Stitch Christmas Quotes

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I love making homemade Christmas decorations and gifts. As I set out the decorations I’ve made, I get nostalgic remembering sitting at the table so long ago and making them. With each stitch I knit or photo I place, I have the joy of thinking about the gift and the person I made it for.
Larada Horner-Miller (Hair on Fire: A Heartwarming & Humorous Christmas Memoir)
Mrs. Pott's beady black eyes narrowed,"Do you know how many glass slippers I have to stitch when I get home? There's a Mad Hatter serenading a toaster as we speak. There could be mayhem wreaking havoc all over the love in New Gotham, granted what thankless ingrates you are. But here I am! I've taken a chance on you..
Sophie Avett ('Twas the Darkest Night (Darkest Hour Saga, #1) (New Gotham Fairy Tale))
I wonder if someday Jack and I will have our own pram filled with tiny skeletons and rag dolls. The scuttle of little feet through the house. Skeleton boys tumbling down the spiral stairs; little rag doll girls with their threads coming loose, always needing their fingers and toes stitched back together. A perfectly grim little family.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
At the crisp, inky hour of midnight, Jack and I are married atop Spiral Hill in the Death Door's Cemetery. Wind stirs the bone-dry leaves, and Jack takes my soft rag doll hands in his--the coolness of his fingers calming the flutter rippling across my stitched seams.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Mrs. Potts beady black eyes narrowed,"Do you know how many glass slippers I have to stitch when I get home? There's a Mad Hatter serenading a toaster as we speak. There could be mayhem wreaking havoc all over the love in New Gotham, granted what thankless ingrates you are. But here I am!
Sophie Avett ('Twas the Darkest Night (Darkest Hour Saga, #1) (New Gotham Fairy Tale))
But a week after Christmas, sitting around her sewing circle, she told Cath Johansen and Betsy Roberts that he made her uncomfortable. “I don’t know,” she said, plucking at her misplaced stitch. “I just never liked the way he looked at me.
Brit Bennett (The Vanishing Half)
After she’d collected all she wanted, the Bird Lady would sit on a bench with needle and thread and sew her precious scraps into paper stars and give them away to any passerby who bothered to approach her. To most, the shabby tokens were nothing more than trash, but Eleanor had kept every star the Bird Lady had ever given her. She planned to string them in a garland and hang them in the shop window come Christmas. Every fold, every stitch the woman made, was filled with care and thought; somehow the Bird Lady found meaning in what the rest of the world tossed away.
Ami McKay (The Witches of New York)
I pull out the blue spool of thread and the sharp needle I always keep in the left pocket of my dress--because old seams have a way of popping, thread unspooling, and you never know when you'll need it--and begin stitching my arm back into place. It takes longer than usual; some of the linen has begun to fray along the seam, and I need to gather a few spare dead leaves from the graveyard to fill my shoulder socket all the way. It's a ghastly thing to lose an arm--or any part of yourself, really--to feel disconnected from your body. Not quite whole. And I've always wished Dr. Finkelstein had stuffed my insides with something other than dried, shriveled leaves, tossed aside by the trees. Cotton perhaps, or rose petals. Something silken and ladylike.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Ranulf searched for something to distract him from what she was doing. Only one topic came to mind.Their kiss. "About this morning.Your memory is faulty." Concentrating,Bronwyn was just about to sever the final stitch. "How so?" she murmured. "I believe you kissed me." His nearness coupled with the unexpected reminder of their embrace caused her hand to quiver just as she sliced the last stitch, giving him a small scrape. "Ow! You did that on purpose!" Bronwyn jumped back. She was no longer nestled between his legs, but neither was she out of his reach. "I did no such thing. Besides,it is a small sratch, so stop disgracing yourself by acting so cowardly," she scolded, waving the sharp blade around as if it was another appendage. "Cowardly?" Ranulf bellowed, as he jerked the knife out of her hand. "You, angel, should be thanking me for being damn near to a saint! You have to be one of the most difficult women I have ever met." Bronwyn's chin popped up angrily, her deep blue eyes flashing. "I'm not difficult. You're the one yelling." She turned, grabbed his tunic, and threw it at him. "I'm done.You can get dressed now.
Michele Sinclair (The Christmas Knight)
Elsie Greenlough frequently walks out to her mailbox without a stitch. But she's ninety, so I guess you can do what you want when you're that age.
Dani Harper (The Holiday Spirit)
I want to do you in oils,” she said, advancing into the room. “I will content myself with some sketches first. I trust you can remain awake for another hour.” “Awake will not be a problem.” Sane, however, became questionable. “Genevieve, you cannot remain in my rooms with me unchaperoned when the rest of the house is abed.” She flipped a fat golden braid over her shoulder. “I was unchaperoned with you at breakfast; I was unchaperoned with you in your studio before the boys arrived. I was unchaperoned with you in the library when the children went for their nap after luncheon. How did you expect to pose for me, Mr. Harrison, if not privately?” “You are—we are—not properly clothed.” Her gaze ran over him assessingly, as dispassionately as if this Mr. Harrison fellow were some minor foreign diplomat with little English. “Had I been accosted in the corridor by my sister, Sophie would have taken greater notice were I not in nightclothes. Besides”—a pink wash rose over her cheeks—“I have seen you without a single stitch and memorialized the sight by the hour with pen, pencil, and paper. Perhaps you’d like to take a seat?” He would like to run screaming from the room, and nearly did just that when a quiet scratching came from the door. “This will be our chaperone,” Lady Jenny said. To be found alone, after dark, with a lady in dishabille could also be his downfall. The Academy would quietly pass him by, his father’s worst accusations would be justified, and the example he was supposed to set for all those younger siblings would become a cautionary tale. As he watched Genevieve stride across the room to the door, Elijah realized being found with him could be her downfall too, the loss of all the reputation and dignity she’d cultivated carefully for years. The Royal Academy might admit him in another ten years, despite some scandal in his past—Sir Thomas had been accused of dallying with no less than the regent’s wife—but Jenny’s reputation would not recover. “Genevieve—” She opened the door a few inches, and a sizable exponent of the feline species strutted into the room, tail held high. This was the same dignified, liveried fellow who’d shared a bed with Elijah at Carrington’s. “And here we have Timothy?” “None other. He can hold a pose for hours and all the while look like he’s contemplating the secrets of the universe.” “While we contemplate folly. Genevieve, you take a great risk for a few sketches.” She
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
My grandmother swaddled her baby, as they did two thousand years ago, and let him swing on a tree branch so she could do backbreaking work for fifteen cents a day. Lizzie talked about working, herself, too, starting when she was eight or nine years old, long before the era of child labor laws, at the Milford Shoe Company. “My first day, they put me at a sewing machine and give me two pieces a leathuh. They told me how to stitch the pieces togethuh—paht of a man’s shoe. Each time I did that, they told me, drop it inna drawa. I thought, this is easy. Zip, zip, zip, one afta anuthuh. End of the day comes, my drawa is full. Lady next to me, olda woman—she didn’t have so many done. The boss fired her right then. They gave me her job afta that.” From that day on, my aunt worked in factories all her life. Like my mother, she was heavy set but solid, as sturdy and muscled as the men who worked beside her, first at Milford Shoe and later at William Lapworth & Sons, a manufacturer of elastic fabrics, whose British-born owner berated her whenever a needle broke on her sewing machine. Later she worked at Archer Rubber, where a chemical spray left a small scar on her cheek. Her final employer was the Stylon Tile Company, known for making pink and black bathroom tiles, which were hard to handle without cutting her hands. She always called her place of work “the shop.” She was “working down at the shop.” Before I left her house, she always gave me something to take with me, like a bag of her hand-made swiss-chard ravioli, or if it was close to Christmas, a plate of her own Italian cookies. My favorites were the ceci, little fried cookies that looked like ravioli but were stuffed with sweet chestnut and honey filling, or the ones that looked like bowties, called cenci, dusted with powdered sugar. No matter how busy she was, she never let anyone leave her house hungry or empty-handed. Once I accompanied Lizzie to the Sacred Heart Cemetery to help her with all the flower baskets she wanted to lay on the gravestones of lost family members. There’s something about Italians and cemeteries. I was never attracted to cemeteries, never finding any comfort in visiting the dead, but for most of my family, it was like attending a family reunion. Seeing Lizzie moving
Catherine Marenghi (Glad Farm)
Christmas 2010, when he landed me in the ER with twelve stitches, that's when I finally got out. He'd never hit me before, if you can believe that. Wish he had, because then you can look at yourself in the mirror and see the proof. My bruises were all in my head, in my soul, and that makes them easy to ignore
Emma Dibdin (The Room by the Lake)
for the rest of the night. Other than to refuel with holiday leftovers. “Would you still love me if I told you I didn’t know what tasted better, Christmas leftovers or you?” Jana cocked her eyebrow with a sexy smile on her face. Damn, she was beautiful. “No but I will be mad unless you do some very thorough research and come up with a satisfying answer…” I grinned. This Christmas was unlike any of the others Jana and I had spent together. This time we had two little boys, a bigger family and we’d faced our biggest threat yet and come out on top. “If it’s for the sake of research, consider me in babe.” And I spent the rest of the night doing science. Between the gorgeous legs of my beautiful wife. I was pretty sure in that moment, life for the Reckless Bastard’s couldn’t get any better. Merry friggin’ Christmas to us! * * * * If you think the Reckless Bastards are spicy bad boys, they’re nothing compared to the steam in my next series Reckless MC Opey, TX Chapter where Gunnar and Maisie move to Texas! There’s also a sneak peek on the next page.   Don’t wait — grab your copy today!  Copyright © 2019 KB Winters and BookBoyfriends Publishing Inc Published By: BookBoyfriends Publishing Inc Chapter One Gunnar “We’re gonna be cowboys!” Maisie had been singing that song since we got on the interstate and left Nevada and the only family we’d had in the world behind. For good. Cross was my oldest friend, and I’d miss him the most, even though I knew we’d never lose touch. I’d miss Jag too, even Golden Boy and Max. The prospects were cool, but I had no attachment to them. Though I gave him a lot of shit, I knew I’d even miss Stitch. A little. It didn’t matter that the last year had been filled with more shit than gold, or that I was leaving Vegas in the dust, we were all closer for the hell we’d been through. But still, I was leaving. Maisie and I’d been on the road for a couple of days. Traveling with a small child took a long damn time. Between bathroom breaks and snack times we’d be lucky to make it to Opey by the end of the month. Lucky for me, Maisie had her mind set on us becoming cowboys, complete with ten gallon hats, spurs and chaps, so she hadn’t shed one tear, yet. It wasn’t something I’d been hoping for but I was waiting patiently for reality to sink in and the uncontrollable sobs that had a way of breaking a grown man’s heart. “You’re not a boy,” I told her and smiled through the rear view mirror. “Hard to be a cowboy if you’re not even a boy.” Maisie grinned, a full row of bright white baby teeth shining back at me right along with sapphire blue eyes and hair so black it looked to be painted on with ink. “I’m gonna be a cowgirl then! A cowgirl!” She went on and on for what felt like forever, in only the way that a four year old could, about all the cool cowgirl stuff she’d have. “Boots and a pony too!” “A pony? You can’t even tie your shoes or clean up your toys and you want a pony?” She nodded in that exaggerated way little kids did. “I’ll learn,” she said with the certainty of a know it all teenager, a thought that terrified the hell out of me. “You’ll help me, Gunny!” Her words brought a smile to my face even though I hated that fucking nickname she’d picked up from a woman I refused to think about ever again. I’d help Maisie because that’s what family did. Hell, she was the reason I’d uprooted my entire fucking life and headed to the great unknown wilds of Texas. To give Maisie a normal life or as close to normal as I was capable of giving her. “I’ll always help you, Squirt.” “I know. Love you Gunny!” “Love you too, Cowgirl.” I winked in the mirror and her face lit up with happiness. It was the pure joy on her face, putting a bloom in her cheeks that convinced me this was the right thing to do. I didn’t want to move to Texas, and I didn’t want to live on a goddamn ranch, but that was my future. The property was already bought and paid for with my name
K.B. Winters (Mayhem Madness (Reckless Bastards MC #1-7))
The Keeper's hair was twisted into a bun and she wore glasses and flat shoes. When she walked through the galleries she stepped quickly, swinging a bunch of keys. Sometimes lost visitors intercepted her, asking where the tapestries or the patchwork quilts were, or for the way out. She was helpful, earnestly agreeing that the museum was a maze. The Keeper taught us how to be public servants. We copied her mannerisms, were prompt, reliable, respectful. Our in-trays held erudite journals and we welcome complicated enquiries. We expressed tentative interest in obscure aspects of the collection. Once, early on, I said I liked the eighteenth century. It's a good century, she said kindly. The Keeper believed in tacit experiencing and we learnt without realizing it. She asked me to unpick a lace collar that had been stitched into a faded backboard. I used a scalpel to slice through the threads, and when the lace was released, a shadow collar had been imprinted onto the blue velvet like a daguerreotype. This was a lesson in light damage. That Christmas, we had a staff lunch. I was surprised when she ordered chips, had somehow thought that Keepers did not need such comestibles, that the ether of objects was sustenance enough. I imagined being like her one day, swinging the keys of knowledge. But back then, I was just a shadow curator.
Claire Wilcox (Patch Work: A Life Amongst Clothes)
Forest by Maisie Aletha Smikle In the forest there lived a man Who was chased from his land They took his toil As their spoil They wine and dine And drank his fine wine They took his precious coin And bank it like a mine Like pirates they hoard and stash Heaping loot on top of loot No one dare to ask From whence such treasure came But took taxes, bribes and gifts Like Christmas comes on shifts The looters chimed and said We are not Robin Wood Who took from the rich And gave to the poor So the poor could have more Instead we are wood robins That take from the poor And give to the rich So the rich can have more O what a stitch While the wealthy is richer Another is that much poorer Robin Wood is outlawed And wood robin is in the law Indeed it is flawed Robin Wood is wood robin The spoils only shift From the poor to the rich
Maisie Aletha Smikle