Stefan Quotes

We've searched our database for all the quotes and captions related to Stefan. Here they are! All 100 of them:

Time to leave now, get out of this room, go somewhere, anywhere; sharpen this feeling of happiness and freedom, stretch your limbs, fill your eyes, be awake, wider awake, vividly awake in every sense and every pore.
Stefan Zweig (The Post-Office Girl)
You're talking!" "I know I am." "And making sense!" "Thank you kindly." "And in sentences!" "I've noticed." - Stefan and Elena
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
Nothing whets the intelligence more than a passionate suspicion, nothing develops all the faculties of an immature mind more than a trail running away into the dark.
Stefan Zweig (The Burning Secret and other stories)
There is nothing that is going to make people hate you more, and love you more, than telling the truth.
Stefan Molyneux
Elena startled both of them by flying up so quickly that Stefan had to grab her by the waist to keep her from shooting toward the ceiling. I thought you had gravity!” So did I! What do I do?” Think heavy thoughts!” What if it doesn’t work?” We’ll buy you an anchor!
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
It doesn't matter if you can't say it right now. I'll say it for both of us. And someday you'll learn.
L.J. Smith (The Awakening (The Vampire Diaries, #1))
Stefan: "Indian with a dot, not a feather.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
How terrible this darkness was, how bewildering, and yet mysteriously beautiful!
Stefan Zweig (The Burning Secret and other stories)
Besides, isn't it confoundedly easy to think you're a great man if you aren't burdened with the slightest idea that Rembrandt, Beethoven, Dante or Napoleon ever lived?
Stefan Zweig (Chess Story)
Only the person who has experienced light and darkness, war and peace, rise and fall, only that person has truly experienced life.
Stefan Zweig (The World of Yesterday)
The strength of a love is always misjudged if we evaluate it by its immediate cause and not the stress that went before it, the dark and hollow space full of disappointment and loneliness that precedes all the great events in the heart's history.
Stefan Zweig (The Burning Secret and other stories)
I want him to love me as much as I love him.
L.J. Smith (The Awakening (The Vampire Diaries, #1))
No guilt is forgotten so long as the conscience still knows of it.
Stefan Zweig (Beware of Pity)
He put an arm around his brother to help him up. And then, for a moment, he just held on.
L.J. Smith (The Fury / Dark Reunion (The Vampire Diaries, #3-4))
All I know is that I shall be alone again. There is nothing more terrible than to be alone among human beings.
Stefan Zweig (Letter from an Unknown Woman: The Fowler Snared)
If the sound of happy children is grating on your ears, I don't think it's the children who need to be adjusted.
Stefan Molyneux
You always were selfish. Your one fault. Not willing to share anything, are you?" Suddenly, Damon's lips curved up in a singularly beautiful smile. But fortunately the lovely Elena is more generous. Didn't she tell you about our little liaisons? Why? The first time we met she almost gave herself to me on the spot." "That's a lie!" "Oh, no, dear brother, I never lie about anything important. Or do I mean unimportant? Anyway, your beauteous damsel nearly swooned into my arms. I think she likes men in black." As Stefan stared at him, trying to control his breathing, Damon added, almost gently, "You're wrong about her, you know, You think she's sweet and docile like Katherine. She isn't. She's not your type at all, my saintly brother. She has a spirit and a fire in her that you wouldn't know what to do with." "And you would, I suppose." Damon uncrossed his arms and slowly smiled again. "Oh, yes.
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
In chess, as a purely intellectual game, where randomness is excluded, - for someone to play against himself is absurd ... It is as paradoxical, as attempting to jump over his own shadow.
Stefan Zweig (Chess Story)
The world, viewed philosophically, remains a series of slave camps, where citizens – tax livestock – labor under the chains of illusion in the service of their masters.
Stefan Molyneux
There’s nothing to read into. I’m here to collect my beloved Damon and Stefan is just helping me.” Bonnie looked at her with her brows knitted and her mouth pursed, but didn’t venture a word. “Bonnie?” “Um-hm?” “Did I just say what I thought I said?” “Um-hm.” Elena, with one motion, gathered an armful of pillows and deposited them on her face.
L.J. Smith (The Awakening (The Vampire Diaries, #1))
You stole my bouquet? From the kistune?" "I was very careful-" "Do you realize what you've done?" Stefan shook Damon. "Ow. That hurts! Do you want to break my neck.
L.J. Smith (Shadow Souls (The Vampire Diaries: The Return, #2))
Those who make conversations impossible, make escalation inevitable.
Stefan Molyneux
We are happy when people/things conform and unhappy when they don't. People and events don't disappoint us, our models of reality do. It is my model of reality that determines my happiness or disappointments.
Stefan Zweig (Chess Story)
There's nothing to read into. I'm just here to collect my beloved Damon and Stefan is just helping me.
L.J. Smith (Shadow Souls (The Vampire Diaries: The Return, #2))
When people have invested their identities into clichés, the only counter argument they have is 'being offended'.
Stefan Molyneux
Stefan spat. "Oh, aye, he fell. O' course, Master Ralon helped him fall, several times. Poor li'l tyke didn't have a chance.
Tamora Pierce (Alanna: The First Adventure (Song of the Lioness, #1))
Stefan, please, get to work.  Take a picture of this. You want a photo? Of this? War in all its ugliness.  A Pulitzer Prize awaits. You want me to document a war crime? Your war crime? Yes.  I do. You understand they can’t be untaken. Proceed.
John Payton Foden (Magenta)
In this instant, shaken to her very depths, this ecstatic human being has a first inkling that the soul is made of stuff so mysteriously elastic that a single event can make it big enough to contain the infinite.
Stefan Zweig (The Post-Office Girl)
Los libros sólo se escriben para, por encima del propio aliento, unir a los seres humanos, y así defendernos frente al inexorable reverso de toda existencia: la fugacidad y el olvido
Stefan Zweig (Mendel dei libri)
The acknowledgement of having suffered evil is the greatest step forward in mental health.
Stefan Molyneux
You know why I don’t leave,” he said again to Damon, who wouldn’t look at him. “You can pretend you don’t care. You can fool the whole world. But I know differently.” It would have been kindest at this point to leave Damon alone, but Stefan wasn’t in a kind mood. “You know that girl you picked up, Rachael?” he added. “The hair was all right, but her eyes were the wrong color. Elena’s eyes were blue.
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
Mental anguish always results from the avoidance of legitimate suffering.
Stefan Molyneux
At the edge of the field Silva and Stefan witnessed heartrending images in greyscale as thousands of desperate refugees streamed down the road in leaden shades of melancholy.  This somber line of tired and dirty humans moved so close together that they jostled each other with each step; their random movements reminded Silva of corks bobbing in a slow moving stream.  They watched them pass from the side of the road, but eventually fell-in, trudging along with the suffering others, feeling safer in numbers, hoping for a destination worth finding.
John Payton Foden (Magenta)
For the first time in my life I began to realize that it is not evil and brutality, but nearly always weakness, that is to blame for the worst things that happen in this world.
Stefan Zweig
For the more a man limits himself, the nearer he is on the other hand to what is limitless; it is precisely those who are apparently aloof from the world who build for themselves a remarkable and thoroughly individual world in miniature, using their own special equipment, termit-like.
Stefan Zweig (Chess Story)
The only part of you that hurts when you're given the truth is the part that lives on lies.
Stefan Molyneux
Something was shining on Damon's face. She reached toward it, touched it, and lifted her fingers away in wonder. "Don't be sad," she told him, feeling the cool wetness on her fingertips. But a pang of worry disturbed her. Who was there to understand Damon now? Who would be there to push him, to try to see what was really inside him? "You have to take care of each other," she said, realizing it. A little strength came back to her, like a candle flaring in the wind. "Stefan, will you promise? Promise to take care of each other?
L.J. Smith (The Fury (The Vampire Diaries, #3))
It's not wrong to hustle hustlers. It's like killing murderers, a public service. -Damon Salvatore
L.J. Smith (Moonsong (The Vampire Diaries: The Hunters, #2))
Social anxiety results from being around people who are resolutely opposed to who you are.
Stefan Molyneux
Even from the abyss of horror in which we try to feel our way today, half-blind, our hearts distraught and shattered, I look up again and again to the ancient constellations that shone on my childhood, comforting myself with the inherited confidence that, some day, this relapse will appear only an interval in the eternal rhythm of progress onward and upward.
Stefan Zweig (The World of Yesterday)
I refuse to let the standards of evil people chip away at my capacity for integrity.
Stefan Molyneux
Freedom is not possible without authority - otherwise it would turn into chaos and authority is not possible without freedom - otherwise it would turn into tyranny.
Stefan Zweig
Thank you, Adam,” I told him. “Thank you for tearing Tim into small Tim bits. Thank you for forcing me to drink one last cup of fairy bug-juice so I could have use of both of my arms. Thank you for being there, for putting up with me.” By that point I wasn’t laughing anymore. “Thank you for keeping me from being another of Stefan’s sheep—I’ll take pack over that any day. Thank you for making the tough calls, for giving me time.” I stood up and walked to him, leaning against him and pressing my face against his shoulder. “Thank you for loving me.” His arms closed around me, pressing flesh painfully hard against bone. Love hurts like that sometimes.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
For I regard memory not as a phenomenon preserving one thing and losing another merely by chance, but as a power that deliberately places events in order or wisely omits them. Everything we forget about our own lives was really condemned to oblivion by an inner instinct long ago.
Stefan Zweig (The World of Yesterday)
Deep connection is the antidote to madness.
Stefan Molyneux
It is never until one realizes that one means something to others that one feels there is any point or purpose in one’s own existence.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
Forgiveness is created by the restitution of the abuser; of the wrongdoer. It is not something to be squeeeeeezed out of the victim in a further act of conscience-corrupting abuse.
Stefan Molyneux
Imagining that you are deep and complex, but others are simple, is one of the primary signs of malignant selfishness.
Stefan Molyneux
Once a man has found himself there is nothing in this world that he can lose. And once he has understood the humanity in himself, he will understand all human beings.
Stefan Zweig (Fantastic Night & Other Stories)
Stefan with his camera at the ready photographed a church and mosque and synagogue reduced to a cross and a crescent and a star, solitary monuments to what people once believed.  They silently passed the broken Olympic Stadium, now a graveyard without glory for the decomposing dead.
John Payton Foden (Magenta)
The law is an opinion with a gun.
Stefan Molyneux
People and events don't disappoint us, our models of reality do. It is my model of reality that determines my happiness or disappointments.
Stefan Zweig (Chess Story)
There's no weakness as great as false strength.
Stefan Molyneux
Asshole Proximity Disorder
Stefan Molyneux
I would write, Dear Diary, Today I convinced myself it's ok to give up. Stick with the status quo, now just isn't the time. But my reasons aren't reasons, they're excuses and the truth is, I'm scared Stefan. I'm scared that if I let myself be happy for one minute, that the my world's going to come crashing down and I don't know if I'll be able to survive that.
L.J. Smith
I hadn't had a book in my hands for four months, and the mere idea of a book where I could see words printed one after another, lines, pages, leaves, a book in which I could pursue new, different, fresh thoughts to divert me, could take them into my brain, had something both intoxicating and stupefying about it.
Stefan Zweig (Chess Story)
Wer einmal sich selbst gefunden, kann nichts auf dieser Welt mehr verlieren.
Stefan Zweig
She was at that crucial age when a women begins to regret having stayed faithful to a husband she never really loved, when the glowing sunset colors of her beauty offer her one last, urgent choice between maternal and feminine love. At such a moment a life that seemed to have chosen its course long ago is questioned once again, for the last time the magic compass needle of the will hovers between final resignation and the hope of erotic experience.
Stefan Zweig (The Burning Secret and other stories)
Yeryüzünde hiçbir şey insana hiçlik kadar baskı yapamaz
Stefan Zweig (Chess Story)
Art can bring us consolation as individuals,” he said, “but it is powerless against reality.
Stefan Zweig (The World of Yesterday)
SCREW CHILDREN! That's the mantra of the world. Instead of burying them with a national debt, shoving them in shitty schools, drugging them if they don't comply, hitting them, yelling at them, indoctrinating them with religion and statism and patriotism and military worship, what if we just did what was right for them? The whole world is built on "screw children", and if we changed that, this would be an alien planet to us.
Stefan Molyneux
If you can convince people that freedom is injustice, they will then believe that slavery is freedom.
Stefan Molyneux
Formerly man had only a body and a soul. Now he needs a passport as well for without it he will not be treated like a human being.
Stefan Zweig (The World of Yesterday)
The only relationships that exist are based on truth. Everything else is just a mutual and isolating delusion.
Stefan Molyneux
The greater the gap between self perception and reality, the more aggression is unleashed on those who point out the discrepancy.
Stefan Molyneux
But then she remembered something else, just a flash: looking up at Damon’s face in the woods and feeling such—such excitement, such affinity with him. As if he understood the flame that burned inside her as nobody else ever could. As if together they could do anything they liked, conquer the world or destroy it; as if they were better than anyone else who had ever lived. I was out of my mind, irrational, she told herself, but that little flash of memory wouldn’t go away. And then she remembered something else: how Damon had acted later that night, how he’d kept her safe, even been gentle with her. Stefan was looking at her, and his expression had changed from belligerence to bitter anger and fear. Part of her wanted to reassure him completely, to throw her arms around him and tell him that she was his and always would be and that nothing else mattered. Not the town, not Damon, not anything. But she wasn’t doing it.
L.J. Smith (The Fury (The Vampire Diaries, #3))
Distraction serves evil more than any other mental state.
Stefan Molyneux
Awkward silences rule the world. People are so terrified of awkward silences that they will literally go to war rather than face an awkward silence.
Stefan Molyneux
If you spend time with crazy and dangerous people, remember – their personalities are socially transmitted diseases; like water poured into a container, most of us eventually turn into – or remain – whoever we surround ourselves with. We can choose our tribe, but we cannot change that our tribe is our destiny.
Stefan Molyneux
Tell me with whom you consort and I will tell you who you are; if I know how you spend your time, then I know what might become of you.
Johann Wolfgang von Goethe
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
She heard Stefan’s voice. “Elena! Let go! Fall and I’ll catch you!” How strange, Elena thought, as if in a dream. His love and panic had distorted his voice somehow - making him sound different. Making him sound almost like- “Elena! I’m with you!” -like Damon. Shaken out of her dream, Elena looked below her. And there was Damon, standing protectively in front of Meredith, looking up at her, with his arms held out. He was with her.
L.J. Smith
He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.
Stefan Zweig (The Burning Secret and other stories)
ولأول مرة في حياتي بدأت اتبين ان الضعف - لا الشر، ولا الوحشية - هو المسئول عن أسوأ الكوارث التي تقع في هذه الدنيا !
Stefan Zweig (Beware of Pity)
Deep pockets and empty hearts rule the world. We unleash them at our peril.
Stefan Molyneux
I try not to be around people who want me to be somebody else. Fundamentally you can't be somebody else. You can only be less of who you are.
Stefan Molyneux
Anybody who tries to change society without examining the family is trying to push a shadow without moving a statue.
Stefan Molyneux
They did nothing—other than subjecting us to complete nothingness. For, as is well known, nothing on earth puts more pressure on the human mind than nothing.
Stefan Zweig (Chess Story)
The whole purpose of propaganda is to make the obvious seem obscure, or offensive
Stefan Molyneux
For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.
Stefan Zweig (The Post-Office Girl)
The idea that the State is capable of solving social problems is now viewed with great scepticism – which foretells a coming change. As soon as scepticism is applied to the State, the State falls, since it fails at everything except increasing its power, and so can only survive on propaganda, which relies on unquestioning faith.
Stefan Molyneux
There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
Stefan Zweig (Beware of Pity)
Knowledge is responsibility, which is why people resist knowledge.
Stefan Molyneux
We are supposed to call poison medicine and we wonder why we're always sick.
Stefan Molyneux
We live through myriads of seconds, yet it is always one, just one, that casts our entire inner world into turmoil, the second when (as Stendhal has described it) the internal inflorescence, already steeped in every kind of fluid, condenses and crystallizes—a magical second, like the moment of generation, and like that moment concealed in the warm interior of the individual life, invisible, untouchable, beyond the reach of feeling, a secret experienced alone. No algebra of the mind can calculate it, no alchemy of premonition divine it, and it can seldom perceive itself.
Stefan Zweig (Confusion)
We may not yet know the right way to go, but we should at least stop going in the wrong direction.
Stefan Molyneux (Against The Gods?)
The more one limits oneself, the closer one is to the infinite; these people, as unworldly as they seem, burrow like termites into their own particular material to construct, in miniature, a strange and utterly individual image of the world
Stefan Zweig (Chess Story)
Political correctness is anti-empathetic because it has correctness in it. We all have biases, we all have prejudices and if we cant talk about them openly - if we get attacked for it then this is an anti-empathetic movement and therefore it cannot complain about a lack of empathy.
Stefan Molyneux
The hell with your secrets,” shouted Bonnie. “Language, language! How about this: One of you has kept a secret all their life, and is doing so even now. One of you is a murderer—and I am not speaking of a vampire, or a mercy killing, or anything like that. And then there is the question of the true identity of Sage—good luck on your research there!One of you has already had their memory erased—and I don’t mean Damon or Stefan. And what about the secret, stolen kiss? And then there is the question of what happened the night of the motel, that it seems that nobody but Elena can recall. You might ask her sometime about her theories about Camelot.
L.J. Smith (Shadow Souls (The Vampire Diaries: The Return, #2))
But is it not already an insult to call chess anything so narrow as a game? Is it not also a science, an art, hovering between these categories like Muhammad's coffin between heaven and earth, a unique yoking of opposites, ancient and yet eternally new, mechanically constituted and yet an activity of the imagination alone, limited to a fixed geometric area but unlimited in its permutations, constantly evolving and yet sterile, a cogitation producing nothing, a mathematics calculating nothing, an art without an artwork, an architecture without substance and yet demonstrably more durable in its essence and actual form than all books and works, the only game that belongs to all peoples and all eras, while no one knows what god put it on earth to deaden boredom, sharpen the mind, and fortify the spirit?
Stefan Zweig (Chess Story)
He was, like everyone of a strongly erotic disposition, twice as good, twice as much himself when he knew that women liked him, just as many actors find their most ardent vein when they sense that they have cast their spell over the audience, the breathing mass of spectators before them.
Stefan Zweig (The Burning Secret and other stories)
We who have been hunted through the rapids of life, torn from our former roots, always driven to the end and obliged to begin again, victims and yet also the willing servants of unknown mysterious powers, we for whom comfort has become an old legend and security, a childish dream, have felt tension from pole to pole of our being, the terror of something always new in every fibre. Every hour of our years was linked to the fate of the world. In sorrow and in joy we have lived through time and history far beyond our own small lives, while they knew nothing beyond themselves. Every one of us, therefore, even the least of the human race, knows a thousand times more about reality today than the wisest of our forebears. But nothing was given to us freely; we paid the price in full.
Stefan Zweig (The World of Yesterday)
A lame creature, a cripple like myself, has no right to love. How should I, broken, shattered being that I am, be anything but a burden to you, when to myself I am an object of disgust, of loathing. A creature such as I, I know, has no right to love, and certainly no right to be loved. It is for such a creature to creep away into a corner and die and cease to make other people's lives a burden with her presence.
Stefan Zweig (Beware of Pity)
The manic relief that comes from the fantasy that we can with one savage slash cut the chains of the past and rise like a phoenix, free of all history, is generally a tipping point into insanity, akin to believing that we can escape the endless constraints of gravity, and fly off a tall building. “I’m freeeee… SPLAT!”.
Stefan Molyneux
Lightly, caressingly, Marie Antoinette picked up the crown as a gift. She was still too young to know that life never gives anything for nothing, and that a price is always exacted for what fate bestows. She did not think she would have to pay a price. She simply accepted the rights of her royal position and performed no duties in exchange. She wanted to combine two things which are, in actual human experience, incompatible; she wanted to reign and at the same time to enjoy.
Stefan Zweig (Marie Antoinette: The Portrait of an Average Woman)
Damon spoke without moving. “I’m not like you.” “You’re not as different from us as you want to think,” Matt said. “Look,” he added, an odd note of challenge in his voice, “I know you killed Mr. Tanner in self-defense, because you told me. And I know you didn’t come here to Fell’s Church because Bonnie’s spell dragged you here, because I sorted the hair and I didn’t make any mistakes. You’re more like us than you admit, Damon. The only thing I don’t know is why you didn’t go into Vickie’s house to help her.” Damon snapped, almost automatically, “Because I wasn’t invited!” Memory swept over Bonnie. Herself standing outside Vickie’s house, Damon standing beside her. Stefan’s voice: Vickie, invite me in. But no one had invited Damon. “But how did Klaus get in, then—?” she began, following her own thoughts. “That was Tyler’s job, I’m sure,” Damon said tersely. “What Tyler did for Klaus in return for learning how to reclaim his heritage. And he must have invited Klaus in before we ever started guarding the house—probably before Stefan and I came to Fell’s Church. Klaus was well prepared. That night he was in the house and the girl was dead before I knew what was happening.” “Why didn’t you call for Stefan?” Matt said. There was no accusation in his voice. It was a simple question. “Because there was nothing he could have done! I knew what you were dealing with as soon as I saw it. An Old One. Stefan would only have gotten himself killed—and the girl was past caring, anyway.” Bonnie heard the thread of coldness in his voice, and when Damon turned back to Stefan and Elena, his face had hardened. It was as if some decision had been made. “You see, I’m not like you,” he said. “It doesn’t matter.” Stefan had still not withdrawn his hand. Neither had Elena.
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
If there is no honesty, there is no relationship. The only degree to which there is a relationship is the degree to which you are honest. Expressing your clear desires does not make you a dictator and you telling what you think, feel, and what you want or don’t want, is just called being honest. It doesn't control him at all. You’re trying to control others by withholding information by not getting involved and by not being honest. Withholding information is a form of manipulation. It is dishonest and it’s destructive to a relationship.
Stefan Molyneux
Shaken to the depths of your soul, you know that day and night someone is waiting for you, thinking of you, longing and sighing for you - a woman, a stranger. She wants, she demands, she desires you with every fiber of her being, with her body, with her blood. She wants your hands, your hair, your lips, your night and your day, your emotions, your senses, and all your thought and dreams. She wants to share everything with you, to take everything from you, and to draw it in with her breath. Henceforth, day and night, whether you are awake or asleep, there is somewhere in the world a being who is feverish and wakeful and who waits for you, and you are the centre of her waking and her dreaming. It is in vain that you try not to think of her, of her who thinks always of you, in vain that you seek to escape, for you no longer dwell in yourself, but in her. Of a sudden a stranger bears your image within her as though she were a moving mirror - no, not a mirror, for that merely drinks in your image when you offer yourself willingly to it, whereas she, the woman, this stranger who loves you, she has absorbed you into her very blood.
Stefan Zweig (Beware of Pity)
Theres nothing more efficient than honesty and nothing more powerful than vulnerability because, vulnerability reveals everyone in your life who will abuse power immediately and almost irrevocably. Theres nothing weaker than hiding your vulnerability because, it means a refusal to stare at those who abuse power and see them for who they are which means they still have power and control over you. Nothing is stronger than vulnerability. Nothing more clarifying. Nothing is clearer than vulnerability, and if you hide who you are you are just making a tombstone of your everyday actions because you dont exist in hiding and you're letting the past rob you. Exercise the power of vulnerability. When you are vulnerable you are signaling to your system that the past is over and done! That you're no longer a victim! That you're no longer trapped in a destructive and abusive environment! vulnerability means it's over, it's done. The war is over but, if you continue to use the same defenses that you had in the past all you're telling your whole body is that the past is not over. Be vulnerable. Be honest. Be open and show your heart. That's the best way of telling your heart that the tigers are no longer in the grass. I'm telling you, just take it for a spin. Vulnerability and openness will get you what you want in your life and hiding will only get you the feeling of being prey from here until the end of your life.
Stefan Molyneux
Dear Hunger Games : Screw you for helping cowards pretend you have to be great with a bow to fight evil. You don't need to be drafted into a monkey-infested jungle to fight evil. You don't need your father's light sabre, or to be bitten by a radioactive spider. You don't need to be stalked by a creepy ancient vampire who is basically a pedophile if you're younger than a redwood. Screw you mainstream media for making it look like moral courage requires hair gel, thousands of sit ups and millions of dollars of fake ass CGI. Moral courage is the gritty, scary and mostly anonymous process of challenging friends, co-workers and family on issues like spanking, taxation, debt, circumcision and war. Moral courage is standing up to bullies when the audience is not cheering, but jeering. It is helping broken people out of abusive relationships, and promoting the inner peace of self knowledge in a shallow and empty pseudo-culture. Moral courage does not ask for - or receive - permission or the praise of the masses. If the masses praise you, it is because you are helping distract them from their own moral cowardice and conformity. Those who provoke discomfort create change - no one else. So forget your politics and vampires and magic wands and photon torpedoes. Forget passively waiting for the world to provoke and corner you into being virtuous. It never will. Stop watching fictional courage and go live some; it is harder and better than anything you will ever see on a screen. Let's make the world change the classification of courage from 'fantasy' to 'documentary.' You know there are people in your life who are doing wrong. Go talk to them, and encourage them to pursue philosophy, self-knowledge and virtue. Be your own hero; you are the One that your world has been waiting for.
Stefan Molyneux