Narnia Book Quotes

I hope no one who reads this book has been quite as miserable as Susan and Lucy were that night; but if you have been - if you've been up all night and cried till you have no more tears left in you - you will know that there comes in the end a sort of quietness. You feel as if nothing is ever going to happen again.

...You are not just going to vanish like this, Karou. This isn't some goddamn Narnia book.

When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, ‘It’s all in Plato’ — meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife. [The New York Times interview, 2000]

There was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway.

And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.

this is a book about something

Buying a book is not about obtaining a possession, but about securing a portal.

Most of us know what we should expect to find in a dragon's lair, but, as I said before, Eustace had read only the wrong books. They had a lot to say about exports and imports and governments and drains, but they were weak on dragons.

Do the children who prefer books set in the real, ordinary, workaday world ever read as obsessively as those who would much rather be transported into other worlds entirely?

The best swordsman in the world may be disarmed by a trick that's new to him.

Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again.

the trouble about trying to make yourself stupider than you really are is that you very often succeed.

The bright side of it is,” said Puddleglum, “that if we break our necks getting down the cliff, then we’re safe from being drowned in the river.

The first book we fall in love with shapes us every bit as much as the first person we fall in love with...

I have at last come to the end of the Faerie Queene: and though I say "at last", I almost wish he had lived to write six books more as he had hoped to do — so much have I enjoyed it.

I discovered that the wisdom of the world, and a great deal of its folly also, is to be found in the pages of books. And

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again.

He liked books if they were books of information and had pictures of grain elevators or of fat foreign children doing exercises in model schools.

If you had felt yourself sufficient, it would have been a proof that you were not.

She'd been to Narnia, Wonderland, Hogwarts, Dictionopolis. She had tessered, fallen through the rabbit hole, crossed the ice bridge into the unknown world beyond.

Safe?” said Mr. Beaver; “don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.

C. S. Lewis, the man who wrote the Narnia books you so loved, once said it is easy to trust a rope as long as you’re using it to wrap a box. But when you’re clinging to it over a deadly precipice, it’s something else entirely.

I was sad that nobody had come to my birthday party, but happy that I had a Batman figure, and there was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway.

A long time ago, I opened a book, and this is what I found inside: a whole new world. It isn't the world I live in, although sometimes it looks a lot like it. Sometimes, though, it feels closest to my world when it doesn't look like it at all. That world is enormous, yet it all fits inside an everyday object. I don't have to keep everything I find there, but what I choose to take with me is more precious than anything I own, and there is always more where that came from. The world I found was inside a book, and then that world turned out to be made of even more books, each of which led to yet another world. It goes on forever and ever. At nine I thought I must get to Narnia or die. It would be a long time before I understood that I was already there.

Narnia, Narnia, Narnia, despierta. Ama. Piensa. Habla. Sed arboles que caminan. Sed bestias que hablan. Sed aguas divinas.

People who have not been in Narnia sometimes think that a thing cannot be good and terrible at the same time. If

My mother used to read to me every night when I was little. We got through most of the major fantasy books of that time. The Narnia books by C.S. Lewis were my favorites and, later, Tolkien's The Lord of the Rings. I started making dolls to fill in the gaps of the dolls I had. Obviously we couldn't buy centaurs and fauns and elves and fairies, so I made them to play with the normal dolls I had. I must have been about six years old when I started making fantasy dolls.

The censors don't bother with fantasy books, especially old ones. They can't understand them. They think it's all kids' stuff. They'd die if they knew what The Chronicles of Narnia were really about.

No warrior scolds. Courteous words or else hard knocks are his only language.

If we weigh the significance of a book by the effect it has on its readers, then the great children's books suddenly turn up very high on the list.

No se puede alcanzar la suprema sabiduria sin sacrificios.

Adventure,' then, is what might otherwise be called hardship if it were attempted in a different spirit. Turning a difficult task or a perilous journey into an adventure is largely a matter of telling yourself the right story about it, which is one thing that Lewis's child characters have learned from reading, 'the right books.

Leslie named their secret land “Terabithia,” and she loaned Jess all of her books about Narnia, so he would know how things went in a magic kingdom—how the animals and the trees must be protected and how a ruler must behave.

But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there they said nothing about it. For Mr. Beaver had warned them, “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down—and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion.

And Aslan was bigger and more beautiful and more brightly golden and more terrible than he had thought. He dared not look into the great eyes.

Fire will burn any human body it touches, and starvation will waste it, but stories are not so predictable in their effects.

Don't you think you're a little old now to be quoting The Chronicles of Narnia?' I ask, raising an eyebrow at him. 'You read Harry Potter,' Will protests. 'Everyone reads Harry Potter,' I exclaim. 'It's an institution. Besides, it's not really a kids book, it's a metaphor for the world at large. It's almost philosophical in its way.

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

ONCE THERE WERE FOUR CHILDREN WHOSE NAMES were Peter, Susan, Edmund and Lucy. This

The closer and more completely you can come to explaining what a work of art means, the less like art it seems.

I froze, finding myself in the middle of an entire display of delicate paper animals. I'd found the door to Narnia

Richard put away the Narnia books, convinced, sadly, that they were an allegory; that an author (whom he had trusted) had been attempting to slip something past him. He had had the same disgust with the Professor Challenger stories, when the bull-necked old professor became a convert to Spiritualistm; it was not that Richard had any problems believing in ghosts - Richard believed, with no problems or contradictions, in everything - but Conan Doyle was preaching, and it showed through the words. Richard was young, and innoncent in his fashion, and believed that authors should be trusted, and that there should be nothing hidden beneath the surface of a story.

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C.S. Lewis.

They will not let us help them. They have chosen cunning instead of belief. Their prison is only in their own minds, yet they are in that prison; and so afraid of being taken in that they cannot be taken out.

So I had nothing to distract me from my books and their other worlds that swallowed me whole, from Narnia to the Wisconsin woods, from a small town in Sweden to the red earth of Prince Edward Island. Nothing and no one interested me as much as my books.

If you've ever read one of those articles that asks notable people to list their favorite books, you may have been impressed or daunted to see them pick Proust or Thomas Mann or James Joyce. You might even feel sheepish about the fact that you reread Pride and Prejudice or The Lord of the Rings, or The Catcher in the Rye or Gone With the Wind every couple of years with some much pleasure. Perhaps, like me, you're even a little suspicious of their claims, because we all know that the books we've loved best are seldom the ones we esteem the most highly - or the ones we'd most like other people to think we read over and over again.

There was John Masefield’s The Box of Delights; and the C. S. Lewis Narnia books; and Patricia Lynch’s The Turf-Cutter’s Donkey; The Winter of Enchantment by Victoria Walker; Black Hearts in Battersea by Joan Aiken; several of Rosemary Sutcliff’s historical novels, including Susan’s favorite, The Silver Branch; Power of Three by Diana Wynne Jones; The Weirdstone of Brisingamen by Alan Garner; Five Children and It by E. Nesbit; and many others.

More than once in the days that followed [Eustace] attempted to write it for them on the sand. But this never succeeded. In the first place Eustace (never having read the right books) had no idea how to tell a story straight.

It was a perfect little model of a lamp-post, about three feet high but lengthening, and thickening in proportion, as they watched it; in fact growing just as the trees had grown.

and hear depends a good deal on where you are standing: it also depends on what sort of person you are.

Tolkien disapproved of Lewis’s Narnia books because they worked by analogy, taking an existing myth and retelling it with different names and circumstances, whereas he felt that you should make your own myth out of whole cloth. But it’s not possible to read The Silmarillion without seeing how Sauron’s fall mirrors Satan’s. It’s only a question of how you triangulate your relationship to your source material.

O my mistress, do not by any means destroy yourself, for if you live you may yet have good fortune but all the dead are dead alike.

would very much like to have followed the first plan: he hated the idea

What literature could accomplish by way of moral education was less instruction than an expansion of our capacity for empathy: “it admits us to experiences other than our own.

Beautiful untrue things. We all know when we read about Narnia or Middle Earth or Wonderland—we know it’s not true but it’s so beautiful, so damn beautiful that we believe it while we’re there.

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be your affectionate Godfather,

Desire acts as a honey trap to the unwary male, luring him into unworthy and catastrophic enterprises. The beauty of the Narnian witches isn't ancillary to their evil, but integral to it, one of the weapons in their arsenal. Evil must, after all, appear attractive if it's going to be tempting, and from there it's only a small step further to the conclusion that feminine beauty is inherently wicked.

I was sad that nobody had come to my party, but happy that I had a Batman figure, and there was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway.

This is one of the chief differences between a child's experience of a favorite book and an educated adult's. For the adult, a book may be a work of art, possibly a very great one, but for the child reader, certain books are universes. If we are lucky, we retain some of that capacity to be immersed in a story.

were of a later era than those on the other shelves and did have dust jackets. There was John Masefield’s The Box of Delights; and the C. S. Lewis Narnia books; and Patricia Lynch’s The Turf-Cutter’s Donkey; The Winter of Enchantment by Victoria Walker; Black Hearts in Battersea by Joan Aiken; several of Rosemary Sutcliff’s historical novels, including Susan’s favorite, The Silver Branch; Power of Three by Diana Wynne Jones; The Weirdstone of Brisingamen by Alan Garner; Five Children and It by E. Nesbit; and

literature enlarges our world of experience to include both more of the physical world and things not yet imagined, giving the “actual world” a “new dimension of depth” (Lewis, Of Other Worlds 29). This makes it possible for literature to strip Christian doctrines of their “stained glass” associations and make them appear in their “real potency” (37), a possibility Lewis himself realized in the Narnia series and the space trilogy.

Pooh! Grown-ups

Trumpkin

you know? He’s the King. He’s the Lord of the whole

why should we think twice about punishing Narnia any more than about hanging an idle slave or sending a worn-out horse to be made into dog’s-meat?

Even in this world, of course, it is the stupidest children who are the most childish and the stupidest grown-ups who are the most grown-up.)

But he'd never seen anything like this before. And he'd never felt anything like it, either. The closest he could think of was when he and Blink were immersed in a book together. Sometimes a strange feeling would come over them as they'd race through the pages, and the words would dissolve, and they'd find themselves deep inside Oz, or Narnia, or the Andes, or Africa, where everything was real and vidid and alive. Stories could do that, but this wasn't story. This was a house. And no matter how real a story seemed, you still couldn't eat the food, or pick up the plates, or warm yourself by the fire.

and there was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway. My

As C.S. Lewis observed in The Silver Chair, one book in the Chronicles of Narnia series: “Crying is all right in its own way while it lasts. But you have to stop sooner or later, and then you still have to decide what to do.

Yes, Aslan,” said both the children. But Polly added, “But we’re not quite as bad as that world, are we, Aslan?” “Not yet, Daughter of Eve,” he said. “Not yet. But you are growing more like it. It is not certain that some wicked one of your race will not find out a secret as evil as the Deplorable Word and use it to destroy all living things. And soon, very soon, before you are an old man and an old woman, great nations in your world will be ruled by tyrants who care no more for joy and justice and mercy than the Empress Jadis. Let your world beware. That is the warning.

I was wondering—I mean—could there be some mistake? Because nobody called me and Scrubb, you know. It was we who asked to come here. Scrubb said we were to call to—to Somebody—it was a name I wouldn’t know—and perhaps the Somebody would let us in. And we did, and then we found the door open.” “You would not have called to me unless I had been calling to you,

she just went to the library to read, to escape into other people's imaginations. Often, she reread books she'd loved as a child, their familiarity a balm--- Grimms' Fairy Tales, The Chronicles of Narnia, and her favorite, The Secret Garden. Sometimes, she would close her eyes and find herself not in bed with Simon, but amongst the tangled plants at Misselthwaite Manor, watching roses nod in the breeze.

Well, don’t tell me about it, then,” said Eustace. “But who is Aslan? Do you know him?” “Well—he knows me,” said Edmund. “He is the great Lion, the son of the Emperor-beyond-the-Sea, who saved me and saved Narnia. We’ve all seen him. Lucy sees him most often. And it may be Aslan’s country we are sailing to.

Poppy used to share the room with her older sister, and piles of he sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumbled of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try and fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters-Doctor Who, a cat in a bowler hat, and a giant map of Narnia.

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

My interview was mostly conducted by Hugo Dyson, an Oxford ‘character’, known for his wit. I always found him alarming. He was like a hyperactive gnome, and stumped around on a walking stick which, when he was seized by one of his paroxysms of laughter, he would beat up and down as if trying to drive it through the floor. It brought to mind Rumpelstiltskin driving his leg into the ground in the fairy tale. He had been one of the ‘Inklings’ – the group of dons, including Tolkien and C. S. Lewis, who met during the 1930s in the Bird and Baby pub opposite St John’s. It was he and Tolkien who, one summer night in 1931, had converted Lewis to Christianity during a stroll along Addison’s Walk. So he was, at least in part, responsible for the Narnia books. I never asked him if he liked them. But it was well known that Tolkien’s Lord of the Rings was not to his taste. Tolkien had been in the habit of favouring the Inklings with readings from it, but one day Dyson, driven to exasperation, interjected, ‘Oh not another fucking elf!’ and after that the readings stopped. On

said Polly humbly. And then, because she hardly knew what to say, and also to turn Digory’s mind to cheerful subjects, she asked: “Is Mr. Ketterley really mad?

there may be two views about humans (meaning no offense to the present company). But there’s no two views about things that look like humans and aren’t.

The weight of the world is on our shoulders. We must be freed from all rules. Ours is a high and lonely destiny.

He couldn’t say anything but then he didn’t want to say anything, and he knew he needn’t say anything.

BOOK

But as for Lucy, she was always gay

His smile was deep and dark, like a thousand books begging to be read, like the doorway to Narnia.

For (Levi) Grossman, no books feel more like home than C. S. Lewis’s Chronicles of Narnia, which provide the template for what he likes to read—and how he wants to write.

because we all know that the books we’ve loved best are seldom the ones we esteem the most highly

Goodness gracious me!

It is he, not you, that will save Mr Tumnus.

Ugh, take it away,” wailed Eustace. “I hate mice. And I never could bear performing animals. They’re silly and vulgar and—and sentimental.

Aslan," said Lucy, "you're bigger." "That is because you are older, little one." "Not because you are?" "I am not. But every year you got, you will find me bigger.

I didn’t know. I’m sorry,” said Polly humbly.

BOOKS

All it means," he said to himself, "is that he thinks he can do anything he likes to get anything he wants.

For me, the library had been my Narnia, a magical place that took me away to another land, where I learned more than I had ever hoped. Librarians instinctively took me under their wings, protecting me as much as they could from the evils inherent in my mother's way of life. Books had become my refuge, my only friends, family, my escape from my everyday reality.

Aslan," said Lucy, "you are bigger." "That is because you are older, little one," answered he. "Not because you are?" "I am not. Because every year you grow, you will find me bigger.

You could see that they were ready to be friends with anyone who was friendly, and didn’t give a fig for anyone who wasn’t. Shasta thought he had never seen anything so lovely in his life.

When i was 9 I didn't go to Narnia, when i grew 11 my Hogwarts letter didn't come, again when i was twelve my satyr didn't come and now I'll wait till I'm fifty maybe the hunger games will come

Now that she had Uncle Andrew, she took no notice of Digory. I expect most witches are like that. They are not interested in things or people unless they can use them; they are terribly practical.

What awaited them on this island was going to concern Eustace more than anyone else, but it cannot be told in his words because after September 11 he forgot about keeping his diary for a long time.

But do not be cast down,” said Aslan, still speaking to the Beasts. “Evil will come of that evil, but it is still a long way off, and I will see to it that the worst falls upon myself. In the meantime, let us take such order that for many hundred years yet this shall be a merry land in a merry world. And as Adam’s race has done the harm, Adam’s race shall help to heal it. Draw near, you other two.

Yes, of course you’ll get back to Narnia again someday. Once a King in Narnia, always a King in Narnia. But don’t go trying to use the same route twice. Indeed, don’t try to get there at all. It’ll happen when you’re not looking for it. And don’t talk too much about it even among yourselves. And don’t mention it to anyone else unless you find that they’ve had adventures of the same sort themselves.

It was the sort of house that is mentioned in guide books and even in histories; and well it might be, for all manner of stories were told about it, some of them even stranger than the one I am telling you now.

Ogres with monstrous teeth, and wolves, and bull-headed men; spirits of evil trees and poisonous plants; and other creatures whom I won’t describe because if I did the grown-ups would probably not let you read this book

Good music excellently played beautifies the world, calling people out of the prison of themselves to something greater and grander. Literature, both writing and reading it, is strategic. How many people have been primed to receive the gospel because they read The Chronicles of Narnia as children? And how much medieval philosophy and classical poetry and fantastic fiction did C. S. Lewis have to read before he was equipped to write those precious books?

I daren’t come and drink,” said Jill. “Then you will die of thirst,” said the Lion. “Oh dear!” said Jill, coming another step nearer. “I suppose I must go and look for another stream then.” “There is no other stream,” said the Lion.

All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle

There is no need to be worried by facetious people who try to make the Christian hope of “Heaven” ridiculous by saying they do not want “to spend eternity playing harps.” The answer to such people is that if they cannot understand books written for grown-ups, they should not talk about them. All the scriptural imagery (harps, crowns, gold, etc.) is, of course, a merely symbolical attempt to express the inexpressible. Musical instruments are mentioned because for many people (not all) music is the thing known in the present life which most strongly suggests ecstasy and infinity. Crowns are mentioned to suggest the fact that those who are united with God in eternity share His splendour and power and joy. Gold is mentioned to suggest the timelessness of Heaven (gold does not rust) and the preciousness of it. People who take these symbols literally might as well think that when Christ told us to be like doves, He meant that we were to lay eggs.

Don’t you see?” said Digory. “This is where the bar fell—the bar she tore off the lamp-post at home. It sank into the ground and now it’s coming up as a young lamp-post.” (But not so very young now; it was as tall as Digory while he said this.)

And, over the years, I have collected other bits and pieces that remind me of Narnia. Including film props, and a good collection of behind-the-scenes and the-making-of books. My obsession is complete, and incurable. All that is left is to find a way to Narnia myself. I’m still looking, and I won’t give up.

I hope no one who reads this book has been quite as miserable as Susan and Lucy were that night; but if you have been—if you've been up all night and cried till you have no more tears left in you—you will know that there comes in the end a sort of quietness. You feel as if nothing was ever going to happen again.

I hope no one who reads this book has been quite as miserable as Susan and Lucy were that night; but if you have been - if you've been up all night and cried till you have no more tears left in you - you will know that there comes in the end a sort of quietness. You feel as if nothing was ever going to happen again.

Creatures, I give you yourselves,” said the strong, happy voice of Aslan. “I give to you forever this land of Narnia. I give you the woods, the fruits, the rivers. I give you the stars and I give you myself. The Dumb Beasts whom I have not chosen are yours also. Treat them gently and cherish them but do not go back to their ways lest you cease to be Talking Beasts. For out of them you were taken and into them you can return. Do not so.” “No, Aslan, we won’t, we won’t,” said everyone. But one perky jackdaw added in a loud voice, “No fear!” and everyone else had finished just before he said it so that his words came out quite clear in a dead silence; and perhaps you have found out how awful that can be—say, at a party. The Jackdaw became so embarrassed that it hid its head under its wing as if it were going to sleep. And all the other animals began making various queer noises which are their ways of laughing and which, of course, no one has ever heard in our world. They tried at first to repress it, but Aslan said: “Laugh and fear not, creatures. Now that you are no longer dumb and witless, you need not always be grave. For jokes as well as justice come in with speech.

A great crowd of people were standing all round the Stone Table and though the moon was shining many of them carried torches which burned with evil-looking red flames and black smoke. But such people! Ogres with monstrous teeth, and wolves, and bull-headed men; spirits of evil trees and poisonous plants; and other creatures whom I won't describe because if I did the grown-ups would probably not let you read this book--

Perhaps it has sometimes happened to you in a dream that someone says something which you don’t understand but in the dream it feels as if it had some enormous meaning—either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in its inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of summer.

It smelled not unlike Great-aunt Violet; an aura of books, of reading, of curling up and being cosy, of deciding, in a queue or on a train or a bus, just to step out of your normal world for a little while, go visit Narnia, or medieval England, or Persia, or the cockpit of a fighter plane; a hot air balloon; crime-ridden streets of Victorian London. To sit and blow the dust off something, then be transported elsewhere. It was magical. She couldn’t think of another word for it.

I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be

There’s fifty of us and more here with weapons in our fists.” “Hear him, hear him,” came the chorus. “That’s our Chief. You can depend on what he says. He’s telling you the truth, he is.” “I do not see these fifty warriors,” observed Reepicheep. “That’s right, that’s right,” said the Chief Voice. “You don’t see us. And why not? Because we’re invisible.” “Keep it up, Chief, keep it up,” said the Other Voices. “You’re talking like a book. They couldn’t ask for a better answer than that.

That’s the one,” said Aunt Bea. “He used to chew licorice and spit on the grass to make the principal think he was chewing tobacco like a professional baseball player, which was what he wanted to be.” “Where’s this cute licorice-chewing uncle coming from, and how did he get so rich?” asked Ramona’s father, beginning to be interested. “Playing baseball?” “He’s coming from—” Ramona frowned. “I can’t remember the name, but it sounds like a fairy tale and has camels.” Narnia? Never-never-land? No, those names weren’t right. “Saudi Arabia,” said Beezus, who also went to the Kemps’ after school. Being in junior high school, she could take her time getting there. “Yes, that’s it!” Ramona wished she had remembered first. “Howie says he’s bringing the whole family presents.” She imagined bags of gold like those in The Arabian Nights, which Beezus had read to her. Of course, nobody carried around bags of gold today, but she enjoyed imagining them. “What’s Howie’s uncle doing in Saudi Arabia?” asked Mr. Quimby. “Besides spitting licorice in the sand?

Suppose we have only dreamed, or made up, all those things—trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that’s a funny thing, when you come to think of it. We’re just babies making up a game, if you’re right. But four babies playing a game can make a play-world which licks your real world hollow. That’s why I’m going to stand by the play-world. I’m on Aslan’s side even if there isn’t any Aslan to lead it. I’m going to live as like a Narnian as I can even if there isn’t any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we’re leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that’s a small loss if the world’s as dull a place as you say.

…But I cannot tell that to this old sinner, and I cannot comfort him either; he has made himself unable to hear my voice. If I spoke to him, he would hear only growlings and roarings. Oh Adam's sons, how cleverly you defend yourselves against all that might do you good! But I will give him the only gift he is still able to receive.” He bowed his great head rather sadly, and breathed into the Magician's terrified face. “Sleep,” he said. “Sleep and be separated for some few hours from all the torments you have devised for yourself.

TO LUCY BARFIELD My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be your affectionate Godfather, C. S. Lewis

I fell at his feet and thought, Surely this is the hour of death, for the Lion (who is worthy of all honor) will know that I have served Tash all my days and not him. Nevertheless, it is better to see the Lion and die than to be Tisroc of the world and live and not to have seen him. But the Glorious One bent down his golden head and touched my forehead with his tongue and said, Son, thou art welcome. But I said, Alas, Lord, I am no son of thine but the servant of Tash. He answered, Child, all the service thou hast done to Tash, I account as service done to me. Then by reasons of my great desire for wisdom and understanding, I overcame my fear and questioned the Glorious One and said, Lord, is it then true, as the Ape said, that thou and Tash are one? The Lion growled so that the earth shook (but his wrath was not against me) and said, It is false. Not because he and I are one, but because we are opposites, I take to me the services which thou hast done to him. For I and he are of such different kinds that no service which is vile can be done to me, and none which is not vile can be done to him. Therefore if any man swear by Tash and keep his oath for the oath’s sake, it is by me that he has truly sworn, though he know it not, and it is I who reward him. And if any man do a cruelty in my name, then, though he says the name Aslan, it is Tash whom he serves and by Tash his deed is accepted. Dost thou understand, Child? I said, Lord, thou knowest how much I understand. But I said also (for the truth constrained me), Yet I have been seeking Tash all my days. Beloved, said the Glorious One, unless thy desire had been for me thou wouldst not have sought so long and so truly. For all find what they truly seek.

Jill had, as you might say, quite fall in love with the Unicorn. She thought- and she wasn't far wrong- that he was the shiningest, delicatest, most graceful animal she had ever met; and he was so gentle and soft of speech that, if you hadn't known, you would hardly have believed how fierce and terrible he could be in battle. "Oh, this is nice!" said Jill. "Just walking along like this. I wish there could be more of this sort of adventure. It's a pity there's always so much happening in Narnia." But the Unicorn explained to her that she was quite mistaken. He said that the Sons and Daughters of Adam and Eve were brought out of their own strange world into Narnia only at times when Narnia was stirred and upset, but she mustn't think it was always like that. In between their visits there were hundreds and thousands of years when peaceful King followed peaceful King till you could hardly remember their names or count their numbers, and there was really hardly anything to put into the History Books. And he went on to talk of old Queens and heroes whom she had never heard of. He spoke of Swanwhite the Queen who had lived before the days of the White Witch and the Great Winter, who was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards. He spoke of Moonwood the Hare who had such ears that he could sit by Caldron Pool under the thunder of the great waterfall and hear what men spoke in whispers at Cair Paravel. He told how King Gale, who was ninth in descent from Frank the first of all Kings, had sailed far away into the Eastern seas and delivered the Lone Islanders from a dragon and how, in return, they had given him the Lone Islands to be part of the royal lands of Narnia for ever. He talked of whole centuries in which all Narnia was so happy that notable dances and feasts, or at most tournaments, were the only things that could be remembered, and every day and week had been better than the last. And as he went on, the picture of all those happy years, all the thousands of them, piled up in Jill's mind till it was rather like looking down from a high hill on to a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance.

Once I began developing an appreciation for fantasy and imaginative literature like Homer’s The Iliad and The Odyssey, C. S. Lewis’s series The Chronicles of Narnia, and of course J. R. R. Tolkien’s The Lord of the Rings, I discovered that my appreciation for Revelation has grown and the weight of its images have pressed heavier on my soul. As I have read imaginative literature, my imagination has developed. As my imagination has developed, I have found myself reading Revelation more patiently, allowing the images to emerge in my mind until I feel the full spiritual shock of their intended voltage.

Tolkien preferred the still, small voice of Elijah to the resounding horns of Sinai. Accordingly, his commitment to myth as his medium was dogged. He repeatedly denied that The Lord of the Rings was allegory. The reason is this: allegory intends that this particular thing in the story is meant to be that particular thing known outside the story. In a way, it is coercive, forcing the reader to see things in a certain way. For example, Lewis’s lion in the Narnia books, Aslan, is meant to be understood by the reader as a representation of Christ. Tolkien, in fact, was annoyed with Lewis for engaging in allegory, which he found heavy-handed. (Lewis, for his part, denied that his Narnia books were only allegory.) He believed myth to be a more artistically subtle device. Tolkien did not, for instance, intend his War of the Ring to be a battle of good versus evil. He didn’t see matters in such black-and-white terms and did not believe in absolute evil. During the Great War, he didn’t view the Germans as all bad and the English as all good. In the Lord of the Rings, even Sauron, like Lucifer, did not start as evil. Evil for Tolkien was a personal battle within each and every individual. A battle might be won or lost, but the war was unending.

Something was crawling. Worse still, something was coming out. Edmund or Lucy or you would have recognized it at once, but Eustace had read none of the right books. The thing that came out of the cave was something he had never even imagined--a long lead-colored snout, dull red eyes, no feathers or fur, a long lithe body that trailed on the ground, legs whose elbows went up higher than its back like a spider’s, cruel claws, bat’s wings that made a rasping noise on the stones, yards of tail. And the lines of smoke were coming from its two nostrils. He never said the word Dragon to himself. Nor would it have made things any better if he had.

But after the children had gone a few steps down the room they came to faces that looked a little different. These were very solemn faces. You felt you would have to mind your P's and Q's, if you ever met living people who looked like that. When they had gone a little further, they found themselves among faces they didn't like: this was about the middle of the room. The faces here looked very strong and proud and happy, but they looked cruel. A little further on they looked crueller. Further on again, they were still cruel but they no longer looked happy. They were even despairing faces: as if the people they belonged to had done dreadful things and also suffered dreadful things.

Well, then, to put it in a nutshell,” said the Chief Voice, “we’ve been waiting for ever so long for a nice little girl from foreign parts, like it might be you, Missie--that would go upstairs and go to the magic book and find the spell that takes off the invisibleness, and say it. And we all swore that the first strangers as landed on this island (having a nice little girl with them, I mean, for if they hadn’t it’d be another matter) we wouldn’t let them go away alive unless they’d done the needful for us. And that’s why, gentlemen, if your little girl doesn’t come up to scratch, it will be our painful duty to cut all your throats. Merely in the way of business, as you might say, and no offense, I hope.

(Tania Unsworth) writes of a time when she was a “girl of eleven, with a flashlight under the covers, devouring The Chronicles of Narnia”—when there was a complete immersion in the world of the novel, when one connected with a book’s protagonist and experienced the world through the eyes of the “other” in a powerful, beautiful way. There was an intensity to reading then, a kind of total involvement in story that is hard to reproduce as an adult. I know too much now about tired plots and clichés. I am always comparing one thing to another, recognizing devices, identifying styles. No matter how good or bad I find something, I’m always aware of my response, slightly detached, consciously enjoying or not enjoying.

You could almost feel the trees drinking the water up with their roots. This wood was very much alive. When he tried to describe it afterward Digory always said, “It was a rich place: as rich as plumcake.” The strangest thing was that, almost before he had looked about him, Digory had half forgotten how he had come there. At any rate, he was certainly not thinking about Polly, or Uncle Andrew, or even his Mother. He was not in the least frightened, or excited, or curious. If anyone had asked him “Where did you come from?” he would probably have said, “I’ve always been here.” That was what it felt like—as if one had always been in that place and never been bored although nothing had ever happened. As he said long afterward, “It’s not the sort of place where things happen. The trees go on growing, that’s all.” After

wretched. There was a feeble attempt from a few dwarfs (about five) which died away all at once: from several others there were sulky growls. Many said nothing at all. “Don’t they understand?” said Jill impatiently. “What’s wrong with all you Dwarfs? Don’t you hear what the King says? It’s all over. The Ape isn’t going to rule Narnia any longer. Everyone can go back to ordinary life. You can have fun again. Aren’t you glad?” After a pause of nearly a minute a not-very-nice-looking Dwarf with hair and beard as black as soot said: “And who might you be, Missie?” “I’m Jill,” she said. “The same Jill who rescued King Rilian from the enchantment—and this is Eustace who did it too—and we’ve come back from another world after hundreds of years. Aslan sent us.” The Dwarfs all looked at one another with grins; sneering grins,

And now, for the first time, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. Some sorts of animal he passed over altogether. But the pairs which he had touched instantly left their own kinds and followed him. At last he stood still and all the creatures whom he had touched came and stood in a wide circle around him. The others whom he had not touched began to wander away. Their noises faded gradually into the distance. The chosen beasts who remained were now utterly silent, all with their eyes fixed intently upon the Lion. The cat-like ones gave an occasional twitch of the tail but otherwise all were still. For the first time that day there was complete silence, except for the noise of running water. Digory’s heart beat wildly; he knew something very solemn was going to be done. He had not forgotten about his Mother, but he knew jolly well that, even for her, he couldn’t interrupt a thing like this. The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones—the rabbits, moles, and such-like—grew a good deal larger. The very big ones—you noticed it most with the elephants—grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying: “Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.

There’s fifty of us and more here with weapons in our fists.” “Hear him, hear him,” came the chorus. “That’s our Chief. You can depend on what he says. He’s telling you the truth, he is.” “I do not see these fifty warriors,” observed Reepicheep. “That’s right, that’s right,” said the Chief Voice. “You don’t see us. And why not? Because we’re invisible.” “Keep it up, Chief, keep it up,” said the Other Voices. “You’re talking like a book. They couldn’t ask for a better answer than that.” “Be quiet, Reep,” said Caspian, and then added in a louder voice, “You invisible people, what do you want with us? And what have we done to earn your enmity?” “We want something that little girl can do for us,” said the Chief Voice. (The others explained that this was just what they would have said themselves.) “Little girl!” said Reepicheep. “The lady is a queen.” “We don’t know about queens,” said the Chief Voice. (“No more we do, no more we do,” chimed in the others.) “But we want something she can do.” “What is it?” said Lucy. “And if it is anything against her Majesty’s honor or safety,” added Reepicheep, “you will wonder to see how many we can kill before we die.” “Well,” said the Chief Voice. “It’s a long story. Suppose we all sit down?” The proposal was warmly approved by the other voices but the Narnians remained standing.

Monday, January 26 Be Strong and Courageous “So be strong and courageous! Do not be afraid and do not panic before them! For the LORD your God will personally go ahead of you. He will neither fail you nor abandon you.” DEUTERONOMY 31:6 NLT In The Horse and His Boy, one of the books in the Narnia series by C. S. Lewis, we see a beautiful picture of how the Lord gives us strength and courage to do His will. The boy, Shasta, runs away from home. Along the way he meets up with a talking horse from Narnia and a nobly born girl, Aravis, with her talking horse. They decide to take their horses to Narnia, but their plans fall apart when they have to go through the Calormene capitol city, Tashbaan. Several times as they travel, they are chased by lions, harassed by cats, and generally persecuted by various members of the cat family. Finally, on one particularly dark night, Shasta crosses over a mountain pass alone. In the dark and fog Shasta senses rather than sees a creature walking along beside him. And he’s terrified. Later, when he meets Aslan, Shasta learns that all the cats were Aslan, guiding them, pushing them, and yes, terrifying them into doing what they needed to do. Aslan was also his protector as he crossed the steep and dangerous mountain pass in the dark. Shasta is angry until he realizes that Aslan did everything out of love, even hurting Aravis when her pride was keeping them from the mission they’d been given. Father, thank You for the beautiful picture of Your protection and courage to those who are Yours.

When I was a child, my father forbade me to read science fiction or fantasy. Trash of the highest order, he said. He didn't want me muddying up my young, impressionable mind with crap. If it wasn't worthy of being reviewed in the Times, it did not make it onto our bookshelves. So while my classmates gleefully dove into The Lion, the Witch and the Wardrobe, A Wrinkle in Time, and The Borrowers, I was stuck reading Old Yeller. My saving grace- I was the most popular girl in my class. That's not saying much; it was easy to be popular at that age. All you had to do was wear your hair in French braids, tell your friends your parents let you drink grape soda every night at dinner, and take any dare. I stood in a bucket of hot water for five minutes without having to pee. I ate four New York System wieners (with onions) in one sitting. I cut my own bangs and- bam!- I was queen of the class. As a result I was invited on sleepovers practically every weekend, and it was there that I cheated. I skipped the séances and the Ouija board. I crept into my sleeping bag with a flashlight, zipped it up tight, and pored through those contraband books. I fell into Narnia. I tessered with Meg and Charles Wallace; I lived under the floorboards with Arrietty and Pod. I think it was precisely because those books were forbidden that they lived on in me long past the time that they should have. For whatever reason, I didn't outgrow them. I was constantly on the lookout for the secret portal, the unmarked door that would lead me to another world. I never thought I would actually find it.

Are you someone enchanted--someone human, I mean?” It nodded violently. And then someone said--people disputed afterward whether Lucy or Edmund said it first--“You’re not--not Eustace by any chance?” And Eustace nodded his terrible dragon head and thumped his tail in the sea and everyone skipped back (some of the sailors with ejaculations I will not put down in writing) to avoid the enormous and boiling tears which flowed from his eyes. Lucy tried hard to console him and even screwed up her courage to kiss the scaly face, and nearly everyone said “Hard luck” and several assured Eustace that they would all stand by him and many said there was sure to be some way of disenchanting him and they’d have him as right as rain in a day or two. And of course they were all very anxious to hear his story, but he couldn’t speak. More than once in the days that followed he attempted to write it for them on the sand. But this never succeeded. In the first place Eustace (never having read the right books) had no idea how to tell a story straight. And for another thing, the muscles and nerves of the dragon-claws that he had to use had never learned to write and were not built for writing anyway. As a result he never got nearly to the end before the tide came in and washed away all the writing except the bits he had already trodden on or accidentally swished out with his tail. And all that anyone had seen would be something like this--the dots are for the bits he had smudged out-- I WNET TO SLEE . . . RGOS AGRONS I MEAN DRANGONS CAVE CAUSE ITWAS DEAD AND AINING SO HAR . . . WOKE UP AND COU . . . GET OFFF MI ARM OH BOTHER . . . It was, however, clear to everyone that Eustace’s character had been rather improved by becoming a dragon.

Lucy,” came the call again, neither her father’s voice nor Peter’s. She sat up, trembling with excitement but not with fear. The moon was so bright that the whole forest landscape around her was almost as clear as day, though it looked wilder. Behind her was the fir wood; away to her right the jagged cliff-tops on the far side of the gorge; straight ahead, open grass to where a glade of trees began about a bow-shot away. Lucy looked very hard at the trees of that glade. “Why, I do believe they’re moving,” she said to herself. “They’re walking about.” She got up, her heart beating wildly, and walked toward them. There was certainly a noise in the glade, a noise such as trees make in a high wind, though there was no wind tonight. Yet it was not exactly an ordinary tree-noise either. Lucy felt there was a tune in it, but she could not catch the tune any more than she had been able to catch the words when the trees had so nearly talked to her the night before. But there was, at least, a lilt; she felt her own feet wanting to dance as she got nearer. And now there was no doubt that the trees were really moving—moving in and out through one another as if in a complicated country dance. (“And I suppose,” thought Lucy, “when trees dance, it must be a very, very country dance indeed.”) She was almost among them now. The first tree she looked at seemed at first glance to be not a tree at all but a huge man with a shaggy beard and great bushes of hair. She was not frightened: she had seen such things before. But when she looked again he was only a tree, though he was still moving. You couldn’t see whether he had feet or roots, of course, because when trees move they don’t walk on the surface of the earth; they wade in it as we do in water. The same thing happened with every tree she looked at. At one moment they seemed to be the friendly, lovely giant and giantess forms which the tree-people put on when some good magic has called them into full life: next moment they all looked like trees again. But when they looked like trees, it was like strangely human trees, and when they looked like people, it was like strangely branchy and leafy people—and all the time that strange lilting, rustling, cool, merry noise. “They are almost awake, not quite,” said Lucy. She knew she herself was wide awake, wider than anyone usually is.

Well, then, to put it in a nutshell,” said the Chief Voice, “we’ve been waiting for ever so long for a nice little girl from foreign parts, like it might be you, Missie--that would go upstairs and go to the magic book and find the spell that takes off the invisibleness, and say it. And we all swore that the first strangers as landed on this island (having a nice little girl with them, I mean, for if they hadn’t it’d be another matter) we wouldn’t let them go away alive unless they’d done the needful for us. And that’s why, gentlemen, if your little girl doesn’t come up to scratch, it will be our painful duty to cut all your throats. Merely in the way of business, as you might say, and no offense, I hope.” “I don’t see all your weapons,” said Reepicheep. “Are they invisible too?” The words were scarcely out of his mouth before they heard a whizzing sound and next moment a spear had stuck, quivering, in one of the trees behind them. “That’s a spear, that is,” said the Chief Voice. “That it is, Chief, that it is,” said the others. “You couldn’t have put it better.” “And it came from my hand,” the Chief Voice continued. “They get visible when they leave us.” “But why do you want me to do this?” asked Lucy. “Why can’t one of your own people? Haven’t you got any girls?” “We dursen’t, we dursen’t,” said all the Voices. “We’re not going upstairs again.” “In other words,” said Caspian, “you are asking this lady to face some danger which you daren’t ask your own sisters and daughters to face!” “That’s right, that’s right,” said all the Voices cheerfully. “You couldn’t have said it better. Eh, you’ve had some education, you have. Anyone can see that.” “Well, of all the outrageous--” began Edmund, but Lucy interrupted. “Would I have to go upstairs at night, or would it do in daylight?” “Oh, daylight, daylight, to be sure,” said the Chief Voice. “Not at night. No one’s asking you to do that. Go upstairs in the dark? Ugh.” “All right, then, I’ll do it,” said Lucy. “No,” she said, turning to the others, “don’t try to stop me. Can’t you see it’s no use? There are dozens of them there. We can’t fight them. And the other way there is a chance.” “But a magician!” said Caspian. “I know,” said Lucy. “But he mayn’t be as bad as they make out. Don’t you get the idea that these people are not very brave?” “They’re certainly not very clever,” said Eustace.

Claire automatically took the slate blue cloak. She thought that when she tied it around her shoulders she would feel silly, as though she were playing dress up, but as the cloth settled comfortably around her, she suddenly felt the weight of what she was doing. For the first, she realized what was happening: she was going on a quest.

I thought I saw how stories of this kind [i.e., his Narnia stories] could steal past a certain inhibition which had paralysed much of my own religion in childhood. Why did one find it so hard to feel as one was told one ought to feel about God or about the sufferings of Christ? I thought the chief reason was that one was told one ought to. An obligation to feel can freeze feelings. . . . The whole subject was associated with lowered voices; almost as if it were something medical. But suppose that by casting all these things into an imaginary world, stripping them of their stained-glass and Sunday school associations, one could make them for the first time appear in their potency? Could one not thus steal past those watchful dragons? I thought one could.

When comparing the drab, modern, mechanistic world in which humans are the only intelligent agents to a world of paganism, charged with spirituality, under pressure, as it were, threatening to erupt out of the ground with irrational and exuberant joy, Lewis leaned toward the pagan. Contrast such premodern visions of exuberant joy with how Lewis described the dolorous piety of modern religion, what he called a “minimal religion” which has “nothing that can convince, convert, or (in the higher sense) console: nothing, therefore, which can restore vitality to our civilization. It is not costly enough.”2 It is, seemingly, for this reason that Bacchus keeps making unexpected appearances throughout the Narnia books.3 Bacchus is the liberator, the joy-bringer, the mirth-maker, and he shatters our frigid paradigms of religion when they become nothing more than being nice and respectable and socially responsible: “Bacchus and the Maenads—his fierce, madcap girls—and Silenus were still with them. . . . Everyone was awake, everyone was laughing, flutes were playing, cymbals clashing. Animals . . . were crowding upon them from every direction.

to read, to escape into other people’s imaginations. Often, she reread books she’d loved as a child, their familiarity a balm—Grimms’ Fairy Tales, The Chronicles of Narnia, and her favorite, The Secret Garden. Sometimes, she would close her eyes and find herself not in bed with Simon, but amongst the tangled plants at Misselthwaite Manor, watching roses nod in the breeze.

As the Irish poet and philosopher John O'Donohue once wrote, "A book is a path of words which takes a heart in new directions. And that is what I long to show you, how Narnia does that for us all.

Welcome, Prince,” said Aslan. “Do you feel yourself sufficient to take up the Kingship of Narnia?” “I—I don’t think I do, Sir,” said Caspian. “I’m only a kid.” “Good,” said Aslan. “If you had felt yourself sufficient, it would have been a proof that you were not.

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing.

the simple likelihood of drawing a connection between a dream and a waking experience dwindles with temporal distance from the dream. At this point, it is hard to say if there is any kind of probability curve defining some temporal sweet spot when you are likeliest to identify a waking experience relating to a prior dream. This is one of the many, many open questions that we need armies of precognitive dreamworkers with fat dream journals to help figure out. While the bulk of my precognitive hits occur within about three days of a dream, it is not uncommon to find hits up to a couple weeks after a dream, as well as at yearly intervals (we will discuss calendrical resonances in more detail later). Dunne recommended returning to your dreams up to two days afterward and thereafter discarding dream records. He lived before word processors, and since no one would have the time to check all their dreams on an indefinite daily basis, he felt you had to set limits to make your search most effective. In our day of computer files, it is easy to keep permanent, detailed dream records—they no longer take up space—as well as to search them electronically and potentially perform other kinds of analyses if you are really hardcore. But it remains the case that nobody has the time to compare their entire dream journal, which may grow a bit each day, to their entire life, every day. You can see how that could begin to consume one’s life! You have to make compromises. Revisiting your dream records from the previous three days for a minute or two each evening is minimally sufficient. EMINENT COMPANY In taking the J. W. Dunne challenge, you will be in some brilliant and eminent company. Some of the most influential writers of the mid-twentieth century, including T. S. Eliot, C. S. Lewis, and J. R. R. Tolkien, were powerfully inspired by Dunne’s book, and some undertook his experiment. Most fans of Tolkien’s fantasy epics The Hobbit and The Lord of the Rings don’t realize that the timeless worldview of his Elven races was based largely on the serial-universe cosmology developed by Dunne on the basis of his dream experiences.4 So far, no dream diary has emerged among Tolkien’s papers that would prove he carried out Dunne’s experiment systematically, but his friend C. S. Lewis, author of The Chronicles of Narnia, probably did. Lewis hints as much in a posthumously published novel called The Dark Tower, which is partly devoted to Dunne’s ideas.

The grand idea was an atlas. A collection of maps, both of real places and of imagined ones, but reversed. She and Daniel had come up with a list of books, fantasy novels famous for the beautiful maps created just for them—Tolkien’s The Lord of the Rings; Le Guin’s Earthsea series; Lewis’s The Chronicles of Narnia books; Dragt’s De brief voor de koning, The Letter for the King; Pratchett’s Discworld novels—and another list of maps from our real world, famous for their cartographic significance. We would painstakingly research all of them, studying them from historical, scientific, and artistic angles, and then redraw them in the opposite style. Our recreations of the fantasy maps would be rigidly detailed and precise, and our re-creations of the realistic maps would be embellished, expanded, and dreamlike, like their fictional cousins. Once complete, we planned to publish it in one giant volume. Readers would open it, expecting the same old type of atlas, but instead, they’d find previously familiar lands rendered in a completely unexpected manner, opening their imaginations to an entirely new way of looking at maps.

Fairly certain that Narnia was not where it intended to take him,

Your Kindle book loan for The Lion, the Witch and the Wardrobe: The Chronicles of Narnia has ended.

It may be that the Chronicles of Narnia may outlive The Allegory of Love, and Perelandra outlive them both. Few works of learning and criticism survive a hundred years; what it was learned to know in 1950 will be expected of scholarship-candidates in 2000; new things will be discovered, old notions disproved, other critical values asserted; but a piece of genuine imagination in fiction may have a long life.

Before either men could commence a deliberation over who knew more of the hotel’s history, Coraline injected, “India was writing the last chapters of its saga of independence when The Imperial opened its doors in the 1930s.” She paused before proceeding, “Pandit Nehru, Mahatama Gandhi, Muhammad Ali Jinnah and Lord Mountbatten met under congenial conditions to discuss the partition of India and the creation of Pakistan on the very ground we stand on. Adding to that, the Nehru family also had a permanent suite within the walls of this ‘Maiden of the East.’” She let out a discreet chuckle that I think only I caught. Both men stared at the female, not knowing how to respond. Before either one of them could opine, she continued, “If only walls could speak. Here indeed is a repository of fascinating anecdotal material for authors of romantic and detective fiction. It was here, at this very site, that one could clink glasses for the Royals to their war efforts, urge Gandhi to quit the India movement, or dance to the strains of Blue Danube, belly dance like a belle from Beirut or be serenaded by an orchestra from London.” The group of us stared at the big sister, wondering how in the world she knew so much about The Imperial. My teacher and Jabril pressed for affirmation. Instead, she vociferated, “Notably, The Imperial has the largest collection on display of land war gallantry awards in India and among its neighbouring countries such as Afghanistan, Burma, Bhutan and China. It also holds a sizeable record of orders and decorations bestowed by the British Royalties to the Emperor of India as an honour to the local Maharajas, Sultans and ruling Princes from the various Indian states.” While Narnia’s chaperone continued her historical spiel, the recruit pulled me aside and whispered amusingly, “Although everything my big sister said is true, she’s having fun with you guys. Her information is from the hotel’s brochure in the guest rooms.” I quipped. “Why didn’t you tell the rest of our group? I thought she was an expert in India’s history!” She gave me a wet kiss and said saucily, “I’m telling you because I like you.” Stunned by her raciness, I was speechless. I couldn’t decide whether to tell her there and then that I was gay – but at that very moment, Andy appeared from around the corner. “Where did you two disappear to?” he inquired. When Narnia was out of earshot, I muttered knowingly to my BB, “I’ll tell you later.”, as we continued the art tour browsing portraitures of India’s Princely Rulers of yore.

My Teacher Told Me     Monsieur Dubois waited for me at his suite to commence our private tutorial. Since his other students Albert and Narnia had their lessons in the morning, they were at The Imperial’s swimming pool frolicking with their respective chaperones, leaving me alone with my professor. The moment I walked in, he said, “Young, you did well at last evening’s TransZendental session.” “I thought I had been summoned by the prince but he wasn’t there,” I commented. “He was! Didn’t you see him?” Alain remarked sarcastically. “He was?” This piece of information piqued my interest. I continued, “By the way, who was the man I was paired with?” “Don’t you recognize him?” my teacher teased. “No, who?” “Couldn’t you identify his touch and smell?” I remarked fondly, “All I could smell was sandalwood and the man’s loving touch. I couldn’t help melting into his gallantry. Who was he?” Just then my Valet came into the room. “Talking about the devil, here he is.” “Andy! It was Andy!” I exclaimed. “Your burka harnesses had worked wonders to revivify the fervent connections you felt for each other. That’s the reason I chose the two of you, to demonstrate to the prince and the sheik how they, too, could open themselves up to one another,” my teacher declared. Surprised by Dubois’ exposition, I questioned, “You mean they are together? I mean, they’re an item?” Alain gave a gratifying laugh before answering, “That’s correct. They are now unofficially a couple.

In the Sultan Suite   Andy was eagerly awaiting my reappearance. He had nailed as many engaging pictures as he could, and he had done superbly – but I didn’t know that yet.               When I regained position, Lihaar had straddled Aziz’s firmness, and Jabril’s thickness was gyrating within her derriere. The men rocked into her in rhythmic synchronicity while moans of zealous fervencies rose in crescendo from the singer’s throat. Coraline seized the opportunity and plunged her tilting pelvis onto the actress’s face. As if executing a perfect dance the Indian twirled her lecherous tongue into the big sister’s blossoming crevice. Afraid the dark-haired female would evade her pleasure vault, Coraline’s tenacious hands gripped her tightly.               Aziz drove his slithering tongue into Narnia’s wetness, teasing her nether region to groans of rapturous ecstasy. His probing fingers buried deep in her rousing bottom, driving her to bouts of climactic liberations. She shuttered unquenchably to each heaving motion of intimate deliverance. Waves of euphoric ecstasies filled her girlishness. She delivered her youthful exuberance again and again until her heaving breasts laid heavy against the Arab’s muscular chest. After all, I had been taught by great masters of the day – and I was the sorcerer’s apprentice. Therefore, no encouragements were required for me to capture affectionate kisses and private embraces from every bewitching angle. But my task was by no means over. Exotic shots of erotic discharges arrived in the shapely form of Ms. Lihaar riding both phalluses with abandon. Like her little sister Narnia, Coraline had delivered curls of billowing euphoria onto the actress’s face, coating the flawless beauty with dribbling wetness before lapping at her deliverance with sensual jubilations.               The men could no longer withhold their deposits. Sprays of masculinity filled the actress as she milked their pounding manliness to blissful nirvana. Together, my chaperone and I had garnered superlative shots for our patron when we left the Sultan cavern quietly, returning to the Maharajah in pursuit of a saturnalia of unbridled revelry.

Zac uttered the word ‘homosexuality’.               My chaperone had vociferated, “Do you know that homosexuality is an offense in Sharjah?”               “We were taught that at the Bahriji,” came Andy’s response.               Coraline chimed, “We know that adultery and fornication in this country are punishable by lashes and death. Therefore, we have to be secretive about what we do in private.”               “Aren’t these ‘crimes’ committed by the same people who created these laws?” Narnia remarked.               Zac riposted instantaneously, “These rules and regulations are created by the Brits and the Islamic clerics to control the masses, and to bring fear to the people they govern.”               Andy declared, “We also know that the rich and the elite live double lives. Most of them say one thing but live by another. They can do whatever they like, as long as it’s hidden behind closed doors.”              Albert opined, “Can they commit murder and get away with it?”               As if the lad had opened a can of worms, our discussion came to an abrupt silence. Finally, Andy put an end to that question, “Well, boy, I don’t think we’ll go there.

This is the land of Narnia,' said the Faun, 'where we are now; all that lies between that lamppost and the great castle of Cair Paravel on the eastern sea. And you-you have come from the wild woods of the west?

In 1962, Francine Smithline—a schoolgirl from New York—wrote to C. S. Lewis, telling him how much she had enjoyed his Narnia books and asking him for information about his own schooldays. In reply, Lewis informed her that he had attended three boarding schools, “of which two were very horrid.”42 In fact, Lewis continues, he “never hated anything as much, not even the front line trenches in World War I.

Jesus never taught that David wrote Psalm 110, or that Daniel wrote the book of Daniel, or that the book of Jonah is historically accurate. At the very most, he assumed these things. But not even this is guaranteed. It is quite possible that by alluding to these traditions, Jesus was simply conceding to standard assumptions. He may have known better, he may not have. As I showed in chapter 1, perhaps Jesus was aware that Jonah was an example of a fictional short story. By alluding to the story, he does not commit himself to its historicity, any more than Evangelicals commit themselves to the historicity of the Chronicles of Narnia when they say, reverently, that “Aslan is not a tame lion.” A preacher may confess from the pulpit that after his visit to Las Vegas, he knows what Frodo must have felt like carrying that ring, but no one assumes the preacher has confused fantasy and reality. Factual theological claims are made all the time by reference to fictional narratives, and no one gets in trouble for it. Jesus may simply have been working within the assumptions of his tradition, even if he knew better. On the other hand, he may not have known better; in all likelihood, Jesus assumed the traditions with which he was raised.

He also viewed Lewis’s Narnia books as slap-dash and superficially conceived.

But Jadis and Uncle Andrew are both magicians. And in this book we see that Jadis and Uncle Andrew both believe they are "above the rules." They both believe rules are only for ordinary, common people. In this way, they try to put themselves above all authority but their own. They do not want anybody telling them what to do and they do not want any rules telling them what to do. The problem with this, of course, is that you should never trust people who have strong views of authority when talking about people under them, but have very weak views of authority when talking about people over them. Whenever you encounter someone like that, you need to run in the other direction as fast and as far as you can—that person is going to abuse any authority they can get. One of the best things C. S. Lewis teaches us is that true authority can only be exercised by leaders who delight in submitting to authority themselves.

This is one of the oldest tricks in the book for sinful leaders: once you get into power, take whatever you can from the people, but all in the name of a higher good. This higher good may be God, or patriotism, or humanistic brotherhood, or democracy, but what all such power-abusers really want is more power for themselves.

there’s a difference between wanting all stories you read to be about you in the most literal sense, and reading with the hope that you can find a bit of yourself in all stories, however alien they may seem on the surface. When our capacity to identify withers, so does a portion of our humanity.

O príncipe fala de acordo com o que lhe ensinaram. [...] Os monarcas de sua raça têm pavor do mar, porque não podem esquecer que, em todas as histórias, Aslam veio de além-mar. Não se aproximam dele, nem querem que ninguém se aproxime. Por isso deixam crescer as florestas que os separam da costa. E porque brigam com as árvores têm medo dos bosques. E, porque têm medo dos bosques, acham que estes são povoados de fantasmas. E são os próprios reis que, odiando o mar, acreditam em parte nessas histórias e levam os outros a acreditar. Sentem -se mais seguros sabendo que ninguém em Nárnia ousa aproximar-se da costa e olhar o mar... olhar para o país de Aslam, para o nascente....

Lewis himself spoke about this process of “double seeing” at several points in his works—most notably, in concluding a lecture given at the Socratic Club in Oxford in 1945: “I believe that the Sun has risen, not only because I see it, but because by it I see everything else.”[583] We can look at the sun itself; or we can look instead at what it illuminates—thus enlarging our intellectual, moral, and aesthetic vision. We see the true, the good, and the beautiful more clearly by being given a lens that brings them into focus. They are not invented by our reading of Narnia, but they are discerned, lit up, and brought into sharper focus. And more than that, we see more, and we see farther, by looking through the right lens. We should read Narnia as Lewis asks us to read other works of literature—as something that is to be enjoyed on the one hand, and something with the capacity to enlarge our vision of reality on the other. What Lewis wrote of The Hobbit in 1939 applies with equal force to his own Narnia books: they allow us into “a world of its own” which, once it has been encountered, “becomes indispensable.” “You cannot anticipate it before you go there, as you cannot forget it once you have gone.”[584]

If Ward is right, Lewis has crafted each novel in the light of the atmosphere associated with one of the planets in the medieval tradition. This does not necessarily mean that this symbolism determines the plot of each novel, or the overall series; it does, however, help us understand something of the thematic identity and stylistic tone of each individual novel. Ward’s analysis is generally agreed to have opened up important new ways of thinking about the Narnia series, although further discussion and evaluation will probably lead to modification of some of its details. There is clearly more to Lewis’s imaginative genius than his earlier interpreters appreciated. If Ward is right, Lewis has used themes drawn from his own specialist field of medieval and Renaissance literature to ensure the coherency of the Chronicles of Narnia as a whole, while at the same time giving each book its own distinct identity.

Most readers of this section of the book will smile at this point, realising that a seemingly sophisticated philosophical argument is clearly invalidated by the context within which Lewis sets it. Yet Lewis has borrowed this from Plato—while using Anselm of Canterbury and René Descartes as intermediaries—thus allowing classical wisdom to make an essentially Christian point. Lewis is clearly aware that Plato has been viewed through a series of interpretative lenses—those of Plotinus, Augustine, and the Renaissance being particularly familiar to him. Readers of Lewis’s Allegory of Love, The Discarded Image, English Literature in the Sixteenth Century, and Spenser’s Images of Life will be aware that Lewis frequently highlights how extensively Plato and later Neoplatonists influenced Christian literary writers of both the Middle Ages and the Renaissance. Lewis’s achievement is to work Platonic themes and images into children’s literature in such a natural way that few, if any, of its young readers are aware of Narnia’s implicit philosophical tutorials, or its grounding in an earlier world of thought. It is all part of Lewis’s tactic of expanding minds by exposing them to such ideas in a highly accessible and imaginative form.

Buying a book is not about obtaining a possession... but about securing a portal.

Like the Copernican revolution itself, Ward’s discoveries regarding the “secret” behind the Narnia books has reordered the entire universe of the study of Lewis’s works. The value of Planet Narnia and the debt we owe to Ward cannot be overstated.

There is an uncharacteristic radicalism to Lewis’s further suggestion that if we can find “even one reader to whom the cheap little book with its double columns and the lurid daub on its cover had been a lifelong delight, who had read and reread it, who would notice, and object, if a single word were changed, then, however little we could see in it ourselves and however it was despised by our friends and colleagues, we should not dare to put it beyond the pale.

I can hazily remember, long ago, having adults — librarians, friends’ parents — suggest to me that I liked books “with magic” because I wanted to escape from a reality that, by implication, I lacked the gumption to face.

I can see how James or Greene might agree with this point of view: the former finds that the ugly old lamp no longer produces a genie when rubbed and the latter realizes he has nothing left to wish for.

Books were my mother's world, but she was mine. We lived in the apartment above the shop, and every day with my mom was an adventure. We didn't travel far on vacations because of the shop." Natalie used to beg to travel the world the way her friends did on school holidays---Disneyland, Hawaii, London, Japan. Instead, her mom would take her on flights of the imagination to Prince Edward Island, to Sutter's Mill, to Narnia and Sunnybrook Farm, to outer space and Hogwarts. She tried her best to bring her mother back to life with a few key anecdotes and memories smeared by tears. And then she looked down at the page she'd read many times growing up---from The Minpins by Roald Dahl. "The first time my mother read this book to me was after a visit to the Claymore Arboretum. I was five years old, and I believed the dragonflies were fairies, and that tiny sprites rode around on the backs of songbirds. She let me go on thinking that for as long as I pleased. And as far as I'm concerned, that's the best parenting advice ever." She breathed in, imagining the comfortable scent of her mother's bathrobe as they snuggled together for their nightly story. She breathed out, hoping her words would somehow touch her mother one more time. "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it.

K. M. Shea is a fantasy-romance author who never quite grew out of adventure books or fairy tales, and still searches closets in hopes of stumbling into Narnia. She is addicted to sweet romances, witty characters, and happy endings. She also writes LitRPG and GameLit under the pen name, A. M. Sohma.

TO DEFEAT THE DARKNESS OUT THERE, YOU MUST DEFEAT THE DARKNESS IN YOURSELF - NARNIA

Lucy felt very frightened, but she felt inquisitive and excited as well. She looked back over her shoulder and there, between the dark tree-trunks, she could still see the open doorway of the wardrobe and even catch a glimpse of the empty room from which she had set out. (She had, of course, left the door open, for she knew that it is a very silly thing to shut oneself into a wardrobe.) It seemed to be still daylight there. “I can always get back if anything goes wrong,” thought Lucy.

You have listened to fears, child," said Aslan. "Come, let me breathe on you. Forget them. Are you brave again?

I think I started out reading children’s books. I remember, in particular, books like The Once and Future King or the Narnia series or Tolkien. Charlotte’s Web – I remember that so clearly – and I reread that recently. Suddenly, rereading it, I realised that we think that’s a book about a little girl who saves the life of a pig, who then makes friends with a spider. Right? But what I didn’t realise until I reread it, is that the spider, Charlotte, is a writer. She’s the one who saves the pig’s life by writing words in her web. I think that was a theme: many of the books that I loved were about writers and, particularly, little girls who are writers – Harriet the Spy, that kind of thing.

We hope that you enjoy these letters. They were written to children just like you who loved The Chronicles of Narnia...and though the letters in this book do not have your name on them, consider that they are yours. For surely, if he could have, CS Lewis would have written them to you.

No one in that boat doubted that they were seeing beyond the End of the World into Aslan’s country. At that moment, with a crunch, the boat ran aground. The water was too shallow now for it. “This,” said Reepicheep, “is where I go on along.” They did not even try to stop him, for everything now felt as if it had been fated or had happened before. They helped him to lower his little coracle. Then he took off his sword (“I shall need it no more,” he said) and flung it far away across the lilied sea. Where it fell it stood upright with the hilt above the surface. Then he bade them goodbye, trying to be sad for their sakes; but he was quivering with happiness.

In C. S. Lewis’s classic fiction book, The Last Battle, Lewis describes the difference between old Narnia and new Narnia (heaven). The difference between the old Narnia and the New Narnia was like that. The newer one was a deeper country: every rock and flower and blade of grass looked as if it meant more. I can’t describe it any better than that: if you ever get there, you will know what I mean. It was the Unicorn who summed up what everyone was feeling. He stamped his right fore-hoof on the ground and neighed and then cried: “I have come home at last. This is my real country! I belong here. This is the land I have been looking for all my life, though I never knew it till now. The reason why we loved the old Narnia is that it sometimes looked a little like this. Bree-hee-hee—Come further up, come further in.”6

All of us, as we read, are like the Pevensie children in Narnia when Aslan sends them back to their own world and tells them, There I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.[3] We grow to know God better as we encounter his reality in stories that richly image his splendor or his power or even his humble presence among us.

I couldn’t believe it. It wasn’t just that he knew about Narnia. I could tell that he knew what I meant by a Narnia cubby. It was all there in his eyes. He knew that I didn’t actually think I was Lucy going through a real door to magical lands. He knew that the cubby in the Roadmaster was a sane person’s ticket to freedom of thought.

Who is Aslan?" asked Susan. "Aslan?" said Mr Beaver. "Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr Tumnus." "She won’t turn him into stone too?" said Edmund. "Lord love you, Son of Adam, what a simple thing to say!" answered Mr Beaver with a great laugh. "Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights as it says in an old rhyme in these parts: Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again. You’ll understand when you see him.

But meanwhile what about poor Mr Tumnus?" said Lucy. "The quickest way you can help him is by going to meet Aslan," said Mr Beaver, "once he’s with us, then we can begin doing things.

All my life, I’ve loved stories. My children did too— is there a child who doesn’t? Through the years, I read aloud all the books of the Narnia Chronicles, The Hobbit, and The Lord of the Rings to my kids. Curled up on the couch or on their beds, we got lost together in those fabulous tales. We read Kidnapped, The Black Arrow, and Treasure Island. On a driving trip through Nebraska, Wyoming, and the Dakotas, down through Utah and into Arizona, we plowed through a slew of Louis L’Amour’s books as the very landscape of those punchy little cowboy yarns slid past the van windows.

You have to understand: I was at the time enraptured with comic books and fantasy novels. I had never read Annie Dillard or Frederick Buechner or (other than Narnia) C. S. Lewis. I had no context for the kind of writing that attempted to capture in words either the burning beauty of a Florida sunset or the God who had lit the fire. But I filled a page with words, with weak and overwrought sentences; like a juggler who kept fumbling I scratched out words and wrote what I thought were better ones, aiming at something excellent even as I was aware of how pathetically short I fell.

Pooh! Grown-ups are always thinking of uninteresting explanations,

Non si è fantasmi nelle terre che ci appartengono.

Creatures, I give you yourselves,” said the strong, happy voice of Aslan. “I give to you forever this land of Narnia. I give you the woods, the fruits, the rivers. I give you the stars and I give you myself. The Dumb Beasts whom I have not chosen are yours also. Treat them gently and cherish them but do not go back to their ways lest you cease to be Talking Beasts. For out of them you were taken and into them you can return. Do not so.” “No, Aslan, we won’t, we won’t,” said everyone. But one perky jackdaw added in a loud voice, “No fear!” and everyone else had finished just before he said it so that his words came out quite clear in a dead silence; and perhaps you have found out how awful that can be—say, at a party. The Jackdaw became so embarrassed that it hid its head under its wing as if it were going to sleep. And all the other animals began making various queer noises which are their ways of laughing and which, of course, no one has ever heard in our world. They tried at first to repress it, but Aslan said: “Laugh and fear not, creatures. Now that you are no longer dumb and witless, you need not always be grave. For jokes as well as justice come in with speech.” So they all let themselves go. And there was such merriment that the Jackdaw himself plucked up courage again and perched on the cab-horse’s head, between its ears, clapping its wings, and said: “Aslan! Aslan! Have I made the first joke? Will everybody always be told how I made the first joke?” “No, little friend,” said the Lion. “You have not made the first joke; you have only been the first joke.” Then everyone laughed more than ever; but the Jackdaw didn’t mind and laughed just as loud till the horse shook its head and the Jackdaw lost its balance and fell off, but remembered its wings (they were still new to it) before it reached the ground.

The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea. Solidly rooted in the traditions of both fantasy and mainstream literary fiction, the novel tips its hat to Oz and Narnia as well as to Harry, but don’t mistake this for a children’s book. Grossman’s sensibilities are thoroughly adult, his narrative dark and dangerous and full of twists. Hogwarts was never like this.

beetles, if they were dead and pinned on a card. He liked books if they were books of information and had pictures of grain elevators or of fat foreign children doing exercises in model schools. Eustace Clarence disliked his cousins, the four Pevensies, Peter, Susan, Edmund and Lucy. But he was quite glad when he heard that Edmund and Lucy were coming to stay. For deep down inside him he liked bossing and bullying; and, though he was a puny little person who couldn’t have stood up even to Lucy, let alone Edmund, in a fight, he knew that there are dozens of ways to give people a bad time if you are in your own home and they are only visitors. Edmund and Lucy did not at all want to come and stay with Uncle Harold and Aunt Alberta. But it really couldn’t be helped. Father had got a job lecturing in America for sixteen weeks that summer, and Mother was to go with him because she hadn’t had a real holiday for ten years. Peter was working very hard for an exam and he was to spend the holidays being coached by old Professor

And the smell of the Apple of Youth was as if there was a window in the room that opened on Heaven.

Ooh!” said Susan, “I’d thought he was a man. Is he--quite safe? I shall feel rather nervous about meeting a lion.” “That you will, dearie, and no mistake,” said Mrs. Beaver. “If there’s anyone who can appear before Aslan without their knees knocking, they’re either braver than most or else just silly.” “Then he isn’t safe?” said Lucy. “Safe?” said Mr. Beaver. “Don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.

their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on forever: in which every chapter is better than the one before.

I know that you also, Telmarine though you are, love the old things." "I do, I do," said Caspian, "but how can I help?

Make your choice

the main thing is to get there.

I dont know that I care much about living on and on after everyone I know is dead. Id rather live an ordinary time and die and go to Heaven.

Take courage, dear heart.

Narnia

Im on Aslans side even if there isnt any Aslan to lead it. Im going to live as like a Narnian as I can even if there isnt any Narnia.

It is he