“
You really saw some?" Liz said an hour later. Sure, we had the stereo blaring and the shower running, but Liz still whispered, "They really...exist?"
"Liz," I whispered back, "they're not unicorns."
"No," Bex said flatly, "they're boys. And they're...good.
”
”
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
“
I’m forever near a stereo saying, ‘What the fuck is this garbage?’ And the answer is always the Red Hot Chili Peppers.
”
”
Nick Cave
“
I love the way music inside a car makes you feel invisible; if you play the stereo at max volume, it's almost like the other people can't see into your vehicle. It tints your windows, somehow.
”
”
Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)
“
We come from a generation of people who need their TV or stereo playing all the time. These people so scared of silence. These soundaholics, these quietophobics.
”
”
Chuck Palahniuk (Lullaby)
“
Reading was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I'd keep the book hidden so I could read during class. Before long I bought a small stereo and spent all my time in my room, listening to jazz records. But I had almost no desire to talk to anyone about the experience I gained through books and music. I felt happy just being me and no one else. In that sense I could be called a stack-up loner.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
Music is crucial. Beyond no way can I overstress this fact. Let's say you're southbound on the interstate, cruising alone in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you--do you want to be hearing another radio commercial for a mega, clearance, closeout, blow-out liquidation car-stereo sale?
”
”
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
“
Q: What’s hard for you?
A: Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane. Math is hard. Reading a map. Following orders. Carpentry. Electronics. Plumbing. Remembering things correctly. Straight lines. Sheet rock. Finding a safety pin. Patience with others. Ordering in Chinese. Stereo instructions in German.
”
”
Tom Waits
“
You turn up your music to hide the noise. Other people turn up their music to hide yours. You turn up yours again. Everyone buy s a bigger stereo system. This is the arms race of sound. You don't win with a lot of treble.
”
”
Chuck Palahniuk (Lullaby)
“
I pop a cassette into the Buick's stereo. It's the Ramones. I turn the volume up high and roll down the windows. The highway air tastes of fumes, but it still feels goddamn good to breathe
”
”
Hank Moody (God Hates Us All)
“
Hello, boys and girls. Hannah Baker here. Live and in stereo. No return engagements. No encore. And this time, absolutely no requests. I hope you’re ready, because i’m about to tell you the story of my life. More specifically, why my life ended. And if you’re listening to theses tapes, you’re one of the reasons why.
Now, why would a dead girl lie?
”
”
Jay Asher (Thirteen Reasons Why)
“
Got any mood music?”
“If you press Play on the stereo you’re going to hear Miley Cyrus.”
“I don’t know who that is.”
“Count your blessings.
”
”
Tere Michaels (Faith & Fidelity (Faith, Love, & Devotion, #1))
“
It was one of those moments that would have had dramatic music if my life were a movie, but instead I got a radio jingle for some kind of submarine sandwich place blaring over the store's ambient stereo. The movie ofmy life must be really low-budget.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
Oh, I should probably set a few ground rules before we do this.”
“Oh?” I turn at the waist and look at him curiously. “What kind of ground rules?”
He smiles.
“Well, number one: my car, my stereo; I’m sure I don’t need to elaborate on that.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Nyaman adalah berbagi waktu tanpa perlu merasa canggung. Nyaman adalah menikmati keberadaan masing-masing, walau yang dapat kami berikan kepada satu sama lain hanyalah kehadiran itu sendiri. Nyaman berarti tidak perlu meminta maaf saat lengan kami bersenggolan secara tak sengaja, merokok dalam mobil dan bebas mengutak-atik stereo tanpa meminta ijin terlebih dahulu. Nyaman adalah meneleponnya tanpa alasan, hanya karena ingin mengobrol, atau karena ada film baru yang ingin kutonton tapi tidak punya teman untuk diajak. Rasa ini tidak perlu dilabeli, diartikan, atau dianalisa.
”
”
Winna Efendi (Melbourne: Rewind)
“
Only a real asshole takes liberties with someone else's car stereo. That's serious.
”
”
Sarah Dessen (Just Listen)
“
It seemed a vehicle was well and truly dead once the stereo had melted.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
The witches ignored her, turning up the stereo. She cringed when yet another Bieber song pumped away. Great, she’d been captured by fucking Beliebers.
They planned to sell her at auction? When “Beauty and a Beat” played for the fifth time, Chloe decided she was ready for the block.
”
”
Kresley Cole (MacRieve (Immortals After Dark, #13))
“
It was summer and moonlight and we had lemonade to drink, and we held the cold glasses in our hands, and Dad read the stereo-newspapers inserted into the special hat you put on your head and which turned the microscopic page in front of the magnifying lens if you blinked three times in succession.
”
”
Ray Bradbury (The Illustrated Man)
“
Introverts feel “just right” with less stimulation, as when they sip wine with a close friend, solve a crossword puzzle, or read a book. Extroverts enjoy the extra bang that comes from activities like meeting new people, skiing slippery slopes, and cranking up the stereo.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
I say, 'Get me some poets as managers.' Poets are our original systems thinkers. They contemplate the world in which we live and feel obligated to interpret, and give expression to it in a way that makes the reader understand how that world runs. Poets, those unheralded systems thinkers, are our true digital thinkers. It is from their midst that I believe we will draw tomorrow's new business leaders."
--Sidney Harman, CEO Multimillionaire of a stereo components company
”
”
Daniel H. Pink (A Whole New Mind: Why Right-Brainers Will Rule the Future)
“
Whatever life throws at me, I'll take with a smile upon my face and Nirvana's 'Bleach' on the stereo.
”
”
Mark R. Faulkner
“
Hello boys and girls, Hannah Baker here. Live and in stereo. No return engagements, no encore. And this time? Absolutely no requests.
”
”
Jay Asher (Thirteen Reasons Why)
“
As we walked along the flatblock marina, I was calm on the outside, but thinking all the time - Now it was to be Georgie the general, saying what we should do and what not to do, and Dim as his mindless greeding bulldog. But suddenly, I viddied that thinking was for the gloopy ones, and that the oomny ones use like, inspiration and what Bog sends. Now it was lovely music that came into my aid. There was a window open with the stereo on, and I viddied right at once what to do.
”
”
Anthony Burgess (A Clockwork Orange)
“
The soundtrack should be a lilting indie affair; equal parts hopeful and with a broken, bittersweet lyric hook that makes your heart hurt for some unknown reason. But instead it’s scored by the 1980s hair metal I found in an incriminating iPod playlist titledGym.
“You seriously got those abs while listening to Poison and Bon Jovi,” I crow, and he can’t deny it. It’s just us, windows down, stereo cranked, the road curling in front of us like a tongue.
”
”
Sally Thorne (The Hating Game)
“
Today...no performance can be without its control screen video...its goal is to be hooked up to itself...the mirror phase has given way to the video phase. What develops around the video or stereo culture is not a narcissistic imaginary, but an effect of frantic self-referentiality, a short-circuit which immediately hooks up like with like, and, in doing so, emphasizes their surface intensity and deeper meaninglessness.
”
”
Jean Baudrillard (America)
“
You could hear the stereo from the downstairs neighbors just fine. They were playing Metallica. Playing isn't really the right verb for Metallica, I guess. Grinding, maybe. Extruding.
”
”
Rick Riordan (The Widower's Two-Step (Tres Navarre, #2))
“
Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about—love. But they allowed me this one clear look at it. It blazed from them. And then they left.
”
”
Louise Erdrich
“
People spend thousands of dollars on stereos. Sometimes tens of thousands. There is a specialist industry right here in the States which builds stereo gear to a standard you wouldn't believe. Tubed amplifiers which cost more than a house. Speakers taller than me. Cables thicker than a garden hose. Some army guys had that stuff. I'd heard it on bases around the world. Wonderful. But they were wasting their money. Because the best stereo in the world is free. Inside your head. It sounds as good as you want it to. As loud as you want it to be.
”
”
Lee Child (Killing Floor (Jack Reacher #1))
“
The Vine had no jukebox, but a real stereo continually playing tunes of alcoholic self-pity and sentimental divorce "Nurse," I sobbed. She poured doubles like an angel, right up to the lip of a cocktail glass, no measuring. " You have a lovely pitching arm." You had to go down on them like a hummingbird over a blossom. I saw her much later, not too many years ago, and when I smiled she seemed to believe I was making advances. But it was only that I remembered. I'll never forgot you. Your husband will beat you with an extension cord and the bus will pull away leaving you standing there in tears, but you were my mother.
”
”
Denis Johnson (Jesus’ Son)
“
It seemed as if humans had lost the ability to make their own fun. The more they were gifted with inventions, the less they needed one another. They didn't sing or play the fiddle at the hearth; they turned on the stereo. They didn't tell stories on the porch; they watched television.
”
”
Laura Whitcomb (A Certain Slant of Light (Light, #1))
“
A terrible, painful sadness clutched at Ellen. More than ever before, she felt that her life—the best part of it, at least, the part that was fresh and fun—was behind her. Recognizing the sensation made her feel guilty, for she read it as proof that she was an unsatisfactory mother, an unsatisfied wife. She hated her life, and hated herself for hating it. She thought of a line from a song Billy played on the stereo: “I’d trade all my tomorrows for a single yesterday.
”
”
Peter Benchley (Jaws)
“
Travis is a fucking wreck! He won’t talk to us, he’s trashed the apartment, threw the stereo across the room…Shep can’t talk any sense into him!”
“He took a swing at Shep when he found out we helped you leave. Abby! Please tell me!” she pleaded, her eyes glossing over. “It’s scaring me!”
“It’s something else, Abby. He’s gone fucking nuts! I heard him call your name, and then he stomped all over the apartment looking for you. He barged into Shep’s room, demanding to know where you were. Then he tried to call you. Over, and over and over,” she sighed. “His face was…Jesus, Abby. I’ve never seen him like that.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Memories lurk like dustballs in the backs of drawers. The stereo is a special model that plays only music fraught with poignant associations.
”
”
Jay McInerney
“
I was hoping we could just listen to Jimmy Eat World and forget we ever grew up.
”
”
Crystal Woods (Write like no one is reading)
“
She has come to realize that things feel a whole lot better if you have really good stereo in your car.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
Last December I saw an advertisement outside an electronics store. There was a little boy, delirious with delight, surrounded by computers, stereos, and other gadgets. The text read: “We know what your child wants for Christmas.” I stared at the poster, then said to no one in particular, “What your child wants for Christmas is your love, but if he can’t get that, he’ll settle for a bunch of electronic crap.
”
”
Derrick Jensen (A Language Older Than Words)
“
Davis is naturally a sweet-natured person.He's just been hanging around Nick and Gavin too long.Its a wonder they don't have him stealing candy from babies, or blasting rap music out of his car stereo in front of the retirement home.
”
”
Jennifer Echols (The Ex Games)
“
After he saw God [Tony Amsterdam] felt really good, for around a year. And then he felt really bad. Worse than he ever had before in his life. Because one day it came over him, he began to realize, that he was never going to see God again; he was going to live out his whole remaining life, decades, maybe fifty years, and see nothing but what he had always seen. What we see. He was worse off than if he hadn’t seen God. He told me one day he got really mad; he just freaked out and started cursing and smashing things in his apartment. He even smashed his stereo. He realized he was going to have to live on and on like he was, seeing nothing. Without any purpose. Just a lump of flesh grinding along, eating, drinking, sleeping, working, crapping.”
“Like the rest of us.” It was the first thing Bob Arctor had managed to say; each word came with retching difficulty.
Donna said, “That’s what I told him. I pointed that out. We were all in the same boat and it didn’t freak the rest of us. And he said, ‘You don’t know what I saw. You don’t know.’
”
”
Philip K. Dick (A Scanner Darkly)
“
and the city fireworked alive all around us: flashing with neon signs and flaring with red and gold lights, buzzing with motorbikes and pumping with stereos, streaming warm wind through the open windows. The road unrolled in front of us, it sent its deep pulse up into the hearts of our bones, it flowed on long and strong enough to last us forever.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
Love is all you need" - The Beatles -
"And in the end, the love you take, is equal to the love, you make"
- The Beatles -
”
”
The Beatles (Beatles Stereo Box Set)
“
It is not female egotism to say that the future of mankind may very well be ours to determine. It is a fact. The warmth, gentleness, and compassion that are part of the female stereo- type are positive human values, values that are becoming more and more important as the values of our world begin to shatter and fall from our grasp.
”
”
Shirley Chisholm (Unbought and Unbossed)
“
....or drive up to his parents' house, one of you plugging into the car's stereo an outlandish playlist, with which you would both sing along, loudly, being extravagantly silly as adults the way you never were as children. As you got older, you realize that really, there were very few people you truly wanted to be around for more than a few days at a time, and yet here you were with someone you wanted to be around for years, even when he was at his most opaque and confusing.
”
”
Hanya Yanagihara (A Little Life)
“
Or try this: Place yourself in the middle of the room. Turn on the stereo, the television, and a beeping video game, and then invite into the room several small children with ice cream cones. Crank up the volume on each piece of electrical equipment, then take away the children’s ice cream. Imagine these circumstances existing every day and night of your life. What would you do?
”
”
Elyn R. Saks (The Center Cannot Hold: My Journey Through Madness)
“
Breakfast! My favorite meal- and you can be so creative. I think of bowls of sparkling berries and fresh cream, baskets of Popovers and freshly squeezed orange juice, thick country bacon, hot maple syrup, panckes and French toast - even the nutty flavor of Irish oatmeal with brown sugar and cream. Breaksfast is the place I splurge with calories, then I spend the rest of the day getting them off! I love to use my prettiest table settings - crocheted placemats with lace-edged napkins and old hammered silver. And whether you are inside in front of a fire, candles burning brightly on a wintery day - or outside on a patio enjoying the morning sun - whether you are having a group of friends and family, a quiet little brunch for two, or an even quieter little brunch just for yourself, breakfast can set the mood and pace of the whole day.
And Sunday is my day. Sometimes I think we get caught up in the hectic happenings of the weeks and months and we forget to take time out to relax. So one Sunday morning I decided to do things differently - now it's gotten to be a sort of ritual! This is what I do: at around 8:30 am I pull myself from my warm cocoon, fluff up the pillows and blankets and put some classical music on the stereo. Then I'm off to the kitchen, where I very calmly (so as not to wake myself up too much!) prepare my breakfast, seomthing extra nice - last week I had fresh pineapple slices wrapped in bacon and broiled, a warm croissant, hot chocolate with marshmallows and orange juice. I put it all on a tray with a cloth napkin, my book-of-the-moment and the "Travel" section of the Boston Globe and take it back to bed with me. There I spend the next two hours reading, eating and dreaming while the snowflakes swirl through the treetops outside my bedroom window. The inspiring music of Back or Vivaldi adds an exquisite elegance to the otherwise unruly scene, and I am in heaven. I found time to get in touch with myself and my life and i think this just might be a necessity! Please try it for yourself, and someone you love.
”
”
Susan Branch (Days from the Heart of the Home)
“
[He] put a tape on the car stereo and when I heard Neil Young singing, I shouted for him to turn it off, saying I was allergic to that whiny goddamn bastard.
”
”
Nadia Bozak (Orphan Love)
“
It was astounding how a woman, when she struck marital gold, procured not just a new wardrobe and new friends but a new voice straight out of a 1930s gramophone (brittle, mono-stereo) and a vocabulary that reliably included laze, season, and terribly sorry.
”
”
Marisha Pessl (Night Film)
“
It's the place you would go if you wanted to buy a stereo system for under thirty-five dollars and didn't care if it sounded like the band was playing in a mailbox under water in a distant lake.
”
”
Bill Bryson (The Lost Continent: Travels in Small-Town America)
“
As I lie on my couch by the fireplace, looking out from my hillside home at the snow leading down to the ocean, with the right woman in my arms, a glass of Bordeaux beside me and a Puccini opera on the stereo system, knowing that I’ve earned the pleasure I feel, I’m so glad I didn’t let someone else decide what’s best for me.
”
”
Harry Browne (How I Found Freedom in an Unfree World: A Handbook for Personal Liberty)
“
It was almost noon when the plane touched down at the Triad airport on the outskirts of Greensboro. There was a hire car waiting for me; I waved my notepad at the dashboard to transmit my profile, then waited as the seating and controls rearranged themselves slightly, piezoelectric actuators humming. As I started to reverse out of the parking bay, the stereo began a soothing improvisation, flashing up a deadpan title: Music for Leaving Airports 11 June 2008.
”
”
Greg Egan
“
Rejection hurts so much because we take it as a damning judgement passed not merely on our physical appeal but on our entire selves, and by extension (at this stage we’re crying into our pillow, as something by Bach or Leonard Cohen plays on the stereo) on our very right to exist. 2.
”
”
Alain de Botton (How To Think More About Sex: The School of Life)
“
Go to any police-and-community meeting in Brooklyn, the Bronx, or Harlem, and you will hear pleas such as the following: Teens are congregating on my stoop; can you please arrest them? SUVs are driving down the street at night with their stereos blaring; can’t you do something? People have been barbecuing on the pedestrian islands of Broadway; that’s illegal! The targets of these complaints may be black and Hispanic, but the people making the complaints, themselves black and Hispanic, don’t care. They just want orderly streets.
”
”
Heather Mac Donald (The War on Cops: How the New Attack on Law and Order Makes Everyone Less Safe)
“
That was vampires for you: always going for the jugular, both literally and metaphorically. They were messing up his love life as well as being inconsiderate party guests who had got blood in Magnus’s stereo system at his last party and turned Clary’s idiot friend Stanley into a rat, which was just bad manners.
”
”
Cassandra Clare (What to Buy the Shadowhunter Who Has Everything (The Bane Chronicles, #8))
“
Tadhg hopped down from the table and sauntered over to the stereo to switch up discs. After spending a few minutes flicking through tracks, he settled on Bowling for Soup’s “Girl All the Bad Guys Want.” He gave me a cheeky wink and said, “This one’s for you, blondie.” Well, shit. I choked out a laugh. Little Alpha had moves.
”
”
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
“
martyrdom. If Mike had given them something big—like stereo, or bingo—but he gave them the Truth. Or a piece
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
He wished he were home in Charleston, listening to the Dave Brubeck Quartet on the stereo and reading Bruce Catton.
”
”
Dan Simmons (Carrion Comfort)
“
I wired my gas pedal to my stereo, so now when I crank up the volume the car accelerates.
”
”
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
“
Go baby go,” he yelled to the hearse’s stereo blaring out Queen’s, ‘Another One Bites the Dust’.
”
”
Stephen P. Smith (The Unsound Convictions of Judge Stephen Mentall: A laugh out loud satire on the police and judiciary)
“
It was a big deal when a new record came out; you’d buy it then find one of your mates who had a stereo and everyone would come over to listen to it together for the first time.
”
”
Elizabeth Hand (Wylding Hall)
“
I continued toward Atlanta with a Merle Haggard C.D. playing on the stereo. They weren't great hosts, but those guys in The Ted Kaczynski Fan Club had great taste in music. It was all classic country music- none of that sissy, boy-band country that they played on the radio all the time. I drove down the road while Merle preferred to just stay where he was and drink.
”
”
Ian McClellan (Zombie Apocalypse 2012: A Political Horror Story)
“
Music is crucial... Let's say you're southbound on the interstate, cruising along in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you - do you want to be hearing another radio commercial for a mega, clearance, close-out, blow-out liquidation car-stereo sale?
”
”
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
“
If I ever totally fell for Ed, I realized, I'd have to be comfortable with the idea of becoming an audiophile-phile--someone who's in love with someone who's in love with stereo equipment.
”
”
Amy Borkowsky (Statements: True Tales of Life, Love, and Credit Card Bills)
“
Dad read the stereo-newspapers inserted into the special hat you put on your head and which turned the microscopic page in front of the magnifying lens if you blinked three times in succession.
”
”
Ray Bradbury (A Sound of Thunder and Other Stories)
“
As for the tank, not only is it unAmerican and probably subversive to eat without watching stereo but also the racket from it would interfere even with a directional mike aimed at us from a distance . . .
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....
”
”
Bret Easton Ellis (Less Than Zero)
“
Poshlust,” or in a better transliteration poshlost, has many nuances, and evidently I have not described them clearly enough in my little book on Gogol, if you think one can ask anybody if he is tempted by poshlost. Corny trash, vulgar clichés, Philistinism in all its phases, imitations of imitations, bogus profundities, crude, moronic, and dishonest pseudo-literature—these are obvious examples. Now, if we want to pin down poshlost in contemporary writing, we must look for it in Freudian symbolism, moth-eaten mythologies, social comment, humanistic messages, political allegories, overconcern with class or race, and the journalistic generalities we all know. Poshlost speaks in such concepts as “America is no better than Russia” or “We all share in Germany’s guilt.” The flowers of poshlost bloom in such phrases and terms as “the moment of truth,” “charisma,” “existential” (used seriously), “dialogue” (as applied to political talks between nations), and “vocabulary” (as applied to a dauber). Listing in one breath Auschwitz, Hiroshima, and Vietnam is seditious poshlost. Belonging to a very select club (which sports one Jewish name—that of the treasurer) is genteel poshlost. Hack reviews are frequently poshlost, but it also lurks in certain highbrow essays. Poshlost calls Mr. Blank a great poet and Mr. Bluff a great novelist. One of poshlost’s favorite breeding places has always been the Art Exhibition; there it is produced by so-called sculptors working with the tools of wreckers, building crankshaft cretins of stainless steel, Zen stereos, polystyrene stinkbirds, objects trouvés in latrines, cannonballs, canned balls. There we admire the gabinetti wall patterns of so-called abstract artists, Freudian surrealism, roric smudges, and Rorschach blots—all of it as corny in its own right as the academic “September Morns” and “Florentine Flowergirls” of half a century ago. The list is long, and, of course, everybody has his bête noire, his black pet, in the series. Mine is that airline ad: the snack served by an obsequious wench to a young couple—she eyeing ecstatically the cucumber canapé, he admiring wistfully the hostess. And, of course, Death in Venice. You see the range.
”
”
Vladimir Nabokov (Strong Opinions)
“
There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
We have all lived through that shriveling moment when a parent walks into a room and repeats, with sardonic disbelief, a couplet picked up from the stereo or the TV. 'What does that mean, then?' my mother asked me during Top of the Pops. "Get it on / Bang a gong"? How long did it take him to think of that, do you reckon?' And the correct answer - 'Two seconds, and it doesn't matter' - is always beyond you, so you just tell her to shut up, while inside you're hating Marc Bolan for making you like him even though he sings about getting it on and banging gongs.
”
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Nick Hornby (Songbook)
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Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, "What's the matter? You haven't been yourself lately.
”
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
Noc knew that his girlfriend was better as he got to the door of Kay’s living room. This he could tell by the sound of her screaming at Turney for some infraction on the Son of Time’s part. He opened it to see her soaking wet, cornering Turney by the stereo and holding a ball of Hellfire. Noc burst out laughing at the normalcy of the whole thing.
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Brian Fatah Steele (Petty Like A God)
“
The woman led us into a living room. A decent-sized space. Expensive furniture and rugs. A big TV. No stereo, no books. It all looked a bit halfhearted. Like somebody had spent twenty minutes with a catalog and ten thousand dollars.
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Lee Child (Killing Floor (Jack Reacher, #1))
“
People tell me I excel in Public Relations, what I suck at are private affairs.
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Ioana-Cristina Casapu (Deviații de stereo)
“
Somebody put a Fascist Toejam cassette, 300 watts of sonic apocalypse, on to the van stereo, Isaiah gallantly handed Prairie up into the lurid fuchsia padding of this rolling orgy room, where she became indistinct among an unreadable pattern of Vomitones and their girlfriends, and quickly, in an arc unexpectedly graceful, they had all turned outward, tached up, engaged, and like a time machine departing for the future, forever too soon for Zoyd, boomed away up the thin, cloudpressed lane.
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Thomas Pynchon (Vineland)
“
Ah, 6655321, think on the divine suffering. Meditate on that, my boy.' And all the time he had this rich manny von of Scotch on him, and then he went off to his little cantora to peet some more. So I read all about the scourging and the crowning with thorns and then the cross veshch and all that cal, and I viddied better that there was something in it. While the stereo played bits of lovely Bach I closed my glazzies and viddied myself helping in and even taking charge of the tolchocking and the nailing in, being dressed in a like toga that was the heighth of Roman fashion. So being in Staja 84F was not all that wasted, and the Governor himself was very pleased to hear that I had taken to like Religion, and that was where I had my hopes.
”
”
Anthony Burgess (A Clockwork Orange)
“
From the slope of Haleakala, the Old Broad watched the activity in the channel with a two-hundred-power celestial telescope and a pair of "big eyes" binoculars that looked like stereo bazookas on precision mounts that were anchored into a ton of concrete.
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”
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
“
Because internalizers look within themselves for reasons why things go wrong, they may not always recognize abuse for what it is. If parents don’t label their own behavior as abusive, their child won’t label it that way either. Even as adults, many people have no idea that what happened to them in childhood was abusive. As a result, they may not recognize abusive behavior in their adult relationships. For instance, Vivian hesitated to tell me about her husband’s anger, saying it was too silly and insignificant to talk about. She then sheepishly told me that he’d broken things when angry and once threw her craft project on the floor because he wanted her to keep the house neater. As it turned out, Vivian was embarrassed to tell me because she thought I’d say his behavior was normal and tell her she was making a mountain out of a molehill. Another client, a middle-aged man, recounted incidents of childhood abuse nonchalantly, with no recognition of how serious it had been. For example, he said his father once choked him until he wet himself and then locked him in the basement. Recalling that his father had once thrown a stereo set, he admitted that his father “might have had a temper.” As he spoke, his demeanor clearly indicated that he accepted this behavior as normal.
”
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Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
“
What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways.
I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever.
And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says.
I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first--paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes...Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music.
”
”
Shauna Cross (Derby Girl)
“
Focus,” Mary muttered, chastising herself and her wandering mind. From her stereo came the soothing sounds of monks, vocalizing an ancient hymn meant to bring one closer to enlightenment. Credit where it was due, they were pretty good. Mary couldn’t remember ever hearing a bad singing monk, though. Was it just a byproduct of monkhood that one gained a great singing voice? Or maybe they had auditions before one got in. “Great, great, you want enlightenment, but I’ll need to hear you belt out some show tunes before we let you in.” Were there scouts out there scouring the vocal talents of a new generation and recruiting them to top-notch monasteries?
”
”
Drew Hayes (Super Powereds: Year 3)
“
There were reprints of American editorials. Liberals saw it as a resurgence of social protest and decried the discrimination, poverty, and hunger that had provoked it. Conservative columnists acidly pointed out that hungry people don’t steal stereo systems first and called for a crackdown in law enforcement. All of the reasoned editorials sounded hollow in light of the perverse randomness of the event. It was as if only a thin wall of electric lighting protected the great cities of the world from total barbarism.
”
”
Dan Simmons (Song of Kali)
“
Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn't have known. The only things I noticed were silver bracelets on women's wrists and popsicle sticks in potted rubber plants. There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits.
My world foreshortened, flattening into a credit card. Seen head on, things seemed merely skewed, but from the side the view was virtually meaningless—a one-dimensional wafer. Everything about me may have been crammed in there, but it was only plastic. Indecipherable except to some machine.
My first circuit must have been wearing thin. My real memories were receding into planar projection, the screen of consciousness losing all identity.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
They all nodded. A favorite game in quarry had been based on a highly successful film series with lasers, robots, and a princess who wore her hair like a pair of stereo headphones. (It had been agreed without a word being said that if anyone was going to play the part of any stupid princesses, it wasn't going to be Pepper.) But the game normally ended in a fight to be the one who was allowed to to wear the coal scuttle and blow up planets.
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Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Listen,” Older Self might say. “The things that right now seem permanently out of reach, you’ll reach them eventually. You’ll have a career, a house, a partner in life. You will have much better shoes. You will reach a point where your funds will generally be sufficient—maybe not always plentiful, but sufficient.” But here’s what Older Self will not have the heart to say: some of the music you are now listening to—the CDs you play while you stare out the window and think about the five million different ways your life might go—will be unbearable to listen to in twenty years. They will be unbearable not because they will sound dated and trite but because they will sound like the lining of your soul. They will take you straight back to the place you were in when you felt that anything could happen at any time, that your life was a huge room with a thousand doors, that your future was not only infinite but also elastic. They will be unbearable because they will remind you that at least half of the things you once planned for your future are now in the past and others got reabsorbed into your imagination before you could even think about acting on them. It will be as though you’d never thought of them in the first place, as if they were never meant to be anything more than passing thoughts you had while playing your stereo at night.
”
”
Meghan Daum (The Unspeakable: And Other Subjects of Discussion)
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And then I’m me again, staring into Dr. Russell’s room feeling dizzy and looking straight at Dr. Russell’s face and also the back of his head and thinking to myself, Damn, that’s a neat trick, and it seems like I just had that thought in stereo. And it hits me. I’m in two places at the same time. I smile and see the old me and the new me smile simultaneously. “I’m breaking the laws of physics,” I say to Dr. Russell from two mouths. And he says, “You’re in.” And then he taps that goddamned PDA of his. And there’s just one of me again. The other me. I can tell because I’m no longer staring at the new me anymore, I’m looking at the old me. And it stares at me like it knows something truly strange has just happened. And then the stare seems to say, I’m no longer needed. And then it closes its eyes.
”
”
John Scalzi (Old Man's War (Old Man's War, #1))
“
And how easy it was to leave this life, after all - this life that could feel so present and permanent that departing from it must seem to require a tear into a different dimension. There the bunch of them were, young hopefuls, decorating their annually purged dorm rooms with postcards and prints and favorite photographs of friends, filling them with hot pots and dried flowers, throw rugs and stereos. Houseplants, a lamp, maybe some furniture brought up by encouraging parents. They nested there like miniature grownups. As if this provisional student life - with its brushfire friendships and drink-addled intimacies, its gorging on knowledge and blind sexual indulgences - could possibly last. As if it were a home, of any kind at all: someplace to gather one's sense of self. Flannery had never felt for a minute that these months of shared living took place on anything other than quicksand, and it had given this whole year (these scant seven or eight months, into which an aging decade or so had been condensed) a sliding, wavery feel. She came from earthquake country and knew the dangers of building on landfill. That was, it seemed to Flannery, the best description of this willed group project of freshman year: construction on landfill. A collective confusion of impressions and tendencies, mostly castoffs with a few keepers. What was there to count on in any of it? What structure would remain, founded on that?
”
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Sylvia Brownrigg (Pages for You (Pages for You, #1))
“
When you listen to the beautiful sounds of stereo music, remember that you are listening to the rhythms of trillions of electrons obeying this and other bizarre laws of quantum mechanics.
But if quantum mechanics were incorrect, then all of electronics including television sets, computers, radios, stereo, and so on, would cease to function. (In fact, if quantum theory were incorrect, the atoms in our bodies would collapse, and we would instantly disintegrate. According to Maxwell's equations, the electrons spinning in an atom should lose their energy within a microsecond and plunge into the nucleus. This sudden collapse is prevented by quantum theory. Thus the fact that we exist is living proof of the correctness of quantum mechanics.)
This also means that there is a finite, calculable probability that "impossible" events will occur. For example, I can calculate the probability that I will unexpectedly disappear and tunnel through the earth and reappear in Hawaii. (The time we would have to wait for such an event to occur, it should be pointed out, is longer than the lifetime of the universe. So we cannot use quantum mechanics to tunnel to vacation spots around the world.)
”
”
Michio Kaku (Hyperspace: A Scientific Odyssey Through Parallel Universes, Time Warps, and the Tenth Dimension)
“
You could viddy it all right, all of it, very clear—tables, the stereo, the lights, the sharps and the malchicks—but it was like some veshch that used to be there but was not there not no more. And you were sort of hypnotized by your boot or shoe or a finger-nail as it might be, and at the same time you were sort of picked up by the old scruff and shook like it might be a cat. You got shook and shook till there was nothing left. You lost your name and your body and your self and you just didn’t care, and you waited till your boot or your finger-nail got yellow, then yellower and yellower all the time.
”
”
Anthony Burgess (A Clockwork Orange)
“
To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets. We smoked cigarettes and wore leather jackets. At night, in the dorms, we discussed neocolonialism, Franz Fanon, Eurocentrism, and patriarchy. When we ground out our cigarettes in the hallway carpet or set our stereos so loud that the walls began to shake, we were resisting bourgeois society’s stifling constraints. We weren’t indifferent or careless or insecure. We were alienated. But
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”
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
“
Her evin mezarı, ölümü anımsatan kasvetli bir yanı vardır; Amerika’da ise evlerde tam bir yapma dinginliğe tanık oluyorsunuz. Her zaman yeşil ev bitkilerinin rezilce her yerde bulunuşu, Pamuk Prenses'in tabutuna benzeyen camlı büyük kapılar, dokuları sertleşmiş gibi uzanan solgun, cüce çiçek kümeleri; evin içinde, altında çevresinde bir sürü çeşitli aygıtlar bir hastanenin yoğun bakım servisindeki serum şişeleri, aygıtları gibi; öteki dünyayla iletişimi sağlayan TV, stereo, video; alış verişlerin cenaze merkezi olan süpermarketle iletişimi sağlayan araba, arabalar; son olarak, başarının parlak belirtisi kadın ve çocukları...
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”
Jean Baudrillard (Ameryka)
“
Breakthroughs in information and communications technology are leading to forms of dematerialization unimaginable just a decade ago. Consider smartphones. They require more energy to manufacture and operate than older cell phones. But by obviating the need for separate, physical newspapers, books, magazines, cameras, watches, alarm clocks, GPS systems, maps, letters, calendars, address books, and stereos, they will likely significantly reduce humanity’s use of energy and materials over the next century. Such examples suggest that holding technological progress back could do far more environmental damage than accelerating it.
”
”
Michael Shellenberger
“
Vorrei non doverci pensare, a volte vorrei sentire semplicemente quella sensazione che provo quando dormo nel sacco a pelo, guardando le stelle. Ma sinceramente mi piace anche molto starmene in casa, mi piacciono molto anche le lenzuola, profumate e pulite, la luce soffusa, il frigorifero, il forno, i tappeti, le candele e gli incensi, i miei libri, le fotografie, i piatti, le scodelle, i bicchieri, le tazzine, il latte, il caffè fatto con la moka, la doccia, la vasca da bagno, i cuscini, il computer, il suono del mio stereo, il videoregistratore, il suono del mio compleanno, il pavimento e il soffitto.
L'equilibrio, le carezze, il silenzio.
”
”
Fabio Volo (Esco a Fare Due Passi)
“
White noise, impersonal roar. Deadening incandescence of the boarding terminals. But even these soul-free, sealed-off places are drenched with meaning, spangled and thundering with it. Sky Mall. Portable stereo systems. Mirrored isles of Drambuie and Tanqueray and Chanel No. 5. I look at the blanked-out faces of the other passengers—hoisting their briefcases, their backpacks, shuffling to disembark—and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet—for me, anyway—all that’s worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.
”
”
Donna Tartt (The Goldfinch)
“
back,” Daddy said. “It’ll work out.” He had no idea what to do about Helen. They spoke a completely different language. He was an old-timer who called school “schoolin”’ and called me “boy.” He had run off from Jim Crow in the South and felt that education, any education, was a privilege. Helen was far beyond that. Weeks passed, months, and Helen didn’t return. Finally Jack called. “I found her. She’s living with some crazy woman,” Jack said. She told Ma she didn’t know much about the lady other than that she wore a lot of scarves and used incense. Mommy got the address and went to the place herself. It was a dilapidated housing project near St. Nicholas Avenue, with junkies and winos standing out front. Mommy stepped past them and walked through a haze of reefer smoke and took the elevator to the eighth floor. She went to the apartment door and listened. There was music playing on a stereo inside, and the voice of someone on the phone. She knocked on the door. The stereo lowered. “Who is it?” someone asked. It sounded like Helen. “I’m here to see Helen,” Mommy said. Silence. “I know you’re there, Helen,” Mommy said. Silence. “Helen. I want you to come home. Whatever’s wrong we’ll fix. Just forget all of it and come on home.” From down the hallway, a doorway opened and a black woman watched in silence as the dark-haired, bowlegged white lady talked to the closed door. “Please come home, Helen.” The door had a peephole in it. The peephole slid back. A large black eye peered out. “Please come home, Helen. This is no place for you to be. Just come on home.” The peephole closed.
”
”
James McBride (The Color of Water)
“
But the biggest news that month was the departure from Apple, yet again, of its cofounder, Steve Wozniak. Wozniak was then quietly working as a midlevel engineer in the Apple II division, serving as a humble mascot of the roots of the company and staying as far away from management and corporate politics as he could. He felt, with justification, that Jobs was not appreciative of the Apple II, which remained the cash cow of the company and accounted for 70% of its sales at Christmas 1984. “People in the Apple II group were being treated as very unimportant by the rest of the company,” he later said. “This was despite the fact that the Apple II was by far the largest-selling product in our company for ages, and would be for years to come.” He even roused himself to do something out of character; he picked up the phone one day and called Sculley, berating him for lavishing so much attention on Jobs and the Macintosh division. Frustrated, Wozniak decided to leave quietly to start a new company that would make a universal remote control device he had invented. It would control your television, stereo, and other electronic devices with a simple set of buttons that you could easily program. He informed the head of engineering at the Apple II division, but he didn’t feel he was important enough to go out of channels and tell Jobs or Markkula. So Jobs first heard about it when the news leaked in the Wall Street Journal. In his earnest way, Wozniak had openly answered the reporter’s questions when he called. Yes, he said, he felt that Apple had been giving short shrift to the Apple II division. “Apple’s direction has been horrendously wrong for five years,” he said.
”
”
Walter Isaacson (Steve Jobs)
“
There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.
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”
Xóchitl González (Olga Dies Dreaming)
“
lack, or loutish and crass kollective is a program dedicated to the proposition that vulgarity and bad taste are an inalienable right. the lackies, as they are sometimes called, meet if they feel like it at program headquarters, which is known as La Gaucherie. La Gaucherie is densely furnished with seven thousand always-in-operation console color televisions, nine hundred constantly blaring quadrophonic stereos, shag rugs in six hundred and seventy-eight decorator colors, and am eclectic mix of Mediterranean-style dining room sets, fun sofas, interesting wall hangings, and modular seating systems. These members not otherwise occupied practicing the electric guitar or writing articles for Playgirl sit around in unduly comfortable positions expressing their honest feelings and opinions in loud tones of voice. Male lackies are encouraged to leave unbuttoned the first five buttons of their shirts unless they have unusually pale skin and hairy chests, in which case they are required to do so. Female members are encouraged to encourage them. Both sexes participate in a form of meditation that consists of breathing deeply of musk oil while wearing synthetic fabrics. The eventual goal of this discipline is to reach the state of mind known as Los Angeles.
”
”
Fran Lebowitz (The Fran Lebowitz Reader)
“
Before he could say my name, I closed the space between us. Quickly, my lips moved against his. The mental and emotional emptiness took over instantly, but physically, I was more alert than ever. Wesley’s surprise didn’t last as long as it had before, and his hands were on me in seconds. My fingers tangled in his soft hair, and Wesley’s tongue darted into my mouth and became a new weapon in our war.
Once again, my body took complete control of everything. Nothing existed at the corners of my mind; no irritating thoughts harassed me. Even the sounds of Wesley’s stereo, which had been playing some piano rock I didn’t recognize, faded away as my sense of touch heightened.
I was fully conscious of Wesley’s hand as it slid up my torso and moved to cup my breast. With an effort, I pushed him away from me. His eyes were wide as he leaned back. “Please don’t slap me again,” he said.
“Shut up.”
I could have stopped there. I could have stood up and left the room. I could have let that kiss be the end of it. But I didn’t. The mind-numbing sensation I got from kissing him was so euphoric-such a high-that I couldn’t stand to give it up that fast. I might have hated Wesley Rush, but he held the key to my escape, and at that moment I wanted him… I needed him.
Without speaking, without hesitating, I pulled my T-shirt over my head and threw it onto Wesley’s bedroom floor. He didn’t have a chance to say anything before I put my hands on his shoulders and shoved him onto his back. A second later, I was straddling him and we were kissing again. His fingers undid the clasp on my bra, and it joined my shirt on the floor.
I didn’t care. I didn’t feel self-conscious or shy. I mean, he already knew I was the Duff, and it wasn’t like I had to impress him.
I unbuttoned his shirt as he pulled the alligator clip from my hair and let the auburn waves fall around us. Casey had been right. Wesley had a great body. The skin pulled tight over his sculpted chest, and my hands drifted down his muscular arms with amazement.
His lips moved to my neck, giving me a moment to breathe. I could only smell his cologne this close to him. As his mouth traveled down my shoulder, a thought pushed through the exhilaration. I wondered why he hadn’t shoved me-Duffy-away in disgust.
Then again, I realized, Wesley wasn’t known for rejecting girls. And I was the one who should have been disgusted.
But his mouth pressed into mine again, and that tiny, fleeting thought died. Acting on instinct, I pulled on Wesley’s lower lip with my teeth, and he moaned quietly. His hands moved over my ribs, sending chills up my spine. Bliss. Pure, unadulterated bliss.
Only once, as Wesley flipped me onto my back, did I seriously consider stopping. He looked down at me, and his skilled hand grasped the zipper on my jeans. My dormant brain stirred, and I asked myself if things had gone too far. I thought about pushing him away, ending it right where we were. But why would I stop now? What did I stand to lose? Yet what could I possibly gain? How would I feel about this in an hour… or sooner?
Before I could come up with any answers, Wesley had my jeans and underwear off. He pulled a condom from his pocket (okay, now that I’m thinking about it, who keeps condoms in their pockets? Wallet, yes, but pocket? Pretty presumptuous, don’t you think?), and then his pants were on the floor, too. All of a sudden, we were having sex, and my thoughts were muted again.
”
”
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
“
He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.
”
”
John Green (The Fault in Our Stars)
“
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room.
Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole.
Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child.
Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
”
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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The alien ship was already thundering towards the upper reaches of the atmosphere, on its way out into the appalling void which separates the very few things there are in the Universe from each other.
Its occupant, the alien with the expensive complexion, leaned back in its single seat. His name was Wowbagger the Infinitely Prolonged. He was a man with a purpose. Not a very good purpose, as he would have been the first to admit, but it was at least a purpose and it did at least keep him on the move.
Wowbagger the Infinitely Prolonged was --- indeed, is --- one of the Universe's very small number of immortal beings.
Those who are born immortal instinctively know how to cope with it, but Wowbagger was not one of them. Indeed he had come to hate them, the load of serene bastards. He had had his immortality thrust upon him by an unfortunate accident with an irrational particle accelerator, a liquid lunch and a pair of rubber bands. The precise details of the accident are not important because no one has ever managed to duplicate the exact circumstances under which it happened, and many people have ended up looking very silly, or dead, or both, trying.
Wowbagger closed his eyes in a grim and weary expression, put some light jazz on the ship's stereo, and reflected that he could have made it if it hadn't been for Sunday afternoons, he really could have done.
To begin with it was fun, he had a ball, living dangerously, taking risks, cleaning up on high-yield long-term investments, and just generally outliving the hell out of everybody.
In the end, it was the Sunday afternoons he couldn't cope with, and that terrible listlessness which starts to set in at about 2:55, when you know that you've had all the baths you can usefully have that day, that however hard you stare at any given paragraph in the papers you will never actually read it, or use the revolutionary new pruning technique it describes, and that as you stare at the clock the hands will move relentlessly on to four o'clock, and you will enter the long dark teatime of the soul.
So things began to pall for him. The merry smiles he used to wear at other people's funerals began to fade. He began to despise the Universe in general, and everyone in it in particular.
This was the point at which he conceived his purpose, the thing which would drive him on, and which, as far as he could see, would drive him on forever. It was this.
He would insult the Universe.
”
”
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
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In 1969 the Khmer Rouge numbered only about 4,000. By 1975 their numbers were enough to defeat the government forces. Their victory was greatly helped by the American attack on Cambodia, which was carried out as an extension of the Vietnam War. In 1970 a military coup led by Lon Nol, possibly with American support, overthrew the government of Prince Sihanouk, and American and South Vietnamese troops entered Cambodia.
One estimate is that 600,000 people, nearly 10 per cent of the Cambodian population, were killed in this extension of the war. Another estimate puts the deaths from the American bombing at 1000,000 peasants. From 1972 to 1973, the quantity of bombs dropped on Cambodia was well over three times that dropped on Japan in the Second World War.
The decision to bomb was taken by Richard Nixon and Henry Kissinger and was originally justified on the grounds that North Vietnamese bases had been set up in Cambodia. The intention (according to a later defence by Kissinger’s aide, Peter W. Rodman) was to target only places with few Cambodians: ‘From the Joint Chiefs’ memorandum of April 9, 1969, the White House selected as targets only six base areas minimally populated by civilians. The target areas were given the codenames BREAKFAST, LUNCH, DINNER, SUPPER, SNACK, and DESSERT; the overall programme was given the name MENU.’ Rodman makes the point that SUPPER, for instance, had troop concentrations, anti-aircraft, artillery, rocket and mortar positions, together with other military targets.
Even if relatively few Cambodians were killed by the unpleasantly names items on the MENU, each of them was a person leading a life in a country not at war with the United States. And, as the bombing continued, these relative restraints were loosened.
To these political decisions, physical and psychological distance made their familiar contribution. Roger Morris, a member of Kissinger’s staff, later described the deadened human responses:
Though they spoke of terrible human suffering reality was sealed off by their trite, lifeless vernacular: 'capabilities', 'objectives', 'our chips', 'giveaway'. It was a matter, too, of culture and style. They spoke with the cool, deliberate detachment of men who believe the banishment of feeling renders them wise and, more important, credible to other men… They neither understood the foreign policy they were dealing with, nor were deeply moved by the bloodshed and suffering they administered to their stereo-types.
On the ground the stereotypes were replaced by people. In the villages hit by bombs and napalm, peasants were wounded or killed, often being burnt to death. Those who left alive took refuge in the forests. One Western ob-server commented, ‘it is difficult to imagine the intensity of their hatred to-wards those who are destroying their villages and property’. A raid killed twenty people in the village of Chalong. Afterwards seventy people from Chalong joined the Khmer Rouge.
Prince Sihanouk said that Richard Nixon and Henry Kissinger created the Khmer Rouge by expanding the war into Cambodia.
”
”
Jonathan Glover (Humanity: A Moral History of the Twentieth Century)
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Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?"
He was answered with a growl.
The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him.
His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . .
"God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself."
"Blasphemer!" A rock caught him just over his left eye and blood welled forth.
Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other."
More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together."
A rock caught the glass and shattered it. Another struck him in the mouth.
Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God."
Jubal whispered it back to him. . . .
"Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.
"Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit
Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened."
"God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!"
The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
”
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Robert A. Heinlein