Castle Tv Show Quotes

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There is nothing wrong with entertainment. As some psychiatrist once put it, we all build castles in the air. The problems come when we try to live in them. The communications media of the late nineteenth and early twentieth centuries, with telegraphy and photography at their center, called the peek-a-boo world into existence, but we did not come to live there until television. Television gave the epistemological biases of the telegraph and the photograph their most potent expression, raising the interplay of image and instancy to an exquisite and dangerous perfection. And it brought them into the home. We are by now well into a second generation of children for whom television has been their first and most accessible teacher and, for many, their most reliable companion and friend. To put it plainly, television is the command center of the new epistemology. There is no audience so young that it is barred from television. There is no poverty so abject that it must forgo television. There is no education so exalted that it is not modified by television. And most important of all, there is no subject of public interest—politics, news, education, religion, science, sports—that does not find its way to television. Which means that all public understanding of these subjects is shaped by the biases of television.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
Hey—we have a problem. You have some unexpected guests down at the gate. You should go check it out.” Guests? Who would come here to see me? I hop in the golf cart and drive down to the main gate. Just in time to hear Franny Barrister, the Countess of Ellington, tearing into a poor, clueless Matched security guard. “Don’t you tell me we can’t come in, you horse’s arse. Where’s Henry—what have you done with him?” Simon, my brother’s best friend, sees me approach, his sparkling blue eyes shining. “There he is.” I nod to security and open the gate. “Simon, Franny, what are you doing here?” “Nicholas said you didn’t sound right the last time he spoke to you. He asked us to peek in on you,” Simon explains. Franny’s shrewd gaze rakes me over. “He doesn’t look drunk. And he obviously hasn’t hung himself from the rafters—that’s better than I was expecting.” “Thanks for the vote of confidence.” Simon peers around the grounds, at the smattering of crew members and staging tents. “What the hell is going on, Henry?” I clear my throat. “So . . . the thing is . . . I’m sort of . . . filming a reality dating television show here at the castle and we started with twenty women and now we’re down to four, and when it’s over one of them will get the diamond tiara and become my betrothed. At least in theory.” It sounded so much better in my head. “Don’t tell Nicholas.” Simon scrubs his hand down his face. “Now I’m going to have to avoid his calls—I’m terrible with secrets.” And Franny lets loose a peal of tinkling laughter. “This is fabulous! You never disappoint, you naughty boy.” She pats my arm. “And don’t worry, when the Queen boots you out of the palace, Simon and I will adopt you. Won’t we, darling?” Simon nods. “Yes, like a rescue dog.” “Good to know.” Then I gesture back to their car. “Well . . . it was nice of you to stop by.” Simon shakes his head. “You’re not getting rid of us that easily, mate.” “Yes, we’re definitely staying.” Franny claps her hands. “I have to see this!” Fantastic.
Emma Chase (Royally Matched (Royally, #2))
Cooking’s a more popular hobby than fencing.” “They don’t have a Great British Fence-Off,” muttered Dante. There was a thoughtful pause. “Oh, that sounds like such a good show,” Nicholas murmured. “I like your idea for a television show as well,” Seiji told Dante. “Why do you picture it being British specifically?” Dante’s mouth opened and closed. No sound came out. “Could be because of the European history of dueling?” Nicholas suggested, and looked to Seiji. “Like in the book you let me borrow. Did you know that if you killed someone in a duel back in the old days, you could run away to France, because in France, dueling was still a totally cool and legal way to kill someone you had beef with?” Seiji nodded, pointing at Nicholas for emphasis. “I did know that, but clearly not everybody does. You’re right; the show would be educational for many people. Perhaps they could hold fencing displays in old manor houses and castles and châteaux? And, of course, in colleges such as Cambridge, Oxford, and Trinity, where the legacy of fencing students is so illustrious.” Breakfast conversation was so awesome now that Seiji had joined them! Nicholas bet nobody else had as much fun as they did. Dante had clearly given up on talking and was giving Bobby a silent, pleading look. Nicholas guessed Dante was shy. Seiji was pretty famous, so maybe Dante was overwhelmed.
Sarah Rees Brennan (Striking Distance (Fence, #1))
The last slide is Main Street at night, with the castle lit silver blue in the background. In the sky, fireworks are going off, cresting, cracking open the darkness, shooting long tendrils of colored light down to the buildings, way longer than I’ve ever seen for fireworks… I linger on this slide. I study that blue castle and those fireworks and realize that this is the image I’ve had in my head of Disneyland for all these years. Just like the beginning of the Wonderful World of Disney TV show. Maybe that’s why I wanted to head here this time. I know it’s ridiculous, but part of me wants to think that the world after this one could look like that. Like I said before, I stopped having notions about religion and heaven long ago—angels and harps and clouds and all that malarkey. Yet some silly, childish side of me still wants to believe in something like this. A gleaming world of energy and light, where nothing is quite the same color as it is on earth—everything bluer, greener, redder. Or maybe we just become the colors, that light spilling from the sky over the castle. Perhaps it would be somewhere we’ve already been, the place we were before we were born, so dying is simply a return. I guess is that were true then somehow we’d remember it. Maybe that’s what I’m doing with this whole trip—looking for somewhere that I remember, deep in some crevice of my soul. Who knows? Maybe Disneyland is heaven. Isn’t that the damnedest, craziest thing you’ve ever heard? Must be the dope talking. (pp.253-254)
Michael Zadoorian (The Leisure Seeker)
Ted was short of cash.” Westinghouse wanted out. Bannon pleaded with them not to walk away from the bargaining table. “We told them, ‘You ought to take this deal. It’s a great deal,’” he said. “And they go, ‘If this is such a great deal, why don’t you defer some of your cash fee and keep an ownership stake in a package of TV rights?’” Bannon had no interest in getting into the residuals business. But neither did Westinghouse. The company made clear that unless Bannon & Co. swapped its cash fee for residuals the deal was off. “So we took a residual,” he said. In lieu of a full adviser’s fee, the firm accepted a stake in five Castle Rock television shows, including one in its third season that was regarded as the runt of the litter: Seinfeld. At
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
But that’s what our society’s built on. Most people strive for this kind of life.” “Safety is very nice, but isn’t it also incredibly boring? How much do you miss out on because you’re following a known path? Shouldn’t life be a challenge? Shouldn’t we try to discover, to experiment as much as possible? Instead, we spend our days doing monotonous work and then at the end ask where all the time went. Sure, you have weekends and holidays to recover from work, but you’re often so exhausted you don’t have the energy to go explore.” “But there are also people who feel comfortable in their job.” “You mean the lucky few who were able to turn their passion into a profession? I don’t hate my job. And I know I should be grateful to even have a job, especially in these difficult economic times, and so on, and so on. But ultimately we just spend way too much time at work. And when you think about it, most of it’s just repetition and serves only to profit the company. You can slave away for years working for a company, and if you’re lucky, you’ll get recognized for it. But once you can no longer do what they ask, they get rid of you! It happened to my aunt. She was at the same company for forty years, was committed to the company, and never complained when she put in overtime. Then came new management, and she was laid off. Since then, she’s been taking pills made by Lagussa . . .” “But I think many people want security and structure in their lives. Look around: we all work, day after day. That’s how our system functions. If people were so unhappy with this situation, our free society would have undergone radical change a long time ago.” “Free society? You’re free only if you obey the rules—that’s not true freedom. The minute you want to follow a different path, you’re faced with limitations. A lot of people are afraid of that. We’re also distracted enough to never even consider if we’re happy or not. I only recently read that last year Germans watched an average of almost four hours of TV a day. On average! That doesn’t leave much time for reflection. Most go to work, where they have used their mind or body for the benefit of a company, and then they come home. Before they go to bed, they veg on the couch and watch lame TV shows that promise glamour and adventure—which very few people will ever experience. The shows are sold as reality. Then there are religions and substitute religions, and every now and then publicly organized mass drunkenness like Oktoberfest, all of which makes people lazy and content.” “So if it’s a big conspiracy, then who’s behind it? I don’t think business leaders meet regularly in Frankenstein’s castle to discuss how to keep people subdued.” “I
Hendrik Falkenberg (Time Heals No Wounds (Baltic Sea Crime #1))
I know the cops don’t like you to mess with the body. I watch this show on TV. It’s got this hot lady cop and her husband, this guy who writes books. It’s clever, the solutions they come up with. The writer guy is pretty smart.
Richard Castle (High Heat (Nikki Heat, #8))