Stefan Zweig Quotes

We've searched our database for all the quotes and captions related to Stefan Zweig. Here they are! All 100 of them:

Time to leave now, get out of this room, go somewhere, anywhere; sharpen this feeling of happiness and freedom, stretch your limbs, fill your eyes, be awake, wider awake, vividly awake in every sense and every pore.
Stefan Zweig (The Post-Office Girl)
Nothing whets the intelligence more than a passionate suspicion, nothing develops all the faculties of an immature mind more than a trail running away into the dark.
Stefan Zweig (The Burning Secret and other stories)
Only the person who has experienced light and darkness, war and peace, rise and fall, only that person has truly experienced life.
Stefan Zweig (The World of Yesterday)
Besides, isn't it confoundedly easy to think you're a great man if you aren't burdened with the slightest idea that Rembrandt, Beethoven, Dante or Napoleon ever lived?
Stefan Zweig (Chess Story)
The strength of a love is always misjudged if we evaluate it by its immediate cause and not the stress that went before it, the dark and hollow space full of disappointment and loneliness that precedes all the great events in the heart's history.
Stefan Zweig (The Burning Secret and other stories)
No guilt is forgotten so long as the conscience still knows of it.
Stefan Zweig (Beware of Pity)
All I know is that I shall be alone again. There is nothing more terrible than to be alone among human beings.
Stefan Zweig (Letter from an Unknown Woman: The Fowler Snared)
In chess, as a purely intellectual game, where randomness is excluded, - for someone to play against himself is absurd ... It is as paradoxical, as attempting to jump over his own shadow.
Stefan Zweig (Chess Story)
How terrible this darkness was, how bewildering, and yet mysteriously beautiful!
Stefan Zweig (The Burning Secret and other stories)
We are happy when people/things conform and unhappy when they don't. People and events don't disappoint us, our models of reality do. It is my model of reality that determines my happiness or disappointments.
Stefan Zweig (Chess Story)
For the first time in my life I began to realize that it is not evil and brutality, but nearly always weakness, that is to blame for the worst things that happen in this world.
Stefan Zweig
For the more a man limits himself, the nearer he is on the other hand to what is limitless; it is precisely those who are apparently aloof from the world who build for themselves a remarkable and thoroughly individual world in miniature, using their own special equipment, termit-like.
Stefan Zweig (Chess Story)
Freedom is not possible without authority - otherwise it would turn into chaos and authority is not possible without freedom - otherwise it would turn into tyranny.
Stefan Zweig
For I regard memory not as a phenomenon preserving one thing and losing another merely by chance, but as a power that deliberately places events in order or wisely omits them. Everything we forget about our own lives was really condemned to oblivion by an inner instinct long ago.
Stefan Zweig (The World of Yesterday)
Once a man has found himself there is nothing in this world that he can lose. And once he has understood the humanity in himself, he will understand all human beings.
Stefan Zweig (Fantastic Night & Other Stories)
People and events don't disappoint us, our models of reality do. It is my model of reality that determines my happiness or disappointments.
Stefan Zweig (Chess Story)
In this instant, shaken to her very depths, this ecstatic human being has a first inkling that the soul is made of stuff so mysteriously elastic that a single event can make it big enough to contain the infinite.
Stefan Zweig (The Post-Office Girl)
Wer einmal sich selbst gefunden, kann nichts auf dieser Welt mehr verlieren.
Stefan Zweig
I hadn't had a book in my hands for four months, and the mere idea of a book where I could see words printed one after another, lines, pages, leaves, a book in which I could pursue new, different, fresh thoughts to divert me, could take them into my brain, had something both intoxicating and stupefying about it.
Stefan Zweig (Chess Story)
She was at that crucial age when a women begins to regret having stayed faithful to a husband she never really loved, when the glowing sunset colors of her beauty offer her one last, urgent choice between maternal and feminine love. At such a moment a life that seemed to have chosen its course long ago is questioned once again, for the last time the magic compass needle of the will hovers between final resignation and the hope of erotic experience.
Stefan Zweig (The Burning Secret and other stories)
Los libros sólo se escriben para, por encima del propio aliento, unir a los seres humanos, y así defendernos frente al inexorable reverso de toda existencia: la fugacidad y el olvido
Stefan Zweig (Mendel dei libri)
Yeryüzünde hiçbir şey insana hiçlik kadar baskı yapamaz
Stefan Zweig (Chess Story)
Art can bring us consolation as individuals,” he said, “but it is powerless against reality.
Stefan Zweig (The World of Yesterday)
Formerly man had only a body and a soul. Now he needs a passport as well for without it he will not be treated like a human being.
Stefan Zweig (The World of Yesterday)
ولأول مرة في حياتي بدأت اتبين ان الضعف - لا الشر، ولا الوحشية - هو المسئول عن أسوأ الكوارث التي تقع في هذه الدنيا !
Stefan Zweig (Beware of Pity)
They did nothing—other than subjecting us to complete nothingness. For, as is well known, nothing on earth puts more pressure on the human mind than nothing.
Stefan Zweig (Chess Story)
Even from the abyss of horror in which we try to feel our way today, half-blind, our hearts distraught and shattered, I look up again and again to the ancient constellations that shone on my childhood, comforting myself with the inherited confidence that, some day, this relapse will appear only an interval in the eternal rhythm of progress onward and upward.
Stefan Zweig (The World of Yesterday)
For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.
Stefan Zweig (The Post-Office Girl)
There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
Stefan Zweig (Beware of Pity)
It is never until one realizes that one means something to others that one feels there is any point or purpose in one’s own existence.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
The more one limits oneself, the closer one is to the infinite; these people, as unworldly as they seem, burrow like termites into their own particular material to construct, in miniature, a strange and utterly individual image of the world
Stefan Zweig (Chess Story)
Beware of pity.
Stefan Zweig
Aber jeder Schatten ist im letzen doch auch Kind des Lichts, und nur wer Helles und Dunkles, Krieg und Frieden, Aufstieg und Niedergang erfahren, nur der hat wahrhaft gelebt.
Stefan Zweig (The World of Yesterday)
Mais je t'attendais, je t'attendais, je t'attendais comme mon destin...
Stefan Zweig (Brief einer Unbekannten)
Maybe everything’s not so hard, maybe life is so much easier than I thought, you just need courage, you just need to have a sense of yourself, then you’ll discover your hidden resources.
Stefan Zweig (The Post-Office Girl)
Being sent to bed is a terrible command to all children, because it means the most public possible humiliation in front of adults, the confession that they bear the stigma of childhood, of being small and having a child's need for sleep.
Stefan Zweig (The Burning Secret and other stories)
He was, like everyone of a strongly erotic disposition, twice as good, twice as much himself when he knew that women liked him, just as many actors find their most ardent vein when they sense that they have cast their spell over the audience, the breathing mass of spectators before them.
Stefan Zweig (The Burning Secret and other stories)
I realized that there was no point in denying oneself a pleasure because it was denied another, in refusing to allow oneself to be happy because someone else was unhappy.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
But I see nothing miraculous about it. Nothing makes one as healthy as happiness, and there is no greater happiness than making someone else happy.
Stefan Zweig (Letter from an Unknown Woman and Other Stories)
A lame creature, a cripple like myself, has no right to love. How should I, broken, shattered being that I am, be anything but a burden to you, when to myself I am an object of disgust, of loathing. A creature such as I, I know, has no right to love, and certainly no right to be loved. It is for such a creature to creep away into a corner and die and cease to make other people's lives a burden with her presence.
Stefan Zweig (Beware of Pity)
For the more a man restricts himself the closer he is, conversely, to infinity.
Stefan Zweig (Chess Story)
Plus un esprit se limite, plus il touche par ailleurs à l'infini.
Stefan Zweig (Chess Story)
وسعادتي بفهم الناس أكبر من سعادتي بالحكم عليهم
Stefan Zweig (Vingt-quatre heures de la vie d'une femme)
İnsan sabahtan akşama kadar bir şey olmasını bekler ve hiçbir şey olmaz. Bekleyip durur insan. Hiçbir şey olmaz. İnsan bekler, bekler, bekler, şakakları zonklayana dek düşünür, düşünür, düşünür. Hiçbir şey olmaz. İnsan yalnız kalır. Yalnız. Yalnız.
Stefan Zweig (Chess Story)
One only makes books in order to keep in touch with one's fellows after one has ceased to breath, and thus to defend oneself against the inexorable fate of all that lives - transitoriness and oblivion.
Stefan Zweig
Bütün yontulmamış varlıklarda olduğu gibi onda da gülünç bir kendini beğenmişlik vardı.
Stefan Zweig (Chess Story)
Lightly, caressingly, Marie Antoinette picked up the crown as a gift. She was still too young to know that life never gives anything for nothing, and that a price is always exacted for what fate bestows. She did not think she would have to pay a price. She simply accepted the rights of her royal position and performed no duties in exchange. She wanted to combine two things which are, in actual human experience, incompatible; she wanted to reign and at the same time to enjoy.
Stefan Zweig (Marie Antoinette: The Portrait of an Average Woman)
He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.
Stefan Zweig (The Burning Secret and other stories)
Forget it all, I told myself, escape into your mind and your work, into the place where you are only your living, breathing self, not a citizen of any state, not a stake in that infernal game, the place where only what reason you have can still work to some reasonable effect in a world gone mad.
Stefan Zweig (The World of Yesterday)
Personally I take more satisfaction in understanding people than in passing judgement on them.
Stefan Zweig (Chess Story)
My today and each of my yesterdays, my rises and falls, are so diverse that I sometimes feel as if I had lived not one, but several existences, each one different from the others.
Stefan Zweig (The World of Yesterday)
We live through myriads of seconds, yet it is always one, just one, that casts our entire inner world into turmoil, the second when (as Stendhal has described it) the internal inflorescence, already steeped in every kind of fluid, condenses and crystallizes—a magical second, like the moment of generation, and like that moment concealed in the warm interior of the individual life, invisible, untouchable, beyond the reach of feeling, a secret experienced alone. No algebra of the mind can calculate it, no alchemy of premonition divine it, and it can seldom perceive itself.
Stefan Zweig (Confusion)
Once more my pity had been stronger than my will.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
لا يمكن أن أصف لك مرارتي ويأسي، لكنك تستطيع أن تتخيل ما شعرت به: ألا تكون في نظر إنسان منحتَه كل حياتك، أكثر من ذبابة تهُشها يدٌ كسلى بضجر.
Stefan Zweig (Vingt-quatre heures de la vie d'une femme)
Korku cezadan çok daha beterdir, çünkü ceza bellidir, ağır da olsa, hafif de, hiçbir zaman belirsizliğin dehşeti kadar, o sonsuz gerilimin ürkünçlüğü kadar kötü değildir.
Stefan Zweig (Angst)
He sensed the presence of death, he sensed the presence of undying love: something broke open inside him, and he thought of the invisible woman, incorporeal and passionate, as one might think of distant music.
Stefan Zweig (The Collected Stories of Stefan Zweig)
Moi qui pour mon malheur ai toujours eu une curiosité passionnée pour les choses de l'esprit...
Stefan Zweig (Chess Story)
En la vida, los destinos están casi siempre separados: quienes comprenden no son los ejecutores, y quienes actúan no comprenden.
Stefan Zweig
دائما ما نخطئ في تقدير قوة الحب لأننا نقيمه بأثره الحالي فقط ، لا بالتوتر الذي زال عند قدومه ، ثمة فضاء مظلم خاوٍ تملؤه الوحدة و اليأس يسبق كل الأحداث الرائعة في تاريخ القلب
Stefan Zweig (Burning Secret (Pushkin Collection))
There is nothing more vindictive, nothing more underhanded, than a little world that would like to be a big one.
Stefan Zweig (The Post-Office Girl)
She could be lively only in the midst of life; in isolation she dwindled to a shadow.
Stefan Zweig (The Collected Stories of Stefan Zweig)
İnsanların arasında yalnız olmaktan daha korkunç bir şey yoktur.
Stefan Zweig (Brief einer Unbekannten)
It is only the immeasurable, the limitless that terrifies us. That which is set within defined, fixed limits is a challenge to our powers, comes to be the measure of our strength.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
But is it not already an insult to call chess anything so narrow as a game? Is it not also a science, an art, hovering between these categories like Muhammad's coffin between heaven and earth, a unique yoking of opposites, ancient and yet eternally new, mechanically constituted and yet an activity of the imagination alone, limited to a fixed geometric area but unlimited in its permutations, constantly evolving and yet sterile, a cogitation producing nothing, a mathematics calculating nothing, an art without an artwork, an architecture without substance and yet demonstrably more durable in its essence and actual form than all books and works, the only game that belongs to all peoples and all eras, while no one knows what god put it on earth to deaden boredom, sharpen the mind, and fortify the spirit?
Stefan Zweig (Chess Story)
I had learned and written too much history not to know that the great masses always and at once respond to the force of gravity in the direction of the powers that be. I knew that the same voices which yelled “Heil Schuschnigg” today would thunder “Heil Hitler” tomorrow.
Stefan Zweig (The World of Yesterday)
Our decisions are to a much greater extent dependent on our desire to conform to the standards of our class and environment than we are inclined to admit. A considerable proportion of our reasoning is merely an automatic function, so to speak, of influences and impressions which have become part of us...
Stefan Zweig (Beware of Pity)
A first premonition of the rich variety of life had come to him; for the first time he thought he had understood the nature of human beings - they needed each other even when they appeared hostile, and it was very sweet to be loved by them.
Stefan Zweig (The Burning Secret and other stories)
We who have been hunted through the rapids of life, torn from our former roots, always driven to the end and obliged to begin again, victims and yet also the willing servants of unknown mysterious powers, we for whom comfort has become an old legend and security, a childish dream, have felt tension from pole to pole of our being, the terror of something always new in every fibre. Every hour of our years was linked to the fate of the world. In sorrow and in joy we have lived through time and history far beyond our own small lives, while they knew nothing beyond themselves. Every one of us, therefore, even the least of the human race, knows a thousand times more about reality today than the wisest of our forebears. But nothing was given to us freely; we paid the price in full.
Stefan Zweig (The World of Yesterday)
Yaşlanmak, geçmişten artık korku duymuyor olmaktan başka bir şey değil zaten.
Stefan Zweig (Bir Kadının Yaşamından 24 Saat & Bir Yüreğin Ölümü)
in the general throng, many a fool receives decorations and titles.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
لكني منذ تلك الساعة تبينت أنه ما من إثم يمكن ان يطويه النسيان .. ما دام ضمير صاحبه يذكره .!
Stefan Zweig (Beware of Pity)
Yapacak, duyacak, görecek hiçbir şey yoktu, her yerde ve sürekli hiçlikle çevriliydi insan, boyuttan ve zamandan tümüyle yoksun, boşlukta.
Stefan Zweig (Chess Story)
But theoretical, imagined suffering is not what distresses a man and destroys his peace of mind. Only what you have seen with pitying eyes can really shake you.
Stefan Zweig (Beware of Pity)
Nothing on earth exerts such pressure on the human soul as a void.
Stefan Zweig (Chess Story)
Exalt yourself by devoting yourself to others, enrich yourself by making everyone’s destiny your own, by enduring and understanding every facet of human suffering through your pity.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
For the first time I began to perceive that true sympathy cannot be switched on and off like an electric current, that anyone that identifies himself with the fate of another is robbed to some extent of his own freedom.
Stefan Zweig (Beware of Pity)
There’s an inherent limit to the stress that any material can bear. Water has its boiling point, metals their melting points. The elements of the spirit behave the same way. Happiness can reach a pitch so great that any further happiness can’t be felt. Pain, despair, humiliation, disgust, and fear are no different. Once the vessel is full, the world can’t add to it.
Stefan Zweig (The Post-Office Girl)
Shaken to the depths of your soul, you know that day and night someone is waiting for you, thinking of you, longing and sighing for you - a woman, a stranger. She wants, she demands, she desires you with every fiber of her being, with her body, with her blood. She wants your hands, your hair, your lips, your night and your day, your emotions, your senses, and all your thought and dreams. She wants to share everything with you, to take everything from you, and to draw it in with her breath. Henceforth, day and night, whether you are awake or asleep, there is somewhere in the world a being who is feverish and wakeful and who waits for you, and you are the centre of her waking and her dreaming. It is in vain that you try not to think of her, of her who thinks always of you, in vain that you seek to escape, for you no longer dwell in yourself, but in her. Of a sudden a stranger bears your image within her as though she were a moving mirror - no, not a mirror, for that merely drinks in your image when you offer yourself willingly to it, whereas she, the woman, this stranger who loves you, she has absorbed you into her very blood.
Stefan Zweig (Beware of Pity)
¿Para qué vivimos, si el viento tras nuestros zapatos ya se está llevando nuestras últimas huellas?
Stefan Zweig
Bir insan kendisini bulduktan sonra, onun bu dünyada kaybedebileceği hiçbir şey yoktur. Ve o kişi kendi içindeki insanlığı anladıktan sonra, bütün insanları anlayacaktır.
Stefan Zweig (Olağanüstü Bir Gece)
El que no tiene patria posee el mundo, el que se ha desprendido de todo posee la vida entera y el que no tiene culpa goza de paz.
Stefan Zweig (Los ojos del hermano eterno)
ولا بد دائماً أن تنسرب الملايين من الساعات في تاريخ العالم هدراً، قبل أن تظهر إلى حيز الوجود ساعة تاريخية حقاً، ساعة حاسمة من ساعات البشرية
Stefan Zweig (Twenty Four Hours in the Life of a Woman & The Royal Game)
It always demands a far greater degree of courage for an individual to oppose an organized movement than to let himself be carried along with the stream — individual courage, that is, a variety of courage that is dying out in these times of progressive organization and mechanization.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
I will tell you the whole story of my life, and it is a life that truly began only on the day I met you. Before that, there was nothing but murky confusion into which my memory never dipped again, some kind of cellar full of dusty, cobwebbed, sombre objects and people.
Stefan Zweig (Letter from an Unknown Woman and Other Stories)
...διάβαζε με τον τρόπο που άλλοι προσεύχονται, που οι παίκτες παίζουν κι οι μεθυσμένοι στυλώνουν ναρκωμένοι τα μάτια στο κενό. Διάβαζε με μια τόσο συγκινητική κατάνυξη, που έκτοτε κάθε άλλος άνθρωπος που διαβάζει πάντα μου μοιάζει βέβηλος... Ο Παλαιοβιβλιοπώλης Μέντελ
Stefan Zweig
But love truly becomes love only when, no longer an embryo developing painfully in the darkness of the body, it ventures to confess itself with lips and breath. However hard it tries to remain a chrysalis, a time comes when the intricate tissue of the cocoon tears, and out it falls, dropping from the heights to the farthest depths, falling with redoubled force into the startled heart.
Stefan Zweig (Journey into the Past)
Arrived at an age when others had already long been married and had children and held important positions, and were obliged to produce the best that was in them with all their energy, I still regarded myself as youthful, a beginner who faced immeasurable time, and I was hesitant about final decisions of any kind.
Stefan Zweig (The World of Yesterday)
Je sentis inconsciemment que tu mènes une double vie, une vie dont une face claire est franchement tournée vers le monde, tandis que l'autre, plongée dans l'ombre, n'est connue que de toi seul. Cette profonde dualité, le secret de ton existence
Stefan Zweig (Letter from an Unknown Woman: The Fowler Snared)
The herd instinct of the mob was not yet as offensively powerful in public life as it is today; freedom in what you did or did not do in private life was taken for granted - which is hardly imaginable now - and toleration was not, as it is today, deplored as a weakness and debility, but was praised as an ethical force.
Stefan Zweig (The World of Yesterday)
All my life I have been passionately interested in monomaniacs of any kind, people carried away by a single idea. The more one limits oneself, the closer one is to the infinite; these people, as unworldly as they seem, burrow like termites into their own particular material to construct, in miniature, a strange and utterly individual image of the world.
Stefan Zweig (Chess Story)
ان الطبيعة -وهي تحقق مهمتها السامية في الحفاظ على تدفق الابداع-تغرس في نفوس الابناء كرها بل نفورا من الاذواق الموروثة عن الاباء والاجداد.ان الطبيعة لا ترضى بتراث سهل سائغ يتناقله جيل عن جيل نسخا وتكرارا .انها تقيم ضربا من التناقض بين اجيال البشر...ثم لا تلبث بعد (دورة)شاقة خصيبة ان تعود بالاحفاد لتضعهم على درب الاسلاف
Stefan Zweig (La Confusion des sentiments)
He was welcome everywhere he went, and was well-aware of his inability to tolerate solitude. He felt no inclination to be alone and avoided it as far as possible; he didn't really want to become any better acquainted with himself. He knew that if he wanted to show his talents to best advantage, he needed to strike sparks off other people to fan the flames of warmth and exuberance in his heart. On his own he was frosty, no use to himself at all, like a match left lying in its box.
Stefan Zweig (The Burning Secret and other stories)
But you smiled at me and said consolingly, "People come back again." "Yes" I said, "they come back, but then they have forgotten". There must have been something odd, something passionate in the way I said that to you. For you rose to your feet as well and looked at me, affectionately and very surprised. You took me by the shoulders. "What's good is not forgotten; I will not forget you," you said, and as you did so you gazed intently at me as if to memorise my image.
Stefan Zweig (Letter from an Unknown Woman and Other Stories)
The instinct of self-deception in human beings makes them try to banish from their minds dangers of which at the bottom they are perfectly aware by declaring them nonexistent, and a warning such as mine against cheap optimism was bound to prove particularly unwelcome at a moment when a sumptuously laid supper was awaiting for us in the next room.
Stefan Zweig (Beware of Pity)
Just as an astronomer, alone in an observatory, watches night after night through a telescope the myriads of stars, their mysterious movements, their changeful medley, their extinction and their flaming-up anew, so did Jacob Mendel, seated at his table in the Cafe Gluck, look through his spectacles into the universe of books, a universe that lies above the world of our everyday life, and, like the stellar universe, is full of changing cycles.
Stefan Zweig (Selected Stories)
Wie ich heimschritt bemerkte ich mit einemmal vor mir meinen eigenen Schatten so wie ich den Schatten des anderen Krieges hinter dem jetzigen sah. Er ist durch all diese Zeit nicht mehr von mir gewichen dieser Schatten er überhing jeden meiner Gedanken bei Tag und bei Nacht vielleicht liegt sein dunkler Umriß auch auf manchen Blättern dieses Buches. Aber jeder Schatten ist im letzten doch auch Kind des Lichts und nur wer Helles und Dunkles Krieg und Frieden Aufstieg und Niedergang erfahren nur der hat wahrhaft gelebt.
Stefan Zweig (The World of Yesterday)
For I have indeed been torn from all my roots, even from the earth that nourished them, more entirely than most in our times. I was born in 1881 in the great and mighty empire of the Habsburg Monarchy, but you would look for it in vain on the map today; it has vanished without trace. I grew up in Vienna, an international metropolis for two thousand years, and had to steal away from it like a thief in the night before it was demoted to the status of a provincial German town. My literary work, in the language in which I wrote it, has been burnt to ashes in the country where my books made millions of readers their friends. So I belong nowhere now, I am a stranger or at the most a guest everywhere. Even the true home of my heart’s desire, Europe, is lost to me after twice tearing itself suicidally to pieces in fratricidal wars. Against my will, I have witnessed the most terrible defeat of reason and the most savage triumph of brutality in the chronicles of time. Never—and I say so not with pride but with shame—has a generation fallen from such intellectual heights as ours to such moral depths.
Stefan Zweig (The World of Yesterday)
Why love the healthy, confident, proud and happy?They don't need it. They take love as their rightful due, as the duty owed to them, they accept it indifferently and arrogantly. Other people's devotion is just another gift to them, a clasp to wear in the hair, a bangle for the wrist, not the whole meaning and happiness of their lives. Love can truly help only those not favoured by fate, the distressed and disadvantaged, those who are less than confident and not beautiful, the meek-minded. When love is given to them it makes up for what life has taken away. They alone know how to love and be loved in the right way, humbly and with gratitude.
Stefan Zweig
For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off!
Stefan Zweig (Beware of Pity)
Nationalism emerged to agitate the world only after the war, and the first visible phenomenon which this intellectual epidemic of our century brought about was xenophobia; morbid dislike of the foreigner, or at least fear of the foreigner. The world was on the defensive against strangers, everywhere they got short shrift. The humiliations which once had been devised with criminals alone in mind now were imposed upon the traveler, before and during every journey. There had to be photographs from right and left, in profile and full face, one’s hair had to be cropped sufficiently to make the ears visible; fingerprints were taken, at first only the thumb but later all ten fingers; furthermore, certificates of health, of vaccination, police certificates of good standing, had to be shown; letters of recommendation were required, invitations to visit a country had to be procured; they asked for the addresses of relatives, for moral and financial guarantees, questionnaires, and forms in triplicate and quadruplicate needed to be filled out,
Stefan Zweig (The World of Yesterday)