Sticky Situation Quotes

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Evil influence is like a nicotine patch, you cannot help but absorb what sticks to you.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
You have to understand—I grew up being told by my parents that the best way to get out of a sticky situation was to assume it didn’t exist,” he said. “Let the rumors fly...if the family isn’t bothered, why should anyone else be?
Jodi Picoult (The Pact)
Cohen looked at the forest of lances and pennants. Hundreds of thousands of men looked like quite a lot of men when you saw them close to. "I suppose," he said, slowly, "that none of you has got some amazing plan you've been keeping quiet about?" "We thought you had one," said Truckle.
Terry Pratchett (Interesting Times (Discworld, #17; Rincewind, #5))
RULES OF LYING: 1. Figure out your lie before you open your mouth. 2. Play on your opponent's sympathies and weaknesses 3. Dance around the lie with distracting truth. They're far more convincing. 4. Picture the lie in your head as if it were the truth. They want to see how it's coming up. 5. Never forget which is the lie and which is the truth. 6. If you say something that brings you trouble, pretend that was actually the lie. Lie and say you were joking before, and aren't you funny? It's a quick escape from a sticky situation. It's the liars trapdoor. 7. Avoid it if at all possible. 8. Keep up your poker face. Never have a "tell" or a physical gesture that will give yourself away and let your opponent know your bluffing.
Kristin Walker (7 Clues to Winning You)
The telling of any character is what they do in a different situation.
Sara Sheridan
number one rule in a sticky situation: don’t panic.
Robert J. Walker (Into The Dark (EMP Survival in a Powerless World, #24))
I notice women have memory retrieval systems that work like sticky tongues of toads. They leap out like lightening and can strike in all directions to retrieve the object of choice in the situation.
Rachna Singh
The ultimate goal of a sermon-based small group is simply to velcro people to the two things they will need most when faced with a need-to-know or need-to-grow situation: the Bible and other Christians.
Larry Osborne (Sticky Church (Leadership Network Innovation Series Book 6))
It is not to be without emotion or feeling but to be one in whom feeling is not sticky or blocked.” It is not to deny or bury or go around your feelings or your thoughts about those feelings. It is to feel them, acknowledge them, and work with them—to understand what they are trying to tell you about you, about the situation—to let them show you where there is more work to be done without letting them overwhelm, unbalance, or trap you. They have information for you. Take the information, say thank you, and keep going.
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
People like to pretend they have no control over the way their life turns out, but the truth is that they just refuse to deal with the hard stuff because it’s too painful and messy. You know what’s even more painful and sticky? Prolonging bad situations for your own comfort. No one can solve your problems for you, Peter. No one wants to.” She sighed, her eyes filling with sorrow. “Just…figure it out.
Kiersten Modglin (The Arrangement (The Arrangement, #1))
demigod, chances are you’re making your way to camp with your satyr guide. Or maybe you’ve already arrived and are reading this with the hope that it’ll calm your nerves. I’d say there’s a fifty–fifty chance of that happening. But I’m getting off topic. (I do that. I have ADHD. Bet you know what that’s like.) What I’m supposed to do is explain the story behind this book. A few months ago, Chiron – he’s the immortal centaur who’s also our camp activities director – was called away to rescue two unclaimed demigods and their satyr guide. (The satyr had got himself into a sticky situation. It took him days to get his fur clean.) Anyway, Argus, our resident security guard and part-time chauffeur, drove Chiron on this mission because, well, can you imagine a centaur driving an SUV? (You can? Hmm. Maybe you’re a child of Hypnos and saw it in a dream.) Our camp director, Mr D (aka Dionysus, the god of wine), was MIA, so that left us demigods on our own. ‘Don’t destroy Half-Blood while we’re gone,’ was Chiron’s parting instruction.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
to show us the way—the easier life is to handle. 'So, to begin, we have to put a sticky note on the bathroom mirror, or tell a friend to call us first thing in the morning, anything to remind ourselves to set up an expectation for Synchronicity first thing each day. Eventually, it becomes a habit. And once all the mysterious coincidences are happening and our destiny seems to be unfolding, all that is left is to stay in that flow.” He paused dramatically. “And to do that,” he went on, “we have to learn to communicate what’s going on with us to others.” “What?” “Think about what happens when we lose the Flow,” he explained. “Doesn’t it occur because we hit some situation where we have to interact with others who aren’t in a flow, and who can’t readily see the meanings we are seeing? The effect is to knock us out of it altogether.” I thought about what happened to me with the skeptic. It was certainly true in that case. “When I’m in the flow,” I said, “I usually try to get away from most people, so they can’t knock me out of it.” “I know,” Wil said in a mock accusatory tone. “Are you saying' 'I asked, “that I should have taken the time to talk with that skeptic, even though that’s not what I wanted to do?” “No, I’m suggesting that you should have been open and truthful with him, maybe asking him to wait a minute while you talked to the people at the table. He was needling you, but you didn’t lose your flow because of him. You lost it because you didn’t find a way to honestly communicate who you were and what you were doing.” “I don’t think he was interested in hearing anything from me.” “You’re missing the point. I’m not telling you to defend yourself or to convince him of anything. You just have to give him the truth of the situation as you see it, with the main purpose being to keep yourself centered in the flow.
James Redfield (The Twelfth Insight: The Hour of Decision (Celestine Prophecy, #4))
The hero-deed to be wrought is not today what it was in the century of Galileo. Where then there was darkness, now there is light; but also, where light was, there now is darkness. The modern hero-deed must be that of questing to bring to light again the lost Atlantis of the co-ordinated soul. Obviously, this work cannot be wrought by turning back, or away, from what has been accomplished by the modern revolution; for the problem is nothing if not that of rendering the modern world spiritually significant—or rather (phrasing the same principle the other way round) nothing if not that of making it possible for men and women to come to full human maturity through the conditions of contemporary life. Indeed, these conditions themselves are what have rendered the ancient formulae ineffective, misleading, and even pernicious. The community today is the planet, not the bounded nation; hence the patterns of projected aggression which formerly served to coordinate the in-group now can only break it into factions. The national idea, with the flag as totem, is today an aggrandizer of the nursery ego, not the annihilator of an infantile situation. Its parody rituals of the parade ground serve the ends of Holdfast, the tyrant dragon, not the God in whom self-interest is annihilate. And the numerous saints of this anticult—namely the patriots whose ubiquitous photographs, draped with flags, serve as official icons—are precisely the local threshold guardians (our demon Sticky-hair) whom it is the first problem of the hero to surpass.
Joseph Campbell (The Hero With a Thousand Faces)
I thought he was in love with me,” Nancy said petulantly. “I truly did.” Jane let out an exasperated breath. “You knew he’d been disinherited. Didn’t that give you some pause?” “Yes, but…well…he told me it was all that girl’s fault. That she’d let him on and spun a tale to deceive his father and---” She grimaced. “I suppose that was all lies.” “To say the least,” Dom muttered. More and more, he began to see why Jane had defended the woman. Because she realized just how dim-witted her cousin could be about men. “You said you went to York to see a doctor about the baby,” Jane propped. “Why not just use the doctor you’ve always used?” He had to admit that Jane was rather good at the interrogation part. Perhaps the “honorary Duke’s Man” thing wasn’t so far-fetched after all. Nancy thrust out her chin. “He would have gone straight to Dom with the news. I wanted…someone unrelated to the family.” Jane’s eyes narrowed on her. “But why not ask me to take you before I left? I can see why you didn’t want to involve Dom, given the sticky nature of the situation, but I wouldn’t have told him, and I could probably have found you a doctor.” “Yes, but…well…” “You also wanted to see Samuel,” Dom said cynically. “And you could hardly do that with Jane around to disapprove.” Nancy shrugged feebly. “I figured I would already be in York to see a doctor, anyway. And Samuel had asked me to marry him. What would be the harm in it?” Jane glanced at Dom and rolled her eyes heavenward. It made him wonder how often she’d had to deal with such nonsense from her cousin in the past.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Isn’t this the weekend of Xander Eckhart’s party?” “Yes.” Jordan held her breath in a silent plea. Don’t ask if I’m bringing anyone. Don’t ask if I’m bringing anyone. “So are you bringing anyone?” Melinda asked. Foiled. Having realized there was a distinct possibility the subject would come up, Jordan had spent some time running through potential answers to this very question. She had decided that being casual was the best approach. “Oh, there’s this guy I met a few days ago, and I was thinking about asking him.” She shrugged. “Or maybe I’ll just go by myself, who knows.” Melinda put down her forkful of gnocchi, zoning in on this like a heat-seeking missile to its target. “What guy you met a few days ago? And why is this the first we’re hearing of him?” “Because I just met him a few days ago.” Corinne rubbed her hands together, eager for the details. “So? Tell us. How’d you meet him?” “What does he do?” Melinda asked. “Nice, Melinda. You’re so shallow.” Corinne turned back to Jordan. “Is he hot?” Of course, Jordan had known there would be questions. The three of them had been friends since college and still saw each other regularly despite busy schedules, and this was what they did. Before Corinne had gotten married, they talked about her now-husband, Charles. The same was true of Melinda and her soon-to-be-fiancé, Pete. So Jordan knew that she, in turn, was expected to give up the goods in similar circumstances. But she also knew that she really didn’t want to lie to her friends. With that in mind, she’d come up with a backup plan in the event the conversation went this way. Having no choice, she resorted to the strategy she had used in sticky situations ever since she was five years old, when she’d set her Western Barbie’s hair on fire while trying to give her a suntan on the family-room lamp. Blame it on Kyle. I’d like to thank the Academy . . . “Sure, I’ll tell you all about this new guy. We met the other day and he’s . . . um . . .” She paused, then ran her hands through her hair and exhaled dramatically. “Sorry. Do you mind if we talk about this later? After seeing Kyle today with the bruise on his face, I feel guilty rattling on about Xander’s party. Like I’m not taking my brother’s incarceration seriously enough.” She bit her lip, feeling guilty about the lie. So sorry, girls. But this has to stay my secret for now. Her diversion worked like a charm. Perhaps one of the few benefits of having a convicted felon of a brother known as the Twitter Terrorist was that she would never lack for non sequiturs in extracting herself from unwanted conversation. Corinne reached out and squeezed her hand. “No one has stood by Kyle’s side more than you, Jordan. But we understand. We can talk about this some other time. And try not to worry—Kyle can handle himself. He’s a big boy.” “Oh, he definitely is that,” Melinda said with a gleam in her eye. Jordan smiled. “Thanks, Corinne.” She turned to Melinda, thoroughly skeeved out. “And, eww—Kyle?” Melinda shrugged matter-of-factly. “To you, he’s your brother. But to the rest of the female population, he has a certain appeal. I’ll leave it at that.” “He used to fart in our Mr. Turtle pool and call it a ‘Jacuzzi.’ How’s that for appeal?” “Ah . . . the lifestyles of the rich and famous,” Corinne said with a grin. “And on that note, my secret fantasies about Kyle Rhodes now thoroughly destroyed, I move that we put a temporary hold on any further discussions related to the less fair of the sexes,” Melinda said. “I second that,” Jordan said, and the three women clinked their glasses in agreement
Julie James (A Lot like Love (FBI/US Attorney, #2))
As Japan recovered from the post-war depression, okonomiyaki became the cornerstone of Hiroshima's nascent restaurant culture. And with new variables- noodles, protein, fishy powders- added to the equation, it became an increasingly fungible concept. Half a century later it still defies easy description. Okonomi means "whatever you like," yaki means "grill," but smashed together they do little to paint a clear picture. Invariably, writers, cooks, and oko officials revert to analogies: some call it a cabbage crepe; others a savory pancake or an omelet. Guidebooks, unhelpfully, refer to it as Japanese pizza, though okonomiyaki looks and tastes nothing like pizza. Otafuku, for its part, does little to clarify the situation, comparing okonomiyaki in turn to Turkish pide, Indian chapati, and Mexican tacos. There are two overarching categories of okonomiyaki Hiroshima style, with a layer of noodles and a heavy cabbage presence, and Osaka or Kansai style, made with a base of eggs, flour, dashi, and grated nagaimo, sticky mountain yam. More than the ingredients themselves, the difference lies in the structure: whereas okonomiyaki in Hiroshima is carefully layered, a savory circle with five or six distinct layers, the ingredients in Osaka-style okonomiyaki are mixed together before cooking. The latter is so simple to cook that many restaurants let you do it yourself on table side teppans. Hiroshima-style okonomiyaki, on the other hand, is complicated enough that even the cooks who dedicate their lives to its construction still don't get it right most of the time. (Some people consider monjayaki, a runny mass of meat and vegetables popularized in Tokyo's Tsukishima district, to be part of the okonomiyaki family, but if so, it's no more than a distant cousin.) Otafuku entered the picture in 1938 as a rice vinegar manufacturer. Their original factory near Yokogawa Station burned down in the nuclear attack, but in 1946 they started making vinegar again. In 1950 Otafuku began production of Worcestershire sauce, but local cooks complained that it was too spicy and too thin, that it didn't cling to okonomiyaki, which was becoming the nutritional staple of Hiroshima life. So Otafuku used fruit- originally orange and peach, later Middle Eastern dates- to thicken and sweeten the sauce, and added the now-iconic Otafuku label with the six virtues that the chubby-cheeked lady of Otafuku, a traditional character from Japanese folklore, is supposed to represent, including a little nose for modesty, big ears for good listening, and a large forehead for wisdom.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer)
Finally, being kind to ourselves invites us to relax. Not just to kick back and light up a cigar or have a cocktail, though this could be fine at the right place and time. Relax in the sense that we can drop the burden of maintaining our point of view. At times of pressure, we can find ourselves being defensive or rigid—maybe taking ourselves a bit too seriously. Maybe we have to hold our ground on changing a critical deadline or one of our project team members is throwing a tantrum and blaming us for a deskful of problems. Being kind to ourselves suggests that we can lay down the heavy burden of taking a stand. We can afford to lighten up and listen and adjust—to be with the situation even if it is sticky and unpleasant. Being kind to ourselves invites us to appreciate that whenever work—and life in general—does not go the way we want it to, we can pause, put our heavy bags down, give ourselves a “cup of tea,” and remember that we are not just doing a job but are being awake at work.
Michael Carroll (Awake at Work: 35 Practical Buddhist Principles for Discovering Clarity and Balance in the Mids t of Work's Chaos)
Boyfriend #11 Clark Barnyard, Age Twenty-Three Still not over boyfriend #9 and humiliated by #10, Jane declared she would shed her victimhood and become the elusive predator--fierce, independent, solitary!...except there was this guy at work, Clark. He’d made her laugh during company meetings, he’d share his fries with her at lunch, declaring that she needed fattening up. He was in layout at the magazine, and she’d go to his cubicle and sit on the edge of his desk, chatting for longer than made her manager comfortable. He was a few years younger than her, so it seemed innocent somehow. When he asked her out at last, despite the dark stickiness of foreboding, she didn’t turn him down. He cooked her dinner at his place and was goofy and tender, nuzzling her neck and making puppy noises. They started to kiss on the couch, and it was nice or approximately sixty seconds until his hand started hunting for her bra hooks. In the front. It was so not Mr. Darcy. “Whoa, there, cowboy,” she said, but he was “in the groove” and had to be told to stop three or four times before he finally pried his fingers off her breasts and stood up, rubbing his eyes. “What’s the problem, honey?” he asked, his voice stumbling on that last word. She said he was moving too fast, and he said, then what in the hell had they been building up to over the past six months? Jane sized up the situation to her own satisfaction: “You are no gentleman.” Then Clark summed up in his own special way: “Hasta la vista, baby.”
Shannon Hale (Austenland (Austenland, #1))
This is kind of a sticky situation, isn't it, Gurudas?" she says. "I told you two that if I caught either of you on my property again I'd expose a goodly amount of your innards to the fresh sea air. And I hate breaking promises. That's what whole of civilized society is founded upon, isn't it—promises?
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
People like to pretend they have no control over the way their life turns out, but the truth is that they just refuse to deal with the hard stuff because it’s too painful and messy. You know what’s even more painful and sticky? Prolonging bad situations for your own comfort. No one can solve your problems for you, Peter.
Kiersten Modglin (The Arrangement (The Arrangement, #1))
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.
Viet Thanh Nguyen (The Sympathizer)
It is not to be without emotion or feeling but to be one in whom feeling is not sticky or blocked.” It is not to deny or bury or go around your feelings or your thoughts about those feelings. It is to feel them, acknowledge them, and work with them—to understand what they are trying to tell you about you, about the situation—to let them show you where there is more work to be done without letting them overwhelm, unbalance, or trap you. They have information for you. Take the information, say thank you, and keep going.
Tim S. Grover (Winning: The Unforgiving Race to Greatness (Tim Grover Winning Series))
People like to pretend they have no control over the way their life turns out, but the truth is that they just refuse to deal with the hard stuff because it’s too painful and messy. You know what’s even more painful and sticky? Prolonging bad situations for your own comfort. No one can solve your problems for you, Peter. No one wants to.
Kiersten Modglin (The Arrangement (The Arrangement, #1))
People like to pretend they have no control over the way their life turns out, but the truth is that they just refuse to deal with the hard stuff because it’s too painful and messy. You know what’s even more painful and sticky? Prolonging bad situations for your own comfort. No one can solve your problems for you,
Kiersten Modglin (The Arrangement (The Arrangement, #1))
mumbo-jumbo in my head to tell me. And I definitely didn’t need Martina Crowe in there whispering it—she was the one doing the last message, in case you’re wondering. I dislike her enough outside my head, much less inside it. In fact, I think I’ll write an insulting poem about her… although, come to think of it, ‘Martina’ makes for a tricky rhyme.” Reynie, Kate, and Sticky glanced at one another with cautious optimism. Constance seemed to be feeling a little better. They all were, actually. They had spent the evening adjusting to the hidden-message broadcasts (there had been three more since Jillson’s class)—trying not to snarl at one another, or smash their fists on desktops, or slam drawers. Studying had been positively excruciating, like trying to read while someone bangs out an annoying tune on a piano—and with fingers on the wrong keys, at that. But an hour had passed since the last broadcast, and the children’s moods had improved. Which helped them focus on the fact that their situation, unfortunately, had not. The thing to come was getting closer. Mr. Curtain was not broadcasting his
Trenton Lee Stewart (The Mysterious Benedict Society Series Omnibus)
Stochastic and Reactive Effects Replication may be difficult to achieve if the phenomenon under study is inherently stochastic, that is, if it changes with time. Moreover, the phenomenon may react to the experimental situation, altering its characteristics because of the experiment. These are particularly sticky problems in the behavioral and social sciences, for it is virtually impossible to guarantee that an individual tested once will be exactly the same when tested later. In fact, when dealing with living organisms, we cannot realistically expect strict stability of behavior over time. Researchers have developed various experimental designs that attempt to counteract this problem of large fluctuations in behavior. Replication is equally problematic in medical research, for the effects of a drug as well as the symptoms of a disease change with time, confounding the observed course of the illness. Was the cure accelerated or held back by the introduction of the test drug? Often the answer can only be inferred based on what happens on average to a group of test patients compared to a group of control patients. Even attempts to keep experimenters and test participants completely blind to the experimental manipulations do not always address the stochastic and reactive elements of the phenomena under study. Besides the possibility that an effect may change over time, some phenomena may be inherently statistical; that is, they may exist only as probabilities or tendencies to occur. Experimenter Effects In a classic book entitled Pitfalls in Human Research, psychologist Theodore X. Barber discusses ten ways in which behavioral research can go wrong.11 These include such things as the “investigator paradigm effect,” in which the investigator’s conceptual framework biases the way an experiment is conducted and interpreted, and the “experimenter personal attributes effect,” where variables such as age, sex, and friendliness interact with the test participants’ responses. A third pitfall is the “experimenter unintentional expectancy effect”; that is, the experimenter’s prior expectations can influence the outcome of an experiment. Researchers’ expectations and prior beliefs affect how their experiments are conducted, how the data are interpreted, and how other investigators’ research is judged. This topic, discussed in chapter 14, is relevant to understanding the criticisms of psi experiments and how the evidence for psi phenomena has often been misinterpreted.
Dean Radin (The Conscious Universe: The Scientific Truth of Psychic Phenomena)
Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer #1))
Until recently - perhaps mid-2010s - accounts of being a foreigner in Japan were dominated by white, usually male, Anglo-centric perspectives. (Alright, not that much as changed.) They talk about 'doing the gaijin nod when you see another gaijin on the street.' (No one has ever done this to me.) They talk about playing the 'gaijin card' to get out of sticky situations, like, say, pretending not to speak any Japanese when they've forgotten to buy the correct ticket for the express train, so the hapless station attendant decides to let them go. There's a certain group of people (men) who drift through life here with the barest smattering of Japanese for decades relying on their Japanese spouses (wives) to keep the cogs of daily life spinning; this will never be viable for me. I will never experience the minor celebrity of being a white person in rural Japan (on balance, much healthier for one's ego), nor will I ever be someone people approach and fawn over because they want to make foreign friends (eventually, I realised this was also better), nor will local people ever compliment my looks (there was always a small part of me that wished I was noticeably beautiful). I've been perceived as a Japanese woman in unexpected ways. For example, at a musical gathering, an older white man once turned to me and asked: So whose wife are you? It took a great deal of self-restraint not to slap him.
Florentyna Leow (How Kyoto Breaks Your Heart)
Sounds like there’s more to that story. Does it require ice cream?” She pulls the blanket down a little, peering at me with a hopeful look. “Who am I kidding? There are very few situations that are not improved by ice cream. Except maybe sex. Way too sticky and messy.
Nikki Jewell (The Comeback (Lakeview Lightning #1))
A Sticky Situation
Carolyn Keene (The Stolen Show (Nancy Drew Diaries Book 18))
And more than once, I’d caught myself in a sticky situation with a girl. I guess old habits die hard.
Siena Trap (A Bunny for the Bench Boss (Indy Speed Hockey, #1))
In the face of certain death, men will show great courage, make great sacrifices, show a selfless determination to complete an impossible task. But if there is a slight chance they might actually get out of a sticky situation by sacrificing their friends or their ideals, the dark side of mankind shows itself.
Andreas Christensen (Exodus (Exodus Trilogy, #1))
The word ethics tends to come off as academic and authoritarian, but ultimately professional ethics are just a formalized gut check. They’re a personal statement about what you will and won’t do at your job, and a framework for seeking out clients, projects or employers that are a good match for your beliefs. We encourage every design activist to think through and write down a set of personal ethics, so something is in place to guide you when you run into a sticky situation while racing against four different deadlines.
Noah Scalin (The Design Activist's Handbook: How to Change the World (Or at Least Your Part of It) with Socially Conscious Design)
Lo kept her comments to herself because abortion was a sticky subject to her. She would always say no one knows what they would do until they were in the situation. “I’m
Nako (From His Rib (The Underworld, #3))
Watching Steve around the camp was witnessing a man at one with his environment. Steve had spent all his life perfecting his bush skills, first learning them at his father’s side when he was a boy. He hero-worshiped Bob and finally became like his dad and then some. Steve took all the knowledge he’d acquired over the years and added his own experience. Nothing seemed to daunt him, from green ants, mozzies, sand flies, and leeches, to constant wet weather. On Cape York we faced the obvious wildlife hazards, including feral pigs, venomous snakes, and huge crocodiles. I never saw Steve afraid of anything, except the chance of harm coming to someone he loved. He learned how to take care of himself over the years he spent alone in the bush. But as his life took a sharp turn, into the unknown territory of celebrity-naturalist, he suddenly found himself with a whole film crew to watch out for. Filming wildlife documentaries couldn’t have happened without John Stainton, our producer. Steve always referred to John as the genius behind the camera, and that was true. The music orchestration, the editing, the knowledge of what would make good television and what wouldn’t--these were all areas of John’s clear expertise. But on the ground, under the water, or in the bush, while we were actually filming, it was 100 percent Steve. He took care of the crew and eventually his family as well, while filming in some of the most remote, inaccessible, and dangerous areas on earth. Steve kept the cameraman alive by telling him exactly when to shoot and when to run. He orchestrated what to film and where to film, and then located the wildlife. Steve’s first rule, which he repeated to the crew over and over, was a simple one: Film everything, no matter what happens. “If something goes wrong,” he told the crew, “you are not going to be of any use to me lugging a camera and waving your other arm around trying to help. Just keep rolling. Whatever the sticky situation is, I will get out of it.” Just keep rolling. Steve’s mantra.
Terri Irwin (Steve & Me)
Filming wildlife documentaries couldn’t have happened without John Stainton, our producer. Steve always referred to John as the genius behind the camera, and that was true. The music orchestration, the editing, the knowledge of what would make good television and what wouldn’t--these were all areas of John’s clear expertise. But on the ground, under the water, or in the bush, while we were actually filming, it was 100 percent Steve. He took care of the crew and eventually his family as well, while filming in some of the most remote, inaccessible, and dangerous areas on earth. Steve kept the cameraman alive by telling him exactly when to shoot and when to run. He orchestrated what to film and where to film, and then located the wildlife. Steve’s first rule, which he repeated to the crew over and over, was a simple one: Film everything, no matter what happens. “If something goes wrong,” he told the crew, “you are not going to be of any use to me lugging a camera and waving your other arm around trying to help. Just keep rolling. Whatever the sticky situation is, I will get out of it.” Just keep rolling. Steve’s mantra. On all of our documentary trips, Steve packed the food, set up camp, fed the crew. He knew to take the extra tires, the extra fuel, the water, the gear. He anticipated the needs of six adults and two kids on every film shoot we ever went on. As I watched him at Lakefield, the situation was no different. Our croc crew came and went, and the park rangers came and went, and Steve wound up organizing anywhere from twenty to thirty people. Everyone did their part to help. But the first night, I watched while one of the crew put up tarps to cover the kitchen area. After a day or two, the tarps slipped, the ropes came undone, and water poured off into our camp kitchen. After a full day of croc capture, Steve came back into camp that evening. He made no big deal about it. He saw what was going on. I watched him wordlessly shimmy up a tree, retie the knots, and resecure the tarps. What was once a collection of saggy, baggy tarps had been transformed into a well-secured roof. Steve had the smooth and steady movements of someone who was self-assured after years of practice. He’d get into the boat, fire up the engine, and start immediately. There was never any hesitation. His physical strength was unsurpassed. He could chop wood, gather water, and build many things with an ease that was awkwardly obvious when anybody else (myself, for example) tried to struggle with the same task. But when I think of all his bush skills, I treasured most his way of delivering up the natural world. On that croc research trip in the winter of 2006, Steve presented me with a series of memories more valuable than any piece of jewelry.
Terri Irwin (Steve & Me)
I'll apologize," he said, "for the poor timing. And the sorry lack of forethought in not making my interest known. But no' for kissin' you, Leilani. Or, more t' the point, for wantin' to." He stopped, hearing the accent of his childhood creeping back into his words. He smiled broadly then, to cover how much that little backside had shaken him, knowing full well he was relying on his infamous rapscallion grin that had, from a very young age, gotten him out of countless scrapes and sticky situations. For a very long time, it had been the only thing he'd had going for him. Leilani would not likely be swayed... but it was a defense mechanism he couldn't override at the moment. "It wasn't exactly how I'd imagined it, but I promise you, I'm nothing if not diligent when trying to perfect something new. " She said nothing to that. Keeping the smile in place suddenly took quite a bit of work, so he turned and opened the door. "You imagined kissing me?" He jerked his gaze back to hers, his grin broadening further, without the least bit of calculation this time. "It's been the centerpiece of some of my very best daydreams." He wisely left unspoken the far more vivid ones he'd had at night.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
Osh, we are going to have to tie you up and torture you. Sorry." "Really?" He stood and removed his top hat, a broad grin splitting his perfect face. With the enthusiasm of a virgin at a brothel, he slapped his hands together and rubbed them in anticipation. "Where do you want me?" "That chair will be fine. Just scoot it to the middle of the room." Cookie's office wasn't huge, but it was big enough to tie Osh up and torture him. Gemma's eyes rounded in concern when Osh sat down and Garrett began the bondage process. Was it wrong that I had a hankering for gay porn at that moment? I walked over to them to make sure Garrett's knots were inescapable. But inescapable to a human and inescapable to a Daeva were two very different things. Osh could most likely get out of pretty much any sticky situation, but if it did nothing else, it would damned sure slow him down. Garrett's handiwork made certain of that. Osh grinned up at me. "You gonna do the deed, sugar? You gonna hurt me?
Darynda Jones (The Trouble with Twelfth Grave (Charley Davidson, #12))
I knew that Bill Campbell would be the critical person I’d need to persuade one way or another. Bill was the only one of our board members who had been a public company CEO. He knew the pros and cons better than anyone else. More important, everybody always seemed to defer to Bill in these kinds of sticky situations, because Bill had a special quality about him. At the time, Bill was in his sixties, with gray hair and a gruff voice, yet he had the energy of a twenty-year-old. He began his career as a college football coach and did not enter the business world until he was forty. Despite the late start, Bill eventually became the chairman and CEO of Intuit. Following that, he became a legend in high tech, mentoring great CEOs such as Steve Jobs of Apple, Jeff Bezos of Amazon, and Eric Schmidt of Google. Bill is extremely smart, super-charismatic, and elite operationally, but the key to his success goes beyond those attributes. In any situation—whether it’s the board of Apple, where he’s served for over a decade; the Columbia University Board of Trustees, where he is chairman; or the girls’ football team that he coaches—Bill is inevitably everybody’s favorite person. People offer many complex reasons for why Bill rates so highly. In my experience it’s pretty simple. No matter who you are, you need two kinds of friends in your life. The first kind is one you can call when something good happens, and you need someone who will be excited for you. Not a fake excitement veiling envy, but a real excitement. You need someone who will actually be more excited for you than he would be if it had happened to him. The second kind of friend is somebody you can call when things go horribly wrong—when your life is on the line and you only have one phone call. Who is it going to be? Bill Campbell is both of those friends.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
school was dismissed that day, I ended up staying an extra thirty minutes because I got duct taped to the lockers in one of the empty corners of the school. When I finally managed to free myself from the sticky situation (see what I did there?),
Marcus Emerson (Extra Large Soda Jerk (Secret Agent 6th Grader, #3))
Today my friend Julie let me bring her dinner. Her husband, Doug, had two very scary seizures in the last two days, and a zillion tests and scans and appointments with neurologists. They had just come home from the hospital, and they were sitting on the front porch when I drove up, and Lilly, their three-year-old, was riding her big-girl bike on the sidewalk in her pink underpants. It was ninety-four degrees today, and they were exhausted. Being with them made me think about the idea that everything is okay. That idea is cruel in its untruth. The bottom just falls out sometimes, and nobody is exempt. I can’t take away the seizures or tell Lilly that it’s never going to happen again, although I would if I could. But I can be there, and I can feed them, and I can listen to their stories, of funny things the doctors said, and the strange and infuriating things family members invariably say in tense situations. I can sit in silence in the heat and stillness of a sticky June night, knowing that everything is not okay, but that this tiny moment is.
Shauna Niequist (Savor: Living Abundantly Where You Are, As You Are (A 365-Day Devotional))
THIRSTY. Sand in the throat. Eyes won’t open. Or maybe they do. Total darkness. Engine roar. I sense someone standing over me. “Terese . . .” I think I say it out loud, but I’m not sure.       NEXT snippet of memory: voices. They seem very far away. I don’t understand any of the words. Sounds, that’s all. Something angry. It gets closer. Louder. In my ear now. My eyes open. I see white. The voice keeps repeating the same thing over and over. Sounds like “Al-sabr wal-sayf.” I don’t understand. Gibberish maybe. Or a foreign language. I don’t know. “Al-sabr wal-sayf.” Someone is shouting in my ear. My eyes squeeze shut. I want it to stop. “Al-sabr wal-sayf.” The voice is angry, incessant. I think I say I’m sorry. “He doesn’t understand,” someone says. Silence.       PAIN in my side. “Terese . . . ,” I say again. No reply. Where am I? I hear a voice again, but I can’t understand what it’s saying. Feel alone, isolated. I’m lying down. I think I’m shaking.       “LET me explain the situation to you.” I still can’t move. I try to open my mouth, but I can’t. Open my eyes. Blurry. Feels like my entire head is wrapped in thick, sticky cobwebs. I try to scrape the cobwebs away. They stay. “You used to work for the government, didn’t you?” Is the voice talking to me? I nod but stay very still. “Then you know places like this exist. That they’ve always existed. You heard the rumors, at the very least.” I never believed the rumors. Maybe after 9/11. But not before. I think I say no but that might just be in my head.
Harlan Coben (Long Lost (Myron Bolitar, #9))
It's a lousy Napoleon cake. The cream should be a pale yellowish white and light, but this one is feverish yellow and sticky. I eat just the top and leave the rest on the plate. I ought to complain, hold the cake up in front of the lady at the counter and say: "This is a cheap imitation, I want my money back." But I have never done that. I have never complained about anything except badly written books and the world situation, and you don't get your money back when little Nepalese girls are sold by their families to brothels in Bangkok, or because the World Bank refuses to waive cruel loans to Uganda. On the contrary. And lousy books; they just look at you and say: "Why don't you write one yourself, then?
Per Petterson (In the Wake)
JIM COULTER: One of the challenges in the investment business is what I’ll call uncommon wisdom. Common wisdom is what people think about a situation; it’s usually not that valuable because it’s something everybody sees. What is valuable is if you find uncommon wisdom, which is where you see something that the rest of the world sees one way and you see a different way. So when I first ran into CAA, my reaction was actually common wisdom that Hollywood agencies might be difficult to invest in, because they’re people businesses, and maybe not great stewards of capital. What surprised me is the deeper I looked, the more uncommon wisdom showed up, and things that I might have expected to be true weren’t necessarily the case. In 2010, when we first looked at the company, their sports business was still new, still in start-up phase, and still in cash flow negative. We looked at that business and could say, “Here’s something that represents a breakout opportunity for this business.” Concert touring was a much bigger business than I would have expected from the outside, and the strength of the TV business was stronger than I would have expected. The stickiness of CAA’s businesses and the resilience of their businesses were much stronger than I expected. The light went off for me that this is not only an agency; it is a content play because of their extraordinary access to a very large pool of content. As the value of content increases around the world, an investment in CAA would be the most diversified and interesting way to be in that marketplace.
James Andrew Miller (Powerhouse: The Untold Story of Hollywood's Creative Artists Agency)
I like planned parenthood. I support the woman's right to choose if she wants to murder her future baby. I do feel for the janitor though, this one time he was taking out the trash filled with all of the dead baby bodies... (I mean let's face it, that's where they put them. So let's be mature about this please. No laughter or funny comments. These are dead babies we’re talking about,) Anyways, the bag ripped, and squish! All the heads, torsos, everything oozed out of the bag. He was trying to mop up all the placenta juices and bodies when he slipped. It looked like a 3-Stooges bit. He had stepped on one skull for traction, and had another foot jammed so far up a stillborn's ribcage, it looked like he was wearing a shoe. He was mopping it up when someone's dog broke its leash and came running to slurp up the mess. Oh the horror! That dog must have ate at least 3 or 4 babies that day. Talk about a sticky situation! Rape is bad... But... Sometimes girls rape guys too. I'll give you an example. Anytime a guy wants to have sex, and the girl says no, she's raping the guy into not having sex. See if you can follow me here, the guy doesn't want to not have sex, but he's forced... Against his will... To not fuck her. If that's not reverse rape I don't know what is. And nobody is talking about it! Obviously it is a less extreme form of rape, but it's equal because it's much more common. You know who I feel sorry for? You guessed it: White men.
Mike Sov (I Like Poop)
The disparity of their desserts was beyond anything Emma could have imagined. Blinking back tears, she put a raisin in her mouth, chewed, and swallowed—repeating the process until the gross, sticky box was empty, her disgust rendered bearable by the feeling that struck in situations of unfairness: a feeling that her life was a movie and the audience was God, and a faith in knowing her grace and fortitude in this moment would not go unnoticed.
Kate Greathead (Laura & Emma)
While the family and servants gathered reverently to view the magnificent creation, Kathleen took West’s arm and tugged him out of the room. “Something is going on here,” she said. “I want to know the real reason why the earl has invited Mr. Winterborne.” They stopped in the space beneath the grand staircase, behind the tree. “Can’t he show hospitality to a friend without an ulterior motive?” West parried. She shook her head. “Everything your brother does has an ulterior motive. Why has he invited Mr. Winterborne?” “Winterborne has his finger in many pies. I believe Devon hopes to benefit from his advice, and at some future date enter into a business deal with him.” That sounded reasonable enough. But her intuition still warned that there was something fishy about the situation. “How did they become acquainted?” “About three years ago, Winterborne was nominated for membership at two different London clubs, but was rejected by both of them. Winterborne is a commoner, his father was a Welsh grocer. So after hearing the sniggering about how Winterborne had been refused, Devon arranged to have our club, Brabbler’s, offer a membership to him. And Winterborne never forgets a favor.” “Brabbler’s?” Kathleen repeated. “What an odd name.” “It’s the word for a fellow who tends to argue over trifles.” West looked down and rubbed at a sticky spot of sap on the heel of his hand. “Brabbler’s is a second-tier club for those who aren’t allowed into White’s or Brooks’s, but it includes some of the most successful and clever men in London.” “Such as Mr. Winterborne.” “Just so.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))