Stitch Pictures With Quotes

You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios, and televisors, but are not. No,no it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type or receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when i say all this. You are intuitively right, that's what counts.

Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon's hands, your words suture only the places where blood might flow. We know you can never do it properly - once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief s wide skirt and the stitch that unravels fear's caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.

Despite what we knitters know to be true, the non-knitting world somehow persists in thinking that a "knitter" looks a certain way. Most likely, this picture is one of an elderly woman, grandmotherly and polite, sitting in her rocking chair surrounded by homemade cookies and accompanied by a certain number of cats. In reality, a knitter today is just as likely to be young, hip, male, and sitting at a "Stitch and Bitch" in a local bar. Several of today's best knitting designers are men, and a knitter is as likely to have body piercings as homemade cookies. Despite our diversity, the tendency to be accompanied by a cat is an oddity among knitters that cannot be explained.

Weren’t movies his generation’s faith anyway- its true religion? Wasn’t the theatre our temple, the one place we enter separately but emerge from two hours later together, with the same experience, same guided emotions, same moral? A million schools taught ten million curricula, a million churches featured ten thousand sects with a billion sermons- but the same movie showed in every mall in the country. And we all saw it. That summer, the one you’ll never forget, every movie house beamed the same set of thematic and narrative images…flickering pictures stitched in our minds that replaced our own memories, archetypal stories that become our shared history, that taught us what to expect from life, that defined our values. What was that but a religion?

Becka said that writing was almost the same as that—each letter was like a picture or a row of stitching, and it was also like a musical note; you just had to learn how to form the letters, and then how to attach them together,

From watching my parents I think being married or being with someone else in any kind of real way takes a certain amount of bravery, and it's not something I'm positive I have in me. To pluck your heart from your chest that way and hand it to someone, unprotected, and wait to see how gently they'll stitch it back in for you, or not--to wake up all those days you're the crappiest version of yourself and face the person who knows you best, morning after morning, year after year.

No, no, it's not the books you are looking for! Take it where you can find it, in old phonograph records, in old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.

We live stitch by stitch, when we’re lucky. If you fixate on the big picture, the whole shebang, the overview, you miss the stitching. And maybe the stitching is crude, or it is unraveling, but if it were precise, we’d pretend that life was just fine and running like a Swiss watch. This is not helpful if on the inside our understanding is that life is more often a cuckoo clock with rusty gears.

memories were tricky things…they weren’t stable. they changed with perception over time. …they shifted, and [she] understood how the passage of time affected them. the hard working striver might recall his childhood as one filled with misery and hardship marred by the cat calls and mae calling of playground bullies, but later, have a much more forgiving understanding of past injustices. the handmade clothes he had been forced to wear, became a testament to his mother’s love. each patch and stitch a sign of her diligence, instead of a brand of poverty. he would remember father staying up late to help him with his homework – the old old man’s patience and dedication, instead of the sharpness of his temper when he returned home – late- from the factory. it went the other way as well. [she] had scanned thousands of memories of spurned women, whose handsome lovers turned ugly and rude. roman noses, perhaps too pointed. eyes growing small and mean. while the oridnary looking boys who had become their husbands, grew in attractiveness as the years passed, so that when asked if it was love at first site, the women cheerfully answered yes. memories were moving pictures in which meaning was constantly in flux. they were stories people told themselves.

And that is why a dog can go to the vet and have a really big operation and have metal pins sticking out of its leg but if it sees a cat it forgets that it has pins sticking out of its leg and chases after the cat. But when a person has an operation it has a picture in its head of the hurt carrying on for months and months. And it has a picture of all the stitches in its leg and the broken bone and the pins and even if it sees a bus it has to catch it doesn't run because it has a picture in its head of the bones crunching together and the stitches breaking and even more pain.

Why doesn’t he get over it already? But that was the secret, wasn’t it? You never got over what you lost. You always carried it with you, stitched to you like Peter Pan’s shadow. And you never wanted to get over it, because who wanted to forget a time that had been so important? No, the truth was, you wanted to remember it always.

It is not books you need, it's some of the things that once were in books...take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.

There was a picture over the bed, a framed sampler in red and blue cross-stitch, with the words Hold fast that which is Good embroidered over a blue anchor. Anna looked at this with mistrust. It was the word “good”. Not that she herself was particularly naughty, in fact her school reports quite often gave her a “Good” for Conduct, but in some odd way the word seemed to leave her outside. She didn’t feel good…

I don’t know you either for that matter. So maybe I shouldn’t trust the words of a man who only recently decided to stitch himself into the picture.

We live stitch by stitch, when we’re lucky. If you fixate on the big picture, the whole shebang, the overview, you miss the stitching.

I thought of our family, sometimes, as a tapestry: a perfect blending and weaving of colored threads that produced an enviable picture on our surface, while underneath we were a tangled maze of knots and stitches, colliding and separating in our own directions, united only in the mandate to keep the outward appearances lovely.

We live stitch by stitch, when we’re lucky. If you fixate on the big picture, the whole shebang, the overview, you miss the stitching. And maybe the stitching is crude, or it is unraveling, but if it were precise, we’d pretend that life was just fine and running like a Swiss watch. This is not helpful if on the inside our understanding is that life is more often a cuckoo clock with rusty gears. In the aftermath of loss, we do what we’ve always done, although we are changed, maybe more afraid. We do what we can, as well as we can. My pastor, Veronica, one Sunday told the story of a sparrow lying in the street with its legs straight up in the air, sweating a little under its feathery arms. A warhorse walks up to the bird and asks, “What on earth are you doing?” The sparrow replies, “I heard the sky was falling, and I wanted to help.” The horse laughs a big, loud, sneering horse laugh, and says, “Do you really think you’re going to hold back the sky, with those scrawny little legs?” And the sparrow says, “One does what one can.

In Mass I wanted to talk to God, but I didn’t know if He’d recognize me. I couldn’t think of nothing to say. So instead I pictured my life as a shattered plate, a fine piece of crockery broke and splintered into a thousand tiny pieces. And then I spent the hour collecting up all them bits of colored wreckage, and one by one, I placed them shards into the invisible hands of God. I hoped He would maybe glue them back together for me. He could stitch them up the way Pavees did, until the cracks was so well healed that nobody could see them at all. After Mass, Dad took me fishing, which made everything worse, because he’d never took me fishing on my own before, and the gravity of that was like a sad confession.

It’s not books you need, it’s some of the things that once were in books. The same things could be in the ‘parlor families’ today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them, at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.

Tranquility is the soul of our community.” Not a quarter mile’s distance away, Susanna Finch sat in the lace-curtained parlor of the Queen’s Ruby, a rooming house for gently bred young ladies. With her were the room house’s newest prospective residents, a Mrs. Highwood and her three unmarried daughters. “Here in Spindle Cove, young ladies enjoy a wholesome, improving atmosphere.” Susanna indicated a knot of ladies clustered by the hearth, industriously engaged in needlework. “See? The picture of good health and genteel refinement.” In unison, the young ladies looked up from their work and smiled placid, demure smiles. Excellent. She gave them an approving nod. Ordinarily, the ladies of Spindle Cove would never waste such a beautiful afternoon stitching indoors. They would be rambling the countryside, or sea bathing in the cove, or climbing the bluffs. But on days like these, when new visitors came to the village, everyone understood some pretense at propriety was necessary. Susanna was not above a little harmless deceit when it came to saving a young woman’s life. “Will you take more tea?” she asked, accepting a fresh pot from Mrs. Nichols, the inn’s aging proprietress. If Mrs. Highwood examined the young ladies too closely, she might notice that mild Gaelic obscenities occupied the center of Kate Taylor’s sampler. Or that Violet Winterbottom’s needle didn’t even have thread.

Akos watched her carefully as she spoke, as she pulled him closer and touched her forehead to his, so they could still look at each other, breathing the same air. “What I did,” he said, “cut out a piece of me.” “It’s all right,” she said. “I’m all hacked up and stitched back together, too.” She pulled away. “For now,” she said, “just be my friend again, okay? And we can talk about the whole ‘I’m still in love with you, what the hell do we do about it’ question later.” Akos smiled. “Show me your house,” she said. “Are there embarrassing pictures of you? On the journey, your sister told me you were very particular about your socks.” And so Akos took her upstairs, his fingers laced with hers, and opened all his drawers, letting himself be thoroughly mocked.

Her small bedroom was decorated with cheerfully embroidered samplers, which she had stitched herself, and a shelf containing an intricate shellwork tableau. In her parlor, the chimneypiece was crammed with pottery owls, sheep, and dogs, and dishes painted with blue and white Chinoiserie fruits and flowers. Along the picture rail of one wall was an array of brightly colored plates. Dotted about the other walls were half a dozen seascape engravings showing varying climactic conditions, from violent tempest to glassy calm. To the rear was an enormous closet that she used as a storeroom, packed with bottled delicacies such as greengage plums in syrup, quince marmalade, nasturtium pickles, and mushroom catsup, which infused all three rooms with the sharp but tantalizing aromas of vinegar, fruit, and spices.

Is it true it takes thirteen months for a female to carry and give birth?” “Minimum.” He said it with such casual dismissal that Bella laughed. “That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face. His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm. “I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat. “Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon. “You.” Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on. “Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station. “Because I cannot seem to help myself, lovely little Bella.

Know what I did the other day?" Midori asked. "I got all naked in front of my father's picture. Took off every stitch of clothing and let him have a good, long look. Kind of in a yoga position. Like, 'Here, Daddy, these are my tits, and this is my cunt'." "Why in the hell would you do something like that?" I asked. "I don't know, I just wanted to show him. I mean, half of me comes from his sperm, right? Why shouldn't I show him? 'Here's the daughter you made.' I was a little drunk at the time. I suppose that had something to do with it.

...[M]ost of us have figured out that we have to do what's in front of us and keep doing it. We clean up beaches after oil spills. We rebuild whole towns after hurricanes and tornadoes. We return calls and library books. We get people water. Some of us even pray. Every time we choose the good action or response, the decent, the valuable, it builds, incrementally, to renewal, resurrection, the place of newness, freedom, justice. The equation is: life, death, resurrection, hope. The horror is real, and so you make casseroles for your neighbor, organize an overseas clothing drive, and do your laundry. You can also offer to do other people's laundry if they have recently had any random babies or surgeries. We live stitch by stitch, when we're lucky. If you fixate on the big picture, the whole shebang, the overview, you miss the stitching. And maybe the stitching is crude, or it is unraveling, but if it were precise, we'd pretend that life was just fine and running like a Swiss watch. That's not helpful if on the inside our understanding is that life is more often a cuckoo clock with rusty gears.

It's not books you need, it's some of the things that were once in books. The same things could be in the "parlour families" today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when I say this. You are intuitively right, that's what counts.

In the center of the sofa were two oblong companion pillows, shouldered so closely together that they looked like the Decalogue tablets. They were white, or had been white, and painfully stitched upon them with blue thread were companion mottoes, companion pictures. In the left pillow lies a girl, her long blue hair asprawl about her face, her eyes innocently shut, asleep. The motto: I SLEPT AND DREAMED THAT LIFE WAS BEAUTY. But the story continued, and on the next pillow her innocence is all torn away: there she stands, gripping a round broom; her hair now is pinned up severely and behind her sits a disheartening barrel churn. I WOKE AND FOUND THAT LIFE WAS DUTY. The pillows sat, stuffed and stiff as disapproving bishops; they could, he thought, serve as twin tombstones for whole gray generations.

They left him with a broken jaw, black eye, and stitches in his face. St. Louis Mayor Francis Slay came across Quain in the gutter, unconscious: The group walked in front of the mayor’s car, across Grand. Slay noted how relaxed they looked. He glanced back at the library. He saw a man face down in the street, motionless, feet inches from the curb, blood pooling on the pavement. … They looked like little kids, he thought. They laughed and held aloft cellphones like they were snapping pictures.1

Weren’t movies his generation’s faith anyway—its true religion? Wasn’t the theater our temple, the one place we enter separately but emerge from two hours later together, with the same experience, same guided emotions, same moral? A million schools taught ten million curricula, a million churches featured ten thousand sects with a billion sermons—but the same movie showed in every mall in the country. And we all saw it! That summer, the one you’ll never forget, every movie house beamed the same set of thematic and narrative images—the same Avatar, same Harry Potter, same Fast and the Furious, flickering pictures stitched in our minds that replaced our own memories, archetypal stories that became our shared history, that taught us what to expect from life, that defined our values. What was that but a religion?

April 10: Marilyn appears on time for six hours of costume tests for Something’s Got to Give. She is irritated that Cukor is not there to meet her. She looks radiant, and Peter Levathes tells the press, “This will be the best Monroe picture ever. Marilyn is at the peak of her beauty and ability.” But that evening, producer Henry Weinstein finds her sprawled across a bed and unconscious after an overdose of barbiturates. He calls Ralph Greenson, who revives her. It is announced to the press that Marilyn will be part of the entertainment at the president’s Madison Square Garden birthday party. Marilyn agrees to pay $1,440.33 for the cost of producing a dress decorated with hand-stitched rhinestones, beading, and mirrors.

I dream for an absentee and oft maligned device—the accident-maker, the soul-taker, my camera; its factory guaranteed third eye, without which I am duly dim and memory denied. No pictures for my contrived Arbus to declare, excepting some stitch of Sexton manages these sentences of despair.

THE BIGGER PICTURE   During World War II, thousands in factories across the United States constructed parachutes. From the worker’s point of view, the job was tedious. It required stitching endless lengths of colorless fabric, crouched over a sewing machine eight to ten hours a day. A day’s work produced a formless, massive heap of cloth with no visible resemblance to a parachute. In order to motivate workers and keep them concerned with quality, the management in one factory held a meeting. Management informed workers each day of the approximate number of parachutes that had been strapped to the back of pilots, copilots, and other “flying” personnel the previous day. They learned just how many men had jumped to safety from disabled planes as a result of their high-quality work. The managers encouraged their workers to see the big picture on their job. As a second means of motivation, the workers were asked to form a mental picture of a husband, brother, or son who might be the one saved by the parachute they sewed. That factory held one of the highest levels of quality on record!3 Don’t let the tedium of each day’s chores and responsibilities wear you down so you only see the “stitching” in front of you. Keep your eyes on the big picture. Focus on why you do what you do and who will benefit from your work, including those you don’t know and may never meet. You may not have all the answers to the question, “Why am I here?” but you can rest assured, the Lord does! Ultimately, the Bible tells us we will be in heaven for eternity—and that is the biggest picture of all! God is preparing us for heaven, just as He is preparing heaven for us. He is creating us to be the people He wants to live with forever. Whatever mundane tasks or trivial pursuits you undertake today, see them in the light of eternity. They will take on a whole new meaning!   “I GO TO PREPARE A PLACE FOR YOU. AND IF I GO AND PREPARE A PLACE FOR YOU, I WILL COME AGAIN AND RECEIVE YOU TO MYSELF; THAT WHERE I AM, THERE YOU MAY BE ALSO.” JOHN 14:2-3 NKJV

That summer, the one you’ll never forget, every movie house beamed the same set of thematic and narrative images—the same Avatar, same Harry Potter, same Fast and the Furious, flickering pictures stitched in our minds that replaced our own memories, archetypal stories that became our shared history, that taught us what to expect from life, that defined our values. What was that but a religion? Also,

MYTH-1: Handmade items are costly! The items are modest yet the commitment of the craftsmen behind the items we offer is costly The vast majority of the cycles engaged with making the item are finished by the creator – the plan, however, the choice of the materials, the working out of how to cause the materials to go together, gathering the item, capturing the item, advertising the item, planning the bundling, and posting, conveying, or action selling. In spite of this, the items that the fasten organization offers you are truly sensible. Haven't viewed our list? here you go! (click here) Have you ever discovered such wonderful hand-made items at such modest rates?? I GUESS NOT! MYTH-2: HAND-MADE PRODUCTS ARE NOT STYLISH On the off chance that you believe that way, I have an inquiry for you – did your grandmother convey such a shopping pack when went out to get for food supplies or did she have such telephone and individual embellishment sacks? Certainly not. The crafted works are not, at this point unfashionable or old-fashioned. Actually, they are intended for pioneers. Simply being an aspect of the pattern and following it has neither rhyme nor reason. Be the person who sets it MYTH-3: HANDMADE GOODS ARE OF POOR QUALITY I can't envision how individuals have such misguided judgment. The machine-made merchandise is to some degree bargained with quality. In any case, with regards to hand made items, they are taken well consideration of by the craftsmen as referenced above, there is no trade-off with the quality. They are made of cotton and jute which are solid and strong. They are lightweight and simple to deal with. MYTH-4: THEY ARE SAME OLD PATTERNS You can't quit lecturing about the handcrafted items which are extremely extraordinary as it will never be equivalent to some other the explanation being that they are delivered by the hands of a craftsman and not a machine. The sack so made is a result of devotion, love, energy, and the enthusiasm to serve the client. Individuals love block prints due to the strong and straightforward plans that can be made, yet that effortlessness finds a way to accomplish. The strategy is brilliant for pictures with only a couple of tones and fewer subtleties however can be hard to use for pictures with bunches of little content, or extremely fine subtleties that will, in general, sever the square with such a large number of employments. One of the benefits of square printing is that it very well may be done on a surface of practically any size and surface. I print on texture, paper, canvas, wood, and different materials, and you don't need to stress over fitting it through a printer or a press. MYTH-5: HANDMADE PRODUCTS ARE NOT LONG LASTING Recollect the last cowhide sack you had? Which lost its covering not long after getting wet in a downpour or subsequent to utilizing it for 3-4 times. That is not the situation with hand-made cotton packs. They are launderable which makes it look clean with each utilization. No problem with the upkeep.

The gift of the Threads of the Spirit is to believe that in every stitch that is placed within our tapestry, it has a divine hand guiding it along. Although the paths and choices we opt to follow may be of our own design, it is with His loving hand that we are able to stitch our worries and burdens with steadfast faith. In giving it up to God and praying for His assistance, our tapestry's picture is forever forged with ethereal designs and guidance.

A sigh flutters through her corduroy belly. Aging is easy, like falling down a hill. No choice involved. It’s reconciling yourself to loss that’s hard. I was eighty-five when I died. But I felt nineteen. I used to forget how old I was. I’d talk to you for long enough I’d think I was you. Then I’d look in the mirror and think, ack, who’s that old woman? A burst of shivering compels her from one cushion to another. Had I been anything other than a sheltered fool I wouldn’t have worried at all. I had the slut gene. I should have used it more. It’s in the family. You walk across the room, people pay attention. It’s not because we’re beautiful. We’re gnarled things who look like we’ve been pulled from the earth. Root vegetables: potatoes or turnips. Half of us miserable, the other half deluded. You’ve seen pictures of your cousins. However, we are possessed of the self. All arrows point toward us. A blessing and a curse. Not your mother, she was born complaining. Believe me, I was there. No fun at all. That will always be her fault because I made life nice for her. She married a man who couldn’t summon up enough juice to break a glass and lives her life doing cross-stitch, the only thing she’s ever liked. She’s rich enough now that she can afford to be good at only one thing. You kids don’t like your mother and I can’t blame you. But it’s a mistake to assume she doesn’t feel pain. The bird warbles, a mournful sound. As a girl, I liked to press her supple lavender cigarette case against my cheek. She was a real bummer, your mother. “She still is,” I say.

I haven’t seen Molly in years . . . not since Montlake. Last night I ended up painting a mural of David and Goliath, like something from a Sunday School story, instead of painting the picture I’d been commissioned to paint. Now I’m behind. And I blame you.” “Me?” I was only half listening as I backed out of the parking lot and began to drive. I didn’t know where I was going. “Yeah. You. The David in my mural looks suspiciously like you. So your dead sister is obviously trying to tell me something. That, or she doesn’t like your chosen profession.” “David kicked Goliath’s ass, remember? Nothing to worry about.” I was conducting the conversation from a very mechanical, detached side of my brain, and I observed myself talking to Moses even as my thoughts were bouncing in a million different directions. “I don’t think Goliath’s ass was involved,” Moses growled. “If I remember right, it was his head. Goliath took a blow between the eyes.” “Yeah . . . right. That must be it. I got cracked between the eyes with a bottle of beer last night.” Was it just last night? “Guy laid my head open. I have a few stitches. I’m impressed, Mo. So now you’re a psychic too?” “You okay?” There it was again. The demand to tell him everything. “Yeah. All stitched up. Doesn’t even hurt.” I wasn’t lying. It didn’t hurt. But I was skirting the truth. I wasn’t okay. Not at all. “Well, that’s not surprising. You have the hardest head of anyone I know

True friends are formed by the pukka love of the heart. And school days were when we still did not understand love, but there was never a dearth of a feeling that exuded from within us towards each other, out of genuine attachment for another, and that energy still surrounds us, which today we call as love. The invisible threads of purity and love we spun around each other once in time, have stitched us together in a way that it has become for life. It has been so many years, and through so many ups and downs, school friends’ calls, even pictures, still give me salubrious happiness and warmth.

Papa tells me, “Be patient with yourself, one stitch at a time. By going too fast, you can miss the details of the process. It’s best to take your time and enjoy each moment.

To pluck your heart from your chest that way and hand it to someone, unprotected, and wait to see how gently they'll stitch it back in for you.

I pictured him again, so puzzling, that smooth young face, and the shining white hair, and the finely stitched velvet tunic.

Mulan was proud of these women. Proud of their calm preparations, proud of the ease with which they strapped on their weapons, their gentle yet firm touch with their horses. And she was proud, most of all, of the banner that flew over their heads. It was mud yellow rather than the rich gold of palace silks, since mud yellow was the only shade Ruolan could manage with the herbs at hand. The dragon and phoenix pictured on it were bare outlines. But Ruolan and Wenling had stayed up all night to embroider them, and Mulan could see the heart that had gone into every stitch. Now they would put down their needles and wield their swords with no less skill.

Our lives can be likened to building a wall or knitting a blanket: to reach the desired outcome a series of small repetitive events must take place. Brick by brick or stitch by stitch, the work seems painstakingly slow. From the back, it looks plain and knobby, but the front, with varied patterns appropriate for different stages in the construction, emerges over time as a beautifully crafted piece of work. In this hidden way, God involves himself in our lives, each day another row of bricks or stitches made from the events of the day, each year 365 rows. And how many rows will complete the picture? We do not know when the work of our lives will be finished, but we know that all these small things have the power to work together in completing the fascinating, intricate, and extraordinarily beautiful individual that God sees deep within every man, woman, and child he has created.

Our lives can be likened to building a wall or knitting a blanket: to reach the desired outcome a series of small repetitive events must take place. Brick by brick or stitch by stitch, the work seems painstakingly slow. From the back, it looks plain and knobby, but the front, with varied patterns appropriate for different stages in the construction, emerges over time as a beautifully crafted piece of work. In this hidden way, God involves himself in our lives, each day another row of bricks or stitches made from the events of the day, each year 365 rows. And how many rows will complete the picture? We do not know when the work of our lives will be finished, but we know that all these small things have the power to work together in completing the fascinating, intricate, and extraordinarily beautiful individual that God sees deep within every man, woman, and child he has created.

I want to make you never want to leave from under me.” Stitch gave him one more kiss before finally pushing himself up. Stitch had no idea he had already reached his goal, but Zak was a reasonable man, and he wouldn’t make teenage-worthy promises or declarations. Life didn’t work that way in his world. Instead, he reached back with his hand without yet looking up. He was heavy with lazy, sweet exhaustion. “What’s this?” Stitch chuckled and pulled on his fingers. “Nothing. Just wanted to touch you,” muttered Zak, slowly turning his head and sprawling his cheek on the blanket to look back. He took a deep breath when Stitch pulled out his cock, leaving him boneless. “You can touch me whenever you want.” Stitch smiled at him with his eyelids lowered. He was the picture of satisfaction. Zak snorted and pulled on Stitch’s hand, getting to his feet. He didn’t want to think about the bad blood left over from the spying. Or the broken window. “That’s handy.” Stitch got rid of the condom and stroked Zak’s ass with a lazy grin. Zak sighed, looking at the large hand on his asscheek. “You know how to make a man feel special

I don't remember a lot about my mom. But I remember her doing these cross-stitches - they're little thread embroidery pieces. Anyway, one time I picked up one of her pieces and it looked awful–all messy, with all these knots and uneven strings hanging everywhere. I could barely make out what the picture was supposed to be. But then, my mom came over and took the piece of fabric out of my hands and turned it over–and right there was this masterpiece. I breathed out and smiled. She liked birds. I remember the picture–it was a nest full of babies, the mama bird just returning. I paused, thinking. Sometimes I think of those little pieces of fabric when life feels really messy and difficult to understand. I try to close my eyes and believe that even though I can't see the other side right then, and that the side I'm looking at is ugly and muddled, that there's a masterpiece that's being woven out of all the knots and loose strings. I try to believe that something beautiful can result from something ugly, and that there will come a time when I'll get to see what that is. You helped me see my own picture, Archer. Let me help you see yours.