“
Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.
”
”
Friedrich Nietzsche
“
Everyone is a moon, and has a dark side which he never shows to anybody.
”
”
Mark Twain
“
How can I be substantial if I do not cast a shadow? I must have a dark side also If I am to be whole.
”
”
C.G. Jung (Modern Man in Search of a Soul)
“
We are all like the bright moon, we still have our darker side.
”
”
Kahlil Gibran
“
Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
”
”
George Lucas (Star Wars: The Phantom Menace (Star Wars Novelizations, #1))
“
When I buy a new book, I always read the last page first, that way in case I die before I finish, I know how it ends. That, my friend, is a dark side.
”
”
Nora Ephron (When Harry Met Sally)
“
I must also have a dark side if I am to be whole.
”
”
C.G. Jung
“
Weren't we all crazy in our sleep? What was sleep, after all, but the process by which we dumped our insanity into a dark subconscious pit and came out on the other side ready to eat cereal instead of our neighbor's children?
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
You know when people say fine, it generally means ‘leave me the hell alone because I don’t want to talk about what’s really bothering me.' (Susan)
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
We're not the damned, folks, we're the categorically fucked. - Urian
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
Over the years, I have come to realize that the greatest trap in our life is not success, popularity, or power, but self-rejection. Success, popularity, and power can indeed present a great temptation, but their seductive quality often comes from the way they are part of the much larger temptation to self-rejection. When we have come to believe in the voices that call us worthless and unlovable, then success, popularity, and power are easily perceived as attractive solutions. The real trap, however, is self-rejection. As soon as someone accuses me or criticizes me, as soon as I am rejected, left alone, or abandoned, I find myself thinking, "Well, that proves once again that I am a nobody." ... [My dark side says,] I am no good... I deserve to be pushed aside, forgotten, rejected, and abandoned. Self-rejection is the greatest enemy of the spiritual life because it contradicts the sacred voice that calls us the "Beloved." Being the Beloved constitutes the core truth of our existence.
”
”
Henri J.M. Nouwen
“
De tall, dark vun--dere's nothing special about him at all," ter Borcht said dismissively of Fang, who hadn't moved since the doctor had come in.
Well, he's a snappy dresser," I offered. One side of Fang's mouth quirked.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
Percy smiled at her - that sarcastic troublemaker smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago - tanner and taller, leaner and more muscular.
Percy threw his arms around her. They kissed and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, and Annabeth wouldn't have cared.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
We’re taught that in life, we should try to look on the bright side, to be optimistic. Not in this case. In this case, look on the dark side. Assume rejection first. Assume you’re the rule, not the exception.
”
”
Liz Tuccillo (He's Just Not That Into You)
“
To live by grace means to acknowledge my whole life story, the light side and the dark. In admitting my shadow side I learn who I am and what God's grace means.
”
”
Brennan Manning
“
Percy, let me go" she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above.
"The other side, Nico! We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them!" Percy shouted. "Promise me!"
"I-I will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Loneliness is a strange sort of thing.
It creeps on you, quiet and still, sits by your side in the dark, strokes by your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can't breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It's a constant companion, clasping your hand only to yank you down when you're struggling to stand up.
You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt.
do I
don't I
should I
why won't I
And even when you're ready to let go. When you're ready to break free. When you're ready to be brand-new. Loneliness is an old friend stand beside you in the mirror, looking you in the eye, challenging you to live your life without it. You can't find the words to fight yourself, to fight the words screaming that you're not enough never enough never ever enough.
Loneliness is a bitter, wretched companion.
Sometimes it just won't let go.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
It is important for people to know that no matter what lies in their past, they can overcome the dark side and press on to a brighter world.
”
”
Dave Pelzer (A Child Called "It" (Dave Pelzer, #1))
“
American women. Why do you all want to be nearly invisible? Why not have a physical presence in the world? Women should have curves, not angles. ...One should never confuse fashionable with beautiful. ...Eat. Be happy to have curves. A presence.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
She was scared
Unprepared
Lost in the dark
Falling apart
I can't survive
Without you by my side
We're gonna be alright
This is what happens when
Two worlds collide.
”
”
Demi Lovato
“
I hate you! (Artemis)
Don’t keep saying that, Artie. It’s cruel to get my hopes up. (Acheron)
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
But I always liked side-paths, little dark back-alleys behind the main road- there one finds adventures and surprises, and precious metal in the dirt.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
It actually dawned on me that I don’t fight. I just kill whatever annoys me, and it’s over. (Savitar)
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
Accept your dark side, understanding it will help you to move with the light. Knowing both sides of our souls, helps us all to move forward in life and to understand that, perfection doesn't exist.
”
”
Martin R. Lemieux
“
You don’t knock on the devil’s door, boy, unless you want him to answer. (Ravyn)
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
How does one hate a country, or love one? Tibe talks about it; I lack the trick of it. I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one mustn't make a virtue of it, or a profession... Insofar as I love life, I love the hills of the Domain of Estre, but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.
”
”
Ursula K. Le Guin (The Left Hand of Darkness)
“
In my dream I know I am falling. But there is no up or down, no walls or sides or ceilings, just the sensation of cold and darkness everywhere. I am so scared I could scream. But when I open my mouth, nothing happens. And I wonder if you fall forever and never touch down, is it really still falling? I think I will fall forever.
”
”
Lauren Oliver (Before I Fall)
“
I like pink."
Lucius sniffed. "It's just red's sorry, weak cousin.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
And because there is something they can’t see people think it has to be special, because people always think there is something special about what they can’t see, like the dark side of the moon, or the other side of a black hole, or in the dark when they wake up at night and they’re scared.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Unending Love
I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.
”
”
Rabindranath Tagore (Selected Poems)
“
I don't want to rule the universe. I just think it could be more sensibly organised.
”
”
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
“
I'm kind of a low-key guy. The spotlight doesn't suit me. I'm more of a side dish--cole slaw or French fries or a Wham! backup singer.
”
”
Haruki Murakami (After Dark)
“
Where do you. come from?" Frank challenged, puffing his chest, a little bolder now that he could breathe. "Some of us are starting to wonder."
"I come from civilization," Lucius retorted. "You wouldn't be familiar with the territory. Now pick up the books.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
Nobody can fall so low unless he has a great depth.
If such a thing can happen to a man, it challenges his best and highest on the other side; that is to say, this depth corresponds to a potential height, and the blackest darkness to a hidden light.
”
”
C.G. Jung
“
I didn't want to choose one world. I wanted to be part of both. I didn't want to see only one side of the sky. I wanted to see it all.
”
”
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
“
The brightest light casts the darkest shadow.
”
”
Jess C. Scott (The Darker Side of Life)
“
I can't believe you married a justice nymph and have yet to learn anything from her. There are always three sides to every memory, Z. Yours, theirs, and the truth, which lies somewhere in between the two. (Acheron)
”
”
Sherrilyn Kenyon (Seize the Night (Dark-Hunter #6))
“
A person who sets his or her mind on the dark side of life, who lives over and over the misfortunes and disappointments of the past, prays for similar misfortunes and disappointments in the future. If you will see nothing but ill luck in the future, you are praying for such ill luck and will surely get it.
”
”
Rhonda Byrne (The Secret (The Secret, #1))
“
The bright side of the planet moves toward darkness
And the cities are falling asleep, each in its hour,
And for me, now as then, it is too much.
There is too much world.
”
”
Czesław Miłosz (The Separate Notebooks)
“
So if you were a boy band, you’d be One Erection,” I state, rambling because they have me nervous.
”
”
Kristy Cunning (Four Psychos (The Dark Side, #1))
“
His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness.
She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Grief is like sinking, like being buried. I am in water the tawny color of kicked-up dirt. Every breath is full of choking. There is nothing to hold on to, no sides, no way to claw myself up. There is nothing to do but let go.
Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of old things, and days that look like darkness.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
People with the purest souls are capable of the greatest evils. No one is perfect, no matter what they are or what side they fight for.
”
”
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
“
You know, you’re pretty when you smile,” she said, patting the side of his cheek.
“Fierce, woman. I am fierce.”
“If you say so.
”
”
Gena Showalter (Wicked Nights (Angels of the Dark, #1))
“
Jessica. For god's sake," he said. "Allow me to do at least one common courtesy for you. In spite ow what 'women's lib' teaches you, chivalry does not imply that women are powerless. On the contrary, chivalry is an admission of women's superiority. An acknowledgment of your power over us. This is the only form of servitude a Vladescu ever practices, and I perform it gladly for you. You, in turn, are obligated to accept graciously.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
I laughed. “You’re too young to be so … pessimistic,” I said, using the English word.
“Pessi-what?”
“Pessimistic. It means looking only at the dark side of things.”
“Pessimistic … pessimistic …” She repeated the English to herself over and over, and then she looked up at me with a fierce glare. “I’m only sixteen,” she said, “and I don’t know much about the world, but I do know one thing for sure. If I’m pessimistic, then the adults in this world who are not pessimistic are a bunch of idiots.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
”
”
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
“
They took to silence. They touched each other without comment and without progression. A hand on a hand, a clothed arm, resting on an arm. An ankle overlapping an ankle, as they sat on a beach, and not removed. One night they fell asleep, side by side... He slept curled against her back, a dark comma against her pale elegant phrase.
”
”
A.S. Byatt (Possession)
“
Nïx lay on her side, bending her elbow to casually prop her head in her hand. With a sigh she said, “Bowen, I took you on as my pet project because I like to ogle you. Due to your rowr factor.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
I'm not going to lose you again."
"SHE IS RIGHT."
We looked up. Ironhorse stood on the other side of the glass, watching us. His eyes glowed red in the darkness. "IT IS TOO DANGEROUS. FOR YOU."
I frowned. "What are you talking-"
"PRINCESS." Abruptly, he bowed. "IT HAS BEEN AN HONOR. WERE THINGS DIFFERENT, I WOULD GLADLY SERVE YOU UNTIL THE END OF TIME." He looked at Ash and nodded, as it suddenly dawned on me what he was implying. "SHE THINKS THE WORLD OF YOU, PRINCE. PROTECT HER WITH YOUR LIFE.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
From the first day I met her, she was the only woman to me. Every day of that voyage I loved her more, and many a time since have I kneeled down in the darkness of the night watch and kissed the deck of that ship because I knew her dear feet had trod it. She was never engaged to me. She treated me as fairly as ever a woman treated a man. I have no complaint to make. It was all love on my side, and all good comradeship and friendship on hers. When we parted she was a free woman, but I could never again be a free man.
”
”
Arthur Conan Doyle (The Return of Sherlock Holmes (Sherlock Holmes, #6))
“
I settled on the floor and whispered to Sam, “I want you to listen to me, if you can.” I leaned the side of my face against his ruff and remembered the golden wood he had shown me so long ago. I remembered the way the yellow leaves, the color of Sam’s eyes, fluttered and twisted, crashing butterflies, on their way to the ground. The slender white trunks of the birches, creamy and smooth as human skin. I remembered Sam standing in the middle of the wood, his arms stretched out, a dark, solid form in the dream of the trees. His coming to me, me punching his chest, the soft kiss. I remembered every kiss we’d ever had, and I remembered every time I’d curled in his human arms. I remembered the soft warmth of his breath on the back of my neck while we slept.
I remembered Sam.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
He gazed up at the enormous face. Forty years it had taken him to learn what kind of smile was hidden beneath the dark moustache. O cruel, needless misunderstanding! O stubborn, self-willed exile from the loving breast! Two gin-scented tears trickled down the sides of his nose. But it was all right, everything was all right, the struggle was finished. He had won the victory over himself. He loved Big Brother.
”
”
George Orwell (1984)
“
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..."
"No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..."
"Everyone except us! And you and I could live here forever and just love each other."
"I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..."
"I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..."
They lay side by side, hand in hand, looking at the sky.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
I've never been afraid of the dark. I'm more afraid of the day, of people. I love the night. The solitude. Well, I don't love it. I don't feel love. I hate people, so I hope when I get there it isn't crowded. I hope the light is a momentary phenomenon and the other side is completely black. And silent.
”
”
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
“
You’re the warm sun that shines when everything else is dark,” he went on, lifting his hands to rest them on the wall on either side of my face. “A smile and a hug in a roomful of disapproval. You’re…” Wincing, he pressed his forehead against mine. “You’re everything.
”
”
Linda Kage (Price of a Kiss (Forbidden Men, #1))
“
The society to which we belong seems to be dying or is already dead. I don't mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, 'Look at yourselves, you idiots!,' but to say, 'This is who we are.
”
”
Anne Lamott (Bird by Bird)
“
Laughter isn't even the other side of tears. It is tears turned inside out. Truly the suffering is great, here on earth. We blunder along, shredded by our mistakes, bludgeoned by our faults. Not having a clue where the dark path leads us. But on the whole, we stumble along bravely, don't you think?
”
”
Alice Walker
“
The most effective attitude to adopt is one of supreme acceptance. The world is full of people with different characters and temperaments. We all have a dark side, a tendency to manipulate, and aggressive desires. The most dangerous types are those who repress their desires or deny the existence of them, often acting them out in the most underhanded ways. Some people have dark qualities that are especially pronounced. You cannot change such people at their core, but must merely avoid becoming their victim. You are an observer of the human comedy, and by being as tolerant as possible, you gain a much greater ability to understand people and to influence their behavior when necessary
”
”
Robert Greene (Mastery)
“
Imagine you’re a fish, swimming in a pond. You can move forward and back, side to side, but never up out of the water. If someone were standing beside the pond, watching you, you’d have no idea they were there. To you, that little pond is an entire universe. Now imagine that someone reaches down and lifts you out of the pond. You see that what you thought was the entire world is only a small pool. You see other ponds. Trees. The sky above. You realize you’re a part of a much larger and more mysterious reality than you had ever dreamed of.
”
”
Blake Crouch (Dark Matter)
“
He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest.
Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now.
"Take off your hat," I said, the words tumbling out before I could stop them.
He slid it around, the brim facing backward.
I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind.
He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me.
I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way.
"You should go," I breathed. "You should definitely go."
"Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck.
My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin...
"My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all
through my body, legs included.
"I could solve that." Patch’s hands closed on my hips.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Honestly? I don’t want people around me for two reasons – they ultimately betray you or they die on you. Either way, you’re screwed and you spend all your time obsessing on why you didn’t see it coming. Or that you did something or didn’t do something to cause it. No offense, but I don’t like to be hurt and I’d rather just avoid it.(Ravyn)
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
And as we kissed, really kissed, something inside me was smashed, like a splitting atom, erupting with all the force of a shattering nucleus. And yet I was strangely at peace, too. It was like I'd found my place in the universe, in the chaos, and Lucius and I could go along locked together throughout time without end, like pi, existing infinitely, irrationally, spinning through time.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
No one's making any decisions today," Mom translated. "It's late, and we're all tired and a little overwhelmed. Besides, Lucius, Jessica is not ready to contemplate marriage. She hasn't even kissed a boy yet, for goodness' sake."
Lucius smirked at me, raising one eyebrow. "Really? No suitors? How shocking. I would have thought your pitchfork skills would be attractive to certain bachelors here in farm country.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
How does one hate a country, or love one?... I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving a name and ceasing to love where the name ceases to apply? What is the love of one's country; is it hate of one's uncountry? Then it's not a good thing.
”
”
Ursula K. Le Guin (The Left Hand of Darkness)
“
He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills?
One kiss, and that was all.
Both trembled, and they looked at each other in the darkness with brilliant eyes.
They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it.
She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there.
From time to time Marius’ knee touched Cosette’s. A touch that thrilled.
At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower.
Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girl’s soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other.
When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?"
My name is Marius," he said. "And yours?"
My name is Cosette.
”
”
Victor Hugo (Les Misérables)
“
She always did like tales of adventure-stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side by the way.
”
”
Cornelia Funke (Inkheart (Inkworld, #1))
“
Had he stood outside my door as I'd stood outside his, fists at his sides, lips drawn back? Did it have him as bad as it had me? Was it eating at him, gnawing at him with the same sharp vicious little teeth that wouldn't let me sleep?
Yes, it was. I could see the rage of insatiable uninvited lust in every line of that dark, stoic face that had once been too subtly etched for me to read. I wasn't the only one lying awake at night, fevered with memories, tossing, turning, soaking my sheets, burning up--not for Fae sex, but him, damn it all to hell, him.
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
You can lose your way groping among the shadows of the past. It's frightening how many people and things there are in a man's past that have stopped moving. The living people we've lost in the crypts of time sleep so soundly side by side with the dead that the same darkness envelops them all.
As we grow older, we no longer know whom to awaken, the living or the dead.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Let us say in passing, to be blind and to be loved, is in fact--on this earth where nothing is complete--one of the most strangely exquisite forms of happiness. To have continually at your side a woman, a girl, a sister, a charming being, who is there because you need her, and because she cannot do without you, to know you are indispensable to someone necessary to you, to be able at all times to measure her affection by the degree of the presence that she gives you, and to say to yourself: She dedicates all her time to me, because I possess her whole love; to see the thought if not the face; to be sure of the fidelity of one being in a total eclipse of the world; to imagine the rustling of her dress as the rustling of wings; to hear her moving to and fro, going out, coming in, talking, singing, to think that you are the cause of those steps, those words, that song; to show your personal attraction at every moment; to feel even more powerful as your infirmity increases; to become in darkness, and by reason of darkness, the star around which this angel gravitates; few joys can equal that. The supreme happiness of life is the conviction that we are loved; loved for ourselves--say rather, loved in spite of ourselves; the conviction the blind have. In their calamity, to be served is to be caressed. Are they deprived of anything? No. Light is not lost where love enters. And what a love! A love wholly founded in purity. There is no blindness where there is certainty.
”
”
Victor Hugo (Les Misérables)
“
I’ve grown quite weary of the spunky heroines, brave rape victims, soul-searching fashionistas that stock so many books. I particularly mourn the lack of female villains — good, potent female villains. Not ill-tempered women who scheme about landing good men and better shoes (as if we had nothing more interesting to war over), not chilly WASP mothers (emotionally distant isn’t necessarily evil), not soapy vixens (merely bitchy doesn’t qualify either). I’m talking violent, wicked women. Scary women. Don’t tell me you don’t know some. The point is, women have spent so many years girl-powering ourselves — to the point of almost parodic encouragement — we’ve left no room to acknowledge our dark side. Dark sides are important. They should be nurtured like nasty black orchids.
”
”
Gillian Flynn
“
Ezekiel 25:17. "The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of the darkness. For he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know I am the Lord when I lay my vengeance upon you." I been sayin' that shit for years. And if you ever heard it, it meant your ass. I never really questioned what it meant. I thought it was just a cold-blooded thing to say to a motherfucker before you popped a cap in his ass. But I saw some shit this mornin' made me think twice. Now I'm thinkin': it could mean you're the evil man. And I'm the righteous man. And Mr. .45 here, he's the shepherd protecting my righteous ass in the valley of darkness. Or it could be you're the righteous man and I'm the shepherd and it's the world that's evil and selfish. I'd like that. But that shit ain't the truth. The truth is you're the weak. And I'm the tyranny of evil men. But I'm tryin, Ringo. I'm tryin' real hard to be the shepherd.
he became the shepherd instead of the vengeance.
Jules Winnfield- Samuel L. Jackson
”
”
Quentin Tarantino (Pulp Fiction: A Quentin Tarantino Screenplay)
“
As Hamlet said to Ophelia, ”God has given you one face, and you make yourself another." The battle between these two halves of identity...Who we are and who we pretend to be, is unwinnable. "Just as there are two sides to every story, there are two sides to every person. One that we reveal to the world and another we keep hidden inside. A duality governed by the balance of light and darkness, within each of us is the capacity for both good and evil. But those who are able to blur the moral dividing line hold the true power.
”
”
Emily Thorne
“
There were people who called themselves Satanists who made Crowley squirm. It wasn't just the things they did, it was the way they blamed it all on Hell. They'd come up with some stomach-churning idea that no demon could have thought of in a thousand years, some dark and mindless unpleasantness that only a fully-functioning human brain could conceive, then shout "The Devil Made Me Do It" and get the sympathy of the court when the whole point was that the Devil hardly ever made anyone do anything. He didn't have to. That was what some humans found hard to understand. Hell wasn't a major reservoir of evil, any more than Heaven, in Crowley's opinion, was a fountain of goodness; they were just sides in the great cosmic chess game. Where you found the real McCoy, the real grace and the real heart-stopping evil, was right inside the human mind.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
One day soon, you’ll hear a car pull up to your curb, an engine cut out. You’ll hear footsteps coming up your front walk. Like they did for Edward Wayne Edwards, twenty-nine years after he killed Timothy Hack and Kelly Drew, in Sullivan, Wisconsin. Like they did for Kenneth Lee Hicks, thirty years after he killed Lori Billingsley, in Aloha, Oregon.
The doorbell rings.
No side gates are left open. You’re long past leaping over a fence. Take one of your hyper, gulping breaths. Clench your teeth. Inch timidly toward the insistent bell.
This is how it ends for you.
“You’ll be silent forever, and I’ll be gone in the dark,” you threatened a victim once.
Open the door. Show us your face.
Walk into the light.
”
”
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
“
Ten feet from the car, a man stepped directly into our path. We came to a screeching halt, and I jerked Lissa back by her arm. It was him, the guy I’d seen across the street watching me. He was older than us, maybe mid-twenties, and as tall as I’d figured, probably six-six or six-seven. And under different circumstances–say, when he wasn’t holding up our desperate escape–I would have thought he was hot. Shoulder-length brown hair, tied back in a short ponytail. Dark brown eyes. A long brown coat–a duster, I thought it was called.
But his hotness was irrelevant now. He was only an obstacle keeping Lissa and me away from the car and our freedom. The footsteps behind us slowed, and I knew our pursuers had caught up. Off to the sides, I detected more movement, more people closing in. God. They’d almost sent a dozen guardians to retrieve us. I couldn’t believe it. The queen herself didn’t travel with that many.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Valkyrie Cain got out of the passenger side. She zipped up
her black jacket against the cold, and joined Skulduggery as he
walked up to the front door. She glanced at him, and saw that he was smiling.
"Stop doing that,” she sighed.
“Stop doing what?” Skulduggery responded in that gloriously velvet voice of his.
“Stop smiling. The person we want to talk to lives in the only dark house on a bright street. That’s not a good sign.”
“I didn’t realise I was smiling,” he said.
They stopped at the door, and Skulduggery made a concerted effort to shift his features. His mouth twitched
downwards. “Am I smiling now?”
“No.”
“Excellent,” he said, and the smile immediately sprang back up.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Vadim swallowed, felt his throat too tight to move, then, still staring at the bottle, smelling the desert and Dan, and himself, his hand reached to his side, opened the holster of the pistol. Took out the mag, took the bullet from the chamber, clicked the mag in place again, rolled the bullet between his fingers.
He looked at Dan, sideways, saw the man stare at him, all eyes, dark eyes, and the way the pale desert moon made his face a place of shadows.
He reached for Dan’s hand, opened the fingers and placed the bullet into the palm.
“This is the bullet you’ll use to kill me if I walk away again.” Because if I walk away again, I’ll be in so much pain I’m better off dead anyway.
”
”
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
“
Where have you been?" she cried. "Damn you, where have you been?" She took a few steps toward Schmendrick, but she was looking beyond him, at the unicorn.
When she tried to get by, the magician stood in her way. "You don't talk like that," he told her, still uncertain that Molly had recognized the unicorn. "Don't you know how to behave, woman? You don't curtsy, either."
But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. "Where have you been?" Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn's old dark eyes that looked down.
"I am here now," she said at last.
Molly laughed with her lips flat. "And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?" With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. "I wish you had never come. Why did you come now?" The tears began to slide down the sides of her nose.
The unicorn made no reply, and Schmendrick said, "She is the last. She is the last unicorn in the world."
"She would be." Molly sniffed. "It would be the last unicorn in the world to come to Molly Grue." She reached up then to lay her hand on the unicorn's cheek; but both of them flinched a little, and the touch came to rest on on the swift, shivering place under the jaw. Molly said, "It's all right. I forgive you.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face.
All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen.
"You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!"
The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter.
"Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade.
Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn.
And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
Know then thyself, presume not God to scan,
The proper study of mankind is Man.
Placed on this isthmus of a middle state,
A being darkly wise and rudely great:
With too much knowledge for the Sceptic side,
With too much weakness for the Stoic's pride,
He hangs between, in doubt to act or rest;
In doubt to deem himself a God or Beast;
In doubt his mind or body to prefer;
Born but to die, and reas'ning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little or too much;
Chaos of thought and passion, all confused;
Still by himself abused or disabused;
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of truth, in endless error hurl'd;
The glory, jest, and riddle of the world!
Go, wondrous creature! mount where science guides,
Go, measure earth, weigh air, and state the tides;
Instruct the planets in what orbs to run,
Correct old time, and regulate the sun;
Go, soar with Plato to th’ empyreal sphere,
To the first good, first perfect, and first fair;
Or tread the mazy round his followers trod,
And quitting sense call imitating God;
As Eastern priests in giddy circles run,
And turn their heads to imitate the sun.
Go, teach Eternal Wisdom how to rule—
Then drop into thyself, and be a fool!
”
”
Alexander Pope (An Essay on Man)
“
If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals . . . We are all human beings, individuals, fragile eggs. We have no hope against the wall: it's too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us -- create who we are. It is we who created the system. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)
”
”
Haruki Murakami
“
It's offense you maybe can't live with because it opens up a crack inside your thinking, and if you look down into it you see there are evil things down there, and they have little yellow eyes that don't blink, and there's a stink down there in that dark and after a while you think maybe there's a whole other universe where a square moon rises in the sky, and the stars laugh in cold voices, and some of the triangles have four sides, and some have five, and some have five raised to the fifth power of sides. In this universe there might grow roses which sing. Everything leads to everything, he would have told them if he could. Go to your church and listen to your stories about Jesus walking on the water, but if I saw a guy doing that I'd scream and scream and scream. Because it wouldn't look like a miracle to me. It would look like an offense.
”
”
Stephen King (It)
“
Lucius paused, turning on his heel to face me. "I grow weary of your ignorance." He moved closer to me, leaning down and peering into my eyes. "Because your parents refuse to inform you, I will deliver the news myself,and I shall make this simple for you." He pointed to his chest and announced, as though talking to a child, "I am a vampire." He pointed to my chest. "You are a vampire. And we are to be married, the moment you come of age. This has been decreed since our births."
I couldn't even process the "getting married" part, or the thing about "decreed." He'd lost me at "vampire."
Nuts. Lucius Vladescu is completely nuts. And I'm alone with him, in an empty barn.
So I did what any sane person would do. I jammed the pitchfork in the general direction of his foot and ran like hell for the house, ignoring his yowl of pain.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
When it was done and I went to sleep, I lay awake and listened to the clock on your nightstand and the wind outside and understood that I was really home, that in bed with you was home, and something that had been getting close in the dark was suddenly gone. It could not stay. It had been banished. It knew how to come back, I was sure of that, but it could not stay and I could really go to sleep. My heart cracked with gratitude. I think it was the first gratitude I’ve ever really known. I lay there beside you and the tears rolled down the sides of my face and onto the pillow. I loved you then and I love you now and I have loved you every second in between. I don’t care if you understand me. Understanding is vastly overrated, but nobody ever gets enough safety. I’ve never forgotten how safe I felt with that thing gone out of the darkness.
”
”
Stephen King (Lisey's Story)
“
It is a world of magic and mystery, of deep darkness and flickering starlight. It is a world where terrible things happen and wonderful things too. It is a world where goodness is pitted against evil, love against hate, order against chaos, in a great struggle where often it is hard to be sure who belongs to which side because appearances are endlessly deceptive. Yet for all its confusion and wildness, it is a world where the battle goes ultimately to the good, who live happily ever after, and where in the long run everybody, good and evil alike, becomes known by his true name....That is the fairy tale of the Gospel with, of course, one crucial difference from all other fairy tales, which is that the claim made for it is that it is true, that it not only happened once upon a time but has kept on happening ever since and is happening still.
”
”
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
“
When I get honest, I admit I am a bundle of paradoxes. I believe and I doubt, I hope and get discouraged, I love and I hate, I feel bad about feeling good, I feel guilty about not feeling guilty. I am trusting and suspicious. I am honest and I still play games. Aristotle said I am a rational animal; I say I am an angel with an incredible capacity for beer.
To live by grace means to acknowledge my whole life story, the light side and the dark. In admitting my shadow side I learn who I am and what God's grace means. As Thomas Merton put it, "A saint is not someone who is good but who experiences the goodness of God."
The gospel of grace nullifies our adulation of televangelists, charismatic superstars, and local church heroes. It obliterates the two-class citizenship theory operative in many American churches. For grace proclaims the awesome truth that all is gift. All that is good is ours not by right but by the sheer bounty of a gracious God. While there is much we may have earned--our degree and our salary, our home and garden, a Miller Lite and a good night's sleep--all this is possible only because we have been given so much: life itself, eyes to see and hands to touch, a mind to shape ideas, and a heart to beat with love. We have been given God in our souls and Christ in our flesh. We have the power to believe where others deny, to hope where others despair, to love where others hurt. This and so much more is sheer gift; it is not reward for our faithfulness, our generous disposition, or our heroic life of prayer. Even our fidelity is a gift, "If we but turn to God," said St. Augustine, "that itself is a gift of God."
My deepest awareness of myself is that I am deeply loved by Jesus Christ and I have done nothing to earn it or deserve it.
”
”
Brennan Manning (The Ragamuffin Gospel)
“
The stars are brilliant at this time of night
and I wander these streets like a ritual I don’t dare to break
for darling, the times are quite glorious.
I left him by the water’s edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well.
There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said he’d come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are can’t be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now I’m writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until they’re all gone.
Nothing left to hold me back.
You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
it’s my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
—The good not done, the love not given, time
Torn off unused—nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear—no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.
And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can’t escape,
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
”
”
Philip Larkin (Collected Poems)
“
I knew him instantly, even though he'd...changed. I think in a crowd of a million people, I would have recognized him. The connection between us would allow nothing else. And after being deprived of him for so long, I drank in every feature. The dark, chin-length hair, worn loose tonight and curling slightly around his face. The familiar set of lips, quirked now in an amused yet chilling smile. He even wore the duster he always wore, the long leather coat that could have come straight out of a cowboy movie.
[...]
The eyes. Oh God, the eyes.
Even with that sickening red ring around his pupils, his eyes still reminded me of the Dimitri I'd known. The look in his eyes—the soulless, malicious gleam—that was nothing like him. But there was just enough resemblance to stir my heart, to overwhelm my senses and feelings. My stake was ready. All I had to do was keep swinging to make the kill. I had momentum on my side...
But I couldn't. I just needed a few more seconds, a few more seconds to drink him in before I killed him. And that's when he spoke.
"Roza." His voice had the same wonderful lowness, the same accent...it was just colder. "You forgot my first lesson: Don't hesitate.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Going up that river was like travelling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off forever from everything you had known once -somewhere- far away in another existence perhaps. There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect.
”
”
Joseph Conrad (Heart of Darkness)
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare.
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
“This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronan’s first kiss.
“I’m gonna go downstairs,” Ronan said.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore.
Yes, sure,' George said, looking into the stormdrain.
And a balloon? I’ve got red and green and yellow and blue...'
Do they float?'
Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...'
George reached.
The clown seized his arm.
And George saw the clown’s face change.
What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke.
They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches.
They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–'
George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly.
Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more.
Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth.
The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
”
”
Stephen King (It)
“
Diana gave her a measured look and ducked down behind the counter. She came up a moment later with a sword about the length of Clary's forearm. "What do you think of this?"
Clary stared at the weapon. It was undoubtedly beautiful. The cross-guard, grip and pommel were gold chased with obsidian, the blade a silver so dark it was nearly black.
"It's a shortsword. You might want to look at the other side," said Diana, and she flipped the sword over. On the opposite side of the blade, down the center ridge, ran a pattern of black stars.
"Oh." Clary's heart thumped painfully; she took a step away and nearly bumped into Jace, who had come up behind her, frowning. "That's a Morgenstern sword."
"Yes, it is." The sword-seller's eyes were shrewd. "Long ago the Morgensterns commissioned two blades from Wayland the Smith-a matched set. You have doubtless seen the the larger sword already, for Valentine Morgenstern carried it, and now his son carries it after him."
"You know who we are," Jace said. It wasn't a question. "Who Clary is."
"The Shadowhunter world is small," said Diana, and she looked from one of them to the other. "I'm on the Council. I've seen you give testimony, Valentine's daughter."
Clary looked doubtfully at the blade. "I've seen two men bear the larger version of that sword, and I hated them both. There are no Morgensterns in this world now who are dedicated to anything but evil."
Jace said, "There's you."
"I'll give it to you," said Diana. "You're right that people hate the Morgensterns; it's not the sort of item I could sell elsewhere. Or would necessarily want to. It should go to good hands."
"I don't want it," Clary said.
"If you flinch from it, you give it power over you," said Diana. "Take it, and cut your brother's throat with it, and reclaim the honor of your blood.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Kazi of Brightmist...you are the love I didn't know I needed.
You are the hand pulling me through the wilderness,
The sun warming my face.
You make me stronger, smarter, wiser.
You are the compass that makes me a better man.
With you by my side, no challenge will be too great.
I vow to honor you, Kazi, and do all I can to be worthy of your love.
I will never stumble in my devotion to you, and I vow to keep you safe always.
My family is now your family, and your family, mine.
You have not stolen my heart, but I give it freely,
And in the presence of these witnesses, I take you to be my wife."
He squeezed my hand. His brown eyes danced, just as they had the first time he spoke those vows to me. It was my turn now. I took a deep breath. Were any words enough? But I said the ones closest to my heart, the ones I had said in the wilderness and repeated almost daily when I lay in a dark cell, uncertain where he was but needing to believe I would see him again.
"I love you, Jase Ballenger, and I will for all my days. You have brought me fullness where there was only hunger,
You have given me a universe of stars and stories,
Where there was emptiness.
You've unlocked a part of me I was afraid to believe in,
And made the magic of wish stalks come true.
I vow to care for you, to protect you and everything that is yours.
Your home is now my home, your family, my family.
I will stand by you as a partner in all things.
With you by my side, I will never lack for joy.
I know life is full of twists and turns, and sometimes loss, but whatever paths we go down, I want every step to be with you.
I want to grow old with you, Jase.
Every one of my tomorrows is yours,
And in the presence of these witnesses, I take you to be my husband.
”
”
Mary E. Pearson (Vow of Thieves (Dance of Thieves, #2))
“
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force."
"Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?"
The man who'd spoken arched an eyebrow. "I wasn't talking to him."
"You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics?
"What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now.
The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands.
My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—"
That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home.
[...]
Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away.
Dimitri.
"Don't touch her," he growled.
There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me.
"Stay back," he ordered me. "They aren't laying a hand on you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me.
What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows.
This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
”
”
David Foster Wallace (Brief Interviews with Hideous Men)
“
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed.
He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.”
And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected.
First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned.
His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.”
Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation.
And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.”
It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else.
“I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?”
“Er…yes?”
Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?”
“Ehhhh…” Gareth wasn’t quite sure what to make of this.
“The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses.
“Servants?” Gareth asked.
“Brothers.” He handed Gareth a glass. “Welcome to the family.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))