Step Brothers Drums Quotes

A typical weeknight when he was home like this: 1. Sit down and try to do homework. 2. Get interrupted by Jeffrey: “Please play with me!” 3. Ignore brother, try to do homework. 4. Get interrupted by Jeffrey: “Come ON, Steven! I’m BORED!” 5. Beg Jeffrey for five minutes of peace. 6. Get begged for five minutes of play: “Steven, you never, ever play with me—ever!” 7. Move entire homework operations center to different room. 8. Repeat steps #1-7 as directed by small drugged maniac.

Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.

Elvis starts to sing “Viva Las Vegas” as Sam and I walk side by side down the aisle. I cover my mouth and laugh. “I want you to repeat after me, Sam,” Elvis says. He lifts one corner of his lip in that classic snarl. “I, Sam, promise you, Peck, never to step on your blue suede shoes. I promise never to leave you at Heartbreak Hotel. I promise to be your hunka-hunka burning love, forever and ever, amen.” “Wait,” Sam says. “That’s Randy Travis. Not Elvis.” “Close enough,” Elvis says. Sam rolls his hips like Elvis did when he repeats the words. I can’t stop laughing. I laugh so hard that I have to wipe tears from my eyes. But I don’t feel bad, because Emily is doing the same thing. And the rest of the brothers and their wives are laughing it up too. “Now you, Peck,” Elvis says. He swivels his hips and someone does a rim shot on a set of drums. “I, Peck, solemnly swear to love you tender for the rest of my life, and never leave you with a suspicious mind.” I

Elvis starts to sing “Viva Las Vegas” as Sam and I walk side by side down the aisle. I cover my mouth and laugh. “I want you to repeat after me, Sam,” Elvis says. He lifts one corner of his lip in that classic snarl. “I, Sam, promise you, Peck, never to step on your blue suede shoes. I promise never to leave you at Heartbreak Hotel. I promise to be your hunka-hunka burning love, forever and ever, amen.” “Wait,” Sam says. “That’s Randy Travis. Not Elvis.” “Close enough,” Elvis says. Sam rolls his hips like Elvis did when he repeats the words. I can’t stop laughing. I laugh so hard that I have to wipe tears from my eyes. But I don’t feel bad, because Emily is doing the same thing. And the rest of the brothers and their wives are laughing it up too. “Now you, Peck,” Elvis says. He swivels his hips and someone does a rim shot on a set of drums. “I, Peck, solemnly swear to love you tender for the rest of my life, and never leave you with a suspicious mind.” I repeat the words. I barely stutter, and it warms my heart when I realize that. Suddenly, Elvis gets serious. “Dearly beloved, we are gathered here today…” Sam’s eyes meet mine, and he takes my hands. I pass my flowers to one of my sisters and look up at him. We recite the official vows, and I have to blink hard to get through them, particularly when I look at the TV screen and see Marta crying into her handkerchief. “Who gives this woman to be married?” Elvis asks. Emilio’s voice rings out. “Her mother and I.” This time, a hot tear tracks down my cheek and Sam very gently wipes it away. “You okay?” he whispers. “I now pronounce you husband and wife,” Elvis declares. “Now let’s have a little less conversation and a really big kiss.” He swivels his hips again and I laugh through my tears. Sam

Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed. After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions. And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal. I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet. I know, because I watched.