Stone Masonry Quotes

Not marble nor the gilded monuments Of princes, shall outlive this powerful rhyme, But you shall shine more bright in these contents Than unswept stone, besmeared with sluttish time. When wasteful war shall statues overturn And broils roots out the work of masonry, Nor mars his sword nor war's quick fire shall burn The living record of your memory. 'Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room Even in the eyes of all posterity That wear this world out to the ending doom. So, till judgement that yourself arise, You in this, and dwell in lovers eyes.

Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.

Take the Pyramids. Great blocks of useless masonry, put up to minister to the egoism of a despotic bloated king. Think of the sweated masses who toiled to build them and died doing it. It makes me sick to think of the suffering and torture they represent." Mrs. Allerton said cheerfully: "You’d rather have no Pyramids, no Parthenon, no beautiful tombs or temples—just the solid satisfaction of knowing that people got three meals a day and died in their beds." The young man directed his scowl in her direction. "I think human beings matter more than stones.

From far below mounted the clink and tinkle of distant masonry work, and a sudden train passed between gardens, and a heraldic butterfly volant en arrière, sable, a bend gules, traversed the stone parapet, and John Shade took a fresh card.

Gormenghast. Withdrawn and ruinous it broods in umbra: the immemorial masonry: the towers, the tracts. Is all corroding? No. Through an avenue of spires a zephyr floats; a bird whistles; a freshet beats away from a choked river. Deep in a fist of stone a doll's hand wriggles, warm rebellious on the frozen palm. A shadow shifts its length. A spider stirs... And darkness winds between the characters. - Gormenghast

What did I think of Princeton? Well, the answer to that question requires a story. When I first arrived, I looked around me at the Gothic buildings — younger, I later learned, than many of the mosques of this city, but made through acid treatment and ingenious stone-masonry to look older...

Radiation is all around us. It emanates from the sun and cosmic rays, bathing cities at high altitude in greater levels of background radiation than those at sea level. Underground deposits of thorium and uranium emit radiation, but so does masonry: stone, brick, and adobe all contain radioisotopes. The granite used to build the US Capitol is so radioactive that the building would fail federal safety codes regulating nuclear power plants. All living tissue is radioactive to some degree: human beings, like bananas, emit radiation because both contain small amounts of the radioisotope potassium 40; muscle contains more potassium 40 than other tissue, so men are generally more radioactive than women. Brazil nuts, with a thousand times the average concentration of radium of any organic product, are the world’s most radioactive food.

I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones.

There came a day when the Masons, laying aside their stones, became workmen of another kind, not less builders than before, but using truths for tools and dramas for designs, uplifting such a temple as Watts dreamed of decorating with his visions of the august allegory of the evolution of man.

Often, half in a bay of the mountains and half on a headland, a small and nearly amphibian Schloss mouldered in the failing light among the geese and the elder-bushes and the apple trees. Dank walls rose between towers that were topped with cones of moulting shingle. Weeds throve in every cranny. Moss mottled the walls. Fissures branched like forked lightning across damp masonry which the rusting iron clamps tried to hold together, and buttresses of brick shored up the perilously leaning walls. The mountains, delaying sunrise and hastening dusk, must have halved again the short winter days. Those buildings looked too forlorn for habitation. But, in tiny, creeper-smothered windows, a faint light would show at dusk. Who lived in those stone-flagged rooms where the sun never came? Immured in those six-foot-thick walls, overgrown outside with the conquering ivy and within by genealogical trees all moulting with mildew? My thoughts flew at once to solitary figures…a windowed descendant of a lady-in-waiting at the court of Charlemagne, alone with the Sacred Heart and her beads, or a family of wax-pale barons, recklessly inbred; bachelors with walrus moustaches, bent double with rheumatism, shuddering from room to room and coughing among their lurchers, while their cleft palates called to each other down corridors that were all but pitch dark.

It was staggering. They roared and boomed and trumpeted, until stones began to crack and fall at the mere noise of them. Merry and I lay on the ground and stuffed our cloaks into our ears. Round and round the rock of Orthanc the Ents went striding and storming like a howling gale, breaking pillars, hurling avalanches of boulders down the shafts, tossing up huge slabs of stone into the air like leaves. The tower was in the middle of a spinning whirlwind. I saw iron posts and blocks of masonry go rocketing up hundreds of feet, and smash against the windows of Orthanc. But

Gallic walls are always built more or less on the following plan. Balks of timber are laid on the ground at regular intervals of two feet along the whole line on which the wall is to be built, at right angles to it. These are made fast to one another by long beams running across them at their centre points, and are covered with a quantity of rubble; and the two-foot intervals between them are faced with large stones fitted tightly in. When this first course has been placed in position and fastened together, another course is laid on top. The same interval of two feet is kept between the balks of the second course, but they are not in contact with those of the first course, being separated from them by a course of stones two feet high; thus every balk is separated from each of its neighbours by one large stone, and so held firmly in position. By the addition of further courses the fabric is raised to the required height. This style of building presents a diversified appearance that is not unsightly, with its alternation of balks and stones each preserving their own straight lines. It is also very serviceable and well adapted for defending a town: the masonry protects it from fire, the timber from destruction by the battering-ram, which cannot either pierce or knock to pieces a structure braced internally by beams running generally to a length of forty feet in one piece.

At Dniepropetrovsk the Stalin regime had made great efforts in construction. We were at first impressed as we approached the suburbs of the city, where we saw outlined the large masonry blocks of the proletarian housing erected by the Soviets. Their lines were modern. The buildings were huge, and there were many of them. Undeniably, the Communist system had done something for the people. If the misery of the peasants was great, at least the worker seemed to have benefited from the new times. Still, it was necessary to visit and examine the buildings. We lived for six months in the Donets coal basin. We had plenty of time to test the conclusions that we had reached at the time of our entrance into Dniepropetrovsk. The buildings, so impressive from a distance, were just a gigantic hoax, intended to fool sightseers shepherded by Intourist [Soviet tourism agency] and the viewers of documentary films. Approaching those housing blocks you were sickened by the stench of mud and excrement that rose from the quagmires surrounding each of the buildings. Around them were neither sidewalks nor gravel nor paving stones. The Russian mud was everywhere, and everywhere the walls peeled and crumbled. The quality of the construction materials was of the lowest order. All the balconies had come loose, and already the cement stairways were worn and grooved, although the buildings were only a few years old.

The precision of many of the flat surfaces [at Puma Punku] is astonishing. In some cases, they are almost as flat as laser perfection, and the idea that a Bronze Age culture like the Tiwanaku were responsible for this work is clearly impossible. What is also curious is that much of the stone has been partially or fully excavated from the red clay mud of the area, which infers either extreme age, or that a cataclysmic event occurred here, partially burying the site [...]. Further, there are blocks which appear to have been snapped in half - not by the invading Aymara, colonial Spanish, or more recently, but at a time in the distant past. The logic behind this statement is that there are no apparent tool marks or other evidence of attempts to break the stone.

The sheer size of some of the limestome foundation blocks [at Baalbek] are the largest ever quarried on the planet, conservatively estimated at 800 to 1200 tons, and the common belief that the Romans chose to do this work on such a massive scale to 'impress the locals' is absolutely ludicrous. Nowhere else in the Roman world is there any evidence of the quarrying of blocks of this size, so we can clearly presume that they were there when the Romans first appeared, and were used as foundational material. A group of three horizontally lying giant stones which form part of the podium of the Roman Jupiter Temple of Baalbek, Lebanon, go by the name 'trilithon.' Each one of these stones is 70 feet long, 14 feet high, 10 feet thick, and weighs around 800 tons. These three stone blocks are the largest building blocks ever used by any human beings anywhere in the world. The supporting stone layer beneath features a number of stones that are still in the order of 350 tons and 35 feet wide. No one knows how these blocks were moved, cut, placed, and fit perfectly together.

A third of thee dumbfounded, 33 degrees of masonry which are the controllers of mastery. Stone on top of stone, carry the U.S on my back as I travel through Rome. It's God & I on my own,I ask for wisdom and wisdom is shown. What I have is common with Solomon is the position I take on this throne. Ancient ancestry of modern day slavery, there are thousands hacking at the branches of evil to one who is striking at the root with bravery.

A full millennium had passed, the scarred hands of men made strong by toil. The acclimation of the minds of Brek to the concerns of stone construction was in evidence in all quarters, their mastery of masonry proved with but a glance. In the thirty generations that had passed, building had become their pride, the strong shoulders and bronzed skin bought in the quarry a mark of highest honor. "Yet owing to the strange inborn drive possessed by the Trathnona, the men rose to their task without question. So it was that empty quarry, long stripped of stone, gave way to crowded field, the chisel abandoned to the work of plow and scythe. "From that time to the moment of my arrival--a period of more than four thousand years--the Trathnona had lived without fear of domination, knowing as they did the safety and promise of independence granted by virtue of devotion and self-sacrifice. And through famine, plague, and wars of foreign aggression, the willingness of individuals to bend to the needs of all had made of them an unbreakable tribe, sterner even than the stone of their highest pride.

They pause, almost but not quite clutching each other, with their ears cocked. The hideous dried-out croak is drawing inevitably closer – apparently, whether by some quirk of the architecture, the type of stone in the masonry perhaps or the curious way the corridor bends, from both directions at once. The boys gibber at each other helplessly. With every passing instant now the temperature drops precipitously, the grey light wanes; the ghastly voice chants its message, necrotic and Latin, over and again, as though doomed to repeat it, doomed for eternity, a doom that any second now they will be sharing, when the voice’s owner comes around that corner, or the other corner, or possibly even both corners, to find them quaking before her –

if we were to build a Great Pyramid today, we would need a lot of patience. In preparation for his book "5/5/2000 Ice: The Ultimate Disaster", Richard Noone asked Merle Booker, technical director of the Indiana Limestone Institute of America, to prepare a time study of what it would take to quarry, fabricate, and ship enough limestone to duplicate the Great Pyramid. Using the most modern quarrying equipment available for cutting, lifting, and transporting the stone, Booker estimated that the present-day Indiana limestone industry would need to triple its output, and it would take the entire industry, which as I have said includes thirty-three quarries, twenty-seven years to fill the order for 131,467,940 cubic feet of stone. These estimates were based on the assumption that production would proceed without problems. Then we would be faced with the task of putting the limestone blocks in place. The level of accuracy in the base of the Great Pyramid is astounding, and is not demanded, or even expected, by building codes today. Civil engineer Roland Dove, of Roland P. Dove & Associates, explained that .02 inch per foot variance was acceptable in modern building foundations. When I informed him of the minute variation in the foundation of the Great Pyramid, he expressed disbelief and agreed with me that in this particular phase of construction, the builders of the pyramid exhibited a state of the art that would be considered advanced by modern standards.

The commonalities that we find at all of the above locations include: 1) works in stone beyond the scale and technical prowess of the historically presumed builders, such as the Inca; 2) signs of construction interruptions and/or cataclysmic damage; and 3) oral traditions speaking of much earlier civilizations with advanced technological capabilities.

The quantity of stone that had to be quarried, hauled, and hoisted into place in the Great Pyramid becomes even more impressive when it is compared with other civil engineering feats, whether real or imagined. It has been stated that it contains more stone than that used in all the churches, cathedrals, and chapels built in England since the time of Christ. Thirty Empire State Buildings could be built with the estimated 2,300,000 stones. A wall three-feet high and one-foot thick could be built across the United States and back using the amount of masonry contained in the Great Pyramid.

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The Tower of Nyrgoth Elder, last of the ancients, was built into the mountainside. It had no sign of join or masonry. Some grand magic had just excised a great deal of the stone until all that was left was the tower, jutting from the new line of the mountainside,

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My appreciation for order and regularity, even if it inconvenienced me, meant I never had much trouble with one of the main traditional objections to Christianity (or any religion that posits a loving God): the problem of evil - the question of how any pain and suffering could be countenanced by an all-powerful, all-good God. Consider the simpler problem of natural evils and accidents (falling masonry, flooding, car crashes, virulent flus, etc.). For God to deliver us from all natural pains, the laws of physics would have to be studded with asterisks specifying all the times that flying, twisted metal would need to flout the conservation of linear momentum to stop just short of breaking our bones. I knew what such a world would look like, for it had already been imagined in the sagas of Norse mythology. In one legend, the godling Baldr prophesies his own death, and all the other gods of the Norse pantheon try to save him. The gods and goddesses of Asgard travel the world, extracting a vow from every natural and created thing, be it bird, plant, stone, or sword, never to do Baldr any harm. Once his safety is secured, the Asgardians amuse themselves at feasts by throwing knives and other weapons at Baldr, in order to watch the objects keep their promises, defy their natures, and leave him unhurt. Blades blunt themselves, stones soften, and poison neutralizes itself, all to avoid inflicting any pain on Baldr. To preclude the problem of evil, it seemed, any god would have to give us the same guarantee afforded Baldr. The world around us would have to warp itself to shield us from the weather, from accidents, from gravity, until the laws of physics were unworthy of the name. There couldn't be scientists or empiricism in this kind of world, since the nature of matter would be too protean for us to gain intellectual purchase on. The problem of evil has always seemed to me to be the price we pay for having an intelligible world, one that we can investigate, understand, and love. If miracles were to be possible, they would have to stay below some threshold level of frequency so that they remained clear exceptions to the general course of causality (as in the case of poor, strange Baldr) instead of undoing the rule entirely.

The contrast between these splendid XIth Dynasty walls, with their great base-stones of sandstone, and the bad rough masonry of the XVIIIth Dynasty temple close by, is striking. The XVIIIth Dynasty architects and masons had degenerated considerably from the standard of the Middle Kingdom.

Cutting stone to the optimum basic size for building secure, aesthetically pleasing combinations was tantamount to establishing the smallest prime integer without which there would be no arithmetic or geometry. Working by trial and error with units, Greek mathematical thinking arrived at the idea of beautiful proportions, which in turn formed the basis of all the arts, not just architecture. Masonry as a method led to principles that eventually came to govern the whole of western art.

Archaeology's calling card - the masonry trowel - does not necessarily inspire joy among people who see it routinely used to systematically dissect their ancestral places. In such contexts, it is not at all difficult to see archaeology as an instrument of settler colonial oppression.

He went slowly along a long gray corridor, the redoubtable masonry of clammy stone on either side stacked and mortared against the penetration of hope. The familiar smell of disinfectant and floor wax was in his nostrils, the walls lined with scarred wooden benches with high backs that may have been pews rescued from a desanctified church. In passing he read names carved into the seats circumscribed with hearts or conjoined with chains and there were admonitions in crude calligraphy to fuck off, to eat shit. In one high seat back an optimistic vandal had inscribed his assurance that Millimaki would be reborn. The work of feral children, of wives and lovers mutely enraged by their celibacy, their infidelities. Mothers had dug their nails into the soft wood as they waited in the dank corridor to see the fruit of their wombs turned out so briefly from their cages.

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It really did seem as if something thoroughly out-of-the-ordinary had been built into the structure from the very beginning; a significant proportion of the ironwork girders that supported it had been specially made to order, using a specific alloy, and the long list of stones that had been chosen for the interior decoration included a noticeable number of minerals that held specific occult meaning. The kind of crystal-healing enthusiast who spelled magic with a k would have a field day with the masonry manifest.

As we look around the world, especially in Egypt, Lebanon, Turkey, the west coast of Italy, Peru, and Bolivia, there are stone structures and the remains of others which don't easily fit into the standard picture of history. The pyramids of Giza in Egypt, Puma Punku in Bolivia, and the great megalithic wall of Sachsayhuaman in Peru are but three examples of astonishingly well-made stone works which modern engineers, stone masons, and other experts puzzle over. Conventional academics in general date these structures well within the standard timeline of so-called civilization. The generally prescribed creation date of the three pyramids of Giza is about 2500 BC, Puma Punku is alleged to have been constructed around 600 AD, and Sachsayhuaman approximately 1200 to 1400 AD. However, what intrigues engineers, architects, stone masons, and other professionals is the extreme precision of the work, often in very hard stone, which many archaeologists insist was usually achieved using bronze and or copper chisels, wooden measuring devices, and stone hammers.

One also finds, even to this day, some amazing works such as the aforementioned Sachsayhuaman and the Coricancha in Cusco, where no mortar of any kind was used. It was stone-on-stone, with astonishing accuracy of fit. In the Inca toolkit, as found in the archaeological record, only copper and bronze chisels have been found, along with wooden measuring instruments and stone pounders or hammers. Conventional archaeologists contend that such tools were responsible for the refined workmanship seen in Cusco and other 'Inca' areas. However, the stone used - granite, andesite, and basalt - are harder than the majority of the tools used, and thus could not have been responsible for the work. The same is true of Tiwanaku and the connected site of Puma Punku. Massive megalithic blocks with sculpted surfaces are found at these locations, made of local sandstone, which would be difficult to shape with bronze chisels and stone hammers. However, the real enigmas are the even harder andesite and basalt stones, cut and shaped with such precision that modern engineers, stone masons, and other professionals question how such work could have been achieved without at least 20th century technology.

Inside the museum [of Egyptian antiquities] itself, on the main floor and in a corner alcove is a box that was never completed [...]. Someone was attempting to cut off a large slab from the bottom in order to likely make the lid. The saws that were being used went off course, causing half of the slab to snap off, and the project was then apparently abandoned [...]. Two circular saws were at work, one from the top and another from the bottom. They were not perfectly aligned but were cutting through the granite stone very efficiently. The only saws we have in modern times that can do such work have diamond abrasives imbedded in either high carbon or cobalt steel blades, powered by very strong electric or petroleum powered engines. As the dynastic Egyptians for most of their history had at best bronze tools, and there is no evidence of them having circular saws, they could not have done this work.

What we have been taught is that the ancient Egyptians were in posession of only simple hand tools, and that the only metals available to the Egyptians of the fourth dynasty, when the Giza Pyramids were built, were copper, gold, and silver. What is inferred, therefore, is that absent the tools made from these materials, the simple abrasive experiments actually demonstrate the stone-working methods of ancient Egypt. We are told that the ancient Egyptians had not yet developed the knowledge to extract the raw materials necessary to produce iron and steel. It has been suggested that they may have used meteoric iron, because they found it lying on the ground, but they did not mine the ore and smelt it in a foundry. Support for this view is the lack of evidence that they used tools made of any material other than copper, stone, and wood. Yet absence of evidence is not evidence of absence. Although sophisticated tools made of iron or steel may not yet have been discovered in the archaeological record, what has been found is not adequate enough to explain how the artifacts were created.

There were human faces among the angels and demons, mortals among the immortals, flesh amidst the stones. He strained his eyes to quarter the fluted, sculpted masonry. There they were. They were not so hard to find now that he knew what to look for. “Hello!” he called.

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Flowering Fields of Kelp ahead. They passed over the bright kelp and the cannon-blasted seagrass, then dived towards the village. From above, the damage caused by Repta was all too clear. Several of the dome-shaped buildings were little more than piles of rubble, and chunks of masonry littered the fields. Max spotted the green-gowned form of Elra in the clearing at the heart of the village. She was pointing, and calling orders to the villagers, who were collecting scattered stones and piling them into carts. Max and Lia made straight for the Astarian leader. She looked up, her eyes narrowing to angry slits as she spotted them, and her hand went to the hilt of her coral sword. “Why do you return after all you’ve done?” she cried. “The Breather brought a tech monster to our village. He is not welcome here!” “No!” Lia said urgently. “That robot attacked Max. It wasn’t his fault. And now the people who sent the Robobeast are coming this way. They mean to destroy us all. You

The step from using steel for strengthening masonry to using steel to carry the masonry might not seem enormous, but, as Harvey Wiley Corbett pointed out in The New York Times, Buffington’s step was the single most momentous discovery in the history of building since the days of Rome. Architecture was freed from the shackles of stone weight and was made flexible. Buildings

The Templars, like all other Secret Orders and Associations, had two doctrines, one concealed and reserved for the Masters, which was Johannism; the other public, which was the Roman Catholic. Thus they deceived adversaries whom they sought to supplant. Hence Free-Masonry, vulgarly imagined to have begun with the Dionysian Architects or the German Stone-workers, adopted Saint John the Evangelist as one of its patrons, associating with him, in order not to arouse the suspicions of Rome, Saint John the Baptist, and thus covertly proclaiming itself the child of the Kabalah and Essinism together.

The first lines of “The Ruin”, an Old English poem of the tenth century CE, describe old stones as “Wrætlic”. Usually translated as “wondrous”, Peter Ackroyd has read the line as “wraith-like”: “wraith-like is this native stone”. While the poem itself discusses the masonry of a crumbling Roman town, the phrase itself is certainly apt for thinking about the megalithic monuments that cover the British Isles. These native stones—stone circles, stone rows, standing stones (or menhirs), and dolmens—are indeed wraith-like, spectral, haunted. Standing for thousands of years within the landscape, their physical presence is evocative but their original purpose is tantalisingly vague. With no written records to inform us as to how and why they were initially built, they become a nexus for stories.