Stepping Into The Unknown Quotes

Until you step into the unknown, you don’t know what you’re made of.

When you get to the end of all the light you know and it's time to step into the darkness of the unknown, faith is knowing that one of two things shall happen: either you will be given something solid to stand on, or you will be taught how to fly.

When you walk to the edge of all the light you have and take that first step into the darkness of the unknown, you must believe that one of two things will happen: There will be something solid for you to stand upon, or, you will be taught to fly.

When you have come to the edge of all the light you have And step into the darkness of the unknown Believe that one of the two will happen to you Either you'll find something solid to stand on Or you'll be taught how to fly!

He Is Not Dead I cannot say, and I will not say That he is dead. He is just away. With a cheery smile, and a wave of the hand, He has wandered into an unknown land And left us dreaming how very fair It needs must be, since he lingers there. And you—oh you, who the wildest yearn For an old-time step, and the glad return, Think of him faring on, as dear In the love of There as the love of Here. Think of him still as the same. I say, He is not dead—he is just away.

I have realized; it is during the times I am far outside my element that I experience myself the most. That I see and feel who I really am, the most! I think that's what a comet is like, you see, a comet is born in the outer realms of the universe! But it's only when it ventures too close to our sun or to other stars that it releases the blazing "tail" behind it and shoots brazen through the heavens! And meteors become sucked into our atmosphere before they burst like firecrackers and realize that they're shooting stars! That's why I enjoy taking myself out of my own element, my own comfort zone, and hurling myself out into the unknown. Because it's during those scary moments, those unsure steps taken, that I am able to see that I'm like a comet hitting a new atmosphere: suddenly I illuminate magnificently and fire dusts begin to fall off of me! I discover a smile I didn't know I had, I uncover a feeling that I didn't know existed in me... I see myself. I'm a shooting star. A meteor shower. But I'm not going to die out. I guess I'm more like a comet then. I'm just going to keep on coming back.

Sure, we'd faced some things as children that a lot of kids don't. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn't learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you're just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There's the little empty pain of leaving something behind - gradutaing, taking the next step forward, walking out of something familiar and safe into the unknown. There's the big, whirling pain of life upending all of your plans and expecations. There's the sharp little pains of failure, and the more obscure aches of successes that didn't give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life they grow and learn. There's the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you're very, very lucky, there are a very few blazing hot little pains you feel when you realized that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last - and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don't feel it. Pain is a part of life. Sometimes it's a big part, and sometimes it isn't, but either way, it's a part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you're alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.

Let us doom and gloom not creep into our day and lust for life not wither away. With the future as brother-in-arms, steps in the unknown should not frighten. ("Steps in the unknown" )

Have no fear of moving into the unknown. Simply step out fearlessly knowing that I am with you, therefore no harm can befall you; all is very, very well. Do this in complete faith and confidence.

We have to walk out on ourselves, expel ourselves from our inner castle, and drop our formatted masks if we want to encounter people in the flesh, without makeup. ("Steps in the unknown")

Having a relationship with people of questionable character is like playing with a razor blade on your skin, and pretending to observe that it is harmful to your body.

If we really want to know, who we are and recognize our identity, we have to find out the identity of the others. By making friends with the others, we are able to make friends with ourselves. At that moment, we can sense how everything falls into place. ( “ Steps in the unknown" )

You did not fear death. You stepped in its path, but without really desiring it: how can one desire something one doesn’t know? You didn’t deny life but affirmed your taste for the unknown, betting that if something existed on the other side, it would be better than here.

Dream big. Wake up. Take the first step into the unknown.

Always in the big woods when you leave familiar ground and step off alone into a new place there will be, along with the feelings of curiosity and excitement, a little nagging of dread. It is the ancient fear of the Unknown, and it is your first bond with the wilderness you are going into.

Love was an invitation into the wild unknown, one step at a time together.

Lust of life digs out hidden qualities and subdued yearnings from the silence of our inner self. If we give way to the desire of looking above and beyond the limit of the horizon, we can perceive a fabulous range of unsuspected privileges unfolding in front of our eyes. ("Steps in the unknown")

Lust is a value. We can experience, miss, or lose it or sometimes retrieve it after its surreptitious fading away. In any event, if we treasure it and take it for a regular walk through the garden of our imagination, it will let us discover the most imaginary illuminating sceneries of life. ("Steps in the unknown")

Don't you know, If you don't step outside yourself, you'll never discover who you are

We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the cracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass. And then I open the door and go to the dining-room, where he is sitting waiting for me at a table, and I think how in that moment I have aged, and passed on, how I have advanced one step towards an unknown destiny. We smile, we choose our lunch, we speak of this and that, but - I say to myself-I am not she who left him five minutes ago. She has stayed behind. I am another woman, older, more mature…

Unless we take that first step into the unknown, we will never know our own potential!

What could we want more than being genuine and authentic? We all need a distinctive, substantial identity guiding us along the scary slopes of our life adventure and protecting us from unsuspected pitfalls. Still, our identity remains under construction and can often let us down, tossing us about in our daily journey and recurrently altering its policy. ("Steps into the unknown")

Faith is stepping out into the unknown with nothing to guide us but a hand just beyond our grasp.

Reality is never more than a first step towards an unknown on the road to which one can never progress very far.

Some ideas are not born of logic and good sense. They are made of clouds and cobwebs. They sprout from nowhere and feed on excitement, sprinkled with adventure juice and the sweet flavor of the forbidden. The psyche moves from the realms of the ordinary and takes a delicate step towards the unknown. We know we shouldn't and that is exactly why we do.

It is familiarity with life that makes time speed quickly. When every day is a step in the unknown, as for children, the days are long with gathering of experience . . .

The way of trust is a movement into obscurity, into the undefined, into ambiguity, not into some predetermined, clearly delineated plan for the future. The next step discloses itself only out of a discernment of God acting in the desert of the present moment. The reality of naked trust is the life of the pilgrim who leaves what is nailed down, obvious, and secure, and walks into the unknown without any rational explanation to justify the decision or guarantee the future. Why? Because God has signaled the movement and offered it his presence and his promise.

Among the many things that made the Professor an excellent teacher was the fact that he wasn't afraid to say 'we don't know.' For the Professor, there was no shame in admitting you didn't have the answer, it was a necessary step toward the truth. It was as important to teach us about the unknown or the unknowable as it was to teach us what had already been safely proven.

Religion is based primarily upon fear. It is partly the terror of the unknown and partly as the wish to feel that you have a kind of elder brother who will stand by you in all your troubles and disputes. Fear of the mysterious, fear of defeat, fear of death. Fear is the parent of cruelty, and therefore it is no wonder if cruelty and religion have gone hand in hand. It is because fear is at the basis of those two things. In this world we can now begin a little to understand things, and a little to master them by help of science, which has forced its way step by step against the opposition of all the old precepts. Science can help us to get over this craven fear in which mankind has lived for so many generations. Science can teach us, and I think our own hearts can teach us, no longer to look around for imaginary supports, no longer to invent allies in the sky, but rather to look to our own efforts here below to make this world a fit place to live in, instead of the place that the churches in all these centuries have made it.

It is also for stepping into the unknown," Claudia said, "when it would be easier to cling what it familiar and safe.

It’s a New Year and with it comes a fresh opportunity to shape our world. So this is my wish, a wish for me as much as it is a wish for you: in the world to come, let us be brave – let us walk into the dark without fear, and step into the unknown with smiles on our faces, even if we’re faking them. And whatever happens to us, whatever we make, whatever we learn, let us take joy in it. We can find joy in the world if it’s joy we’re looking for, we can take joy in the act of creation. So that is my wish for you, and for me. Bravery and joy.

Deep hearts, sage minds, take life as God has made it; it is a long trial, an incomprehensible preparation for an unknown destiny. This destiny, the true one, begins for a man with the first step inside the tomb. Then something appears to him, and he begins to distinguish the definitive. The definitive, meditate upon that word. The living perceive the infinite; the definitive permits itself to be seen only by the dead. In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved only bodies, forms, appearances! Death will deprive him of all. Try to love souls, you will find them again.

The uncertainties in life are so uncertain for us to determine the kind woe we shall be entangled in in the next future. When you stay dormant, your life is at risk; when you dare to take a step, you take a step to take a risk. We have a choice. Yes! a choice to choose to dare to get to our real reasons on earth or to choose to live in mediocrity and conformity, but, we ought to note that, it is riskier to risk nothing when the life we live is always at risk.

You that seek what life is in death, Now find it air that once was breath. New names unknown, old names gone: Till time end bodies, but souls none. Reader! then make time, while you be, But steps to your eternity.

Death, of course, should not be feared, but awaited with certain wonder. To die was to step across a threshold into a new world, unknown, unimaginable.

Have no fear of moving into the unknown. Simply step out fearlessly knowing that I am with you

Desire demands only a constant attention to the unknown gravitational field which surrounds us and from which we can recharge ourselves every moment, as if breathing from the atmosphere of possibility itself. A life’s work is not a series of stepping-stones onto which we calmly place our feet, but more like an ocean crossing where there is no path, only a heading, a direction, which, of itself, is in conversation with the elements.

One true king knew when to step aside and give up the reins of power—to remove his crown and relinquish his kingdom—all for the sake of glimpsing, just once in a lifetime, the face of a holy child. He was the Fourth to follow the Star. His gift was a secret. The rest of his journey is unknown.

Beyond, the unknown lay before us once more, and another impossible task. The four of us emerged from the earth and turned our steps west, toward the last hope for Salvation.

The uncertainty, the fear of the unknown was driving him, almost to the point of desperation. He felt as if he was going down a dark stairway, missing a step, hurtling into the unknown and having no idea where he would land.

There will be so much more in between. So much uncertainty. I don't know if we'll survive the catacombs, let alone the rest of it. But it doesn't matter. For now, these steps are enough. These first few precious steps into darkness. Into the unknown. Into freedom.

And life? Life itself? Was it perhaps only an infection, a sickening of matter? Was that which one might call the original procreation of matter only a disease, a growth produced by morbid stimulation of the immaterial? The first step toward evil, toward desire and death, was taken precisely then, when there took place that first increase in the density of the spiritual, that pathologically luxuriant morbid growth, produced by the irritant of some unknown infiltration; this, in part pleasurable, in part a motion of self-defense, was the primeval stage of matter, the transition from the insubstantial to the substance. This was the Fall.

It was Friday, July 24, 1992, when I stepped on the train. Every year I think of it. I see it as my real birthday: the birth of me as a person, making decisions about my life on my own. I was not running away from Islam, or to democracy. I didn't have any big ideas then. I was just a young girl and wanted some way to be me; so I bolted into the unknown.

That was love, wasn't it? It wasn't a quick drop - it was falling, over and over again for your person. It was falling as they became new people. It was learning how to exist with every new breath. It was uncertain and it was undeniably hard, and it wasn't something you could plan for. Love was an invitation into the wild unknown, one step at a time together.

She no longer wanted to quietly sit at the end of a story. She wanted to keep stepping into new ones. She wanted to love, to discover, to feel. She wanted a life that felt like running through a field of wildflowers and then finding a gate at the end that led into an enchanted unknown. And she wanted to do it all with Jacks.

Dream big. Wake up. Take the first step into the unknown.

But whether or not they chose to take a step into the unknown, the unknown would still come, the yawning precipice would still swallow them whole, and life as they knew it would be over. And they had all become highly aware of the end.

So much has been done, exclaimed the soul of Frankenstein—more, far more, will I achieve; treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation.

Growth means change and change involves risk, stepping from the known to the unknown. —Author Unknown

When you get to the end of all the light that you know and it’s time to step into the darkness of the unknown, faith is knowing that one of two things will happen: either you will be given something solid to stand on or you will be taught how to fly.

Still, being fragile creatures, humans always try to hide from themselves the certainty that they will die. They do not see that it is death itself that motivates them to do the best things in their lives. They are afraid to step into the dark, afraid of the unknown, and their only way of conquering that fear is to ignore the fact that their days are numbered. They do not see that with an awareness of death, they would be able to be even more daring, to go much further in their daily conquests, because then they would have nothing to lose- for death itself is inevitable.

Courage is fueled by the motivation to take the first step into the unknown.

Have no fear of moving into the unknown. Simply step out fearlessly, knowing that I am with you.

The future has many names. For the weak, it’s unattainable. For the fearful, it’s unknown. For the bold, it’s ideal. —VICTOR HUGO

The future is as cold and alien as the terrain of a newly discovered planet. Isn’t that the beauty of the future? If you push forward, if you aren’t too afraid, if you step into your space suit and enter the darkness, you will discover new and terrible worlds.

That was love, wasn't it? It wasn't just a quick drop--it was falling, over and over again, for your person. It was falling as they became new people. It was learning how to exist with every new breath. It was uncertain and it was undeniably hard, and it wasn't something you could plan for. Love was an invitation into the wild unknown, one step at a time together.

Order and simplification are the first steps toward mastery of a subject -- the actual enemy is the unknown.

We can choose to be afraid of it, to stand there trembling not moving, assuming the worst that can happen or we can step forward into the unknown and assume it will be brilliant.

Stuffing our memories might become familiar over the years, but it requires a mental vigilance that separates us from our inner world. It's building our lives making sure we never step on any path that might lead us to the tender and scary places we carry within us. We don't dare explore the unknown. We can't allow new possibilities. And yet, those are the very paths connected to the core of who we are beyond our abuse.

You that seek what life is in death, Now find it air that once was breath. New names unknown, old names gone: Till time end bodies, but souls none. Reader! then make time, while you be, But steps to your eternity. —Baron Brooke Fulke Greville, “Caelica 83

In the world to come, let us be brave – let us walk into the dark without fear, and step into the unknown with smiles on our faces, even if we're faking them. And whatever happens to us, whatever we make, whatever we learn, let us take joy in it. We can find joy in the world if it's joy we're looking for, we can take joy in the act of creation.

If you are nervous about making the jump or simply putting it off out of fear of the unknown, here is your antidote. Write down your answers to these questions, and keep in mind that thinking a lot will not prove as fruitful or as prolific as simply brain vomiting on the page. Write and do not edit - aim for volume. Spend a few minutes on each answer. 1. Define your nightmare, the absolute worst that could happen if you did what you are considering. 2. What steps could you take to repair the damage or get things back on the upswing, even if temporarily? 3. What are the outcomes or benefits, both temporary and permanent, of more probably scenarios? 4. If you were fired from your job today, what would you do to get things under financial control? 5. What are you putting off out of fear? 6. What is it costing you - financially, emotionally, and physically - to postpone action? 7. What are you waiting for?

There is nothing like a doorbell to precipitate the potential into the kinetic. When you stand outside a door and push the button, something has to happen. Someone must respond; whatever is inside must be revealed. Questions will be answered, uncertainties or mysteries dispelled. A situation will be started on its way through unknown complications to an unpredictable conclusion. The answer to your summons may be a rush of tearful welcome, a suspicious eye at the crack of the door, a shot through the hardwood, anything. Any pushing of any doorbell button is as rich in dramatic possibility as that scene in Chekhov when, just as the Zemstvo doctor's only child dies of diphtheria and the doctor's wife drops to her knees beside the bed and the doctor, smelling of carbolic, takes an uncertain step backward, the bell sounds sharply in the hall.

The first step is the hardest in every journey of dreams. There is nothing else to fear unto whosoever has shown the tenacity to begin; because, once having started, the hardest part of the mission is the one lying behind.

There are times in our lives when the Lord calls us to seize the opportunities presented us. When we must, no matter how hard or fearful, summon the courage to step out into the unknown, brave the darkness, and embrace the dawn. With the Lord's help, though, such seemingly impossible feats become not only attainable, but essential.

When you get to the end of all the light you know, and it’s time to step into the darkness of the unknown, faith is knowing that one of two things shall happen: either you will be given something solid to stand on, or you will be taught how to fly.

Yet, despite all, it is a difficult thing to admit the existence of ghosts in a coldly factual world. One's very instincts rebel at the admission of such maddening possibility. For, once the initial step is made into the supernatural, there is no turning back, no knowing where the strange road leads except that it is quite unknown and quite terrible. ("Slaughter House")

There is much that I could say about the happy and tender incidents in my childhood days, the sense of security which I enjoyed with my parents, my childish affections and carefree, irresponsible existence in a gentle and affectionate ambience. But my interest is reserved for the steps that I took in my life towards self-realization. All the pleasant points of repose, islands of happiness, paradises whose magic was not unknown to me can remain, as far as I am concerned, in the enchanted distance; for it is not a world that I have any particular desire to re-enter.

Meaning comes from the unknown, from the stranger, from the unpredictable that suddenly knocks at your door — a flower that suddenly blooms and you never expected it; a friend that suddenly happens to be on the street you were not waiting for; a love that blooms suddenly and you were not even aware that this was going to happen, you had not even imagined, not even dreamed. Then life has meaning. Then life has a dance. Then every step is happy because it is not a step filled with duty, it is a step moving into the unknown. The river is going towards the sea.

The most formidable chains are forged from beliefs. Ah, beliefs! Beliefs tear out the eyes and leave us blind and groping in the dark. If I believe in one proposition, I have become locked behind the door of that belief, and all other doors to learning and freedom, although standing open and waiting for me to enter, are now closed to me. If I believe in one God, one religion, yes, if I believe in God at all, if I have closed my mind to magic, to spirit, to salvation, to the unknown dimension that exist in the firmament, I have plunged my mind into slavery. Test all beliefs. Distrust all beliefs.

Lovecraft said that the oldest and strongest type of fear is the fear of the unknown. And he was an authority on such matters. But that's not exactly it, is it? We like the unknown. We're hunky dory with the unknown. We are, in fact, perfectly thrilled with the unknown -- as long as it remains unknown and we never have to think about it. What we're really afraid of is that the unknown will stand up and demand to be recognized. That it won't get out of the way quickly enough and we'll step in it, all squishy and moist. We're terrified at night in the dark that the rough, slouching unknown will crawl into bed and give us a hot wet kiss on the neck. We're not afraid of the unknown. We're afraid of the unknown becoming known.

One step across the dividing line, so like the one between the living and the dead and you enter an unknown world of suffering and death. What will you find there? Who will be there? There, just just beyond the field, that tree, that sunlit roof? No one knows, and yet you want to know. You dread crossing that line, and yet you want to cross it. You know sooner or later you will have to go across and find out what is there beyond it, just as you must inevitably found out what lies beyond death. Yet here you are, fit and strong, carefree and excited, with men all around you just the same- strong, excited and full of life.' This is what all men think when they get sight of the enemy, or they feel it if they do not think it, and it is this feeling that gives a special lustre and a delicious edge to the awareness of everything that is now happening.

If you want to earn the gratitude of your own age you must keep in step with it. But if you do that you will produce nothing great. If you have something great in view you must address yourself to posterity: only then, to be sure, you will probably remain unknown to your contemporaries; you will be like a man compelled to spend his life on a desert island and there toiling to erect a memorial so that future seafarers shall know he once existed.

I recall those beautiful summer mornings with my parents by the sandy beach of Belek. My father used to teach me how to ride waves. I remember him constantly emphasizing the fact that no wave, no matter how big it is should stir enough fear inside me to keep me glued to the shore. He used to repeat those words while glancing at my mother with a smile that could set the whole sea on fire. My mother, sitting on the beach, too afraid of the deep blue sea, contented herself with building sand castles, ones my father would step on trying to drag her hopelessly into water. Step on your sand castle and dive deep. Dive deep into the unknown. Life is damn too short for building sand castles.

Against this backdrop of an imagined future, Bridger poled the sluggish ferry. To and fro, back and forth, motion without progression, never venturing so much as a mile beyond the fixed points of the two landings. It was the polar opposite of the life he imagined for himself, a life of wandering and exploration through country unknown, a life in which he never once retraced his steps.

Unfortunately, many souls do not step up to their soul task. After all, once the soul inhabits a human body it grows fearful of the unknown. Instead of embracing its true purpose, the soul runs from its own destiny, thinking that if it avoids it long enough those longings, those yearnings will just disappear. Some souls slip further and further into the abyss until they have nowhere left to go.

She felt her future close upon her but unseen, like the sea behind the blowing veil of snow... She would follow Llyr's advice and face it a little every day...Day by day, step by step life would go forward. Eventually, the veil would lift, the cold would yield to the sun's warmth, and the world would be reborn. This dark time would pass.

That is the definition of truth, it is the thing you must not say. “The miracle into which the child and the poet walk” [Tsvetaeva] as if walking home, and home is there…The thing that is both known and unknown, this is what we are looking for when we write. We go toward the most unknown and the best unknown, this is what we are looking for when we write. We go toward the best known unknown thing, where knowing and not knowing touch, where we hope we will know what is unknown. Where we hope we will not be afraid of understanding the incomprehensible, facing invisible, hearing the inaudible, thinking the unthinkable, which is of course: thinking. Thinking is trying to think the unthinkable: thinking the thinkable is not worth the effort. Painting is trying to paint what you cannot paint and writing is writing what you cannot know before you have written: it is preknowing and not knowing, blindly, with words. It occurs at the point where blindness and light meet. Kafka says—one very small line lost in his writing—“to the depths, to the depths.

Before my last exhale, Before the curtain falls, Before the last flower wilts, I intend to live fully, I intend to love without inhibition, I intend to be. In this cruel world, In this era steeped in hatred and grudge, In this age filled with disasters, I want to be in the presence of those who need me, Whom I need, Who are worthy of reverence? So that I can discover, Be mesmerized, And understand anew, All that I am, All that I can be, All that I want to be. So that the days don’t pass me by in meaningless void, The hours become alive, And the moments gain significance. When I laugh, When I cry, When I am silent, I am journeying towards you, Towards myself, Towards the divine. For it is an unknown path, Full of thorns, And ebbs and flows. A path that upon taking, Upon which I have already stepped foot, There is no return, Until I have seen the blossoming of the flowers, Until I have heard the rivers roar, Until I have been awed by the beauty of life. Now death can find me, Now I can carry on with the journey, Now I can say that I have lived.

NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!

In my dreams I come face to face with myriad reflections of myself, all unknown and passing strange. They speak unending in languages not my own and walk with companions I have never met, in places my steps have never gone. In my dreams I walk worlds where forests crowd my knees and half the sky is walled ice. Dun herds flow like mud, vast floods tusked and horned surging over the plain, and lo, they are my memories, the migrations of my soul.

HONESTY is reached through the doorway of grief and loss. Where we cannot go in our mind, our memory, or our body is where we cannot be straight with another, with the world, or with our self. The fear of loss, in one form or another, is the motivator behind all conscious and unconscious dishonesties: all of us are afraid of loss, in all its forms, all of us, at times, are haunted or overwhelmed by the possibility of a disappearance, and all of us therefore, are one short step away from dishonesty. Every human being dwells intimately close to a door of revelation they are afraid to pass through. Honesty lies in understanding our close and necessary relationship with not wanting to hear the truth. The ability to speak the truth is as much the ability to describe what it is like to stand in trepidation at this door, as it is to actually go through it and become that beautifully honest spiritual warrior, equal to all circumstances, we would like to become. Honesty is not the revealing of some foundational truth that gives us power over life or another or even the self, but a robust incarnation into the unknown unfolding vulnerability of existence, where we acknowledge how powerless we feel, how little we actually know, how afraid we are of not knowing and how astonished we are by the generous measure of grief that is conferred upon even the most average life. Honesty is grounded in humility and indeed in humiliation, and in admitting exactly where we are powerless. Honesty is not found in revealing the truth, but in understanding how deeply afraid of it we are. To become honest is in effect to become fully and robustly incarnated into powerlessness. Honesty allows us to live with not knowing. We do not know the full story, we do not know where we are in the story; we do not know who is at fault or who will carry the blame in the end. Honesty is not a weapon to keep loss and heartbreak at bay, honesty is the outer diagnostic of our ability to come to ground in reality, the hardest attainable ground of all, the place where we actually dwell, the living, breathing frontier where there is no realistic choice between gain or loss.

Believing that each step of my life would mean contact with the horror of the New and that each new person I met was a new and living fragment of the unknown to be placed before me on the table for my daily horrified contemplation, I decided to abstain from everything, to go nowhere, to reduce action to the minimum, to avoid as far as possible meeting either men or events, to perfect abstinence and cultivate renunciation. That's how much living frightens and torments me.

I’m with you, Laia.” I reach out and take her hand. She squeezes it. I take a step, Laia close beside me. Then another. My mind ranges out, planning our next moves: Escape Serra. Survive the road north. Break into Kauf. Save Laia’s brother. There will be so much more in between. So much uncertainty. I don’t know if we’ll survive the catacombs, let alone the rest of it. But it doesn’t matter. For now, these steps are enough. These first few precious steps into darkness. Into the unknown. Into freedom.

Disease was a perverse, a dissolute form of life. And life? Life itself? Was it perhaps only an infection, a sickening of matter? Was that which one might call the original procreation of matter only a disease, a growth produced by morbid stimulation of the immaterial? The first step toward evil, toward desire and death, was taken precisely then, when there took place that first increase in the density of the spiritual, that pathologically luxuriant morbid growth, produced by the irritant of some unknown infiltration; this, in part pleasurable, in part a motion of self-defence, was the primeval stage of matter, the transition from the insubstantial to the substance. This was the Fall. The second creation, the birth of the organic out of the inorganic, was only another fatal stage in the progress of the corporeal toward consciousness, just as disease in the organism was an intoxication, a heightening and unlicensed accentuation of its physical state; and life, life was nothing but the next step on the reckless path of the spirit dishonored; nothing but the automatic blush of matter roused to sensation and become receptive for that which awaked it.

Beginning a conversation is an act of bravery. When you initiate a conversation, you fearlessly step into the unknown. Will the other person respond to favorably or unfavorably? Will it be a friendly or hostile exchange? There is a feeling of being on the edge. That nanosecond of space and unknowing can be intimidating. It shows your vulnerability. You don't know what is going to happen. You feel quite exposed. There's a chance you'll experience embarrassment. Yet this very feeling is what allows you to connect to the other person.

It just goes against nature for a thinking and seeing being to live among these irregularities and unknown X's. It is as if someone blindfolds you and then makes you walk around like that and you feel your way around, stumbling, and you know that there is an edge somewhere very nearby and that it would only that one step for the only thing left of you to be a flattened, mangled piece of meat. Isn't that just about the same thing I'm going through?

What we hadn’t known about, back then, was pain. Sure, we’d faced some things as children that a lot of kids don’t. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind—graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you’re very, very lucky, there are a very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last—and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don’t feel it. Pain is a part of life. Sometimes it’s a big part, and sometimes it isn’t, but either way, it’s part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you’re alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.

two feet in this year i choose to burn my good candles on a Tuesday at noon just because i choose to use the expensive lotion the one i keep tucked safe up on the counter not ration any of my most cherished belongings because i am worth investing in ---right now this year I choose to wear that thing you know the one I told myself I would slip on when I looked a certain way? I choose to love my body this vessel I have been given and her seasons as they shift this year I give myself permission to change and keep changing for I understand there is an underlying truth when it comes to becoming- it doesn't have to mirror anyone else this year I choose to let go really let go of the heavy of the half-hearted no more forcing connection where it no longer lives I choose to nourish what's willing to grow this year I choose to be grateful for the teachings of my yesterday I honor my wholeness when I honor my whole self- even the shaky parts this year I choose to step forward clear eyes heart open two feet grounded palms wide to the all-is-possible unknown and new

She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.

My mom’s smile is genuine, A lilac beaming In the presence of her Sun. Indentions in the sand prove Time’s linear progression, Her hair yet unblighted, Carrying midnight’s consistency. Clear tracks fading as the Movement slips further In the past. Cheekbones High, soft, In summer’s hue, Hopeful. Each step’s unknown impact, A future looking back. My father’s strength: One whose Life is in his arms. Squinting past the camera, He rests upon a rock Like caramel corn half eaten, Just to the left Of man-made concrete convention Daylight’s eraser Removing color to his right. Dustin sits In my father’s lap, Open mouth of a drooling Big mouth bass; Muscle tone Of a well exercised Jelly fish, He looks at me Half aware; His wheelchair Perched at the edge Of parking lot gravel grafted Like a scar on nature’s beach, Opening to the ironic splendor Of a bitter tasting lake. I took the picture. Age 11. Capturing the pinnacle arc Of a son To my lilac Who Outlived him and weeps, Still. Their sky has staple holes – Maybe that’s how the Light Leaked out.

[Texting] discourages thoughtful discussion or any level of detail. And the addictive problems are compounded by texting's hyperimmediacy. E-mails take some time to work their way through the Internet, through switches and routers and servers, and they require that you take the step of explicitly opening them. Text messages magically appear on the screen of your phone and demand immediate attention from you. Add to that the social expectation that an unanswered text feels insulting to the sender, and you've got a recipe for addiction: You receive a text, and that activates your novelty centers. You respond and feel rewarded for having completed a task (even though that task was entirely unknown to you fifteen seconds earlier). Each of those delivers a shot of dopamine as your limbic system cries out "More! More! Give me more!

She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.

Darkness makes the brain giddy. Man needs light. Whoever plunges into the opposite of day feels his heart chilled. When the eye sees blackness, the mind sees trouble. In an eclipse, in night, in the sooty darkness, there is an anxiety even to the strongest. Nobody walks alone at night in the forest without trembling. Darkness and trees, two formidable depths - a reality of chimeras appears in the indistinct distance. The Inconceivable outlines itself a few steps from you with a spectral clearness. You see floating in space or in your brain something strangely vague and unseizable as the dreams of sleeping flowers. There are fierce phantoms in the horizon. You breathe in the odours of the great black void. You are afraid, and tempted to look behind you. The hollowness of night, the haggardness of all things, the silent profiles that fade away as you advance, the obscure dishevelments, angry clumps, livid pools, the gloomy reflected in the funeral, the sepulchral immensity of silence, the possible unknown beings, the swaying of mysterious branches, the frightful twistings of the trees, long spires of shivering grass - against all this you have no defence. There is no bravery which does not shudder and feel the nearness of anguish. You feel something hideous as if the soul were amalgamating with the shadow. This penetration of the darkness is inexperessibly dismal for a child. Forests are apocalypses; and the beating of the wings of a little soul makes an agonising sound under their monstrous vault.

To Be the Famous..." To be the famous isn’t attractive, Not this could ever elevate, You needn’t to make your archive active, You needn’t your scripts to be all saved. Self-offering’s aimed by creation, But ballyhoo or cheap success, It is a shame, if worthless persons Are talks of towns’ populace. But you’ve to live without phony, To live such life that, after all, To gain love of the space symphony, And answer to the future’s call, And oft to leave gaps in your traces In fate, but in the papers, crooked, To mark the chapters and main places On margins of your being’s book, To fully sink in the unknown, And hide in it your own steps Like hide itself, if mist is grown, The whole landscape of the place. The others, by the living traces, Will pass your way through, bit by bit, But wins and losses of your battles You have not to discern on it. You’ve never – not by fate or folly – To lose an atom of your face, But – be alive, alive and only, Alive and only, till your last.

Damn it all. “Ascanio!” The bouda sauntered forward, a picture of pure innocence on his face. “What the hell are you doing?” I growled. He pulled on a disarming smile like a shield. “Following you.” “Why?” “Because.” So help me God, I would brain him with something heavy in a minute. “Because why?” “I wanted to come. It’s too dangerous for you and I’m concerned.” Derek snarled quietly under his breath. “You can’t blame me,” Ascanio said. “Anybody in my place would be concerned. You don’t even have a proper horse. You’re riding a mutant equine of unknown origin.” “Don’t disrespect my donkey. If you wanted to come, why didn’t you say so?” Ascanio gazed at me, broadcasting sincerity. “Because you would say no. And I would never disobey you, Alpha.” Argh. “Did you tell Jim where you were going?” He looked taken aback. “Of course not!” “Why not?” He spread his arms. “Because he would say no.” I put my hand over my face. “Technically, I haven’t disobeyed any orders,” Ascanio said. I pointed at him. “Okay.” Ascanio took a step back. “I understand you need a moment.

All at once, in his dangerous position, Ćorkan felt himself separated from his companions. He was now like some gigantic monster above them. His first steps were slow and hesitating. His heavy clogs kept slipping on the stones covered with ice. It seemed to him that his legs were failing him, that the depths below attracted him irresistibly, that he must slip and fall, that he was already falling. But his unusual position and the nearness of great danger gave him strength and hitherto unknown powers. [...] Instead of walking, he began to dance, he himself did not know how, as free as if he had been on a wide green field and not on that narrow and icy edge. All of a sudden he felt himself light and skilful as a man sometimes in dreams. His heavy and exhausted body felt without weight. The drunken Ćorkan danced and floated above the depths as if on wings. [...] His dance bore him onward where his walk would never have borne him- No longer thinking of the danger of the possibility of a fall, he leapt from one leg to the other and sang with outstretched arms as accompanying himself on a drum.

It’s the same feeling we get when we realize the summer is gone and now it is winter again and we didn’t go to the beach and the gym and camping and all the other things we promised ourselves we would do, any more often than we did the summer before. And now we have no choice—our birthday is here again whether we like it or not—so we gamely celebrate it, making the most of it, hiding our dread of mortality behind a cake and a card. Here is something amazing: When you fill every day with the best memories you can possibly make, when you visualize the life you want to live and then move toward it no matter what the cost, that twinge of regret is forever gone. You are aligned. You are exactly where you need to be. You can’t see the future, but that’s okay. You just take another step forward into the mystery, the unknown, knowing that your foot will always hit something. It is a wonderful thing to be free of the feeling of the marching of time; to have the ability to welcome it; to know that all your adventures, small and great, are creating you, a glorious you; to discover that when you love and celebrate your life, others will love and celebrate your life, too.

He sensed a lonely childhood on some great decaying plantation, an echoing ‘Great House’ slowly falling into disrepair and being encroached on by the luxuriance of the tropics. The parents dying, and the property being sold. The companionship of a servant or two and an equivocal life in lodgings in the capital. The beauty which was her only asset and the struggle against the shady propositions to be a ‘governess’, a ‘companion’, a ‘secretary’, all of which meant respectable prostitution. Then the dubious, unknown steps into the world of entertainment. The evening stint at the nightclub with the mysterious act which, among people dominated by magic, must have kept many away from her and made her a person to be feared. And then, one evening, the huge man with the grey face sitting at a table by himself. The promise that he would put her on Broadway. The chance of a new life, of an escape from the heat and the dirt and the solitude. Bond turned brusquely away from the window. A romantic picture, perhaps. But it must have been something like that.

Like most people, when I look back, the family house is held in time, or rather it is now outside of time, because it exists so clearly and it does not change, and it can only be entered through a door in the mind. I like it that pre-industrial societies, and religious cultures still, now, distinguish between two kinds of time – linear time, that is also cyclical because history repeats itself, even as it seems to progress, and real time, which is not subject to the clock or the calendar, and is where the soul used to live. This real time is reversible and redeemable. It is why, in religious rites of all kinds, something that happened once is re-enacted – Passover, Christmas, Easter, or, in the pagan record, Midsummer and the dying of the god. As we participate in the ritual, we step outside of linear time and enter real time. Time is only truly locked when we live in a mechanised world. Then we turn into clock-watchers and time-servers. Like the rest of life, time becomes uniform and standardised. When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed – for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little. Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you. Why did I leave home when I was sixteen? It was one of those important choices that will change the rest of your life. When I look back it feels like I was at the borders of common sense, and the sensible thing to do would have been to keep quiet, keep going, learn to lie better and leave later. I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it. And here is the shock – when you risk it, when you do the right thing, when you arrive at the borders of common sense and cross into unknown territory, leaving behind you all the familiar smells and lights, then you do not experience great joy and huge energy. You are unhappy. Things get worse. It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded. And then all the cowards come out and say, ‘See, I told you so.’ In fact, they told you nothing.