.' Kel nodded. 'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble. 'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
Tamora Pierce (Squire (Protector of the Small, #3))
In other words, stop judging yourself against shiny people. Avoid the shiny people. The shiny people are a lie. Or get to know them enough to realize they aren’t so shiny after all. Shiny people aren’t the enemy. Sometimes we’re the enemy when we listen to our malfunctioning brains that try to tell us that we’re alone in our self-doubt, or that it’s obvious to everyone that we don’t know what the shit we’re doing. Hell, there are probably people out there right now who consider us to be shiny people (bless their stupid, stupid hearts) and that’s pretty much proof that none of our brains can be trusted to accurately measure the value of anyone, much less ourselves. How can we be expected to properly judge ourselves? We know all of our worst secrets. We are biased, and overly critical, and occasionally filled with shame. So you’ll have to just trust me when I say that you are worthy, important, and necessary. And smart. You may ask how I know and I’ll tell you how. It’s because right now? YOU’RE READING. That’s what the sexy people do. Other, less awesome people might currently be in their front yards chasing down and punching squirrels, but not you. You’re quietly curled up with a book designed to make you a better, happier, more introspective person. You win. You are amazing.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Paul D did not answer because she didn't expect or want him to, but he did know what she meant. Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon - everything belonged to the men who had the guns. Little men, some of them, big men too, each one of whom he could snap like a twig if he wanted to. Men who knew that their manhood lay in their guns and were not even embarrassed by the knowledge that without fox would laugh at them. And these "men" who made even vixen laugh could, if you let them, stop you from hearing doves or loving moonlight. So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Glass blades, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, THAT was freedom.
Toni Morrison (Beloved)
Slowly, I reached over and poked his arm. It felt like real flesh, warm and hard. Disappointed, I poked him again. I was expecting something amazing—celestial—by touching him. Instead all I got were weird looks from everyone in the room, including Apollo. “Please stop touching me,” Apollo said. I jabbed his arm again. “Sorry. It’s just that you’re real. I mean, I just thought you guys weren’t really around here.” “Alex.” Aiden sat on the edge of the bed. “You should probably stop touching him.” “Whatever.” I dropped my hand into my lap. I still wanted to touch him, though, which was really weird. I kind of wanted to rub all over him like a cat or something… and that was more than weird, and a little uncomfortable.
Jennifer L. Armentrout (Deity (Covenant, #3))
What have you been doing during my absence?' 'Nothing particular; teaching Adele as usual.' 'And getting a good deal paler than you were - as I saw at first sight. What is the matter?' 'Nothing at all, sir.' 'Did you take any cold that night you half drowned me?' 'Not the least.' 'Return to the drawing-room: you are deserting too early.' 'I am tired, sir.' He looked at me for a minute. 'And a little depressed,' he said. 'What about? Tell me.' 'Nothing - nothing, sir. I am not depressed.' 'But I affirm that you are: so much depressed that a few more words would bring tears to your eyes - indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, to-night I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night, my..' He stopped, bit his lip, and abruptly left me. (Jane and Mr Rochester)
Charlotte Brontë (Jane Eyre)
We have a soul at times. No one’s got it non-stop, for keeps. Day after day, year after year may pass without it. Sometimes it will settle for awhile only in childhood’s fears and raptures. Sometimes only in astonishment that we are old. It rarely lends a hand in uphill tasks, like moving furniture, or lifting luggage, or going miles in shoes that pinch. It usually steps out whenever meat needs chopping or forms have to be filled. For every thousand conversations it participates in one, if even that, since it prefers silence. Just when our body goes from ache to pain, it slips off-duty. It’s picky: it doesn’t like seeing us in crowds, our hustling for a dubious advantage and creaky machinations make it sick. Joy and sorrow aren’t two different feelings for it. It attends us only when the two are joined. We can count on it when we’re sure of nothing and curious about everything. Among the material objects it favors clocks with pendulums and mirrors, which keep on working even when no one is looking. It won’t say where it comes from or when it’s taking off again, though it’s clearly expecting such questions. We need it but apparently it needs us for some reason too.
Wisława Szymborska
Suppose that a man leaps out of a burning building—as my dear friend and colleague Jeff Goldberg sat and said to my face over a table at La Tomate in Washington not two years ago—and lands on a bystander in the street below. Now, make the burning building be Europe, and the luckless man underneath be the Palestinian Arabs. Is this a historical injustice? Has the man below been made a victim, with infinite cause of complaint and indefinite justification for violent retaliation? My own reply would be a provisional 'no,' but only on these conditions. The man leaping from the burning building must still make such restitution as he can to the man who broke his fall, and must not pretend that he never even landed on him. And he must base his case on the singularity and uniqueness of the original leap. It can't, in other words, be 'leap, leap, leap' for four generations and more. The people underneath cannot be expected to tolerate leaping on this scale and of this duration, if you catch my drift. In Palestine, tread softly, for you tread on their dreams. And do not tell the Palestinians that they were never fallen upon and bruised in the first place. Do not shame yourself with the cheap lie that they were told by their leaders to run away. Also, stop saying that nobody knew how to cultivate oranges in Jaffa until the Jews showed them how. 'Making the desert bloom'—one of Yvonne's stock phrases—makes desert dwellers out of people who were the agricultural superiors of the Crusaders.
Christopher Hitchens (Hitch 22: A Memoir)
I believe that sometimes, the moment you say goodbye could be as painful as a lifetime worth of pain that you can experience while living with the memories of your loved ones. I couldn’t stop myself from hallucinating about all those things that could have happened, while you were walking away from me today. I stopped walking and turned my head, expecting for you to do the same. I stayed there, motionless, and waited – for you to turn once, to smile, or wave. But you didn’t. You just continued walking away from me, while I stayed there watching your silhouette becoming smaller, and smaller with time, until it disappeared completely. There was nothing else to wait. “What happened?” she asked me when I turned my head again towards the platform. “She let me go, finally,” was all I could say.
Bhavya Kaushik
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you." I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. "Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's." "Don't you guys have somewhere to be?" I asked hastily. "We're about to start." That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat." "Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
What was really needed was a fundamental change in our attitude toward life. We had to learn ourselves and, furthermore, we had to teach the despairing men, that it did not really matter what we expected from life, but rather what life expected from us. We needed to stop asking about the meaning of life, and instead to think of ourselves as those who were being questioned by life--daily and hourly. Our answer must consist, not in talk and meditation, but in right action and in right conduct. Life ultimately means taking the responsibility to find the right answer to its problems and to fulfill the tasks which it constantly sets for each individual. These tasks, and therefore the meaning of life, differ from man to man, and from moment to moment. Thus it is impossible to define the meaning of life in a general way. Questions about the meaning of life can never be answered by sweeping statements. “Life” does not mean something vague, but something very real and concrete, just as life’s tasks are also very real and concrete. They form man’s destiny, which is different and unique for each individual. No man and no destiny can be compared with any other man or any other destiny. No situation repeats itself, and each situation calls for a different response. Sometimes the situation in which a man finds himself may require him to shape his own fate by action. At other times it is more advantageous for him to make use of an opportunity for contemplation and to realize assets in this way. Sometimes man may be required simple to accept fate, to bear his cross. Every situation is distinguished by its uniqueness, and there is always only one right answer to the problem posed by the situation at hand. When a man finds that it is his destiny to suffer, he will have to accept his suffering as his task; his single and unique task. He will have to acknowledge the fact that even in suffering he is unique and alone in the universe. No one can relieve him of his suffering or suffer in his place. His unique opportunity lies in the way in which he bears his burden.
Viktor E. Frankl
I'm wondering, if there was something you wanted, had wanted for some time, what would you do about it?" "If I've wanted it, why don't I have it?" "Because you haven't made any real effort to get it as yet." "And why haven't I?" He arched his sandy brows. "Am I slow or just stupid?" Brenna thought it over, decided he couldn't know he'd just insulted his first born. Then she nodded slowly. "Maybe a bit of both in this particular case." Relieved to have the conversation turn to a safe area, he gave her a fierce grin. "Then I'd stop being slow and I'd stop being stupid and I'd take good aim at what I wanted and not dawdle about. Because when an O'Toole takes aim, by Jesus, he hits his mark. That, she knew, was true enough. And was certainly expected. "But maybe you're a bit nervous and not quite sure of your skill in this area." "Girl, if you don't go after what you want, you'll never have it. If you don't ask, the answer's always no. If you don't step forward, you're always in the same place.
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
catalyst, n. It surprised me — surprises me still — that you were the first one to say it. I was innocent, in a way, expecting those three words to appear boldface with music. But instead, it was such an ordinary moment: The movie was over, and I stood up to turn off the TV. A few minutes had passed from the end of the final credits, and we’d been sitting there on the couch, your legs over mine, the side of your hand touching the side of my hand. The video stopped and the screen turned blue. “I’ll get it,” I said, and was halfway to the television when you said, “I love you.” I never asked, but I’ll always wonder: What was it about that moment that made you realize it? Or, if you’d known it for awhile, what compelled you to say it then? It was welcome, so welcome, and in my rush to say that I loved you, too, I left the television on, I let that light bathe us for a little longer, as I returned to the couch, to you. We held there for awhile, not really sure what would happen next.
David Levithan (The Lover's Dictionary)
All these years I thought a piece of my life was missing. But it was there all along. It was there when I sat beside you in your car and you began to drive. It was there when I sang backwards and you laughed or I made a picnic and you ate every crumb. It was there when you told me you liked my brown suit, when you opened the door for me, when you asked once if I would like to take the long road home. It came later in my garden. When I looked at the sun and saw it glow on my hands. When a rosebud appeared where there had not been one before. It was in the people who stopped and talked of this and that over the garden wall. And just when I thought my life was done, it came time and time again at the hospice. It has been everywhere, my happiness – when my mother sang for me to dance, when my father took my hand to keep me safe – but it was such a small, plain thing that I mistook it for something ordinary and failed to see. We expect our happiness to come with a sign and bells, but it doesn’t.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled. There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation. She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come. I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it. Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?” She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?” She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.” This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment. I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness. When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
Where are you going?" I asked, as Frank swung his feet off the bed. "I'd hate the dear old thing to be disappointed in us," he answered. Sitting up on the side of the ancient bed, he bounced gently up and down, creating a piercing rhythmic squeak. The Hoovering in the hall stopped abruptly. After a minute or two of bouncing, he gave a loud, theatrical groan and collapsed backward with a twang of protesting springs. I giggled helplessly into a pillow, so as not to disturb the breathless silence outside. Frank waggled his eyebrows at me. "You're supposed to moan ecstatically, not giggle," he admonished in a whisper. "She'll think I'm not a good lover." "You'll have to keep it up for longer than that, if you expect ecstatic moans," I answered. "Two minutes doesn't deserve any more than a giggle." "Inconsiderate little wench. I came here for a rest, remember?" "Lazybones. You'll never manage the next branch on your family tree unless you show a bit more industry than that.
Diana Gabaldon (Outlander (Outlander, #1))
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you." Maxon took a step closer. My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted. Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard. Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?" "If you lay a single finger on me, I'll do worse!" I promised. "What?" "I said, if you-" "No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?" I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming. The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position. We were quiet for a while, and once Maxon was over the worst of his pain, he faced me. "What did you think I wanted?" he asked. I ducked my head and blushed. "America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!" He started to walk away but turned back. "Why did you even offer to help if you think so little of me?" I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
Kiera Cass (The Selection (The Selection, #1))
You will not remember much from school. School is designed to teach you how to respond and listen to authority figures in the event of an emergency. Like if there's a bomb in a mall or a fire in an office. It can, apparently, take you more than a decade to learn this. These are not the best days of your life. They are still ahead of you. You will fall in love and have your heart broken in many different, new and interesting ways in college or university (if you go) and you will actually learn things, as at this point, people will believe you have a good chance of obeying authority and surviving, in the event of an emergency. If, in your chosen career path, there are award shows that give out more than ten awards in one night or you have to pay someone to actually take the award home to put on your mantlepiece, then those awards are more than likely designed to make young people in their 20's work very late, for free, for other people. Those people will do their best to convince you that they have value. They don't. Only the things you do have real, lasting value, not the things you get for the things you do. You will, at some point, realise that no trophy loves you as much as you love it, that it cannot pay your bills (even if it increases your salary slightly) and that it won't hold your hand tightly as you say your last words on your deathbed. Only people who love you can do that. If you make art to feel better, make sure it eventually makes you feel better. If it doesn't, stop making it. You will love someone differently, as time passes. If you always expect to feel the same kind of love you felt when you first met someone, you will always be looking for new people to love. Love doesn't fade. It just changes as it grows. It would be boring if it didn't. There is no truly "right" way of writing, painting, being or thinking, only things which have happened before. People who tell you differently are assholes, petrified of change, who should be violently ignored. No philosophy, mantra or piece of advice will hold true for every conceivable situation. "The early bird catches the worm" does not apply to minefields. Perfection only exists in poetry and movies, everyone fights occasionally and no sane person is ever completely sure of anything. Nothing is wrong with any of this. Wisdom does not come from age, wisdom comes from doing things. Be very, very careful of people who call themselves wise, artists, poets or gurus. If you eat well, exercise often and drink enough water, you have a good chance of living a long and happy life. The only time you can really be happy, is right now. There is no other moment that exists that is more important than this one. Do not sacrifice this moment in the hopes of a better one. It is easy to remember all these things when they are being said, it is much harder to remember them when you are stuck in traffic or lying in bed worrying about the next day. If you want to move people, simply tell them the truth. Today, it is rarer than it's ever been. (People will write things like this on posters (some of the words will be bigger than others) or speak them softly over music as art (pause for effect). The reason this happens is because as a society, we need to self-medicate against apathy and the slow, gradual death that can happen to anyone, should they confuse life with actually living.)
pleasefindthis
Yes,' he said, 'a list. That way, I figure, we'll have a written record of what we've agreed upon as our goals for our relationship. So if problems arise, we'll be able to consult the lists, see which issue it corresponds to, and work out a solution from there.' I could still hear my sister talking, but her voice was fading as she led her group around the house. I said, 'But what if that doesn't work?' Jason blinked at me. Then he said, 'Why wouldn't it?' 'Because,' I said. He just looked at me. 'Because...' 'Because,' I repeated, as a breeze blew over us,' sometimes things just happen. That aren't expected. Or on the list.' 'Such as?' he asked. 'I don't know,' I said, frustrated. 'That's the point. It would be out of the blue, taking us by surprise. Something we might not be prepared for.' 'But we will be prepared,' he said, confused. 'We'll have the list.' I rolled my eyes. 'Jason,' I said. 'Macy, I'm sorry.' He stepped back, looking at me. 'I just don't understand what you're trying to say.' And then it hit me: he didn't. He had no idea. And this thought was so ludicrous, so completely unreal, that I knew it just had to be true. For Jason, there was no unexpected, no surprises. His whole life was outlined carefully, in lists and sublists, just like the ones I'd helped him go through all those weeks ago. 'It's just...' I said and stopped, shaking my head. 'It's just what?' He was waiting, genuinely wanting to know. 'Explain it to me.' But I couldn't. I'd had to learn it my own way, and so had my mother. Jason would eventually, as well. No one could tell you: you just had to go through it on your own. If you were lucky, you came out on the other side and understood. If you didn't, you kept getting thrust back, retracing those steps, until you finally got it right.
Sarah Dessen (The Truth About Forever)
We aren't fighting right now." I blurted out. He gave me a sidelong look. "Do you want to fight?" "No. I hate fighting with you. Verbally, I mean. I don't mind in the gym." I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either." Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love. The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them. "You should take it." He flinched. "What?" "Tasha's offer. You should take her up on it. It's a really great chance." I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them. "I never expected to hear you say anything like that," he told me, voice tight. "Especially after-" "What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy." Silence yet again. I noticed then that my chest hurt. Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said. It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with. Dimitri might run off with Tasha, but I would still love him. I would probably always love him. I cared about Mason. But I would probably never love him. I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had. Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease. "Where you going?" he asked. "To break someone's heart," I replied. I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
Richelle Mead (Frostbite (Vampire Academy, #2))
You were right to end it with us,” I said harshly. “And I’m not willing to do it again.” He stared at me, shocked. My words were a lie, of course. Part of me wanted to try again, to endure anything to be with him. But I couldn’t stop thinking about Maddie. Couldn’t stop thinking about the hurt she would go through. It was ironic, really. Last time, he’d gone out of his way to hurt me purposely because it was for the greater good. Now I was doing the same for both of them, saving her from heartache and him from more grief with me. We were in an endless cycle. “You can’t mean that. I know you can’t.” His face was a mixture of incredulity and pain. I shook my head. “I do. You and me are a disaster. What we did during this stasis...it was wrong. It was disgraceful. Immoral. We betrayed someone who loves both of us, who wishes nothing but the best for us. How could we do that? What kind of precedent is that? How could we expect to have a solid relationship that was built on that sort of sordid foundation? One that was built on lies and deceit?” Saying those words hurt. It was tarnishing the beauty of these precious few days we had, but I needed to make my case. Seth was silent for several moments as he assessed me. “You’re serious.” “Yes.” I was a good liar, good enough that the person who loved me most couldn’t tell. “Go back to her, Seth. Go back to her and make it up to her.” “Georgina...” I could see it, see it hitting him. The full weight of betraying Maddie was sinking in. His nature couldn’t ignore the wrong he’d done. It was part of his good character, the character that had gone back to save Dante, the character that was going to make him leave me. Again. Hesitantly, he extended his hand to me. I took it, and he pulled me into an embrace. “I will always love you.” My heart was going to burst. How many times, I wondered, could I endure this kind of agony? “No, you won’t,” I said. “You’ll move on. So will I.” Seth left not long after that. Staring at the door, I replayed my own words. You’ll move on. So will I. In spite of how much he loved me, how much he was willing to risk, I truly felt he’d go back to Maddie, that he’d believe what I said. I’d driven home the guilt, made it trump his love for me. You’ll move on. So will I. The unfortunate part about being a good liar, however, was that while I could get other people to believe my words, I didn’t believe them myself.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.
Joshua Braff (The Unthinkable Thoughts of Jacob Green)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))