Stop Chasing Quotes

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Two things you will never have to chase: True friends & true love.
Mandy Hale
There are a hundred things she has tried to chase away the things she won't remember and that she can't even let herself think about because that's when the birds scream and the worms crawl and somewhere in her mind it's always raining a slow and endless drizzle. You will hear that she has left the country, that there was a gift she wanted you to have, but it is lost before it reaches you. Late one night the telephone will sign, and a voice that might be hers will say something that you cannot interpret before the connection crackles and is broken. Several years later, from a taxi, you will see someone in a doorway who looks like her, but she will be gone by the time you persuade the driver to stop. You will never see her again. Whenever it rains you will think of her.
Neil Gaiman
Haters will say what they want, but their hate will never stop you from chasing your dream
Justin Bieber
A soft noise, almost a sob. Ash rose, hesitated, as if fighting the compulsion to obey. "I will always be your knight, Meghan Chase," he whispered in a strained voice, as if every moment he remained was painful to him. "And I swear, if there is a way for us to be together, I will find it. No matter how long it takes. If I have to chase your soul to the ends of eternity, I won't stop until I find you, I promise." And then he was gone.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
I run after her, not really giving chase. I’m running because I can, because I must. Because I want to see how far I can go before I have to stop.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Stop it!" I hissed glaring at both in turn. "Stop it right now! Put your weapons up, both of you! Ash, you're in no condition to fight, and, Puck, shame on you, agreeing to duel him when he's obviously hurt. Sit down and shut up." -Meghan
Julie Kagawa (The Iron King (The Iron Fey, #1))
The moment you stop chasing happiness, you become happy.
Sandy Hyatt-James
Stop that, I told my brain. Also, the wedding is tomorrow, said my brain. Get out of my head. My brain refused to get out of my head. Inconsiderate brain.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Right before the game, she strolled up to me. "Hey, Seaweed Brain." "Will you stop calling me that?" She knows I hate that name, mostly because I never have a good comeback. She's the daughter of Athena, which doesn't give me a lot of ammunition. I mean, "Owl-head" and "Wise Girl" are kind of lame insults.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
The cord, a familiar voice said. Remember your lifeline, dummy! Suddenly there was a tug in my lower back. The current pulled at me, but it wasn't carrying me away anymore. I imagined the string in my back keeping me tied to the shore. "Hold on, Seaweed Brain." It was Annabeth's voice, much clearer now. "You're not getting away from me that easily." The cord strengthened. I could see Annabeth now- standing barefoot above me on the canoe lake pier. I'd fallen out of my canoe. That was it. She was reaching out her hand to haul me up, and she was trying not to laugh. She wore her orange camp T-shirt and jeans. Her hair was tucked up in her Yankees cap, which was strange because that should have made her invisible. "You are such an idiot sometimes." She smiled. "Come on. Take my hand." Memories came flooding back to me- sharper and more colorful. I stopped dissolving. My name was Percy Jackson. I reached up and took Annabeth's hand.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Are you in the car that's almost caused three accidents on North Vance?" Hannah asked. "Because I'm following you with my lights flashing, and whoever's driving isn't pulling over." "Let him go," Claire said. "Trust me. You aren't going to get him to stop." "Oh, God. It's Myrnin, isn't it?" "Tell that police lady to stop chasing me," Myrnin said, annoyed, from the front seat. "Really, I'm not THAT bad at this.
Rachel Caine (Bite Club (The Morganville Vampires, #10))
He put a hand on his throat, as though trying to stop the words, but they came anyway. "You're home. To me.
Kristen Simmons (Article 5 (Article 5, #1))
Any sign of them yet? he asked. Will looked at him. 'Yes', he said. 'A party of fifty Scotti came though just twenty minutes ago'. Really? Horace looked startled. He wasn't fully awake yet. Will rolled his eyes to heaven. 'Oh, my word, yes', he said. 'They were riding on oxen and playing bagpipes and drums. Of course not,' he went on. 'If they had come past, I would have woken you-if only to stop your snoring'. I don't snore', Horace said, with dignity. Will raised his eyebrows. 'Is that so?' he said. 'Then in that case, you'd better chase out that colony of walruses who are in the tent with you...of course you snore.
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
All I can do is go forward, and to do that, I must stop chasing perfection. It doesn't exist. I can never please everyone. It's hard enough just pleasing myself. Instead, I must focus on giving what I have, not what people want, because that is all I can give.
Helen Hoang (The Heart Principle (The Kiss Quotient, #3))
Don't stop chasing your dreams, because dreams do come true.
Sachin Tendulkar
The moment I stopped spending so much time chasing the big pleasure of life. I began to enjoy the little ones, like watching the stars dancing in moonlit sky or soaking in the sunbeams of a glorious summer morning.
Robin Sharma (The Monk Who Sold His Ferrari: A Remarkable Story About Living Your Dreams)
He was trying to make me his bed buddy. I declined. He gave chase." [...] "How, exactly, did you 'decline' his offer?" "By slitting his throat." The silence in the garage was broken only by the sound of water drip-dripping somewhere in the distance. Sara just stared. So did Ransom. Then the idiot male started laughing hysterically. He laughed so hard he fell off the bike and onto the scarred concrete of the garage floor. Even that didn't stop him. Elena would've kicked him, except he'd probably use the chance to pull her down with him. "Shut up before I do the same to you." He tried to stop laughing. Failed. "Jesus, Ellie. You are awesome!
Nalini Singh (Angels' Blood (Guild Hunter, #1))
Percy and Hedge lay on the deck, looking exhausted. Hedge was missing his shoes. He grinned at the sky, muttering, “Awesome. Awesome.” Percy was covered in nicks and scratches, like he’d jumped through a window. He didn’t say anything but he grasped Annabeth’s hand weakly as if to say, Be right with you as soon as the world stops spinning. Leo, Piper, and Jason, who’d been eating in the mess hall, came rushing up the stairs. “What? What?” Leo cried, holding a half-eaten grilled cheese sandwich. “Can’t a guy even take a lunch break? What’s wrong?” “Followed!” Frank yelled again. “Followed by what? Jason asked. “I don’t know!” Frank panted. “Whales? Sea monsters? Maybe Kate and Porky!” Annabeth wanted to strangle the guy, but she wasn’t sure her hands would fit around his thick neck. “That makes absolutely no sense.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I'll follow you to the next life if I have to," he whispered harshly in her ear. "You'll never be free of me. I'll chase you through heaven and hell and beyond." He continued to whisper without stopping while his hands gripped her body close to his. "You stay with me, Holly," he muttered savagely. "Don't do this to me. You stay, damn you.
Lisa Kleypas (Where Dreams Begin)
Happiness doesn't have to be chased...it merely has to be chosen.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
When you stop chasing your dreams, your dreams start chasing you.
Dez Del Rio (The Lipstick Killerz)
Because if you base your self-worth on what everyone else thinks of you, you hand all your power over to other people and become dependent on a source outside of yourself for validation. Then you wind up chasing after something you have no control over, and should that something suddenly place its focus somewhere else, or change its mind and decide you’re no longer very interesting, you end up with a full-blown identity crisis.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
I had decided to stop chasing the money, and start chasing the passion.
Tony Hsieh (Delivering Happiness: A Path to Profits, Passion, and Purpose)
America's political system used to be about the pursuit of happiness. Now More and more of us want to stop chasing it and have it delivered.
Jonah Goldberg (Liberal Fascism: The Secret History of the American Left from Mussolini to the Politics of Meaning)
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
What was a foreigner, anyway? Is the place you're born the only place you really belong? At what point do you stop being from "away" and start being from "here"?
Blue Balliett (The Calder Game (Chasing Vermeer, #3))
That was just existing. That was just chasing down the next day so I could feel it pass under me.” He placed his large hand over my heart. “You made me stop chasing the days. You made me hold onto them.
Karina Halle (Love, in English (Love, in English, #1))
Every time you look up at the stars, it’s like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize you’re the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and you’re eleven again. Chasing cats in a tiny town, you’re eleven again, you’re sixteen again. You’re in a rowboat. You’re staring out the back of a car. Out here where the world begins and ends, it’s like nothing ever stops happening.
Bryan Lee O'Malley (Lost at Sea)
Life, if you keep chasing it so hard, will drive you to death. Time - when pursued like a bandit - will behave like one, always remaining one county or one room ahead of you, changing its name and hair color to elude you, slipping out the back door of the motel just as you're banging through the lobby with your newest search warrant, leaving only a burning cigarette in the ashtray to taunt you. At some point you have to stop because it won't. You have to admit that you can't catch it. That you're not supposed to catch it. At some point, you gotta let go and sit still and allow contentment to come to you.
Elizabeth Gilbert
He picked up one of Lorna's roses and set it in my lap. "Here." I picked it up and smelled it. He poked me in the shoulder. "See what I mean? Thorns don't stop you from sniffing. Or putting them in a vase on the kitchen table. You work around them.... Cause the rose is worth it... Think what you'd miss.
Charles Martin (Chasing Fireflies)
So stop looking at the past and all the things you can’t change. They’re done and over with. Now is the time for you to look to the future, grasp it by the hand, and decide where you want to go. I told you once before, and I’ll say it again—this is your life, Chase. Only you can decide what it’s going to be like. Don’t let outside forces dictate it for you.
Lacey Weatherford (Chasing Nikki (Chasing Nikki, #1))
The irony of it is that real peace comes only when you stop chasing it—another Catch-22.
Henepola Gunaratana (Mindfulness in Plain English)
I was dreaming about you." "Was it a good dream?" "Not really. I was chasing you and you wouldn't stop running from me." ~Brian/Myrna
Olivia Cunning (Backstage Pass (Sinners on Tour, #1))
I realized I had to stop chasing after something I could not do alone.
Charlena E. Jackson (No Cross No Crown)
To read is to see things from someone else's perspective, and that naturally leads you to stop and look out for other people, rather than chase after success in the rat race. If more people read, I think the world would become a better place.
Hwang Bo-Reum (Welcome to the Hyunam-Dong Bookshop)
I let her catch me.  I like it when she catches me.  But last summer, she stopped chasing. It sucks.
Nyrae Dawn (What a Boy Needs (What a Boy Wants, #2))
It’s not classified information, Chace. You can read all about it on Wookieepedia.” His body started shaking again, as did his voice when he asked, “Wookieepedia?” “Stop making fun at me when I’m pissed,” I snapped. “Wookieepedia?” Chace repeated, his body now rocking, taking mine and the bed with it.
Kristen Ashley (Breathe (Colorado Mountain, #4))
punishment—shaming a person, caging them, making them unemployable—traps them in addiction. Taking that money and spending it instead on helping them to get jobs and homes and decent lives makes it possible for many of them to stop.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Stop thinking about business in terms of your selfish desires, whether it’s money, dreams or “do what you love.” Instead, chase needs, problems, pain points, service deficiencies, and emotions.
M.J. DeMarco (The Millionaire Fastlane)
It never ceases to amaze me the precious time we spend chasing the squirrels around our brains, playing out our dramas, worrying about unwanted facial hair, seeking adoration, justifying our actions, complaining about slow Internet connections, dissecting the lives of idiots, when we are sitting in the middle of a full-blown miracle that is happening right here, right now. We're on a planet that somehow knows how to rotate on its axis and follow a defined path while it hurtles through space! Our hearts beat! We can see! We have love, laughter, language, living rooms, computers, compassion, cars, fire, fingernails, flowers, music, medicine, mountains, muffins!
Jen Sincero (You Are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Stop chasing another busy self to become. Your real self is idle waiting to be lived... Go, take up your real self!
Israelmore Ayivor (The Great Hand Book of Quotes)
Women are powerful, and I see them stifle this every. single. day. Stop looking to be saved and hiding your magic. Stop tossing aside your voice and valid emotions. Stop wasting your time with fake friends and chasing men like they're cures. Material things, better jobs, and other people- they won't fill your gap. Only you can do that. Life is short. Rise up and step back into your awesome, innate power. You are compassion and creative force and divine life itself. You are a Goddess.
Victoria Erickson
Run. Flee. I'll chase you. I will never stop. I am eternal. I am the storm.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
After the Israelites safely crossed the Red Sea, the Egyptians chased after them and were drowned. God's angels wanted to celebrate the enemy's demise. God saw this and grew angry. He said, in essence, 'Stop celebrating. For they are my children,too.
Mitch Albom (Have a Little Faith: a True Story)
Chasing a burning girl down a city street is a lot harder than it sounds. Civilians tend to stop and stare and this turns them into human bowling pins. Slow whiny bowling pins.
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
Stop chasing the wrong one. The right one won't run.
Ernest Hemingway
Everyone must reach a point in their life when they stop running. When it is easier to stand still than to keep being chased, even if the person chasing you is only in your head.
Sejal Badani (Trail of Broken Wings)
The dark side of life has a way of finding us all anyway, so stop chasing it.
Marisha Pessl (Night Film)
He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door. He was so utterly shocked that it took him a moment to run after her. With a meaningful nod in the direction of the astounded Cahills, she barreled down the cobblestone street with her load. "Fermati!" shouted the cashier, scrambling in breathless pursuit. Nellie let a few CDs drop and watched with satisfaction over her shoulder as the clerk stopped to pick them up. The trick would be to keep the chase going just long enough for Amy and Dan to search Disco Volante. Yikes, she reflected suddenly, I'm starting to think like a Cahill.... And if she was nuts enough to hang around this family, it was only going to get worse.
Gordon Korman (One False Note (The 39 Clues, #2))
Running away was not like it was in stories. People did not try and stop you. They did not give chase. The thing people didn't understand was that you had to decide what you were running away from. Most of the time it wasn't mothers or fathers or monsters or villains; most of the time you were running away from that little voice inside your head, the one telling you to stay where you are, that everything will turn out all right.
Robert Dinsdale (The Toymakers)
The best kinds of families try to stop a train wreck - but if they can't, they still show up to give first aid to the walking wounded.
Emma Chase (Tamed (Tangled, #3))
Ah'm thinking about shoutin 'stop' but ah could never turn away at this point. If smack is as addictive as they say, then ah'm already aw the junky ah'm ever gaunny be.
Irvine Welsh (Skagboys (Mark Renton, #1))
Hang on to your dreams with everything you got. Because the best life is when your dreams come true. The second-best is when they don't but you never stop chasing them.
Tim Dorsey (Gator A-Go-Go (Serge Storms, #12))
There will always be light, and I will never stop chasing it.
Tyler Knott Gregson (Chasers of the Light: Poems from the Typewriter Series)
For those that carry the weight of the world with a smile and never stop chasing dreams that others deem unrealistic, too big, or impractical.
Olivia Rose Darling (Fear the Flames (Fear the Flames, #1))
Hey". Meghan's fingers on my arm nearly made me jump out of my skin. She smiled up at me, though her eyes were puzzled. "You seem awfully nervous this morning. Is something wrong?" Now or never, Ash. I took a deep breath. "No", I replied, turning to her, "Nothing's wrong, but I did want to ask you something. Come here a moment." Taking both her hands, I backed away to the middle of the floor, to an open space in front of the curtains. She followed, still wearing a bemused expression, and I paused a moment to gather my thoughts. "I don't...know how it's done in your world", I began, as she tilted her head at me. "I've seen it before...but, I'm not sure how to ask. It never really comes up in the Winter Court." Meghan blinked, frowning slightly. "What do you mean?" "I know my role here," I continued. "Whatever happens, I'm still your knight, and nothing will change that. You are queen of this realm, and I have no desire to rule. That said, fighting your enemies, standing with you no matter what comes at us. But I'm no longer satisfied with just being your knight and protector. I want something more". I stopped and took a deep breath, then slowly released her hands, stepped back and sank to one knee. "What I'm trying to ask is...Meghan Chase, will you do me the honor of marrying me?
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
The girl clung to the boy so she could chase away her dark. He was light, and she was fading. She was drowning, and she just couldn’t stop.
Rachel E. Carter (Last Stand (The Black Mage, #4))
Oh, it's Applekit!" Cinderpelt yelped in mock astonishment. "I thought for a heartbeat there was a giant burr chasing me. Never mind. When we stop, I'll help you untangle them.
Erin Hunter (The Forgotten Warrior (Warriors: Omen of the Stars, #5))
I can’t stop it. I can’t stop Them from following me. If it was just me that the fey picked on, I’d be okay with that. But someone else always pays for my Sight. Someone else always gets hurt instead of me.” Tearing my gaze from hers, I looked out over the fields. “I’d rather be alone,” I muttered, “then to have to watch that again.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
There’re many things we don’t really know. It’s an illusion that we know anything at all. If a group of aliens were to stop me and ask, “Say, bud, how many miles an hour does the earth spin at the equator?” I’d be in a fix. Hell, I don’t even know why Wednesday follows Tuesday. I’d be an intergalactic joke
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
the core of addiction doesn’t lie in what you swallow or inject—it’s in the pain you feel in your head. Yet we have built a system that thinks we will stop addicts by increasing their pain. “If I had to design a system that was intended to keep people addicted, I’d design exactly the system that we have right now,
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
The morning air of the pasture turned steadily cooler. Day by day, the bright golden leaves of the birches turned more spotted as the first winds of winter slipped between the withered branches and across the highlands toward the southeast. Stopping in the center of the pasture, I could hear the winds clearly. No turning back, they pronounced. The brief autumn was gone.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Ed, "I hate deserts. There is nothing but sand *collapses* If there was some grass I could turn it into bread. I'm starving! Huh? Hey! Al' where'd you go? Al? Hey!" Al, "Down here! *Al's hand emerges from the sand beneath Ed and grabs Ed's leg*" Ed, "AHH!!" Al, "I sunk again. . ." (cut to later, after Ed dug Al out) Al, "I get full." Ed, "Full of what? *kicks Al and sand falls out of his chest plate and buries Ed*" Al, "Hahahaha. . .hahaha. . .haha. . . ha. . . *still laughing, inches away from Ed*" Ed, "*bursts out of sand and starts running after Al* Get back here!" Al, "What are you going to do?" Ed, "Nothing!" Al, "Than why are you chasing me?" Ed, "Stop and you'll find out!" Al, "I promise I won't get buried again!" Ed, "Not unless it's by me!" Al," Ed!" Ed, "Rrrrrrrrr!
Hiromu Arakawa (Fullmetal Alchemist, Vol. 1)
Brent…” She gasps, fingers running through my hair. “This is real. Tell me this is real.” My eyes jerk up to hers and I cup her jaw in one hand. “It’s real. This is so real I can’t stop shaking.
Emma Chase (Appealed (The Legal Briefs, #3))
I think one of the keys to happiness is accepting that I am never going to be perfectly happy. Life is uncomfortable. So I might as well get busy loving the people around me. I’m going to stop trying so hard to decide whether they are the “right people” for me and just take deep breaths and love my neighbors. I’m going to take care of my friends. I’m going to find peace in the ’burbs. I’m going to quit chasing happiness long enough to notice it smiling right at me.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
It's a sweet setup, I'll admit. For all that the maids STILL show up each day with jumbo crucifixes, jumpy movements, and red eyes from crying over the short straw that drew them vampire duty.' Yesterday, she'd just stopped herself from raising her clenched hands above her head and chasing one of them around the room groaning, 'I vant to suck your blood.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Yes—and that’s exactly what Daddy’s going to be getting if he doesn’t stop laughing right now.” James’s eyes go wide and he tries to warn me. “No poosy, Daddy.
Emma Chase (Tied (Tangled, #4))
Regardless of what happens with the men, you’ll have a baby. An amazing little being who will blow your mind and expand your heart and make you think things you never thought and remember things you believed you forgot and heal things you imagined would never heal and forgive people you’ve begrudged for too long and understand things you didn’t understand before you fell madly in love with a tiny tyrant who doesn’t give a crap whether you need to pee. You will sing again if you stopped singing. You will dance again if you stopped dancing. You will crawl around on the floor and play chase and tickle and peek-a-boo. You’ll make towers of teetering blocks and snakes and rabbits with clay.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
In other words, stop judging yourself against shiny people. Avoid the shiny people. The shiny people are a lie. Or get to know them enough to realize they aren’t so shiny after all. Shiny people aren’t the enemy. Sometimes we’re the enemy when we listen to our malfunctioning brains that try to tell us that we’re alone in our self-doubt, or that it’s obvious to everyone that we don’t know what the shit we’re doing. Hell, there are probably people out there right now who consider us to be shiny people (bless their stupid, stupid hearts) and that’s pretty much proof that none of our brains can be trusted to accurately measure the value of anyone, much less ourselves. How can we be expected to properly judge ourselves? We know all of our worst secrets. We are biased, and overly critical, and occasionally filled with shame. So you’ll have to just trust me when I say that you are worthy, important, and necessary. And smart. You may ask how I know and I’ll tell you how. It’s because right now? YOU’RE READING. That’s what the sexy people do. Other, less awesome people might currently be in their front yards chasing down and punching squirrels, but not you. You’re quietly curled up with a book designed to make you a better, happier, more introspective person. You win. You are amazing.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Blitz and Hearth were almost at the shore when Alex stopped abruptly. I didn't have any energy left either, but I thought I should try to sound encouraging. "We - we have to k-keep going." I looked over. We were nose-to-nose under the blankets. Her eyes glinted, amber and brown. Her scarf had dipped below her chin. Her breath was like limes. Then, before I even knew what was happening, she kissed me. She could have bitten off my mouth and I would have been less surprised. Her lips were cracked and rough from the cold. Her nose fitted perfectly next to mine. Our faces aligned, our breath mixed. Then she pulled away. "I wasn't going to die without doing that," she said. The world of primordial ice must not have frozen me completely, because my chest burned like a coal furnace. "Well?" She frowned. "Stop gaping and let's move." We trudged towards the shore. My mind wasn't working properly. I wondered if Alex had kissed me just to inspire me to keep going, or to distract me from our imminent deaths. It didn't seem possible she'd actually wanted to kiss me. Whatever the case, that kiss was the only reason I made it to shore.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
We're romantic. We're hopeful. We're done for. The worst part of this all? The idea of struggle and compromise seems exciting to us-that's how stupid we are. There's no stopping fools, I say. We're still kids at heart. Those dreams are still there. Now we just have to go chase them.
Alida Nugent (Don't Worry, It Gets Worse: One Twentysomething's (Mostly Failed) Attempts at Adulthood)
Time to paint your but white and run with antelope-in English- Stop arguing and do as your told.
Charles Martin (Chasing Fireflies)
Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed a red-painted finger down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.” Sadi’s head snapped in my direction. “Excuse me?” “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?” In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
Jennifer L. Armentrout (Opposition (Lux, #5))
Stop chasing things that are beneath the truth of who you are. Stop holding on to things and people that weigh you down. Stop behaving in ways that don’t honor the divinity and nobility within you.
Iyanla Vanzant
They say that love is finding your soul’s match in another. I found my match. I found him, let him wrestle me to the ground, and then turned around and made him mine. I’m so glad that I didn’t scare him off, I’m so glad that he didn’t stop chasing.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
Jason is explaining the ins and outs of being a bird shifter to Merry. She says: "Sheesh. Okay, I think I only have one more question." "Shoot. No, don't shoot, but ask away." "If someday I get pregnant, will I lay eggs or have babies?" He burst out laughing and didn't stop until she hit him.
Ashlyn Chase (Strange Neighbors (Strange Neighbors, #1))
When I was ten, we had a dog. He humped everything and anything—from the maid’s leg to my parents’ four-poster bed. He was insatiable. My parents were mortified whenever company stopped by. But now I realize he really wasn’t a bad dog. It wasn’t his fault. I feel your pain, Fido.
Emma Chase
Focus acts like an ax. If you try to cut down a tree by hitting it in thousands of different spots, you’ll never succeed. But when you focus and hit the same spot over and over, you can cut down even the biggest tree. With laser-sharp focus you can achieve almost anything you desire.
Thibaut Meurisse (Master Your Focus: A Practical Guide to Stop Chasing the Next Thing and Focus on What Matters Until It's Done (Mastery #3))
I also read that spending time with a pedophile can be like a drug high. There was this girl who said it’s as if the pedophile lives in a fantastic kind of reality, and that fantasticness infects everything. Kind of like they’re children themselves, only full of the knowledge that children don’t have. Their imaginations are stronger than kids’ and they can build realities that small kids would never be able to dream up. They can make the child’s world… ecstatic somehow. And when it’s over, for people who’ve been through this, it’s like coming off of heroin and, for years, they can’t stop chasing the ghost of how it felt. One girl said that it’s like the earth is scorched and the grass won’t grow back. And the ground looks black and barren but inside it’s still burning.
Margaux Fragoso (Tiger, Tiger)
Sometimes I look around and wonder, how the hell did I get here? How is this my life? It all changed so fast. But then I stop wondering. Because how this life became mine doesn’t really fucking matter. I’m just crazy-happy that it is.
Emma Chase (Sidebarred (The Legal Briefs, #3.5))
Say, ‘Drew Evans is a god. A brilliant, genius god.’” She bucks and shrieks, “Drew! Stop! Stop!” I don’t let up. “Ask me nicely and maybe I will. Beg me for it.” She laughs even while she’s screaming. “Never!” You know what they say about never, don’t you? Oh yeah—this is going to be fun.
Emma Chase
Never chase a person, because if they want to be in your life, they will. It amazes me how people go out their way for someone who does nothing for them, doesn't encourage or support their efforts. Stop seeking attention from people who don't give you the time of day. Value your time, comfort your spirit, have peace of mind. There are people who love you and care about you.Give your smiles to them, Reciprocate!
Amaka Imani Nkosazana
Let it be known--from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on..." His voice went even softer, but I still heard it as though he whispered it into my ear. "I am yours." I couldn't stop the tears anymore. They clouded my vision and rolled down my cheeks, and I didn't bother to wipe them away. Ash stood, and I threw myself into his arms, feeling him tremble as he crushed me close. He was mine now, my knight, and nothing would come between us.
Julie Kagawa
<..> Reading makes you see with clearer eyes and understand the world better. When you do that , you become stronger - the feeling you associate with success. But at the same time with pain. Within the pages, there's much suffering, beyond that we've gone through in our finite experience of life. You'll read about suffering you didn't know existed. Having experienced their pain through words, it becomes a lot harder to focus on pursuing individual happiness and success. Reading makes you deviate further from the textbook definition of success because books don't make us go ahead of or above anyone else; they guide us to stand alongside others. <...> <..> We become more compassionate. To read is to see things from someone else's perspective, and that naturally leads you to stop and look out for other people, rather than chase after success in the rat race. If more people read, I think the world would become a better place.
Hwang Bo-Reum (Welcome to the Hyunam-Dong Bookshop)
If you have to perform a level of “prettiness” in order to be chosen by someone, they are choosing you based on your objective beauty. I get that you crave to be chosen by someone based on more than how you look. You want to be chosen for your entire self. Darling, as long as you spend your years chasing male validation, you will exhaust yourself all the way to your grave. Because male validation is a bottomless pit. It won’t ever see you how you deserve to be seen. Stop chasing it. Stop trying to attract it. Stop trying to mould yourself into a palatable Floss. It will consume you and spit you back out once it’s done using you. Your main goal in life is not to be “chosen” by a man anyway. It’s all a big lie. You don’t actually need men for anything. Or at the very least, not in the capacity you’ve been made to think you do.
Florence Given (Women Don't Owe You Pretty)
The locomotive appeared as a mammoth apparition that came bearing down on them and seemed to stop just a few feet away.
Phillip Urlevich (The Georgia Express: A Tale of the Civil War)
For every person who closed the door in my face, thank you. For every person who told me I wasn't good enough, thank you. For every person who laughed and told me that I was wasting my time going to college, because I was going to fail, thank you. For every person who tried to break me, thank you. For every person who took my kindness for weakness, thank you. For every person who told me I was wasting time chasing my dreams because I would fail, thank you. It could of broke me. From the core of my heart, I thank you. I truly mean it, because if it weren't for each of you I wouldn't be who I am today. I wouldn't of spend hours and loss sleep studying. I wouldn't developed tough skin. You pushed me to think about what I "really" want out of life. You pushed me to master my craft. You helped me develop the drive, passion and determination. You pushed me to not wait for someone to believe in my vision, but to find a way to make things happen. I know you didn't "intend" to, but I thank you for teaching me to believe in myself! AND you taught me to TRUST in God and lean on my faith, not man. Thank You!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Ouch!'' The cry escaped before I could stop it, and on either side of me, Chase and Devon leapt to their feet. ''Problem?'' Ali asked mildly, amusement dancing in the corners of her eyes. Given the whole Casey thing, I didn't think she had to call to be in such a good mood, but what did I know? ''No problem,'' I said darkly, rubbing my shin ''Somebody just accidentally kicked me under the table.'' I narrowed my eyes at lake, and she helped herself to another T-bone And smothered it in stake sauce. ''Wasn’t an accident'' She said cheerfully. ''Lake'' Mitch didn’t say any more than his daughters name and she rolled her eyes. ''It’s not like I shot her''.
Jennifer Lynn Barnes
All I wanted was to scoop you up in my arms and take you with me. I wanted to chase darkness where we could hide beneath the shadows of a million sunsets. If you could transcend time, why couldn’t we stop it? Why couldn’t our love be immortal?
Jewel E. Ann (Epoch (Transcend, #2))
Don't ever give up on your dreams. When you finally stop chasing and grab hold, you can make great things happen. Let your determination take over, and you will be amazed at where it takes you. Your dreams are always within reach, as long as you believe.
Tessa Brookfield
I’d been stuck in one gender my whole life. It never bothered me. Now I wondered how that would feel for Alex. The only analogy I could come up with wasn’t a very good one. My second grade teacher, Miss Mengler (aka Miss Mangler), had forced me to write with my right hand even though I was left-handed. She’d actually taped my left hand to the desk. My mom had exploded when she found out, but I still remembered the panicky feeling of being restrained, forced to write in such an unnatural way because Miss Mengler had insisted, 'This is the normal way, Magnus. Stop complaining. You’ll get used to it.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Duchess was barking her head off as she raced after a snarling, hissing, yowling white ball of Maleficent. Aphrodite was chasing after the dog, screaming for her to ''Come! Stay. Be good, damnit!'' Damien was close behind her, flailing his arms and yelling ''Duchess! Come!'' All of a sudden the Twins' cat, the huge and very stuck-up Beelzebub joined in the chase, only he was tearing around after Duchess. ''Ohmygod! Beelzebub! Honey!'' Shaunee ran into my view, yelling at the top of her very healthy lungs. ''Beelzebub! Duchess! Stop!'' Erin wailed, right behind her twin. Darius suddenly burst out into the hallway, and I stepped back behind the curtains, not sure is my shrouding could be detected by him. Apparently he didn't notice me, or anything else, because he ran into the Council Room. I peeked through the drapes and could hear him telling Neferet that she was needed on the school grounds-that there was an 'altercation.' Then Neferet was hurrying out of the room and down the hall, following Darius into the dog-barking, cat-yowling, kid-screaming craziness. I noticed that through all of it I hadn't seen hide nor hair of Jack. Talk about an excellent diversion!
Kristin Cast (Untamed (House of Night, #4))
She kissed him, and then kept at it, kissing hello and goodbye and just because, because she knew this was all going to stop soon.
Jill Shalvis (Chasing Christmas Eve (Heartbreaker Bay, #4))
But if we are the monster, and the person being chased, then we need to stop running because we cannot run away from ourselves.
Iain S. Thomas (Every Word You Cannot Say)
Alice in Darkness Forget tears. Chasing white animals with timepieces in this drug-trip landscape can only lead to more of same. Hedgehogs, playing cards, paintbrushes: full of undisclosed danger. Didn't your mother tell you not to kiss strangers? That Cheshire smile shouldn't fool you. Pull your skirt down. Your nails are growing so fast you're hardly human. Alice, fight your version of Bedlam as long as you can. Sleep the sweet dream away from that gooey looking glass, or mushrooms, or the fear of your own body. Forget what the night tastes like. Stop wondering through the shadows, holding your neck out for the slice of the axe.
Jeannine Hall Gailey (Becoming the Villainess)
There is a very simple secret to being happy. Just let go of your demand on this moment. Any time you have a demand on the moment to give you something or remove something, there is suffering. Your demands keep you chained to the dream state of conditioned mind. The problem is that when there is a demand, you completely miss what is now. Letting go applies to the highest sacred demand, and even to the demand for love. If you demand in some subtle way to be loved, even if you get love, it is never enough. In the next moment, the demand reasserts itself, and you need to be loved again. But as soon as you let go, there is knowing in that instant that there is love here already. The mind is afraid to let go of its demand because the mind thinks that if it lets go, it is not going to get what it wants - as if demanding works. This is not the way things work. Stop chasing peace and stop chasing love, and your heart becomes full. Stop trying to be a better person, and you are a better person. Stop trying to forgive, and forgiveness happens. Stop and be still.
Adyashanti
I’ll never stop loving you hard. It’ll only get harder because every day that passes we create more memories. Memories I’ll treasure, not memories I want to forget. My mind if being filled with beautiful images of us, and they are replacing a history that lingers. They’re chasing away my past, Ava. I need them. I need you.
Jodi Ellen Malpas (This Man Confessed (This Man, #3))
you know those people in the movies who can just stop their lives to fall in love, chase after being in love like they don’t have anything else to do?” “Yeah.” “We’re not those people. I have to get to work.
Christopher Moore (Noir)
I have wanted my father’s love for too long. But now, I am weary. Now, I am done. It’s a strange pursuit— chasing the love of your father. When the first man who was supposed to want you, doesn’t. You eventually stop running. You eventually grow tired.
Asha Ashanti Bromfield (Hurricane Summer)
Stop trying to heal yourself, fix yourself, even awaken yourself. Let go of letting go. Stop trying to fast-forward the movie of your life, chasing futures that never seem to arrive. Instead, bow deeply to yourself as you actually are. Your pain, your sorrow, your doubts, your deepest longing, your fearful thoughts...are not mistakes, and they aren't asking to be healing. They are asking to be held. Here, now, lightly, in the loving arms of present awareness.
Jeff Foster (Beyond Awakening: The End of the Spiritual Search)
Somewhere a True Believer is training to kill you. He is training with minimum food or water, in austere conditions, day and night. The only thing clean on him is his weapon, and he made his web gear, He doesn't worry about hat workout to do - his ruck weighs what it weighs, his runs end when the enemy stops chasing him. The True Believer doesn't care how hard it is; he only knows that he wins or he dies. He doesn't go home at 1700; he is home. He knows only the cause.
Jack Carr (True Believer (Terminal List #2))
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...
Jeffrey Eugenides (Middlesex)
Stop chasing the wind! Stop thinking the future will be better and easier. Stop thinking that if only things were different you would be a better person and that one day you will be a better father. You do not know the future or what lies around the corner, whether good or ill. Perhaps these are indeed the very best days of my life. Maybe I’ll be dead tomorrow. Live the life you have now instead of longing for the life you think you will have but which you actually cannot control at all. When we realize there is a middle way between being lazy in the here and now and busting a gut for the future, we find tranquility.
David Gibson (Living Life Backward: How Ecclesiastes Teaches Us to Live in Light of the End)
We start dying the day we stop dreaming. And ironically, we start living the day we discover a dream worth dying for.
Mark Batterson (Chase the Lion: If Your Dream Doesn't Scare You, It's Too Small)
We cannot ever stop dreaming just as we cannot ever stop breathing.
Avijeet Das
Here is the secret to subtraction. It doesn’t matter what you remove. What matters is that you stop adding it back.
Erin Loechner (Chasing Slow: Courage to Journey Off the Beaten Path)
Don’t allow what you think of yourself to stop you chasing your dream’ ...
Noel Fitzpatrick (Listening to the Animals: Becoming the Supervet)
These were dangerous thoughts, he knew. They were the kind that crept up on a Watchman when the chase was over and it was just you and him, facing one another in that breathless little pinch between the crime and the punishment. And maybe a Watchman had seen civilization with the skin ripped off one time too many and stopped acting like a Watchman and started acting like a normal human being and realized that the click of the crossbow or the sweep of the sword would make all the world so clean. And you couldn’t think like that, even about vampires. Even though they’d take the lives of other people because little lives don’t matter and what the hell can we take away from them? And, too, you couldn’t think like that because they gave you a sword and a badge and that turned you into something else and that had to mean there were some thoughts you couldn’t think. Only crimes could take place in darkness. Punishment had to be done in the light. That was the job of a good Watchman, Carrot always said. To light a candle in the dark.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Alex landed on my carefully laid trap. "Pay up Prince Yummy." The nickname burst out of my mouth as I mentally screamed in slow motion, trying to stop my lips from uttering the words.
Nichole Chase (Suddenly Royal (The Royals, #1))
Let Them show you who they are. Their disrespect doesn’t say anything about you. How you respond does. Stop asking why they are doing this. The question is, why do you want to be with someone who does this to you? You don’t. Don’t waste your energy chasing someone who’s already left. Focus on what you can control: Processing your emotions and reminding yourself that you deserve someone who treats you with respect.
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
Scott gave my knee an affectionate squeeze. "You'll never hear me admit this again, so listen up. You look good, Grey. On a scale from one to ten, you're definitely in the top half." "Gee, thanks." "You're not the kind of girl I would have chased after when I was in Portland, but I'm not the same guy I was back then either. You're a little too good for me, and let's face it, a little too smart." "You've got street smarts," I pointed out. "Stop interrupting. You're going to make me lose my place." "You've got this speech memorized?" A smirk. "I've got a lot of time on my hands. As I was saying--hell. I forgot where I was." "You were telling me I can rest assured that I'm better-looking than half the girls at my school." "That was a figure of speech. If you want to get technical, you're better-looking than ninety percent. Give or take." I laid a hand over my heart. "I'm speechless." Scott got down on his knee and clasped my hand dramatically. "Yes, Nora. Yes, I'll go to the homecoming dance with you.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Rolling flat onto his back, Drake shuddered. Then he inhaled deeply. He stared up at the night sky. "We're going to win," he said, his voice calmer, less strained. "This is nothing. Keep going. They can't stop us. Jason, give Rachel the necklace. Tell her . . . tell her I'm sorry. Tell her . . . I wanted . . . to show her . . . my little valley. Tell her I tried." His voice was growing weak. Farfalee smoothed a hand over his brow. "Shhh," she whispered. "Be still, Drake. You can rest now. You did it. Rest. We'll take it from here." "Failie," he whispered, his hand twitching toward the back of his neck with little jerks. "Where's my seed?" His head tipped sideways. The breath went out of him.
Brandon Mull (Chasing the Prophecy (Beyonders, #3))
Wow," said Samirah as we approached the dock. "You're right, Alex. That ship is really yellow." I sighed. "Not you, too." Alex grinned. "I vote we name it the Big Banana. All in favour?" "Don't you dare," I said. "I love it," Mallory said, throwing Alex a mooring line. Keen and Gunderson had emerged from belowdecks in an apparent truce, though both sported fresh black eyes. "It's decided, then!" bellowed Halfborn. "The good ship Mikillgulr!" T.J. scratched his head. "There's an Old Norse term for big banana?" "Well, not exactly," Halfborn admitted. "The Vikings never sailed far enough south to discover bananas. But Mikillgulr means big yellow. That's close enough!" I looked skyward with a silent prayer: Frey, god of summer, Dad, thanks for the boat. But could I suggest that forest green is also a great summery colour, and please stop embarrassing me in front of my friends? Amen.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Imagine a car’s going sixty miles an hour down a country road and a tree falls and the car hits it. Boom—instant stoppage. But if the person in the driver’s seat isn’t wearing a seat belt? They’re still going sixty. And that’s what love is like. It doesn’t just stop. No matter how hurt or wronged or angry you are—the love’s still there. Sending you right through the windshield.
Emma Chase (Twisted (Tangled, #2))
Maybe dream chasing is like climbing a mountain. You know, finding the trail, stepping onto it. At first you're energetic and it's easy. Then you trip over a root, face a huge boulder, or a steep incline. So you stand up after the fall, find your way around the boulder, and trudge up the vertical. Eventually, you're on top of the mountain with an expansive view of the world." ~ Michael Stlis in "A Stop in the Park
Peggy Morehouse Strack (A Stop in the Park)
Well, you've heard the expression, 'his face would stop a clock'. Well, Harvey can look at your clock... and stop it. And you can go anywhere you like, with anyone you like, and stay as long as you like, and when you get back... not one minute will have ticked by.
Elwood P. Dowd
Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space. I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Nick stopped on the sidewalk, pulled a ring from his pocket, and handed it to Kate. "Your wedding ring." It was a platinum band inlaid with diamonds. Simple but elegant. Kate put the ring on her finger. "That's got to be the least romantic proposal in history. Where did you steal this?" "I bought it," he said. "That must have been a new experience for you." "It was. Cost me ten grand." He slipped a matching platinum band onto his finger. "I want that ring back when this marriage is over." "No way," she said. "You can keep the dishes.
Janet Evanovich (The Chase (Fox and O'Hare, #2))
After the Israelites safely crossed the Red Sea, the Egyptians chased after them and were drowned. God's angels wanted to celebrate the enemy's demise. God saw this and grew angry. He said, in essence, 'Stop celebrating. For those were my children,too.” "What do you think of that?" the teacher asks us. Someone else answers. But I know what I think. I think it is the first time I've heard that God might love the "enemy" as well as us.
Mitch Albom (Have a Little Faith: a True Story)
I remain your pledged man," Tark avowed, touching a fist to his chest. "What are your orders?" Jason turned to the stocky musician. "Do your best to help Galloran win this war." "I swear it." "And keep an eye on Rachel. See if you can get her to stop telling me she's going to see me again. I think she's jinxing us." Rachel punched Jason's arm. Tark eyed Rachel uncertainly. She saw a hint of disapproval in his gaze, along with a little wariness. Jason smiled. "That's assault. Tark, take her out.
Brandon Mull (Chasing the Prophecy (Beyonders, #3))
Her arms crept around his neck and she sunk her hand into the wavy hair at his nape. He was stealing her senses. She needed to stop this…in just a minute. He was such a good kisser, just the right amount of pressure and passion. She sighed again and moved her hands to his shoulders pushing back.
Tamara Hoffa (Chasing Love)
Yeah, I started to chase you but the way you were goin’ after him, hell bent for leather, it occurred to me you would not be best pleased I caught you and stopped you. I didn’t want to deal with that backbone of yours getting any stronger if you were denied what you wanted. Especially in the middle of the night with you in an emotional state, in the throes of dealing with hearing Dobie Gray’s undeniably kickass but, no offense to you, honey, or Dobie Gray, in my opinion not cry worthy song. It also occurred to me you would be pleased I caught the kid for you so I went after him instead.
Kristen Ashley (Breathe (Colorado Mountain, #4))
For just one second, look at your life and see how perfect it is. Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there’s nothing else. It’s here, and you’d better decide to enjoy it or you’re going to be miserable wherever you go, for the rest of your life, forever. —Lev Grossman, The Magicians S
Erin Loechner (Chasing Slow: Courage to Journey Off the Beaten Path)
Stop chasing society’s definition of success and chase your own definition of success. Success is an emotion that is experienced when you are completely fulfilled and content with where you are in life; it has nothing to do with a specific job, a specific amount of money in your bank account, or the quality of material possessions you acquire. You can be the richest man in the world, but still, feel unsuccessful, and you can be the poorest man in the world, but still, feel extremely successful.
Kyle D. Jones
We’d better start negotiating,” he said raggedly. “The first issue is how much time you’ll want to spend with me.” “All of it,” Cassandra said, and sought his lips again. Tom chuckled. “I would. I . . . oh, you’re so sweet . . . no, I’m . . . God. It’s time to stop. Really.” He crushed his mouth against her hair to avoid her kisses. “You’re about to be deflowered in the library.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
That’s the thing about Coopers Chase. You’d imagine it was quiet and sedate, like a village pond on a summer’s day. But in truth it never stops moving, it’s always in motion. And that motion is ageing, and death, and love, and grief, and final snatched moments and opportunities grasped. The urgency of old age. There’s nothing that makes you feel more alive than the certainty of death.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
Life, if you keep chasing it so hard, will drive you to death. Time—when pursued like a bandit—will behave like one; always remaining one county or one room ahead of you, changing its name and hair color to elude you, slipping out the back door of the motel just as you’re banging through the lobby with your newest search warrant, leaving only a burning cigarette in the ashtray to taunt you. At some point you have to stop because it won’t. You have to admit that you can’t catch it. That you’re not supposed to catch it.
Elizabeth Gilbert (Eat, Pray, Love)
The broken are not always gathered together,of course, and not all mysteries of the flesh are solved. We speak of "senseless tragedies" but really: Is there any other kind? Mothers and wives disappear without a trace. Childeren are killed. Madamen ravage the world, leaving wounds immeasurably deep, and endlessy mourned. loved ones whose presence once filled us move into the distance; our eyes follow them as long as possible as they recede from view. Maybe we chase them clumsily, across railroad tracks and trafficked streets; Over roads new printed with their foot steps,the dust still whirling in the wake of them; through impossibly big cities people with strangers whose faces and bodies carry fragments of their faces and bodies, whose laughter, steadiness, pluck, stuberness remind us of the beloved we seek. Maybe we stay put, left behind, and look for them in our dreams. But we never stop looking, not even after those we love become part of the unreachable horizon. we can never stop carrying the heavy weight of love on this pilgimage; we can only transfigure what we carry. We can only shatter it and send it whirling into the world so that it can take shape in some new way.
Stephanie Kallos (Broken for You)
Jess and Ric watched as a shifted Blayne chased the squirrel, caught the squirrel, toyed with the squirrel, let the squirrel go, only to go chasing after it again. Until she was distracted by the crow that she tried to catch in her mouth. “So…when are you due?” Jess winced at Ric’s question as Blayne ran into a tree, backed up, and went after the bird again. “Mid-March.” “And you’re having a—” “Yes. Yes, I’m having a wolfdog.” “Huh.” Blayne was turning in circles now, trying to catch her tail. “Blayne,” Jess called out. “Blayne!” The wolfdog immediately stopped and started to walk over to Jess and Ric. Too bad the dizziness got the best of her, though, because she stumbled sideways into another tree and slid down, panting.
Shelly Laurenston (The Mane Squeeze (Pride, #4))
So...Now that we got that over with, let's get back to love at first sight, Evan said. Not infatuation at first sight...Love. With a capital L, he clarified. Love? Heeb asked, playfully pretending not to know the concept. Yeah. The real thing. The conviction that if you had this one woman, all other women would become irrelevant. You'd never again be unhappy And you'd give up anything to have her and keep her. You've experienced that? Only once. And I haven't stopped thinking about it ever since. Tell me more. Sometimes I think that I still chase women just to forget about her. Because I know I can never have her. But I can't seem to forget about her, no matter what girl I'm chasing...No one can possibly compare.... Who is she? Delilah, Evan said wistfully. Delilah?, asked Heeb, intrigued Delilah Nakova, Evan replied, with a hint of awe and reverence in his voice.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already. The heroin helps users deal with the pain of being unable to form normal bonds with other humans. The heroin subculture gives them bonds with other human beings.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Five thousand dollars? For a kiss?” “That’s what I said.” “With tongue?” “It’s not really a kiss without it. Just say yes, pet. You obviously need the money.” I gasp before I can stop myself. I didn’t think five words from a stranger could hurt so much. What a dick. “For fuck’s sake, Nicholas,” Simon says. But he just looks at me, waiting, those arrogant green eyes alight with anticipation. So I give him what he’s waiting for. “Hands under the table,” I order. He smiles wider, puts his flask in his pocket, and does what he’s told. “Close your eyes.” “I like a woman who’s not afraid to take charge.” “No more talking.” He’s said more than enough. I lean in, keeping my eyes open the whole time, memorizing every angle of that face, feeling his warm breath against my cheek. This close, I can see the shadow of stubble on his chin and for just a second, I let myself wonder what it would feel like scratching against my stomach, my thighs—everywhere. Then in one move, I pick up his plate—and smash the apple pie in his stupid, handsome face. “Kiss this, asshole.
Emma Chase (Royally Screwed (Royally, #1))
In one way, at least, our lives really are like movies. The main cast consists of your family and friends. The supporting cast is made up of neighbors, co-workers, teachers, and daily acquaintances. There are also bit players: the supermarket checkout girl with the pretty smile, the friendly bartender at the local watering hole, the guys you work out with at the gym three days a week. And there are thousands of extras --those people who flow through every life like water through a sieve, seen once and never again. The teenager browsing a graphic novel at Barnes & Noble, the one you had to slip past (murmuring "Excuse me") in order to get to the magazines. The woman in the next lane at a stoplight, taking a moment to freshen her lipstick. The mother wiping ice cream off her toddler's face in a roadside restaurant where you stopped for a quick bite. The vendor who sold you a bag of peanuts at a baseball game. But sometimes a person who fits none of these categories comes into your life. This is the joker who pops out of the deck at odd intervals over the years, often during a moment of crisis. In the movies this sort of character is known as the fifth business, or the chase agent. When he turns up in a film, you know he's there because the screenwriter put him there. But who is screenwriting our lives? Fate or coincidence? I want to believe it's the latter. I want that with all my heart and soul.
Stephen King (Revival)
i am not my past. I am my present. I am my future. The past can chase you if you let it.You can spend your life trying to outrun it or you can stop running, turn around and look it inthe face. i've stared down my past, and now i'm moving on.I am more than my past.I am my future and it belings to me.
Lauren Blakely (The Thrill of It (No Regrets, #2))
How many rooms does it have?” “Five hundred eighty-seven, not including the staff bedrooms.” He leans up and licks the shell of my ear, making the wet and quivering plan come to fruition. His next words almost make me come on the spot. “And I want to fuck you in every one of them by the end of the summer.” “That’s ambitious,” I tease, nuzzling him. “Do you plan on stopping to feed me?” His hand skims down my back, cradling my ass. “You’ll be well taken care of, I promise.” I promise. You know what that is? Yep—Famous. Last. Words.
Emma Chase (Royally Screwed (Royally, #1))
I’ve seen thousands of mortal girls,” he said softly, “more than you could ever count, from all corners of your world. To me, they’re all the same.They see only this outer shell, not who I really am, beneath. You have. You’ve seen me without the glamour and the illusions, even the ones I show my family, the farce I maintain just to survive. You’ve seen who I really am, and yet, you’re still here. You’re here, and the only dance I want is this one." "For better or worse, I’m afraid you’re stuck with me now." "I plan to keep you, from everyone, for as long as I’m alive. That includes Puck, the false king, and anyone else who would take you away. I guess I should’ve warned you that I have a slight possessive streak." “My name is Ashallyn’darkmyr Tallyn, third son of the Unseelie Court. Let it be known—from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on…I am yours.” “My life…everything I am…belongs to you.” “I will always be your knight, Meghan Chase. And I swear, if there is a way for us to be together, I will find it. No matter how long it takes. If I have to chase your soul to the ends of eternity, I won’t stop until I find you, I promise.
Julie Kagawa
Never chase the next hot thing. Stop trying to chase the wave. You will never catch it. You always for the most part find out about that stuff too late. Instead, do what you are really passionate about, what you really love. That will position you before the wave even hits, and you will find out about whatever it is before the wave starts, before it gets hot, and that is how you take advantage.
Elon Musk
And there I was at night, chasing after the full moon behind the clouds like a mad man in search of the reflection of the light of love in another person, without daring to light up the spark of light that I had left within myself. It was nowhere to be seen, but I felt it was out there somewhere. I've surely seen it a couple of days ago up in the sky and my eyes couldn't have lied to me, it was so beautiful, or so it appeared to be. I guess I have to stop stalking what can't be seen for awhile and let the light of the full moon find its way through my messed up soul. Maybe it's time to go to sleep and trust that another sunrise will renew what the full moon couldn't clear away tonight. During all that time, I might've not found the light of the moon, but I rested deeply with the sound of the raindrops, while gazing at the quiet river flowing slowly. What a crucial moment to be alive!
Virgil Kalyana Mittata Iordache
Being with a manipulative partner is like an addiction. But instead of a drug, you’re addicted to them, to making them happy because it’s the only time you can be happy. You acclimate to their behavior a little at a time, until you grow numb to it. Until it’s no longer the worst day you’ve ever had, it’s just Monday. “Then one day they stop giving you your fix. They leave you writhing on the floor, screaming out into the void, all the while knowing, even through the pain, you’re going to wake up and do it all over again. Forever chasing the high of making them happy.
Lilian T. James (Meet Me Halfway)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
What was awesome?” Lady Sarah Von Titebottum, Prince Henry’s fiancée, asks as she walks into the foyer, up to Henry’s side. Henry puts his arm around her shoulders and kisses her quickly. “I was just showing Ellie the best ride in the palace.” “You should try it, Sarah,” Ellie says. “No.” Henry frowns, petting Sarah’s long, dark hair possessively. “No, she can’t try it. Absolutely not.” Sarah peers up at him through her black-rimmed, round glasses. “Why can’t I?” “You could break your bloody n—” He stops mid-sentence, understanding blooming. He snaps his fingers and points at Nicholas, then to his own head. “Ohhh . . . I get it now. You were right.” “I always am,” Nicholas replies.
Emma Chase (Royally Endowed (Royally, #3))
Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping.
Emma Chase (Royally Endowed (Royally, #3))
When you’re young, experiencing new relationships and first loves, nobody really knows what they’re doing. We chase the butterflies and try to capture the perfect moments. But the more you grow, the more you realize that’s not what it’s all about. Love becomes real when the ideal fades away. When that one person becomes more important than yourself. When you make the decision that no matter the cost, you’ll never stop fighting for them. When you can face each other, scarred and unashamed in this dark, lonely world, and feel like you’re finally home. Until we are ready to love with all our hearts, all our minds, and all our souls, we are nothing but lonesome people, just looking to use somebody.
Riley Jean (Use Somebody)
I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusetts’ fashionable Har­vard Square when a transvestite purse snatcher, a drug addict with a crimi­nal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp. The active, alert woman gave chase to the purse snatching ‘woman’ for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!’ on the fashionable sidewalk crowded with shop­pers, reportedly shouting repeatedly, ‘She stole my heart, stop her!’ In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s re­lationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,’ as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.
David Foster Wallace (Infinite Jest)
If we were content with ownership, then we would stop acquiring more stuff. But the combination of the thrill of the chase, the need for status and the crippling sense at the prospect of loss reveal that ownership Is one the strongest human urges and does not easily respond to reason. Of course, most of think we are the exception, but then, that is why we are possessed.
Bruce M. Hood (Possessed: Why We Want More Than We Need)
Quit living as if the purpose of life is to arrive safely at death. Set God-sized goals. Pursue God-ordained passions. Go after a dream that is destined to fail without divine intervention. Keep asking questions. Keep making mistakes. Keep seeking God. Stop pointing out problems and become part of the solution. Stop repeating the past and start creating the future. Stop playing it safe and start taking risks. Expand your horizons. Accumulate experiences. Enjoy the journey. Find every excuse you can to celebrate everything you can. Live like today is the first day and last day of your life. Don’t let what’s wrong with you keep you from worshiping what’s right with God. Burn sinful bridges. Blaze new trails. Criticize by creating. Worry less about what people think and more about what God thinks. Don’t try to be who you’re not. Be yourself. Laugh at yourself. Don’t let fear dictate your decisions. Take a flying leap of faith. Chase the lion!
Mark Batterson
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
David Foster Wallace (Infinite Jest)
To the extent that propaganda is based on current news, it cannot permit time for thought or reflection. A man caught up in the news must remain on the surface of the event; he is carried along in the current, and can at no time take a respite to judge and appreciate; he can never stop to reflect. There is never any awareness -- of himself, of his condition, of his society -- for the man who lives by current events. Such a man never stops to investigate any one point, any more than he will tie together a series of news events. We already have mentioned man's inability to consider several facts or events simultaneously and to make a synthesis of them in order to face or to oppose them. One thought drives away another; old facts are chased by new ones. Under these conditions there can be no thought. And, in fact, modern man does not think about current problems; he feels them. He reacts, but be does not understand them any more than he takes responsibility for them. He is even less capable of spotting any inconsistency between successive facts; man's capacity to forget is unlimited. This is one of the most important and useful points for the propagandist, who can always be sure that a particular propaganda theme, statement, or event will be forgotten within a few weeks. Moreover, there is a spontaneous defensive reaction in the individual against an excess of information and -- to the extent that he clings (unconsciously) to the unity of his own person -- against inconsistencies. The best defense here is to forget the preceding event. In so doing, man denies his own continuity; to the same extent that he lives on the surface of events and makes today's events his life by obliterating yesterday's news, he refuses to see the contradictions in his own life and condemns himself to a life of successive moments, discontinuous and fragmented. This situation makes the "current-events man" a ready target for propaganda. Indeed, such a man is highly sensitive to the influence of present-day currents; lacking landmarks, he follows all currents. He is unstable because he runs after what happened today; he relates to the event, and therefore cannot resist any impulse coming from that event. Because he is immersed in current affairs, this man has a psychological weakness that puts him at the mercy of the propagandist. No confrontation ever occurs between the event and the truth; no relationship ever exists between the event and the person. Real information never concerns such a person. What could be more striking, more distressing, more decisive than the splitting of the atom, apart from the bomb itself? And yet this great development is kept in the background, behind the fleeting and spectacular result of some catastrophe or sports event because that is the superficial news the average man wants. Propaganda addresses itself to that man; like him, it can relate only to the most superficial aspect of a spectacular event, which alone can interest man and lead him to make a certain decision or adopt a certain attitude. But here we must make an important qualification. The news event may be a real fact, existing objectively, or it may be only an item of information, the dissemination of a supposed fact. What makes it news is its dissemination, not its objective reality.
Jacques Ellul (Propaganda: The Formation of Men's Attitudes)
So…” I start. “I… You wanted me to stop by?” Just so we’re clear, he’s still melting my insides with a single look, and I’m still a babbling idiot who can’t form a sentence. Xavier moves closer to me, a single whiff of his cologne enough to make my knees buckle. “No,” he shocks me by saying. My jaw hangs limply. “I wanted you to come and stay,” he corrects, and a herd of murderous butterflies assault my stomach. “Stay tonight?” He moves closer again. “Forever,” he says unapologetically. I avoid his gaze. “Xav, I—” “Don’t fucking go, Vee.” He cuts to the chase, cupping my face in his hands without a single thought as to the possibility of people seeing us. “I know this is shitty, and complicated, and it’d be easier for you to get on that plane, but… I don’t want easy—fuck easy. I want you. I love you, Vee,” he croaks, pressing his forehead flush to mine. “Just… stay.
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
Everyone is always leaving each other, chasing down the next seeming opportunity—home or body. Where does it stop? Does it ever? I want to believe it all leads to something grander than the imagination, grander than the end-stop of the Pacific. Or is that it: You get to the place where you land; you are tired now; you settle. You settle. You build a home and raise a family. There are years of eating and arguing, working and waking. There are years of dying. No one knows what the last image will be.
Bich Minh Nguyen (Pioneer Girl)
We have time for everything: to sleep, to run from one place to another, to regret having mistaken and to mistake again, to judge the others and to forgive ourselves we have time for reading and writing, for making corrections to our texts, to regret ever having written we have time to make plans and time not to respect them, we have time for ambitions and sicknesses, time to blame the destiny and the details, we have time to watch the clouds, advertisements or some ordinary accident, we have time to chase our wonders away and to postpone the answers, we have time to break a dream to pieces and then to reinvent it, we have time to make friends, to lose friends, we have time to receive lessons and forget them afterwards, we have time to receive gifts and not to understand them. We have time for them all. There is no time for just a bit of tenderness. When we are aware about to do this we die. I’ve learned that you cannot make someone love you; All you can do is to be a loved person. the rest … depends on the others. I’ve learned that as much as I care others might not care. I’ve learned that it takes years to earn trust and just a few seconds to lose it. I’ve learned that it does not matter WHAT you have in your life but WHO you have. I’ve learned that your charm is useful for about 15 minutes Afterwards, you should better know something. I’ve learned that no matter how you cut it, everything has two sides! I’ve learned that you should separate from your loved ones with warm words It might be the last time you see them! I’ve learned that you can still continue for a long time after saying you cannot continue anymore I’ve learned that heroes are those who do what they have to do, when they have to do it, regardless the consequences I’ve learned that there are people who love But do not know how to show it ! I’ve learned that when I am upset I have the RIGHT to be upset But not the right to be bad! I’ve learned that real friendship continues to exist despite the distance And this is true also for REAL LOVE !!! I’ve learned that if someone does not love you like you want them to It does not mean that they do not love you with all their heart. I’ve learned that no matter how good of a friend someone is for you that person will hurt you every now and then and that you have to forgive him. I’ve learned that it is not enough to be forgiven by others Sometimes you have to learn to forgive yourself. I’ve learned that no matter how much you suffer, The world will not stop for your pain. I’ve learned that the past and the circumstances might have an influence on your personality But that YOU are responsible for what you become !!! I’ve learned that if two people have an argument it does not mean that they do not love each other I’ve learned that sometimes you have to put on the first place the person, not the facts I’ve learned that two people can look at the same thing and can see something totally different I’ve learned that regardless the consequences those WHO ARE HONEST with themselves go further in life. I’ve learned that life can be changed in a few hours by people who do not even know you. I’ve learned that even when you think there is nothing more you can give when a friend calls you, you will find the strength to help him. I’ve learned that writing just like talking can ease the pains of the soul ! I’ve learned that those whom you love the most are taken away from you too soon … I’ve learned that it is too difficult to realise where to draw the line between being friendly, not hurting people and supporting your oppinions. I’ve learned to love to be loved.
Octavian Paler
There have been complaints?' said Miss Susan. 'Er, no ... er ... although Miss Smith has told me that the children coming up from your class are, er, restless. Their reading ability is, she says, rather unfortunately advanced ...' 'Miss Smith thinks a good book is about a boy and his dog chasing a big red ball,' said Miss Susan. 'My children have learned to expect a plot. No wonder they get impatient. We're reading Grim Fairy Tales at the moment.' 'That is rather rude of you, Susan.' 'No, madam. That is rather polite of me. It would have been rude of me to say that there is a circle of Hell reserved for teachers like Miss Smith.' 'But that's a dreadf---' Madam Frout stopped, and began again. 'You should not be teaching them to read at all yet!' she snapped. [...] 'I mean,' the headmistress mumbled, 'childhood is a time for play and---' 'Learning,' said Miss Susan. 'Learning through play,' said Madam Frout, grateful to find familiar territory. 'After all, kittens and puppies---' '---grow up to be cats and dogs, which are even less interesting,' said Miss Susan, 'whereas children should grow up to be adults.'" [...] 'What precisely was it you wanted, madam?' she said. It's just that I've left the class doing algebra, and they get restless when they've finished.' 'Algebra?' said Madam Frout [...] 'But that's far too difficult for seven-year-olds!' 'Yes, but I didn't tell them that and so far they haven't found out,' said Susan.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
Almost everyone stopped when he did, but Enaila and Jalani exchanged glances and kept on right past him toward the garden. He raised his voice a fraction and hardened it considerably more. “The Maidens here will come with me. Anyone who wants to put on a dress and discuss matchmaking can stay behind.” .................................. Bashere motioned, and one of the younger Saldaeans loped ahead in that rolling stride of a man more used to a saddle. “A man must know when to retreat from a woman,” Bashere said to the air, “but a wise man knows that sometimes he must stand and face her.” “Young men,” Bael said indulgently. “A young man chases shadows and runs from moonlight, and in the end he stabs himself in the foot with his own spear.” Some of the other Aiel chuckled, Maidens and Knife Hands alike. The older ones did. Irritated, Rand looked over his shoulder again. “Neither of you would look well in a dress.” Surprisingly, the Maidens and Knife Hands laughed again, more loudly. Maybe he was getting a grip on Aiel humor.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?" Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet. "Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images. Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge. "I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing. "No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
Marquesate (Special Forces - Soldiers (Special Forces, #1))
Then I pace the floor, rocking him softly in my arms, patting his ass. You know I must be really desperate—because I try singing: Hush, little baby, don’t say a word Daddy’s gonna buy you a . . . I stop—because why the fuck would any baby want a mockingbird? None of those nursery rhymes make any goddamn sense. I don’t know any other lullabies, so I go for the next best thing, “Enter Sandman” by Metallica: Take my hand, We’re off to never-never land . . .
Emma Chase (Tied (Tangled, #4))
But when you try to stop your rising anger, [your mind] is split between your angry thoughts and your thoughts of stopping them. It’s as if you’re chasing after someone who is running away, except that you’re both the runner and the one pursuing him as well! [...] So the idea of trying to stop [your thoughts] is wrong. Since that’s how it is, when you no longer bother about those rising thoughts, not trying either to stop them or not to stop them, that’s the Unborn Buddha Mind.
Yoshito Hakeda (Bankei Zen: Translations from the Record of Bankei)
In the past, my brain could only compute perfection or failure—nothing in between. So words like competent, acceptable, satisfactory, and good enough fell into the failure category. Even above average meant failure if I received an 88 out of 100 percent on an exam, I felt that I failed. The fact is most things in life are not absolutes and have components of both good and bad. I used to think in absolute terms a lot: all, every, or never. I would all of the food (that is, binge), and then I would restrict every meal and to never eat again. This type of thinking extended outside of the food arena as well: I had to get all of the answers right on a test; I had to be in every extracurricular activity […] The ‘if it’s not perfect, I quit’ approach to life is a treacherous way to live. […] I hadn’t established a baseline of competence: What gets the job done? What is good enough? Finding good enough takes trial and error. For those of us who are perfectionists, the error part of trial and error can stop us dead in our tracks. We would rather keep chasing perfection than risk possibly making a mistake. I was able to change my behavior only when the pain of perfectionism became greater than the pain of making an error. […] Today good enough means that I’m okay just the way I am. I play my position in the world. I catch the ball when it is thrown my way. I don’t always have to make the crowd go wild or get a standing ovation. It’s good enough to just catch the ball or even to do my best to catch it. Good enough means that I finally enjoy playing the game.
Jenni Schaefer (Goodbye Ed, Hello Me: Recover from Your Eating Disorder and Fall in Love with Life)
Jackson watched in amazement that she had convinced the driver to handle the vehicle in such a way. Tourists began taking pictures of Imogene, standing tall in the seat while the driver guided the horse with the reins. She kept her eye trained on Catfish, describing his every step as if the driver couldn’t see the runner for himself … Catfish stopped at the “T” in the road up ahead. He was heaving air, and Imogene said, “We’ve worn him out, son. Keep on him. He’s ours for the catchin’.
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
He got up and ran on, pitching himself down the hill, flying through the branches of the firs, leaping roots and rocks without seeing them. As he went, the hill got steeper and steeper, until it was really like falling. He was going too fast and he knew when he came to a stop, it would involve crashing into something, and shattering pain. Only as he went on, picking up speed all the time, until with each leap he seemed to sail through yards of darkness, he felt a giddy surge of emotion, a sensation that might have been panic but felt strangely like exhilaration. He felt as if at any moment his feet might leave the ground and never come back down. He knew this forest, this darkness, this night. He knew his chances: not good. He knew what was after him. It had been after him all his life. He knew where he was - in a story about to unfold an ending. He knew better than anyone how these stories went, and if anyone could find their way out of these woods, it was him. ("Best New Horror")
Joe Hill (20th Century Ghosts)
I watched an old American submarine movie on television. The creaking plot had the captain and first officer constantly at each other’s throat. The submarine was a fossil, and one guy had claustrophobia. But all that didn’t stop everything from working out well in the end. It was an everything-works-out-in-the-end-so-maybe-war’s-not-so-bad-after-all sort of film. One of these days they’ll be making a film where the whole human race gets wiped out in a nuclear war, but everything works out in the end.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
That was so-Gryffin always has so much pain. That you can take it away like that - it's almost like magic." Chase shrugged in the dark. "Kindness is a form of magic," he said. "So everyone should be capable of at least a little. Good night. See you in the morning." And he nodded to me and strode off. Kindness is a form of magic. Then magic had sprinkled itself across me many times, when I had not noticed its fey sparkle. I had been used to thinking of my life as bleak and full of darkness, but for the first time it occurred to me how often a stranger had stepped forward to offer me comfort and assistance, no matter how briefly. Ian Shelby. Sarah Parmer. Aylre the Safe-Keeper. The man who had stopped Carlon from beating me in the streets. Chase Beerin. They had been kind to me; most had, in different ways, been kind to Gryffin as well. Looked at that way, my life was a weave of brightness laid over a trembling black, a scrap of midnight velvet spangled with many jewels. I had another thought as I stood there, trying desperately to understand a completely altered view of my existence. Someday I might be the one to offer kindness to someone else in grim and dire circumstances. Someday I might be the one with wealth or knowledge or strength or power that could be used to alleviate another person's distress. Such a thought had literally never crossed my mind before. More than once I had been saved. Someday I might save someone else in return.
Sharon Shinn (The Dream-Maker's Magic (Safe-Keepers, #3))
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat. “This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand. My gaze dropped to it and I made no attempt to take it. Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?” His question caught me off guard, but I kept quiet. He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.” “She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.” As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded. Rolland chuckled. “She’s had a rough day, Sadi.” At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag. “Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.” “Are you?” Daemon replied.
 Every hair on my body rose as my arms unfolded.
 “Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.”
 Sadi’s head snapped in my direction. “Excuse me?”
 “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?”
 In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red— “And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails. The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
Jennifer L. Armentrout (Opposition (Lux, #5))
You want to know how the story really ends? You want to know the part of the tale that everyone forgets?' ... 'I told you that I killed her, but I didn't say how.' A dangerous intensity slipped in to Jacks' voice. 'I didn't tell you that I ran away, that I tried to leave her so I wouldn't hurt her. I didn't know if I really loved her, or if my feelings were all from the curse, because it wouldn't let me stop thinking about her. But she had more faith in me that I did. She chased after me. She was convinced I really loved her and that I could fight the curse. And I did. I never laid a hand on her. I overcame the Archer's curse. But it didn't matter, because as soon as I kissed her, she died.' Jack's mouth twisted bitterly. 'Since then, every girl I've kissed has died, except for one. And you are not that girl.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
When Love comes suddenly and taps on your window, run and let it in but first shut the door of your reason. Even the smallest hint chases love away like smoke that drowns the freshness of the morning breeze. To reason Love can only say, the way is barred, you can't pass through but to the lover it offers a hundred blessings. Before the mind decides to take a step Love has reached the seventh heaven. Before the mind can figure how Love has climbed the Holy Mountain. I must stop this talk now and let Love speak from its nest of silence.
Jalal ad-Din Muhammad ar-Rumi
I'll tell you the fairy tale of the apple. Eve ate the apple, and then Adam came and did so too. Afterwards the apple was forgotten, and it was assumed that it rolled away in the grass while Adam and Eve were chased out of the garden. But that's not true, because secretly the apple rolled in between Eve's legs, scratched open her flesh and burrowed into her crotch. It stayed there with the white bite marks facing out, and after a while the fruit-flesh started to shrivel, and mould threads grew from the edges of the peel. The mould threads became pubic hair and the bite mark became the slit between the labia. Soon all of Eden followed the apple's example and started to decompose and rot, and since then this has happened in all gardens and everything in nature, and honey mushrooms came into existence, and rot and parasites and beetles arose. But the apple was first, and it never stops rotting, it just gets blacker. The apple has no end, just like this fairy tale.
Jenny Hval (Paradise Rot)
If she had been a normal female, she would have swooned. But she was not normal, never had been. “Good grief, you are impossibly handsome,” she said breathlessly. “I vow, I have never experienced the like. For an instant, my brain stopped altogether. I must say, my lord, you do clean up well. But next time, I wish you would call out a warning before you come into view, and give me a chance to brace myself for the onslaught.” Something dark flickered in his eyes. Then a corner of his hard mouth quirked up. “Miss Adams, you have an interesting — a unique — way with a compliment.” The trace of a smile disoriented her further. “It is a unique experience,” she said. “I never knew my brain to shut off before, not while I was full awake. I wonder if the phenomenon has been scientifically documented and what physiological explanation has been proposed.
Loretta Chase (The Mad Earl's Bride (Scoundrels, #3.5))
Wait!” I shouted, chasing after him. Leaves sawed at my face and arms as I crashed into the undergrowth. “I have questions! How do I know this is real? What if it’s just a dream with a lowercase d? What if I change my mind about Hel tomorrow?” I stopped. Ganesha was gone, but I still felt presences in the jungle. I turned right and circled around to where I thought they were lurking. I felt them leave as I ran madly through the vegetation, yelling, “Why doesn’t everyone use the metric system? What happened to all of the yeti? How come I’ve never seen my archdruid in Tír na nÓg? Could he be the Most Interesting Man in the World? Why aren’t people from Trinidad and Tobago called Tobaggans? Do you know any Vogon poetry?” I
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
West’s face softened. “Listen to me, Cassandra: If you spend enough time around Severin, you’ll come to love him. It’s your nature. Even knowing it’s a bad idea under the circumstances, you’ll end up doing it, the way I used to sing in the bath.” Phoebe slid her husband a surprised glance. “When was that?” “When I lived alone. But I was obliged to stop after I moved to Eversby Priory, when Kathleen told me it was scaring the servants.” “It sounded nonhuman,” Kathleen said. “We all thought someone was performing an exorcism.” Entertained by the revelation, Phoebe grinned and slipped her arm through West’s.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Every morning he went for a walk with his wife, Reine-Marie, and their German shepherd Henri. Tossing the tennis ball ahead of them, they ended up chasing it down themselves when Henri became distracted by a fluttering leaf, or a black fly, or the voices in his head. The dog would race after the ball, then stop and stare into thin air, moving his gigantic satellite ears this way and that. Honing in on some message. Not tense, but quizzical. It was, Gamache recognized, the way most people listened when they heard on the wind the wisps of a particularly beloved piece of music. Or a familiar voice from far away.
Louise Penny (The Long Way Home (Chief Inspector Armand Gamache #10))
There's a characteristically brilliant Peanuts strip which opens with Linus sitting on the living-room floor, anxiously clutching his mouth. Lucy enters and asks what's wrong. "I'm aware of my tongue," he explains. "It's an awful feeling! Every now and then I become aware that I have a tongue inside my mouth, and then it starts to feel lumped up... I cant's help it... I can't put it out of my mind... I keep thinking about where my tongue would be if I weren't thinking about it, and then I can feel it sort of pressing against my teeth." Loudly declaring this the dumbest thing she's ever heard, Lucy scowls away. But a few steps down the corridor, she stops dead in her tracks. She clutches her own mouth. Suddenly she's aware of her tongue too. She runs back and chases him round the room, shouting, "You blockhead!" with her gigantic booming gob. Occasionally, late at night, while I'm trying to sleep and failing, I experience someting similar - except instead of being aware of my tongue, I'm aware of my entire body, the entire world, and the whole of reality itself. It's like waking from a dream, or a light going on, or a giant "YOU ARE HERE" sign appearing in the sky. The mere fact that I'm actually real and actually breathing suddenly hits me in the head with a thwack. It leaves me giddy. It causes a brief surge of clammy, bubbling anxiety, like the opening stages of a panic attack. The moment soon passes, but while it lasts it's strangely terrifying.
Charlie Brooker (The Hell of It All)
TINA: I’ll have to go to the Ministry with what I’ve got. (a wobble in her voice) It was nice to see you again, Mr. Scamander. She strides from the room, leaving NEWT perplexed and upset. INT. FLAMEL HOUSE, HALLWAY—AFTERNOON JACOB follows TINA into the hall. JACOB: Hey, hold on one second, will you? Well, hold on! Wait! Tina! She leaves. As the front door closes, NEWT appears at the drawing room door. JACOB: (to NEWT) You didn’t mention salamanders, did you? NEWT: No, she just—ran. I don’t know . . . JACOB (firm): So you chase after her! NEWT grabs his case. He leaves.  EXT. RUE DE MONTMORENCY—END OF DAY TINA is hurrying up the road. NEWT hastens to catch up. NEWT: Tina. Please, just listen to me— TINA: Mr. Scamander, I need to go talk to the Ministry—and I know how you feel about Aurors— NEWT: I may have been a little strong in the way that I expressed myself in that letter— TINA: What was the exact phrase? “A bunch of careerist hypocrites”? NEWT: I’m sorry, but I can’t admire people whose answer to everything that they fear or misunderstand is “kill it”! TINA: I’m an Auror and I don’t— NEWT: Yes, and that’s because you’ve gone middle head! TINA (stopping): Excuse me? NEWT: It’s an expression derived from the three heads of the Runespoor. The middle one is the visionary. Every Auror in Europe wants Credence dead—except you. You’ve gone middle head. A beat. TINA: Who else uses that expression, Mr. Scamander? NEWT considers. NEWT: I think it might just be me.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
(I typed this up myself) MY SKY We were outside in the street me and some other kids kicking the ball before dinner and Sky was chasing chasing chasing with his feet going every which way and his tail wag-wag-wagging and his mouth slob-slob-slobbering and he was all over the place smiling and wagging and slobbering and making us laugh and my dad came walking up the street he was way down there near the end I could see him after he got off the bus and he was walk-walk-walking and I saw him wave and he called out "Hey there, son!" and I didn't see the car coming from the other way until someone else- one of the big kids- called out "Car!" and I turned around and saw a blue car blue car splattered with mud speeding down the road And I saw Sky going after the ball wag-wag-wagging his tail and I called him "Sky! Sky!" and he turned his head but it was too late because the blue car blue car splattered with mud hit Sky thud thud thud and kept on going in such a hurry so fast so many miles to go it couldn't even stop and Sky was just there in the road lying on his side with his legs bent funny and his side heaving and he looked up at me and I said "Sky! Sky! Sky!" and then my dad was there and he lifted Sky out of the road and laid him on the grass and Sky closed his eyes and he never opened them again ever.
Sharon Creech (Love That Dog (Jack, #1))
Even after four thousand years, I could still learn important life lessons. For instance: never go shopping with a satyr. Finding the store took forever, because Grover kept getting sidetracked. He stopped to chat with a yucca. He gave directions to a family of ground squirrels. He smelled smoke and led us on a chase across the desert until he found a burning cigarette someone had dropped onto the road. "This is how fires start," he said, then responsibly disposed of the cigarette butt by eating it. I didn't see anything within a mile radius that could have caught fire. I was reasonably sure rocks and soil were not flammable, but I never argue with people who eat cigarettes.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Above all, believe. Cultivate your swagger. Make this your new religion: You are funny and talented, and you’re going to try something new. This is the exact right time for that. This is the most important year of your life, and for once you are NOT going to let yourself down. If you fall down and feel depressed, you will get back up. If you feel lethargic and scared, you will try something else: a new routine, a new roommate situation, a healthier diet. You will read books about comedy. You will work tirelessly and take pride in your tireless work. And you will take time every few hours to stop and say to yourself, “Look at me. I’m doing it. I’m chasing my dream. I am following my calling.” It doesn’t matter if your dreams come true, if agents swoon and audiences cheer. Trust me on that: It truly doesn’t matter. What matters is the feeling that you’re doing it, every day. What matters is the work—diving in, feeling your way in the dark, finding the words, trusting yourself, embracing your weird voice, celebrating your quirks on the page, believing in all of it. What matters is the feeling that you’re not following someone else around, that you’re not half-assing this, that you’re not waiting for something to happen, that you’re not waiting for your whole life to start. What matters is you, all alone at your desk at five in the morning. I write this from my own desk at five in the morning, my favorite place, a place where I know who I am and what I’m meant to accomplish in this life. Savor that precious space. That space will feel like purgatory at first, because you’ll realize that it all depends on you. That space will feel like salvation eventually, because you’ll realize that it all depends on you.
Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
The trick is to not only deny the criticism any power over you, but, even more challenging, to not get caught up in the praise. There’s nothing wrong with blushingly accepting a compliment, but if you find yourself always seeking outside approval that you’re good enough or cool enough or talented enough or worthy enough, you’re screwed. Because if you base your self-worth on what everyone else thinks of you, you hand all your power over to other people and become dependent on a source outside of yourself for validation. Then you wind up chasing after something you have no control over, and should that something suddenly place its focus somewhere else, or change its mind and decide you’re no longer very interesting, you end up with a full-blown identity crisis.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
i remember el salvador, /n it’s horse shit, like i tell you. i stopped chasing the messiahs /n madonnas - wised up, set myself straight. i’ve laid em /n balled em in every half-way house south of biloxi, every 10 cent bed west of tulsa, fucked /n slobbered myself stupid on swingsets, greyhounds /n gas station floors the world over. i’ve split em in half from head to ass in elevator shafts, plus-size fitting rooms, in the lobbies of sheraton inns /n kfc parking lots - fucked em everywhere every way that i could. someone else can fuck em now. i’m done w/ el salvador. i know her militias her perfume, munitions, her missing hubcaps /n posters of paris. i know her goyas, her barricades, her paintboxes /n bookshelves of baudelaire, her banners, her bullshit /n paris can keep her.
Brandon Thomas DiSabatino (6 weeks of white castle /n rust)
Our eyes finally meet—he’s still staring at me, lips parted. And I can’t get a read on his expression. As the moments stretch on, a bud of nervousness blooms in my stomach, its vine wrapping around my vocal chords. “I…I wasn’t sure what you had planned for tonight. You didn’t tell me.” Those long lashes blink, but he doesn’t say anything. I raise my hand toward the kitchen. “I can go change if this isn’t—” “No.” Nicholas steps forward, his hand up. “No, don’t change a thing. You’re…absolutely perfect.” And he’s looking at me like he never wants to stop. “I didn’t expect…I mean, you’re lovely…b-but…” “Wasn’t there a movie about a king who stuttered?” I tease him. “Was he a relative of yours?” He chuckles. And call me crazy, but I swear Nicholas’s cheeks go slightly pink. “No, stuttering doesn’t run in my family.” He shakes his head. “You just knocked me on my arse.” And now I’m beaming. “Thank you. You look pretty great too, Prince Charming.” “I actually know a Prince Charming. He’s first-class prick.” “Well. Now that you’ve tarnished a precious piece of my childhood, this better be some date,” I tease. “It will be.” He holds out his hand to me. “Shall we?
Emma Chase (Royally Screwed (Royally, #1))
Vexed with herself, Cassandra took a handkerchief from the congealed pocket of her dress and pressed it hard over a new trickle of tears. After a minute or two had passed, she became aware of someone ascending the stairs in a measured tread. Embarrassed to be caught crying on the steps like a lost child, Cassandra struggled to rise. A low voice stopped her. "No... please. I only wanted to give you this." Through a blur, she saw the dark form of Tom Severin, who had come to stand a step below her, with two glasses of iced champagne in his hands. He extended one to her. Cassandra began to reach for it, but hesitated. "I'm not supposed to have champagne unless it's mixed with punch." One corner of his wide mouth tipped upward. "I won't tell." Cassandra took the glass gratefully, and drank. The cold fizz was wonderful, easing the dry tightness of her throat. "Thank you," she murmured.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
As he turned back to her, Cassandra stood on her toes to kiss him. He claimed his reward immediately, fitting his mouth to hers and taking a long, ardent taste. Her head swam, and she welcomed the exploration of his tongue. He savored and consumed her, with a kiss more aggressive than any he'd given her before. It made her knees weak and turned her bones fluid. Her body listed toward his and was instantly gathered into the hard urgency of his embrace. Desire curled through her in hot tendrils that insinuated themselves in deep, private places. Her throat caught on a whimper of protest as his mouth lifted from hers. "We'd better start negotiating," he said raggedly. "The first issue is how much time you'll want to spend with me." "All of it," Cassandra said, and sought his lips again. Tom chuckled. "I would. I... oh, you're so sweet... no, I'm... God. It's time to stop. Really." He crushed his mouth against her hair to avoid her kisses. "You're about to be deflowered in the library." "Didn't that already happen?" she asked, and felt the shape of his smile. "No," he whispered, "you're still a virgin. Albeit slightly more experienced than two days ago." He brought his mouth closer to her ear. "Did you like what I did?" She nodded, her face turning so hot that she could feel her cheeks throb. "I wanted more." "I'd like to give you more. As soon as possible.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
A group of older women walked past, wearing fanny packs and large cameras around their necks. ... "I think I'm going to get one of those." Weylin's voice was thoughtful as he watched the women jaywalk. "One of what?" Ree cocked an eyebrow and smiled at her friend. "I don't know, Wey-mand. I think they might be too much woman for you." Paden flashed a crooked grin. "Har, har. I meant a fanny pack." Looking thoughtful, Weylin ignored thier expressions of disbelief. "A...fanny pack?" Sophie was looking at Weylin as if he had lost his mind, but Ree noticed the corners of her mouth twitching. "Yeah. Think about all the cool things I could carry in one." Completely unperturbed, Weylin stopped at the crosswalk and hit the button on the light post. "I could carry knives and some of those collapsible swords that Roland uses. Oh and snacks!" Unable to control her laughter anymore, Ree leaned over and clutched her sides. "Snacks? Weylin, I think you might need to lie down. You obviously have a fever or something." "You won't be saying that the next time we're out and you get a hankering for a pizza or some popcorn. I could even carry bottled water and little sanitizer wipes." "How big of a fanny pack are you planning on getting? Paden raised an eyebrow. ... "Oh, hell no! I am not eating food you've been carrying near your man-pickle. That is so not going to happen." Everyone in the group sputtered and laughed at Juliette's comment.
Nichole Chase (Mortal Defiance (Dark Betrayal Trilogy, #2))
I pulled my Taser and ordered him to stop.” “And he listened?” I asked. “Oh no,” Kevin said. “Not at all. He shoved me out of his way and tried to make a run for it.” “So what’d you do, chase him down and tackle him?” Summer asked. “Er . . . no,” Kevin replied. “When he pushed me, I tripped over a little kid and, uh, sort of accidentally fired my Taser.” “So you tasered James Van Amburg by accident?” Mom gasped. “No.” Kevin said. “I tasered a different guest by accident. But then she fell down and Van Amburg tripped over her and knocked himself unconscious on the curb.” Hoenekker cringed, looking mortified by this story. “Wow,” J.J. muttered. “This is a real crack staff we have here.” “Thanks!” Kevin said, failing to grasp J.J.’s sarcasm. “Any idea what this accidental tasing’s gonna cost me?” J.J. asked. “Well, the woman was pretty upset,” Kevin admitted. “Especially because it happened in front of her grandkids.” “You tased a grandmother?!” J.J. exclaimed, horrified.
Stuart Gibbs (Panda-monium (FunJungle, #4))
I want you to know I have never loved anyone like I love you. More than Darcy loved Elizabeth or Heathcliff loved Cathy. I just don’t want to make you a widow.” “I never really understood why Brontë is considered to be a romance writer. We were required to read Wuthering Heights in high school and I always believed that her novel showcased the bleakest aspects of human nature. The story provided readers with a small yet unforgettable glimpse into the depths of human cruelty. Personally, I never considered the story romantic because the love shared between Cathy and Heathcliff was fatal, not just for themselves but for those around them. Their souls were incompatible, and they were a toxic pairing. Despite their love, passion, jealousy, and desire for connection, they were unable to recognize this fact.” “I was never a fan of Victorian romance novels.” “It was never one of my favorites. It’s often viewed as one of the great romance novels of all time, but I think it represents something darker: the fatal, selfish side of love, obsession, and abuse. To this day, I have not encountered a more accurate depiction of how love can become selfish.” “Why do you say that?” Xuan asked. “Because I think you have to love someone in the way that I love you to truly understand what love means... and to understand how wrong the story is. My soul and yours are the same in a way that Catherine and Heathcliff’s could never be. Widow or not, I will never stop loving you, Xuan. You have mesmerized me. My very soul has been entangled completely by you over these past three years. If Brontë or Austen could write the greatest love story of all time they’d write our story. And whether you marry me or not, how I feel about you will never change.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
Bob, don’t!” Percy said, his eyes pleading. “He’ll destroy you permanently. No coming back. No regeneration.” Bob shrugged. “Who knows what will be? You must go now. Tartarus is right about one thing. We cannot defeat him. We can only buy you time.” The Doors tried to close on Annabeth’s foot. “Twelve minutes,” said the Titan. “I can give you that.” “Percy... hold the Doors.” Annabeth jumped and threw her arms around the Titan’s neck. She kissed his cheek, her eyes so full of tears, she couldn’t see straight. Bob’s stubbly face smelled of cleaning supplies — fresh lemony furniture polish and Murphy Oil wood soap. “Monsters are eternal,” she told him, trying to keep herself from sobbing. “We will remember you and Damasen as heroes, as the best Titan and the best giant. We’ll tell our children. We’ll keep the story alive. Someday, you will regenerate.” Bob ruffled her hair. Smile lines crinkled around his eyes. “That is good. Until then, my friends, tell the sun and the stars hello for me. And be strong. This may not be the last sacrifice you must make to stop Gaea.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I keep meeting so many couples who feel trapped by the traditional concept of love. They’re actually stuck in between love and sensuality. They seek more sensuality because love, quite frankly, is just not enough. As I usually say, love is an occupation of the idle. The reason why love today doesn’t work like it used to is because we have outgrown it. Have you looked at couples these days? They are bored out of their minds with each other they don’t know what to do with themselves. Many feel trapped or like they’re letting their lives pass them by. I can’t blame them. Here’s the thing, the concept of love has to be constantly renewed (for every generation), and the only way to renew it is through evolving our sensuality. But sensuality is still a taboo in our society. If only people knew that by consistently upgrading our own sensuality we are essentially making sure that we keep love FOREVER FRESH and relevant to our ever-evolving needs (and every generation), then they would be more embracing towards this idea of sensual living. Remember, human beings are not stagnant creatures. Your partner’s needs are a constantly moving target. In fact, love is a constantly moving target. So how do you build foresight that will help you keep figuring out what (or who) your partner IS BECOMING... daily... weekly... monthly... yearly, so that you can avoid being washed out by their perpetual evolution? I believe that developing your ability to stay consistent with our own sensual growth is highly crucial in this day and age. It’s what’s going to help you survive being washed out, outgrown, or become irrelevant in your partner’s life. You’ve got to keep up. You can’t be lazy or complacent because you’re ‘in love.’ Stop using love as a security. Sensuality is the new security. Sensuality is what’s going to help you keep up with the chase of your partner's constantly evolving nature.
Lebo Grand
Wow wow wow is all I can say! Remember how I always buy lunchtime Scratch-Off ticket? Have I said? Maybe did not say? Well, every Friday, to reward self for good week, I stop at store near home, treat self to Butterfinger, plus Scratch-Off ticket. Sometimes, if hard week, two Butterfingers. Sometimes, if very hard week, three Butterfingers. But, if three Butterfingers, no Scratch-Off. But Friday won ten grand!! On Scratch-Off! Dropped both Butterfingers, stood there holding dime used to scratch, mouth hanging open. Kind of reeled into magazine rack. Guy at register took ticket, read ticket, said, Winner! Guy righted magazine rack, shook my hand. Raced home on foot, forgetting car. Raced back for car. Halfway back, thought, What the heck, raced home on foot. Pam raced out, said, Where is car? Showed her Scratch-Off ticket. She stood stunned in yard. Are we rich now? Thomas said, racing out, dragging Ferber by collar. Not rich, Pam said. Richer, I said. Richer, Pam said. Damn. All began dancing around yard, Ferber looking witless at sudden dancing, then doing dance of own, by chasing own tail.
George Saunders (Tenth of December)
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally. He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious. You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible. I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy. How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him. Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard. “That was…enlightening,” he breathed. “Thank you, Kelsey.” I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation. “Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us. Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve? I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation. He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.” “Well, I no longer care about what you want!” He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger. I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path. After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me. I stare back at him as the silence stretches onwards. We’re both stiff. He says nothing. “Maybe I should ask you the same thing.” I shake my head, my nails digging into my palms. Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch. “Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear. “Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?” I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?” He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms. He groans, fire burning in his voice. “You want me, you’re trying to hide from it.” “No,” I try to bite the words at him but it comes out strangled. I try to push him away but before I have to, he releases me. I try to put as much distance between him and myself, shaking. Loathing is my voice. "Get away from me. I hate you." He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale. Then closing his eyes and turning, he starts walking away, heading towards the parking lot. "I hate you!" I scream again behind him. Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.” He keeps on walking, never glancing back.
L. Jayne (Chasing After Infinity)
But even as he reached out to cup he face he heard an angry buzzing, and a huge black bee dive-bombed him from out of nowhere. With an oath, Thomas jumped back, swatting ineffectually at the persistent insect. As his left foot came down he turned his ankle and nearly fell. Alexandria’s hand covered her mouth in horror. Aidan, stop it right now! I cannot imagine what you are accusing me of, Aidan returned innocently from the living room. But I have not done anything. He smiled and moved slowly toward her. Yet. “Marie!” In a panic, Alexandria called out as loudly as she could. Aidan laughed as the housekeeper hurried in. Little coward, run while you can. Though they were half a room apart and Marie was squarely between them, Alexandria felt the brush of his fingers on her skin, her face, her throat. They trailed lower, feather-light, to touch the aching swell of her breast before the sensation was gone. “What is it, Alexandria?” Marie asked, her hands on her hips, glaring at Aidan. He held up a placating hand, laughing. “I am innocent. I was a perfect gentleman to her visitor.” “He spilled Thomas’s coffee, made him sneeze, smeared whipped cream over him, and chased him with a bee,” Alexandria accused. While Marie struggled to keep a straight face, Alexandria delivered a final outrage. “And he was going to wither my flowers.” “Aidan!” Marie reprimanded sharply, but there was laughter in her eyes.
Christine Feehan (Dark Gold (Dark, #3))
There have been complaints?' said Miss Susan. 'Er, no ... er ... although Miss Smith has told me that the children coming up from your class are, er, restless. Their reading ability is, she says, rather unfortunately advanced ...' 'Miss Smith thinks a good book is about a boy and his dog chasing a big red ball,' said Miss Susan. 'My children have learned to expect a plot. No wonder they get impatient. We're reading Grim Fairy Tales at the moment.' 'That is rather rude of you, Susan.' 'No, madam. That is rather polite of me. It would have been rude of me to say that there is a circle of Hell reserved for teachers like Miss Smith.' 'But that's a dreadf-' Madam Frout stopped, and began again. 'You should not be teaching them to read at all yet!' she snapped. [...] 'I mean,' the headmistress mumbled, 'childhood is a time for play and-' 'Learning,' said Miss Susan. 'Learning through play,' said Madam Frout, grateful to find familiar territory. 'After all, kittens and puppies -' ' -grow up to be cats and dogs, which are even less interesting,' said Miss Susan, 'whereas children should grow up to be adults.' [...] 'What precisely was it you wanted, madam?' she said. It's just that I've left the class doing algebra, and they get restless when they've finished.' 'Algebra?' said Madam Frout [...] 'But that's far too difficult for seven-year-olds!' 'Yes, but I didn't tell them that and so far they haven't found out,' said Susan.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you." Emma stops chewing. Galen drops his fork. "Uh, I don't think we need to take it that far-" Emma starts. "Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot. "They do, but-" "No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?" "Probably not, but-" "I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand." "Rachel," he says, shaking his head, "this can wait-" "Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around." Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like. Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing." Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss." Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something." Rachel nods. "That should work." "What does that mean? Making out?" Galen says between bites. Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?" He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him. "We'll just have to plan it, that's all. Give you time to prepare," Emma tells him. "Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun." "Yeah, but this isn't for fun, remember?" Emma says. "This is just for show." "You don't think kissing Galen would be fun?" Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes." Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges. Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy. This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right. This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour. He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up. He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
The Sinsar Dubh popped up on my radar, and it was moving straight toward us. At an extremely high rate of speed. I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do. Barrons looked at me sharply. “What? Do you sense it?” Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears. He didn’t even try to pat me down. He just said, “Liar.” I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.” “No, I don’t know, Ms. Lane. Why don’t you enlighten me?” A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain. “That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?” I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.” “I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.” My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant. And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
Karen Marie Moning (Faefever (Fever, #3))
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
XII.—LOCHINVAR. Oh! young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword, he weapons had none, He rode all unarmed, and he rode all alone; So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone; He swam the Esk river, where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bride's-men, and kinsmen, and brothers, and all; Then spoke the bride's father, his hand on his sword - For the poor craven bridegroom said never a word - "Oh! come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?" "I long wooed your daughter, my suit you denied; Love swells like the Solway, but ebbs like its tide; And now am I come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Lochinvar." The bride kissed the goblet: the knight took it up, He quaffed off the wine, and he threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand, ere her mother could bar - "Now tread we a measure!" said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume: And the bride's-maidens whispered, "'Twere better by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near; So light to the croup the fair lady he swung, So light to the saddle before her he sprung. "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Netherby clan; Forsters, Fenwicks, and Musgraves, they rode and they ran: There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Walter Scott (Marmion)
But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.
Emma Chase (Royally Matched (Royally, #2))
Has he invited you to dinner, dear? Gifts, flowers, the usual?” I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.” “He fed you?” Raphael stopped rubbing Andrea. “How did this happen?” Aunt B stared at me. “Be very specific, this is important.” “He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.” “Did you accept?” Aunt B asked. “Yes, I was starving. Why are the three of you looking at me like that?” “For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.” Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?” “No. He chased everyone out.” Raphael nodded. “At least he hasn’t gone public yet.” “He might never,” Andrea said. “It would jeopardize her position with the Order.” Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.” “If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . . “Food has a special significance,” Aunt D said. I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.” “There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.” “In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.” “If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.” “But I didn’t know what it meant!” Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.” “You’re scaring me.” “Scared might be too strong a word, but in your place, I would definitely be concerned.” I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency. As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire. “Feel better?” “It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Stop! Stop!” Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get. “Where are the children?” she gasped, once he’d caught her at the base of the steps. “Francesca is watching them.” “And your mother?” He grinned. “I daresay Francesca is watching her, too.” “Anyone could stumble upon us out here,” she said, looking this way and that. His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.” The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball. “The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?” His lips brushed against hers. “I have my ways,” he murmured. “And I,” she returned, smiling slyly, “have my secrets.” He drew back. “Oh? And will you share?” “We five,” she said with a nod, “are about to be six.” He looked at her face, then looked at her belly. “Are you sure?” “As sure as I was last time.” He took her hand and raised it to lips. “This one will be a girl.” “That’s what you said last time.” “I know, but—” “And the time before.” “All the more reason for the odds to favor me this time.” She shook her head. “I’m glad you’re not a gambler.” He smiled at that. “Let’s not tell anyone yet.” “I think a few people already suspect,” Sophie admitted. “I want to see how long it takes that Whistledown woman to figure it out,” Benedict said. “Are you serious?” “The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.” Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?” That stopped him cold. “You’ve been counting?” “Two hundred and thirty-three if you include the time after the masquerade.” “I can’t believe you’ve been counting.” She gave him a nonchalant shrug. “It’s exciting to be mentioned.” Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.” Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.” He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.” She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.” “Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.” “Violet?” Sophie asked softly. “It’s time my mother had a grandchild named after her, don’t you think?” Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))