Step Notch Quotes

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Life sometimes gets so bogged down in the details, you forget you are living it. There is always another appointment to be met, another bill to pay, another symptom presenting, another uneventful day to be notched onto the wooden wall. We have synchronized our watches, studied our calendars, existed in minutes, and completely forgotten to step back and see what we've accomplished.
Jodi Picoult (My Sister’s Keeper)
Back off, perv! I have a black belt in taekwondo and I will fuck you up if you take another step toward me.” Chase raised his hands in surrender, trying really, really hard to keep his eyes on hers. “Whoa, there, crouching tiger. Let’s just take this down a notch.
Lorelei James (Chasin' Eight (Rough Riders, #11))
One day at a time, one round at a time, one step at time.
Brandon Garic Notch
Time compresses the older you get. Days turn to weeks turn to months turn to seasons turn to years, until your life resides in just one moment expanding forever, where each step and breath folds wrinkles into your face, carving minute, irreversible wounds between your joints. Pressing down the notches between your spine, driving your ankles and knees to ruin. I feel it now and it’ll only be worse in the future.
B.R. Yeager (Negative Space)
Somehow Geryon made it to adolescence. Then he met Herakles and the kingdoms of his life all shifted down a few notches. ... Geryon was going into the Bus Depot one Friday night about three a.m. to get change to call home. Herakles stepped oof the bus from New Mexico and Geryon came fast around the corner of the platform and there it was one of those moments that is the opposite of blindness. The world poured back and forth between their eyes once or twice.
Anne Carson (Autobiography of Red: A Novel in Verse)
To everything, in other words, there is a season, and McCarthy’s hubris hastened the end of his hour upon the stage. “I was fully aware of McCarthy’s faults, which were neither few nor minor,” Cohn recalled. “He was impatient, overly aggressive, overly dramatic. He acted on impulse. He tended to sensationalize the evidence he had—in order to draw attention to the rock-bottom seriousness of the situation. He would neglect to do important homework and consequently would, on occasion, make challengeable statements.” The urge to overstate, to overdramatize, to dominate the news, could be costly, and so it proved to be for McCarthy. The Wisconsin senator, Cohn said, was essentially a salesman. “He was selling the story of America’s peril,” Cohn recalled. “He knew that he could never hope to convince anybody by delivering a dry, general-accounting-office type of presentation. In consequence, he stepped up circumstances a notch or two”—and in so doing he opened himself to attacks that proved fatal. He oversold, and the customers—the public—tired of the pitch, and the pitchman.
Jon Meacham (The Soul of America: The Battle for Our Better Angels)
They all seem infected with a vivaciousness that isn't common in our compound, and there are more smiles on their faces than I've ever seen at once. And yet as I watch them, I feel more intensely than ever the knowledge that I'm not one of them. For these moral humans, birthdays are a kind of countdown to the end, the ticking clock of a dwindling life. For me, birthdays are notches on an infinite timeline. Will I grow tired of parties one day? Will my birthday become meaningless? I imagine myself centuries from now, maybe at my three-hundredth birthday, looking all the way back to my seventeenth. How will I possibly be happy, remembering the light in my mother's eyes? The swiftness of Uncle Antonio's steps as he dances? The way my father stands on edge of the courtyard, smiling in that vague, absent way of his? The scene shifts and blues in my imagination. As if brushed away by some invisible broom, these people whom I've known my entire life disappear. The courtyard is empty, bare, covered in decaying leaves. I imagine Little Cam deserted, with everyone dead and gone and only me left in the shadows. Forever.
Jessica Khoury (Origin (Corpus, #1))
The heart of Stepping on the Sword, something used principally in the martial arts, is that even with bows and firearms, you must act quickly while they are being discharged: if you charge quickly, it will be difficult to notch another arrow to a bow or discharge a firearm. In all things, when your opponent sets up a tactic, respond to it immediately according to its own principles and, stepping on his actions, defeat him...This is, therefore, the mind of taking the initiative in everything. It does not mean attacking at the same time as your opponent. Stepping on the Sword is taking your action immediately upon your opponent's action.
Miyamoto Musashi (The Book of Five Rings)
Life sometimes gets so bogged down in the details, you forget you are living it. There is always another appointment to be met, another bill to pay, another symptom presenting, another uneventful day to be notched onto the wooden wall. We have synchronized our watches, studied our calendars, existed in minutes, and completely forgotten to step back and see what we’ve accomplished.
Jodi Picoult (My Sister's Keeper)
an took one step closer to Hart. Though he kept his eyes averted, there was no mistaking the anger in his stance and his voice. “She is my wife, under my protection. The only way I will let you do anything against this marriage is if you declare me a lunatic again.” Hart flushed dull red. “Ian, listen to me—” “I want her as my wife, and she stays my wife.” Ian softened his voice a notch. “She is a Mackenzie now. Treat her as one.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
But still, you feel no remorse for the dead. You do whatever you can to forget them. You abandoned your family without a word. You can't control yourself. Hald the time you run away from leadership, and the other half you act like some untouchable martyr, crowned in guilt, the only person who's really giving herself to the cause. Look around you, Mare Barrow. Shade's not the only one who died in Corros. You are not the only one to make sacrifices. Farley betrayed her father. You forced Cameron to join us against her will, you chose to ignore everything but Julian's list, and now you want to abandon the kids back at the Notch. For what? To step on the Colonel's neck? To take a throne? To kill anyone who looks at you the wrong way?
Victoria Aveyard (Glass Sword (Red Queen, #2))
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I find it simpler to envision shedding tears over a matter than picturing myself genuinely prepared for change. Understanding my emotions proves intricate. It commences with a yearning to refine my thought processes, a longing to evolve into a superior version of myself, and an acknowledgment of the knowledge and superiority of others beyond my current perception. On rare occasions, this contemplation lingers within me, day after day, gradually evolving from a fleeting thought into an intrinsic facet of my identity. The aforementioned notion holds promise for instigating positive change within me, yet it often necessitates a significant passage of time before I yearn for it, and the resultant impact is distressing. I come to terms with the notion that my heart is astray, preyed upon by untamed beasts. I can anticipate your reassurance: "Don't worry, no one is perfect." Nonetheless, I acknowledge that I stand just a notch above the beasts and several steps below the angels.
Rolf van der Wind
How far could you trace back such a chain, he wondered, past the Harmon girl being chosen that night to bring his food, past the tree shattering a man's backbone due to a badly notched trunk, past that to an axe unsharpened because a man drank too much the night before, past that to why the man had gotten drunk in the first place? Was it something you never found the end to? Or was there no chain at all, just a moment when you did or didn't step close to a young woman and let you fingers brush a fall of blonde hair behind her ears, did or did not lean to that uncovered ear and tell her that you found her quite fetching." ~G. Pemberton (58)
Ron Rash
Song I try to make the step-down call of the chickadee, but do it too insistently, over and over so it loses sense, the air going equally out and back, not slower in the opening, then quickening as the tight hinge retracts, but absolutely evenly, too even, the way one breathes and regulates breath for a doctor, to present the body’s equanimity. There’s a bird in a tree with a hinge in its throat, a door opening to let the sweet air pass from a high, thin place down a notch. There’s phlox out there, opening between one black and another black, hanging branch of an apple tree—the very tree that holds the bird that bends the air so parenthetically around itself, and its song around anything listening.
Lia Purpura (On Looking: Essays)
Here’s what strikes me when I think back to my childhood, particularly those first nine Internet-less years: I can’t account for everything that happened back then, because I have only my memory to rely on. The data just doesn’t exist. When I was a child, “the unforgettable experience” was not yet a threateningly literal technological description, but a passionate metaphorical prescription of significance: my first words, my first steps, my first lost tooth, my first time riding a bicycle. My generation was the last in America and perhaps even in world history for which this is true—the last undigitized generation, whose childhoods aren’t up on the cloud but are mostly trapped in analog formats like handwritten diaries and Polaroids and VHS cassettes, tangible and imperfect artifacts that degrade with age and can be lost irretrievably. My schoolwork was done on paper with pencils and erasers, not on networked tablets that logged my keystrokes. My growth spurts weren’t tracked by smart-home technologies, but notched with a knife into the wood of the door frame of the house in which I grew up.
Edward Snowden (Permanent Record)
Are you willing?" Through the shadows, he found her gleaming eyes, her slightly curved mouth. "No, it's too reckless. Too irresponsible." "You're sounding like a father. Or a constable, Constable." "I'm both, Miss Connor." He watched her lips tilt and flow into a glorious smile. "Rory's in bed, safe and sound. Most of the town is in bed, safe and sound. And you're here, with a pragmatic woman who can take care of herself. Two adults and one magnificent challenge." "More like a dare," he said and drained his glass. She took a step closer, until her skirt brushed his knee. "Call it a dare if you like." "No." His resolve slipped a notch when she crouched before him, the pleasing angles of her face flooding into view. She was much, much too tempting. "I'll do it all. You don't have to participate. That should be enough to prove my case." "I wasn't serious when I said that. I'm sure you're not, hell, frigid." She leaned in, her hands sliding along the arms of the chair, her face fading out of view as it closed in on his. A scent, provocative and earthy, stole in with his stuttered breath. "You see, Constable, I'm always serious." He watched her moisten her lips, so near he could almost taste her. "Close your eyes. I've heard that's the way it's done.
Tracy Sumner (Tides of Passion)
Her feet now safely planted on level flooring, Willow nervously smoothed her skirts before lifting her head. Turquoise eyes met deep brown. Willow's mouth dropped open in shock. "Lieutenant Numbskull?" Rider stiffened, but recovered quickly. "Freckles?" he pretended surprise. Backing up a step, his appreciative gaze raked her from head to toe. "My God! It is you!" Willow's cheecks burned beneath his conspicuous appraisal. The lieutenant's pleased grin fueled her simmering anger at Miriam's unwelcome matchmaking venture. "What are you doing here?" she huffed. Rider arched a dark brow in ironic amusement. "Is that any way to greet an old friend...Freckles?" "You two know each other?" Miriam interjected, astonished. "You might say that." Rider chuckled. Willow didn't know who she wanted to murder most, Miriam or the lieutenant. But standing here in all her ladylike spendor, she remembered his hurtful maligning of her femininity. For some inexplicable reason she felt compelled to prove that she could be every bit as feminine as any other woman. Despite her stormy emotions, her next words dripped off her lips like warm honey. "Unfortunately, Miriam"-she caressed Rider's coat sleeve and flapped her lashes outrageously-"we were never formally introduced." Rider eyed Willow's hand where it petted his arm, expecting claws to spring from her fingertips at any moment. Then he lifted his gaze to twin pools of mischief. One corner of his mouth crved in a wry grin. "What are you up to, Freckles?" His devastating smile was unnerving. Suddenly all too aware of her ineptitude at coquetry. Willow's confidence slipped a notch. Nevertheless, she was determined not to let him intimidate her. Casting him what she hoped would pass for a coy smile, she answered his question with an innocent shrug. Miriam blinked, agog at Willow s antics. "Well,ah...let me properly introduce you two. Mr. Sinclair, this is Miss Willow Vaughn. Willow, this is Mr. Rider Sinclair." Willow inclined her head with forced politeness. Rider tossed her a sly wink. Befuddled by the stratified undercurrents, Miriam sputtered. "I...ah...I'm sorry to hurry the introductions, but we really are late. My carriage is waiting out front for us. Shall we go?" "But of course." Rider held the door open, indicating they should proceed him. "Ladies..." Willow waited while he closed the door, then draped herself over his proferred arm. Miriam took his other arm and cast a warning glance at the younger woman. The girl smiled back angelically, deciding Miriam deserved to worry-just a little.
Charlotte McPherren (Song of the Willow)
Flowers. Lots of women say they don’t want them. But every woman is happy when they get them. Which is why I’ve arranged to have them delivered to Kate’s office, every hour on the hour. Seven dozen at a time. That’s one dozen for every day we were apart. Romantic, right? I thought so too. And although I know Kate’s favorite are white daisies, I specifically told the florist to avoid them. Instead, I’ve chosen exotics—bouquets with brightly colored petals and strange shapes. The kinds of flowers Kate has probably never seen in her life, from places she’s never been. Places I want to take her to. At first I kept the notes simple and generic. Take a look: Kate, I'm sorry. Drew Kate, Let me make it up to you. Drew Kate, I miss you. Please forgive me. Drew. But after a few hours I figured I needed to step it up a notch. Get more creative. What do you think? Kate, You're turning me into a stalker. Drew Kate, Go out with me on Saturday and I'll give you all of my clients. Every. Single. One. Drew Kate, If I throw myself in front of a bus, will you come visit me at the hospital? Drew PS - Try not to feel too guilty if I don't survive. Really. That last batch was delivered forty-five minutes ago. Now I’m just sitting at my desk, waiting. Waiting for what, you ask? You’ll see. Kate may be stubborn, but she’s not made of stone. My office door slams open, leaving a dent in the drywall. Here we go. “You are driving me crazy!” Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes. Beautiful. I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?” “No. Crazy like the itch of a yeast infection that just won’t go away.” I flinch. Can’t help it. I mean—Christ. Kate steps toward my desk. “I am trying to work. I need to focus. And you’ve got Manny, Moe, and Jack playing every cheesy eighties song ever written outside my office door!” “Cheesy? Really? Huh. I so had you pegged for an eighties kind of girl.” Well, you live and learn.
Emma Chase (Tangled (Tangled, #1))
for later. Keep it safe. If the child has collapsed into a tantrum in a place where he might hurt himself, move him to an area where he will be safe—an open, carpeted area, away from the glass coffee table. A child in the midst of a tantrum often flails, grabs for things to throw, or reaches for people to hit. Keep the child away from everything, including your body.       Sometimes very young children feel totally out of control and will need you to contain them. Sit on the floor and gently but firmly hold your child’s back to your front, on the floor between your legs, both arms crossed in front of him. This is not an angry hold, but rather one that says I am keeping you safe. Soon (or maybe not so soon!) he will stop resisting you, relax a bit, and take it down a notch to crying. This hold should not become a physical battle. It is, instead, a form of support and safety that you provide for your child. Do not leave the child alone. There are those who believe in sending the child to his room to have the meltdown. I believe the child is better served by your not abandoning him to his out-of-control feelings and behavior. Stay close by. Even though you are not talking to him, he knows you are there, and your presence is comforting. He might command you to “Go away” or “Leave me alone,” but he doesn’t mean it. Sit in a chair across the room and pick up a magazine. If the child is holding on to your leg, try to ignore it. In fact, try to ignore him altogether as best as you can. You can say: “You are really angry right now. I will wait until you are done.” Or, “Let me know when you are done.”       If the child is trying to hurt you, hit you, or grab at you, stand up and step away. Tell him: “I will not let you hurt me. Let me know when you are done, and we can talk.”       When you are standing, your legs are the only target he can reach. He’ll wrap his arms around your calves in a death grip. Ignore it. It will end eventually, I promise. The End Save. You can usually tell when the tantrum is winding down. When you hear and see that your child is starting to come back down to earth—his crying has calmed to sobs, his breaths are broken and quick, he is sniffling a bit—it is a good time to step in and accompany him on his journey back. Scoop him up and say something diverting, like: “C’mon, Sam, let’s go see if there are any squirrels outside.” By this point, most children are ready to be saved. They just don’t know how to do so gracefully. A paradigm shift offers the child the chance to reenter the world and save face.
Betsy Brown Braun (Just Tell Me What to Say: Simple Scripts for Perplexed Parents)
Luna left, too, with a cheery, “Thanks for the morning entertainment. That provided a better jolt than a cup of espresso.” Then it was just Arabella, her brother, and the really, really big man, who had just turned his gaze on her. Given his threats and violent solution, Arabella should have been quaking. At the very least staring at her toes lest she incur his wrath. But the gentlest blue eyes caught hers, and his tone was soft and soothing when he addressed her. “You must be Arabella. I’m Leo, the pride’s omega.” “More like enforcer,” Jeoff muttered, still rubbing his head. “If you behave, then I don’t have to resort to my methods.” “He started it,” Jeoff accused, pointing at finger at Hayder, who emerged from the bedroom clad in low-hipped jeans that hugged his corded thighs and a soft T-shirt that clung to his chest. “Hey, it’s not my fault you jumped to the wrong conclusion when I answered the door.” “What else was I to think? You’re in my sister’s condo wearing only a rag.” “Protecting her.” “The same way you protected her last night when you took her out and flaunted her?” “I took her to dinner.” “What the hell do you mean you took her out to dinner? You put my baby sister in danger.” “She wasn’t in danger.” “They snatched her off the street!” “And I got her back.” The men glared at each, toe-to-toe, bodies bristling. Leo, who’d seated himself on a stool by the kitchen island, cleared his throat. “Don’t make me get off this stool.” The tension remained, but the impending violence moved down a few notches. Seeming satisfied, Leo turned to her. “Coffee?” He addressed that to Arabella, holding out a cup he’d brewed from the machine on the counter. With a wary look at both Hayder and her brother, she went toward him but then almost scalded herself when Hayder barked, “Baby, where are your pants?” Oh yeah. She peeked down at her bare legs. To his credit, Leo didn’t, but he did smile. “How about I add some sugar and milk to this while you find some pants? You look like you need something sweet.” She couldn’t help but return his smile. “Yes, please.” Still ignoring the other two men, she stepped past them to the bedroom, where she scrounged in a drawer for pants. As she dressed, she listened to the arguing. “She’s leaving with me.” Her brother hadn’t relented. Neither did Hayder. “Wrong. Arabella isn’t going anywhere.” Ouch. She knew her brother wouldn’t like that. She was right. “Excuse me? You don’t get a say. She’s my sister, my responsibility. I’m taking her.” Arabella stepped back into the living room. “What of the danger though, Jeoff? The pack is in town, and they’re looking for me.” “We’ll figure something out.” “We already have. She’ll stay here with me where she’s safe.” Hayder crossed his arms over his impressive chest, looking much too determined— and sexy. A certain brother wasn’t impressed. “As safe as she was last night?” Hayder rolled his eyes. “Oh please. What part of ‘we had the situation under control’ can you not grasp? Leo, tell the wolf that Arabella was never in any danger.” “I don’t lie to my friends,” Leo said as he re-handed Arabella her coffee. She took a sip of the hot brew and sighed as she listened to the arguing. When Leo patted the stool beside him, she hopped on. For such a big man, he offered a strangely calming effect. On her at least. Hayder and Jeoff, on the other hand, just couldn’t stem their tirade. “I was wrong to stick her here. So you can forget I asked.” “Too late. She’s part of the pride now.” “She’s a wolf, or have you forgotten? She belongs with her own kind.” Jeoff crooked his finger at her and inclined his head to the door. Arabella didn’t move, more because Hayder’s next words froze her. “She belongs with me. Arabella is my mate.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
A valley that had some of the characteristics of a canyon yawned beneath, so deep and wide that it appeared like a blue lake, so long that he could only see the north end, which notched under a rugged mountain slope, green and black and golden and white according to the successive steps toward the heights. The height upon which he stood was the last of the ridges, for the elevation that lay directly across was a noble range of foothills, timbered, canyoned, apparently insurmountable for horses. Gray cliffs stood out of the green, crags of yellow rock mounted like castles.
Zane Grey (Valley of Wild Horses)
Blessed are the poor, for theirs is the kingdom of God (Luke 6:20). I'm learning what it means to descend, which is so revolutionary it often leaves me gasping. I have been trying to ascend my entire life. Up, up, next level, a notch higher, the top is better, top of the food chain, all for God's work and glory, of course. The pursuit of ascension is crippling and has stunted my faith more than any other evil I've battled. It has saddled me with so much to defend, and it doesn't deliver. I need more and more of what doesn't work. I'm insatiable, and ironically, the more I accumulate, the less I enjoy any of it. Instead of satisfaction, it produces toxic fear in me; I'm always one slip away from losing it all. Consequently, my love for others is tainted because they unwittingly become articles for consumption. How is this person making me feel better? How is she making me stronger? How is he contributing to my agenda? What can this group do for me? I am an addict, addicted to the ascent and thus positioning myself above people who can propel my upward momentum and below those who are also longing for a higher rank and might pull me up with them. It feels desperate and frantic, and I'm so done being enslaved to the elusive top rung. When Jesus told us to 'take the lowest place' (Luke 14:10), it was more than just a strategy for social justice. It was even more than wooing us to the bottom for communion, since that is where He is always found. The path of descent becomes our own liberation. We are freed from the exhausting stance of defense. We are no longer compelled to be right and are thus relieved from the burden of maintaining some reputation. We are released from the idols of greed, control, and status. The pressure to protect the house of cards is alleviated when we take the lowest place. The ascent is so ingrained in my thought patterns that it has been physically painful to experience reformation at the bottom. The compulsion to defend myself against misrepresentation nearly put me in the grave recently. I was tormented with chaotic inner dialogues, and there were days I was so plagued with protecting my rung that I couldn't get out of bed. With every step lower, the stripping-away process was more excruciating. I had no idea how tightly I clung to reputation and approval or how selfishly I behaved to maintain it. Getting to the top requires someone else to be on the bottom; being right means someone else must be wrong. It is the nature of the beast.
Jen Hatmaker (Interrupted: An Adventure in Relearning the Essentials of Faith)
This stallion says hi, hites, how are you, my friend.” He ran a muscular arm around the black’s neck, moving in close to his shoulder. “He is son to my friend who is dead. Breathe into him so he will know your smell and remember with no horizon.” The thought of kissing a horse wasn’t particularly appealing, but after witnessing the Comanche’s rapport with his other stallion, she couldn’t argue that he knew better than she how to communicate with them. She bent over and exhaled close to the black’s muzzle. The horse sniffed and nibbled her face, nickering and blowing. Loretta gave a startled laugh and reared back, scrubbing her mouth with her sleeve. She glanced up to find the Comanche smiling. Her laughter trailed away, and she felt suddenly self-conscious. His large, sandpapery palm still enfolded hers, and the contact made her heart skitter. His fingers tightened. “You like?” “I--um, yes, he’s wonderful. His left ear isn’t notched like so many of the others. Why is that?” “The notched ear says a horse is gentled. He is not. If another puts hands upon him, he fights the big fight.” “Then how can I ride him?” “You will be his good friend. Come close.” Loretta stepped back instead. “But he’s wild.” Tightening his hold on her hand, Hunter tugged her forward. “He is friend to me and no other, eh? He carries me because he wishes it. Now, he will carry you.
Catherine Anderson (Comanche Moon (Comanche, #1))
You like?” “I--um, yes, he’s wonderful. His left ear isn’t notched like so many of the others. Why is that?” “The notched ear says a horse is gentled. He is not. If another puts hands upon him, he fights the big fight.” “Then how can I ride him?” “You will be his good friend. Come close.” Loretta stepped back instead. “But he’s wild.” Tightening his hold on her hand, Hunter tugged her forward. “He is friend to me and no other, eh? He carries me because he wishes it. Now, he will carry you.” With that explanation, which fell far short of reassuring her, he reclaimed the line and lifted her onto the stallion’s back. Loretta looked down. “I-I’m not too sure this is a good idea.” “It is good. You will trust, eh? I have said words to him. He accepts. Lie forward along his neck and whisper your heart into his ear. Run your hands over him. Tighten your legs around him.” Heart in her throat, Loretta did as he told her. She whispered, “Please, horse, don’t get mad and kill me.” The stallion nickered and sniffed her bare foot, the whites of his eyes rolling. Hunter chuckled. “He smells your fear and asks if there is danger, eh? He should run like the wind? He should stand? He is sure enough nuhr-vus, like the little blue-eyes is nuhr-vus when she thinks I will eat her and pick my teeth with her bones. You will say to him as I say to you--it is well.” Loretta jerked her foot back, afraid the horse might bite. “He m-may not understand. He’s a Comanche horse, isn’t he?” “Toquet, it is well. Whisper your heart. The words are in your touch. Be easy and make him easy.” She ran her hands over the stallion’s sleek coat, her fingers splaying on the powerful muscles in his neck and shoulders. When she began to believe the horse wouldn’t rear, she relaxed. The stallion lowered his head and began to graze. Hunter handed Loretta his line. “Let him carry you, eh? Whisper to him. Teach him your hands bring no pain--only good things. He will find sweet grass and listen.” “He’s so beautiful, Hunter.” “Say this to him.” Loretta did. The stallion flickered his ears and nickered. While he grazed, she petted him. Just when she began to feel confident, Hunter lifted her off his back. When he took the stallion’s line from her, he captured her hand as well, his long fingers curling warmly around hers. “He is now your good friend.” He looped his free arm over the stallion’s shoulders. “If you share breath with him often, you can paint yourself and wear leaves on your head, and he will still know you. For always.
Catherine Anderson (Comanche Moon (Comanche, #1))
Orion said I shouldn’t just accept getting bitten any more. If Caleb can’t catch me, he can’t bite me,” I reasoned as my heart rate picked up a notch. “I don’t think this was what he had in mind...” Sofia frowned. “Whatever. Caleb is the most powerful Vampire in Solaria. This is the best chance I’ve got to avoid a bite. And my headstart is going to run out if I don’t go now.” “Class starts in ten minutes,” Darcy said half heartedly. “Cover for me. I’ll be there!” I promised before turning and running for the exit. I glanced back at the red couch in the centre of the room just before I ducked outside and found all four Heirs looking my way. Caleb was saying something to the others with a smile playing around his lips. Max and Seth seemed mildly interested but Darius looked pretty damn pissed. As his heated gaze met with mine, my heart leapt a little at the anger I found there. I hadn’t spoken to him properly since we’d fought together against the Nymphs and I really wasn’t sure what I’d have to say anyway. In the moment, we’d been weirdly united. I’d saved his life and he’d saved mine. I’d even cried while he lay dying in my arms. But then Orion had appeared and healed him and the momentary insanity which had come over me, making me think I cared about him had gone in an instant. I only had to remember the way he’d tossed me into that pit to know all I needed to about him and who he was. And he was my enemy. The look he was giving me right then said he felt exactly the same. I ducked out of The Orb and looked around quickly, wondering where the best place to hide would be. I didn’t have many options and I didn’t really have a good headstart either so I crossed the path and headed straight into Venus Library. The librarian wasn’t at her desk as I entered and I hurriedly shot down the closest aisle, racing between texts on Fae biology before swinging left at the end. ... “Got ya.” Before I could respond, Caleb shot forward, lifting me into his arms and propelling me through the library with his Vampire speed until we ended up inside one of the private study rooms at the back of the building. I gasped in surprise as he kicked the door shut behind us and pushed me back against the wall before sinking his teeth into my neck. His grip on my waist tightened to the point of discomfort and I tried to push him back a step but he held on tight, releasing a growl. “Ow,” I protested irritably and he finally released me with a sheepish grin. “Sorry, I’ve been running on empty since the fight with the Nymphs and I don’t wanna bite anyone else.” “Orion thinks I should be putting more effort into fighting you off,” I said, touching the tender skin where his teeth had pierced my skin. “I’m thinking he has a point.” Caleb stepped forward slowly, reaching out for me and I let him. His fingers brushed against my neck and his magic slid through the wound as he healed it. He stayed there, his hand on my skin as he held my eye. (tory)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
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My chin lifted. It hardened and I stepped close to her. Her eyelids twitched. Oh yes. Trying to intimidate me. “What’s your name?” She frowned, but grinned. “Tiffany Chatsworth. Look me up.” “Who are you related to?” The grin slipped a notch. “None of your business.” “Who are you screwing?” Her lips were flat now. “Like I said, none of your effing business.” My eyes narrowed to slits. “Then who are you to ask about my business?
Tijan (Broken and Screwed 2 (BS, #2))
The next few days went by in a sweat-stained blur, and not just because summer had really hit and turned the heat up a notch. Dexter was in a true dither, an all-time, all-star, all-out tizzy of near panic. I was jumpy, distracted, unable to focus on anything except the thought that someone I didn’t know was coming my way to do Something I couldn’t possibly prepare for. I had to be watchful, ready for anything—but how? What? Where would it come from, and when? How could I know what to do when I didn’t know when, why, and to whom I would do it? And yet, I had to be ready for it every moment of every day, waking and sleeping. It was an impossible task, and it had all my wheels spinning furiously without actually moving me anywhere but deeper into a funk. In my feverish paranoia, every step I heard was Him, sneaking up behind me with bad intentions and a Louisville Slugger. Even
Jeff Lindsay (Double Dexter (Dexter #6))
Step 3: Build the Start and Stop Circuit The last piece of this project is the button circuit that starts and stops the LEDs. Make these connections now: Connect one push button at the bottom of the breadboard, across the notch in the middle. Plug the 4011 NAND-gate IC into the breadboard, a couple of rows above the button. Make sure its chip marking points toward row 1 on the breadboard. Place the second button above the IC on the right component side so that it’s easy to reach it with your finger. Connect the two resistors, R13 and R14, as shown in the circuit diagram. Then, use jumper wires to make the remaining connections in the SR latch circuit, as shown in the following breadboard diagram. Connect the positive and negative supply columns to the NAND-gate IC (pins 14 and 7, respectively), and connect the wire from pin 11 of the NAND-gate IC to pin 13 of the 4017 decade counter.
Oyvind Nydal Dahl (Electronics for Kids: Play with Simple Circuits and Experiment with Electricity!)
I sucked in my lips and leaned against the camper door. "Which one is the real you? The charming rogue slash professional thief or the highly trained secret undercover agent?" Jack walked over and leaned his forearm against the door above my head, his gaze never leaving mine. "Which one do you want?" My pulse kicked up a notch and a white-hot heat shot through my veins. "I want the real you." Jack cupped my jaw, tilting my face back as his lips came down on mine. "You have the real me." I melted against him, drowning in his kiss. I wanted to go back to the time when there was trust between us and life hadn't gotten in the way. He lifted my hand and brushed his lips softly over my knuckles. "I never saw a more beautiful sight than you hanging out the window of a speeding truck, screaming my name." "You didn't answer." Slowly, carefully, he kissed my hand, claiming every inch of bare skin with a gentleness I didn't know he possessed. "I had a knife between my teeth." "I suppose that's a good excuse." I tipped my head back for another kiss. Alone for the first time since the chase, knowing he was safe, I felt overwhelmed with the need to have him close, to feel his body against mine. His smell, his taste, his heat, his desire--- I wanted them all. His lips met mine and I explored the depths of his mouth, tangling my tongue with his as I slid one hand under his shirt to feel his warmth and the firm, steady beat of his heart beneath my palm. When we broke apart to take a breath, I pressed a kiss to his throat, licking the saltiness from his skin. He backed away, one step, then two, leaving me bereft. "What's wrong?" "Chloe is in the truck." "She's a very heavy sleeper." I trailed my fingers over every hard ripple of his abdomen, following the soft trail that disappeared beneath his belt.
Sara Desai ('Til Heist Do Us Part (Simi Chopra #2))
Rock was bone. Dust was flesh. Water was blood. Residues settled in multitudes, becoming layers, and upon those layers yet more, and on and on until a world was made, until all that death could hold up one's feet where one stood, and rise to meet every step one took. A solid bed to lie on. So much for the world. Death holds us up. And then there were the breaths that filled, that made the air, the heaving assertions measuring the passing of time, like notches marking the arc of a life, of every life. How many of those breaths were last ones? The final expellation of a beast, an insect, a plant, a human with film covering his or her fading eyes? And so how, how could one draw such air into the lungs? Knowing how filled with death it was, how saturated it was with failure and surrender? Such air choked him, burned down his throat, tasting of the bitterest acid. Dissolving and devouring, until he was naught but... residue. They were so young, his companions. There was no way they could understand the filth walked on, walked in, walked through. And took into themselves, only to fling some of it back out again, now flavoured by their own sordid additions. And when they slept, each night, they were as empty things. While Heboric fought on against the knowledge that the world did not breathe, not any more. No, now, the world drowned. And I drown with it. Here in this cursed wasteland. In the sand and heat and dust. I am drowning. Every night. Drowning.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
Apple has a consistent and exquisite concept of using the God curve in everything. The God curve is the curvature of the rounded corners that you can see in many places. For example, in the iPhone, you can see the God curve in the metal frame, the physical buttons, the rear bump, the camera, the receiver, the display, the Lighting connector, and even some internal components. In the software, you can see the God curve in the app icon, the dock, the search bar, the settings bar, the control center, the notification bar in notification center, the widget, and the notch (or dynamic island). The God curve is also present in other products, such as the Macbook and its software. And even in Apple's buildings and facilities, such as the Apple Park visitor center and its trash cans and seats. The God curve is a legacy of Mr. Jobs, who made sure that everything Apple does has a high level of consistency and elegance across hardware, software, product, and enterprise.
Shakenal Dimension (The Art of iPhone Review: A Step-by-Step Buyer's Guide for Apple Lovers)
Apple has a consistent and exquisite concept of using the God curve in everything. The God curve is the curvature of the rounded corners that you can see in many places. For example, in the iPhone, you can see the God curve in the metal frame, the physical buttons, the rear bump, the camera, the receiver, the display, the Lighting connector, and even some internal components. In the software, you can see the God curve in the app icon, the dock, the search bar, the settings bar, the control center, the notification bar in notification center, the widget, and the notch (or dynamic island). The God curve is also present in other products, such as the Macbook and its software. And even in Apple's buildings and facilities, such as the Apple Park visitor center and its trash cans and seats. The God curve is a legacy of Mr. Jobs, who made sure that everything Apple does has a high level of consistency and elegance across hardware, software, product, and enterprise.
Shakenal Dimension (The Art of iPhone Review: A Step-by-Step Buyer's Guide for Apple Lovers)
People who take their own steps to notch up spectacular success are prone to receive the gifts of luck more often; success starts walking toward them in its turn to accelerate the awarded meeting.
Ani Shahverdyan (Ticket to All-Inclusive Life)
Well, let me introduce myself. I am the Ender Dragon. I was created by His Almighty, Mr. Notch, and I was trusted with the task of defeating any player who steps into my realm, known as The End.
Mark Mulle (Diary of a Mighty Ender Dragon: Book 1: A Dragon in the Overworld)
It was as if Chang had read right through me: He’s lost a step. He can’t get back fast enough. The helplessness was terrible. However, I still took pride in the fact that opponents—even the young bucks—were always very up when they played me. Maybe I was a notch in their belts; maybe they felt, This guy’s a prick; I’ll show him. I like to think it was because I was a great champion.
John McEnroe (You Cannot Be Serious)
Good. Now. Let’s talk our talk. Your beloved institution seems like it wants to step up to the next level. Be a culture player. Crank out all those smug nullities who can make the stylish, insipid, top-notch crap. Stuff we can jerk off to but that will also make us sorry, but not too sorry. Sexy sorry. Am I right?
Sam Lipsyte (The Ask)
This looks so professional,” I teased when he passed me the plate. “I cut off the crust. It steps it up a notch.” He winked at me, and I laughed at his playfulness.
Eve Marian (Protecting Nikole)
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Colette White