Narnia Book Quotes

Crying is all right in its way while it lasts. But you have to stop sooner or later, and then you still have to decide what to do.

...You are not just going to vanish like this, Karou. This isn't some goddamn Narnia book.

I hope no one who reads this book has been quite as miserable as Susan and Lucy were that night; but if you have been - if you've been up all night and cried till you have no more tears left in you - you will know that there comes in the end a sort of quietness. You feel as if nothing is ever going to happen again.

When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, ‘It’s all in Plato’ — meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife. [The New York Times interview, 2000]

There was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway.

And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.

this is a book about something

Buying a book is not about obtaining a possession, but about securing a portal.

Most of us know what we should expect to find in a dragon's lair, but, as I said before, Eustace had read only the wrong books. They had a lot to say about exports and imports and governments and drains, but they were weak on dragons.

Do the children who prefer books set in the real, ordinary, workaday world ever read as obsessively as those who would much rather be transported into other worlds entirely?

The best swordsman in the world may be disarmed by a trick that's new to him.

Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again.

the trouble about trying to make yourself stupider than you really are is that you very often succeed.

The first book we fall in love with shapes us every bit as much as the first person we fall in love with...

The bright side of it is,” said Puddleglum, “that if we break our necks getting down the cliff, then we’re safe from being drowned in the river.

I discovered that the wisdom of the world, and a great deal of its folly also, is to be found in the pages of books. And

I have at last come to the end of the Faerie Queene: and though I say "at last", I almost wish he had lived to write six books more as he had hoped to do — so much have I enjoyed it.

He liked books if they were books of information and had pictures of grain elevators or of fat foreign children doing exercises in model schools.

She'd been to Narnia, Wonderland, Hogwarts, Dictionopolis. She had tessered, fallen through the rabbit hole, crossed the ice bridge into the unknown world beyond.

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again.

If you had felt yourself sufficient, it would have been a proof that you were not.

C. S. Lewis, the man who wrote the Narnia books you so loved, once said it is easy to trust a rope as long as you’re using it to wrap a box. But when you’re clinging to it over a deadly precipice, it’s something else entirely.

I was sad that nobody had come to my birthday party, but happy that I had a Batman figure, and there was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway.

A long time ago, I opened a book, and this is what I found inside: a whole new world. It isn't the world I live in, although sometimes it looks a lot like it. Sometimes, though, it feels closest to my world when it doesn't look like it at all. That world is enormous, yet it all fits inside an everyday object. I don't have to keep everything I find there, but what I choose to take with me is more precious than anything I own, and there is always more where that came from. The world I found was inside a book, and then that world turned out to be made of even more books, each of which led to yet another world. It goes on forever and ever. At nine I thought I must get to Narnia or die. It would be a long time before I understood that I was already there.

Safe?” said Mr. Beaver; “don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.

My mother used to read to me every night when I was little. We got through most of the major fantasy books of that time. The Narnia books by C.S. Lewis were my favorites and, later, Tolkien's The Lord of the Rings. I started making dolls to fill in the gaps of the dolls I had. Obviously we couldn't buy centaurs and fauns and elves and fairies, so I made them to play with the normal dolls I had. I must have been about six years old when I started making fantasy dolls.

Narnia, Narnia, Narnia, despierta. Ama. Piensa. Habla. Sed arboles que caminan. Sed bestias que hablan. Sed aguas divinas.

The censors don't bother with fantasy books, especially old ones. They can't understand them. They think it's all kids' stuff. They'd die if they knew what The Chronicles of Narnia were really about.

If we weigh the significance of a book by the effect it has on its readers, then the great children's books suddenly turn up very high on the list.

When things go wrong, you’ll find they usually go in getting worse for some time; but when things once start going right they often go on getting better and better.

No warrior scolds. Courteous words or else hard knocks are his only language.

People who have not been in Narnia sometimes think that a thing cannot be good and terrible at the same time. If

Adventure,' then, is what might otherwise be called hardship if it were attempted in a different spirit. Turning a difficult task or a perilous journey into an adventure is largely a matter of telling yourself the right story about it, which is one thing that Lewis's child characters have learned from reading, 'the right books.

No se puede alcanzar la suprema sabiduria sin sacrificios.

Leslie named their secret land “Terabithia,” and she loaned Jess all of her books about Narnia, so he would know how things went in a magic kingdom—how the animals and the trees must be protected and how a ruler must behave.

Fire will burn any human body it touches, and starvation will waste it, but stories are not so predictable in their effects.

And Aslan was bigger and more beautiful and more brightly golden and more terrible than he had thought. He dared not look into the great eyes.

Don't you think you're a little old now to be quoting The Chronicles of Narnia?' I ask, raising an eyebrow at him. 'You read Harry Potter,' Will protests. 'Everyone reads Harry Potter,' I exclaim. 'It's an institution. Besides, it's not really a kids book, it's a metaphor for the world at large. It's almost philosophical in its way.

But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there they said nothing about it. For Mr. Beaver had warned them, “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down—and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion.

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

The closer and more completely you can come to explaining what a work of art means, the less like art it seems.

I froze, finding myself in the middle of an entire display of delicate paper animals. I'd found the door to Narnia

ONCE THERE WERE FOUR CHILDREN WHOSE NAMES were Peter, Susan, Edmund and Lucy. This

Richard put away the Narnia books, convinced, sadly, that they were an allegory; that an author (whom he had trusted) had been attempting to slip something past him. He had had the same disgust with the Professor Challenger stories, when the bull-necked old professor became a convert to Spiritualistm; it was not that Richard had any problems believing in ghosts - Richard believed, with no problems or contradictions, in everything - but Conan Doyle was preaching, and it showed through the words. Richard was young, and innoncent in his fashion, and believed that authors should be trusted, and that there should be nothing hidden beneath the surface of a story.

So I had nothing to distract me from my books and their other worlds that swallowed me whole, from Narnia to the Wisconsin woods, from a small town in Sweden to the red earth of Prince Edward Island. Nothing and no one interested me as much as my books.

If you've ever read one of those articles that asks notable people to list their favorite books, you may have been impressed or daunted to see them pick Proust or Thomas Mann or James Joyce. You might even feel sheepish about the fact that you reread Pride and Prejudice or The Lord of the Rings, or The Catcher in the Rye or Gone With the Wind every couple of years with some much pleasure. Perhaps, like me, you're even a little suspicious of their claims, because we all know that the books we've loved best are seldom the ones we esteem the most highly - or the ones we'd most like other people to think we read over and over again.

There was John Masefield’s The Box of Delights; and the C. S. Lewis Narnia books; and Patricia Lynch’s The Turf-Cutter’s Donkey; The Winter of Enchantment by Victoria Walker; Black Hearts in Battersea by Joan Aiken; several of Rosemary Sutcliff’s historical novels, including Susan’s favorite, The Silver Branch; Power of Three by Diana Wynne Jones; The Weirdstone of Brisingamen by Alan Garner; Five Children and It by E. Nesbit; and many others.

It was a perfect little model of a lamp-post, about three feet high but lengthening, and thickening in proportion, as they watched it; in fact growing just as the trees had grown.

and hear depends a good deal on where you are standing: it also depends on what sort of person you are.

Tolkien disapproved of Lewis’s Narnia books because they worked by analogy, taking an existing myth and retelling it with different names and circumstances, whereas he felt that you should make your own myth out of whole cloth. But it’s not possible to read The Silmarillion without seeing how Sauron’s fall mirrors Satan’s. It’s only a question of how you triangulate your relationship to your source material.

They will not let us help them. They have chosen cunning instead of belief. Their prison is only in their own minds, yet they are in that prison; and so afraid of being taken in that they cannot be taken out.

What literature could accomplish by way of moral education was less instruction than an expansion of our capacity for empathy: “it admits us to experiences other than our own.

O my mistress, do not by any means destroy yourself, for if you live you may yet have good fortune but all the dead are dead alike.

would very much like to have followed the first plan: he hated the idea

But inside of the tree itself, in the very sap of it, the tree never forgot that other tree in Narnia to which it belonged. Sometimes it would move mysteriously when there was no wind blowing.

Desire acts as a honey trap to the unwary male, luring him into unworthy and catastrophic enterprises. The beauty of the Narnian witches isn't ancillary to their evil, but integral to it, one of the weapons in their arsenal. Evil must, after all, appear attractive if it's going to be tempting, and from there it's only a small step further to the conclusion that feminine beauty is inherently wicked.

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C.S. Lewis.

I was sad that nobody had come to my party, but happy that I had a Batman figure, and there was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway.

More than once in the days that followed [Eustace] attempted to write it for them on the sand. But this never succeeded. In the first place Eustace (never having read the right books) had no idea how to tell a story straight.

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be your affectionate Godfather,

This is one of the chief differences between a child's experience of a favorite book and an educated adult's. For the adult, a book may be a work of art, possibly a very great one, but for the child reader, certain books are universes. If we are lucky, we retain some of that capacity to be immersed in a story.

literature enlarges our world of experience to include both more of the physical world and things not yet imagined, giving the “actual world” a “new dimension of depth” (Lewis, Of Other Worlds 29). This makes it possible for literature to strip Christian doctrines of their “stained glass” associations and make them appear in their “real potency” (37), a possibility Lewis himself realized in the Narnia series and the space trilogy.

His smile was deep and dark, like a thousand books begging to be read, like the doorway to Narnia.

P’s and Q’s, if

Pooh! Grown-ups

you know? He’s the King. He’s the Lord of the whole

Trumpkin

and there was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway. My

As C.S. Lewis observed in The Silver Chair, one book in the Chronicles of Narnia series: “Crying is all right in its own way while it lasts. But you have to stop sooner or later, and then you still have to decide what to do.

Yes, Aslan,” said both the children. But Polly added, “But we’re not quite as bad as that world, are we, Aslan?” “Not yet, Daughter of Eve,” he said. “Not yet. But you are growing more like it. It is not certain that some wicked one of your race will not find out a secret as evil as the Deplorable Word and use it to destroy all living things. And soon, very soon, before you are an old man and an old woman, great nations in your world will be ruled by tyrants who care no more for joy and justice and mercy than the Empress Jadis. Let your world beware. That is the warning.

Well, don’t tell me about it, then,” said Eustace. “But who is Aslan? Do you know him?” “Well—he knows me,” said Edmund. “He is the great Lion, the son of the Emperor-beyond-the-Sea, who saved me and saved Narnia. We’ve all seen him. Lucy sees him most often. And it may be Aslan’s country we are sailing to.

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

I was wondering—I mean—could there be some mistake? Because nobody called me and Scrubb, you know. It was we who asked to come here. Scrubb said we were to call to—to Somebody—it was a name I wouldn’t know—and perhaps the Somebody would let us in. And we did, and then we found the door open.” “You would not have called to me unless I had been calling to you,

For (Levi) Grossman, no books feel more like home than C. S. Lewis’s Chronicles of Narnia, which provide the template for what he likes to read—and how he wants to write.

because we all know that the books we’ve loved best are seldom the ones we esteem the most highly

why should we think twice about punishing Narnia any more than about hanging an idle slave or sending a worn-out horse to be made into dog’s-meat?

Aslan," said Lucy, "you're bigger." "That is because you are older, little one." "Not because you are?" "I am not. But every year you got, you will find me bigger.

When i was 9 I didn't go to Narnia, when i grew 11 my Hogwarts letter didn't come, again when i was twelve my satyr didn't come and now I'll wait till I'm fifty maybe the hunger games will come

Beautiful untrue things. We all know when we read about Narnia or Middle Earth or Wonderland—we know it’s not true but it’s so beautiful, so damn beautiful that we believe it while we’re there.

But do not be cast down,” said Aslan, still speaking to the Beasts. “Evil will come of that evil, but it is still a long way off, and I will see to it that the worst falls upon myself. In the meantime, let us take such order that for many hundred years yet this shall be a merry land in a merry world. And as Adam’s race has done the harm, Adam’s race shall help to heal it. Draw near, you other two.

But he'd never seen anything like this before. And he'd never felt anything like it, either. The closest he could think of was when he and Blink were immersed in a book together. Sometimes a strange feeling would come over them as they'd race through the pages, and the words would dissolve, and they'd find themselves deep inside Oz, or Narnia, or the Andes, or Africa, where everything was real and vidid and alive. Stories could do that, but this wasn't story. This was a house. And no matter how real a story seemed, you still couldn't eat the food, or pick up the plates, or warm yourself by the fire.

she just went to the library to read, to escape into other people's imaginations. Often, she reread books she'd loved as a child, their familiarity a balm--- Grimms' Fairy Tales, The Chronicles of Narnia, and her favorite, The Secret Garden. Sometimes, she would close her eyes and find herself not in bed with Simon, but amongst the tangled plants at Misselthwaite Manor, watching roses nod in the breeze.

Poppy used to share the room with her older sister, and piles of he sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumbled of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try and fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters-Doctor Who, a cat in a bowler hat, and a giant map of Narnia.

Good music excellently played beautifies the world, calling people out of the prison of themselves to something greater and grander. Literature, both writing and reading it, is strategic. How many people have been primed to receive the gospel because they read The Chronicles of Narnia as children? And how much medieval philosophy and classical poetry and fantastic fiction did C. S. Lewis have to read before he was equipped to write those precious books?

My interview was mostly conducted by Hugo Dyson, an Oxford ‘character’, known for his wit. I always found him alarming. He was like a hyperactive gnome, and stumped around on a walking stick which, when he was seized by one of his paroxysms of laughter, he would beat up and down as if trying to drive it through the floor. It brought to mind Rumpelstiltskin driving his leg into the ground in the fairy tale. He had been one of the ‘Inklings’ – the group of dons, including Tolkien and C. S. Lewis, who met during the 1930s in the Bird and Baby pub opposite St John’s. It was he and Tolkien who, one summer night in 1931, had converted Lewis to Christianity during a stroll along Addison’s Walk. So he was, at least in part, responsible for the Narnia books. I never asked him if he liked them. But it was well known that Tolkien’s Lord of the Rings was not to his taste. Tolkien had been in the habit of favouring the Inklings with readings from it, but one day Dyson, driven to exasperation, interjected, ‘Oh not another fucking elf!’ and after that the readings stopped. On

And, over the years, I have collected other bits and pieces that remind me of Narnia. Including film props, and a good collection of behind-the-scenes and the-making-of books. My obsession is complete, and incurable. All that is left is to find a way to Narnia myself. I’m still looking, and I won’t give up.

There is no need to be worried by facetious people who try to make the Christian hope of “Heaven” ridiculous by saying they do not want “to spend eternity playing harps.” The answer to such people is that if they cannot understand books written for grown-ups, they should not talk about them. All the scriptural imagery (harps, crowns, gold, etc.) is, of course, a merely symbolical attempt to express the inexpressible. Musical instruments are mentioned because for many people (not all) music is the thing known in the present life which most strongly suggests ecstasy and infinity. Crowns are mentioned to suggest the fact that those who are united with God in eternity share His splendour and power and joy. Gold is mentioned to suggest the timelessness of Heaven (gold does not rust) and the preciousness of it. People who take these symbols literally might as well think that when Christ told us to be like doves, He meant that we were to lay eggs.

All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle

For me, the library had been my Narnia, a magical place that took me away to another land, where I learned more than I had ever hoped. Librarians instinctively took me under their wings, protecting me as much as they could from the evils inherent in my mother's way of life. Books had become my refuge, my only friends, family, my escape from my everyday reality.

Creatures, I give you yourselves,” said the strong, happy voice of Aslan. “I give to you forever this land of Narnia. I give you the woods, the fruits, the rivers. I give you the stars and I give you myself. The Dumb Beasts whom I have not chosen are yours also. Treat them gently and cherish them but do not go back to their ways lest you cease to be Talking Beasts. For out of them you were taken and into them you can return. Do not so.” “No, Aslan, we won’t, we won’t,” said everyone. But one perky jackdaw added in a loud voice, “No fear!” and everyone else had finished just before he said it so that his words came out quite clear in a dead silence; and perhaps you have found out how awful that can be—say, at a party. The Jackdaw became so embarrassed that it hid its head under its wing as if it were going to sleep. And all the other animals began making various queer noises which are their ways of laughing and which, of course, no one has ever heard in our world. They tried at first to repress it, but Aslan said: “Laugh and fear not, creatures. Now that you are no longer dumb and witless, you need not always be grave. For jokes as well as justice come in with speech.

…But I cannot tell that to this old sinner, and I cannot comfort him either; he has made himself unable to hear my voice. If I spoke to him, he would hear only growlings and roarings. Oh Adam's sons, how cleverly you defend yourselves against all that might do you good! But I will give him the only gift he is still able to receive.” He bowed his great head rather sadly, and breathed into the Magician's terrified face. “Sleep,” he said. “Sleep and be separated for some few hours from all the torments you have devised for yourself.

Once I began developing an appreciation for fantasy and imaginative literature like Homer’s The Iliad and The Odyssey, C. S. Lewis’s series The Chronicles of Narnia, and of course J. R. R. Tolkien’s The Lord of the Rings, I discovered that my appreciation for Revelation has grown and the weight of its images have pressed heavier on my soul. As I have read imaginative literature, my imagination has developed. As my imagination has developed, I have found myself reading Revelation more patiently, allowing the images to emerge in my mind until I feel the full spiritual shock of their intended voltage.

Tolkien preferred the still, small voice of Elijah to the resounding horns of Sinai. Accordingly, his commitment to myth as his medium was dogged. He repeatedly denied that The Lord of the Rings was allegory. The reason is this: allegory intends that this particular thing in the story is meant to be that particular thing known outside the story. In a way, it is coercive, forcing the reader to see things in a certain way. For example, Lewis’s lion in the Narnia books, Aslan, is meant to be understood by the reader as a representation of Christ. Tolkien, in fact, was annoyed with Lewis for engaging in allegory, which he found heavy-handed. (Lewis, for his part, denied that his Narnia books were only allegory.) He believed myth to be a more artistically subtle device. Tolkien did not, for instance, intend his War of the Ring to be a battle of good versus evil. He didn’t see matters in such black-and-white terms and did not believe in absolute evil. During the Great War, he didn’t view the Germans as all bad and the English as all good. In the Lord of the Rings, even Sauron, like Lucifer, did not start as evil. Evil for Tolkien was a personal battle within each and every individual. A battle might be won or lost, but the war was unending.

(Tania Unsworth) writes of a time when she was a “girl of eleven, with a flashlight under the covers, devouring The Chronicles of Narnia”—when there was a complete immersion in the world of the novel, when one connected with a book’s protagonist and experienced the world through the eyes of the “other” in a powerful, beautiful way. There was an intensity to reading then, a kind of total involvement in story that is hard to reproduce as an adult. I know too much now about tired plots and clichés. I am always comparing one thing to another, recognizing devices, identifying styles. No matter how good or bad I find something, I’m always aware of my response, slightly detached, consciously enjoying or not enjoying.

Jill had, as you might say, quite fall in love with the Unicorn. She thought- and she wasn't far wrong- that he was the shiningest, delicatest, most graceful animal she had ever met; and he was so gentle and soft of speech that, if you hadn't known, you would hardly have believed how fierce and terrible he could be in battle. "Oh, this is nice!" said Jill. "Just walking along like this. I wish there could be more of this sort of adventure. It's a pity there's always so much happening in Narnia." But the Unicorn explained to her that she was quite mistaken. He said that the Sons and Daughters of Adam and Eve were brought out of their own strange world into Narnia only at times when Narnia was stirred and upset, but she mustn't think it was always like that. In between their visits there were hundreds and thousands of years when peaceful King followed peaceful King till you could hardly remember their names or count their numbers, and there was really hardly anything to put into the History Books. And he went on to talk of old Queens and heroes whom she had never heard of. He spoke of Swanwhite the Queen who had lived before the days of the White Witch and the Great Winter, who was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards. He spoke of Moonwood the Hare who had such ears that he could sit by Caldron Pool under the thunder of the great waterfall and hear what men spoke in whispers at Cair Paravel. He told how King Gale, who was ninth in descent from Frank the first of all Kings, had sailed far away into the Eastern seas and delivered the Lone Islanders from a dragon and how, in return, they had given him the Lone Islands to be part of the royal lands of Narnia for ever. He talked of whole centuries in which all Narnia was so happy that notable dances and feasts, or at most tournaments, were the only things that could be remembered, and every day and week had been better than the last. And as he went on, the picture of all those happy years, all the thousands of them, piled up in Jill's mind till it was rather like looking down from a high hill on to a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance.

I fell at his feet and thought, Surely this is the hour of death, for the Lion (who is worthy of all honor) will know that I have served Tash all my days and not him. Nevertheless, it is better to see the Lion and die than to be Tisroc of the world and live and not to have seen him. But the Glorious One bent down his golden head and touched my forehead with his tongue and said, Son, thou art welcome. But I said, Alas, Lord, I am no son of thine but the servant of Tash. He answered, Child, all the service thou hast done to Tash, I account as service done to me. Then by reasons of my great desire for wisdom and understanding, I overcame my fear and questioned the Glorious One and said, Lord, is it then true, as the Ape said, that thou and Tash are one? The Lion growled so that the earth shook (but his wrath was not against me) and said, It is false. Not because he and I are one, but because we are opposites, I take to me the services which thou hast done to him. For I and he are of such different kinds that no service which is vile can be done to me, and none which is not vile can be done to him. Therefore if any man swear by Tash and keep his oath for the oath’s sake, it is by me that he has truly sworn, though he know it not, and it is I who reward him. And if any man do a cruelty in my name, then, though he says the name Aslan, it is Tash whom he serves and by Tash his deed is accepted. Dost thou understand, Child? I said, Lord, thou knowest how much I understand. But I said also (for the truth constrained me), Yet I have been seeking Tash all my days. Beloved, said the Glorious One, unless thy desire had been for me thou wouldst not have sought so long and so truly. For all find what they truly seek.

That’s the one,” said Aunt Bea. “He used to chew licorice and spit on the grass to make the principal think he was chewing tobacco like a professional baseball player, which was what he wanted to be.” “Where’s this cute licorice-chewing uncle coming from, and how did he get so rich?” asked Ramona’s father, beginning to be interested. “Playing baseball?” “He’s coming from—” Ramona frowned. “I can’t remember the name, but it sounds like a fairy tale and has camels.” Narnia? Never-never-land? No, those names weren’t right. “Saudi Arabia,” said Beezus, who also went to the Kemps’ after school. Being in junior high school, she could take her time getting there. “Yes, that’s it!” Ramona wished she had remembered first. “Howie says he’s bringing the whole family presents.” She imagined bags of gold like those in The Arabian Nights, which Beezus had read to her. Of course, nobody carried around bags of gold today, but she enjoyed imagining them. “What’s Howie’s uncle doing in Saudi Arabia?” asked Mr. Quimby. “Besides spitting licorice in the sand?

And now, for the first time, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. Some sorts of animal he passed over altogether. But the pairs which he had touched instantly left their own kinds and followed him. At last he stood still and all the creatures whom he had touched came and stood in a wide circle around him. The others whom he had not touched began to wander away. Their noises faded gradually into the distance. The chosen beasts who remained were now utterly silent, all with their eyes fixed intently upon the Lion. The cat-like ones gave an occasional twitch of the tail but otherwise all were still. For the first time that day there was complete silence, except for the noise of running water. Digory’s heart beat wildly; he knew something very solemn was going to be done. He had not forgotten about his Mother, but he knew jolly well that, even for her, he couldn’t interrupt a thing like this. The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones—the rabbits, moles, and such-like—grew a good deal larger. The very big ones—you noticed it most with the elephants—grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying: “Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.

Monday, January 26 Be Strong and Courageous “So be strong and courageous! Do not be afraid and do not panic before them! For the LORD your God will personally go ahead of you. He will neither fail you nor abandon you.” DEUTERONOMY 31:6 NLT In The Horse and His Boy, one of the books in the Narnia series by C. S. Lewis, we see a beautiful picture of how the Lord gives us strength and courage to do His will. The boy, Shasta, runs away from home. Along the way he meets up with a talking horse from Narnia and a nobly born girl, Aravis, with her talking horse. They decide to take their horses to Narnia, but their plans fall apart when they have to go through the Calormene capitol city, Tashbaan. Several times as they travel, they are chased by lions, harassed by cats, and generally persecuted by various members of the cat family. Finally, on one particularly dark night, Shasta crosses over a mountain pass alone. In the dark and fog Shasta senses rather than sees a creature walking along beside him. And he’s terrified. Later, when he meets Aslan, Shasta learns that all the cats were Aslan, guiding them, pushing them, and yes, terrifying them into doing what they needed to do. Aslan was also his protector as he crossed the steep and dangerous mountain pass in the dark. Shasta is angry until he realizes that Aslan did everything out of love, even hurting Aravis when her pride was keeping them from the mission they’d been given. Father, thank You for the beautiful picture of Your protection and courage to those who are Yours.

When I was a child, my father forbade me to read science fiction or fantasy. Trash of the highest order, he said. He didn't want me muddying up my young, impressionable mind with crap. If it wasn't worthy of being reviewed in the Times, it did not make it onto our bookshelves. So while my classmates gleefully dove into The Lion, the Witch and the Wardrobe, A Wrinkle in Time, and The Borrowers, I was stuck reading Old Yeller. My saving grace- I was the most popular girl in my class. That's not saying much; it was easy to be popular at that age. All you had to do was wear your hair in French braids, tell your friends your parents let you drink grape soda every night at dinner, and take any dare. I stood in a bucket of hot water for five minutes without having to pee. I ate four New York System wieners (with onions) in one sitting. I cut my own bangs and- bam!- I was queen of the class. As a result I was invited on sleepovers practically every weekend, and it was there that I cheated. I skipped the séances and the Ouija board. I crept into my sleeping bag with a flashlight, zipped it up tight, and pored through those contraband books. I fell into Narnia. I tessered with Meg and Charles Wallace; I lived under the floorboards with Arrietty and Pod. I think it was precisely because those books were forbidden that they lived on in me long past the time that they should have. For whatever reason, I didn't outgrow them. I was constantly on the lookout for the secret portal, the unmarked door that would lead me to another world. I never thought I would actually find it.