“
Unfortunately, teaching kids to embrace the unknown while maintaining their mental balance is far more difficult than teaching them an equation in physics or the causes of the First World War. You cannot learn resilience by reading a book or listening to a lecture. Teachers themselves usually lack the mental flexibility that the twenty-first century demands, since they themselves are the product of the old educational system.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Let us define our terms. A woman who writes her lover four letters a day is not a graphomaniac, she is simply a woman in love. But my friend who xeroxes his love letters so he can publish them someday--my friend is a graphomaniac. Graphomania is not a desire to write letters, diaries, or family chronicles (to write for oneself or one's immediate family); it is a desire to write books (to have a public of unknown readers). In this sense the taxi driver and Goethe share the same passion. What distinguishes Goethe from the taxi driver is the result of the passion, not the passion itself.
"Graphomania (an obsession with writing books) takes on the proportions of a mass epidemic whenever a society develops to the point where it can provide three basic conditions:
1. a high degree of general well-being to enable people to devote their energies to useless activities;
2. an advanced state of social atomization and the resultant general feeling of the isolation of the individual;
3. a radical absence of significant social change in the internal development of the nation. (In this connection I find it symptomatic that in France, a country where nothing really happens, the percentage of writers is twenty-one times higher than in Israel. Bibi [character from the book] was absolutely right when she claimed never to have experienced anything from the outside. It is this absence of content, this void, that powers the moter driving her to write).
"But the effect transmits a kind of flashback to the cause. If general isolation causes graphomania, mass graphomania itself reinforces and aggravates the feeling of general isolation. The invention of printing originally promoted mutual understanding. In the era of graphomania the writing of books has the opposite effect: everyone surrounds himself with his own writings as with a wall of mirrors cutting off all voices from without.
”
”
Milan Kundera (The Book of Laughter and Forgetting)
“
No matter how unattractive or how dangerous the road ahead may be, it is better than the road back. The road ahead may be veiled from sight—but you must teach yourself to regard the unknown as friendly. Remember that God is always on the road ahead. … cause me to know the way wherein I should walk; for I lift up my soul unto thee (Psalm 143:8).
”
”
Emmet Fox (Around the Year with Emmet Fox: A Book of Daily Readings)
“
For a multitude of causes, unknown to former times, are now acting with a combined force to blunt the discriminating powers of the mind, and unfitting it for all voluntary exertion to reduce it to a state of almost savage torpor... To this tendency of life and manners the literature and theatrical exhibitions of the country have conformed themselves.
”
”
William Wordsworth (Preface to the Lyrical Ballads)
“
To survive and flourish in such a world, you will need a lot of mental flexibility and great reserves of emotional balance. You will have to repeatedly let go of some of what you know best, and learn to feel at home with the unknown. Unfortunately, teaching kids to embrace the unknown while maintaining their mental balance is far more difficult than teaching them an equation in physics or the causes of the First World War. You cannot learn resilience by reading a book or listening to a lecture. Teachers themselves usually lack the mental flexibility that the twenty-first century demands, since they themselves are the product of the old educational system.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
This story is one for which some people will have to suspend their belief. If it wasn't me and this wasn't happening to me, I would be one of those people.
Many won't struggle to believe it, though, for their minds have been opened; unlocked by whatever kind of key causes people to believe. Those people are either born that way or, as babies, when their minds are like little buds, they are nurtured until their petals slowly open and prepare for the very nature of life to feed them. As the rain falls and the sun shines, they grow, grow, grow; minds so open, they go through life aware and accepting, seeing light where there is dark, seeing possibility in dead ends, tasting victory as others spit out failure, questioning when others accept. Just a little less jaded, a little less cynical. A little less likely to throw in the towel. Some peoples' minds open later in life, through tragedy or triumph. Either thing acting as the key to unlatch and lift the lid on that know-it-all box, to accept the unknown, to say goodbye to pragmatism and straight lines.
But then there are those whose minds are merely a bouquet of stalks, which bud as they learn new information - a new bud for a new fact - but yet they never open, never flourish. They are the people of capital letters and full stops, but never of question marks and ellipses...
”
”
Cecelia Ahern (The Book of Tomorrow)
“
It it not about making peace with the past. It is about making peace with the present as a result of the past. You must accept that the future is forever unknown, because whatever happens next is simply the aftermath of all unrest–an uncontrollable outcome of cause and effect.
”
”
Natalie Nascenzi (The Aftermath of Unrest)
“
Because this week I’ve started in on a hundred reproductions of Rembrandt van Rijn, a hundred portraits of the old artist with the mushroom face, the face of a man pushed to the brink of eternity by art and drink, the door handle starting to turn, the final door pushed open from without by an unknown hand, and I’m beginning to have his puff-paste face, that peeling, piss-soaked wall of a face, I’m beginning to smile his half-moronic smile, to look at the world from the other side of human causes and events, and all my bales these days are framed with that portrait of Rembrandt van Rijn as an old man while I keep filling my drum with wastepaper and open books.
”
”
Bohumil Hrabal (Too Loud a Solitude)
“
Unfortunately, teaching kids to embrace the unknown and to keep their mental balance is far more difficult than teaching them an equation in physics or the causes of the First World War. You cannot learn resilience by reading a book or listening to a lecture. The teachers themselves usually lack the mental flexibility that the twenty-first century demands, for they themselves are the product of the old educational system.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
To survive and flourish in such a world, you will need a lot of mental flexibility and great reserves of emotional balance. You will have to repeatedly let go of some of
what you know best, and feel at home with the unknown. Unfortunately, teaching kids to embrace the unknown and to keep their mental balance is far more difficult than teaching them an equation in physics or the causes of the First World War. You cannot learn resilience by reading a book or listening to a lecture. The teachers themselves usually lack the mental flexibility that the twenty-first century demands, for they themselves are the product of the old educational system.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
THE SPANISH JEW'S TALE.
THE LEGEND OF RABBI BEN LEVI.
Rabbi Ben Levi, on the Sabbath, read
A volume of the Law, in which it said,
"No man shall look upon my face and live."
And as he read, he prayed that God would give
His faithful servant grace with mortal eye
To look upon His face and yet not die.
Then fell a sudden shadow on the page
And, lifting up his eyes, grown dim with age,
He saw the Angel of Death before him stand,
Holding a naked sword in his right hand.
Rabbi Ben Levi was a righteous man,
Yet through his veins a chill of terror ran.
With trembling voice he said, "What wilt thou here?"
The angel answered, "Lo! the time draws near
When thou must die; yet first, by God's decree,
Whate'er thou askest shall be granted thee."
Replied the Rabbi, "Let these living eyes
First look upon my place in Paradise."
Then said the Angel, "Come with me and look."
Rabbi Ben Levi closed the sacred book,
And rising, and uplifting his gray head,
"Give me thy sword," he to the Angel said,
"Lest thou shouldst fall upon me by the way."
The Angel smiled and hastened to obey,
Then led him forth to the Celestial Town,
And set him on the wall, whence, gazing down,
Rabbi Ben Levi, with his living eyes,
Might look upon his place in Paradise.
Then straight into the city of the Lord
The Rabbi leaped with the Death-Angel's sword,
And through the streets there swept a sudden breath
Of something there unknown, which men call death.
Meanwhile the Angel stayed without, and cried,
"Come back!" To which the Rabbi's voice replied,
"No! in the name of God, whom I adore,
I swear that hence I will depart no more!"
Then all the Angels cried, "O Holy One,
See what the son of Levi here has done!
The kingdom of Heaven he takes by violence,
And in Thy name refuses to go hence!"
The Lord replied, "My Angels, be not wroth;
Did e'er the son of Levi break his oath?
Let him remain; for he with mortal eye
Shall look upon my face and yet not die."
Beyond the outer wall the Angel of Death
Heard the great voice, and said, with panting breath,
"Give back the sword, and let me go my way."
Whereat the Rabbi paused, and answered, "Nay!
Anguish enough already has it caused
Among the sons of men." And while he paused
He heard the awful mandate of the Lord
Resounding through the air, "Give back the sword!"
The Rabbi bowed his head in silent prayer;
Then said he to the dreadful Angel, "Swear,
No human eye shall look on it again;
But when thou takest away the souls of men,
Thyself unseen, and with an unseen sword,
Thou wilt perform the bidding of the Lord."
The Angel took the sword again, and swore,
And walks on earth unseen forevermore.
”
”
Henry Wadsworth Longfellow (Tales of a Wayside Inn)
“
I spread my arms to encircle her till my elbows were firmly against the back of her rib cage. I wanted to fuse myself with her. I wanted to bite into her like an apple and then eat her, digest her, absorb her into my bloodstream, my hemoglobin, my ESR. “What are you thinking?” she asked. “I don’t know what to do. It’s a problem. I can’t have you.” “But I am yours,” she said simply. “I know, I know, but, I mean, I want to possess you like an apple,” I said. “An apple?” she burst out laughing. I didn’t know how to explain what I meant. I didn’t appreciate that someone who belonged to me could just laugh at what I had said. It was not permissible. It was against the rules. I rolled over forcefully so that she was on her back and I was on top. Then I bit her cheek as if I were biting an apple. It held none of the satisfaction I had imagined. I needed to bite her and swallow. I bit her round shoulders as if they were apples, then her stomach and her knees, her toes and her back, the round lobes of her bottom. I bit them harder than everything else because they were the roundest and most applelike. But she squealed, so I stopped. I noticed that my biting had caused her to start breathing heavily, so I replaced my teeth with my lips. I gathered different parts of her flesh between my lips and kissed her all over, in the opposite order in which I had bitten. In her breathless moans and her cries of pleasure I owned her more than I owned myself and was immersed in her more than I had ever been immersed in my own self. Me, I had not yet discovered. I was an unknown quantity, a constantly unraveling mystery. But India was absolutely and completely known both carnally and otherwise. I rolled off of her with the sweet exhaustion of a man who has just hunted his dinner animal.
”
”
Abha Dawesar (Babyji: Stonewall Book Award Winner)
“
(Pericles:) None of these men were enervated by wealth or hesitated to resign the pleasures of life; none of them put off the evil day in the hope, natural to poverty, that a man, though poor, may one day become rich. But, deeming that the punishment of their enemies was sweeter than any of these things, and that they could fall in no nobler cause, they determined at the hazard of their lives to be honourably avenged, and to leave the rest. They resigned to hope their unknown chance of happiness; but in the face of death they resolved to rely upon themselves alone. And when the moment came they were minded to resist and suffer, rather than to fly and save their lives; they ran away from the word of dishonour, but on the battle-field their feet stood fast, and in an instant, at the height of their fortune, they passed away from the scene, not of their fear, but of their glory.
(Book 2 Chapter 42.4)
”
”
Thucydides (History of the Peloponnesian War: Books 1-2)
“
Like it or not, we are slightly fat, furless, bipedal primates who crave sugar, salt, fat, and starch, but we are still adapted to eating a diverse diet of fibrous fruits and vegetables, nuts, seeds, tubers, and lean meat. We enjoy rest and relaxation, but our bodies are still those of endurance athletes evolved to walk many miles a day and often run, as well as dig, climb, and carry. We love many comforts, but we are not well adapted to spend our days indoors in chairs, wearing supportive shoes, staring at books or screens for hours on end. As a result, billions of people suffer from diseases of affluence, novelty, and disuse that used to be rare or unknown. We then treat the symptoms of these diseases because it is easier, more profitable, and more urgent than treating their causes, many of which we don’t understand anyway. In doing so, we perpetuate a pernicious feedback loop—dysevolution—between culture and biology. Maybe
”
”
Daniel E. Lieberman (The Story of the Human Body: Evolution, Health, and Disease)
“
Just as Chronos split the heavens from earth, time divided the universe, and destroyed the eternal, changeless being that was the ten-dimensional universe. After that, all civilizations had to exist within the limits of time and space. The universe became the infinite unknown. With time came hope, anticipation, surprise, remembrance, oblivion … and above all, freedom.” “These are meaningless,” said Sophon drily. “Eternity is the only existence.” “That wasn’t how the Lurker felt. It was suffocating under the ten-dimensional universe, with its perfect symmetry and eternal immutability. As the dimensions collapsed, more and more consciousnesses, separated from the unity of the Edenic Age, came to believe in the Lurker’s cause and joined its legion. Risking annihilation, they wanted to join time and to call for yet more time. This was the reason the Master failed, don’t you see? “They need time. Other than the Master, all living beings need time.
”
”
Baoshu (The Redemption of Time (The Three-Body Problem Series Book 4))
“
She was still standing there several moments later when Ian walked in to invite her to ride with him. “Still trying to find your answer, sweetheart?” he asked with a sympathetic grin, mistaking the cause of her wary stare.
“No, I found mine,” she said, her voice unintentionally accusing as she thrust both pieces of paper toward him. “What I would like to know,” she continued, unable to tear her gaze from him, “is how it happens to be the same answer you arrived at in a matter of moments.”
His grin faded, and he shoved his hands into his pockets, ignoring the papers in her outthrust hand. His expression carefully impassive, he said, “That answer is a little more difficult than the one I wrote down for you-“
“You can do this-calculate all those figures in your mind? In moments?”
He nodded curtly, and when Elizabeth continued to stare at him warily, as if he was a being of unknown origin, his face hardened. In a clipped, cool voice he said, “I would appreciate it if you would stop staring at me as if I’m a freak.”
Elizabeth’s mouth dropped open at his tone and his words. “I’m not.”
“Yes,” he said implacably. “You are. Which is why I haven’t told you before this.”
Embarrassed regret surged through her at the understandable conclusion he’d drawn from her reaction. Recovering her composure, she started around the desk toward him. “What you saw on my face was wonder and awe, no matter how it must have seemed.”
“The last thing I want from you is ‘awe,’” he said tightly, and Elizabeth belatedly realized that, while he didn’t care what anyone else thought of him, her reaction to all this was obviously terribly important to him. Rapidly concluding that he’d evidently had some experience with other people’s reaction to what must surely be a form of genius-and which struck them as “freakish”-she bit her lip, trying to decide what to say. When nothing came to mind, she simply let love guide her and reacted without artifice. Leaning back against the desk, she sent him an amused, sidelong smile and said, “I gather you can calculate almost as rapidly as you can read?”
His response was short and chilly. “Not quite.”
“I see,” she continued lightly. “I would guess there are close to ten thousand books in your library here. Have you read them all?”
“No.”
She nodded thoughtfully, but her eyes danced with admiring laughter as she continued, “Well, you’ve been quite busy the past few weeks-dancing attendance on me. No doubt that’s kept you from finishing the last thousand or two.” His face softened as she asked merrily, “Are you planning to read them all?”
With relief, she saw the answering smile tugging at his lips. “I thought I’d attend to that next week,” he replied with sham gravity.
“A worthy endeavor,” she agreed. “I hope you won’t start without me. I’d like to watch.”
Ian’s shout of laughter was cut short as he snatched her into his arms and buried his face in her fragrant hair, his hands clenching her to him as if he could absorb her sweetness into himself.
“Do you have any other extraordinary skills I ought to know about, my lord?” she whispered, holding him as tightly as he was holding her.
The laugher in his voice was replaced by tender solemnity. “I’m rather good,” he whispered, “at loving you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Why is one thoughtless? Because to think is painful, it creates disturbances, it brings opposition, it may cause one’s actions to go contrary to the established pattern. To think-feel extensionally, to become choicelessly aware may lead to unknown depths, and the mind rebels against the unknown; so it moves from the known to the known, from habit to habit, from pattern to pattern. Such a mind never abandons the known to discover the unknown. Realizing the pain of thought, the thinker becomes thoughtless through copying, through habit; being afraid to think, he creates patterns of thoughtlessness. As the thinker is afraid, his actions are born of fear, and then he regards his actions and tries to change them. The thinker is afraid of his own creations; but the deed is the doer, so the thinker is afraid of himself. The thinker is fear itself; the thinker is the cause of ignorance, of sorrow. The thinker may divide himself into many categories of thought, but the thought is still the thinker. The thinker and his efforts to be, to become, are the very cause of conflict and confusion.
”
”
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
“
Many won’t struggle to believe it though, for their minds have been opened; unlocked by whatever kind of key causes people to believe. They’re either born that way or, as babies, their little budlike minds are nurtured until their petals slowly open and prepare for the very nature of life to feed them. As the rain falls and the sun shines, they grow, grow, grow; minds so open they go through life aware and accepting, seeing light where there’s dark, seeing possibility in dead ends, tasting victory as others spit out failure, questioning when others accept. Just a little less jaded, a little less cynical. A little less likely to throw in the towel. Some people’s minds open later in life, through tragedy or triumph, either thing acting as the key to unlatch and lift the lid on that know-it-all box, to accept the unknown, to say good-bye to pragmatism and straight lines. But then there are those whose minds are merely a bouquet of stalks that bud as they learn new information—a new bud for each new fact—but yet they never open, never flourish. They are the people of capital letters and full stops but never of question marks and ellipses
”
”
Cecelia Ahern (The Book of Tomorrow)
“
INT. NEWT’S SITTING ROOM—FIVE MINUTES LATER—NIGHT
The threesome sit at a table bearing NEWT’S mismatched crockery, the atmosphere tainted by TINA’S absence. QUEENIE’S case lies open on the sofa.
QUEENIE: Tina and I aren’t talking.
NEWT: Why?
JACOB’S POV—pink and hazy, as though happily drunk.
QUEENIE: Oh well, you know, she found out about Jacob and I seeing each other and she didn’t like it, ’cause of the “law.” (miming quotation marks) Not allowed to date No-Majs, not allowed to marry them. Blah, blah, blah. Well, she was all in a tizzy anyway, ’cause of you.
NEWT: Me?
QUEENIE: Yeah, you, Newt. It was in Spellbound. Here—I brought it for you—
She points her wand at her suitcase. A celebrity magazine zooms to her: Spellbound: Celebrity Secrets and Spell Tips of the Stars! On the cover, an idealized NEWT and an improbably beaming Niffler. BEAST TAMER NEWT TO WED!
QUEENIE opens the magazine. THESEUS, LETA, NEWT, and BUNTY stand side by side at his book launch.
QUEENIE (showing him):
“Newt Scamander with fiancée, Leta Lestrange; brother, Theseus; and unknown woman.”
NEWT: No. Theseus is marrying Leta, not me.
QUEENIE: Oh! Oh dear . . . well, see, Teen read that, and she started dating someone else. He’s an Auror. His name’s Achilles Tolliver.
”
”
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
“
Most of the garden was devoted to the usual things- lettuces, onions, cabbage, and eggplant- ordinary ingredients for good, honest meals. But then there were the chef's other plants, the ones that made the cooks cross themselves and kiss their thumbnails whenever they were forced to handle them.
Take love apples, to start with. Their poisonous reputation was as well known as that of hemlock, and the cooks protested loudly the day the chef put in his seedlings. What if their roots contaminated the onions? What if their fumes caused swoons or fits? What if the odd, tangy smell of their leaves attracted disgruntled ghosts from the nearby dungeons? It took repeated assurances, the installation of a wire enclosure, and the fact that nothing catastrophic followed their planting to keep the staff from uprooting the love apples behind the chef's back. Even so, one cook quit, and another developed a twitchy eye and started nipping at the cooking sherry.
After the love apples, the chef put in beans- another rarity from the New World- and then potatoes. Once, he tried something he called maize, but the plants failed, so instead he bought sacks of dried maize from an unknown source. In a giant stone mortar, he ground the dried maize down to a coarse yellow meal from which he made one of his exotic specialties- polenta.
”
”
Elle Newmark (The Book of Unholy Mischief)
“
Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development. The name Palo Mayombe is a reference to the forest and nature of the Mayombe district in the upper parts of the deltas of the Kongo River, what used to be the Kingdom of Loango. For the European merchants, whether sent by the Church to convert the people or by a king greedy for land and natural resources, everything south of present day Nigeria to the beginning of the Kalahari was simply Kongo. This un-nuanced perception was caused by the linguistic similarities and of course the prejudice towards these ‘savages’ and their ‘primitive’ cultures. To write a book about Palo Mayombe is a delicate endeavor as such a presentation must be sensitive both to the social as well as the emotional memory inherited by the religion. I also consider it important to be true to the fundamental metaphysical principles of the faith if a truthful presentation of the nature of Palo Mayombe is to be given. The few attempts at presenting Palo Mayombe outside ethnographic and anthropological dissertations have not been very successful. They have been rather fragmented attempts demonstrating a lack of sensitivity not only towards the cult itself, but also its roots. Consequently a poor understanding of Palo Mayombe has been offered, often borrowing ideas and concepts from Santeria and Lucumi to explain what is a quite different spirituality. I am of the opinion that Palo Mayombe should not be explained on the basis of the theological principles of Santeria. Santeria is Yoruba inspired and not Kongo inspired and thus one will often risk imposing concepts on Palo Mayombe that distort a truthful understanding of the cult. To get down to the marrow; Santeria is a Christianized form of a Yoruba inspired faith – something that should make the great differences between Santeria and Palo Mayombe plain. Instead, Santeria is read into Palo Mayombe and the cult ends up being presented at best in a distorted form. I will accordingly refrain from this form of syncretism and rather present Palo Mayombe as a Kongo inspired cult of Creole Sorcery that is quite capable
”
”
Nicholaj de Mattos Frisvold (Palo Mayombe: The Garden of Blood and Bones)
“
There followed, however, the devastating experience of the Communist Party’s purge of the anarchists on Stalin’s orders. Thousands of Orwell’s comrades were simply murdered or thrown into prison, tortured and executed. He himself was lucky to escape with his life. Almost as illuminating, to him, was the difficulty he found, on his return to England, in getting his account of these terrible events published. Neither Victor Gollancz, in the Left Book Club, nor Kingsley Martin, in the New Statesman – the two principal institutions whereby progressive opinion in Britain was kept informed – would allow him to tell the truth. He was forced to turn elsewhere. Orwell had always put experience before theory, and these events proved how right he had been. Theory taught that the left, when exercising power, would behave justly and respect truth. Experience showed him that the left was capable of a degree of injustice and cruelty of a kind hitherto almost unknown, rivalled only by the monstrous crimes of the German Nazis, and that it would eagerly suppress truth in the cause of the higher truth it upheld. Experience, confirmed by what happened in the Second World War, where all values and loyalties became confused, also taught him that, in the event, human beings mattered more than abstract ideas; it was something he had always felt in his bones. Orwell never wholly abandoned his belief that a better society could be created by the force of ideas, and in this sense he remained an intellectual. But the axis of his attack shifted from existing, traditional and capitalist society to the fraudulent utopias with which intellectuals like Lenin had sought to replace it. His two greatest books, Animal Farm (1945) and Nineteen Eighty-Four (1949), were essentially critiques of realized abstractions, of the totalitarian control over mind and body which an embodied utopia demanded, and (as he put it) ‘of the perversions to which a centralized economy is liable’.
”
”
Paul Johnson (Intellectuals: A fascinating examination of whether intellectuals are morally fit to give advice to humanity)
“
As strangeness becomes the new normal, your past experiences, as well as the past experiences of the whole of humanity, will become less reliable guides. Humans as individuals and humankind as a whole will increasingly have to deal with things nobody ever encountered before, such as super-intelligent machines, engineered bodies, algorithms that can manipulate your emotions with uncanny precision, rapid man-made climate cataclysms and the need to change your profession every decade. What is the right thing to do when confronting a completely unprecedented situation? How should you act when you are flooded by enormous amounts of information and there is absolutely no way you can absorb and analyse it all? How to live in a world where profound uncertainty is not a bug, but a feature? To survive and flourish in such a world, you will need a lot of mental flexibility and great reserves of emotional balance. You will have to repeatedly let go of some of what you know best, and feel at home with the unknown. Unfortunately, teaching kids to embrace the unknown and to keep their mental balance is far more difficult than teaching them an equation in physics or the causes of the First World War. You cannot learn resilience by reading a book or listening to a lecture. The teachers themselves usually lack the mental flexibility that the twenty-first century demands, for they themselves are the product of the old educational system. The Industrial Revolution has bequeathed us the production-line theory of education. In the middle of town there is a large concrete building divided into many identical rooms, each room equipped with rows of desks and chairs. At the sound of a bell, you go to one of these rooms together with thirty other kids who were all born the same year as you. Every hour some grown-up walks in, and starts talking. They are all paid to do so by the government. One of them tells you about the shape of the earth, another tells you about the human past, and a third tells you about the human body. It is easy to laugh at this model, and almost everybody agrees that no matter its past achievements, it is now bankrupt. But so far we haven’t created a viable alternative. Certainly not a scaleable alternative that can be implemented in rural Mexico rather than just in upmarket California suburbs.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
A school bus is many things.
A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
”
”
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
“
These mechs—rays—stim—have been used always as the forbidden fruit of life, the last treasure in the temple of secrecy which has consumed the ancient science. The orgies which the uses of such stimulants inspire have been going on secretly since the earliest times—beneath the temples and in the secret pleasure palaces of the world. (Shaver here seems to be talking of our modern world, not of ancient Mu. —Ed.)
These orgies still go on, and are more deadly than before—more filled with de accumulated in the apparatus, the stim itself concealing the deadly rays whose effect is explained as the sad results of overindulgence; which is untrue—the stim is a beneficial of great virtue and leaves one stronger and wiser after use.
“The legend of the sirens is an example of ancient mechs which no one could resist—in the hands of evil degenerates it became a deadly attraction—drawing shiploads of men to death and the ships to looting.
“The course of history, the battles, the decisions of tyrants and kings—was almost invariably decided by interfering control from the caverns and their hidden apparatus. This interference, this use of the apparatus in a prankish, evil, destructive way, is the source of god worship, the thrill of divinity, the sensing of the invisible, the prostration of the will before the stronger will of the ray gen (hidden and unknown as it was).
“The remarkable part of it all is that it still goes on today. Emotional and mental stim—unsuspected by such as you and the average citizen—used in mad prankishness, all come from the ancient apparatus. If you will remember your stage fright in the school play, the many other times when your emotions seem to have gone awry without sufficient reason—were these natural?
“The dero of the caves are the greatest menace to our happiness and progress; the cause of many mad things that happen to us, even so far as murder. Many people know something of it, but they say they do not. They are lying. They fear to be called mad, or to be held up to ridicule. Examine your own memory carefully. You will find many evidences of outside stim, some good, some evil—but mostly evil.
”
”
Richard S. Shaver (The Shaver Mystery, Book One)
“
Possibly. "Windscreen broken. Cause unknown. Probably Voodoo.
”
”
David Loman (Fifty Shades of Dave: Ridiculous Customer Complaints - The Compilation (Ridiculous Customer Complaints (And Other Statements) Book 3))
“
At this point, public health officials and vaccine makers are aware of everything that you now know from this book – at a minimum. At this point, they have moved beyond something we could write off as incompetence, in that they are allowing (and even forcing) mass use of products they know are harmful. At this point, powerful people in public health and Pharma are in full cover-up mode. They almost have to be, because it’s hard to imagine how they could pivot from what they’ve done to what they ought to do. At this point, the negligence is criminal. Ed Dowd
”
”
Ed Dowd ("Cause Unknown": The Epidemic of Sudden Deaths in 2021 & 2022)
“
Inside the white screen of the mosquito net, bathed in the sunlight streaming through the windows, she felt as if she were in her own little oasis. Isolated from the rest of the world and its hostility. Although she could barely see past the bright, sunlit cloth, a movement in the shadows behind the net caught her eye. She frowned, straining her eyes to see what it was when, slowly, the net parted to reveal a gigantic figure. The light shone on his body and face to reveal what turned out to be a dark-eyed, broad-shouldered man.
A strange feeling was born in Bianca’s chest. A mixture of panic and embarrassment left her body in the shape of a scream. With no clear thoughts in mind, she yelled for someone to help her, until it dawned on her that she was in an unfamiliar apartment, in a town where no one knew about her, and where there was no one who could help her. She was alone, and the pervert in front of her undoubtedly wanted to take advantage of the situation. Stopping just enough to breathe and continue screaming, she got on her knees in the bed and kept on yelling at him, who then seemed to fall off whatever disgusting trance he was, and took a surprised step back. His fingers, still tangled in the mosquito net, ripped the fabric from the ceiling, exposing her further.
Bianca knew she was on her own. She could not count on anyone else to save her. When that realization hit, an unknown instinct made its way inside her and all the accumulated frustration caused by the situation with the paparazzi, the betrayal of her husband and losing her company concentrated inside her like a laser to focus on a single aim: the man in front of her. Feeling powerful, she grabbed the sheet tight around her with one arm to cover the front of her body, set one foot on the ground, and grabbed the closest thing to her: the purse. Her screams, which initially were meant to ask for help, transformed into a sound of pure rage.
Without taking her eyes off him, Bianca reached into her bag and threw everything she found inside it: a phone, an agenda, a bottle of water, a lipstick, a tissue, the box of condoms, a book. Even a small toiletry bag. When the bag was empty, she used it as a projectile too.
”
”
Sienna Mercier (The Woman In The Red Dress (Mediterranean Love #1))
“
Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood
Lying by omission turns inevitably into positive lying. The implications of literature are that human beings are controlled, if not by reason, at least by comprehensible, well-organized, avowable sentiments. Whereas the facts are quite different. Sometimes the sentiments come in, sometimes they don’t. All for love, or the world well lost; but love may be the title of nobility given to an inordinate liking for a particular person’s smell or texture, a lunatic desire for the repetition of a sensation produced by some particular dexterity. Or consider those cases (seldom published, but how numerous, as anyone in a position to know can tell!), those cases of the eminent statesmen, churchmen, lawyers, captains of industry—seemingly so sane, demonstrably so intelligent, publicly so high-principled; but, in private, under irresistible compulsion towards brandy, towards young men, towards little girls in trains, towards exhibitionism, towards gambling or hoarding, towards bullying, towards being whipped, towards all the innumerable, crazy perversions of the lust for money and power and position on the one hand, for sexual pleasure on the other. Mere tics and tropisms, lunatic and unavowable cravings—these play as much part in human life as the organized and recognized sentiments. And imaginative literature suppresses the fact. Propagates an enormous lie about the nature of men and women.
”
”
Aldous Huxley (Eyeless in Gaza)
“
This very day, every man—whether a global leader or an unknown tradesman—has an opportunity to show the world that the gospel does not kill pleasure or aggressiveness. Rather, as [Jonathan] Edwards has shown, it frees Christians to experience true pleasure and to act in manly ways for a far greater cause than ourselves. We grieve the trajectory of modern men, and we feel special pain for the wives and children who are, through no fault of their own, deeply damaged by the sins of men. In a broken world, we pray to God to show the world a better way, a greater joy, and a magnificent Savior, who delights in taking sinful men and turning them into agents of his glory.
”
”
Steve Farrar (Real Valor: A Charge to Nurture and Protect Your Family (Bold Man Of God series Book 3))
“
This very day, every man—whether a global leader or an unknown tradesman—has an opportunity to show the world that the gospel does not kill pleasure or aggressiveness. Rather, as [Jonathan] Edwards has shown, it frees Christians to experience true pleasure and to act in manly ways for a far greater cause than ourselves. We grieve the trajectory of modern men, and we feel special pain for the wives and children who are, through no fault of their own, deeply damaged by the sins of men. In a broken world, we pray to God to show the world a better way, a greater joy, and a magnificent Savior, who delights in taking sinful men and turning them into agents of his glory.2
”
”
Steve Farrar (Real Valor: A Charge to Nurture and Protect Your Family (Bold Man Of God series Book 3))
“
The second letter was sealed plainly, with no crest. I flung myself onto my pillows, broke the seal impatiently, and read:
My Dear Countess:
You say you would prefer discourse to gifts. I am yours to command. I will confess my hesitancy was due largely to my own confusion. It seems, from my vantage anyway, that you are surrounded by people in whom you could confide and from whom you could obtain excellent advice. Your turning to a faceless stranger for both could be ascribed to a taste for the idiosyncratic if not to mere caprice.
I winced and dropped the paper to the table. “Well, I asked for the truth,” I muttered, and picked it up again.
But I am willing to serve as foil, if foil you require. Judging from what you reported of your conversation with your lady of high rank, the insights you requested are these: First, with regard to her hint that someone else in power lied about rendering assistance at a crucial moment the year previous, you will not see either contender for power with any clarity until you ascertain which of them is telling the truth.
Second, she wishes to attach you to her cause. From my limited understanding of said lady, I suspect she would not so bestir herself unless she believed you to be in, at least potentially, a position of influence.
There was no signature, no closing.
I read it through three times, then folded it carefully and fitted it inside one of my books.
Pulling a fresh sheet of paper before me, I wrote:
Dear Unknown:
The only foil--actually, fool--here is me, which isn’t any pleasure to write. But I don’t want to talk about my past mistakes, I just want to learn to avoid making the same or like ones in future. Your advice about the event of last year (an escape) I thought of already and have begun my investigation. As for this putative position of power, it’s just that. I expect you’re being confused by my proximity to power--my brother being friend to the possible king and my living here in the Residence. But believe me, no one could possibly be more ignorant or less influential than I.
With a sense of relief I folded that letter up, sealed it, and gave it to Mora to send along the usual route. Then I went gratefully to sleep.
”
”
Sherwood Smith (Court Duel (Crown & Court, #2))
“
Children were taught to fear unknown adults, particularly men. According to Google’s Ngram viewer (which charts the frequency of words and terms in all books published each year), the term “stranger danger” first appeared in English-language books in the early 1980s; then its frequency leveled off until the mid-1990s, after which it rose rapidly. At the same time, adults internalized the reciprocal message: Stay away from other people’s children. Don’t talk to them; don’t discipline them if they are misbehaving; don’t get involved.
”
”
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness)
“
nation: In my own lifetime the divorce rate has doubled, the rates of teen suicide and violent crime have both tripled, and births out of wedlock have sextupled. With less than 5 percent of the world’s population, the US has almost a quarter of the world’s prisoners (about the same number as Russia and China combined). We have become accustomed to homeless people sleeping in parks and under bridges, something virtually unknown in my childhood. The leading causes of death are self-inflicted, the side-effects of tobacco, obesity, alcohol, sexually transmitted diseases, drugs, and violence.
”
”
David Jeremiah (The Book of Signs: 31 Undeniable Prophecies of the Apocalypse)
“
Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood.
”
”
Aldous Huxley (Eyeless in Gaza)
“
The tempest blew inside, causing alarm, and everyone reached for their weapons. The wolf stood up. Heavy drops of rain soaked the wood floor and formed a dark puddle. A shadowy figure with the outline of horns on his head stood in the doorway, peered in, and then stepped inside.
”
”
S. M. Atherton (Monsters, Relics, and Dangers Unknown (The Kollrheim Realms Chronicles Book 1))
“
Since being without a self is inconceivable and very hard to realize, such freedom remains unknown to virtually everyone. Yet without a self designed for and committed to survival, there is no suffering. To get a handle on this, recall any form of suffering, any distress, worry, upset, fear, misery, stress, longing, or anything else that you suffer, and consider long and hard: if you didn’t care about you persisting in any way, if it didn’t matter to you if you existed or not, got your way or not, or that things turned out in a way consistent with your desires and needs, if you let go of attachment to your self and the survival of your self, would you suffer any of these things? The answer is no. You cannot suffer when there is no self trying to survive. You cannot suffer when you have no drive to persist. The desire to survive, to persist as the self that you are, is the cause of suffering.
”
”
Peter Ralston (The Book of Not Knowing: Exploring the True Nature of Self, Mind, and Consciousness)
“
The Nether Dragon D’tort is on the loose. He is the one whose been causing all the trouble and doing all kidnappings recently. We are trying to take him down, but he’s slick. Anyway, we need to hurry, Dad. No time to talk right now. See you soon. Take care.” “Good luck, boys and stay safe!” Dad replied. We hopped on Krop’s back but before he could go after D’tort, he tried to sense his energy again. “Let me try to detect D’tort. Found him. D’tort is to the south of Crimson City. I wonder what he is up to…” Krop flew after D’tort, and we did find him to the south. Apparently, D’tort had landed on one of the houses and started setting fire to the neighborhood in an attempt to create chaos and mayhem. However, he wasn’t expecting retaliation against him. As we approached the fiery scene, we saw hundreds of Piglins gathering around D’tort, throwing sticks and stones at him, as well as putting out all the fire he created. “What is the meaning of this? I thought you were all supposed to be afraid of Dragons!” D’tort complained, as he tried to swat away the Piglins that were climbing on his tail and hitting him with sword and knives. “Ouch! Get off me!” “We are done with this Dragon!” I heard Pegg Hogg’s voice amidst the crowd before I could even see his face. “We won’t put up with this anymore. We know what Dragons are capable of, but we also know that some Dragons are better than others. You are part of the bad ones, my friend! We won’t surrender, we won’t give up! Now my followers, take this Dragon down!” “Take this Dragon down!” Hundreds of Piglins chanted, as they marched and attacked D’zort. In a frantic attempt to get rid of his enemies, D’tort flew up and started shooting fireballs at the crowd.
”
”
Mark Mulle (Diary of a Piglin Book 11: An Unknown Enemy)
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What he had just seen was no longer the ingenuous and
simple eye of a child; it was a mysterious gulf which had half
opened, then abruptly closed again.
There comes a day when the young girl glances in this
manner. Woe to him who chances to be there!
That first gaze of a soul which does not, as yet, know
itself, is like the dawn in the sky. It is the awakening of something
radiant and strange. Nothing can give any idea of the
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dangerous charm of that unexpected gleam, which flashes
suddenly and vaguely forth from adorable shadows, and
which is composed of all the innocence of the present, and
of all the passion of the future. It is a sort of undecided tenderness
which reveals itself by chance, and which waits. It is
a snare which the innocent maiden sets unknown to herself,
and in which she captures hearts without either wishing or
knowing it. It is a virgin looking like a woman.
It is rare that a profound revery does not spring from that
glance, where it falls. All purities and all candors meet in
that celestial and fatal gleam which, more than all the bestplanned
tender glances of coquettes, possesses the magic
power of causing the sudden blossoming, in the depths of
the soul, of that sombre flower, impregnated with perfume
and with poison, which is called love.
”
”
Hugo
“
Superstition, the product of ignorance of causes, of the proneness to seek the solution of phenomena out of and beyond nature, and of the consequent natural but unreasoning dread of the Unknown and Invisible (ignorantly termed the supernatural), is at once universal
”
”
Frederick George Lee (The Mythology and History of Witchcraft: 25 Books of Sorcery, Demonology & Supernatural: The Wonders of the Invisible World, Salem Witchcraft, Lives of the Necromancers, Modern Magic, Witch Stories…)
“
First published in 2020 this book contains over 560 easily readable compact entries in systematic order augmented by an extensive bibliography, an alphabetical list of countries and locations of individuals final resting places (where known) and a day and month list in consecutive order of when an individual died.
It details the deaths of individuals, who died too early and often in tragic circumstances, from film, literature, music, theatre, and television, and the achievements they left behind. In addition, some ordinary people who died in bizarre, freak, or strange circumstances are also included.
It does not matter if they were famous or just celebrated by a few individuals, all the people in this book left behind family, friends and in some instances devotees who idolised them. Our heartfelt thoughts and sympathies go out to all those affected by each persons death.
Whether you are concerned about yourself, a loved one, a friend, or a work colleague there are many helplines and support groups that offer confidential non-judgemental help, guidance and advice on mental health problems (such as anxiety, bereavement, depression, despair, distress, stress, substance abuse, suicidal feelings, and trauma). Support can be by phone, email, face-to-face counselling, courses, and self-help groups. Details can be found online or at your local health care organisation.
There are many conspiracy theories, rumours, cover-ups, allegations, sensationalism, and myths about the cause of some individual’s deaths. Only the facts known at the time of writing are included in this book.
Some important information is deliberately kept secret or undisclosed. Sometimes not until 20 or even 30 years later are full details of an accident or incident released or in some cases found during extensive research. Similarly, unsolved murders can be reinvestigated years later if new information becomes known. In some cases, 50 years on there are those who continue to investigate what they consider are alleged cover-ups.
The first name in an entry is that by which a person was generally known. Where relevant their real name is included in brackets.
Date of Death | In the entry detailing the date an individual died their age at the time of their death is recorded in brackets.
Final Resting Place | Where known details of a persons final resting place are included.
“Unknown” | Used when there is insufficient evidence available to the authorities to establish whether an individuals’ death was due to suicide, accident or caused by another.
Statistics
The following statistics are derived from the 579 individual “cause of death” entries included in this publication.
The top five causes of death are,
Heart attack/failure 88 (15.2%)
Cancer 55 (9.5%)
Fatal injuries (plane crash) 43 (7.4%)
Fatal injuries (vehicle crash/collision) 39 (6.7%)
Asphyxiation (Suicide) 23 (4%).
extract from 'Untimely and Tragic Deaths of the Renowned, The Celebrated, The Iconic
”
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B.H. McKechnie