“
She could feel the press of Kaz’s fingers against her skin, feel the bird’s wing brush of his mouth against her neck, see his dilated eyes. Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they’d tried. He’d tried. Maybe they could try again. A foolish wish, the sentimental hope of a girl who hadn’t had the firsts of her life stolen, who hadn’t ever felt Tante Heleen’s lash, who wasn’t covered in wounds and wanted by the law. Kaz would have laughed at her optimism.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
My sister thinks that she’s the only one who can take poison, but I am poison,' he whispers, eyes half-closed, talking to himself. 'Poison in my blood. I poison everything I touch.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
“
I made it," you said, gruffly, "for you."
You shoved it onto my finger. It was roughly carved, shaped from a lump of something colourful and cold...a ring made entirely from a gemstone. It was beautiful. It glinted emerald greens and blood reds over my skin, and had tiny flecks of gold catching the light. I couldn't stop staring at it.
"Why?" I asked.
You didn't answer that. Instead you touched the ring gently and looked piercingly at me, unsaid questions in your eyes.
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
My mind is the only sanctuary that has not been stolen from me. Men have tried to breach it before, but I've learned to defend it vigorously, for I am only safe with my innermost thoughts.
”
”
Christopher Paolini
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
I’m not jealous.” I take a sip of coffee. “I just have an uncontrollable urge to kill any man who even looks at my wife.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
You won't be able to hurt me, or touch me.
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
I want you to smile at me every day,” I say next to her ear and slam into her again. “Every.” Slam. “Fucking.” Slam. “Day.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
But even with distance between us, the longing to touch him persists
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
“
Was there a stolen touch before he found himself again at the bottom of the hill with the stone to push? Did he smile to himself as he set, again, to rolling it?
”
”
Ally Condie (Reached (Matched, #3))
“
Some ineffable piece of me had gone, rewritten by her touch, and what had been stolen was patched by a piece of her, some bit of her heart I had unknowingly taken with me.
”
”
S.D. Simper (Carmilla and Laura)
“
I touched the small sacred images. I shook my head and bit my lip, as if to say, How awful that he should have stolen these! But I also found it very funny. And further proof that God had no power over me.
”
”
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
“
Why not any of them?”
“They weren’t you.”
She grabs my tail and stills it. “What am I?”
I revel in her touch. “The other half of my soul.
”
”
Amanda Milo (Rescued by an Alien (Stolen by an Alien, #2))
“
I want to feel her skin when I touch her,” I answer. “And I can’t do that if I’m wearing a glove.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
I’m high from him, from the looks, the stolen touches, the secret lust, watching him at rally after rally, speaking firmly and from the heart to crowds calling out his name.
”
”
Katy Evans (Mr. President (White House, #1))
“
Why”—he buries his fingers in my hair, pulling my head lower until my mouth almost touches his lips—“did I buy the bracelet, Milene?” “Because I liked it?” I whisper against his lips. “Because you liked it,” he says as he presses his mouth to mine.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
But I'll tell them of your other side, too. The side I saw sometimes when you spoke softly to the camel, and when you gently touched the leaves of the saltbush,only picking what you needed. And the times you rescued me. I will tell them how you chose prison rather than let me die. Because you did, didn't you? You knew, right from when that snake bit me, it was all over. When I asked you to stay with me in the plane, you did it knowing you were turning yourself in.
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
I’m saying this because it’s said breaths are stolen during a passionate kiss. That’s not true, Gavin, because I literally can’t breathe before your lips even touch mine. I try, but I’m unable to. I can’t think when you look at me. You strip my mind bare. You always have, and it’s beautiful and consuming. It’s magical and everything a girl is supposed to feel. It’s said you’re truly in love with someone if your skin tingles from their touch. Mine tingles when I hear your voice; I don’t need you to touch me. I can feel you when you’re not near me. I feel you in my dreams. I felt you when you were a thousand miles away.
”
”
Gail McHugh (Pulse (Collide, #2))
“
Being around you was the sweetest torture. I wanted to touch you, hold you, kiss you. I wanted all of you.” His shoulders slumped. “But I was afraid of what would happen if I gave in my desire. If I let myself love you.
”
”
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
“
For what other reason might we cling to objects, old photographs, tarnished jewelry, yellowed letters? They’re charms, little pieces of magic. When we touch them, we regain for a second what time has stolen or worn away.
”
”
Lisa Unger (Beautiful Lies)
“
How old are you?” “Thirty-four. Having a wife and kids was never something I planned.” “And do you have a set plan for everything?” “For most things, yes.” He looks into my eyes. “Would you like to apply for the wife position?
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
In the end, He's the only reason that I made it. Sometimes that's the only thing we have. Whether you call it God, or hope, or faith -whatever word you use- the fact is, I couldn't have survived if I hadn't believed in something. It was the one part of me that neither Warren nor Allen could touch, and no matter what happens, as long as I have that, I've won.
”
”
Elissa Wall (Stolen Innocence: My Story of Growing Up in a Polygamist Sect, Becoming a Teenage Bride, and Breaking Free of Warren Jeffs)
“
I couldn't imagine living the way she lived, free, like an exposed wire ready and willing to touch whatever it touched. I couldn't imagine being willing, and even after those few stolen moments of psychedelic transcendence, nonaddictive, harmless, and, yes, euphoric, I still couldn't imagine being free.
”
”
Yaa Gyasi (Transcendent Kingdom)
“
Would a dead man touch you like this?
”
”
Shelly Thacker (His Captive Bride (Stolen Brides, #4))
“
He touches my cheek lightly with his fingers. 'You- I thought-'
I stare up into his eyes, puzzled by his expression.
'Are you hurt?' he asks.
I shake my head.
The prince turns away from me abruptly.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
From the east a spring breeze is touching us,
passing by,
And so in the goblet in the green wine
tiny ripples are formed.
The blossoms stolen by the whirl
are falling to the earth.
My fair girl will be drunken soon
with her blushed cheeks.
Beside the blue pavilion the peach tree -
Do you know, how long it will bloom?
It’s a trembling shine, a dream:
it cheats us and steals away.
Rise and dance!
The sun is fading!
Who never was full of demanding live
and crazy in his young days
will vainly - when the hair
is white - sigh and wail.
”
”
Li Bai
“
You have not known very many men."
"I have no wish to know any others. I love this one.
”
”
Shelly Thacker (His Forbidden Touch (Stolen Brides #3))
“
The woman you’ve been talking to alone in a bar, feeding alcohol to, and touching with your filthy fucking hands is my goddamn WIFE.
”
”
Jagger Cole (Stolen Hearts (Dark Hearts, #5))
“
You shooed away a whole restaurant full of people?” “You said you wouldn’t be comfortable with them staring at you.” He pulls my hand closer . “Now they won’t.” My heartbeat skyrockets. That’s the most fucking romantic thing a man has ever done for me.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
You are one exceptionally rude person.” “What I am, is uninterested.” “Uninterested.” I nod. He’s absolutely nuts. “About the people who work for you, or people in general?” “In general. With one exception,” he says and levels me with that unnerving gaze of his. “You.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
He missed everything about her, from her hot temper to her sassy retorts to the way her breath always seemed to catch every time her came near her. He missed the music of her laugh, the gentle touch of her hand, the clean scent of apples that seemed to cling to her skin. He even missed the way she completely spoiled Cinder and had stolen the wolf's loyalty away from him.
”
”
Crista McHugh (A Soul For Vengeance (Soulbearer, #3))
“
Well that woman has crept into my mind. Somehow, she has stolen my very sanity because now I want her hands on me. I begged for her to touch me until I, too, lost myself in the beauty of a fantasy- a fantasy I still don't fully understand.
”
”
Ella Frank (Blind Obsession)
“
Oak's hooves clatter against the floor, and then he's on his knees in front of me, all golden hair and fox eyes and worry.
'Wren,' he breathes, reaching through the iron bars, even though they singe his wrists. His fingers run through my hair.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Once he reaches my ribs, he moves his hands to my arms, running them up to my shoulder.
“I don’t know what you’re wearing,” he says. “But I like it.”
“Custom-made,” I say.
“And then stolen by you?”
I shrug. “What are you doing?”
“What does it look like I’m doing?”
“You’re touching me.”
“I’m trying to get my key back.”
“Sounds like an excuse to touch me.”
He smiles and leans forward so his mouth is at my ear. “I don’t see you stopping me.”
“If I had, I wouldn’t be able to do this.”
His eyes shoot up in alarm, but he doesn’t have enough time to guess what I’m about to do until I’ve already done it.
Yes, I knee him. Right between the legs.
He takes some time to recover. Enough for me to exit the cell and lock him in.
He stares at me levelly. “That was low.
”
”
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
“
Even the temptation hidden in a stolen picnic basket didn’t excite him as much as the thought of touching or tasting her did. Campers everywhere would rejoice.
”
”
Eve Langlais (Swan and the Bear (Furry United Coalition, #2))
“
The only thing that can hurt me now is the thought of never knowing this feeling again. To never be able to touch you this way again...
”
”
Shelly Thacker (His Stolen Bride (Stolen Brides, #1))
“
I would be anyone if only I could be with you.
”
”
Shelly Thacker (His Forbidden Touch (Stolen Brides #3))
“
As he looked at her, she felt that flood of restlessness that she now knew was called desire.
”
”
Shelly Thacker (His Forbidden Touch (Stolen Brides #3))
“
Salvatore Ajello, the most feared man in all of Cosa Nostra
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
Am I in love with him? With this controlling, grouchy, closed-off man? Someone I haven’t even seen smile once in all the time I’ve known him? I’m afraid I am.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
I feel it in his touch, when he gazes at me with those crystal blue eyes, and the way his smile lights up every room I darken.
”
”
Ker Dukey (Pretty Stolen Dolls (Pretty Little Dolls, #1))
“
So, a hundred or more people had to leave in the middle of their meal because of my shorts?” “No. They had to leave because no one gets to make you feel uncomfortable.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
It’s just a smile. Not a weapon.” “And a gun is just a piece of metal. It can still take a life in a second, if used properly.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
The storm is a glazier. Then fog passes through, touches the cold trees to add to the ice already there. Here the wind spins glass from the water it has stolen off the sea and the lakes, off the hair on my head and the breath out of my mouth, the storm takes the water from us all everywhere, to make of a mountain range a stained-glass depiction of a saint no one knows.
”
”
Alexander Chee (Edinburgh)
“
Let’s get one fucking thing straight,” Castle snaps, yanking me hard to his body. “You. Are. MINE.” My core quivers. “Not his,” he rasps. “Not any other man’s. And the next one who touches you as if that is not an iron-clad, irrefutable fact will not be getting back up again. Ever. Is that clear?
”
”
Jagger Cole (Stolen Hearts (Dark Hearts, #5))
“
Violence,' he says softly, 'did Aetos touch you after I told you about Athebyne?'
'What?' My brow furrows, and I shove an errant strand of hair out of my face as the wind swirls around us.
'Like this.' He lifts his hands to my cheek. 'His power requires touching someone's face. Did he touch you like this?'
My lips part. 'Yes, but that's how he always touches me. He would n-never...' I sputter. 'I would know if he read my memories.'
Xaden's face falls, and his hand slips downward, cradling the back of my neck. 'No, Violence. Trust me, you wouldn't.' There's no accusation in his tone, just a resignation that hurts what's left of my heart.
'He wouldn't.' I shake my head. Dain is a lot of things, but he would never violate me like that, never take something I hadn't offered. Except he tried once.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
the person who did this to you is broken. Not you.
The person who did this to you is out there,
choking on the glass of his chest.
It is a windshield
and his heartbeat is a baseball bat:
regret this, regret this.
Nothing was stolen from you.
Your body is not a hand-me-down.
There is nothing that sits inside you holding your worth,
no locket that can be seen or touched,
fucked from your stomach to be left on concrete.
”
”
Sierra DeMulder (The Bones Below)
“
TIL KINGDOM COME you'll be the one. FOR YOU theres NO MORE KEEPING MY FEET ON THE GROUND. My head is in the clouds NOW MY FEET WONT TOUCH THE GROUND. LIFE IS FOR LIVING and i cant live until i have stolen a spot in your heart. HURTS LIKE HEAVEN and feels like hell to know your in ANOTHERS ARMS. This is no PARADISE. DONT LET IT BREAK YOU HEART i tell my self. Your BEAUTIFUL WORDS always IN MY HEAD i cant stop my self. THINGS I DONT UNDERSTAND would be you and me. LOST in your X&Y. I feel like i was SWALLOWED IN THE SEA, LOST and unseen, not a WISPER or a weep. I cry in my sleep, EVERY TEARDROP IS A WATERFALL.
Should have seen the WARNING SIGNS, they were always there like a WISPER in my ear. Every time you say hello were back at SQUARE ONE, a smile my face. SUCH A RUSH i get when i talk to you. My heart beats as fast as a HIGH SPEED race. Every second i wait for your reply like CLOCK ticking by. DAYLIGHT nears as the SLEEPING SUN is UP IN FLAMES. What if its US AGAINST THE WORLD? What if HOW YOU SEE THE WORLD is how i see it too? WHAT IF?
”
”
Rhyan Roads
“
I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow.
"You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace.
"No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze.
"I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?"
"No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet."
"I'm not too late, then." He smiled and settled back in the bed.
"Too late for what?" I asked.
"To stop you, of course." Still smiling, he closed his eyes.
"Is that why you're here?" I asked, failing to point out how near we were to my nuptials.
"I told you why I'm here," Loki said.
"What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises.
"Are you crying?" Loki asked and opened his eyes.
"No, I'm not crying." I wasn't, but my eyes were moist.
"Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down.
"You need to rest," I said.
"I will be fine." He put his hand over mine again, and I let him. "Eventually."
"Can you tell me what happened?" I asked. "Why do you need amnesty?"
"Remember when we were in the garden?" Loki asked.
Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider.
"I see you do." He grinned.
"What does that have to do with anything?" I asked.
"That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute.
"The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?"
"Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine."
"Why?" I asked. "Why does the King hate you? Why did he do this to you?"
"Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?"
"Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?"
"As you wish, Princess," he conceded, and he was already drifting back to sleep again.
I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
The majority enjoy a young girl as they enjoy a glass of champagne, at one effervescent moment-oh, yes, that is really beautiful, and with many a young girl that is undoubtedly the most one can attain, but here there is more. If an individual is too fragile to stand clarity and transparency, well, then one enjoys what is unclear, but apparently she can stand it. The more devotedness one can bring to erotic love, the more interesting. This momentary enjoyment is a rape, even if not outwardly but nevertheless mentally, and in a rape there is only imagined enjoyment; it is like a stolen kiss, something nondescript. No, if one can bring it to a point where a girl has but one task for her freedom, to give herself, so that she feels her whole happiness in this, so that she practically begs for this devotedness and yet is free-only then is there enjoyment, but this always takes a discerning touch
”
”
Søren Kierkegaard
“
If even a seed of an idea of hurting my wife formed in anyone’s head, I would smash said head open with my bare hands like it’s a fucking watermelon,” I spit out. “Next, I would take out their sick brain and squeeze it so hard the only thing left would be mush.
”
”
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
“
I have spent many an hour, when I was younger, floating over its surface as the zephyr willed, having paddled my boat to the middle, and lying on my back across the seats, in a summer forenoon, dreaming awake, until I was aroused by the boat touching the sand, and I arose to see what shore my fates had impelled me to; days when idleness was the most attractive and productive industry. Many a forenoon have I stolen away, preferring to spend thus the most valued part of the day; for I was rich, if not in money, in sunny hours and summer days, and spent them lavishly; nor do I regret that I did not waste more of them in the workshop or the teacher's desk.
”
”
Henry David Thoreau
“
I have spent many an hour, when I was younger, floating over its surface as the zephyr willed, having paddled my boat to the middle, and lying on my back across the seats, in a summer forenoon, dreaming awake, until I was aroused by the boat touching the sand, and I arose to see what shore my fates had impelled me to; days when idleness was the most attractive and productive industry. Many a forenoon have I stolen away, preferring to spend thus the most valued part of the day; for I was rich, if not in money, in sunny hours and summer days, and spent them lavishly; nor do I regret that I did not waste more of them in the workshop or the teacher's desk. But since I left those shores the woodchoppers have still further laid them waste, and now for many a year there will be no more rambling through the aisles of the wood, with occasional vistas through which you see the water. My Muse may be excused if she is silent henceforth. How can you expect the birds to sing when their groves are cut down?
”
”
Henry David Thoreau
“
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.”
I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!”
He shrugged his shoulders and grinned. “I missed you.”
My mouth quirked up in a half smile. “I missed you too.”
He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.”
I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.”
“I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.”
“I wouldn’t either.”
He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine.
I squeezed his hand. “I understand. It’s fine. Really.”
He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.”
Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks.
He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me."
Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man."
Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity."
I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life."
"I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me.
I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Faye rolled toward me so that our noses touched. Her eyes were open and rolled far back in her head. She smiled and ran a fingernail across my cheek, pretending to carve ribbons of flesh. She reminded me of a butcher delicately assessing a filet. “They’re gonna kill you,” she whispered–then licked my face.
”
”
Felix Blackwell (Stolen Tongues)
“
People were differentiated by this substance, which was called nganon. Nganon was a concentrate which was defined in each person by nurture and circumstance. She believed that she and a certain few others were not of the same nganon as the rest of Earth's people. At first Deborah had thought that it was only she who was set apart from human kind, but others of the un-dead on D ward seemed to be tainted as she was. All of her life, herself and all her possessions had been imbued with her essence, the poisonous nganon. She had never lent her clothes or books or pencils, or let anyone touch any of her things, and she had often borrowed or stolen from other children at school or camp, delighting, until their stolen nganon wore off them, in the health and purity and grace of the possessions.
”
”
Joanne Greenberg (I Never Promised You a Rose Garden)
“
My sister thinks that she's the only one who can take poison, but I am poison,' he whispers, eyes half-closed, talking to himself. 'Poison in my blood. I poison everything I touch.'
That's such a strange thing to hear him say. Everyone adores him.
And yet, I recall him running away at thirteen, sure so many things were his fault.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
We touch our phones 2,617 times every twenty-four hours.
”
”
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
“
What have I done?" he asked, his voice raw. "You used to be such a sane, sensible lady."
"You took me on a journey into my own heart.
”
”
Shelly Thacker (His Forbidden Touch (Stolen Brides #3))
“
Ciara, there are certain things a man does not ask of a lady."
"You are not asking."
"Aye.
”
”
Shelly Thacker (His Forbidden Touch (Stolen Brides #3))
“
Suddenly the theater was plunged into utter blinding darkness, while an ominous rumbling rose from beneath the platform. There were several little screams of alarm, a scattering of laughter, and loud gasps of anticipation. Annabelle’s spine went rigid as she felt the brush of a hand on her back. His hand, sliding with slow deliberateness up her spine…his scent, fresh and beguiling in her nostrils …and before she could make a sound, his mouth, possessing hers in a warm, softly ravishing kiss.
She was too stunned to move, her hands in the air like butterflies suspended in midflight, her swaying body anchored by his light clasp on her waist, while his other hand cradled the back of her neck. Annabelle had been kissed before, by brash young men who had stolen a quick embrace during a walk in the garden, or in a corner of the parlor when they would not be observed. But none of those brief, flirtatious encounters had been like this …a kiss so slow and dizzying that it filled her with delirium.
Sensations rushed through her, far too strong to manage, and she quivered helplessly in his hold. Compelled by instinct, she lifted blindly into the tenderly restless caress of his lips. The pressure of his lips increased as he demanded more, rewarding her helpless response with a voluptuous exploration that set her senses on fire. Just as she began to lose all sanity, his mouth released hers with startling suddenness, leaving her dazed. Keeping his supportive hand on the downy-soft nape of her neck, he bent his head until a rueful murmur tickled her ear.
“Sorry. I couldn’t resist.” His touch withdrew completely, and when red-filtered light finally invaded the theater, he was gone.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Centered by his touch, his faith in her, she petted his chest through the fine merino wool of his charcoal sweater […] Not that he’d ever bother to take the time to buy things like this for himself. But he loved it when she did – and the small, domestic act gave her intense pleasure. As feeding her chocolate habit gave him. It wasn’t only emotion, raw and real, that Silence had stolen from her race, she thought, but the myriad quiet intimacies that colored the intricate tapestry of life. “Okay,” she said, after another nuzzling kiss from her panther. “I’m ready.
”
”
Nalini Singh (Shield of Winter (Psy-Changeling, #13))
“
And then an endless instant later Arthur was kissing him back, like this was perfectly normal, like this was exactly what Arthur had been hoping for most in all the world, his large hands closing over Merlin's shoulders and sliding down over his back, strong and warm even through the fabric of his sweater, one hand pausing on his waist and the other sliding around to cup his arse and pull him in closer. Merlin made a surprised, enthusiastic sound and stopped holding back; let himself cling to Arthur and kiss him more fiercely; and then they were kissing like it was their last day on earth and they had to cram every possible moment of passion into this tiny slice of time, hands clutching at fabric, mouths pressing hungry bites onto bare skin as if they would somehow devour one another, trying to touch and taste everything at once, frantic and needy and bursting with urgent desire and the inescapable knowledge that this was finite, was stolen, was not supposed to be.
”
”
FayJay (The Student Prince (The Student Prince, #1))
“
We meet in the midst of a nation brought to the verge of moral, political and material ruin. Corruption dominates the ballot box, the legislatures, the Congress, and touches even the ermine of the bench. The people are demoralized. . . . The newspapers are subsidized or muzzled; public opinion silenced; business prostrate, our homes covered with mortgages, labor impoverished, and the land concentrating in the hands of capitalists. The urban workmen are denied the right of organization for self-protection; imported pauperized labor beats down their wages; a hireling standing army . . . established to shoot them down. . . . The fruits of the toil of millions are boldly stolen to build up colossal fortunes. . . . From the same prolific womb of governmental injustice we breed two classes—paupers and millionaires. . . .
”
”
Howard Zinn (A People's History of the United States)
“
Dearest Reece,
I know you think it improper, or at the very least imprudent, for us to write to one another, but I don't care.There are too many rules as it is and they would choke me if I let them. Between corsets and lessons and curtsies and etiquette, I am hardly myself, and that is how they want it. They would prefer we all dress and talk and think (or not think) alike, like paper dolls.
I do not wish to be a paper doll.
Surely you can see that I am stronger than that.I don't give a fig for the scandalbroth or the gossipmongers. Let us remove to Paris, where no one knows us to care and where they dine on scandal with eclairs every morning.
You will say again that it is impossible but I refuse to believe it. I know with every touch of your hand on mine, with every stolen kiss, that nothing is impossible.
Perhaps love isn't meant to be simple. Perhaps this is merely a test, such as Psyche went through to prove herself to Cupid. Would you have me count lentils, beloved?
And as you claim I have the most to lose, I pray you will let me decide for myself what it is I want and need.
Which is you.
Not silks or lobster soup in crystal bowls or diamonds around my neck.
Just you.
You say again and again that you love me.
Prove it.
”
”
Alyxandra Harvey (Haunting Violet (Haunting Violet #1))
“
It was as if the region were just putting the finishing touches on its seamless, corporatized hegemony, complete with just enough of a gesture of sentimental respect for the nature around it; complete with fresh, new ways of keeping the body toned and healthy; a rhetoric of inclusiveness that kept all the classes in their place; and a final transformation of the land they'd stolen from its aborigines. But at the same time, ragged marginals, fueled by deep resentment--hand in hand with savage Nature--could be plotting, perhaps even unconsciously, its violent downfall. How much I wanted to be a part of their imagined doomsday scenario!
”
”
Bruce Benderson (Pacific Agony)
“
Now here she was, blind, kidnapped, tied up, and going who knows where with a criminal. Her cell phone was gone. And she was very sick. No! Cheyenne mouthed the word to herself. She had to stay on track. Think. She was blind. That was a fact. That was her greatest weakness. But could she somehow use it to her advantage? And there were a few advantages to being blind—not many, certainly not enough. But a few. For one thing, she knew how to use all her other senses in a way that most sighted people never did. They smelled and heard and touched all the same things she did, but they had let that part of their brain go numb with disuse, so the sensations didn’t register. And Cheyenne had learned the hard way to always, always pay attention to what was around her, to pick up as many clues as she could. So how could she use her senses to her advantage? She
”
”
April Henry (Girl, Stolen (Girl, Stolen, #1))
“
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
He had won. He could release her at any time. But her lips... those soft, sweet petals were parting tremulously at the touch of his tongue, and she was granting him entry to the warmth of her mouth. He thrust boldly inside, wanting but one taste of her. Only one.
”
”
Shelly Thacker (Forever His (Stolen Brides, #2))
“
That explained a great many things he'd observed about Lilith Benton. No wonder she came near to throwing a blue fit every time he approached. He threatened to collapse the carefully respectablility she'd worked nonstop for six years to build. On the oter hand, he couldn't forget the way she'd responded to his kiss,, or the way she'd shivered at his light caresses. She liked being touched. She liked his touch. Jack gave a slight smile. Perhaps the angel secretly wondered what it would be like to be in the devil's embrace. The devil certainly wondered.
”
”
Suzanne Enoch (Stolen Kisses)
“
I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me.
He stands.
Good. He will leave, and then I will be able to wrangle my hair alone.
But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.'
My shoulders tense. I am unused to people touching me. 'You don't need to-' I start.
'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...'
His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration.
'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little.
He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head.
'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft.
This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close.
When I look up, his smile is all invitation.
We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules.
With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
I remember being in the mood for love at the slightest provocation- your nubile body feeling undeniably illicit, under mine, rhyming, heaving, breathing together, each other, squirrel hands, down and across and stolen kisses, on and not on the lips. Then leaving scorching beds the color of the red desert sun and strawberry flavored. Your mysterious skin, salt lips: touching, each other. My libido, your mascara- getting all messed up in those rains, realizing for the first time that lust gnaws had no language, race, religion or brotherhood.’
('Left from Dhakeshwari')
”
”
Kunal Sen
“
Wine after three glasses solves nothing and the pain of recent discovery remains. Still, I'm feeling a friendly touch of disassociation. I'm already some useful steps removed and see myself revealed some fifteen feet below me, like a fallen climber spreadeagled and supine on a rock. I can begin to comprehend my situation, I can think as well as feel. An unassuming New World white can do this much. So. My mother has preferred my father's brother, cheated her husband, ruined her son. My uncle has stolen his brother's wife, deceived his nephew's father, grossly insulted his sister-in-law's son. My father by nature is defenceless, as I am by circumstance. My uncle - a quarter of my genome, of my father's half, but no more like my father than I to Virgil or Montaigne. What despicable part of myself is Claude and how will I know? I could be my own brother and deceive myself as he deceived his. When I'm born and allowed at last to be alone, there's a quarter I'll want to take a kitchen knife to. But the one who holds the knife will also be my uncle, quartering in my genome. Then we'll see how the knife won't move. And this perception too is somewhat his. And this.
”
”
Ian McEwan (Nutshell)
“
He touched her chin. His eyes never left hers, and she almost felt as if he’d touched those as well. And then, with the softest, most tender caress imaginable, he kissed her. Sophie didn’t just feel loved; she felt revered.
“I should wait until Monday,” he said, “but I don’t want to.”
“I don’t want you to wait,” she whispered.
He kissed her again, this time with a bit more urgency. “You’re so beautiful,” he murmured. “Everything I ever dreamed of.”
His lips found her cheek, her chin, her neck, and every kiss, every nibble robbed her of balance and breath. She was sure her legs would give out, sure her strength would fail her under his tender onslaught, and just when she was convinced she’d crumple to the floor, he scooped her into his arms and carried her to the bed.
“In my heart,” he vowed, settling her against the quilts and pillows, “you are my wife.”
Sophie’s breath caught.
“After our wedding it will be legal,” he said, stretching out alongside her, “blessed by God and country, but right now—” His voice grew hoarse as he propped himself up on one elbow so that he could gaze into her eyes. “Right now it is true.”
Sophie reached up and touched his face. “I love you,” she whispered. “I have always loved you. I think I loved you before I even knew you.”
He leaned down to kiss her anew, but she stopped him with a breathy, “No, wait.”
He paused, mere inches from her lips.
“At the masquerade,” she said, her voice uncharacteristically shaky, “even before I saw you, I felt you. Anticipation. Magic. There was something in the air. And when I turned, and you were there, it was as if you’d been waiting for me, and I knew that you were the reason I’d stolen into the ball.”
Something wet hit her cheek. A single tear, fallen from his eye.
“You are the reason I exist,” she said softly, “the very reason I was born.”
He opened his mouth, and for a moment she was certain he would say something, but the only sound that emerged was a rough, halting noise, and she realized that he was overcome, that he could not speak.
She was undone.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Meanwhile, Wren, maybe I can look at your leg.'
'No need,' I say, but he ignores me, rolling up the bottoms of my pants. There's blood, but it's truly not so bad. That doesn't stop him from asking for bandages and hot water.
Since I left the mortal world, no one cared for my wounds but me. The gentleness of his touch makes me feel too much, and I have to turn my face, lest he see.
...
Oak kneels by my feet. He had dipped one of the bandages in water and uses it to wipe off the blood and clean the cut. His fingers are warm as he wraps, and I try to concentrate on anything but the feel of his hands on my skin.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
What's the number of times that someone tried to assassinate you?'
He gives a one-shouldered shrug, his attention on the tableau below. 'Hard to know, but I'd guess there were a few dozen attempts since my sister came to power.'
That would be more than twice a year for every year since I met him. And that scar on his neck suggests that someone got very, very close.
I think of him as he was in the woods at thirteen, wanting to run away. Angry and afraid. I think of him lying on the sled this morning.
I poison everything I touch.
Every time I feel as though I know him, it seems there is another Oak underneath.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Over a decade prior, horrific cancer had deprived the world of an angel. My mother’s death had come quickly and unexpectedly. There was nothing that could be done to save her. She was admitted to the hospital, and a week later, she was gone, stolen from her beloved family and friends by the cells of her own body. Cells that had morphed from friend to mutant foe. Cells that, without remorse, mustered into a rogue army that cared nothing about extinguishing one of humanity’s true lights of kindness, compassion, and love. Malfunctions of biology and physiology had left only wonderful memories as well as the persistence of beauty in the lives she had touched.
”
”
Gregory Serfer (I Am Still Right Here)
“
Thomas had no concept of time as he went through the Changing.
It started much like his first memory of the Box—dark and cold. But this time he had no sensation of anything touching his feet or body. He floated in emptiness, stared into a void of black. He saw nothing, heard nothing, smelled nothing. It was as if someone had stolen his five senses, leaving him in a vacuum.
Time stretched on. And on. Fear turned into curiosity, which turned into boredom.
Finally, after an interminable wait, things began to change.
A distant wind picked up, unfelt but heard. Then a swirling mist of whiteness appeared far in the distance—a spinning tornado of smoke that formed into a long funnel, stretching out until he could see neither the top nor the bottom of the white whirlwind. He felt the gales then, sucking into the cyclone so that it blew past him from behind, ripping at his clothes and hair like they were shredded flags caught in a storm.
The tower of thick mist began to move toward him—or he was moving toward it, he couldn’t tell—increasing its speed at an alarming rate. Where seconds before he’d been able to see the distinct form of the funnel, he now could see only a flat expanse of white.
And then it consumed him; he felt his mind taken by the mist, felt memories flood into his thoughts.
Everything else turned into pain.
”
”
James Dashner (The Maze Runner (The Maze Runner, #1))
“
Dimly Kev remembered one of the mythology stories the Hathaways were so fond of... the Greek one about Hades, the god of the underworld, kidnapping the maiden Persephone in a flowery field and dragging her down through an opening in the earth. Down to his dark, private world where he could possess her. Although the Hathaway daughters had all been indignant about Persephone's fate, Kev's sympathies had privately been on Hades' side. Romany culture tended to romanticize the idea of kidnapping a woman for one's bride, even mimicking it during their courtship rituals.
"I don't see why eating a mere half-dozen pomegranate seeds should have condemned Persephone to stay with Hades part of every year," Poppy had said in outrage. "No one told her the rules. It wasn't fair. I'm certain she would never have touched a thing, had she known what would happen."
"And it wasn't a very filling snack," Beatrix had added, perturbed. "If I'd been there, I would have asked for a pudding or a jam pastry, at least."
"Perhaps she wasn't altogether unhappy, having to stay," Win had suggested, her eyes twinkling. "After all, Hades did make her his queen. And the story says he possessed 'the riches of the earth.'"
"A rich husband," Amelia had said, "doesn't change the fact that Persephone's main residence is in an undesirable location with no view whatsoever. Just think of the difficulties in leasing it out during the off-months."
They had all agreed that Hades was a complete villain.
But Kev had understood exactly why the underworld god had stolen Persephone for his bride. He had wanted a little bit of sunshine, of warmth, for himself, down in the cheerless gloom of his dark palace.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
All at once he found his mind drawing a parallel between that destiny and his own existence; all at once questions of life arose before his vision, like owls in an ancient ruin flushed from sleep by a stray ray of sunlight. Somehow he felt pained and grieved at his arrested development, at the check which had taken place in his moral growth, at the weight which appeared to be pressing upon his every faculty. Also gnawing at his heart there was a sense of envy that others should be living a life so full and free, while all the time the narrow, pitiful little pathway of his own existence was being blocked by a great boulder. And in his hesitating soul there arose a torturing consciousness that many sides of his nature had never yet been stirred, that others had never even been touched, and that not one of them had attained complete formation. Yet with this there went an aching suspicion that, buried in his being, as in a tomb, there still remained a moribund element of sweetness and light, and that it was an element which, though hidden in his personality, as a nugget lies lurking in the bowels of the earth, might once have become minted into sterling coin. But the treasure was now overlaid with rubbish--was now thickly littered over with dust. 'Twas as though some one had stolen from him, and besmirched, the store of gifts with which life and the world had dowered him; so that always he would be prevented from entering life's field and sailing across it with the aid of intellect and of will.
Yes, at the very start a secret enemy had laid a heavy hand upon him and diverted him from the road of human destiny. And now he seemed to be powerless to leave the swamps and wilds in favour of that road.
All around him was a forest, and ever the recesses of his soul were growing dimmer and darker, and the path more and more tangled, while the consciousness of his condition kept awaking within him less and
less frequently--to arouse only for a fleeting moment his slumbering faculties. Brain and volition alike had become paralysed, and, to all appearances, irrevocably--the events of his life had become whittled
down to microscopical proportions. Yet even with them he was powerless to cope--he was powerless to pass from one of them to another. Consequently they bandied him to and fro like the waves of the ocean. Never was he able to oppose to any event elasticity of will; never was he able to conceive, as the result of any event, a reasoned-out impulse. Yet to confess this, even to himself, always cost him a bitter pang: his fruitless regrets for lost opportunities, coupled with burning reproaches of conscience, always pricked him like needles, and led him to strive to put away such reproaches and to discover a scapegoat.
”
”
Ivan Goncharov (Oblomov)
“
His hand touches my back lightly, making me shiver. 'Do you know what I admire about you?'
Truly, I cannot imagine what he will say next.
'That you never stopped being angry,' he tells me. 'It can be brave to hate. Sometimes it's like hope.'
I hadn't felt brave in the Court of Teeth. I had felt only a clawing desperation, as though I was forever drowning in some vast sea, gulping seawater as I sank, and then just when I felt I was going to let myself drop beneath the waves, something would make me kick one more time. Maybe that thing was hate. Hating requires going on, even when you can no longer believe in any better future. But I am shocked that Oak, of all people, would know that.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
I’m saying this because it’s said breaths are stolen during a passionate kiss. That’s not true, Gavin, because I literally can’t breathe before your lips even touch mine. I try, but I’m unable to. I can’t think when you look at me. You strip my mind bare. You always have, and it’s beautiful and consuming. It’s magical and everything a girl is supposed to feel. It’s said you’re truly in love with someone if your skin tingles from their touch. Mine tingles when I hear your voice; I don’t need you to touch me. I can feel you when you’re not near me. I feel you in my dreams. I felt you when you were a thousand miles away. “You scared me the moment I saw you, and I think it’s because I knew, I just knew, I was going to fall in love you. I didn’t know our worlds were already intertwined, but my heart somehow knew it belonged to you from the start. I didn’t believe a pain so deep existed while we were apart, but I also didn’t believe a love like ours existed. You’ve shown me it does. You’ve shown me good when there was bad. You’ve given me pleasure above all of my pain. You’ve given me life when I thought I was dead.
”
”
Gail McHugh (Pulse (Collide, #2))
“
The art of falling in love is in the little moments, the stolen glances, the gentle touch of a hand. It's in how your heart flutters when you hear their voice and how their laughter fills you with a warmth that spreads through your entire being. It requires vulnerability, the courage to open yourself up entirely to another person, knowing they have the power to break your heart, but trusting that they won't.
”
”
Liliana Rose Hastings (The Consequences of Falling (Sailor Ridge, #1))
“
Reading his autobiography many years later, I was astonished to find that Edward since boyhood had—not unlike Isaiah Berlin—often felt himself ungainly and ill-favored and awkward in bearing. He had always seemed to me quite the reverse: a touch dandyish perhaps but—as the saying goes—perfectly secure in his masculinity. On one occasion, after lunch in Georgetown, he took me with him to a renowned local tobacconist and asked to do something I had never witnessed before: 'try on' a pipe. In case you ever wish to do this, here is the form: a solemn assistant produces a plastic envelope and fits it over the amber or ivory mouthpiece. You then clamp your teeth down to feel if the 'fit' and weight are easy to your jaw. If not, then repeat with various stems until your browsing is complete. In those days I could have inhaled ten cigarettes and drunk three Tanqueray martinis in the time spent on such flaneur flippancy, but I admired the commitment to smoking nonetheless. Taking coffee with him once in a shopping mall in Stanford, I saw him suddenly register something over my shoulder. It was a ladies' dress shop. He excused himself and dashed in, to emerge soon after with some fashionable and costly looking bags. 'Mariam,' he said as if by way of explanation, 'has never worn anything that I have not bought for her.' On another occasion in Manhattan, after acting as a magnificent, encyclopedic guide around the gorgeous Andalusia (Al-Andalus) exhibition at the Museum of Modern Art, he was giving lunch to Carol and to me when she noticed that her purse had been lost or stolen. At once, he was at her service, not only suggesting shops in the vicinity where a replacement might be found, but also offering to be her guide and advisor until she had selected a suitable new sac à main. I could no more have proposed myself for such an expedition than suggested myself as a cosmonaut, so what this says about my own heterosexual confidence I leave to others.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
So, having at last met a foe I could not defeat, I fled,” he said in disgust. “Rather than face you in my weakness, I thought to leave you behind, to forget about you, which I thought was surely possible. After all, how could one human overwhelm me with feelings in such a short period of time?” He smiled bitterly, shaking his head at his own foolishness. “You told me once I haunted your dreams,” he said softly. “With you gone, I have lived for those moments stolen from your sleep. I wanted you to remember me so that no other man could touch you the way I had. The very possibility drove me mad. When I learned you’d gone to Texas, my first thought was to destroy Jabril Karim before his eyes could so much as look upon you, lest he even think to take you for his own.” A cloud covered the moon high above, hiding his face until only the silver gleam of his eyes was visible as he met her gaze. “I have been mastered at last, sweet Cyn, helpless in the face of that most human of failings. I love you.
”
”
D.B. Reynolds (Jabril (Vampires in America, #2))
“
He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.
”
”
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
“
A villain. The enemy. Sandor watched Sophie tug on her eyelashes—her nervous habit, back in full force. “Nothing is going to happen,” he promised, tucking her blond hair behind her ear with a surprisingly gentle touch for a seven-foot-tall goblin warrior. It definitely helped having Sandor back at her side—especially after almost losing him during the battle on Mount Everest. And Sandor wasn’t the only goblin at Foxfire anymore. Each of the six wings in the main campus building had been assigned its own patrol, with two additional squadrons keeping watch over the sprawling grounds. The Council had also added security throughout the Lost Cities. They had to. The ogres were still threatening war. And in the three weeks since Sophie and her friends had returned from hiding with the Black Swan, the Neverseen had scorched the main gate of the Sanctuary and broken into the registry in Atlantis. Sophie could guess what the rebels had hoped to gain from the elves’ secret animal preserve—they obviously didn’t know that she’d convinced the Council to set the precious alicorns free. But the registry attack remained a mystery. The Councillors kept careful records on every elf ever born, and no one would tell her if any files had been altered or stolen. A bubble popped on Sophie’s head, and Sandor caught the box of Prattles that had been hovering inside. “If you’re going to eat these, I should check them first,” he told her. Sandor’s wide, flat nose scented no toxins in the nutty candy, but he insisted on examining the pin before handing them over. Every box of Prattles came with a special collectible inside, and in the past, the Black
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
I have spent many an hour, when I was younger, floating over its surface as the zephyr willed, having paddled my boat to the middle, and lying on my back across the seats, in a summer forenoon, dreaming awake, until I was aroused by the boat touching the sand, and I arose to see what shore my fates had impelled me to; days when idleness was the most attractive and productive industry. Many a forenoon have I stolen away, preferring to spend thus the most valued part of the day; for I was rich, if not in money, in sunny hours and summer days, and spent them lavishly
”
”
Henry David Thoreau (Walden or, Life in the Woods)
“
The boy who wears his comic books like armor often sits
alone. He is more comfortable with Iron Man and his
own thoughts than he will ever be with a woman.
Because of his nervous ticks, no matter how long they
are together, she will never feel commonplace to him.
She will always know she is special.
The boy who wears his comic books like armor
tries to tell her that he loves her every day.
She does not understand.
When he says, You remind me of Psylocke,
he is not saying he actually thinks
she is a scantily clad assassin.
He is just saying, Damn girl, you must be psychic.
How else could you always know the right thing
to make me smile? You have to be a ninja.
How else could you have stolen my heart so easily?
He is saying, Dammmmmmmmnnnnnn girl,
you absolutely have to be Psylocke!
She is the only character I have ever read about
who is as graceful and daring as you are.
She does not understand.
The boy who wears his comic books like armor
is not a good lover. The way he barely touches
her makes her feel unattractive.
Like he is only doing this because she wants him to.
This could not be further from the truth.
He is simply treating her like the only thing
that has ever been this important to him before:
comic books.
He removes her clothes like he would
the slipcover from a brand new issue,
as careful not to wrinkle her clothing
as he is not to damage the plastic.
One day, she will leave him because feeling special isn’t
as important as feeling loved. He does love her.
She can’t understand. He will spend the rest of his life
wishing he were Peter Parker, knowing that if he had a
mask to remove, then, just like Mary Jane, she would be
with him forever. But he doesn’t have a mask to remove,
just an awkward smile.
He hopes that one day
that’s enough.
”
”
Jared Singer (Forgive Yourself These Tiny Acts of Self-Destruction)
“
Shall we put our dance practice to some purpose?' he asks.
'Dance?' I ask, my voice coming out a little high.
His gaze goes to the circles of leaping and cavorting Folk. I wonder if he is in shock.
I have just come from betraying him. I feel rather shocked about it.
I put my hand in his as if mesmerised. There is only the warmth of his fingers against my chilly skin. His amber fox eyes, pupils wide and dark. His teeth catch his lip, as though he's nervous. I reach up and touch his cheek. Blood and freckles.
He's shaking a little. I guess if I'd done what he did, I'd still be shaking, too.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
From the day we touched these stolen shores, he'd explain to anyone who'd listen, they infected our minds. They deployed their phrenologists, their backward Darwinists, and forged a false Knowledge to keep us down. But against this demonology, there were those who battled back. Universities scorned them. Compromised professors scoffed at their names. So they published themselves and hawked their Knowledge at street fairs, churches, and bazaars.
For their efforts, they were forgotten. Their great works languished out of print, while those they sought to save grew fat on integration and amnesia.
”
”
Ta-Nehisi Coates
“
Once upon a time, a greedy prince fell in love with a wicked girl. The prince had far more than he needed, but it was never enough. When he grew ill, he visited the Kingdom of the Great Ocean, where the Underworld meets the living world, to bargain with Moritas, the goddess of Death, for more life. When she refused, he stole her immortal gold and fled to the surface. In revenge, Moritas sent her daughter Caldora, the angel of Fury, to retrieve him. Caldora materialized out of the sea foam on a warm, stormy night, clad in nothing but silver silk, an achingly beautiful phantom in the mist. The prince ran to the shore to greet her. She smiled at him and touched his cheek. “What will you give me in return for my affection?” she asked. “Are you willing to part with your kingdom, your army, and your jewels?” The prince, blinded by her beauty and eager to boast, nodded. “Anything you want,” he replied. “I am the greatest man in the world. Even the gods are no match for me.” So he gave her his kingdom, his army, and his jewels. She accepted his offerings with a smile, only to reveal her true angel form—skeletal, finned, monstrous. Then she burned his kingdom to the ground and pulled him below the sea into the Underworld, where her mother, Moritas, was patiently waiting. The prince tried once again to bargain with the goddess, but it was too late. In exchange for the gold he’d stolen, Moritas devoured his soul.
”
”
Marie Lu (The Rose Society (The Young Elites, #2))
“
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise: If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two imposters just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ‘em up with worn-out tools: If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth the distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son! —Rudyard Kipling
”
”
Pavit Kaur (Stolen Years: A Memoir of Simranjit Singh Mann’s Imprisonment)
“
It’s hard to see. There are only the shadows of things. She feels along the fridge to the wall and the phone, touching first her uncle’s keys, then her dead aunt’s, a woman Devon can feel judging her from the grave even though she’s only borrowing something, not stealing it. She has never stolen anything in her life, and she never will. She steps into the cool, still air of the closed garage and she sees Sick’s face. The way he looked at her as she let him in, the only one. His hair hung down and his lips were parted and as he moved inside her his eyes seemed to shine with a sweet sadness, the kind that only comes when you know something good can never, ever last. But you keep going anyway. All you can do is keep going and never quit.
”
”
Andre Dubus III (Dirty Love)
“
In ballads, love is a disease, an affliction. You contract it as a mortal might contract one of their viruses. Perhaps a touch of hands or a brush of lips, and then it is as though your whole body is fevered and fighting it. But there’s no way to prevent it from running its course.”
“That’s a remarkably poetic and profoundly awful view of love,” Oak says.
Tiernan looks back at the sea. “I was never in love before, so all I had were ballads to go by.”
Oak is silent, thinking of all the times he thought himself to be in love. “Never?”
Tiernan gives a soft huff of breath. “I had lovers, but that’s not the same thing.”
Oak thinks about how to name what he feels about Wren. He does not wish to write her ridiculous poems as he did for so many of the people with whom he thought he was in love, except that he does wish to make her laugh. He does not want to give her enormous speeches or to make grand, empty gestures; he does not want to give her the pantomime of love. He is starting to suspect, however, that pantomime is all he knows.
“But…” Tiernan says, and hesitates again, running hand through his short blackberry hair. “What I feel is not like the ballads.”
“Not an affliction, then?” Oak raises an eyebrow. “No fever?”
Tiernan gives him an exasperated look—one with which the prince is very familiar. “It is more the feeling that there is a part of me I have left somewhere and am always looking for.”
“So he’s like a missing phone?”
“Someone ought to pitch you into the sea,” Tiernan says, but he has a small smile in the corner of his mouth.
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
There was one monk who never spoke up. His name was Vappa, and he seemed the most insecure about Gautama coming back to life. When he was taken aside and told that he would be enlightened, Vappa greeted the news with doubt. “If what you tell me is true, I would feel something, and I don’t,” he said. “When you dig a well, there is no sign of water until you reach it, only rocks and dirt to move out of the way. You have removed enough; soon the pure water will flow,” said Buddha. But instead of being reassured, Vappa threw himself on the ground, weeping and grasping Buddha’s feet. “It will never happen,” he moaned. “Don’t fill me with false hope.” “I’m not offering hope,” said Buddha. “Your karma brought you to me, along with the other four. I can see that you will soon be awake.” “Then why do I have so many impure thoughts?” asked Vappa, who was prickly and prone to outbursts of rage, so much so that the other monks were intimidated by him. “Don’t trust your thoughts,” said Buddha. “You can’t think yourself awake.” “I have stolen food when I was famished, and there were times when I stole away from my brothers and went to women,” said Vappa. “Don’t trust your actions. They belong to the body,” said Buddha. “Your body can’t wake you up.” Vappa remained miserable, his expression hardening the more Buddha spoke. “I should go away from here. You say there is no war between good and evil, but I feel it inside. I feel how good you are, and it only makes me feel worse.” Vappa’s anguish was so genuine that Buddha felt a twinge of temptation. He could reach out and take Vappa’s guilt from his shoulders with a touch of the hand. But making Vappa happy wasn’t the same as setting him free, and Buddha knew he couldn’t touch every person on earth. He said, “I can see that you are at war inside, Vappa. You must believe me when I say that you’ll never win.” Vappa hung his head lower. “I know that. So I must go?” “No, you misunderstand me,” Buddha said gently. “No one has ever won the war. Good opposes evil the way the summer sun opposes winter cold, the way light opposes darkness. They are built into the eternal scheme of Nature.” “But you won. You are good; I feel it,” said Vappa. “What you feel is the being I have inside, just as you have it,” said Buddha. “I did not conquer evil or embrace good. I detached myself from both.” “How?” “It wasn’t difficult. Once I admitted to myself that I would never become completely good or free from sin, something changed inside. I was no longer distracted by the war; my attention could go somewhere else. It went beyond my body, and I saw who I really am. I am not a warrior. I am not a prisoner of desire. Those things come and go. I asked myself: Who is watching the war? Who do I return to when pain is over, or when pleasure is over? Who is content simply to be? You too have felt the peace of simply being. Wake up to that, and you will join me in being free.” This lesson had an immense effect on Vappa, who made it his mission for the rest of his life to seek out the most miserable and hopeless people in society. He was convinced that Buddha had revealed a truth that every person could recognize: suffering is a fixed part of life. Fleeing from pain and running toward pleasure would never change that fact. Yet most people spent their whole lives avoiding pain and pursuing pleasure. To them, this was only natural, but in reality they were becoming deeply involved in a war they could never win.
”
”
Deepak Chopra (Buddha)
“
He covered her mouth with his ---and she felt as if she had suddenly been enveloped in a cascade of sparks. The tingling warmth from his touch did not compare to the sensations that whirled through her as his lips moved over hers. It was as if every part of her body had at once become brilliantly alive.
His beard was a startling, silky roughness against her skin. His other hand came to rest at her waist, drawing her in tight, and her body seemed to meld to his hard, lean lines, as if it were the most natural thing in the world. Her thoughts scattered. A sound escaped her, soft and deep, unlike any sound she had ever made in her life.
Then his tongue touched her lower lip and she gave a startled little squeak.
Her suddenly lifted his mouth from hers, his eyes midnight blue, his voice husky. "You have never even been kissed before, leannan. You are as innocent as the day you first set foot in the convent.
”
”
Shelly Thacker (His Stolen Bride (Stolen Brides, #1))
“
Never mind about me," she said quickly. "As long as Audrey is happy, that will be enough."
Malcolm stepped closer, shaking his head. "Never let it be enough, lass. People like us, we have to snatch up our happiness as soon as we find it. And not let go."
He lifted her hand to his mouth, his breath burning the skin on the inside of her wrist as he took a tiny bite.
Mary's heart nearly stopped beating. She'd never felt anything like it, the scrape of teeth on sensitive skin, the fire that plunged straight from there to the join of her legs.
Malcolm looked at her, his mouth still at her wrist, the wickedness in his eyes stealing what was left on her breath. He took another little bite, then another. He worked his way up her arm until he stopped by the lace at her elbow.
Malcolm lifted his head. He transferred his fingertips to her cheek, caressing there before he skimmed down her throat to the tops of her breasts. He stood so close now that the rise of his chest touched hers.
Just when Mary thought he would stop, finished, Malcolm leaned to take his lips along the path his fingers had- cheek, throat, breasts. Mary's head went back, her body rising to his mouth, whether she willed it or no.
"You'll ruin me," she whispered.
Malcolm studied her, his amber-colored gaze intense. "Marry me, lass, and I'll ruin ye every day.
”
”
Jennifer Ashley (The Stolen Mackenzie Bride (MacKenzies & McBrides, #8))
“
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
”
”
Alan Lightman (Einstein's Dreams)
“
Sancho asked the landlord what he had to give them for supper. To this the landlord replied that his mouth should be the measure; he had only to ask what he would; for that inn was provided with the birds of the air and the fowls of the earth and the fish of the sea. "There's no need of all that," said Sancho; "if they'll roast us a couple of chickens we'll be satisfied, for my master is delicate and eats little, and I'm not over and above gluttonous." The landlord replied he had no chickens, for the kites had stolen them. "Well then," said Sancho, "let senor landlord tell them to roast a pullet, so that it is a tender one." "Pullet! My father!" said the landlord; "indeed and in truth it's only yesterday I sent over fifty to the city to sell; but saving pullets ask what you will." "In that case," said Sancho, "you will not be without veal or kid." "Just now," said the landlord, "there's none in the house, for it's all finished; but next week there will be enough and to spare." "Much good that does us," said Sancho; "I'll lay a bet that all these short-comings are going to wind up in plenty of bacon and eggs." "By God," said the landlord, "my guest's wits must be precious dull; I tell him I have neither pullets nor hens, and he wants me to have eggs! Talk of other dainties, if you please, and don't ask for hens again." "Body o' me!" said Sancho, "let's settle the matter; say at once what you have got, and let us have no more words about it." "In truth and earnest, senor guest," said the landlord, "all I have is a couple of cow-heels like calves' feet, or a couple of calves' feet like cowheels; they are boiled with chick-peas, onions, and bacon, and at this moment they are crying 'Come eat me, come eat me." "I mark them for mine on the spot," said Sancho; "let nobody touch them; I'll pay better for them than anyone else, for I could not wish for anything more to my taste; and I don't care a pin whether they are feet or heels." "Nobody shall touch them," said the landlord; "for the other guests I have, being persons of high quality, bring their own cook and caterer and larder with them.
”
”
Miguel de Cervantes Saavedra (Don Quixote)