Steve Keen Quotes

We've searched our database for all the quotes and captions related to Steve Keen. Here they are! All 34 of them:

…when the person beside you is making you alert and keen and the idea of being with anyone else is not imaginable…
Steve Martin (An Object of Beauty)
...If you look at mainstream economics there are three things you will not find in a mainstream economic model - Banks, Debt, and Money. How anybody can think they can analyze capital while leaving out Banks, Debt, and Money is a bit to me like an ornithologist trying to work out how a bird flies whilst ignoring that the bird has wings...
Steve Keen
Engineers do engineering, i.e. they build bridges. So engineering needs engineers. The economy does NOT need economists. Economists do not make economy, but they try it and that is why we have so much problems with some financial models.
Steve Keen
I am often asked what I would keep of Neoclassical economics in a new paradigm. My answer is that I would keep as much of Neoclassical economics as modern astronomy kept of Ptolemaic astronomy – which is to say, nothing at all.
Steve Keen (The New Economics: A Manifesto)
The position I now favor is that economics is a pre-science, rather like astronomy before Copernicus, Brahe and Galileo. I still hold out hope of better behavior in the future, but given the travesties of logic and anti-empiricism that have been committed in its name, it would be an insult to the other sciences to give economics even a tentative membership of that field.1
Steve Keen (Debunking Economics: The Naked Emperor Dethroned?)
Have you heard the joke about the chemist, physicist and economist who get wrecked on a desert isle, with a huge supply of canned baked beans as their only food? The chemist says that he can start a fire using the neighbouring palm trees, and calculate the temperature at which a can will explode. The physicist says that she can work out the trajectory of each of the baked beans, so that they can be collected and eaten. The economist says "Hang on guys, you're doing it the hard way. Let's assume we have a can opener.
Steve Keen (Debunking Economics: The Naked Emperor Dethroned?)
A period of tranquil growth thus leads to rising expectations, and a tendency to increase leverage: as Minsky put it in his most famous sentence, ‘Stability – or tranquility – in a world with a cyclical past and capitalist financial institutions is destabilizing’ (1978, p. 10).
Steve Keen (Can We Avoid Another Financial Crisis? (The Future of Capitalism))
As Thorstein Veblen correctly surmised over a century ago, the failure of economics to become an evolutionary science is the product of the optimizing framework of the underlying paradigm, which is inherently antithetical to the process of evolutionary change. This is the primary reason why the neoclassical mantra that the economy must be perceived as the outcome of the decisions of utility-maximizing individuals must be squarely rejected.
Steve Keen (Adbusters #84 Pop Nihilism)
Looking back on the fifty years since I first became aware of its flaws, the word that summarizes my feelings about Neoclassical economics today is that it is, as Marx once described the proto-Neoclassical Jean-Baptiste Say, ‘dull’ [...] Its vision of capitalism at its best is a system manifesting the harmony of equilibrium, where everyone is paid their just return (their ‘marginal product’), growth is occurring smoothly at a rate that maximizes social utility through time, and everyone is motivated by consumption – rather than accumulation and power – because, to quote Say, ‘the producers, though they have all of them the air of demanding money for their goods, do in reality demand merchandise for their merchandise’ [...] What a bland picture of the complex, changing world in which we live!
Steve Keen (The New Economics: A Manifesto)
We should look closely on what is happening at the moment, guys with little moustaches can pop up everywhere now given this instable economic situation. A look into history shows us what that could mean.
Steve Keen
Life managed without males for its first billion years, much of which was passed as single cells in a series of warm ponds. Then, in some ancient and neutral Eden, the fruit of the tree of sexual knowledge - a new mutation - persuaded members of a particular clone to fuse with cells from another, and then to divide. That ingenious idea is good news for the novel gene, as it doubles its rate of spread, but is a lot less so for those who receive it, who are obliged to copy the extra DNA. At once, two factions emerge, one keen to force itself upon the other. Thus sex was invented. Soon one contestant began to cheat. Large cells are expensive, but are better at dividing because they have more food reserves. Small cells are cheaper to make, but cannot afford to split. Their sole chance of success hence lies in fusion with a large cell. The first males had appeared on the scene.
Steve Jones (Y: The Descent of Men)
The fallacy that dynamic processes must be modeled as if the system is in continuous equilibrium is probably the most important reason for the intellectual failure of neoclassical economics. Mathematics, science and engineering developed tools long ago to model outside of equilibrium processes. This dynamic approach to thinking about the economy should become second nature to economists.
Steve Keen (Adbusters #84 Pop Nihilism)
with Jobs, he became a keen observer of the phenomenon. “The reality distortion field was a confounding mélange of a charismatic rhetorical style, indomitable will, and eagerness to bend any fact to fit the purpose at hand,” he said. There was little that could shield you from the force, Hertzfeld discovered. “Amazingly, the reality distortion field seemed to be effective even if you were acutely aware
Walter Isaacson (Steve Jobs)
From this failure to expunge the microeconomic foundations of neoclassical economics from post-Great Depression theory arose the "microfoundations of macroeconomics" debate, which ultimately led to a model in which the economy is viewed as a single utility-maximizing individual blessed with perfect knowledge of the future. Fortunately, behavioral economics provides the beginnings of an alternative vision of how individuals operate in a market environment, while multi-agent modelling and network theory give us foundations for understanding group dynamics in a complex society. These approaches explicitly emphasize what neoclassical economics has evaded: that aggregation of heterogeneous individuals results in emergent properties of the group, which cannot be reduced to the behavior of any "representative individual." These approaches should replace neoclassical microeconomics completely.
Steve Keen (Adbusters #84 Pop Nihilism)
This resulted in a model of the macroeconomy as consisting of a single consumer, who lives for ever, consuming the output of the economy, which is a single good produced in a single firm, which he owns and in which he is the only employee, which pays him both profits equivalent to the marginal product of capital and a wage equivalent to the marginal product of labor, to which he decides how much labor to supply by solving a utility function that maximizes his utility over an infinite time horizon, which he rationally expects and therefore correctly predicts. The economy would always be in equilibrium except for the impact of unexpected ‘technology shocks’ that change the firm’s productive capabilities (or his consumption preferences) and thus temporarily cause the single capitalist/worker/consumer to alter his working hours. Any reduction in working hours is a voluntary act, so the representative agent is never involuntarily unemployed, he’s just taking more leisure. And there are no banks, no debt, and indeed no money in this model. You think I’m joking? I wish I was.
Steve Keen (Debunking Economics: The Naked Emperor Dethroned?)
It was on the first day of spring that Big Steve and I saw Shelly Carpenter giving head to the hairy man.
Brian Keene (Dark Hollow)
Along with John and Judi, we took a big risk and started filming on the movie before we had a contract signed with MGM. There didn’t seem to be any choice. I imagined all the insurance underwriters across the world reacting to the phrase “live crocodiles.” Those two words would be enough to blow them right out of their cubicles. So we began shooting with our zoo crocodiles, but without signatures on the dotted line for the movie. A particular scene in the script--and a good example of an insurance man’s nightmare--had a crocodile trying to lunge into a boat. Only Steve’s expertise could make this happen, since the action called for Steve and me to be in the boat at the time. If the lunging crocodile happened to hook his head over the edge of the boat, he would tip us both into the water. That would be a one-way trip. “How are you going to work it?” I asked Steve. “Get the crocs accustomed to the dinghy first,” he said. “Then I’ll see if I can get them interacting with me while I’m in the boat.” First he tried Agro, one of our biggest male crocs. Agro was too wary of the boat. He’s a smart crocodile. I think he remembered back when he was captured. He didn’t want any of it. We decided to try with our friend Charlie. Charlie had been very close to ending up at a farm, his skin turned into boots, bags, and belts. He definitely had attitude. He spent a lot of his time trying to kill everything within range. Steve felt good about the possibility of Charlie having a go. Because he was filming a movie and not shooting a documentary, John had a more complex setup than usual, utilizing three thirty-five-millimeter cameras. Each one would film in staggered succession, so that the film magazine changes would never happen all at once. There would never be a time when film was not rolling. We couldn’t very well ask a crocodile to wait while a fresh mag was loaded into a camera. “You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.” Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe.
Terri Irwin (Steve & Me)
You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.” Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe. We stepped into the dinghy, which was moored in Charlie’s enclosure, secured front and back with ropes. Charlie came over immediately to investigate. It didn’t take much to encourage him to have a go at Steve. Steve grabbed a top-jaw rope. He worked on roping Charlie while the cameras rolled. Time and time again, Charlie hurled himself straight at Steve, a half ton of reptile flesh exploding up out of the water a few feet away from me. I tried to hang on precariously and keep the boat counterbalanced. I didn’t want Steve to lose his footing and topple in. Charlie was one angry crocodile. He would have loved nothing more than to get his teeth into Steve. As Charlie used his powerful tail to propel himself out of the water, he arched his neck and opened his jaws wide, whipping his head back and forth, snapping and gnashing. Steve carefully threw the top-jaw rope, but he didn’t actually want to snag Charlie. Then he would have had to get the rope off without stressing the croc, and that would have been tricky. The cameras rolled. Charlie lunged. I cowered. Steve continued to deftly toss the rope. Then, all of a sudden, Charlie swung at the rope instead of Steve, and the rope went right over Charlie’s top jaw. A perfect toss, provided that had been what Steve was trying to do. But it wasn’t. We had a roped croc on our hands that we really didn’t want. Steve immediately let the rope go slack. Charlie had it snagged in his teeth. Because of Steve’s quick thinking and prompt maneuvering, the rope came clear. We breathed a collective sigh of relief. Steve looked up at the cameras. “I think you’ve got it.” John agreed. “I think we do, mate.” The crew cheered. The shoot lasted several minutes, but in the boat, I wasn’t sure if it had been seconds or hours. Watching Steve work Charlie up close had been amazing--a huge, unpredictable animal with a complicated thought process, able to outwit its prey, an animal that had been on the planet for millions of years, yet Steve knew how to manipulate him and got some fantastic footage. To the applause of the crew, Steve got us both out of the boat. He gave me a big hug. He was happy. This was what he loved best, being able to interact and work with wildlife. Never before had anything like it been filmed in any format, much less on thirty-five-millimeter film for a movie theater. We accomplished the shot with the insurance underwriters none the wiser. Steve wanted to portray crocs as the powerful apex predators that they were, keeping everyone safe while he did it. Never once did he want it to appear as though he were dominating the crocodile, or showing off by being in close proximity to it. He wished for the crocodile to be the star of the show, not himself. I was proud of him that day. The shoot represented Steve Irwin at his best, his true colors, and his desire to make people understand how amazing these animals are, to be witnessed by audiences in movie theaters all over the world. We filmed many more sequences with crocs, and each time Steve performed professionally and perfected the shots. He was definitely in his element. With the live-croc footage behind us, the insurance people came on board, and we were finally able to sign a contract with MGM. We were to start filming in earnest. First stop: the Simpson Desert, with perentie lizards and fierce snakes.
Terri Irwin (Steve & Me)
You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.” Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe.
Terri Irwin (Steve & Me)
I saw our familiar stomping ground in Windorah through the eyes of our American visitors, who were as astounded as I had been at Steve’s ability to bring the desert to life. We searched and searched for fierce snakes, but to no avail. Then Steve’s sixth sense kicked in. At five thirty one morning, after days of fruitless searching, he said, “Hurry up, let’s get going.” Our Dateline host was keen. This was what she’d traveled halfway around the world to see. “Where are we heading?” she asked. “We’ve got to get out on the black soil plains,” Steve said. “We are going to see a fierce snake at seven thirty.” The host looked a bit surprised. Even I teased him. “Oh, yeah, seven thirty, Stevo, we are going to see a fierce snake at exactly seven thirty, right.” But off we trundled to the black soil plains, camera crew, host, Winnebago, Ute--the whole convoy. Steve scanned the landscape. I monitored the temperature (and the clock). Seven thirty came and went. “So, we’re going to see a fierce snake at seven thirty?” I said. “Let’s see, oh, yes, it is seven thirty, and where might the fierce snake be?” After a little bit of teasing, Steve gave a good-natured grin, but then a look of determination passed over his face. No lie: Precisely at 7:32, he spotted a fierce snake. We ended up filming not one but two that morning. The rest of the NBC crew looked upon Steve with new respect. This guy says we’re going to see a snake at seven thirty and he’s off by two minutes? They were checking their watches and shaking their heads. Always give Steve the benefit of the doubt in the bush. I had learned that lesson before, the last time we had tailed fierce snakes on the black soil plains. But his ability to sense wildlife continued to strike me as uncanny.
Terri Irwin (Steve & Me)
Her whole body shook as big, fat drops slid down her cheeks. Mortified, she covered her face as though she could hide her wailing. Strong arms enveloped her and Mitch pulled her close. She gave one thought to protest, and then sank into the warm, solid strength of his chest. He was big and broad, so different from what she was used to. The thought made her cry harder. She should push him away, but instead she curled closer. Needing him. She was the most wicked kind of woman. There’d be no escaping hell now. All those years of penance washed away by one night of rash behavior. Mitch kissed her temple, rubbing his hands over her bare skin. That he let her cry, and didn’t start lecturing her on emotional outbursts, made her want to crawl into him and never let go. He swayed them both, murmuring nonsense and tracing slow, soothing circles over her back. “Come on now, Princess. Tell me what’s wrong so I can help you.” She hiccupped into his shirt while she clung to him as though he were her life vest on a sinking ship. A great gush of air was followed by a hiccup. She blurted her very pressing and very embarrassing need. “I-I h-have to go to the b-b-bathroom.” The gentle sway stopped. A rumble in his chest was followed by a cough. He was trying not to laugh. The jerk. She sobbed harder: great heaping wails straight from the pit of her stomach. Now that she was on a roll, she keened pitifully, “A-and m-m-y f-feet hurt.” “It’s okay.” His tone was most definitely amused. “Why didn’t you go?” Now came the worst confession. “M-my dress i-is too b-big.” “Well, take it off.” Did he think she was an idiot? “I c-can’t get it off.” With a fresh batch of hysterics, her shoulders trembled as she buried her face in his T-shirt, now wet with tears. No one at the store had mentioned she’d need a crew of people to go to the bathroom, and now a stranger had to undress her. She hiccupped. They really should mention these kinds of details at the time of purchase. He ran his fingers down a million tiny buttons from the blades of her shoulders to the curve of her ass. “It’s okay. We can take care of this.” “B-but,” she cried. The thought almost unbearable. She was being tested. How was she supposed to be good when she had to disrobe in front of the most gorgeous man alive? “You’ll s-see me almost n-naked.” When he said nothing, fresh tears welled in her eyes. He probably thought she was propositioning him. Surely women threw themselves at him all the time. He rubbed her bare arms. “I’m thirty-four, Princess. I’ve seen a naked woman before.” “But you haven’t seen me.” No one had seen her—well, except Steve, but he hardly even counted. “I’m twenty-eight, and only one guy has seen me. And he isn’t like you. Why can’t you be someone else?” “Like who?” He trailed a path over her bare skin, creating a rush of tingles up and down her spine. She burrowed closer, some of her hysterics finally calming as his soothing but intoxicating presence worked its charm. “You’re not Mister Rogers, you know.” “You can trust me, Maddie. I won’t attack.” Ha!
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Neoclassical economics has effectively insulated itself from the great advances made in science and engineering over the last 40 years. This self-imposed isolation must come to an end. For while the concepts of neoclassical economics appear difficult, they are actually quaint in comparison to the sophistication evident in today's mathematics, engineering, computing, evolutionary biology and physics. In order to advance, economics must humbly submit to learning from disciplines that it has studiously ignored for so long. Some researchers in outside fields have called for the wholesale replacement of standard economics curricula, using at least the building blocks of modern thought inherent in other disciplines.
Steve Keen (Adbusters #84 Pop Nihilism)
Economics also has to become a fundamentally monetary discipline—from the consideration of how individuals make market decisions through to our understanding of macroeconomics. The myth of "the money illusion" (which can only be true in a world without debt) has to be immediately dispelled, while our macroeconomics have to reflect a monetary economy in which nominal magnitudes matter, precisely because they are the link between the value of current output and the financing of accumulated debt. The dangers of excessive debt and deflation simply cannot be comprehended from a neoclassical perspective. The discipline must also become fundamentally empirical, in contrast to the faux empiricism of econometrics. By this I mean basing itself on the economic and financial data first and foremost—the collection and interpretation of which has been the hallmark of contributions by econophysicists—and by respecting economic history, a topic which has been systematically expunged from economics departments around the world.
Steve Keen (Adbusters #84 Pop Nihilism)
An essential pedagogic step here is to relegate the teaching of mathematical methods in economics to mathematics departments. Any mathematical training in economics, if it occurs at all, should come after students have at the very least completed course work in basic calculus, algebra and differential equations (the last being one about which most economists are woefully ignorant). This simultaneously explains why neoclassical economists obsess too much about proofs and why non-neoclassical economists, like those in the Circuit School, experience such difficulties in translating excellent verbal ideas about credit creation into coherent dynamic models of a monetary production economy.
Steve Keen (Adbusters #84 Pop Nihilism)
He heard someone say, “it’ s a good thing…ah… Steve here is a vegetable on life support and brain dead. Can you imagine what it would be like to harvest all his organs while he was alive?” The high keening sound of the surgeon’s saw obliterated Steve’s final attempt to scream as the precision blade cut through his breastbone like warm butter.
Billy Wells (In Your Face Horror- Volume 1)
As an example, shifting your pencil from one side of your desk to the other today could change the gravitational forces on Jupiter enough to shift its position from one side of the Sun to the other a billion years from now. The unpredictability of the solar system over very long times is of course ironic since this was the prototypical system that inspired Laplacian determinism. (Tremaine, 2011)
Steve Keen (Can We Avoid Another Financial Crisis? (The Future of Capitalism))
... capitalism encourages risk-taking and optimism, which in turn leads to innovation that transforms both production and society itself... However, innovation and growth generate a milieu of pervasive uncertainty: since the process of innovation itself transforms the future, there is no capacity for a rational anticipation of it.
Steve Keen (Can We Avoid Another Financial Crisis? (The Future of Capitalism))
A quiet ego is about keeping ourself in balance—coming to terms with the need for confidence, but being keenly aware of the strengths and weaknesses of ourselves and our situation. It’s being open and receptive to others, instead of defensive and closed off. It’s having the ability to zoom out, gain perspective, and understand that a short-term loss is often part of a long-term gain. How do we quiet our ego? Ask: What causes you to sting, ruminate, and pull away? What causes you to default toward defensiveness? Do you dismiss criticism out of hand, or do you consider and evaluate it? What you’re after is a dash of self-awareness and reflection combined with a secure sense of who you are. A bit of doubt and insecurity is normal. Too much defensiveness and protection are signs your ego’s too loud.
Steve Magness (Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness)
A common trait among excellent leaders like Apple’s Steve Jobs, Microsoft’s Bill Gates, Facebook’s Mark Zuckerberg, and Amazon’s Jeff Bezos is that they possessed a keen ability to “pitch” incredible questions.
Isaac You (Question Intelligence: The questions to maximize your potential and accelerate your innovation)
We managed to steer clear of all such pitfalls. If I were to take a stab at explaining the why, I would say that our clarity of purpose kept us on track, in much the same way that Vince Lombardi won football games and Steve Jobs pushed us to make a speedy first version of Safari. Since our focus on making great products never wavered—if for no other reason than that’s what Steve demanded—perhaps concentrating keenly on what to do helped us to block out what not to do.
Ken Kocienda (Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs)
We lost not a single animal that night. Every last duck, koala, and roo turned up fine, healthy, and accounted for. After three months, as Wes’s wounds healed up completely, Steve went to him with a proposition. “What do you reckon, Wes,” he said, “are you up for a board meeting?” They grabbed their surfboards, and we all headed to the Fiji Islands. Tavarua was an exclusive atoll, beautiful, with great surf. Steve and Wes also surfed Namotu and caught some unbelievable waves. One day the face of the waves coming in had to have been sixteen feet plus. Just paddling out to the break was epic. I didn’t realize how much effort it took until we had a guest with us, a young lady from Europe who was a mad keen surfer. Steve paddled out to catch some waves, and she paddled out after him. After several minutes, it became apparent that she was having trouble. We idled the boat closer and pulled her in. She collapsed in complete exhaustion. The current had been so strong that, even paddling as hard as she could, she was able only to hold her own in the water. I tried to photograph Steve from the boat. Peter, the captain, very obligingly ran up the side of the wave exactly at the break. I had a great side angle of Steve as he caught each wave. But the whole process scared me. The boat rose up, up, up on the massive swell. As the green water of the crest started to lip over the boat, we crashed over the top, smashed into the back of the wave, and slid down the other side. “It’s okay,” I yelled to Captain Peter. “What?” he shouted, unable to hear as the boat pounded through the swell. “What’s okay?” I gestured back toward the shore. “I don’t need such…incredibly…good…shots,” I stuttered. I just wasn’t confident enough to take photographs while surfing in a boat. I decided to be more of a beach bunny, filming beach breaks or shooting the surfing action from the safety and stability of the shoreline.
Terri Irwin (Steve & Me)
The enclosure next to the dingoes held Graham the crocodile. Wes, Steve, and other staff battled the flood in Graham’s home. One man stood on the fence to spot the croc. He had to shout to Wes and Steve as they cleared the fence line inside the enclosure in waist-deep, dark waters. With the vehicle spotlights casting weird shadows, he had to scope out the murky water and try to discern the crocodile from among the floating bits of debris. Once the backup man had the crocodile pegged, he kept a close eye on him. If Graham submerged, Wes and Steve had to be warned immediately. The spotter worked hard to keep a bead on Graham. Steve and Wes were synchronized with their every move. They had worked together like this for years. They didn’t even have to speak to each other to communicate. There was no room for error as the amount of time spent in Graham’s enclosure was kept to a minimum. They jumped into the enclosure, cleared on, two, three armloads of debris, then jumped back out and re-evaluated the situation. Graham’s fence line had a bow in it, but it wasn’t in any danger of buckling. Steve and Wes were doing a good job, and there was no need for me to be there with them. It was more urgent for me to keep the dingo fence line intact next door. Graham’s female, named Bindi, was nesting, and this added another dangerous dimension to the job, since Graham was feeling particularly protective. The men were also keenly aware that nighttime meant croc time--and Graham would be stalking them with real intent. They reached down for their three armloads of debris. Steve scooped up his first load, flung it out, and gathered his second. Suddenly, Wes slammed into the fence with such force that his body was driven in an arc right over the top of Steve. It only took a split second for Steve to realize what had happened. As Wes had bent over to reach for an armload of debris, he had been hit from behind by more than twelve feet of reptile, weighing close to nine hundred pounds. Graham grabbed Wes, his top teeth sinking into Wes’s bum, his bottom teeth hooking into the back of Wes’s thigh, just above his knee. The croc then closed his mouth, exerting that amazing three thousand pounds per square inch of jaw pressure, pulling and tearing tissue as he did. The croc hit violently. Wes instinctively twisted away and rolled free of Graham’s jaws, but two fist-sized chunks were torn from his backside. The croc instantly swung in for another grab. Wes pushed the lunging croc’s head away, but not before Graham’s teeth crushed through his finger. They crashed back down into the water. Wes screamed out when he was grabbed, but no one could hear him because of the roar of the storm. In almost total darkness, Steve seized a pick handle that rested near the fence. He turned toward the croc as Graham was lining Wes up for another bite. Wes was on his side now, in water that was about three feet deep. He could see the crocodile in the lights of a Ute spotlight that shone over the murk--the dark outline of the osteodermal plates along the crocodile’s back. As Graham moved in, Wes knew the next bite would be to his skull. It would be all over. Wes braced himself for the inevitable, but it didn’t come. Steve reached into the water and grabbed Graham’s back legs. He didn’t realize that Graham had released Wes in preparation for that final bite. He thought Graham was holding Wes under the water. Steve pulled with all his strength, managing to turn the crocodile around to focus on him. As Graham lunged toward Steve, Steve drove the pick handle into the crocodile’s mouth and started hammering at his head. Wes saw what was happening and scrambled up the fence. “I’m out mate, I’m out,” Wes yelled, blood pouring down his leg. Steve looked up to see Wes on the top of the fence. He realized that even though Wes was wounded, he was poised to jump back down into the water to try to rescue his best mate.
Terri Irwin (Steve & Me)
As everyone gathered on the lush grounds of Robert Mercer’s estate was keenly aware, the Mercer family had given away more than $77 million to conservative politicians and organizations since 2008.
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
When we choose to ignore or suppress, we first have to direct our attention to a thought or sensation, signaling to our brain that it must be important. If we actively try to push it away or ignore it, we’re doubling down. Our brain doesn’t receive the signal that we should move on. It gets the message that something important must be in this signal, so it amplifies it. Anyone who has told either themselves or others to “chill out” or “just forget about it” is keenly aware of this phenomenon. Ignoring, avoiding, and suppressing backfire.
Steve Magness (Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness)