Stephanie Brown Quotes

We've searched our database for all the quotes and captions related to Stephanie Brown. Here they are! All 56 of them:

He tasted like midnight and wind, and shades of rich brown and light blue. Colors that made her feel safe and guarded.
Stephanie Garber (Caraval (Caraval, #1))
The first thing I notice is his hair - it's the first thing I notice about anyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles, since I've just seen them in Meredith's room. It's artist's hair. Musician hair. I-pretend-I-don't-care-but-I-really-do hair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Thr rareness, the specialness, of North. Of this night. She wished it could last forever. (It's a yuletide miracle, Charlie Brown)
Stephanie Perkins (My True Love Gave to Me: Twelve Holiday Stories)
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
SWEET: granular, powdered, brown, slow like honey or molasses. The mouth-coating sugars in milk. Once, when we were wild, sugar intoxicated us, the first narcotic we craved and languished in. We’ve tamed, refined it, but the juice from a peach still runs like a flash flood.
Stephanie Danler (Sweetbitter)
She couldn't honestly deny he was extremely appealing physically. His rugged face, his wild dark hair, his warm brown skin. And even though she would never tell him, she loved the way he moved, with total confidence, as though nothing in the world could harm him. It made her less fearful when she was around him. As if boldness and bravery did not always end in defeat.
Stephanie Garber (Caraval (Caraval, #1))
Black Girls… Beautiful in EVERY shade and size. We’ve got that special something! Our melanin is exquisitely beautiful! Love & embrace the skin that you’re in. Our skin tones represent beauty. Light, brown, and dark skinned girls are equally gorgeous!
Stephanie Lahart
and what appears to be every graphic memoir ever written – Jeffrey Brown, Craig Thompson, Alison Bechdel, James Kochalka, Lucy Knisley, and tons of others I’ve never seen before.
Stephanie Perkins (Isla and the Happily Ever After)
Ranger stood and stretched, his black T-shirt rode up, and I caught a glimpse of two inches of brown skin and hard abs and almost had an orgasm. “Babe,” he said. “Are you okay?” “Yep. Why?” “You sort of moaned.” “Gas.” “Understandable.” We took the elevator to the lobby and looked in at the bar. Filled with men speaking Russian.
Janet Evanovich (Top Secret Twenty-one (Stephanie Plum, #21))
I am not just reading a book; I am invested in the book. If George, Denver, and Stephanie Brown don't get their shit together, I am never going to read another book again. Kit enjoys my commitment to their story, but we don't talk about it in front of Della. Della was a part of the Twilight mania, and after reading one chapter of Kit's untitled manuscript she asked if there were werewolves or vampires in the story. Kit shut her down real fast after that.
Tarryn Fisher (F*ck Love)
Anna?" "Yeah?" He pauses. "Never mind." "What?" "Nothing." But his tone is definitely not nothing. I turn to him, and his eyes are closed. His skin is pale and tired. "What?" I ask again,sitting up. St. Clair opens his eyes, noticing I've moved. He struggles,trying to sit up, too, and I help him. When I pull away, he clutches my hand to stop me. "I like you," he says. My body is rigid. "And I don't mean as a friend." It feels like I'm swallowing my tongue. "Uh. Um. What about-?" I pull my hand away from his. The weight of her name hangs heavy and unspoken. "It's not right.It hasn't been right, not since I met you." His eyes close again,and his body sways. He's drunk. He's just drunk. Calm down,Anna. He's drunk, and he's going through a crisis. There is NO WAY he knows what he's talking about right now. So what do I do? Oh my God, what am I supposed to do? "Do you like me?" St. Clair asks. And he looks at me with those big brown eyes-which,okay,are a bit red from the drinking and maybe from some crying-and my heart breaks. Yes,St. Clair.I like you. But I can't say it out loud, because he's my friend. And friends don't let other friends make drunken declarations and expect them to act upon them the next day. Then again...it's St. Clair. Beautiful, perfect,wonderful- And great.That's just great. He threw up on me.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What are you doing here?" He takes a deep breath. "I came for you." "And how on EARTH did you know I was up here?" "I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me." "So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone. "I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-" He breaks off,and my pulse races. What what what? "Why did you lie to me?" The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-" "November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no." Oh my God. "How did you know?" "Josh told me." "When?" "November." I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-" "But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested." "But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it." "Of course I meant it." He stands,and his legs falter. "Careful!" Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it." "I don't under-" He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!" My mind spins. "But Ellie-" "I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-" "But-" "The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day." "But..." I can't think straight. "I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'" I blink at him. "Neruda.I starred the passage.God," he moans. "Why didn't you open it?" "Because you said it was for school." "I said you were beautiful.I slept in your bed!" "You never mave a move! You had a girlfriend!" "No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know." We're going in circles. "How could I know if you never said anything?" "How could I know if you never said anyting?" "You had Ellie!" "You had Toph! And Dave!
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Your memories were stolen by someone who’s been trying to tear us apart.” Something flickered in Apollo’s brown eyes, although if it was anger or pain, she couldn’t tell.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
The statistics on sanity are that one out of every four Americans is suffering from some form of mental illness. Think of your three best friends. If they’re okay, then it’s you. — RITA MAE BROWN
Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
No, I’m NOT Team Light Skin. No, I’m NOT Team Dark Skin. No, I’m NOT Team Brown Skin. I’m Team Melanin because we are one! I’m a Black Queen that celebrates ALL shades of Black beauty. Black women and Black girls are equally beautiful in EVERY shade. Our skin tones are Exquisite Beauty. Respect the complexion!
Stephanie Lahart
My parents aren't hippies. I'm North as in the North Pole. Unfortunately. My brother is Nicholas, and my sister is Noelle. Wow. God. That's About a hundred times worse than your name. I was going to say devoted. Festively devoted.
Stephanie Perkins (My True Love Gave to Me: Twelve Holiday Stories)
Ranger stood and stretched, his black T-shirt rode up, and I caught a glimpse of two inches of brown skin and hard abs and almost had an orgasm. “Babe,” he said. “Are you okay?” “Yep. Why?” “You sort of moaned.” “Gas.” “Understandable.
Janet Evanovich (Top Secret Twenty-one (Stephanie Plum, #21))
I looked around the lot. “Is he dead anywhere nearby?” I really wanted a no on this one. I’d already had my millennium quota of dead. “You see that big bush by the Dumpster?” Jackie said. “Yeah.” “You see that ugly-ass foot sticking out of that big bush?” Oh boy. She was right. There was a foot sticking out of the bush. “Shit, Jackie,” I said. “You didn’t kill that foot, did you?” “No, I didn’t kill that foot. That’s what I’ve been trying to tell you. Someone jacked me over. I’ve been sitting out here, freezing my ass off, waiting to kill that sonovabitch Cameron Brown, and someone beat me to it. It isn’t fair!
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Anna?" Someone knocks on my door, and it startles me out of my seat. No.Not someone. St. Clair. I'm wearing an old Mayfield Dairy T-shirt, complete with yellow-and-brown cow logo,and hot pink flannel pajama bottoms covered in giant strawberries. I am not even wearing a bra. "Anna,I know you're in there. I can see your light." "Hold on a sec!" I blurt. "I'll be right there." I grab my black hoodie and zip it up over the cow's face before wrenching open the door. "Hisorryaboutthat. Come in." I open the door wide but he stands there for a moment, just staring at me. I can't read the expression on his face. Then he breaks into a mischievous smile and brushes past me. "Nice strawberries." "Shut up." "No,I mean it. Cute." And even though he doesn't mean it like I-want-to-leave-my-girlfriend-and-start-dating-you cute,something flickers inside of me. The "force of strength and destruction" Tita de la Garza knew so well.St. Clair stands in the center of my room.He scratches his head, and his T-shirt lifts up on one side, exposing a slice of bare stomach. Foomp! My inner fire ignites. "It's really...er...clean," he says. Fizz. Flames extinguished.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Team Light Skin? No. Team Dark Skin? No. Team Brown Skin? No. TEAM MELANIN… Black Women and Black Girls are Exquisite Beauty in EVERY Shade.
Stephanie Lahart
It's a physical sickness. Étienne. How much I love him. I love Étienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during labs. His messy handwriting on our worksheets. I love handing him his backpack when class is over, because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll — I love that, too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes, and the way he bites his nails, and I love his hair so much I could die. There's only one thing I don't love about him. Her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Ranger was in his usual black—a perfectly tailored black suit, and a black dress shirt open at the neck. The Glock at the small of his back was also black. Ranger’s body is perfect. His hair is very dark brown. Cut short. His eyes are dark brown and intense. His skin is the color of hot chocolate, the lucky result of his Latino ancestry. His earbud matched his skin tone and was barely detectable.
Janet Evanovich (Top Secret Twenty-one (Stephanie Plum, #21))
So you and St. Clair seemed pretty friendly at breakfast." "Um." Is she threatened by me? "I wouldn't get any ideas if I were you," she continues. "Not even you're pretty enough to steal him from his girlfriend. They've been together forever." Was that a compliment? Or not? Her emphasizing is really getting on my nerves. (My nerves.) Amanda gives a fake, bored yawn. "Interesting hair." I touch it self-consciously. "Thanks. My friend bleached it." Bridge added the thick band to my dark brown hair just last week. Normally, I keep the stripe tucked behind my right ear, but tonight it's back in a ponytail. "Do you like it?" she asks. Universal bitch-speak for I think it's hideous. I drop my hand. "Yeah.That's why I did it." "You know,I wouldn't pull it back like that. You kinda look like a skunk." "At least she doesn't reek like one." Rashmi appears behind me. She'd been visiting Meredith; I'd heard their muffled voices through my walls. "Delightful perfume, Amanda. Use a little more next time. I don't know if they can smell you in London.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
No one anticipated that this crazy push for speed—speed of the technology itself, and speed to discovery—would also be the root of personal disasters, of uncontrollable compulsivity, of endless pursuit culminating in an ultimate depression and despair.
Stephanie Brown (Speed: Facing Our Addiction to Fast and Faster--And Overcoming Our Fear of Slowing Down)
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I turned to go home. Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. There were Miss Maudie’s, Miss Stephanie’s—there was our house, I could see the porch swing—Miss Rachel’s house was beyond us, plainly visible. I could even see Mrs. Dubose’s. I looked behind me. To the left of the brown door was a long shuttered window. I walked to it, stood in front of it, and turned around. In daylight, I thought, you could see to the postoffice corner. Daylight… in my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephanie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over her azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose’s. The boy helped his sister to her feet, and they made their way home. Fall, and his children trotted to and fro around the corner, the day’s woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children’s heart break. Autumn again, and Boo’s children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
Harper Lee (To Kill a Mockingbird: York Notes for GCSE (New Edition))
He’d abandoned his usual outfit of black rap clothes or GI Joe cammies. He was wearing a brown leather jacket, a cream-colored Henley, faded jeans, and work boots. His hair, which had always been slicked back in a ponytail, was cut short. He had a two-day beard, making his teeth seem whiter and his Latino complexion seem darker.
Janet Evanovich (Hot Six (Stephanie Plum, #6))
There were miniature fruit trees growing chocolate-dipped plumbs and brown-sugar-glazed peaches. Wedges of cheese peeking out of miniature treasure chests made of pastry. Upside-down turtle shells filled with soup. Finger sandwiches shaped like actual fingers. Colourful plates of salted pink and red radishes. Water with lavendar bubbles, and peach-coloured wine with berries at the bottom of the glass.
Stephanie Garber, Legendary
Ranger was the second biggest complication in my life, and now that Morelli was out of the picture, I supposed Ranger was elevated to numero uno. He’s close to six foot, one way or the other, is Latino, with medium brown skin and dark brown hair cut short. His teeth are white and even, and he has a killer smile that is seen only on special occasions. He dresses in black, and today he was wearing a black T-shirt and black cargo pants.
Janet Evanovich (Finger Lickin' Fifteen (Stephanie Plum, #15))
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Hoping to ground herself, Rosie closed her eyes and thought of butter, the way other people probably pictured relaxing tropical idylls. Her favorite thing in the world was creaming butter and sugar, watching the way two disparate ingredients come together to form something new. She could picture it in her mind, back in the kitchen at home: the soft pale yellow of the butter, the old wooden spoon, and the cracked brown mixing bowl. Butter was magic. The starting point for cookies and cake and pie and muffins and everything good.
Stephanie Kate Strohm (Love à la Mode)
... a robust pop sounded and a tiny pepper black dragon about the size of a chipmunk shot out streams of red fire to sear a fish stick at a nearby stall. On the docks, the adorable little beasts appeared to be as common as squirrels. Almost every vendor had one. Marisol was clearly not fond of the small winged creatures but Evangeline was delighted to spy tiny blue dragons sitting on shoulders and leathery brown ones perched on carts. The miniature beasts roasted apples and meats, blew glass baubles, and heated earthen mugs of drinking chocolate.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Well,Anna.It's Matt or the minivan. I'm not making the choice for you." I choose my ex.We used to be good friends,so I'm sort of looking forward to seeing him again. And maybe Cherrie isn't as bad as I remember.Except she is. She totally is. After only five minutes in her company,I cannot fathom how Bridge stands sitting with her at lunch every day.She turns to look at me in the backseat,and her hair swishes in a vitamin-enriched, shampoo-commercial curtain. "So.How are the guys in Paris?" I shrug. "Parisian." "Ha ha.You're funny." Her lifeless laugh is one of her lesser attributes.What does Matt see in her? "No one special?" Matt smiles and glances at me through the rearview mirror. I'm not sure why,but I forgot that he has brown eyes.Why do they make some people look amazing and others completely average? It's the same with brown hair. Statistically speaking, St. Clair and Matt are quite similar. Eyes: Brown. Hair: Brown. Race: Caucasian. There's a significant difference in height,but still. It's like comparing a gourmet truffle to a Mr. Goodbar. I think about the gourmet truffle. And his girlfriend. "Not exactly.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I cooked with so many of the greats: Tom Colicchio, Eric Ripert, Wylie Dufresne, Grant Achatz. Rick Bayless taught me not one but two amazing mole sauces, the whole time bemoaning that he never seemed to know what to cook for his teenage daughter. Jose Andres made me a classic Spanish tortilla, shocking me with the sheer volume of viridian olive oil he put into that simple dish of potatoes, onions, and eggs. Graham Elliot Bowles and I made gourmet Jell-O shots together, and ate leftover cheddar risotto with Cheez-Its crumbled on top right out of the pan. Lucky for me, Maria still includes me in special evenings like this, usually giving me the option of joining the guests at table, or helping in the kitchen. I always choose the kitchen, because passing up the opportunity to see these chefs in action is something only an idiot would do. Susan Spicer flew up from New Orleans shortly after the BP oil spill to do an extraordinary menu of all Gulf seafood for a ten-thousand-dollar-a-plate fund-raising dinner Maria hosted to help the families of Gulf fishermen. Local geniuses Gil Langlois and Top Chef winner Stephanie Izard joined forces with Gale Gand for a seven-course dinner none of us will ever forget, due in no small part to Gil's hoisin oxtail with smoked Gouda mac 'n' cheese, Stephanie's roasted cauliflower with pine nuts and light-as-air chickpea fritters, and Gale's honey panna cotta with rhubarb compote and insane little chocolate cookies. Stephanie and I bonded over hair products, since we have the same thick brown curls with a tendency to frizz, and the general dumbness of boys, and ended up giggling over glasses of bourbon till nearly two in the morning. She is even more awesome, funny, sweet, and genuine in person than she was on her rock-star winning season on Bravo. Plus, her food is spectacular all day. I sort of wish she would go into food television and steal me from Patrick. Allen Sternweiler did a game menu with all local proteins he had hunted himself, including a pheasant breast over caramelized brussels sprouts and mushrooms that melted in your mouth (despite the occasional bit of buckshot). Michelle Bernstein came up from Miami and taught me her white gazpacho, which I have since made a gajillion times, as it is probably one of the world's perfect foods.
Stacey Ballis (Off the Menu)
I'm not sure why, but I forgot that he has brown eyes. Why do they make some people look amazing and other completely average? It's the same with brown hair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The patisserie has thick planks of creaky hardwood and a chandelier draped with tinkly strings of topaz crystals. They glow like drops of honey. The women behind the counter lay extravagant cakes into brown-and-white-striped boxes and tie each package with turquoise ribbon and a silver bell. There's a long line, but everyone here is patiently basking in the ambience.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Who knew winter meant vegetables? Chef. No asparagus shipped in from Peru, no avocados from Mexico, no eggplants from Asia. What I assumed would be a season of root vegetables and onions was actually the season of chicories. Chef had his sources, which he guarded. Scott walked through the restaurant in the morning with unmarked brown paper bags, sometimes crates. He told me that the chicories would really brighten when the first freezes came. It sweetened their natural bitterness. I could barely keep track of them. The curly tangle of frisée didn't seem the same species as the heliotrope balls of radicchio, or the whitened lobes of endive. Their familial trait was a bite---I thought of them as lettuces that bit back. Scott agreed. He said we should be hard on them. Eggs, anchovies, cream, a streak of citrus. "Don't trust the French with your vegetables," Scott said. "The Italians know how to let something breathe.
Stephanie Danler (Sweetbitter)
to Liam. “What are you looking for?” “Groundnuts,” he replied. “They’ll be close to the surface but below the frost line.” “They sound delicious,” replied April with a smirk. “Don’t knock them until you’ve tried them,” Liam replied. He continued to dig, throwing the brown earth onto the snow behind him. His next words seemed to come from nowhere.
Stephanie Mylchreest (Searching for Victory (Aftermath, #6))
The young man stood beside the arch the way a tree stood in a forest as if he'd always been there. He wore no cloak or cape, just sinuous leather armour and an unusual bronze helm. The top portion almost looked like a crown, thick and decorated with unfamiliar symbols that wrapped around the young man's forehead. The helm left most of his wavy brown hair uncovered but concealed much of his face with a wide curve of harsh, spiked metal that bracketed the sides of his head and covered his jaw all the way to the bridge of his nose, leaving only a pair of eyes and slashing cheekbones exposed.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Stephanie Garber, Legendary > Quotes > Quotable Quote (?) “There were miniature fruit trees growing chocolate-dipped plumbs and brown-sugar-glazed peaches. Wedges of cheese peeking out of miniature treasure chests made of pastry. Upside-down turtle shells filled with soup. Finger sandwiches shaped like actual fingers. Colourful plates of salted pink and red radishes. Water with lavender bubbles, and peach-coloured wine with berries at the bottom of the glass.
Stephanie Garber, Legendary
granular, powdered, brown, slow like honey or molasses. The mouth-coating sugars in milk. Once, when we were wild, sugar intoxicated us, the first narcotic we craved and languished in. We’ve tamed, refined it, but the juice from a peach still runs like a flash flood. —
Stephanie Danler (Sweetbitter)
Sue Monk Kidd, The Secret Life of Bees Dodie Smith, I Capture the Castle Edith Wharton, The Age of Innocence And Some More Books You Might Find of Use Jane Austen, Mansfield Park Elizabeth Barrett Browning Judy Blume, Are You There, God? It’s Me, Margaret Clare Chambers, Small Pleasures Roald Dahl, Matilda Caroline Dooner, The F*ck It Diet Kate Forsyth, Bitter Greens Jane Gardam, A Long Way from Verona James Herriot, All Creatures Great and Small Andrew Kaufman, All My Friends Are Superheroes Marian Keyes, Sushi for Beginners Harper Lee, To Kill a Mockingbird Carson McCullers, The Heart Is A Lonely Hunter Alice Munro, Dear Life Sylvia Plath, The Bell Jar
Stephanie Butland (Found in a Bookshop)
And no power in the world could have forced her to look away from him. It wasn’t vampire allure or the shimmering gold flecks in his irises that she didn’t remember from before. His eyes weren’t exactly the same eyes she knew, but they weren’t entirely different either. They were still the impossibly warm brown that lived in all the memories she’d tried to shove away but had been unable to forget.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
If I'd made it to the back parlor, I'd have been safe." Straightening, Vane met her gaze. "Safe from what? There's a daybed there, too." Her gaze trapped in his, Patience tried hard not to let the likely outcomes take shape in her mind. Determinedly, she blotted out all thought of what might have transpired had Angela not arrived as she had. If she thought too much of that, she'd very likely throttle Angela, too. The ranks of her potential victims were growing by the hour. "Anyway..." -Vane's gaze flicked to Angela and Mrs. Chadwick. He stooped slightly; Patience felt the tug as he worked the knotted scarf free- "you said you were bored." The knot gave, and he straightened. His lips curved, too knowingly. One brown brow arched, subtly wicked. "Isn't that what usually distracts ladies?" He knew very well what ladies found most distracting- the look in his eyes, the sensual curve of his lips said as much, screamed as much.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
What's your enterprise of choice?" Vane grinned. "Hops." Patience blinked. "Hops?" "A vital ingredient used to flavor and clarify beers. I own Pembury Manor, an estate near Tunbridge in Kent." "And you grow hops?" Vane's smile teased. "As well as apples, pears, cherries, and cob nuts." Drawing back in her saddle, Patience stared at him. "You're a farmer!" One brown brow rose. "Among other things." Recognizing the glint in his eyes, she swallowed a humph.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
Recovery is a resumption of the work that was not completed when the woman was a girl. It is a coming into her own. It is an opportunity to resume the normal process of development that was sidetracked, perhaps first by constrained roles, perhaps by trauma, and then multiplied many times by hiding in the addiction. Her development was sidetracked by not accepting her needs as legitimate and not finding healthy ways to meet them, by not even knowing her needs. And so this is what recovery is: a developmental process of finding and building a new self. Recovery is a process of radical growth and change. When you are in recovery, you give birth to a new self. [...] Many women initially think that recovery means a move from bad to good. They think that being addicted is evidence of shameful neediness, of deep and lasting failures. Recovery is not a move from bad to good, but from false to real. [...] It is reality, being real, that now guides her rather than her efforts to be good or bad.
Stephanie Brown
Recovery is a resumption of the work that was not completed when the woman was a girl. It is a coming into her own. It is an opportunity to resume the normal process of development that was sidetracked, perhaps first by constrained roles, perhaps by trauma, and then multiplied many times by hiding in the addiction. Her development was sidetracked by not accepting her needs as legitimate and not finding healthy ways to meet them, by not even knowing her needs. And so this is what recovery is: a developmental process of finding and building a new self. Recovery is a process of radical growth and change. When you are in recovery, you give birth to a new self. [...] Many women initially think that recovery means a move from bad to good. They think that being addicted is evidence of shameful neediness, of deep and lasting failures. Recovery is not a move from bad to good, but from false to real. [...] It is reality, being real, that now guides her rather than her efforts to be good or bad.
Stephanie Brown, Yvonne Pearson
He pulled his nose out of her cleavage and turned to me. “Gaylord Brown,” he said. “It’s the perfect name because I’m gay and I’m brown.
Janet Evanovich (Turbo Twenty-Three (Stephanie Plum, #23))
Vane met her wide gaze, and managed not to smile wolfishly- no need to frighten the prey. The view he now had- of delectable curves filling a gown of ivory sprigged muslin in a manner he fully approved- was every bit as enticing as the view that first held him- the gorgeous curves of her derriere clearly delineated beneath taut fabric. When she'd shifted, so had those curves. He couldn't remember when a sight had so transfixed him, had so tantalized his rake's senses. She was of average height, her forehead level with his throat. Her hair, rich brown, lustrously sheening, was confined in a sleek knot, bright tendrils escaping to wreathe about her ears and nape. Delicate brown brows framed large eyes of hazel brown, their expression difficult to discern in the gloom. Her nose was straight; her complexion creamy. Her pink lips simply begged to be kissed. He'd come within a whisker of kissing them, but tasting an unknown lady before the requisite introductions was simply not good form. His silence had allowed her to steady her wits; he sensed her growing resistance, sensed the frown gathering in her eyes. Vane let his lips curve. He knew precisely what he wanted to do- to her, with her; the only questions remaining were where and when.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
41. Among the Rewards of My Sloth . . . . . . is that the tree in our backyard that we had cut down because it was mostly dead and waiting to pierce the asphalt-shingled roof and, more urgently maybe, the neighbor’s (and always, yes, mourn a tree by my hand felled, for it is a home, dead or not) is still, about three and a half months later, sprawled in many parts of the backyard. Probably about one hundred little and not so little logs chucked in a pile out near the black walnut tree, very much alive. And a brush pile about the size of a Cadillac Escalade leaning up against the building you’d be very generous to call a garage, twisting slowly apart on its cracked foundation. Sometimes the brush pile and logs would make me feel like a piece of shit, perhaps especially when Stephanie looked wistfully out into that yard, remembering, I imagine, when she could visualize a garden there. Not to mention my mother, who, when I first got this house in Bloomington, Indiana, in a kind of terror I have to think is informed by some unspoken knowledge (black husband, brown kids in the early seventies kind of knowledge), pleaded with my brother and uncle to convince me to mow my grass lest the neighbors burn my house down. (Of which, let it be known, there was no danger in my case. Despite the Confederate flags in the windows three doors down. You should see his yard. By the way, if you haven’t seen the movie A Man Named Pearl, you should.) Anyway, I’d think, very much pervious to all of the above despite my affect to the contrary, we’ll get a splitting maul and wood chipper and turn a lot of that wood into good mulch, which turns into good soil, trying to make myself feel better about myself. But today, going out back to grab some wood for the stove, past my mess, there was a racket blasting from that thicket like the most rambunctious playground you’ve ever heard, and getting closer, looking inside, I saw maybe one hundred birds hopping around in this enormous temporary nest, sharing a song I never would’ve heard and been struck dumb with glee by had I had my shit more together.
Ross Gay (The Book of Delights: Essays)
Scarlett hadn't realized how hungry she was or how stale the air had become until suddenly it was filled with the scents of breakfast cakes, strawberry puffs, honeycomb spirals, brown-sugared sausage, seasoned eggs, and piping-hot tea.
Stephanie Garber (Finale (Caraval, #3))
Another had more kinds of flour than the whole baking aisle at the Walmart back home- she saw all-purpose flour, cake flour, bread flour, pastry flour, doppio zero flour, and something darker, probably buckwheat. Rosie wished she could run over and open the tubs, and rub the flour between her fingers. She'd never seen or felt doppio zero in real life, but knew it was supposed to be the secret to tender pasta. Next to the flour was something she wanted to explore even more- sugar. Granulated sugar, caster sugar, confectioners' sugar, pearl sugar, cane sugar, demerara, turbinado, muscovado, light and dark brown- Rosie's mind boggled at the possibilities of all the different things she could make with these sugars, how each choice would fundamentally alter the nature of whatever she baked: change the crumb structure, the color, the texture, everything.
Stephanie Kate Strohm (Love à la Mode)
The gallettes were darker, a nut-brown from the buckwheat flour, and folded from a circle into a square, with the savory toppings peeping through invitingly. Rosie saw what looked like goat cheese on Yumi's plate. And maybe ratatouille on Marquis's. And over on the plate between her and Henry- ugh, a fat yellow egg stared back at her. Rosie still hadn't forgiven eggs for the whole omelet debacle. "It's called oeuf miroir," Henry said, poking the yolk with his fork almost reverentially, as Marquis and Yumi debated whether or not they should wait for everyone to get their food before they started eating. Yumi, her cheeks full of goat cheese, was firmly on the side of not. "It means egg mirror. Or mirror egg. I think. It looks kind of like a mirror, yeah? And then there's ham and Gruyère underneath. Here, you can have the first bite." Rosie loved Gruyère. The flavors exploded in her mouth. Buckwheat flour was a revelation- nuttier than she'd expected, not like a nut, really, but she couldn't think of any other way to say it. It had a subtle flavor all its own, crisp edges from where it had been seared on the hot pan, and a perfectly soft, almost spongy texture within, where the Gruyère melted into the salty ham, and before Rosie knew it, she'd eaten three bites.
Stephanie Kate Strohm (Love à la Mode)
He opened the small brown bag and held it toward her, and she could smell the butter. Notably, though, there was no grease soaking the bottom of the bag, like when Mom brought home donuts. She peered in. "I think it's a croissant. And a chocolate croissant. And some kind of roll. And some other thing I didn't know what it was." "Chausson aux pommes," Rosie said, pulling it from the bag. She was pretty sure anyway- it had the distinctive half-moon shape, and the slashes on top let her see a peek of what looked like apple filling. "What's that?" Rosie stilled as Henry shifted closer to her. He was just looking at the pastry, and she knew that, but still. He was close, and he smelled warm, and sleepy. And male. "It's kind of like an apple croissant," she said, ignoring the rapid rise of her heartbeat. "Or an apple strudel. An apple turnover, I guess." "Try it." "You should have the first bite. You got it." "I insist," Henry said, and he wouldn't take it from her. So she bit in, and the pastry flaked instantly, then yielded into sweet, soft cinnamon apples. It was so good that she had to imagine this would be the best thing she'd try today. But then Henry was grinning, chocolate smeared on his face, and he passed her the pain au chocolat, and she thought that had to be the best thing. But then the classic croissant was so perfect, each layer of lamination distinct, and then the brioche was dangerously rich, yet so light at the same time, and the éclair's filling was perfectly smooth, and the baguette made Rosie rethink what, exactly, the stuff she'd been eating for the last sixteen years was, because it couldn't possibly be bread, not like this...
Stephanie Kate Strohm (Love à la Mode)
Thinking about his brown eye bent over and spread while someone drilled it made me moister than an oyster.
Stephanie Swann (Drippy)