β
For the two of us, home isn't a place. It is a person. And we are finally home.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Tell the truth, or someone will tell it for you.
β
β
Stephanie Klein (Straight Up and Dirty)
β
The more you know who you are, and what you want, the less you let things upset you.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Is it possible for home to be a person and not a place?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Iβve been fighting to be who I am all my life. Whatβs the point of being who I am, if I canβt have the person who was worth all the fighting for?
β
β
Stephanie Lennox (I Don't Remember You)
β
I know you aren't perfect. But it's a person's imperfections that make them perfect for someone else.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
French name, English accent, American school. Anna confused.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I wish friends held hands more often, like the children I see on the streets sometimes. I'm not sure why we have to grow up and get embarrassed about it.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Is that a bulletproof vest? See, now that's so insulting. That's like saying I'm not smart enough to shoot you in the head."
Eddie DeChooch
β
β
Janet Evanovich (Seven Up (Stephanie Plum, #7))
β
Will you please tell me you love me? Iβm dying here.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Every person has the power to change their fate if they are brave enough to fight for what they desire more than anything.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
I'm saying I'm in love with you! I've been in love with you this whole bleeding year!
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Boys turns girls into such idiots.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
What we wait around a lifetime for with one person, we can find in a moment with someone else.
β
β
Stephanie Klein (Straight Up and Dirty)
β
Why is it that the right people never wind up together? Why are people so afraid to leave a relationship, even if they know it's a bad one?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Every good story needs a villain.
But the best villains are the ones you secretly like.
β
β
Stephanie Garber (Legendary (Caraval, #2))
β
I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I wish for the thing that is best for me.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
When life offers you a dream so far beyond any of your expectations, itβs not reasonable to grieve when it comes to an end.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
Girl scouts didn't teach me what to do with emotionally unstable drunk boys.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
She imagined loving him would feel like falling in love with darkness, frightening and consuming yet utterly beautiful when the stars came out.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
Just because something isn't practical doesn't mean it's not worth creating. Sometimes beauty and real-life magic are enough.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
My heart only ever had one thought, one want. One need. Despite all, in spite of all...All my heart has ever wanted is you.
β
β
Stephanie Laurens (The Edge of Desire (Bastion Club, #7))
β
I'm a little distracted by this English French American Boy Masterpiece.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Soap?"
"School of America in Paris" he explains. "SOAP".
Nice. My father sent me here to be cleansed.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
In the morning, you can forget it. You can go back to pretending you don't like me, and I can pretend that I don't care. But for tonight, let me pretend you're mine.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Perfect is overrated. Perfect is boring."
I smile. "You don't think I'm perfect?"
"No. You're delightfully screwy, and I wouldn't have you any other way.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I said it would be better if we werenβt friends, not that I didnβt want to be.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
Hope is a powerful thing. Some say itβs a different breed of magic altogether. Elusive, difficult to hold on to. But not much is needed.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Just because I'm not forever by your side doesn't mean that's not precisely where I want to be.
β
β
Stephanie Laurens (A Rogue's Proposal (Cynster, #4))
β
What is it?' Stephanie whispered.
'That, my dear Valkyrie, is what we call a monster.'
She looked at Skulduggery. 'You don't know what it is, do you?'
'I told you what it is, it's a horrible monster. Now shut up before it comes over here and eats us.
β
β
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
β
When it's right, it's simple.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Heroes don't get happy endings. They give them to other people.
β
β
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
β
What if I'm not a superhero. What if I'm the bad guy?
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
Seriously, I don't know any American girl who can resist an English accent.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
So do you believe in second chances?" I bite my lip.
"Second, third, fourth. Whatever it takes. However long it takes. If the person is right," he adds.
"If the person is... Lola?"
This time, he holds my gaze. "Only if the other person is Cricket.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I don't want to feel this way around him. I want things to be normal. I want to be his friend, not another stupid girl holding out for something that will never happen.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
And if I'm the stars, Cricket Bell is entire galaxies.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
How many times can our emotions be tied to someone else's - be pulled and stretched and twisted - before they snap? Before they can never be mended again?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
There are some people in life that you can't get over.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I believe there are far more possibilities than happily ever after or tragedy. Every story has the potential for infinite endings.
β
β
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
β
We both got our Point Zero wishesβeach other. He said he wished for me every time.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Sometimes a mistake isn't a what. It's a who.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
It hurts, Jacks.β
βI know, love. Iβm going to take you somewhere safe.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Every story has four parts - the beginning, the middle, the almost ending, and the true ending.
β
β
Stephanie Garber (Legendary (Caraval, #2))
β
No one is truly honest,β Nigel answered. βEven if we don't lie to others, we often lie to ourselves. And the word good means different things to different people.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
My professional aspirations were simple - I wanted to be an intergalactic princess.
β
β
Janet Evanovich
β
A moment of reserve. "That was it? The whole story?"
"Yes. God, you're right. That was pants."
I sidestep another aggressive couscous vendor. "Pants?"
"Rubbish. Crap. Shite."
Pants. Oh heavens, that's cute.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I don't believe in fashion. I believe in costume. Life is too short to be same person every day.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Where were you?β she asked.
βI was killing innocent maidens and kicking puppies.β
βJacks, thatβs not funny.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
I moan with pleasure.
"Did you just have a foodgasm?" he asks, wiping ricotta from his lips.
"Where have you been all my life?" I ask the beautiful panini.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
This is home. The two of us.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Anna, Anna," Josh interrupts. "If I had a euro for every stupid thing I've done, I could buy the Mona Lisa. You'll be fine.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
People should say what they mean and not make other people stumble around.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Everyone makes mistakes. The important thing is to not make the same mistake twice.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Madame Guillotine gets mad at me. Not because I told them to shove it, but because I didnβt say it in French. What is wrong with this school?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
The only French word I know is oui, which means βyes,β and only recently did I learn itβs spelled o-βu-βi and not w-βe-βe.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
It's easy to talk about things we hate, but sometimes it's hard to explain exactly why we like something.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I wish our story could have had another ending.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Please. The boy gets a boner every time you walk into the room."
My eyes pop back open. Does she mean that figuratively or has she actually seen something? No. Focus, Anna.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Why do I care so much about him, and why do I wish I didn't? How can one person make me so confused all of the time?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Occasionally, there are minutes that get extra seconds. Moments so precious the universe stretches to make additional room for them.
β
β
Stephanie Garber (Finale (Caraval, #3))
β
Hope is a difficult thing to kill, just a spark of it can start a fire.
β
β
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
β
Har. Bloody. Har."
He smiles. "Oh, I see. Known me less than a day and teasing me about my accent. What's next? Care to discuss the state of my hair? My height? My trousers?"
Trousers. Honestly.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Because thatβs the thing about depression. When I feel it deeply, I donβt want to let it go. It becomes a comfort. I want to cloak myself under its heavy weight and breathe it into my lungs. I want to nurture it, grow it, cultivate it. Itβs mine. I want to check out with it, drift asleep wrapped in its arms and not wake up for a long, long time.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I make lots of mistakes. I try hard not to make the same mistake more than three or four times.
β
β
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
β
I am hard on myself. But isnβt it better to be honest about these things before someone else can use them against you? Before someone else can break your heart? Isnβt it better to break it yourself?
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
He held her with the type of intensity that only happens when a person wants something that isn't quite theirs.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Books have been thought of as windows to another world of imagination
β
β
Stephenie Meyer
β
I automatically assume people won't like me, so I don't talk to them unless they approach me first. I can't become a part of a crowd because I can't get past that feeling that I don't belong.
β
β
Stephanie Kuehnert (Ballads of Suburbia)
β
Life isnβt about what you get, itβs about what you DO with what you get.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Phones are distracting. The internet is distracting.The way he looked at you? He wasn't distracted. He was consumed.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
And he loved her. He loved her. He loved her. He loved her. He loved her so much heβd rewritten history.
β
β
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
β
Dreams that come true can be beautiful, but they can also turn into nightmares when people won't wake up.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
I don't know if I can fix your broken heart, but you can take mine because it's already yours.
β
β
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
β
Most of my life, Iβve romanticized death. I used to love the idea of something being so tremendous that it was worth dying for. But I was wrong. I think the most magnificent things are worth living for.
β
β
Stephanie Garber (Finale (Caraval, #3))
β
A blank canvas...has unlimited possibilities.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
And I hold my head high toward my big entrance, hand in hand with the boy who gave me the moon and the stars.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Whatever you've heard about Caraval, it doesn't compare to the reality. It's more than just a game or performance. It's the closest you'll ever find yourself magic in this world.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
She remembered thinking falling for him would be like falling in love with darkness, but now she imagined he was more like a starry night: the constellations were always there, constant, magnificent guides against the ever-present black.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
I hate mornings. They start so early.
β
β
Janet Evanovich (Plum Spooky (Stephanie Plum, #14.5))
β
I draw him closer by his tie and whisper into his ear, "Cricket Bell, I have been in love with you for my entire life.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
This is my choice, and I choose you, Donatella. I donβt need immortality. Youβre my forever.
β
β
Stephanie Garber (Finale (Caraval, #3))
β
I had never given much thought to how I would die, but dying in the place of someone I love doesn't seem like such a bad way to go.
β
β
Stephenie Meyer
β
Some things are worth pursuit regardless of the cost.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
What just happened?"
"Your father invited the former love of your life in for pie."
"Yeah, that's what I thought.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I am a monster, but whether you remember it or not, Iβm your monster, Evangeline.
β
β
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
β
I do not want you dead, and Iβll kill anyone who tries.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Iβm going to go back and stop your son from killing her.β
The queenβs face fell. For a moment, she looked as old as the years sheβd spent lying in a suspended state. βThat is not a small mistake to fix. If you do this, Time will take something equally valuable from you.β
The Fate gave the queen a look more vicious than any curse. βThere is nothing of equal value to me.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Happy endings can be caught, but they are difficult to hold on to. They are dreams that want to escape the night. They are treasure with wings. They are wild, feral, reckless things that need to be constantly chased, or they will certainly run away.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
So,β she said cautiously, 'is all this your way of telling me youβre the villain?β
His chuckle was dark. 'Iβm definitely not the hero.β
'I already knew that,β Tella said. 'Itβs my story, so clearly Iβm the hero.
β
β
Stephanie Garber (Legendary (Caraval, #2))
β
Not everyone gets a true ending. There are two types of endings because most people give up at the part of the story where things are the worst, where the situation feels hopeless. But thatβs when hope is needed most. only those who persevere can find their true ending.
β
β
Stephanie Garber (Legendary (Caraval, #2))
β
Welcome, welcome to Caraval! The grandest show on land or by sea. Inside youβll experience more wonders than most people see in a lifetime. You can sip magic from a cup and buy dreams in a bottle. But before you fully enter into our world, you must remember itβs all a game.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
Anna prods St. Clair's shoulder. "Come on. Weren't you gonna show me that thing?"
"What thing?"
She stares at him. He stares back. She cocks her head toward Cricket and me.
"Ah, yes." St. Clair stands. "That thing."
They rush out. The door shuts, and St. Clair shouts, "Lola, Cricket wants to show you his thing, too-oo!
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
The girl was dead. If her lifeless body had not confirmed it, then it would have been made clear by the horrible scream of the Fate who held her in his arms. The story curse was familiar with pain, but this was agony, the sort of raw grief that was only seen once in a century. The Fate was every tear that anyone had ever shed for lost love. He was pain given form.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.
One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.
At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.
The boy did. By thinking about the girl.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Most people in Atlanta don't have an accent. It's pretty urban. A lot of people speak gangsta, though," I add jokingly.
"Fo' shiz," he replies in his polite English accent.
I spurt orangey-red soup across the table. St. Clair gives a surprised ha-HA kind of laugh, and I'm laughing too, the painful kind like abdominal crunches. He hands me a napkin to wipe my chin. "Fo'. Shiz." He repeats it solemnly.
Cough cough. "Please don't ever stop saying that. It's too-" I gasp. "Much."
"You oughtn't to have said that. Now I shall have to save it for special occasions."
"My birthday is in February." Cough choke wheeze. "Please don't forget.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I trail my fingers across his cheek. He stays perfectly still for me. βPlease stop apologizing, Γtienne.β
βSay my name again,β he whispers.
I close my eyes and lean forward. βΓtienne.β
He takes my hands into his.Those perfect hands, that fit mine just so. βAnna?β
Our foreheads touch. βYes?β
βWill you please tell me you love me? Iβm dying here.β
And then weβre laughing. And then Iβm in his arms, and weβre kissing, at first quicklyβto make up for lost timeβand then slowly, because we have all
the time in the world. And his lips are soft and honey sweet, and the careful, passionate way he moves them against my own says that he savors the way I
taste, too.
And in between kisses, I tell him I love him.
Again and again and again.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))