Stone Fox Quotes

Favorite Quotations. I speak my mind because it hurts to bite my tongue. The worth of a book is measured by what you carry away from it. It's not over till it's over. Imagination is everything. All life is an experiment. What the caterpillar calls the end of the world, the master calls the butterfly.

If you break up with Alec, you will not only be losing one stone cold fox, but a family of foxes. I will pass down the word to my children's children. No Lightwood is ever going to so much as wink at you in a bar. Think about that. Think about being Lightwoodless and lonely five hundred years from now, in a sad and chilly nightclub on the moon.

And now my old dog is dead, and another I had after him, and my parents are dead, and that first world, that old house, is sold and lost, and the books I gathered there lost, or sold- but more books bought, and in another place, board by board and stone by stone, like a house, a true life built, and all because I was steadfast about one or two things: loving foxes, and poems, the blank piece of paper, and my own energy- and mostly the shimmering shoulders of the world that shrug carelessly over the fate of any individual that they may, the better, keep the Niles and Amazons flowing.

Hot damn, Wip. We’ve got a stone-cold fox on our hands.” Willa flipped Ginger the bird without looking away from the full-length mirror. “This touching family sitcom moment brought to you by the letters F and U.

I have looked back on portraits of our ancestors. Gabriel Lightwood was notably smoking. It is rumored that one Consul agreed with everything my great-great aunt Felicia Lightwood ever said, because when she spoke all he heard was ‘Foxy foxy foxy.’ If you break up with Alec, you will not only be losing one stone cold fox, but a family of foxes. I will pass down the word to my children’s children. No Lightwood is ever going to so much as wink at you in a bar. Think about that. Think about being Lightwoodless and lonely five hundred years from now, in a sad and chilly nightclub on the moon.

Isen wasn't a two birds with one stone kind of guy. More like one stone, two birds, a rabbit, a fox, and maybe that deer will trip over the fox and we can get him, too.

He smiled and bent forward, a hand on each knee, his truculence gleaming through his smile like a stone under water.

And now I am a girl in a stone body,

Is she dead, Mr. Stone Fox? Is she dead?” little Willy asked, looking up at Stone Fox with his one good eye.

You're a stone fox," he said, and took off.

Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine.

Don’t leave FDR-1 behind, I think to my fox. Madox cocks his head like, Seriously, the damn iguana?

The girl was lighter without her heart. She danced barefoot on the hot roads, and her feet were not cut by the glass or stones that studded her way. She spoke to the dead whenever they visited her. She tried to be kind, but they realised that they no longer had anything in common with her, and she realised it, too. So they went their separate ways.

So we went to the Zoo; & I daresay I could write something interesting about that--a pale stone desert given over to charwomen & decorators: a few bears, a mandrill, & a fox or two--all in the desolation of depression.

No,” Brandt agreed. “There are no others,” he said, a declarative statement so rare and precious Fox wished he could capture it in his hands; hold a feast in its honor; commit the occasion to stone beneath his feet; “and there never will be.

Her breath was short, and her heart was pounding- she feared that at any moment it might just give out. And he was standing there eating an apple. But she knew he felt something. She no longer believed anything that had happened between them in the Hollow was because of the mirth stone. The mirth stone didn't create bliss; all it had done was mend wounds and take away fear. What was Jacks afraid of? What was his wound.

Tough fox reputation be damned

See, most people have plenty of private things out in the open if you know where and how to look, and I do

You have a heart of stone," the Sea Oracle said, "but did you think that meant your nature was unyielding? If there is something the sea knows, it is that sand is nothing but stone given wisdom by the hand of water over time. And sand can be shaped. How you wish to shape the sand of your heart - that is up to you.

Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.

Jacks of the Hollow," warned the queen. "Those arch stones can only be used one time to go back. They were not created for infinite trips to the past." "I know," Jacks growled. "I'm going to go back and stop your son from killing her." The queen's face fell. For a moment, she looked as old as the years she'd spent lying in a suspended state. "That is not a small mistake to fix. If you do this, Time will take something equally valuable from you." The Fate gave the queen a look more vicious than any curse. "There is nothing of equal value to me.

SPRING POEM It is spring, my decision, the earth ferments like rising bread or refuse, we are burning last year's weeds, the smoke flares from the road, the clumped stalks glow like sluggish phoenixes / it wasn't only my fault / birdsongs burst from the feathered pods of their bodies, dandelions whirl their blades upwards, from beneath this decaying board a snake sidewinds, chained hide smelling of reptile sex / the hens roll in the dust, squinting with bliss, frogbodies bloat like bladders, contract, string the pond with living jelly eyes, can I be this ruthless? I plunge my hands and arms into the dirt, swim among stones and cutworms, come up rank as a fox, restless. Nights, while seedlings dig near my head I dream of reconciliations with those I have hurt unbearably, we move still touching over the greening fields, the future wounds folded like seeds in our tender fingers, days I go for vicious walks past the charred roadbed over the bashed stubble admiring the view, avoiding those I have not hurt yet, apocalypse coiled in my tongue, it is spring, I am searching for the word: finished finished so I can begin over again, some year I will take this word too far.

Just so you know, now that I know what it's like to kiss you, I'm never going to stop.

I always knew what men wanted to hear, the setting never mattered, and specifically in business, the playbook was so abundantly clear. Sexism goes in and out of vogue depending on the year or damning article making the rounds in the press, but the deep-seated sentiments never change.

See, men are so much simpler to bat about like a cat does a mouse; it’s not difficult to decipher what they really want—generally power, money and sex—but women and their ambitions are much more complex, more layered.

Tears shone in Lucien’s remaining eye as he raised his hands and removed the fox mask. The brutally scarred face beneath was still handsome—his features sharp and elegant. But my host was looking at Tamlin now, who slowly faced my dead body. Tamlin’s still-masked face twisted into something truly lupine as he raised his eyes to the queen and snarled. Fangs lengthened. Amarantha backed away—away from my corpse. She only whispered “Please” before golden light exploded. The queen was blasted back, thrown against the far wall, and Tamlin let out a roar that shook the mountain as he launched himself at her. He shifted into his beast form faster than I could see—fur and claws and pound upon pound of lethal muscle. She had no sooner hit the wall than he gripped her by the neck, and the stones cracked as he shoved her against it with a clawed paw. She thrashed but could do nothing against the brutal onslaught of Tamlin’s beast. Blood ran down his furred arm from where she scratched. The Attor and the guards rushed for the queen, but several faeries and High Fae, their masks clattering to the ground, jumped into their path, tackling them. Amarantha screeched, kicking at Tamlin, lashing at him with her dark magic, but a wall of gold encompassed his fur like a second skin. She couldn’t touch him. “Tam!” Lucien cried over the chaos. A sword hurtled through the air, a shooting star of steel. Tamlin caught it in a massive paw. Amarantha’s scream was cut short as he drove the sword through her head and into the stone beneath. And then closed his powerful jaws around her throat—and ripped it out.

I knew you'd be pleased. But I beg of you: don't write things like 'The fox was orally fixated all afternoon.' There are so many foreign words in your stories, they'd make a four or five-year-old drop stone dead. Hungarian, understood?

I'm broken. I like to break things. Sometimes I want to break you.' 'Then break me, Jacks.' His fingers tensed against her neck. 'For once I want to do the right thing. I can't do this. I can't watch you die again.' The word again scraped against her like a thorn. 'What do you mean, again?' 'You died, Evangeline.' Jacks pulled her closer until she could feel the ragged rise and fall of his chest as he rasped. 'I held you in my arms as it happened.' 'Jacks... I don't know what you're talking about. I never died.' 'Yes, you did. The night you opened the Valory. The first time you did it, I didn't go with you.' He went silent for a moment and then she heard him think, I couldn't say goodbye. 'It was only you and Chaos,' he whispered. 'As soon as his helm was off, he killed you. I tried to stop him- I tried to save you- but-' Jacks opened and shut his mouth as if he could barely get the words out. 'I couldn't. When I got there, he had already bitten you- and he'd already taken too much blood. You died as soon as you were in my arms. The only thing I could do was use the stones to turn back time. I was warned that it would cost me something. But I thought it would cost me. I didn't imagine it would take from you.' I'm sorry, he thought. 'You don't need to be sorry, Jacks.' 'It's my fault,' he gritted out. 'No, it's not. I didn't lose my memories because you turned back time. I lost them because Apollo took them from me.' Jacks looked murderous for a second. Then just as quickly he shook off her words. 'It doesn't matter. What matters is that you died. And if you die again, I cannot bring you back.' 'So you'd rather live without me?' 'I'd rather you live.' 'I am living, Jacks, and I am not going to die anytime soon.' Evangeline closed her eyes and then she kissed him.

Hello,' he said, almost shyly, as he approached the table. He was barefoot and shirtless, and adorably tousled, with golden hair falling over sparkly eyes that looked as if they were still waking up. 'Hi.' Her voice came out oddly shy as well, which only seemed to make Jacks smile. 'You didn't have to sneak out of bed,' he said. 'I didn't sneak.' 'Then why didn't you stay?' He casually slid in to the seat beside her and turned to her with a wolfish grin. It was a smile like a fairytale, part villain, part hero, part impossible ever after. She couldn't bear how much she loved it. But then she remembered the stone. She imagined she'd feel differently if it was in an iron box, and she feared that Jacks would, too. That he wouldn't be looking at her as if he wanted to devour her instead of the breakfast. 'Tomorrow, I won't let you leave so easily.' His eyes flashed with mischief, and he stole a bite of her toast. The gesture was so simple and so comfortable, and all she could think was that it would be so easy to stay here. 'I thought you said it was just one night.' 'I thought you never believed what I said.' He shook his head reproachfully and tugged her on to his lap. 'Jacks-' Evangeline put a hand against his chest. She could feel his heart was pounding, which surprised her. On the outside, he looked so casual and careless, but now she imagined he felt as nervous as she did. It made her want to pull him closer, to press her head in to his shoulder and tell him all the things that she was trying not to feel. She wrapped her arms around his neck , and for a second she held tight. She held him as if he was hers and she was his, and there was nothing else between them. No curses. No lies. No past wounds or mistakes. She held him as if there was only now, as if nothing else mattered but this moment. Then she let him go. She shoved off his laps with clumsy arms and even clumsier legs that stumbled as she tried to step back. 'Evangeline... what's wrong?' A line creased between his brows. 'This isn't real, Jacks. You and I, we're under the influence of the mirth stone.' 'You think you would only feel this way about me because of a rock?' Jacks' mouth clamped shut. For a moment he looked angry, but she looked in his eyes, all she could see was hurt.

So, what do you go for in a girl?” He crows, lifting a lager to his lips Gestures where his mate sits Downs his glass “He prefers tits I prefer ass. What do you go for in a girl?” I don’t feel comfortable The air left the room a long time ago All eyes are on me Well, if you must know I want a girl who reads Yeah. Reads. I’m not trying to call you a chauvinist Cos I know you’re not alone in this but… I want a girl who reads Who needs the written word & uses the added vocabulary She gleans from novels and poetry To hold lively conversation In a range of social situations I want a girl who reads Who’s heart bleeds at the words of Graham Greene Or even Heat magazine Who’ll tie back her hair while reading Jane Eyre And goes cover to cover with each water stones three for two offer but I want a girl who doesn’t stop there I want a girl who reads Who feeds her addiction for fiction With unusual poems and plays That she hunts out in crooked bookshops for days and days and days She’ll sit addicted at breakfast, soaking up the back of the cornflakes box And the information she gets from what she reads makes her a total fox Cos she’s interesting & unique & her theories make me go weak at the knees I want a girl who reads A girl who’s eyes will analyze The menu over dinner Who’ll use what she learns to kick my ass in arguments so she always ends the winner But she’ll still be sweet and she’ll still be flirty Cos she loves the classics and the classics are dirty So late at night she’d always have me in a stupor As she paraphrases the raunchier moments from the works of Jilly Cooper See, some guys prefer asses Some prefer tits And I’m not saying that I don’t like those bits But what’s more important What supersedes Is a girl with passion, wit and dreams So I’d like a girl who reads.

Where kin are relations of kind, kith is relationship based on knowledge of place—the close landscape, “one’s square mile,” as Griffiths writes, where each tree and neighbor and robin and fox and stone is known, not by map or guide but by heart. Kith is intimacy with a place, its landmarks, its fragrance, the habits of its wildlings.

Nothing on this planet could slink like a fox, Mom said, except maybe a politician in a beer joint.

I was wrong, you were right. I'm dumb, you're smart. I'm ugly, and you're a stone-cold fox.

I was in love with Feyre,' Rhys said quietly, 'long before she ever returned the feeling.' Lucien crossed his arms. 'How fortunate that you got what you wanted in the end.' I closed my eyes for a heartbeat. Cassian and Azriel stilled, waiting for the order. 'I will only say this once,' warned the High Lord of the Night Court. Even Lucien flinched. 'I suspected Feyre was my mate before I ever knew she was involved with Tamlin. And when I learned of it... If it made her happy, I was willing to step back.' 'You came to our house and stole her away on her wedding day.' 'I was going to call the wedding off,' I cut in, taking a step toward Lucien. 'You knew it.' Rhysand went on before Lucien could snap a reply. 'I was willing to lose my mate to another male. I was willing to let them marry, if it brought her joy. But what I was not willing to do was let her suffer. To let her fade away into a shadow. And the moment that piece of shit blew apart his study, the moment he locked her in that house...' His wings ripped from him, and Lucien started. Rhys bared his teeth. My limbs turned light, trembling at the dark power curling in the corners of the room. Not fear- never fear of him. But at the shattered control as Rhys snarled at Lucien. 'My mate may one day find it in herself to forgive him. Forgive you. But I will never forget how it felt to sense her terror in those moments.' My cheeks heated, especially as Cassian and Azriel stalked closer, those hazel eyes now filled with a mix of sympathy and wrath. I had never talked about it to them- what had gone on that day Tamlin had destroyed his study, or the day he'd sealed me inside the manor. I'd never asked Rhys if he'd informed them. From the fury rippling from Cassian, the cold rage seeping from Azriel... I didn't think so. Lucien, to his credit, didn't back away a step. From Rhys, or me, or the Illyrians. The Clever Fox Stares Down Winged Death. The painting flashed in my mind. 'So, again, I will say this only once,' Rhys went on, his expression smoothing into lethal calm, dragging me from the colours and light and shadows gathering in my mind. 'Feyre did not dishonour or betray Tamlin. I revealed the mating bond months later- and she gave me hell for it, don't worry. But now that you've found your mate in a similar situation, perhaps you will try to understand how it felt. And if you can't be bothered, then I hope you're wise enough to keep your mouth shut, because the next time you look at my mate with that disdain and disgust, I won't bother to explain it again, and I will rip out your fucking throat.' Rhys said is so mildly that the threat took a second to register. To settle in me like a stone plunked into a pool. Lucien only shifted on his feet. Wary. Considering. I counted the heartbeats, debating how much I'd interfere if he said something truly stupid, when he at last murmured, 'There is a longer story to be told, it seems.

In the life of Moses, in Hebrew folklore, there is a remarkable passage. Moses finds a shepherd in the desert. He spends the day with the shepherd and helps him milk his ewes, and at the end of the day he sees that the shepherd puts the best milk he has in a wooden bowl, which he places on a flat stone some distance away. So Moses asks him what it is for, and the shepherd replies 'This is God's milk.' Moses is puzzled and asks him what he means. The shepherd says 'I always take the best milk I possess, and I bring it as on offering to God.' Moses, who is far more sophisticated than the shepherd with his naive faith, asks, 'And does God drink it?' 'Yes,' replies the shepherd, 'He does.' Then Moses feels compelled to enlighten the poor shepherd and he explains that God, being pure spirit, does not drink milk. Yet the shepherd is sure that He does, and so they have a short argument, which ends with Moses telling the shepherd to hide behind the bushes to find out whether in fact God does come to drink the milk. Moses then goes out to pray in the desert. The shepherd hides, the night comes, and in the moonlight the shepherd sees a little fox that comes trotting from the desert, looks right, looks left and heads straight towards the milk, which he laps up, and disappears into the desert again. The next morning Moses finds the shepherd quite depressed and downcast. 'What's the matter?' he asks. The shepherd says 'You were right, God is pure spirit, and He doesn't want my milk.' Moses is surprised. He says 'You should be happy. You know more about God than you did before.' 'Yes, I do' says the shepherd, 'but the only thing I could do to express my love for Him has been taken away from me.' Moses sees the point. He retires into the desert and prays hard. In the night in a vision, God speaks to him and says 'Moses, you were wrong. It is true that I am pure spirit. Nevertheless I always accepted with gratitude the milk which the shepherd offered me, as the expression of his love, but since, being pure spirit, I do not need the milk, I shared it with this little fox, who is very fond of milk.

Then Jip went up to the front of the ship and smelt the wind; and he started muttering to himself, "Tar; Spanish onions; kerosene oil; wet raincoats; crushed laurel-leaves; rubber burning; lace-curtains being washed--No, my mistake, lace-curtains hanging out to dry; and foxes--hundreds of 'em--cubs; and--" "Can you really smell all those different things in this one wind?" asked the Doctor. "Why, of course!" said Jip. "And those are only a few of the easy smells--the strong ones. Any mongrel could smell those with a cold in the head. Wait now, and I'll tell you some of the harder scents that are coming on this wind--a few of the dainty ones." Then the dog shut his eyes tight, poked his nose straight up in the air and sniffed hard with his mouth half-open. For a long time he said nothing. He kept as still as a stone. He hardly seemed to be breathing at all. When at last he began to speak, it sounded almost as though he were singing, sadly, in a dream. "Bricks," he whispered, very low--"old yellow bricks, crumbling with age in a garden-wall; the sweet breath of young cows standing in a mountain-stream; the lead roof of a dove-cote--or perhaps a granary--with the mid-day sun on it; black kid gloves lying in a bureau-drawer of walnut-wood; a dusty road with a horses' drinking-trough beneath the sycamores; little mushrooms bursting through the rotting leaves; and--and--and--" "Any parsnips?" asked Gub-Gub. "No," said Jip. "You always think of things to eat. No parsnips whatever.

SHE WAS A KNOCKOUT. A stoned fox. I’d never seen her before. Not one of the cutesy Irish Barbie Dolls I normally fell for, this was something of a different class altogether. No disco glam or sparkles or fashionably trashy stripper chic. No make-up or slutty, revealing outfit. No desperate, tits-in-your-face “notice me” B.S. This was something pure and earthy -- fresh as newly cut grass. The smoking-hot girl next door, but yet completely of another world and time. A true classic.

On a long journey to Glen-Stone Isailed into its shade there before me she proudly shone my decision was already made. A lass who bore the light of the town her fur of ivory thread how she danced is stuck in my crown and back to this glen my boat led. Twenty some seasons have since passed since her eyes and mine both met through lands unnamed and wildly vast my blade slaying every threat Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break, but not today. Living in blackness wrought with fright my steel shattered facing the foes dusks and dawns darker than night my fallen companions in rows Life spilled past me staining the ground mylimbs growing ever so cold above villians let out a cackiling sound telling me i'd never grow old One dance and one mouse played in my mind calling me back from the doom the courage to carry on i did find to raise me out of my tomb Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break though not today Battered and bruised i stood to my paws raised what little i owned predators growled caring not for my cause of the mouse that shone light off Glen-stone Wolf, hawk, fox, and snake can't tand in my way my body is weak and it may break though not today. -The Ballad Of The Ivory Lass

So you're saying you'd settle for a boring romance if it ends well?' 'Yes. I would gladly take an uneventful happily ever after.' Jacks smirked. 'No, you wouldn't. You wouldn't have been happy with Luc, and definitely not forever. The two of you aren't well suited. He's not half as strong as you- he didn't even hesitate before he tried to bite you. And he wouldn't have turned himself to stone to save you.' 'You don't know that.' 'Yes, I do. There's always a way to break a curse. As soon as you drank from Poison's goblet, it refilled. I didn't stay to explain the rules, but they would have appeared on the side of the cup. Luc could have saved you if he wanted.

I am sure you’re very pleased to have a pair of foxes,” Kestrel told Irex now, “but you’ll have to do better.” “I set down my tile,” Irex said coldly. “I cannot take it back.” “I’ll let you take it back. Just this once.” “You want me to take it back.” “Ah. So you agree that I know what tile you mean to play.” Benix shifted his weight on Lady Faris’s delicate chair. It creaked. “Flip the damn tile, Irex. And you, Kestrel: Quit toying with him.” “I’m merely offering friendly advice.” Benix snorted. Kestrel watched Irex watch her, his anger mounting as he couldn’t decide whether Kestrel’s words were a lie, the well-meant truth, or a truth she hoped he would judge a lie. He flipped the tile: a fox. “Too bad,” said Kestrel, and turned over one of hers, adding a third bee to her other two matching tiles. She swept the four gold coins of the ante to her side of the table. “See, Irex? I had only your best interests at heart.” Benix blew out a gusty sigh. He settled back in his protesting chair, shrugged, and seemed the perfect picture of amused resignation. He kept his head bowed while he mixed the Bite and Sting tiles, but Kestrel saw him shoot Irex a wary glance. Benix, too, had seen the rage that turned Irex’s face into stone. Irex shoved back from the table. He stalked over the flagstone terrace to the grass, which bloomed with the highest members of Valorian society. “That wasn’t necessary,” Benix told Kestrel. “It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.” “You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.” “Lord Irex can spare it,” Ronan added. “Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.” Benix groaned. “She’s a fiend,” Ronan agreed cheerfully. “Then why do you play with her?” “I enjoy losing to Kestrel. I will give anything she will take.” “While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat. “Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.

Though the birds scolded, the foxes snarled, and his own kind drove him away, Tarka had many friends, whom he played with and forgot – sticks, stones, water-weeds, slain fish, and once an empty cocoa-tin, a bright and curious thing that talked strangely as it moved over the shallows, but sank into the pool beyond, sent up three bubbles, and would play no more.

That night, after we'd had our tea, Kevin and I went bird-watching. Not the usual sort, plodding round the fields with great binoculars round your neck (though I did take my work binoculars). No, we go up in the big trees in the wood, where the birds live. Right to the tops we go, where the branches sway and swing like a comfy bed, and you can look along the green billows of the tree-tops. In spring, we take the eggs out of the nests, handling them gentle, like, and putting them back afterwards of course. An' getting away quickly, so the hen-bird can come back and sit on them again. That's a wonder of life to me; to hold a speckled egg in the palm of your hand, and think what a marvellous thing it's going to become, a bird that flies and feeds and takes its chance with the cats, and breeds its own young and dies back into the dust in the end. Why does anyone need those crazy Christian dreams of Heaven, wi' angels playin' their harps on fleecy clouds, when they can have a wood at sunset, when you can look down from a low branch and see young rabbits playing, or even young foxes tumbling over and over and squeaking when they nip each other with their sharp little teeth?

his arms become immovable, his legs permanently fixed in position, the cells of his backside and the bottoms of his feet amalgamate with the ground beneath him. He grows into the earth. No part of his body itches or twitches, because his body is not a body anymore, but a slab of native stone. He’s been stationary in this place for millennia. This silk tassel tree has grown up from his spine, the indigenous plants have flourished and died here around his ankles, the fox sparrows and meadowlarks have nested in his hair, the rains and winds and sun have beaten down across the rigid expanse of his shoulders, and Luca has never moved. We are rocks. At length, the Tahoe finishes its noisy, indiscreet voyage across the ridge and disappears over a low rim into the next seam of the valley beyond.

While these young Muslims and young feminists may superficially seem to have little in common, they were indistinguishable from each other in demanding bans and apologies for what they considered offensive, dangerous ideas. Both groups agreed that my advice that 'sticks and stones might break your bones, but words will never hurt me' was an outdated misunderstanding of the fundamental damage that words can inflict on vulnerable individuals.

Britain was a wounded land, cloven in two, British and Roman, pagan and Christian, Stone and Grail, north and south, old and new. It was born in blood and grief and greed, divided eternally against itself, its different natures so mixed it could never extricate itself from itself. No miracle would erase that wound either. But Britain didn’t need a miracle, or a perfect knight, or even God. It would heal all on its own, slowly, the hard way. It would always be a scarred land, a complicated land, but complicated was not the same as broken. It would never be pure or perfect, but it might still one day be whole. How do you live in a waste land? Is there really any such thing? You look for the buried seeds and deep springs. You watch the animals, the lizards and the foxes, and see how they do it. You wait. And when the land was whole, perhaps the king would be whole too. Perhaps he always was.

He wanted her to look at him, just once, and know him the way she had before. It was cruel of him to want her to want him again. If she remembered, it would only hurt her more. He was still haunted by the last time he’d seen her with her memories. It had been right outside the Valory. Hours before, he’d felt her die in his arms. Evangeline had no idea what had happened, no clue that Jacks had already used the stones to turn back time for her. She was trying to talk him out of using them to go back to Donatella. She’d asked him to come with her instead. After everything, she’d still wanted him. Jacks had so badly wanted to tell her that he couldn’t even remember what Donatella looked like, that Evangeline’s face was the only one he saw whenever he closed his eyes, that he would go with her anywhere…if he could. But he couldn’t see her die again. His first fox had believed in him, and she had died, just like Evangeline would. There was only on way their story ended, and it wasn’t happy. Her hope might have been powerful, but it wasn’t magic. It wasn’t enough. It was better to hurt her, better to break her heart, to do whatever he needed to do, to keep her alive and to keep her away from him. That hadn’t changed. But today, Jacks was failing at letting her go. He wanted to keep her pressed to the floor beneath him. He would have set the world on fire and then let it all burn just to keep holding her like this.

The Language of the Birds" 1 A man saw a bird and found him beautiful. The bird had a song inside him, and feathers. Sometimes the man felt like the bird and sometimes the man felt like a stone—solid, inevitable—but mostly he felt like a bird, or that there was a bird inside him, or that something inside him was like a bird fluttering. This went on for a long time. 2 A man saw a bird and wanted to paint it. The problem, if there was one, was simply a problem with the question. Why paint a bird? Why do anything at all? Not how, because hows are easy—series or sequence, one foot after the other—but existentially why bother, what does it solve? And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? We do. Anyone can. Blackbird, he says. So be it, indexed and normative. But it isn’t a bird, it’s a man in a bird suit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible. Unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the paint is like looking at a bird that isn’t there, with a song in its throat that you don’t want to hear but you paint anyway. The hand is a voice that can sing what the voice will not, and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart. 3 They looked at the animals. They looked at the walls of the cave. This is earlier, these are different men. They painted in torchlight: red mostly, sometimes black—mammoth, lion, horse, bear—things on a wall, in profile or superimposed, dynamic and alert. They weren’t animals but they looked like animals, enough like animals to make it confusing, meant something but the meaning was slippery: it wasn’t there but it remained, looked like the thing but wasn’t the thing—was a second thing, following a second set of rules—and it was too late: their power over it was no longer absolute. What is alive and what isn’t and what should we do about it? Theories: about the nature of the thing. And of the soul. Because people die. The fear: that nothing survives. The greater fear: that something does. The night sky is vast and wide. They huddled closer, shoulder to shoulder, painted themselves in herds, all together and apart from the rest. They looked at the sky, and at the mud, and at their hands in the mud, and their dead friends in the mud. This went on for a long time. 4 To be a bird, or a flock of birds doing something together, one or many, starling or murmuration. To be a man on a hill, or all the men on all the hills, or half a man shivering in the flock of himself. These are some choices. The night sky is vast and wide. A man had two birds in his head—not in his throat, not in his chest—and the birds would sing all day never stopping. The man thought to himself, One of these birds is not my bird. The birds agreed.

Without us these isles rose from the sea; without us they acquired a couple of hundred lakes replete with fish; without our help they were settled by capercaillies, hares, and deer, while foxes, wolves, and other beasts of prey never appeared there ... [T]he monks crossed the mother-of-pearl sea in a tiny boat and came to look on this island without a beast of prey as sacred. The Solovetsky Monastery began with them ... Prison thought: How glorious - good stone walls standing on a separate island! What a good place to confine important criminals ... The eighty-year-old and even hundred-year-old monks begged on their knees to be allowed to die on the 'holy soil,' but they were all thrown out with proletarian ruthlessness except for the most necessary among them ... And that is how one of the favorite sayings constantly repeated by the prisoners came true: A holy place is never empty. The chimes of bells fell silent, the icon lamps and candle stands fell dark, the liturgies and the vespers resounded no longer; psalms were no longer chanted around the clock ... And so ... the Archipelago ... began its malignant advance through the nation ...

Counting, This New Year's Morning, What Powers Yet Remain To Me - 1953- The world asks, as it asks daily: And what can you make, can you do, to change my deep-broken, fractured? I count, this first day of another year, what remains. I have a mountain, a kitchen, two hands. Can admire with two eyes the mountain, actual, recalcitrant, shuffling its pebbles, sheltering foxes and beetles. Can make black-eyed peas and collards. Can make, from last year's late-ripening persimmons, a pudding. Can climb a stepladder, change the bulb in a track light. For four years, I woke each day first to the mountain, then to the question. The feet of the new sufferings followed the feet of the old, and still they surprised. I brought salt, brought oil, to the question. Brought sweet tea, brought postcards and stamps. For four years, each day, something. Stone did not become apple. War did not become peace. Yet joy still stays joy. Sequins stay sequins. Words still bespangle, bewilder. Today, I woke without answer. The day answers, unpockets a thought from a friend don't despair of this falling world, not yet didn't it give you the asking

Dissonance is produced by any landscape that enchants in the present but has been a site of violence in the past. But to read such a place only for its dark histories is to disallow its possibilities for future life, to deny reparation or hope – and this is another kind of oppression. If there is a way of seeing such landscapes, it might be thought of as ‘occulting’: the nautical term for a light that flashes on and off, and in which the periods of illumination are longer than the periods of darkness. The Slovenian karst is an ‘occulting’ landscape in this sense, defined by the complex interplay of light and dark, of past pain and present beauty. I have walked through numerous occulting landscapes over the years: from the cleared valleys of northern Scotland, where the scattered stones of abandoned houses are oversung by skylarks; to the Guadarrama mountains north of Madrid, where a savage partisan war was fought among ancient pines, under the gaze of vultures; and to the disputed valleys of the Palestinian West Bank, where dog foxes slip through barbed wire. All of these landscapes offer the reassurance of nature’s return; all incite the discord of profound suffering coexisting with generous life.

Do you still want to know what the stones do when they're together?' 'Yes,' she said. But suddenly, she felt nervous. This was the answer she'd been waiting for. The one she'd been begging for. All this time, she'd been dying to know what Jacks really wanted. For a while, she'd been afraid of it, because she didn't want him to hurt anyone. But now from the way he looked at her, she suddenly feared the only person his answer would hurt was her. Jacks crossed over to his desk and picked up a white apple. He tossed it as he said. 'When the four stones are combined, a person has the power to return to any moment in their past. It can only be done once. Once the stones have been used for this purpose, they'll never have the power to be used like this again.' For a second, it didn't sound so bad. Lots of people had moments they wanted to change. That day alone, there were several things Evangeline would have done differently. 'What moment do you want to go back to?' Jacks looked at the apple in his hand as he answered. 'I want to return to the moment I met Donatella.' 'The princess who stabbed you?' He nodded tightly. For a second, Evangeline was speechless. Of all the answers, she did not expect this. She quickly flashed back to the night that she and Jacks had spent together in the crypt, when he'd finally told her the story of Princess Donatella- how he'd kissed her and it should have killed her, but instead, it made his heart beat. She should have been his one true love, but Donatella chose another and stabbed Jacks in the heart. 'Why would you want to go back for her?' Jacks worked his jaw. 'She was supposed to be my one true love- I want another chance at that.' 'But this doesn't make sense,' Evangeline said. 'Why go to all this trouble for a girl who you don't love?' Because Evangeline knew Jacks didn't love Donatella. She might have believed it before when she'd first heard the story, but Evangeline couldn't fathom it now.

Jam jamming,” Meghan chanted in a sing song voice. “I like the idea, the feel. I KNOW what you are getting at. Where does a sound end? Has the Earth been pumping billions upon billions of horrendous noises into the depths of space since the time primates began walking? Can you imagine all the noisy concerts, explosions of war, and thundering of bombs, all drifting endlessly into empty darkness? Can you imagine? For infinity? Frozen glaciers, devoid rocks, suddenly illuminated to be crushed by all that deafening din, waking the inhabitants of other planets. Jamming alien satellite signals. If there is life out there, it wants to destroy us....I must be really stoned to see this so clearly

with. When we notice that we have lost love or joy, for example, we need to ask the Lord to show us the root of the problem. How did the little fox get in? The chances are that somewhere our selfishness let him in and we need to be laying down our flesh and renewing our mind and spirit daily. Daily renewal of our mind and intimacy with the Lord will bring victory. This can easily be something that will cause utter defeat in our life if it is not dealt with regularly. If we allow a fox to defeat us, we will likely remain in defeat to other challenges. The implications here are serious. If the fruit of the Spirit is not manifesting in our lives, then the fruit of the enemy is, and our lives are not being yielded to the Lord, but rather to the flesh. The wonderful

If mind belongs to humans alone, then stones, trees, and streams become mere objects of human tinkering. We can plunder the earth's resources with impunity, treating creeks and mountaintops in Kentucky or rivers in India or forests in northwest America as if they existed only for economic development. Systems of land and river become inert chunks of lifeless mud or mechanical runs of H2O rather than the living, breathing bodies upon which we and all other creatures depend for our very lives. Not to mention what 'nature as machine' has done to our emotional and spiritual well-being. When we regard nature as churning its way forward mindlessly through time, we turn our backs on mystery, shunning the complexity as well as the delights of relationship. We isolate ourselves from the rest of the creatures with whom we share this world. We imagine ourselves the apex of creation -- a lonely spot indeed. Human minds become the measure of creation and human thoughts become the only ones that count. The result is a concept of mind shorn of its wild connections, in which feelings become irrelevant, daydreams are mere distractions, and nighttime dreams -- if we attend to them at all -- are but the cast-offs of yesterday's overactive brain. Mind is cut off from matter, untouched by exingencies of mud or leaf, shaped by whispers or gales of wind, as if we were not, like rocks, made of soil. And then we wonder at our sadness and depression, not realizing that our own view of reality has sunk us into an unbearable solipsism, an agony of separateness -- from loved ones, from other creatures, from rich but unruly emotions, in short, from our ability to connect, through senses and feeling and imagination, with the world that is our home.

From the same twelfth-century bestiary, we learn that the hedgehog is covered with spikes and curls itself into a ball for protection; that the fox is a 'fraudulent and ingenious animal' that plays dead in order to catch its prey; that cranes move about in military formation; that the serpent called 'basilisk' can with the power of its glance; that the lynx's urine turns into a precious stone; that lions are compassionate and courageous, and that the eyebrows and manes offer a clue to their disposition. Finally, many (but not all) entries go on to draw a moral or make a theological point on the basis of the animal description. The hedgehog is an example of prudence, the crane of courtesy and responsibility. The fox is employed as a type of the devil, who entices carnal man through fraudulent behavior. And the male lion, breathing life into its stillborn offspring after three days, represents God the Father raising Christ from the dead.

It is not accurate to call [the Bollinger Club dinner] an annual event, because quite often the Club is suspended for some years after each meeting. There is tradition behind the Bollinger; it numbers reigning kings among its past members. At the last dinner, three years ago, a fox had been brought in in a cage and stoned to death with champagne bottles. What an evening that had been! This was the first meeting since then, and from all over Europe old members had rallied for the occasion. For two days they had been pouring into Oxford: epileptic royalty from their villas of exile; uncouth peers from crumbling country seats; smooth young men of uncertain tastes from embassies and legations; illiterate lairds from wet granite hovels in the Highlands; ambitious young barristers and Conservative candidates torn from the London season and the indelicate advances of debutantes; all that was most sonorous of name and title was there for the beano.

Jacks tore at another piece of bread. 'I don't ever come here. The Hollow used to be my home.' His eyes turned a bleak shade of blue. Evangeline felt the urge to say she was sorry, but she wasn't sure what for. All she knew was that her heart had cracked when he'd said the word home. What had happened to change things? How had he turned from a boy with a family and friends in to a Fate? And why did he no longer want to come here? To her, the Hollow felt warm and wonderful, but it clearly didn't to Jacks. 'When was the last time you were here?' 'Right after I became a Fate.' Jacks countenance shifted as soon as the words were out. It was like watching a spell break apart. The fire crackled and the tavern grew hotter as Jack's entire body tensed. He dropped the bread, hardened his jaw, narrowed his eyes on Evangeline, then slowly lowered his stormy gaze to the chain around her neck. And this time, he didn't ask if it was a a gift from Luc. 'I think you've been naughty, Little Fox.' He made a tsking sound with his tongue. 'Where did you find the truth stone?

March 11 MORNING “Sin . . . exceeding sinful.” — Romans 7:13 BEWARE of light thoughts of sin. At the time of conversion, the conscience is so tender, that we are afraid of the slightest sin. Young converts have a holy timidity, a godly fear lest they should offend against God. But alas! very soon the fine bloom upon these first ripe fruits is removed by the rough handling of the surrounding world: the sensitive plant of young piety turns into a willow in after life, too pliant, too easily yielding. It is sadly true, that even a Christian may grow by degrees so callous, that the sin which once startled him does not alarm him in the least. By degrees men get familiar with sin. The ear in which the cannon has been booming will not notice slight sounds. At first a little sin startles us; but soon we say, “Is it not a little one?” Then there comes another, larger, and then another, until by degrees we begin to regard sin as but a little ill; and then follows an unholy presumption: “We have not fallen into open sin. True, we tripped a little, but we stood upright in the main. We may have uttered one unholy word, but as for the most of our conversation, it has been consistent.” So we palliate sin; we throw a cloak over it; we call it by dainty names. Christian, beware how thou thinkest lightly of sin. Take heed lest thou fall by little and little. Sin, a little thing? Is it not a poison? Who knows its deadliness? Sin, a little thing? Do not the little foxes spoil the grapes? Doth not the tiny coral insect build a rock which wrecks a navy? Do not little strokes fell lofty oaks? Will not continual droppings wear away stones? Sin, a little thing? It girded the Redeemer’s head with thorns, and pierced His heart! It made Him suffer anguish, bitterness, and woe. Could you weigh the least sin in the scales of eternity, you would fly from it as from a serpent, and abhor the least appearance of evil. Look upon all sin as that which crucified the Saviour, and you will see it to be “exceeding

Farewell, ye gilded follies, pleasing troubles; Farewell, ye honour'd rags, ye glorious bubbles; Fame's but a hollow echo, Gold, pure clay; Honour the darling but of one short day; Beauty, th' eye's idol, but a damask'd skin; State, but a golden prison, to live in And torture free-born minds; embroider'd Trains, Merely but pageants for proud swelling veins; And Blood allied to greatness is alone Inherited, not purchas'd, nor our own. Fame, Honour, Beauty, State, Train, Blood and Birth, Are but the fading blossoms of the earth. I would be great, but that the sun doth still Level his rays against the rising hill: I would be high, but see the proudest oak Most subject to the rending thunder-stroke: I would be rich, but see men, too unkind Dig in the bowels of the richest mind: I would be wise, but that I often see The fox suspected, whilst the ass goes free: I would be fair, but see the fair and proud, Like the bright sun, oft setting in a cloud: I would be poor, but know the humble grass Still trampled on by each unworthy ass: Rich, hated wise, suspected, scorn'd if poor; Great, fear'd, fair, tempted, high, still envy'd more. I have wish'd all, but now I wish for neither. Great, high, rich, wise, nor fair: poor I'll be rather. Would the World now adopt me for her heir; Would beauty's Queen entitle me the fair; Fame speak me fortune's minion, could I " vie Angels " with India with a speaking eye Command bare heads, bow'd knees, strike justice dumb, As well as blind and lame, or give a tongue To stones by epitaphs, be call'd " great master " In the loose rhymes of every poetaster ? Could I be more than any man that lives, Great, fair, rich wise, all in superlatives; Yet I more freely would these gifts resign Than ever fortune would have made them mine. And hold one minute of this holy leisure Beyond the riches of this empty pleasure. Welcome, pure thoughts; welcome, ye silent groves; These guests, these courts, my soul most dearly loves. Now the wing'd people of the sky shall sing My cheerful anthems to the gladsome spring: A pray'r-book, now, shall be my looking-glass, In which I will adore sweet virtue's face. Here dwell no hateful looks, no palace cares, No broken vows dwell here, nor pale-fac'd fears; Then here I'll sit, and sigh my hot love's folly, And learn t' affect an holy melancholy: And if contentment be a stranger then, I'll ne'er look for it, but in heaven, again.

I told Marcus I suspected him of dishonest business dealings and that I could not marry him.” Her voice sounded hollow between stone and water. “He said I must, that his life depended upon it and possibly mine and my family’s. He was foxed, but I believe he was quite serious.

Symptoms of kitsune-tsuki varied. There are descriptions of “afflicted persons who ate gravel, ashes, hair, or combs, wandered the mountains and fields making piles of stones, jumped into rivers or ran into the mountains, etc.”29 In 1894, Lafcadio Hearn wrote, “Strange is the madness of those into whom demon foxes enter. Sometimes they run naked shouting through the streets. Sometimes they lie down and froth at the mouth, and yelp as a fox yelps.”30 Kitsune-tsuki (and other forms of possession) persisted throughout Hearn’s time, and similar phenomena are still occasionally identified today. But during the Meiji period, modern Western medicine was called on to redefine fox possession as a form of mental illness treatable by psychiatrists.

Throughout most of his life, Washington’s physical vigor had been one of his most priceless assets. A notch below six feet four and slightly above two hundred pounds, he was a full head taller than his male contemporaries. (John Adams claimed that the reason Washington was invariably selected to lead every national effort was that he was always the tallest man in the room.) A detached description of his physical features would have made him sound like an ugly, misshapen oaf: pockmarked face, decayed teeth, oversized eye sockets, massive nose, heavy in the hips, gargantuan hands and feet. But somehow, when put together and set in motion, the full package conveyed sheer majesty. As one of his biographers put it, his body did not just occupy space; it seemed to organize the space around it. He dominated a room not just with his size, but with an almost electric presence. “He has so much martial dignity in his deportment,” observed Benjamin Rush, “that there is not a king in Europe but would look like a valet de chambre by his side.”10 Not only did bullets and shrapnel seem to veer away from his body in battle, not only did he once throw a stone over the Natural Bridge in the Shenandoah Valley, which was 215 feet high, not only was he generally regarded as the finest horseman in Virginia, the rider who led the pack in most fox hunts, he also possessed for most of his life a physical constitution that seemed immune to disease or injury. Other soldiers came down with frostbite after swimming ice-choked rivers. Other statesmen fell by the wayside, lacking the stamina to handle the relentless political pressure. Washington suffered none of these ailments. Adams said that Washington had “the gift of taciturnity,” meaning he had an instinct for the eloquent silence. This same principle held true on the physical front. His medical record was eloquently empty.11

A living organism does the best it can with its given situation. If a root encounters a stone, it grows around it. If a fox can’t find rabbits in one valley, it moves to the next.

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He thought back to dog sledding as a boy. During the day he scouted Doc’s property in wheeled sleds through thousands of acres of switchgrass, dirt, and live oaks. At night he sat with King by a small fire, even in the summer, and read books like the Call of the Wild, Winterdance, and Stone Fox. He read aloud to King the great adventures of Balto and the race to Nome, and stories of the un adulterated wild by John Muir.

Time to move.” Her words bounced off the stone walls, surprisingly comforting in this potential tomb. Up she stood, teeth gritted, and stomped into the room as though it owed her money.

James Juniper is the wild sister, fearless as a fox and curious as a crow; she goes first into the tower. Inside she finds a ruin: snowdrifts of ash and char, the skeleton of the staircase still clinging to the walls, greasy soot blackening every stone. And three women... One of them is pale and fey, with ivory antlers sprouting from matted dark hair and yellowed teeth strung in a necklace around her throat. Her dress is ragged and torn, black as a moonless night. She meets Juniper's eyes and Juniper feels a thrill of recognition. Juniper always loved maiden-stories best. Maidens are supposed to be sweet, soft creatures who braid daisy-crowns and turn themselves into laurel trees rather than suffer the loss of their innocence, but the Maiden is none of those things. She's the fierce one, the feral one, the witch who lives free in the wild woods. She's the siren and the selkie, the virgin and the valkyrie; Artemis and Athena. She's the little girl in the red cloak who doesn't run from the wolf but walks arm in arm with him deeper into the woods. Juniper knows her by the savage green of her eyes, the vicious curve of her smile. An adder drapes over her shoulders like a strip of dark velvet, like the carved-yew snake of Juniper's staff come to life. Juniper's smile could be the Maiden's own, sharp and white, mirrored back across the centuries.

Okay, let's do a tally. You think I'm infuriating, wimpy, and...adorable." "I never said adorable." He shifted closer, craving the heat of her body. "I know, but you're thinking it.

It was getting harder and harder to be around her without touching her, kissing her, making her his once and for all.

Siblings. Can’t live with them. Can’t sell them into intergalactic slavery.

The sudden screaming of women woke Tuco, who might have gone unnoticed had he lain quietly beneath the stone lip of the well.

My mind stopped spinning as I was enveloped in waves of pleasure. Through half-open eyes, I saw fragments of the ancient room, the stone walls, the enormous wooden beams. I smelled history and ancient ground, war, and turmoil and worship.

That night, stargazing on the deck with Dad, eyes on the sky, he pointed out Orion, Betelgeuse. "It's an art to read the stars, baby." I never wanted to leave his side-my sure song for so long. Now? His eyes are stone changed. Just looking at them hurts my heart.

Having a good feel up there, Gareth? Sure are taking a damned long time about it!" "Can't blame him. Tisn't every day that a man gets to grope a stone horse!" "Wish I was hung half so well!" "You mean you aren't, Chilcot?" "Lord Gareth is!" cried Tess. "Why, 'e's built foiner than any stallion Oi've ever seen, stone or not!" Drunken laughter rang out, both male and female, and yet another bottle of Irish whiskey made its way among the shadowy figures who stood, or rather swayed, beneath poor Henry on his about-to-be-disgraced charger. "Hey Gareth!  Didn't know yer pref'rences ran to — hic! — bestiality!  What else haven't you tol' us about yershelf, eh?" "Shut up down there, you bacon-brains," Gareth said. "D'you want to wake up the whole damned village?"  But he was as foxed as the rest of them, and no one took him seriously. "Hic! — c'mon, Gareth, it can't take you more than five minutes to — hic! — paint its bollocks blue!" "This is not blue, it's purple. Royal purple. As befits its royal rider." Chilcot gave a credible imitation of a neighing stallion. Cokeham snorted, horselike, and clutched his stomach as he tried to contain his laughter. But the Irish whiskey was too much for him, and, losing his balance, he fell face‑first into the damp grass, still guffawing and holding his side. "Oh!  Oh, I fear I shall cast up my accounts if this keeps up ... oh, dear God...." Without missing a beat, Gareth dipped his brush in the paint and flicked it over the bewigged and powdered heads of his friends below. Howls pierced the night as he calmly went back to his task. "A plague on you, Gareth! — hic — you've jesht ruined my best wig!" "To hell with your damned wig, Hugh, look what he just did to my coat!" Chilcot gave another equine whicker, tucked his chin, and with his beautifully turned out leg began pawing the ground. "Shhhh‑h‑h‑h‑h‑h‑h!" "Oh ... oh, I do feel sick...." "Keep it up, you pillocks, and I shall dump the entire bucket on your heads," Gareth called down from above.

Christian, beware how thou thinkest lightly of sin. Take heed lest thou fall by little and little. Sin, a little thing? Is it not a poison? Who knows its deadliness? Sin, a little thing? Do not the little foxes spoil the grapes? Doth not the tiny coral insect build a rock which wrecks a navy? Do not little strokes fell lofty oaks? Will not continual droppings wear away stones? Sin, a little thing? It girded the Redeemer's head with thorns, and pierced His heart! It made Him suffer anguish, bitterness, and woe. Could you weigh the least sin in the scales of eternity, you would fly from it as from a serpent, and abhor the least appearance of evil. Look upon all sin as that which crucified the Saviour, and you will see it to be "exceeding sinful.

My whole life is out here-the whole of my life...I'd come here naked, as a boy-straight from that river out there-throw my clothes on the floor and climb into that loft and lie there dreaming in the hay...All those summer days-scouring the banks of the Avon for smooth, round stones-scaring up ducks and foxes-kingfishers-swallows...somebody's dog...Oh, God-I want it back. Throwing stones that never reached the other shore. And the games-the games-the games, and all my friends...

King and Cross Glistening nighttime dew, and she is walking with me. From the house of red, I hear a child crying. Foxes heading home, their prey hangs from their jaws. And the forest knows, but it won’t share the secret. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns. Death cannot take hold, if I can keep momentum. Fortresses of stone, turn into crystal tears Soothed by southern winds; I’ve found my strength now. And nobody knows, and we must keep their secret. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns.

For Stewart, a gifted clown with wide-ranging curiosity, Fox News was not just a house of hypocrisy and endless source material. It was part of what made a great democracy harder to govern, and less likely to share a common narrative. He understood exactly what they were up to, even if some of their teleprompter readers never did. “I think that Roger Ailes’s great gift was mainstreaming that nativist, paranoid streak in American politics, and putting it on television in a much prettier, shinier box,” he told Rolling Stone last year.

Float chamber. Choke valve. Throttle valve. Piston valve… As I drive the guys back to the stadium, I mentally review all the parts of a carburetor. It’s something my older brother David drilled into my head when I was younger because he assumed I’d work for him someday. And as much as I hate the idea of toiling in his garage, I find the exercise takes my mind off Charlotte’s perfect, bouncy tits. Her tiny waist. And that flimsy strip of silk between her slender thighs. Billy taps on the window. “So we’re not gonna talk about it?” My hands tighten on the steering wheel. “Nope.” “Really? Because I just wanna say I always knew underneath her prim little exterior, Chuck was a stone-cold fox. Talk about spank bank material.” “Shut the fuck up, asshole. We’re not talking about Charlotte.” When he doesn’t say anything, I look over to find him smirking. “What?” “Just wondering when you’re gonna admit you have a thing for her.

Did you do this on purpose? Did you know Jake would be here?” “Remember how I said Jake cares?” “Yes.” “If you could see his expression right now, you’d believe me, but don’t look now or you’ll ruin the moment. Keep staring into my eyes. Make me believe you like me.” “Don’t make this weird.” He studies me so intently, it makes me uncomfortable. “If you just had some confidence, Chuck, you’d be a stone-cold fox. You have gorgeous eyes. A beautiful face. A hot little body. A sassy personality that bites back when provoked. All good things. How’s that for weird?” My face heats, and I look away, another awkward chuckle leaving my lips. “Stop pretending you like me.” “I’m not pretending at all. I’d totally fuck you through your headboard if given the opportunity, but I get the feeling you’re into someone else.” Ugh. “Roxy told you?” “She didn’t have to. It’s written all over your face. You don’t give me those sad puppy dog eyes. Ramirez is the lucky bastard, huh?” I brave a glance at his table. The blonde has her hand on Jake’s arm. He’s smiling at her, and she laughs.

We are invisible, Luca says to himself, and he closes his eyes. We are desert plants. We are rocks. He breathes deeply and slowly, taking care that his chest doesn’t rise and fall with the cycle of his breath. The stillness is a kind of meditation all migrants must master. We are rocks, we are rocks. Somos piedras. Luca’s skin hardens into a stony shell, his arms become immovable, his legs permanently fixed in position, the cells of his backside and the bottoms of his feet amalgamate with the ground beneath him. He grows into the earth. No part of his body itches or twitches, because his body is not a body anymore, but a slab of native stone. He’s been stationary in this place for millennia. This silk tassel tree has grown up from his spine, the indigenous plants have flourished and died here around his ankles, the fox sparrows and meadowlarks have nested in his hair, the rains and winds and sun have beaten down across the rigid expanse of his shoulders, and Luca has never moved. We are rocks. At length, the Tahoe finishes its noisy, indiscreet voyage across the ridge and disappears over a low rim into the next seam of the valley beyond.

On the appointed day, Robinson entered Tiffany’s alone. Approaching the diamond counter, he asked to see one large stone after another. After some time, he declared that he couldn’t decide which one to buy. He’d give the matter some thought, he said, and would return later. As the clerk returned the diamonds to their case, he noticed one was missing. Robinson was asked if he would consent to being searched. Incensed at the implication, he nonetheless agreed. No stone materialized, and he was allowed to leave. Moments later, Mary Wallenstein entered and walked to the diamond counter. She asked to see a series of small stones but, like Robinson, couldn’t settle on one. She, too, told the clerk that she would return, and promptly left the store. “There was no objection made, for there was nothing missing this time,” a chronicler recounted. An hour later, Wallenstein presented Mrs. Mandelbaum with a single large diamond, worth $8,000.[*12] Marm’s scheme had worked brilliantly. Robinson had entered Tiffany’s with a discreet wad of chewing gum concealed in his mouth. At the diamond counter, he deftly secreted the gum beneath the countertop. Then, when the clerk’s back was turned, he palmed a large diamond and pressed it into the gum. Later, Wallenstein, standing precisely where he’d stood, felt beneath the counter, plucked out the stone and spirited it from the store.

He wasn’t a heavy drinker, no drugs, and he took care of himself. Many parents would have been delighted. But not Mr and Mrs Fox. So what was it about him they didn’t like?

Ned was at once reminded of the past, the time before his mother had become ill. He imagined the three of them dancing down the living room holding hands, or skipping stones down by the Hudson River on a little muddy strip of shore where cattails grew and large damp toads hid behind rocks and the days were always sunny. He knew it couldn't have been like that; he knew it must have rained and stormed, that they hadn't spent all their time dancing and skipping stones and laughing together, yet it felt as though they had. It was the time he'd been happy and hadn't known it. When he was happy now, he would remind himself he was. He would say, At this moment I'm happy, and that was different from simply being a certain way and not having to give it a name.

Here and there Samuel could see secret movement, for the moon-feeders were at work—the deer which browse all night when the moon is clear and sleep under thickets in the day. Rabbits and field mice and all other small hunted that feel safer in the concealing light crept and hopped and crawled and froze to resemble stones or small bushes when ear or nose suspected danger. The predators were working too—the long weasels like waves of brown light; the cobby wildcats crouching near to the ground, almost invisible except when their yellow eyes caught light and flashed for a second; the foxes, sniffling with pointed up-raised noses for a warm-blooded supper; the raccoons padding near still water, talking frogs. The coyotes nuzzled along the slopes and, torn with sorrow-joy, raised their heads and shouted their feeling, half keen, half laughter, at their goddess moon. And over all the shadowy screech owls sailed, drawing a smudge of shadowy fear below them on the ground. The wind of the afternoon was gone and only a little breeze like a sigh was stirred by the restless thermals of the warm, dry hills.

Follow the Bat in the mountains, to find the soil and stones. Follow the Fox and the Iris, to find the tides of home. Follow the Hound and the Giant, to find the winds and the storm. And follow the Hawk moving eastern, to find what flames have born. Follow the Rook to the snowcaps, and you'll find the soul that begins. But it's in the pitch-deep darkness, that you'll find where all things end.

The exhilaration of being on the motorcycle clinging to Fox ends abruptly once he pulls up to my house. A line of tension stiffens his back as I step off and I freeze when I find Dad and Holden watching from the front step beneath the arched stone portico.

Waiting for Steve to come back felt like forever. I had to be strong for Boney Pete, who paced the end stone the entire time, waiting for his friend to come back. I might have done the same if I wasn’t caring for Pete, stroking his spine and telling him that Steve was going to be all right. We knew he defeated Herobrine when Lucius began to glow. “Oh my!” he said as white light flashed from inside him, a lot like the ender dragon when it exploded, but he zero time to be afraid. The change happened so quick. One minute Lucius was a snow-white fox jumping in fright and the next he was a librarian villager spinning in circles, as if chasing his tail. When Lucius realized he no longer had a tail, he froze, and, trembling looked over his old body, newly acquired. “It feels so strange… I have hands. I - I have hands! HAHA!” He jumped for joy and ran to me, grabbing my hands and shouting, “Dance with me, Alex! Dance with me!” When he got tired of dancing he sat down. When he got tired of that he crawled on his hands and feet. “How did I ever get around on four legs? It is the most unnatural thing in the world.” Soon the realization hit us that it was over. Herobrine was defeated. Lucius paused party and looked back at the bridge. “But does that mean…” Boney Pete inched toward the bridge and whinnied into the void. He called and he called, but there was no answer. I walked up beside him and rubbed his neck. Boney Pete pushed his body against me and shuddered. I had to hold him up, or else he might have collapsed. “There there, buddy,” I said and pet his forehead, not sure how else to comfort an undead horse on the death of his friend. And the death of my friend… Steve… I could feel the stupid emotions filling me up and I hated it, but it also felt right, so I let the tears flow. I always hated crying, hated the way it made me feel—weak and powerless. Worse, I hated the way people looked at me when I cried, but I didn’t feel those things then. I just felt sad and crying felt good. I hugged Boney Pete tight and clung to his back. “I’m sorry, Pete,” I said. Then I heard something from the void bridge. A voice. “Ow… Ow… Ow… Ow… Ow…” Boney Pete and I raised our heads and there, coming across the bridge toward us, was Steve. We rushed to the edge of the end island, but still waited until he got off to crush him in a hug. Boney Pete got him first, and then me, and then Lucius. Steve winced each time we hugged him, and I saw why. His leg was twisted in a way that no amount of cooked chicken would heal. “Your leg…” I said and reached my hand toward it, but Steve flinched back. “Yeah, I used an ender pearl to escape falling into the void and the fall damage got my leg pretty good. I think my hero days are over, and honestly that sounds okay with me.” He rubbed Boney Pete. “What do you say buddy, are you ready to rebuild?” Together, the four of us left the end through the portal and reappeared in a birch forest.

On her ninth birthday, she'd woken up to find every tree in her mother's garden had branches full of lollipops tied to them with polka-dot strings. There were also gumdrops sitting in the centre of the flowers and overlarge pieces of rock candy laid among the blades of grass to make it seem as if the garden stones had turned to candy in the night.

I was in love with Feyre,' Rhys said quietly, 'long before she ever returned the feeling.' Lucien crossed his arms. 'How fortunate that you got what you wanted in the end.' I closed my eyes for a heartbeat. Cassian and Azriel stilled, waiting for the order. 'I will only say this once,' warned the High Lord of the Night Court. Even Lucien flinched. 'I suspected Feyre was my mate before I ever knew she was involved with Tamlin. And when I learned of it... If it made her happy, I was willing to step back.' 'You came to our house and stole her away on her wedding day.' 'I was going to call the wedding off,' I cut in, taking a step toward Lucien. 'You knew it.' Rhysand went on before Lucien could snap a reply. 'I was willing to lose my mate to another male. I as willing to let them marry, if it brought her joy. But what I was not willing to do was let her suffer. To let her fade away into a shadow. And the moment that piece of shit blew apart his study, the moment he locked her in that house...' His wings ripped from him, and Lucien started. Rhys bared his teeth. My limbs turned light, trembling at the dark power curling in the corners of the room. Not fear- never fear of him. But at the shattered control as Rhys snarled at Lucien. 'My mate may one day find it in herself to forgive him. Forgive you. But I will never forget how it felt to sense her terror in those moments.' My cheeks heated, especially as Cassian and Azriel stalked closer, those hazel eyes now filled with a mix of sympathy and wrath. I had never talked about it to them- what had gone on that day Tamlin had destroyed his study, or the day he'd sealed me inside the manor. I'd never asked Rhys if he'd informed them. From the fury rippling from Cassian, the cold rage seeping from Azriel... I didn't think so. Lucien, to his credit, didn't back away a step. From Rhys, or me, or the Illyrians. The Clever Fox Stares Down Winged Death. The painting flashed in my mind. 'So, again, I will say this only once,' Rhys went on, his expression smoothing into lethal calm, dragging me from the colours and light and shadows gathering in my mind. 'Feyre did not dishonour or betray Tamlin. I revealed the mating bond months later- and she gave me hell for it, don't worry. But now that you've found your mate in a similar situation, perhaps you will try to understand how it felt. And if you can't be bothered, then I hope you're wise enough to keep your mouth shut, because the next time you look at my mate with that disdain and disgust, I won't bother to explain it again, and I will rip out your fucking throat.' Rhys said is so mildly that the threat took a second to register. To settle in me like a stone plunked into a pool. Lucien only shifted on his feet. Wary. Considering. I counted the heartbeats, debating how much I'd interfere if he said something truly stupid, when he at last murmured, 'There is a longer story to be told, it seems.

We seemed to have emerged upon a snowy curve of mountainside below a glacier--- I believe we were in Faerie, for there were two little stone houses tucked in amongst the jagged icicles at the glacier's edge, with smoke curling from their chimneys. One had an apple tree in its yard, the apples coated in a rind of ice. The icicles themselves were like a forest of glittering trees, through which the fox faerie was darting, deeper into the glacier. "Hurry up!" the faerie called. I hurried, against my better judgment I might add, but then that is almost always the case when interacting with the Folk; stumbling into an impossible forest of icicles is not the most ill-advised thing I have done in my career. The forest made little plinking sounds and reflected our darting shapes strangely. In the distance, there was music.

The US TV network Fox News recently reported on a German couple who attended a fertility clinic because they had failed to have children, only to be told that in order to have a baby, they had to actually have sex first. They thought the stork was enough.

There would be room for only one criminal in my partnerships, ahem, and I was sincerely looking for the right man so I could finally leave that life behind for good.

Can I bring someone?” she asked. I froze, turning to stone beneath her. Bring someone…like a date? “Sure,” I said, instead of any of the many questions that were bouncing off the inside of my skull.

Mirth has the potential to make you lose your mind even more than the luck stone did. People will kill to hold on to their youth. It could also bring about jealousy or immaturity, so that one will be tricky to steal. And truth-the truth is never what you want it to be, Little Fox.

I avoid disappointment when I can see it coming.

His deeply melodic voice rumbled in the confines of the thick stone walls.

While Iris mercilessly teased Christine until the poor girl looked ready to start flinging icicles, Alex and Andrew continued their merciless assault on Kevin. “You put the ‘k’ in otaku.” “When people look up otaku in the dictionary, they see your face.” “You’ve even got an otaku meme on Twitter.” “Shut up! I am not an otaku!” Kevin stood up and slammed his hands on the stone table. He glared at his friends. “I’m not! Just because I like anime that doesn’t mean I’m an otaku. And you two have no right to say anything!” He pointed an accusing finger at Alex and Andrew. “You watch and read just as much anime and manga as I do!” “You make a good point,” Alex admitted. “It doesn’t change the fact that you are, indeed, an otaku.” Andrew nodded at his brother’s words. “Only a true otaku would deny being otaku.” “No, they wouldn’t! Otaku are people who proudly proclaim their status even though they know others will look down on them for it. That’s half the reason they get such a bad rep in Japan, and even then, Japanese society has begun to accept otaku culture more readily in the last few years. I once read an article on Rocket News 24 that some people are beginning to think that being otaku isn’t something to be ashamed of.” “And how could you possibly know that unless you were an otaku?” Iris teased. Kevin grabbed his hair and threw his head back. “Arggghhh!” “Poor Kevin.” Lilian giggled. “Getting ganged up on by everyone.” “Ha…” Kevin sat down and pouted at his mate. “You’re not really helping me out, you know. You should be backing me up.” “I can only back you up when something isn’t true.” “Now you’re just being mean.” “I’m sorry,” Lilian said in mock contrite, her eyes glittering with mirth. “Would a hug make it better?” Kevin sniffled. “Maybe.” Lilian spread her arms wide. “Okay. Come here, Kevin.” “Lilian.” “Kevin!” “Lilian!” “Would you two knock it off already!” Christine snapped out of her state of perpetual humiliation long enough to shout at the hugging couple.

Hi Bora, this is Michi.” “Hi! It’s nice to hear your voice. How was the U2 concert?” “It was so great. I can’t wait to tell you about it and show you all the pictures. I think Saara had a good time, too.” “How is Fox?

She closed her eyes for a minute, then put her feet back down and peeled some purple varnish off her thumbnail. “I don’t know, Louisa. Perhaps I’ll just follow your amazing example and do all the exciting things you do.” I took three deep breaths, just to prevent myself from stopping the car on the motorway. Nerves, I told myself. It was just her nerves. And then, just to annoy her, I turned on Radio 2 really loudly and kept it there the rest of the way. • • • We found Four Acres Lane with help from a local dog walker, and pulled up outside Fox’s Cottage, a modest white building with a thatched roof. Outside, scarlet roses tumbled around an iron arch at the start of the garden path, and delicately colored blooms fought for space in neatly tended beds. A small hatchback car sat in the drive. “She’s gone down in the world,” said Lily, peering out. “It’s pretty.” “It’s a shoebox.” I sat, listening to the engine tick down. “Listen, Lily. Before we go in. Just don’t expect too much,” I said. “Mrs. Traynor’s sort of formal. She takes refuge in manners. She’ll probably speak to you like she’s a teacher. I mean, I don’t think she’ll hug you, like Mr. Traynor did.” “My grandfather is a hypocrite.” Lily sniffed. “He makes out like you’re the greatest thing ever, but really he’s just pussy-whipped.” “And please don’t use the term ‘pussy-whipped.’” “There’s no point pretending to be someone I’m not,” Lily said sulkily. We sat there for a while. I realized that neither of us wanted to be the one to walk up to the door. “Shall I try to call her one more time?” I said, holding up my phone. I’d tried twice that morning but it had gone straight to voice mail. “Don’t tell her straight away,” she said suddenly. “Who I am, I mean. I just . . . I just want to see who she is. Before we tell her.” “Sure,” I said, softening. And before I could say anything else, Lily was out of the car and striding up toward the front gate, her hands bunched into fists like a boxer about to enter a ring. • • • Mrs. Traynor had gone quite, quite gray. Her hair, which had been tinted dark brown, was now white and short, making her look much older than she actually was, or like someone recently recovered from a serious illness. She was probably a stone lighter than when