Rope The Moon Quotes

We've searched our database for all the quotes and captions related to Rope The Moon. Here they are! All 78 of them:

He smoked a cigarette, standing in the dark and listening to her undress. She made sea sounds; something flapped like a sail; there was the creak of ropes; then he heard the wave-against-a-wharf smack of rubber on flesh. Her call for him to hurry was a sea-moan, and when he lay beside her, she heaved, tidal, moon-driven.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
For that is the way of the world, Guma’s voice echoed. Some are given a rope to the moon, and others claw up the sky.
Julie C. Dao (Forest of a Thousand Lanterns (Rise of the Empress, #1))
So there I was being strangled by a ranting, half-naked madman in the middle of the woods, with a she-werewolf dangling from a rope snare somewhere nearby.
Jim Butcher (Fool Moon (The Dresden Files, #2))
For you, dear Sophie, I would rope the moon itself and drag it to your window.
Sherry D. Ficklin (Queen of Someday (Stolen Empire, #1))
Be careful of the curse that falls on young lovers Starts so soft and sweet and turns them to hunters A man who's pure of heart and says his prayers by night May still become a wolf when the autumn moon is bright If you could only see the beast you've made of me I held it in but now it seems you've set it running free The saints can't help me now, the ropes have been unbound I hunt for you with bloody feet across the hallow'd ground
Florence Welch
Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
It caught the wind above me as I untied the lines and pulled. The night sky was black and empty, stars cast across it in swirling sprays. There was no moon, leaving the deck of the ship dark below. I leaned into the mast, letting my weight fall into the ropes, and tipped my head back, feeling the wind rush around me.
Adrienne Young (Fable (The World of the Narrows, #1))
April 19 And now it is spring. Birds are singing. Wistful notes and jubilant. And bare streets and no need for coats, and skipping ropes and bicycles and a thin new moon.
Elizabeth Smart (Necessary Secrets: The Journals of Elizabeth Smart)
You and the babies have my protection from the Vampyres, Khalil said, his mental voice as smooth as a rope of silk slipping over her neck. At a time of my choosing, you will do anything I ask you to do, for the sum of one favor. Agreed? She gave him a jerky nod. Agreed. Khalil gave Grace a sulfurous smile.
Thea Harrison (Oracle's Moon (Elder Races, #4))
The Emperor is dead! So too his right hand - now cold, now severed! But mark these dying shadows, twinned and flowing bloody and beaten, down and away from mortal sight... From sceptre's rule dismissed, from gild candelabra the light now fled, from a hearth ringed in hard jewels seven years this warmth has bled... The Emperor is dead. So too his master'd companion, the rope cut clean. But mark this burgeoning return - faltering dark, the tattered shroud - embracing children in Empire's dying light. Hear now the dirge faint reprised, before the sun's fall, this day spills red on buckled earth, and in obsidian eyes vengeance chimes seven times..." ―Call to Shadow, Felisin (I.i. 1-18)
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
Hope’s not stupid. It keeps you going.
Ava Hunter (Rope the Moon (Runaway Ranch, #2))
When a man feels he has come to the end of his rope, it is perfectly natural that he should want to scream.
Paul Auster (Moon Palace)
This year there will be an eclipse of the Moon on the fourth day of August.9 Saturn will be retrograde; Venus, direct; Mercury, variable. And a mass of other planets will not proceed as they used to.10 As a result, crabs this year will walk sideways, rope-makers work backwards, stools end up on benches, and pillows be found at the foot of the bed;11 many men’s bollocks will hang down for lack of a game-bag;12 the belly will go in front and the bum be the first to sit down; nobody will find the bean in their Twelfth Night cake; not one ace will turn up in a flush; the dice will never do what you want, however much you may flatter them;13 and the beasts will talk in sundry places.
François Rabelais (Gargantua and Pantagruel)
Bravery is being scared and doing it anyway,
Ava Hunter (Rope the Moon (Runaway Ranch, #2))
Moon felt as if the conversation was a weight he had to drag along on the end of a rope.
Tom Stoppard (Lord Malquist and Mr. Moon: A Novel)
For that is the way of the world,' Guma's voice echoed. 'Some are given a rope to the moon, and others claw up the sky.
Julie C. Dao (Forest of a Thousand Lanterns (Rise of the Empress, #1))
Is this where it was?” Royce asked, stopping and studying the base of the tower. “How should I know?” Hadrian replied as his eyes coursed up the length of the south tower. Up close, it blocked everything else out, a solid wall of black rising against the light of the moon. “I can never understand why such small people build such gigantic things.” “Maybe they’re compensating,” Royce said, dropping several lengths of rope. “Damn it, Royce. It’s been eight years since we did this. I was in better shape then. I was younger, and if I recall, I vowed I would never do it again.” “That’s why you shouldn’t make vows. The moment you do, fate starts conspiring to shove them down your throat.” Hadrian sighed, staring upward. “That’s one tall tower.” “And if the dwarves were still here maintaining it, it would be impregnable. Lucky for us, they’ve let it rot. You should be happy—the last eight years would only have eroded it further. It should be easier.” “It’s granite, Royce. Granite doesn’t erode much in eight years
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
They growled a response and went on digging. For some time there was no noise but the grating sound of the spades discharging their freight of mould and gravel. It was very monotonous. Finally a spade struck upon the coffin with a dull woody accent, and within another minute or two the men had hoisted it out on the ground. They pried off the lid with their shovels, got out the body and dumped it rudely on the ground. The moon drifted from behind the clouds and exposed the pallid face. The barrow was got ready and the corpse placed on it, covered with a blanket, and bound to its place with the rope. Potter took out a large spring-knife and cut off the dangling end of the rope and then said: “Now the cussed thing’s ready, Sawbones, and you’ll just out with another five, or here she stays.
Mark Twain (The Complete Tom Sawyer)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
Tomorrow at seven o'clock a strange phenomenon will occur: the earth is going to sit on the moon. This has also been written about by the noted English chemist Wellington. I confess, I felt troubled at heart when I pictured to myself the extraordinary delicacy and fragility of the moon. For the moon is usually made in Hamburg, and made quite poorly. I'm surprised England doesn't pay attention to this. It's made by a lame cooper, and one can see that the fool understands nothing about the moon. He used tarred rope and a quantity of cheap olive oil, and that's why there's a terrible stench all over the earth, so that you have to hold your nose. And that's why the moon itself is such a delicate sphere that people can't live on it, and now only noses live there. And for the same reason, we can't see our own noses, for they're all in the moon.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
The six elephants stood, roped each by the foreleg side by side in the vast thirty-foot tent put up several days since for their comfort; their trunks peacefully swaying as the cowardie scuttled back and forth with limp forkloads of hay. Small puffs of steam came from their mouths. Their breath was sweet, filling the sun-warmed, crisp air; and their hides, soothed, clean and lustrous from the water, lay calm on their great hips like the skin of the moon. Only at the end of the line the great bull stirred a little, the towering back swathed and padded and the knowing eye blurred.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
The road swerved left. The crash of waves morphed into the rumble of thunder, and the black asphalt tapered to become a slender stretch of rope. She followed it up into the darkness, night spilling around and below her as someone knocked over the ink-jar of the sky and scattered its liquid to the furthest corners, dislodging silver shards of moon that bounced off her umbrella.
Angela Panayotopulos (The Wake Up)
I imagined her taller. My mother stands in front of me. She leans more of her slight weight on her right leg. A hide pack rests against her back. The long skirt she wears touches almost to the ground; its fringe brushes the blades of green grass. A plentiful, red, calico blouse adorns the top of her body. It flounces out around her waist and makes her appear smaller, child- like. Her black, shiny braid of hair ropes around her shoulder. One small streak of silver hides in its weave. Her eyes meet mine. I don’t move, and neither does she. She has the blackest eyes I’ve ever seen. Crow black.
Jenny Knipfer (Harvest Moon (By the Light of the Moon #4))
Our life together was filled with contrasts. One week we were croc hunting with Dateline in Cape York. Only a short time after that, Steve and I found ourselves out of our element entirely, at the CableACE Award banquet in Los Angeles. Steve was up for an award as host of the documentary Ten Deadliest Snakes in the World. He lost out to the legendary Walter Cronkite. Any time you lose to Walter Cronkite, you can’t complain too much. After the awards ceremony, we got roped into an after-party that was not our cup of tea. Everyone wore tuxedos. Steve wore khaki. Everyone drank, smoked, and made small talk, none of which Steve did at all. We got separated, and I saw him across the room looking quite claustrophobic. I sidled over. “Why don’t we just go back up to our room?” I whispered into his ear. This proved to be a terrific idea. It fit in nicely with our plans for starting a family, and it was quite possibly the best seven minutes of my life! After our stay in Los Angeles, Steve flew directly back to the zoo, while I went home by way of one my favorite places in the world, Fiji. We were very interested in working there with crested iguanas, a species under threat. I did some filming for the local TV station and checked out a population of the brilliantly patterned lizards on the Fijian island of Yadua Taba. When I got back to Queensland, I discovered that I was, in fact, expecting. Steve and I were over the moon. I couldn’t believe how thrilled he was. Then, mid-celebration, he suddenly pulled up short. He eyed me sideways. “Wait a minute,” he said. “You were just in Fiji for two weeks.” “Remember the CableACE Awards? Where you got bored in that room full of tuxedos?” He gave me a sly grin. “Ah, yes,” he said, satisfied with his paternity (as if there was ever any doubt!). We had ourselves an L.A. baby.
Terri Irwin (Steve & Me)
On the road leading from his ranch to Samantha's, Wyat t drove his surrey up a small hill and caught his breath as the beauty of the large crescent moon dangling just out of reach over the crest A full moon would have been plump with luminescence, yet the pearly surface of the sickle still cast enough light to shadow his surroundings and seemed close enough that once he drove to the top of the hill, he'd be able to touch the bottom horn or at least toss a rope around it. He slackened the reins, slowing the horse, knowing that the higher he climbed, the sooner the illusion of closeness would disappear and he wanted to preserve for a moment the fantasy that the moon was within his grasp. The stars, by contrast, were distant pricks of diamond light farther out than a man could dream. He sighed. Life as a rancher or as a rancher's wife was not moon and stars easy or romantic. What would put stars in Samantha's eyes?
Debra Holland (Starry Montana Sky (Montana Sky, #2))
Next to my own skin, her pearls. My mistress bids me wear them, warm them, until evening when I'll brush her hair. At six, I place them round her cool, white throat. All day I think of her, resting in the Yellow Room, contemplating silk or taffeta, which gown tonight? She fans herself whilst I work willingly, my slow heat entering each pearl. Slack on my neck, her rope. She's beautiful. I dream about her in my attic bed; picture her dancing with tall men, puzzled by my faint, persistent scent beneath her French perfume, her milky stones. I dust her shoulders with a rabbit's foot, watch the soft blush seep through her skin like an indolent sigh. In her looking-glass my red lips part as though I want to speak. Full moon. Her carriage brings her home. I see her every movement in my head.... Undressing, taking off her jewels, her slim hand reaching for the case, slipping naked into bed, the way she always does.... And I lie here awake, knowing the pearls are cooling even now in the room where my mistress sleeps. All night I feel their absence and I burn.
Carol Ann Duffy
Female sensibility is layers, words, membranes, cotton, cloth, rope, repetition, bodies, wet, opening, closing repetition, lists, lifestories, grids, destroying grids, houses, intimacy, doorways, breasts, vaginas, flow, strong, building, putting together many disparaging elements, repetition, red, ink, black, earth feel colors, the sun, the moon, roots skins, walls, yellow, flowers, streams, puzzles, questions, stuffing, sewing, fluffing, satin, hearts, tearing, tearing, tearing, tying, decorating, baking, feeding, holding, listening, seeing thru the layers, oil, varnish, shellac, jell, paste, glue, seeds, thread, more, not less, repetition, women critics, women, writers, women artists, either nourishing us or eating us up alive, tokenism, curators, universities, tokenism, fear of other women to acknowledge female sensibility, hostile boy artists, accepting men artists, separating the men from the boys, dividing women, piece of pie-ism, money, art, sex, beasts, layers, symphonies, multi-roled, multi-part, stories, narrative, paint/flesh, serious, overwhelming, soft, hard, women working, working women, hanging, dangling, breaking, being fruity, angry, naïve, born again and trying to describe hot white flesh ties.
Joan Snyder
I have the body but of a weak, feeble woman,” she told her troops as the Spanish Armada sailed for home in 1588, “but I have the heart and stomach of a king, and of a king of England too.” Relishing opposites, the queen was constant only in her patriotism, her insistence on keeping ends within means, and her determination—a requirement for pivoting—never to be pinned down. 38 Her hopes for religion reflected this. Knowing the upheavals her country had undergone—Henry VIII’s expulsion of the pope from English Catholicism, the shift to strict Protestantism in Edward VI’s brief reign, the harsh reversion to Rome under Mary—Elizabeth wanted a single church with multiple ways of worship. There was, she pointed out, “only one Jesus Christ.” Why couldn’t there be different paths to Him? Theological quarrels were “trifles,” or, more tartly, “ropes of sand or sea-slime leading to the Moon.” 39 Until they affected national sovereignty. God’s church, under Elizabeth, would be staunchly English: whether “Catholic” or “Protestant” mattered less than loyalty. This was, in one sense, toleration, for the new queen cared little what her subjects believed. She would watch like a hawk, though, what they did. “Her Majesty seems to me incomparably more feared than her sister,” Feria warned Philip—which was saying something since that lady had been “bloody” Mary. “We have lost a kingdom,
John Lewis Gaddis (On Grand Strategy)
With all due respect to you, sir, you can all go piss up a rope,” Steve said. That brought a lot of gasps and exclamations. He forged ahead as if they hadn’t said a word. “You people are the best the Conclave has to offer? I’d rather eat broken glass than listen to you.” “Those are some harsh words, young man,” Moon said. “You mind explaining yourself?” “All this week, I’ve seen Chance bust his ass to do what you people are supposed to be doing!” Steve said, his finger pointing at the Council. “He’s been looking for a girl who was kidnapped by a vampire, trying to keep his own family safe from the guy who took her, and looking for this sword. While he’s trying to do all that, he’s under this Ordeal, trying to prove himself to you so you don’t kill him! And tonight? When it came down to saving his own ass or helping someone else, he chose to save his friend and twelve other kids: kids you should have been looking for, instead of sitting on your lazy butts judging my friend. If you ask me, he shouldn’t have had to choose between kissing your collective ass to save his own life and doing the right thing. He did the right thing even when you might have killed him for it, and frankly, I’ll follow his example over yours any day of the week.” In the silence that followed his rant, I looked at him with a new respect. “I believe,” Moon said after a few moments, “that we’ve been rebuked, Master Draeden.” “Justly so,” Draeden said
Ben Reeder (Page of Swords (The Demon's Apprentice, #2))
In the Middle of Life After the end of the world after my death I found myself in the middle of life creating myself building a life people animals landscapes this is a table I kept saying this is a table on the table are bread knife the knife is used for cutting bread people feed on bread man should be loved I learned by night by day what should one love I answered man this is a window I kept saying this is a window beyond the winidow is a garden in the garden I see an apple tree the apple tree blossoms the blossoms fall off fruit forms ripens my father picks an apple the man picking the apple is my father I was sitting on the front steps of the house that old woman pulling a goat on a rope is more needed is worth more than the seven wonders of the world anyone who thinks or feels she isn’t needed is guilty of genocide this is a man this is a tree this is bread people eat to live I kept repeating to myself human life is important human life has great importance the value of life exceeds the value of every object man has made man is a great treasure I kept repeating stubbornly this is water I kept saying stroking the waves with my hand talking to the river water I said kind water it is I the man talked to the water talked to the moon to the flowers to the rain he talked to the earth to the birds to the sky the sky was silent the earth was silent if he heard a voice flowing from the earth the water the sky it was the voice of another man
Tadeusz Różewicz (Sobbing Superpower: Selected Poems)
On the third day, I asked if she would like to climb Ben Loyal with me--with anyone else who fancied coming along. None of the guys wanted to join me and I ended up with a group of four girls, including Shara. We spent two hours crossing the marshy moon grass to reach the foot of the mountain before starting up the steep slope toward the summit ridge. It was fairly sheer, but essentially we were still going the “easy” way. Within two hundred feet, half of the girls were looking pretty beat. I figured that having slogged across the marsh for so long, we should definitely do some of the climb. After all, that was the fun bit. They all agreed and we continued up steadily. Before the slope eases at the top, though, there is a section where the heather becomes quite exposed. It is only a short, few hundred feet, and I wrongly figured the girls would enjoy a safe, steep scramble that didn’t require any ropes. Plus the views were amazing out to sea. But things didn’t quite go to plan. The first panicked whimper seemed to set off a cacophony of cheeps, as, one by one, the girls began to voice their fears. It is funny how quickly everyone can go from being totally fine to totally not-fine, very fast, once one person starts to panic. Then the tears started. Nightmare. I ended up literally having to shadow the three girls who were worst struck by this fear, one by one down the slope. I had to stand behind them, hands on top of their hands, and help them move one step at a time, planting their feet exactly where I did, to shield them from the drop. The point of this story is that the only girl who was supercool through the whole mission was Shara, who steadily plodded up, and then just as steadily plodded down beside me, as I tried to help the others. Now I was really smitten. A cool head under pressure is truly irresistible to me, and if I hadn’t been totally besotted before, then our mountain experience together tipped the balance. I had a sneaking feeling that I had met the girl of my dreams.
Bear Grylls (Mud, Sweat and Tears)
I put my faith in something unknown, beyond the moon, sun, and stars, one day I will own. I put my faith in something, renew. Beyond the rivers, deserts, mountains and valleys.One day it shall become new. I cannot renounce the struggle But yes, it’s what this destiny holds The pain is worst. My heart is whole and will not burst.I live on sweet nothing.I am tired of hope, when this dream is not in the scope. I told the pope, he told me to hold on to life and use the rope.I put my faith in you, this is too good to be true.
Henry Johnson Jr
was then that Joss saw the second scaling hook and rope ten feet away.
Carrier Slocomb (Red Moon Island)
I nearly dropped my fork. “Say that again?” “Human servants, so we can go where—” “No, not that, the second part. The stupid part. You guys are actually Satanists? Like real, no-kidding, play your heavy metal album backward and bark at the moon Satanists?” Mack blinked. Zeke looked like he was fantasizing about killing me. “It’s not stupid,” Mack said. “We have a place of high honor awaiting us—” “Yeah, it is. It really is. So this is how Prince Malphas ropes you dopes in. Don’t suppose he’s told you that nobody’s even seen Lucifer in over a thousand years? He took a walkabout and never came back. Hell had a civil war when he left, geniuses. How do you think the whole feuding-courts thing came about?” “That’s not true,” Mack said.
Craig Schaefer (Redemption Song (Daniel Faust, #2))
I stared at the sea, trying to breathe, trying to understand how I came to be here. A motherless daughter, and now a brotherless sister. How was it that I went from a princess of Egypt — the daughter of the most powerful queen in the world — to a prisoner of Rome, and now the bride of a petty ruler in the scrubs of Africa? I closed my eyes, remembering Mother’s soft breath on my ear as she whispered, “You have the heart of a great and powerful queen.” Her last words to me. I spent my whole life trying to live up to them. But I failed. I lost everything, lost every single person I ever loved. Why? Why have you cursed me? I asked the gods. Why have you cursed my family? But no answer came. I heard only the creaking of ropes, the flapping of sails, the splash of water against the hull.
Vicky Alvear Shecter (Cleopatra's Moon)
Some are given a rope to the moon, and others claw up the sky.
Julie C. Dao
WHY IS TODAY SPECIAL IN HINDUISM? Today is the day (as per Hindu calendar) that Abhirami Bhattar prayed to Parashakti and manifest Amavasya (new moon day) as full moon day (Poornima) Subramaniya Iyer, who was then known as Abhirami Bhattar, was an ardent devotee of Devi Parashakti from the village that was famous for its Shiva temple, called Amritaghateswarar-Abirami Temple, Thirukkadaiyur. Once when the Maratha rule, king Serfoji I visited the Thirukkadavur temple on the day of the new moon (Amavasya). On noticing the peculiar behaviour of Subramaniya Iyer who was a temple priest, he inquired the other priests about the individual. One of them remarked that he was a madman while another rejected this categorization explaining to the king that Subramaniya Iyer was only an ardent devotee of Goddess Abhirami. Seeking to know the truth himself, Serfoji approached the priest and asked him what day of the month it was. Whether it was a full-moon day(Poornima) or a new-moon day(Amavasy). At that moment, Subramaniya Iyer was doing the Tithi Nithya Aaradhana in the SriChakra Navaavarana krama and was worshipping the Devi as Poornima Tithi. Subramaniya Iyer who could see nothing else but the shining luminant form of the Goddess before him answered that it was a full-moon day (Poornima) while it was in fact a new-moon day(Amavasya). The king rode off informing the former that he would have his head cut off if the moon did not appear on the sky in the night. A huge fire was lit and Subramaniya Iyer was erected on a platform supported by a hundred ropes. He sat upon the platform and prayed to the Goddess Abhirami to save him. The ropes were cut off, one after another in succession on completion of each verse of his prayer. These hymns form the Abhirami Anthadhi. On completion of the 79th hymn, the Goddess Abhirami manifested herself before him and threw her earring over the sky such that it shone with bright light upon the horizon. The area around the temple sparkled with bright light. Overcome with ecstasy, Subramaniya Iyer composed 21 more verses in praise of the Goddess. The king repented his mistake and immediately cancelled the punishment he had given to Subramaniya Iyer. He also bestowed upon the latter the title of Abirami Pattar or "priest of Goddess Abhirami". There are a hundred stanzas plus a காப்பு (Kāppu, protection) verse for lord Ganesha and a final பயன் (Payaṉ, outcome), thus a total of 102 stanzas that are included in Abhirami Anthadhi. The author praises Abhirami as his own mother, regrets his mistakes, speaks of the divine play of mother and father Paramashiva, and her simplicity & mercy. It is believed that recitation of each stanza will result in the specific achievement of the devotees. Here is one of the famous stanzas of Abhirami Anthadhi: " மணியே, மணியின் ஒளியே, ஒளிரும் அணி புனைந்த அணியே, அணியும் அணிக்கு அழகே, அணுகாதவர்க்குப் பிணியே, பிணிக்கு மருந்தே, அமரர் பெரு விருந்தே. பணியேன், ஒருவரை நின் பத்ம பாதம் பணிந்தபின்னே." - செய்யுள் 24 " Maṇiyē, maṇiyiṉ oḷiyē, oḷirum aṇi puṉainta aṇiyē, aṇiyum aṇikku aḻakē, aṇukātavarkkup piṇiyē, piṇikku maruntē, amarar peru viruntē.- Paṇiyēṉ, oruvarai niṉ patma pātam paṇintapiṉṉē." - stanza 24 Pearl like you are, You who are the reddish aura of the pearl! You are like the pearl studded chain who adds beauty to the chain, You are pain to those who do not fall at your feet while the panacea for pains of those who fall at your feet, the nectar of Gods, After worshipping at thine lotus feet, Will I bow before any other, Now and now after. The beauty of Abhirami Anthathi: காப்பு starts as ″தார் அமர் கொன்றையும்...″ and பயன் ends as ″... தீங்கு இல்லையே″ (தாயே)
The SPH JGM HDH Nithyananda Paramashivam, Reviver of KAILASA - the Ancient Enlightened Hindu Nation
There are mornings in the cabin, even in summer, when the lake seems to have been possessed by a different spirit, the air cold, wind whistling through the screens and whipping the Chinese wind chimes into a frenzy. Instead of blue water, the lake is grey, the islands hunched against the wind, the waves white-capped even in our channel, banging the boat against the dock or heaving it away to strain against its ropes. On days like these, the sounds of other lives are lost in the rush of air and water. Everything seems farther away, and few people venture out if they don’t have to. Yet this is not when drownings occur. The lake captures people when they least expect it.
Carolyn McGrath Two Faces of the Moon
If I were the trees . . . I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet . . . so you might know wonder. If I were the mountains . . . I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild . . . so you might know freedom. I’m using inflections in my voice to keep Nisay’s attention. However it’s Ki whom I’ve roped in. He sits wide-eyed as a curious little boy at story time. If I were the ocean . . . I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters, so you might know peace. If I were the stars . . . I would sparkle like never before and fall from the sky as gentle rain, so that you would always look towards heaven and know that you can reach the stars. If I were the moon . . . I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty, so you might know that all the Earth is at your command. If I were the sun . . . I would warm and glow like never before and light the sky with orange and pink, so you would gaze upward and always know the glory of heaven. But I am me . . . and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart, and this I will do until . . . the mountains crumble down . . . and the oceans dry up . . . and the stars fall from the sky . . . and the sun and moon burn out . . . And that is forever.
Camron Wright (The Rent Collector)
The Little Cowboy That Could" Once upon a time, in a dusty, sunbaked town, there was a little cowboy named Cody. Unlike the other cowboys who rode tall in the saddle, Cody was just a young buck with a small pony. Every day, he watched the seasoned cowboys and wished he could wrangle and ride as well as they did. One evening, as the sun dipped low, Old Man Moon peered down and saw Cody looking downhearted. "Why the long face, little cowboy?" asked the Moon. "I'm not as skilled as the others. I want to be a great cowboy too," Cody replied. The Moon chuckled softly and said, "Every cowboy has his day to shine. You've got a special spirit within you, and one day, it'll show." Bolstered by the Moon's words, Cody decided to try harder. He started by helping a lost calf find its way back to the herd. Then, he practiced lassoing as best as he could to help round up the steers. With every good deed, he felt a proud warmth inside. Days turned into weeks, and Cody kept on working hard. One night, as he helped a little lost pup find its way back to the ranch, he felt a sudden glow. Cody looked down and saw the pup wagging its tail, looking up at him with grateful eyes. The pup barked as if to say, "Thank you, little cowboy, for guiding me home." At that moment, Cody felt a burst of happiness and, to his surprise, he found himself riding and roping better than ever before. All the other cowboys noticed and cheered, "Look, Cody is riding like a true cowboy!" From that day on, Cody became known as the cowboy who rode the brightest, not just with his skills, but with his kindness and heart. And he learned that it's not just about how well you ride, but about the help you bring to others' lives. And so, Cody continues to ride, reminding everyone that even the smallest cowboy can make a big difference.
James Hilton-Cowboy
Because I have love. And that has to be enough.
Ava Hunter (Rope the Moon (Runaway Ranch, #2))
I’m not your hero,” I tell her and she casts me a sideways glance in the dark. “You’ve always been able to save yourself.” I pull her closer. “But I am your anchor. Because I will always be there when you need something to ground you.
Ava Hunter (Rope the Moon (Runaway Ranch, #2))
See how it goes. The thought calms me somehow, casting a golden glow into my chest. Like I only need to put one foot in front of the other to move. It’s that simple.
Ava Hunter (Rope the Moon (Runaway Ranch, #2))
He broke my arm with a rolling pin.
Ava Hunter (Rope the Moon (Runaway Ranch, #2))
In the fluorescent light of the motel, I see a bruised cheekbone. Black eye. A busted lip. Rage courses through me, swift, blinding. “Who did this, Dakota?” I demand, fighting to keep my voice controlled even as my breath comes out in ragged pants. “Who. The fuck. Did this?” Her eyes flutter closed. “Davis, don’t—” “Cupcake, I’m gonna need you to shut that pretty mouth and let me hold you.
Ava Hunter (Rope the Moon (Runaway Ranch, #2))
That's the thing, isn't it, when you grow with Time, you learn to value your Time more than anything in this world. You safeguard your peace from literally anything that seems to pull it down, even if that means transient happiness. I learnt long back that Life is a series of lessons, some bitter and well some very very bitter, but all of them assimilate into something so serene, so beautiful actually when looked from a distance. Because each time you're broken, you're made once again, some from the pieces that lay scattered on the ground while some entirely new coming from all across the Sky where He Smiles at You, knowing that your fall was nothing but a blur in the Time that would clutch you later in Life into understanding the Truest Meaning of Life, the virtue of Patience and Perseverance, the lesson on Time, that Time alone has the biggest Smile and if you evolve with it you would walk the fire with the Zeal of your Soul that never ages, you will find wrinkles and scars but those are like battle ropes that get you motivated to walk this Earth one more time, to know that you're still alive, only your core never changes, You in your heart is always that child, the one who is always eager to embrace as much colour from this moment as your senses can. I am not hushing the child but patting it with the serenity of a grey hair, knowing that Life has been kind even at the battles that were thrown along the way, and eventually letting my heart know that the biggest war I'd ever face is within, the war that demands me to hold on too tightly all while letting go too spontaneously, the least I could find is a victory of Knowing I have done it all with an Honest Heart and a Soul that thrives on Faith. If colours were hued on my Soul, let Integrity be my Sun and as for the Moon, I'd always be Kindness' arm. Thank You, Life And to every momentary transient passerby of this beautiful journey, no matter where we left off, I wish your journey finds the course it's meant to walk.
Debatrayee Banerjee
Then again, who could say when it came to prophecy? It had been prophecy, in a way. To die and live again. To marry the Daughter of the Nine Moons. To give up half the light of the world to save the world, whatever that meant. He had died, after all, swinging on that rope. If that was true, the rest had to be. No way out of that.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
That’s the thing about travel. Once you step on that jet bridge, the ropes that tether you seemingly slip off, leaving you feeling like an entirely different person. One look at the moon, the stars, those eyes, and I gave in to another illicit kiss.
Nikki Vargas (Call You When I Land)
The moon was high by the time they reached the courtyard, for they could not take the most direct way—the size of the skull precluded all but the widest corridors. The night wind was cold, for they were sweating hard with their labor; and the moon became two moons as Arron’s tired eyes refused to focus. Tor had found rope, and they tried to drag the thing, but that had worked even less well than rolling it, and so they went back to rolling. It was not nearly round, and it progressed in lumbering half-circle flops, and they had been painfully tired before they began. “We must rest,” murmured Tor. “Food,” said Aerin. Tor roused himself. “Bring some. Wait.” The slightly moldy bread and more than slightly moldy dry cheese he found gave them more strength than they would have thought possible. “Second wind,” said Tor, standing up and stretching slowly till his spine cracked. “Fourth or fifth wind,” said Aerin grimly, feeding the end of her cheese to her beasts; “and the strength of panic.
Robin McKinley (The Hero and the Crown (Damar, #2))
Another burst of laughter from the ladies below had him opting for the rope ladder exit, thinking the angle might give him a peek into the adjacent café as he descended. They were a jovial lot. Sounded like the meeting was going well at least, perhaps putting Kerry in a more open-minded mood for their lunch later. He imagined his arrival had been at least part of their conversation, then frowned briefly, thinking maybe he didn’t want to know what was at the root of all that laughter after all. Maybe he would drop by, at least long enough to be judged on his own merits. Who knew what Kerry was telling them?
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Someone pointed and his gaze swiveled to her, pinpointing her on the spot as neatly and securely as if he’d lassoed and roped her to it. And he could have if he’d wanted to, of that she had no doubt. Some dizzying part of her rapidly spinning brain figured he probably couldn’t get his bullwhip through airport security. Another part acknowledged that the past year she’d spent convincing herself he was just a man, like any other man, not some larger-than-life action hero she’d foolishly romanticized into someone bigger, bolder, and even more brash than she’d recalled him to be, had been a complete waste of time. Because he was all of that, more than that. And he was here. Right here. In Blueberry Cove, Maine.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
What about after? Getting back through the lobby, I mean. Assuming you’ll need to leave at some point. For the bachelorette party, if nothing else.” “That’s not until the weekend.” He grinned. “Your point being?” “You know,” she said, tipping up on her toes and kissing his cheek, “I like it when you do the thinking.” “Well, I was going to mention that, but--” She pinched his butt, making him laugh. “Careful or I’ll swing you up and carry you up to my room over my shoulder.” Kerry spluttered a laugh, then said, “You know, it’s almost worth doing, just to blow everyone’s minds.” He pulled her closer. “Don’t tempt me.” She batted her lashes again. “But I thought you liked it when I tempted you.” Now he slid his hand behind her and gave her a little pinch, making her skip a little step but laugh at the same time. “I guess I had that coming.” “There’s a lot I’d like to do that has coming in the description.” “Okay, okay, so assuming I will have to leave your pirate’s lair at some point, then yes, how to do that without being the front-page story of the gossip gazette.” She looked up at him, her expression serious. “I could always come down the ramp carrying a box of tiddledywinks. Then no one would suspect for sure.” “A real funny one, you are,” he said dryly. “I was revisiting the whole black spandex cat burglar idea. Maybe you could sneak out under cover of darkness, shimmy down a rope from my window.” “Okay, you’ve given that particular scenario way too much thought.” They were still laughing when they reached the end of the pier.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I was revisiting the whole black spandex cat burglar idea. Maybe you could sneak out under cover of darkness, shimmy down a rope from my window.” “Okay, you’ve given that particular scenario way too much thought.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I didn’t get a chance to say it earlier,” Delia said in a whisper loud enough to be heard…well, almost two stories up on a rope ladder anyway, making Kerry wince a little. “We really do like him. We’re happy for you.” Kerry wanted to hiss who’s we? but refrained. As far as she could tell, Cooper had spent the past three days befriending every man, woman, and lobster in Blueberry Cove. And every single one of them had managed to find a moment to tell her so. She was happy--truly--that everyone liked him but not surprised. He was a likeable guy. And she was equally happy folks were happy for her. Now she just wished they’d butt out and let her get on with being happy with Cooper. She managed to give Delia a little salute with half of one hand while still clutching the rope, and Delia gave her another enthusiastic wave, eyes sparkling. Kerry waited until Delia had scooted on back toward the café before turning her attention to the trapdoor. And almost had her second heart attack when she looked up, only to find Cooper staring down at her, his chin propped on folded arms, meaning he was lying flat on the balcony deck. He smiled and lifted his fingers in a little wave. “Nice of you to drop up,” he said, a smile curving his lips but the glittering light in his blue eyes telling a different story. His voice was deep and just a shade rough, which made her skin tingle in delicious anticipation. “I got waylaid by another of your throng of supporters and well-wishers so you only have yourself to blame.” “So I heard,” he said. “I’ll be sure to thank her later and tip double the usual when we order breakfast in tomorrow morning.” “Awfully sure of yourself, mister.” “Finish climbing that ladder and I’ll be happy to explain the source of my confidence.” He wiggled his eyebrows. “Or, better yet, I’ll show you.” “Well, if I’d known there was going to be show and tell, I’d have gotten up here sooner.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Hunter slipped from the bed and grabbed his breeches to pull them on. Bathed in moonlight, the planes of his body were gilded with silver, its contours cast into delineative shadow. Clutching a fur to her chest, Loretta sat up, pretending not to notice. She did, though, and what she saw set her pulse to skittering. Perhaps beautiful wasn’t an appropriate adjective for a man, but it was the only word that came to her. Watching him, she was, for the first time in her life, appreciative of the male form, the smooth play of muscle in motion, the subtle grace in strength. Lean tendons roped his buttocks and thighs. When he turned slightly she glimpsed his manhood, jutting forth, hard and proud from a mahogany nest of short curly hair. Her throat tightened, and deep within her there welled feelings she could scarcely credit, longing, tenderness, delicious excitement--and fierce pride. That such a man loved her and wanted her was nothing short of incredible. He could have had any girl in the village, someone supple and dark with liquid brown eyes, a dozen such someones if he chose, but instead he had picked her, a skinny, pallid farm girl. Cinching the drawstring of his pants, he tied a quick bowknot and extended a hand to her. For an instant Loretta was swept back in time to that first afternoon, when he had commanded she place her palm across his. She had been so terrified then, but no longer. His arm was her shield, just as he had promised. “Come, wife. My cousin brings a gift, eh?” “Hunter, I’m not dressed!” Chuckling, he grabbed a buffalo robe and draped it around her shoulders. After enveloping her in the fur, he drew her from the bed and to the door, untying the flap to sweep it aside.
Catherine Anderson (Comanche Moon (Comanche, #1))
Watching him, she was, for the first time in her life, appreciative of the male form, the smooth play of muscle in motion, the subtle grace in strength. Lean tendons roped his buttocks and thighs. When he turned slightly she glimpsed his manhood, jutting forth, hard and proud from a mahogany nest of short curly hair. Her throat tightened, and deep within her there welled feelings she could scarcely credit, longing, tenderness, delicious excitement--and fierce pride. That such a man loved her and wanted her was nothing short of incredible. He could have had any girl in the village, someone supple and dark with liquid brown eyes, a dozen such someones if he chose, but instead he had picked her, a skinny, pallid farm girl. Cinching the drawstring of his pants, he tied a quick bowknot and extended a hand to her. For an instant Loretta was swept back in time to that first afternoon, when he had commanded she place her palm across his. She had been so terrified then, but no longer. His arm was her shield, just as he had promised.
Catherine Anderson (Comanche Moon (Comanche, #1))
Why bother with me? Why not find yourself an Indian woman?” “It is you I want.” He brushed his knuckles along the hollow of her cheek. “Your skin is moonlight. I am dark like night next to you.” He slid his hand behind her neck and drew her toward him. “Sunshine in your hair, moonlight on your skin, this Comanche’s bright one, no?” “No,” she replied in a raw voice. “You will eat?” “No.” He bent to taste the flesh at the hollow of her throat, his lips silken, his teeth nipping lightly, his warm, moist mouth sending jolts through her. “Like ermine, mah-tao-yo. So soft. And sweet like flowers.” She wedged her fists between them, her knuckles knotted against the warm, solid planes of his chest. As she opened her eyes, the room spun. “Please--please, don’t. I’m not even sure what your real name is. Please don’t.” “Hunter,” he whispered next to her ear. “Hunter of the Wolf, Habbe Esa. Lie on your back, Blue Eyes. You are weak, eh? Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her.
Catherine Anderson (Comanche Moon (Comanche, #1))
The girl is half my size. I think I can handle her without calling council.” “You disappoint me, Hunter. Where is the patience you show with the wild horses you train? Has it gone the way of the wind?” “A horse is worth the trouble. A yellow-hair is not.” “I know men who greatly treasure golden women. Perhaps she will grow on you.” “I prefer a horse. A black one.” “Women, horses, there is little difference, eh? Well trained, they both give men smooth rides and much pleasure. What happens when you first rope a mustang?” Hunter knew where this conversation was going and refused the bait. Warrior replied for him. “Every time he runs against the rope, he flips end over end.” “And what does he learn? Not to challenge your rope, eh? After that first lesson, he knows you are his master and allows you to gentle him with kindness. The white woman is the same. She is afraid and lunging against the rope. As soon as you break her of that, the battle is won, eh?” Hunter wished it could be that simple. When a horse accepted the touch of his hand, joy filled him. After swirling the dregs of his coffee, Hunter emptied his cup onto the fire. Rising to his feet, he said, “You are both very wise, and I am glad of your advice. I will handle the woman my way, though. She is my woman, eh?” “Take care,” Old Man warned. “The tosi tivo are unpredictable. Especially the females. Wisest-One had himself a yellow-hair once. After one night in his buffalo robes, she jumped into the Talking Water River and drowned herself. Not even Wisest-One could be that bad a lover.
Catherine Anderson (Comanche Moon (Comanche, #1))
Hunter slowed as he drew near and held out the line to her, his dark eyes gleaming in that way she had once found so unsettling. Now she realized the gleam was only a smile that had not yet touched his lips. As her fingers curled around the rope, she looked up. “He’s beautiful.” “When the sun rises, we will ride for your wooden walls. He will carry you.” Taking her hand, Hunter stepped to the stallion’s head and lifted her palm to his velvety muzzle. “Give him your smell.” The stallion snuffled and nibbled her fingers, grunting a greeting. “He’s so beautiful, but after what happened to…I can’t ride him. I’d never forgive myself if something went wrong. I felt so--” She broke off and licked her lips. It hit her that she had never apologized to him for killing his horse. She should now, but so much time had passed, and she wasn’t sure what to say. “My heart is still sad about your stallion. I wouldn’t want something to happen to this one.” “It is finished.” His face tightened as he spoke. “This stallion says hi, hites, how are you, my friend.” He ran a muscular arm around the black’s neck, moving in close to his shoulder. “He is son to my friend who is dead. Breathe into him so he will know your smell and remember with no horizon.” The thought of kissing a horse wasn’t particularly appealing, but after witnessing the Comanche’s rapport with his other stallion, she couldn’t argue that he knew better than she how to communicate with them. She bent over and exhaled close to the black’s muzzle. The horse sniffed and nibbled her face, nickering and blowing. Loretta gave a startled laugh and reared back, scrubbing her mouth with her sleeve. She glanced up to find the Comanche smiling. Her laughter trailed away, and she felt suddenly self-conscious. His large, sandpapery palm still enfolded hers, and the contact made her heart skitter.
Catherine Anderson (Comanche Moon (Comanche, #1))
I don’t understand her. I treat her kindly, yet she still shakes with fear at the thought of being one with me. I try to make her happy and make her angry instead.” Many Horses lifted an eyebrow. “Fear is not like a layer of dust on a tree leaf that washes away in a gentle rain. Give her time. Be her good friend, first--then become her lover. As for making a woman happy, you succeed sometimes, you fail sometimes. That is the way of it.” Hunter took a deep breath and let it out on a weary sigh. “It’s not that I have another woman in mind to take as wife. It’s just--” “That you are bullheaded?” Hunter smothered an outraged laugh. “A little bit, yes?” Many Horses shrugged. “One unto the other is not a bad thing for a man. I am sure enough glad I have only one tug rope coming into my lodge. Can you imagine how exhausting three or four wives would be?” “My mother has been enough for you, but she is a special woman.” Many Horses grinned. “She is a jealous woman. And I’m not a stupid man. I didn’t want to live in a wasp’s nest all my life.” He shrugged. “I like things as they are. Fewer sharp tongues nagging me. Fewer mouths to feed. And only one woman to try to understand. I brought her slaves to help her with the work.” “My yellow-hair does not believe in having slaves.” “Neither does she believe in many wives. Give her a choice, slaves or wives. See which she chooses.” Many Horses waved his hand before him to clear the air of ash. “You must also remember the yellow-hair may give you many more children than a Comanche woman. Take care or you could father more children than you can feed. I’ve never seen a white woman yet who wasn’t a good breeder.” A slow grin spread across Hunter’s mouth. “You will tell her this, yes? So far she isn’t showing the proper enthusiasm.
Catherine Anderson (Comanche Moon (Comanche, #1))
Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her. “Habbe…” Her voice trailed off. She wanted desperately to distract him, but instead it was she who couldn’t seem to concentrate. “Your name, wha--what was it? Habbe what? What does it mean?” “Habbe Esa, Road to the Wolf, Hunter of the Wolf. My brother the wolf showed his face in my name dream.” “Y-your name dream?” She wriggled away and shoved the heel of her hand against his chin so she could sit up. “Wh-what’s a name dream?” His eyes gleamed down at her as he drew back his head. “A dream a man seeks when he becomes a warrior. In the dream, he learns his name. A woman has no need. She is named by others.” He dipped his head and captured her thumb between his teeth. Mesmerized, Loretta felt his tongue flick across her knuckles. Dear God, she was going to faint. And while she was unconscious, he would--he would…She felt herself tip sideways. His arm caught her from falling. He released her thumb. “Blue Eyes?” Loretta licked her bottom lip, trying desperately to right herself, to stay conscious. She couldn’t pass out--she just couldn’t. His face blurred. And his voice seemed distant. “Hah-ich-ka ein, where are you, Blue Eyes?” Loretta blinked, but it did no good. Was this how it felt to die? All floaty and distant from everything? Hah-ich-ka ein, where are you, Blue Eyes? She tried to answer. Couldn’t.
Catherine Anderson (Comanche Moon (Comanche, #1))
After Jonathan, wearing only his pajamas, jumped out of his bedroom window in the middle of the night & met with Leopold, who awaited him in the garden, the two went to the stable and put a three-meter-long hemp rope in a bricklayer's bag splattered with quicklime. On a September night, under the light of the moon, they walked with the rope up the village street, passing the calvary, not noticing the devil's red wings, which were stretched to the point of tearing—Lucifer was sweating blood—and then up the hill of the parish house into the barn. In the empty barn full of dusty cobwebs—the parish house was unoccupied at the time—they climbed a wooden ladder to the crossbeam. The two boys tied the two ends of rope behind their ears and jumped into the emptiness, weeping and embracing, a few meters from the armless Christ who had once been rescued from a stream bed by the priest and painter of prayer cards and who now stood in the entranceway of the parish house, gasping and smelling the blood sweated out by the devil in the calvary. With their tongues out, their sexes stiff, their semen-flecked pants dripping urine, Jonathan in pajamas and Leopold in his quicklime-splattered bricklayer's clothes, they hung in the barn of the parish house until they were found by Jonathan's sixteen-year-old cousin, who shined the beam of his flashlight across their four dangling legs twenty-four hours later, and were cut down with a butcher's knife by Adam the Third.
Josef Winkler (When the Time Comes)
The Clock Cell A Poem by Rosa Jamali Something happens to die And the sunlight which has been soaking is wet and obscure If I carry on the lines The frozen object which has been captured in your hands will drop Otherwise, the day has come to an end. Void When I get home; staring at all those cubical shapes; Standstill current of water And the sunlight which is never damp On the blank sheets of writing bursting into tears over old sheets on my bed. The elements Its essence has been painted by my blood The rain of cats and dogs on my field The moon is encompassing the land! Here with the frostbite on the iron post, I left the time on the river bank Time was a whim slipped away from my fingers The moments have been cleaned and cleared. The wall has turned blue Me and the black gown Have taken the flow of the river. It's a calf death breast-fed. What is it? Sediments on a neutral background It could be in a different colour It's been many days since I started walking on the rope The creased moon is hanging down the ceiling. Blizzard A flimsy stone The frostbite on the window glass The bridge has fallen down Silence on a metal tape Ending to a blind full stop. (TRANSLATED FROM ORIGINAL PERSIAN TO ENGLISH BY ROSA JAMALI)
Rosa Jamali (Selected Poems of Rosa Jamali)
Every morning at dawn, I sat against the wall, my legs crossed, my eyes closed. I wound my thoughts together, turning the wisps of smoke into a thick rope, and I grasped the rope, stepped onto the trail it led, and glided farther and farther. What lay ahead of me? I did not know, yet I felt no fear or anxiety. I only walked, farther and farther, to a chamber glowing afar, through which the sunlight, the opaque moonlight, and the warm air poured.
Weina Dai Randel (The Empress of Bright Moon (The Empress of Bright Moon, #2))
Riley had been in the interrogation room for six hours. For most people, this would have been a terrible hardship. Even a few weeks ago, Riley herself would have seen it as a nightmare. Now she just thought it was a nice place to sit down and take a rest. After all, she wasn’t climbing down a rope into a dark cavern or getting pushed over a cliff, tied up in a car.
Janet Evanovich (Curious Minds (Knight and Moon, #1))
Emerson found a smaller length of rope, wrapped it around Riley’s waist, tied it in a knot, and passed it between her legs. “How do you feel?” Emerson asked her. “Like I’m wearing a rope thong.” “That’s an erotic comparison,” Emerson said. “I like it.
Janet Evanovich (Curious Minds (Knight and Moon, #1))
She switched the headlamp on and saw bats clinging to the side of the cave inches from her face. Someone whimpered. She supposed it was her. She switched the lamp off and played out the rope, dropping more slowly, trying to control the whimpering.
Janet Evanovich (Curious Minds (Knight and Moon, #1))
Um, Emerson?” she said. “I’ve reached the end of my rope.
Janet Evanovich (Curious Minds (Knight and Moon, #1))
Take me for a lesson and a cheap one at that. I’m named for the secret, vital core of a ship. Ballast is the weight down in the deep of you that keeps a vessel upright in dark water. ... Oh, the cargo you carry will do it for a while, or even the heft of a crew, mates and mettles, if you love them enough. But a ship’s not a ship till she’s got ballast of her own. Down in the belly, a big massy mess of rope and wood and hardtack and love letters and harpoons and old lemons. Anything that ever fascinated the ship, made it sail true, patched it or broke it, anything the ship loved or longed for, anything it could use. Bo’sun gets in a fistfight with a deckhand over a missing cannonball and they bloody each other up some, but that ball’s just circled down into the baby ballast. Some’ll tell you a ship’s not born till she gets a name or has a bottle of wanderwhiskey broke over her bow, but it’s not so. Without ballast, she’s just wood. ... It all just sort of sinks down and jumbles up together into something hot and heavy inside you, and the weight of everything you ever wanted in the world will keep you steady even when the worst winds blow.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
leather. He held it there for a second to let her suspense build, then he pulled back the lid to reveal a necklace that glowed like a spring morning. A magnificent golden sun pendant on a platinum rope. The ends of the rope fed through a large platinum moon clasp, and wrapped
Tim Tigner (Chasing Ivan (Kyle Achilles, #0.5))
Move quickly and don’t say anything,” Wesley ordered as he pushed me forward. The steel wire fence of the Death Camps rose up sharply in the light of the moon. I stopped, whirling around to face him. “How can you live with yourself, working for this army?” I asked in a trembling voice, staring deep into his eyes. “If you’re going to kill me, go ahead and do it now.” He pushed me forward. “Didn’t you hear me?” he hissed. “I said, don’t speak. Keep walking.” The moonlight fell across his angular cheekbones and lit up the dark hollows of his eyes. We had passed the camps and were now walking down the dark field toward a windowless brick building. “Where are you taking me?” I said through clenched teeth. He pulled me to a stop and began to untie the rope binding my wrists. “You’re not taking me to the camps?” My voice was filled with confusion. He took a second gun from his uniform and placed it in my palm. “Do you know how to shoot?” “Yes.” “There’s a full round in there. Don’t let go of it. If we get separated, if the Roamers get you, just shoot them. Don’t hesitate or they’ll kill you first.” I nodded mechanically and wrapped my fingers around the grip, wincing at the pain as I placed my finger experimentally on the trigger. “I’m taking you somewhere safe, but we have to go through the woods to get there,” Wesley went on. “And we need to be quiet and careful. If I’m caught helping you, we’ll both be killed.” I raised my eyes to his. I wanted to trust him, but what if this was just an elaborate trap? “Why are you helping me?” I asked. He looked toward the Death Camps in the distance. “You’re not the only person here with something to hide, Eliza.
Galaxy Craze (The Last Princess (Last Princess, #1))
Because she never showed her displeasure to you. You’re her daddy, the man who always gives her the moon and stars. I’m her mother, and my job is to keep her from burning her fingers on all the stars you rope for her.
Liz Talley (Room to Breathe)
(In response the Sun asserted that Bennett’s “only chance of dying an upright man will be that of hanging perpendicularly upon a rope.”)
Matthew Goodman (The Sun and the Moon: The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteen)
The moon was bright; he stood at the edge of his own skull’s platform; desire to hate and desire not to hate struggled in him. In the moonlight, visible, audible, arm in arm, talking and laughing, they came. He saw them pass; his eyes grew blind. Presently he turned and went home. That night when at last he slept he dreamed, more clearly than ever before, of his steady descent of the moon-bright rope.
Charles Williams (Descent into Hell)
Moonlight on the water. Can anything be more beautiful than a ship on the water at night, under the soft light of a full moon, in the region of the trade winds? There is a fine, steady breeze filling every sail, with the canvas asleep and showing snow-white in its beams, each sail and spar and rope standing out in bold relief, and while a portion of the ship hidden from its rays makes of the whole a perfect picture of lights and shadows, the ship glides noiselessly on; no sound, save the striking of the bell that tells the passing hours of the night, and an occasional order from the officer of the deck. Many such nights we remained on deck till past the midnight hour when the scene was too beautiful for us to leave and go below.
John D. Whidden (Ocean Life in the Old Sailing Ship Days)
To a Lady Reading" The whipsaw beloved noise of someone whispering right in your ear. That and the sudden small hillside of your left breast in your open hand. A caress so tender it makes the earth break under your feet. These sting the underneath of my tongue and though they are only words I love how they suggest a reality just outside the separate ordinary saying of them. How shy they appear exposed slowly on the page. How you might watch them. How you might actually pull your breasts out and over the silk cups and let them hang there now as you read, one hand holding my book. That image took me a half hour to write. This sentence especially moves tentatively as a fingertip. And this one is even slower lower softer and takes all day to go this little way. If you want me to, I’ll look. Or else turn away quietly and tell you how the night’s fat pulley creaks while the moon is hoisted up with rope. How dreams turn. How want burns. How tonight I just came up here and started to write not knowing where it would lead. Not knowing for sure if you ever reach late in the day and touch yourself and rock back a little in your chair and look out the window while the Tree of Desire buds blurry like a fire. Or ever think of me pulling your dress up over your head slowly from far away. From simple longing and sway.
Steve Scafidi (Sparks from a Nine-Pound Hammer: Poems (Southern Messenger Poets))
She stood and tripped over something in the dark, then stumbled and fell on Derek. "Ouch," he moaned. "Are you all right?" she whispered, and realized she was lying on top of him. She liked the way his body felt so familiar and comfortable beneath hers. She rested her head against his chest and closed her eyes, suddenly regretting all the mean things she had said to him. "Aren't you going to get up?" he asked. "Sure," she answered, and let her hands smooth down his chest and then his arms. She was surprised by the feel of his rock-hard muscles. "I work out," he murmured unexpectedly. "What?" He snickered. "The way you're feeling my chest and arms-" "I am not." She jumped up, indignant, then knelt beside him. "I was searching for your ropes." "Liar," he whispered. She felt a blush rise to her cheeks and was glad it was dark so he couldn't see. "The ropes are tied around my ankles and wrists," he said, but there was still laughter in his voice.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
I don't know if you know Marvis Bay? It's in Dorsetshire; and, while not what you would cal a fiercely exciting spot, has many good points. You spend the day bathing and sitting on the sands, and in the evening you stroll out on the shore with the mosquitoes. At nine p.m. you rub ointment on the wounds and go to bed. It was a simple, healthy life, and it seemed to suit poor old Freddie absolutely. Once the moon was up and the breeze sighing in the trees, you couldn't drag him from that beach with ropes. He became quite a popular pet with the mosquitoes. They would hang round waiting for him to come out, and would give a miss to perfectly good strollers just so as to be in good condition for him.
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))